Art& Design Post 1850

21st March 2019

Art & Design Post 1850

Art & Design post 1850

Thursday 21st March at 10.30am

Meet the specialists At Duke’s we are dedicated to making buying and selling at auction as simple and enjoyable as possible.

Our team of specialists are on hand to offer expert advice across the auction spectrum.

Whether you require more information about the current condition of a lot, or you have something similar you would like to sell, please contact a member of our team who will be delighted to assist.

Max Beaumont Head of Department

John Holmes Paintings and Prints

max.beaumont@dukes-auctions.com

john.holmes@dukes-auctions.com

www.sofaa.org

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Welcome to the Dorchester Fine Art Salerooms, which are centrally located in the county town, close to the main Dorchester South railway station.

Trains run hourly to London Waterloo (approximately 2 hours 30 minutes) and there are airports at Bournemouth and Exeter.

The Saleroom has ample parking.

If you require further information please refer to the buyer’s guide on page 3, visit our website, or contact Stephanie Smith.

TRAVEL INFORM ATION South West Trains Train/Fare enquiries: 0845 748 4950 Credit Card Ticket sales: 0845 600 0650 Taxi Oriole Cars: 07823 338 367 or 07876 021 411

Duke’s Brewery Square Dorchester Dorset DT1 1GA Tel: 01305 265080 Duke’s Avenue Auctions Weymouth Avenue Dorchester Dorset DT1 1QS Tel: 01305 257544 Email: enquiries@dukes-auctions.com www.dukes-auctions.com

www.sofaa.org

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area representatives Wiltshire & Cranborne Chase Sir Michael Salt, Bt (01258) 860259 The Isle of Wight Anthony Blest (01983) 760460 Devon Chris Bolton F.R.I.C.S. (01297) 354100 Midlands and Cotswolds Marc Allum (01249) 447478 SOMERSET & AVON Richard Gold (01963) 34764 Hampshire Robert Nevin (0208) 7685152 North of England Nick Bray (07860) 642488

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

B U Y E R S I N F O R M AT I O N

Commission bids: If you are unable to attend the auction in person we will be pleased to execute commission (absentee) bids on your behalf. Lots will be purchased as cheaply as allowed by other bids and reserves Commissions must be received at least 24 hours before the auction.

Illustrations: If you would like a more detailed image of an illustrated lot, or an image of an item which is not illustrated, we will be delighted to send them by email. Requests must be received 24 hours before the auction.

Telephone bidding: If you wish to bid on a major lot over the telephone we will do all we can to assist you, but lines should be booked at least 48 hours before the auction.

Estimates: Estimates are prepared well in advance of the auction and are subject to revision. Our specialists are always pleased to discuss individual lots with intending purchasers.

Condition reports: An indication of condition is not generally printed in the catalogue, but prospective buyers are welcome to request a condition report up to 48 hours before the auction. Please bear in mind that whilst we endeavour to provide an accurate representation the ultimate responsibility is with the buyer and we strongly recommend you personally view any lots on which you intend to bid.

Credit Cards: Payment may be made by credit card or debit card over the telephone up to a maximum of £500 only.

Deposits: The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately.

Buyer’s Premium:

25% plus VAT on the hammer price

Jewellery: The contents of any gemmological certificates accompanying lots in this sale are not guaranteed by Duke’s Auctioneers and we cannot be held responsible for any disagreement over the contents of the certificates after the sale, or for a retrospective change in opinion by the certificate issuer. All weights and measurements provided are approximate only.

Prospective purchasers should assume that all coloured stones sold by Duke’s Auctioneers have been treated unless otherwise stated to the contrary in the catalogue description. Stones are commonly treated to enhance their colour and clarity. Sapphires and rubies are commonly heat treated and emeralds commonly oiled. Jade/jadeite is often bleached, polymer/resin filled or dyed. Please contact Duke’s for more clarification on treatment in individual lots.

Items containing rubies or jade/jadeite of Burmese origin are not permitted for import by the USA. Artist’s Resale Right: From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional. From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work.

CITIES and Wildlife Material: ©Works being sold with a relevant CITIES certificate are denoted with this symbol. For further information regarding CITIES and wildlife material legislation, please see conditions of sale on page 206 Furniture:

‡ Lots marked with this symbol are sold for commercial use only

Collection: Our offices are open Monday to Friday, 9am - 5.30pm. We are pleased to recommend reputable carriers and can advise on air-freight and other forms of despatch. Items of furniture not collected within 5 working days will be transported to storage at the buyers expense.

Online Bidding Online bidding is available for this sale at www.the-saleroom.com. All you need is a computer or laptop and an internet connection. You will be able to bid in real time; a live audio feed means you can hear the Auctioneer at exactly the same time as the other bidders. You will see the lots on your computer screen as they appear in the auction room and the Auctioneer is aware of your bids the moment you make them. Please refer to our terms and conditions of sale for charges.

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Spring Fine Art 18th April 2018

Terrick Williams (1860-1936) 'Pots and Pans, Concarneau, 1902' oil on canvas 73cm x 106cm Estimate: ÂŁ5,000- 10,000

Duke’s are delighted to be accepting entries for this auction.

For further information, or should you wish to consign, please contact Duke's on 01305 265080 or enquiries@dukes-auctions.com 5

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

VIEWING Saturday, 16th October, 9.30am-12noon Monday, 18th October, 9.30am-5pm Tuesday, 19th October, 9.30am-7pm Wednesday, 20th October, 9.30am-5pm And on the morning of the auction day

Catalogues £20.00 (by post)

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Duke’s AUCTIONEERS SINCE 1823

Evening Viewing Duke’s are delighted to offer evening views each Tuesday before our Fine Art Auctions.

Come and join us between 5pm and 7pm for a drink and a chance to view our exciting auctions in our state of the art premises

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Art & Design post 1850

Thursday 21st March at 10.30am

Lots 1 – 78

Glass

Lots 79 – 114

Moorcroft

Lots 115– 168

Poole Pottery

Lots 169 – 250

Ceramics

Lots 251 – 283

Posters

Lots 284 – 289

Items from the Collection of E.O. Hoppé (1878-1972)

Lots 290 – 403

Pictures and Prints

Lots 404 – 452

Sculpture

Lots 453 – 495

Jewellery

Lots 496 – 556

Silver

Lots 557 – 599

Metalware, Lighting and Design

Lots 600 – 670

Furniture

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%.

VIEW IMAGES OF ALL LOTS AND BID LIVE ONLINE

Photography by JONATHAN GOODING www.jonathangooding.co.uk 8

Glass

Detail of lot 59 9

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

1 AESTHETIC MOVEMENT STAINED GLASS PANEL decorated with a kingfisher perched on a branch with a fish in its mouth beside another bird, amongst reeds and waterlillies , within a blue tinted geometric border, 29cm long x 21cm high 2 AESTHETIC MOVEMENT STAINED GLASS PANEL rectangular form, decorated with a heron amongst reeds, within a red tinted glass geometric border, 29cm high x 16.5cm width

£100-200

£100-200 3 ROWLAND WARD: A COLLECTION OF GLASSWARES comprising a pitcher, six tumblers, six wine glasses and a mug, each etched with safari animals including giraffes and antelopes (14) £300-500

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4 GEOFFREY BAXTER FOR WHITEFRIARS: A “BAMBOO” GLASS VASE rectangular form, decorated in the Indigo colourway, paper label, 21cm high £100-200

5 GEOFFREY BAXTER FOR WHITEFRIARS: A “NUTS AND BOLTS” GLASS VASE decorated in the cinnamon colourway, shape 9668, 26.5cm high £100-200

6 VICTORIAN SILVER MOUNTED AND COLOURED GLASS CLARET JUG marked Jehoiada Alsop Rhodes & Barber, Sheffield, 1883, hinged cover, thumb piece, amber tinted body with blue tinted angular handle, 27cm high

8 GEOFFREY BAXTER FOR WHITEFRIARS: A GLASS ARCHITECTURAL SLAB square form, the clear glass slab cast with a three circle design, 17.5cm sq £50-100

£100-200 7 JAMES POWELL & SONS (WHITEFRIARS): A COLLECTION OF DRINKING GLASSES comprising fourteen Sherry / Port glasses and four liqueur glasses, each of moulded dimple form (18)

9 MICHAEL HARRIS AND WILLIAM WALKER FOR ISLE OF WIGHT GLASS: AN “AZURENE” STUDIO GLASS VASE cylindrical form with gold and silver leaf inclusions on a dark blue ground, 22.5cm high, and one paperweight similar, 8cm dia (2)

£100-200

£50-100 11

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

10 BIMINI: A COLLECTION OF GLASS BUTTONS c.1940’s, each of various designs and forms, each painted in polychrome, designs probably

by Dame Lucie Rie, each stamped with bimini marks (22) Provenance: Private collection, Dorset, Property of a Lady £200-400

Lot 10

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A COLLECTION OF GLASS BUTTONS

c.1940’s, each of various designs and forms,

each painted in polychrome, designs probably

by Dame Lucie Rie, some stamped with bimini marks (13) Provenance: Private collection, Dorset,

Property of a Lady

£150-250

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IN THE MANNER OF ORPLID

AND BIMINI: A COLLECTION

OF GLASS BUTTONS

c.1950’s, each of various designs and forms, each

painted in polychrome, unmarked (62)

Lot 11

Provenance: Private collection, Dorset,

Property of a Lady

£80-150 12

Lot 13

Lot 14

16 EDWARD HALD FOR ORREFORS: AN “ OPTIC “ GLASS VASE of spherical form with internal optic bands, blue ground, signed, 15cm high

13 MDINA: A “FISH “ GLASS VASE designed by Michael Harris, green mottled centre and cased in clear, 22cm high £100-200

£50-100

14 MDINA: A “FISH “ GLASS VASE designed by Michael Harris, green and blue mottled centre and cased in clear, 23.5cm high, and one other smaller, paper label, 19cm high (2)

17 VENINI: A MURANO GLASS VASE baluster form with everted rim, ribbon and pink swirl design, raised on a spreading circular foot, 24cm high

£100-200

15 ALFREDO BARBINI / CENEDESE: A PAIR OF MURANO SOMMERSO GLASS BOOKENDS modelled in the form of an apple and pear, the red coloured centre encased in a clear glass surround, tallest 20cm high

£150-250

£80-150

Lot 17

Lot 15 13

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

18 BAROVIER AND TOSO: A MURANO GLASS FOOTED BOWL designed by Ercole Barovier, for Ferro-Barovier-Toso, oval form with lipped sides, applied with two circular milk glass handles, moulded diamond cross decoration in a Cordonato d’Oro colourway, on a shaped foot, 11.5cm high x 24cm wide £150-250

19 BAROVIER AND TOSO: A MURANO “ROSTRATO” GLASS VASE designed by Ercole Barovier, for Ferro-Barovier-Toso, flared circular form with moulded spines, decorated in a “coralli” colourway with flecked gold and pink, on a circular foot, 25cm high £200-300

20 IN THE MANNER OF ARCHIMEDE SEGUSO: A PAIR OF MURANO GLASS HORSE HEADS each encased in clear glass with gold flecked decoration, 20cm high £100-200 14

21 GABRIEL ARGY-ROUSSEAU: A PATE-DE-VERRE “ROSES/RANUNCULUS” GLASS BOX circular form, pull-off cover, decorated with a frieze of blue roses, no. 0108, cast signature, 8cm dia Provenance: Private Collection, Dorset Literature: Janine Bloch-Dermant G Argy-Rousseau 'Glassware as Art', Thames & Hudson, page 187 figure 21.08 this design illustrated. £800-1,500 22 GABRIEL ARGY-ROUSSEAU: A PATE-DE-VERRE “BLACKBERRY” GLASS BOWL circular form, cast with a frieze of blackberries in polychrome, raised on a circular foot, cast signature, 10cm dia Provenance: Private Collection, Dorset Literature: Janine Bloch-Dermant G Argy-Rousseau 'Glassware as Art', Thames & Hudson, page 178 figure 14.03 this design illustrated. £1,000-1,500

23 GABRIEL ARGY-ROUSSEAU: A PATE-DE-VERRE “CHRYSANTHEMUM” GLASS LAMP pull-off metal leaf cover, cylindrical tapering shade decorated with a frieze of chrysanthemum flowers, cast signature, raised on a tripod bronze circular base with incised geometric decoration, 16cm high Literature: Janine Bloch-Dermant G Argy-Rousseau Glassware as Art, Thames & Hudson, page 47 figure for similar reference. £800-1,500

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

24 HENRI BERGE FOR AMALRIC WALTER: A PATE DE VERRE GLASS PAPERWEIGHT modelled in the form of a mouse eating a dried fruit, raised on a naturalistic base, incised signature marks, 8.5cm high

25 HENRI BERGE FOR AMALRIC WALTER: A PATE DE VERRE GLASS PAPERWEIGHT modelled in the form of a butterfly, on a circular green base, incised signature marks, 11cm

£300-500

£300-500

Lot 25

Lot24

30 COLLECTION OF ART GLASS WARES comprising a Mdina style rectangular form vase, blue bands on a red ground, a Murano glass “handbag” with flecked gold on a black ground and two other Murano glass vases (4)

26 PAIR OF MURANO GLASS SCULPTURES modelled as a pair of birds, each with aventurine, foil labels to verso, and a pair of art glass bowls (4) £50-100

£100-200

27 ITALIAN “MURANO” GLASS LAMP BASE tear drop form, the red glass ground with blue ribbon swirls, 29cm high

31 LE VERRE FRANCAIS: A PATE-DE-VERRE MOON FLASK GLASS VASE scroll neck, decorated in mottled blue greenish colours on a pink ground, probably designed by Charles Schneider, etched marks, 20.5cm high

£80-150 28 MURANO: AN ART GLASS VASE oviform, encased in ruby and green with a central ribbon swirl, 24.5cm high

£100-200 32 LE VERRE FRANCAIS: A PATE-DE-VERRE MOON FLASK GLASS VASE scroll neck, decorated in specked blue green and orange colours on an opaque ground, probably designed by Charles Schneider, etched marks, 20.5cm high

£50-100 29 COLLECTION OF ART GLASS WARES comprising a Monart / Nazeing style pink tinted bowl, a Murano pink tinted opalescent ashtray, and two other glass dishes (4)

£100-200

£100-200 16

36 ERIK HOGLUND FOR KOSTA BODA: A “PEOPLE” GLASS DECANTER the amber tinted bubbled decanter modelled in the form of a figure, detachable stopper, with two mugs, each of waisted form with scroll handles, no. H288, engraved marks, 31cm high £80-150 37 CONTEMPORARY BLOWN GLASS DECANTER AND STOPPER long slender collar, oversize round stopper, 42cm high £50-100 38 VAL ST. LAMBERT: AN ART DECO “ARDENNES” GLASS VASE tapering form with a wide notch cut rim over a prism neck, facet and prism lower section, cased in a light amethyst-brown tint with gilt highlight stylised decoration, 26cm high £600-800

Lot 33 33 MOSER: A RUBY GLASS GOBLET circular form, the bowl enamelled in polychrome with flowers and scrolling foliage, on a vermiculated gilt ground, knopped stem on a circular foot, 18cm high £300-500 34 COLLECTION OF ART GLASS WARES of mixed forms and proportions, comprising three vases and a small circular dish, two vases indistinctly signed (4) £100-200 35 BACCARAT: A PURPLE FLASH CUT GLASS POWDER POT circular form with waisted sides, pull-off cover cut with stylised flowers and stars, signed marks, 13cm dia

Lot 38

£100-200

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

39 CURT SCHLEVOGT: AN ART DECO FROSTED AND CLEAR VASE oviform with raised collar, moulded in relief and decorated with a frieze of female figures between clear bar windows, 23.5cm high £500-1,000

40 ANDRÉ HUNEBELLE AND ROGER COGNEVILLE: AN ART DECO “POISSON CHINOIS” FROSTED GLASS VASE moulded and decorated in relief with two stylised fish on a patterned ground between cascading water, impressed marks, 19.5cm high £800-1,500

41 PIERRE D’AVESN FOR VERLYS: A “COLLERETTE COUP” GLASS CHARGER circular form, wide sloping interlaced cog wheel rim band, moulded marks, 39.5cm dia £300-500

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45 IN THE MANNER OF STROMBERGSHYTTAN: A SOMMERSO GLASS VASE oviform, blue encased in clear glass with a black foot, 34cm high

Lot 42

£50-100 46 ISGARD MOJE-WOHLGEMUTH (b.1941): A COLLECTION OF STUDIO ART GLASS comprising four vases, one goblet and three baubles, mixed forms and proportions (8) £100-200 47 WILHELM KRALIK SOHNE: AN ART NOUVEAU GLASS BISCUIT BARREL with silver plated mounts, pull-off cover with knopped finial, stylised carrying handle, 24.5cm high (inc handle) £50-100

Lot 43

42 LEGRAS: A CAMEO GLASS VASE tapered cylindrical form, wheel-cut with holly leaves, berries and twigs on a yellow peach ground, signed in cameo, 29.5cm high £600-800 43 LEGRAS: AN ART DECO “NEPTUNE” GLASS VASE tapered cylindrical form, acid-etched and cut with stylised decoration on an olive green ground, impressed marks, 44.5cm high £600-800 44 VAL ST LAMBERT: A GREEN TINTED CUT GLASS VASE oblong form, cut borders, probably designed by Joseph Simon, signed marks, 30cm long £80-150

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

48 PAUL HELLER FOR BOOM GLASS: AN ART DECO “FLAMINGO” VASE cylindrical waisted form, the black ground cut with a frieze of stylised flamingos on a silvered textured back, foil label, 30cm high £600-800

Lot 49

Lot 48 49 HENRI DIEUPART: AN ART DECO OPALESCENT GLASS VASE shouldered ovoid form, moulded in relief and decorated with pine cones on a whorl stripe ground, signed marks, 25cm high £400-600

50 IN THE MANNER OF HARRACH: A BOHEMIAN GLASS GOBLET urn shape bowl on a pedestal stem over a spreading base, the bowl decorated with a wide acid etched frieze of gilded elephants among grasses, palm trees, distant mountains and birds, 31.5cm high

Lot 50

£800-1,500 51 NANNY STILL (1926 - 2009) FOR RIIHIMAEN LASI OY/RIIHIMAKI: A “KORISTEPULLO” GLASS VASE cylindrical form with everted rim, amber greenish tint, etched marks, 31.5cm high, and a pair of red tinted glass vases designed by Gunnar Ander for Elme Glasbruk, 35.5cm high (3) £50-100

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52 EMILE GALLE (1846-1904): A CAMEO GLASS VASE c.1880, ovoid form, the translucent ground overlaid with wheel-carved purple trailing flowers and leaves, with raised cameo signature, 11cm high x 12cm dia £400-600

53 EMILE GALLE (1846-1904): A CAMEO GLASS VASE tapering form, overlaid and acid etched with flowers on a translucent ground, signed in cameo, 12.5cm high £80-150

54 EMILE GALLE (1846-1904): A DRINKING GLASS circular form, the bowl decorated with polychrome enamelled stylised flowers with gilt highlights on a green toned clear ground, knop tapered stem on a circular foot, signed marks, 8cm high £200-400

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55 EMILE GALLE (1846-1904): A CAMEO GLASS VASE bulbous form with cylindrical tapering neck, overlaid and acid etched with wild flowers, signed in cameo, 11cm high £100-200

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

56 RENE LALIQUE: A “VOLUTES” OPALESCENT GLASS DISH c. 1934, circular form, moulded in relief with a spiral spot design, etched mark, 27.5cm dia £150-250

Lot 59

57 RENE LALIQUE: A “BACCHUS” BLUE STAINED FROSTED GLASS VASE c.1938, circular tapering form, raised collar, the frosted body moulded with a frieze of satyrs amongst ivy, etched signed markings, 18cm high £100-200 58 RENE LALIQUE: A “DANAIDES” OPALESCENT GLASS VASE c. 1926, circular tapering form, moulded with a freize of classical women carrying water, etched mark, 18cm high £100-200 59 RENE LALIQUE: A “CEYLAN” OPALESCENT BLUE STAINED GLASS VASE c. 1924, no. 905, cylindrical form with everted rim, decorated with a freize of budgerigars, impressed mark, 24cm high £800-1,500

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A Dorset Collection of Lalique

detail of lot 64 23

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

60 RENE LALIQUE: AN OPALESCENT “MARTIGUES” FROSTED GLASS SHALLOW BOWL c.1920, no. 377, circular form, the underside moulded with a swirl of fish, signed in cast, 36.5cm dia £800-1,500

61 RENE LALIQUE: A “BACCHUS” FROSTED AND CLEAR GLASS VASE c.1938, circular tapering form, raised collar, the frosted grey body moulded with a frieze of satyrs amongst ivy, etched signed markings, 18cm high £500-1,000 62 LALIQUE: A “HONFLEUR” FROSTED AND CLEAR GLASS SHALLOW DISH circular form, the border with frosted glass leaves, signed markings, 31cm dia, and a small Lalique frosted glass dish, with scalloped border, signed markings, 17cm dia (2) £80-150 63 LALIQUE: A “TETE DE LION” FROSTED AND CLEAR GLASS TABLE LIGHTER the frosted glass body with two lion motifs, on a circular foot, 11.5cm high and a Lalique “St Cloud” frosted and clear footed glass vase, signed markings ,11.5cm high (2)

Lot 61

£80-150 24

64 RENE LALIQUE: A “BACCHANTES” BLUE STAINED FROSTED GLASS VASE c.1925, no.997, circular tapering form, the body decorated with a frieze of nude women, signed markings, 24.5cm high Provenance: Originally acquired from David J. Pym Antiques, Hungerford, Berkshire £1,500-2,500

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Lot 65

69 LALIQUE: A “COQ NAIN” FROSTED AND CLEAR GLASS PAPERWEIGHT modelled in the form of a cockerel, with raised plumage, signed markings, 20.5cm high, complete with original presentation box.

65 RENE LALIQUE: AN OPALESCENT “PLUME DE PAON” GLASS BOWL circular form, moulded with peacock feathers and raised cabochons, etched signiature to centre, 29cm dia £300-500

£80-150

66 LALIQUE: A “LUCCA” FROSTED AND CLEAR GLASS VASE no. 1230300, rectangular tapering form, entwined ribbon frosted glass base, signed markings, 27.5cm high

70 LALIQUE: A “ FLACON ELISELLES” FROSTED GLASS PERFUME BOTTLE no. 1132000, designed by Maria-Claude Lalique, 11.5cm high (boxed), a miniature Lalique “ Ondines” limited edition perfume bottle, c.1998, and two others similar, signed and impressed markings (4)

£80-150

£50-100

67 LALIQUE: A “VIRGINIA” FROSTED AND CLEAR GLASS COMPORT no. 1105900, the circular lobbed bowl supported by four moulded frosted glass peacocks, on a spreading circular foot, complete with original box, signed markings, 16.5cm high x 21.5cm dia

71 LALIQUE: A “NOGENT” FROSTED AND CLEAR GLASS PEDESTAL BOWL no.1105100, the clear glass bowl supported by four frosted glass birds, complete with original presentation box and papers, signed markings, 9cm high x 14cm dia

£100-200

£80-150

68 LALIQUE: A “CHEVAL KAZAK AU GALOP” FROSTED GLASS PAPERWEIGHT c.1996, no. 1206500, another “Cheval Kayak Cabre”, no. 1204900, and one other “Timori”, no. 1179300, designed by Marie-Claude Lalique, each signed, with original presentation boxes and papers (3)

72 LALIQUE: A “DANSEURS ENLACES” FROSTED GLASS SCULPTURE no. 1192700, modelled as a dancing couple, signed markings, complete with original presentation box, 15cm high x 15cm length

£100-200

£80-150 26

73 RENE LALIQUE: AN ART DECO “TETE D’AIGLE” FROSTED AND CLEAR GLASS CAR MASCOT c.1924/1928, no. 1138, modelled in the form of an eagles head, mounted on a black wooden rectangular base, signed to cast R. Lalique, 13.5cm high £800-1,500

Lot 73

75 LALIQUE: A PAIR OF FROSTED AND CLEAR GLASS SHOT GLASSES no. 1710300, in original presentation case, and a pair of Lalique “Nu Assis” frosted and noir crystal nude kneeling figures, signed markings (3)

74 RENE LALIQUE: A “TAUREAU” CLEAR AND FROSTED GLASS PAPERWEIGHT c.1931, no.1194, modelled in the form of a Taurus, on a clear glass rectangular base, signed markings, 10.5cm length £100-200

£50-100 27

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

78 RENE LALIQUE: A “MIMOSA” BLUE TINTED FROSTED GLASS VASE c. 1921, no. 953, ovoid form, raised stem neck, moulded with vertical narrow acanthus leaves, cast signature, retailers paper label to base, 17cm high

76 RENE LALIQUE: A “GUI” BLUE STAINED GLASS VASE c.1920, no.948, globular form, moulded with mistletoe, stamped markings, 16.5cm high £200-400

£200-400

77 RENE LALIQUE: A “TROIS SIRENES” BLUE TINTED FROSTED GLASS INKWELL AND COVER c.1921, no. 435, pyramid circular form, detachable domed frosted glass cover, modelled with a frieze of mermaids, cast signature, 24cm dia Provenance: Originally acquired from David J. Pym Antiques, Hungerford, Berkshire £1,500-2,500

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Moorcroft

detail of lot 86 29

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Lot 79

79 MOORCROFT: A PAIR OF “ANEMONE” VASES of squat form with raised neck, decorated with flowers on a blue ground, two oviform vases decorated in the “ Anemone” pattern on blue and green ground and a “Autumn Leaves” pattern pot, impressed stamp markings, tallest 12.5cm (5) £200-400 80 WILLIAM MOORCROFT: A “POMEGRANATE” FOOTED BOWL painted in polychrome with fruit on a dark blue ground, signed and impressed marks, 21.5cm dia

Lot 80

£200-400 81 WILLIAM MOORCROFT: AN “ANEMONE” VASE ovoid form with everted rim, decorated with flowers on a green ground, signed and impressed markings, 12cm high £80-150 82 WILLIAM MOORCROFT: A “HIBISCUS” VASE shouldered form, decorated with flowers on a blue and green ground, signed and impressed markings, 25cm high

Lot 82

£100-200 30

86 WILLIAM MOORCROFT: AN “ANEMONE” PATTERN VASE oviform with everted rim, decorated with pink and purple flowers on a blue and green ground, impressed and painted signature, 23cm high £100-200 87 WILLIAM MOORCROFT FOR JAMES MACINTYRE & CO: A “ROSE GARLAND” VASE trumpet form, decorated with roses and leaves on a white ground with gilt highlights, no. M2837/3, signed and printed marks, 29cm high £200-300

Lot 86 83 WILLIAM MOORCROFT: A “POMEGRANATE” CANDLESTICK cylindrical form, decorated in polychrome on a dark blue ground, on a spreading circular foot, signed and impressed marks, 26cm high £100-200 84 WILLIAM MOORCROFT: A “POMEGRANATE” VASE baluster form with long slender neck, painted in polychrome, signed and impressed marks, 26.5cm high £80-150 85 MOORCROFT: A PLAIN LUSTRE VASE c.1916, shouldered form, decorated in a purple glazed, impressed marks, 20.5cm high

Lot 87

£50-100

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Lot 88

Lot 91

Lot 90

88 MOORCROFT: A “HIGH SOCIETY” LIMITED EDITION VASE c. 2012, baluster form, tubeline decorated and painted in polychrome with figures, designed by Paul Hilditch, no. 69/100, signed, painted and impressed markings, 31cm high

91 MOORCROFT: A “ CROWN OF FLOWERS” LIMITED EDITION VASE c. 2013, tubeline decorated and painted in polychrome, designed

by Rachel Bishop, no. 13/50, signed, painted and impressed markings, 26cm high

£150-250

£150-250

89 MOORCROFT: A “SPRIRAXIA” LIMITED EDITION VASE c. 1998, cylindrical form with raised collar, tubeline decorated and painted in polychrome with flowers, designed by Emma Bossons, no. 149/300, signed, painted and impressed markings, 28cm high

92 MOORCROFT: A “MIMOSA” TRIAL JUG tapering cylindrical form with angular handle, tubeline decorated and painted in polychrome with flowers and leaves on a black ground, impressed and painted marks, paper label to base, 24cm high

£150-250

£80-150

90 MOORCROFT: A “RAIN FOREST” LIMITED EDITION VASE c. 1993, oviform, tubeline decorated and painted in colours with flowers and leaves, designed by Sally Tuffin, no. 68/100, painted and impressed marks, 18.5cm high

93 MOORCROFT: A “PEACOCK” VASE c.1992, squat form with raised collar, tubeline decorated and painted in colours with peacock feathers on a green ground, designed by Sally Tuffin, impressed and painted marks, 16cm high Initially designed for Liberty & Co, London

This vase was originally designed to show awareness and raise funds for the Brazilian Rain Forest

£100-200

£100-200

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94 MOORCROFT: A “SOLDIER GRASS” VASE c. 2004, waisted form, tubeline decorated and painted in polychrome, designed by Rachel Bishop for the Moorcroft Collectors Club, painted and impressed markings, 28.5cm high

Lot 94

£150-250 95 MOORCROFT: AN “UNDERWOOD” LIMITED EDITION VASE c.1998, oviform and tubeline decorated with toadstools and flowers on a peach ground, designed by Debbie Hancock for Macintyre, no. 140/350, printed, painted and impressed marks, 18cm high £100-200 96 MOORCROFT: A “FARM COVE” LIMITED EDITION VASE c. 2015, squat form, tubeline decorated and painted in polychrome with sailing yachts in a harbour, designed by Vicky Lovatt, no. 49, signed, printed and impressed markings, 11.5cm high

Lot 96

£80-150 97 MOORCROFT: AN “ISLAY” VASE c.1998, oviform with everted rim, tubeline decorated and painted in polychrome, designed by Emma Bossons, painted and impressed markings, 14.5cm high £100-200 98 MOORCROFT: A “ VALLEY GARDENS” LIMITED EDITION VASE c. 2015, baluster form, tubeline decorated and painted in polychrome with flowers on a dark blue ground, designed by Emma Bossons, no. 20/30, painted and impressed marks, paper label to base, 21cm high

Lot 99

£100-200 99 MOORCROFT: A “RYDEN LANE” TRIAL VASE c. 2012, oviform with raised collar, tubeline decorated and painted in polychrome, designed by Rachel Bishop, painted and impressed markings, 36.5cm high £300-500

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100 MOORCROFT: A “PULSATILA” VASE c.2010, squat form with raised collar, tubeline decorated and painted in polychrome with flowers on a cream ground, designed

by Vicky Lovatt, painted and impressed markings, 10.5cm high

Lot 101

£80-150 101 MOORCROFT: A “TAMARIN MONKEY” LIMITED EDITION VASE c. 2000, baluster form, tubeline decorated and painted in polychrome with monkeys amongst leaves, designed by Sian Leeper, no. 265/300, signed, painted and impressed markings, 27cm high £150-250 102 MOORCROFT: A “BLUE FINCHES” GINGER JAR AND COVER c. 1992, ovoid form with pull-off cover, tubeline decorated and painted in polychrome with fruits and finches on a dark blue ground, designed by Sally Tuffin, painted and impressed marks, 20cm high

Lot 102

£150-250 103 MOORCROFT: A “GOLDEN LILY” VASE c. 1989, oviform, tubeline decorated and painted in polychrome, designed by Sally Tuffin, painted and printed markings, 31.5cm high This was based on a William Morris design for Sandersons Fabrics £100-200

Lot 105 104 MOORCROFT: A “COCKLE SHELL” TRIAL VASE c. 2001, oviform, tubeline decorated and painted in polychrome, impressed and painted marks, 11cm high £80-150 105 MOORCROFT: A “TRINITY FLOWERS” TRIAL VASE c.. 2012, oviform, tubeline decorated and painted in polychrome, designed by Paul Hilditch, painted and impressed marks, 38cm high £150-250 34

106 MOORCROFT: A “ MOONSHINE” LIMITED EDITION VASE c. 2013, ovoid form, tubeline decorated and painted in polychrome, designed by Kerry Goodwin, no. 47/75, signed, painted and impressed marks, paper label to base, 26.5cm high

Lot 106

£200-400 107 MOORCROFT: AN “AUTUMN LEAVES” VASE c. 1989, oviform, tubeline decorated and painted in colours, designed by Sally Tuffin, painted and impressed marks, 31cm high Originally based on a William Morris design and specially commissioned for Sandersons Fabrics £100-200

Lot 108 108 MOORCROFT: A “ SCOTCH ROSE” PLAQUE c. 2016, circular form, tubeline decorated and painted in polychrome, designed by Nicola Slaney for the Royal Horticultural Society, impressed and painted marks, set in a light oak frame, paper label to verso, 31cm inc frame £100-200 109 MOORCROFT: A “FOXGLOVE” JUG c. 2002, tapering cylindrical form with angular handle, tubeline decorated and painted in polychrome with flowers on a cream ground, designed by Rachel Bishop, impressed and painted marks, 24cm high

Lot 110

£80-150 110 MOORCROFT: A FLORIAN WARE TYPE “FISH” TRIAL VASE c. 2012, baluster form with long slender neck, tubeline decorated, designed by Kerry Goodwin, printed, painted and impressed marks, 36.5cm high £150-250 111 MOORCROFT: A” PHEASANT EYE” TRIAL JUG c. 2000, cylindrical form, single angular handle, tubeline decorated and painted in polychrome, painted and impressed markings, 24cm high £80-150 35

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Lot 112

112 MOORCROFT: A PRESTIGE “CLOUDED LEOPARD” TRIAL VASE c. 2014, baluster form, tubeline decorated and painted in polychrome, designed by Vicky Lovatt, painted and impressed marks, paper label, 42cm high £600-800 113 MOORCROFT: AN “OPHELIA'S FLOWERS” VASE c.2009, flattened form with raised collar, tubeline decorated and painted in polychrome, designed by Vicky Lovatt, impressed and painted marks, 31cm high £80-150

114 MOORCROFT: A “BLUE HEAVEN” VASE c. 2009, baluster form, painted in polychrome and decorated with a stylised flower, designed by Nicola Slaney, printed, painted and impressed marks, 26.5cm high, and one other similar (boxed) (2) £100-200

Lot 114

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Poole Pottery

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My interests in Poole go back to the 1960s, but it wasn’t until I worked with Leslie Hayward on the production of his book in the 1990s that I fully appreciated the real and special qualities of this pottery. From the start of the making of decorative wares in the early 1900s, the pottery, initially Carter and Co. and later Carter, Stabler and Adams, maintained a dedicated commitment to modernity, with an extraordinary ability to redefine that modernity every decade, and this set it apart from every other pottery in Britain.

The group of Poole wares included in this sale, which range in date from about 1915 to the end of the 20th century, underline this in a very striking way and represent all the major periods of Poole production, along with many of the major designers and artists associated with the pottery through that period. It is, for that reason, a particularly exciting group. There are Owen Carter lustre wares from the start of the modern Poole story, including a dish decorated with retiles modelled by Lily Gilham, and a vase with a simple painted design by James Radley Young that anticipates the early Truda Adams productions that followed the start of Carter, Stabler and Adams in 1921.

Truda Adams (later Carter) is well represented with a range of classic Poole wares from the 1920s and 1930s, many of which reflect her particular designs skills and her place as one of Britain’s leading pottery designers of that era. These colourful wares indicate her enthusiasm for French Art Deco patterns and colours, and other well-known sources of the time, while showing at the same time her exceptional originality. The most remarkable piece is the massive vase decorated with John Adams’ Bush-Velt pattern, and painted by Ann Hatchard in the late 1920s or early 1930s, and perhaps made for an exhibition. All these pieces show the exceptional skills of the Poole paintresses.

Other wares include one of the Arthur Bradbury ship plates, painted by Ruth Pavely in 1938, and a range of later wares in what became known as ‘traditional’ styles. The 1950s, when Poole once again re-invented itself under the leadership of Alfred Read and Lucien Myers, is also represented, along with the emergence of the Poole studio in the 1960s when Robert Jefferson and Guy Sydenham again took the pottery off in new directions. From this came the famous ranges of the 1960s and 1970s, Delphis and Atlantis, and it is fitting that one of the most recent pieces in the group is a Tony Morris fish dish from 1999, a fine example from the last chapter in the story of this great pottery.

Paul Atterbury, February 2019

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Lot 115

115 CARTER & CO (POOLE POTTERY): A “PORTUGUESE STRIPE AND GEOMETRIC” VASE oviform with raised collar, probably designed by James Radley Young, signed marks, 17.5cm high £100-200

116 CARTER & CO (POOLE POTTERY): A STONEWARE BOWL circular form, the frilled border applied with a newt and toad in relief, decorated in a blue greenish glaze, probably designed by Lily Gilham, signed marks, 23cm dia

Lot 116

£600-800

117 CARTERS (POOLE POTTERY) RED LUSTREWARE FOOTED BOWL circular form, signed markings, 16cm dia. £80-150

Lot 117

118 POOLE POTTERY CARTER STABLER ADAMS CHARGER decagon form, decorated in the BB pattern, shape no. 117, the centre painted in polychrome within a stylised border,

by Winifred Rose, impressed and painted marks, 30.5cm £150-250

Lot 118

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119 POOLE POTTERY CARTER STABLER ADAMS VASE oviform, decorated in the BR pattern, shape no. 429, painted in polychrome by Margaret Holder, impressed and painted marks, 25cm high

120 POOLE POTTERY CARTER STABLER ADAMS VASE oviform, decorated in the ZW pattern, shape no. 684, painted in polychrome with sprigs and wild flowers by Anne Hatchard, impressed and painted marks, 36.5cm high

£100-200

£200-400

121 POOLE POTTERY CARTER STABLER ADAMS “ETRUSCAN” JUG oviform with scroll handle, decorated in the OR pattern, shape no. 1124, probably designed by James Radley Young and Truda Adams, painted by Lily Pedley, a similar jug and a costrel / owl (3) £150-250

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122 POOLE POTTERY CARTER STABLER ADAMS “GALLEON” BOOKEND designed by Harold Stabler and modelled by Harry Brown, impressed marks, 26.5cm high

Lot 122

£150-250

123 POOLE POTTERY “KNIGHT” BOOKEND shape no. 835, designed by Harold Brownsword, decorated in a magnolia white glaze, impressed marks, 21.5cm high £150-250

Lot 123

125 POOLE POTTERY CARTER STABLER ADAMS “TRANSITIONAL” STONEWARE VASE cylindrical form, decorated with sprigs of flowers on a grey glazed ground, impressed and painted marks, 25.5cm high

124 POOLE POTTERY CARTER STABLER ADAMS “TRANSITIONAL” VASE globular form, twin handles, shape no. 202, tin glazed and decorated in the HJ pattern with sprigs of flowers, painted

by Anne Hatchard, a shouldered vase decorated in a geometric design, probably after a design by James Radley Young; and one other similar, tallest 23.5cm high (3)

£150-250

Provenance: Ex. Roy Holland Collection (late Managing Director of Poole Pottery) £150-250 41

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Lot 128

126 AN IMPORTANT POOLE POTTERY CARTER STABLER ADAMS “BUSH VELT” EARTHENWARE VASE shouldered form, decorated in the LZ pattern, designed by John Adams, painted in polychrome with a lion attacking an antelope within geometric segments, by Anne Hatchard, impressed and painted marks, 62cm high £2,000-4,000 127 POOLE POTTERY “BUSH VELT” VASE oviform, decorated in the EZ pattern, shape no. 916, designed by John Adams, painted by Ruth Pavely, painted and impressed marks, 37cm high Literature: Poole Pottery Leslie Hayward and Paul Atterbury, page. no 55 for comparable vase. £500-1,000 128 POOLE POTTERY CARTER STABLER ADAMS ARCHIVE a “Bush Velt” LZ pattern print, designed by John Adams, mounted, framed and glazed, 56cm x 37cm

Lot 127

£50-100 42

Lot 126

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Lot 129

129 POOLE POTTERY: A TRADITIONAL VASE ovoid form, shape no. 337, decorated in the PU pattern with slylised flowers and geometric designs, painted in polychrome by Anne Hatchard, designed by Truda Adams, impressed and painted marks, 24.5cm high Literature: Poole Pottery, Leslie Hayward, Edited Paul Atterbury, pg. no. 66 top for comparable vase £80-150 130 POOLE POTTERY CARTER STABLER ADAMS VASE oviform, decorated in the EW pattern, shape no. 429, painted in polychrome with a band of flowers by Ruth Pavely, painted and impressed marks, 26cm high

Lot 131

£100-200 131 POOLE POTTERY: A TWIN HANDLED TRADITIONAL VASE shape no. 437, decorated in the YQ pattern, probably designed

by Truda Carter, with a band of stylised flowers in polychrome, painted by Anne Hatchard, impressed and painted marks, 26.5cm high £100-200 132 POOLE POTTERY CARTER STABLER ADAMS “BLUE BIRD” VASE shouldered form, two stylised handles, decorated in the DV pattern, shape no. 973, painted in polychrome by Ann Hatchard, impressed and painted marks, 21.5cm high

Lot 133

£100-200 133 POOLE POTTERY: A TRADITIONAL VASE shouldered globular form, decorated in the ER pattern, painted in polychrome, the centre with a bouquet of flowers with a geometric border, painted by Ruth Pavely, impressed and painted marks, 36cm high £150-250

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134 POOLE POTTERY: A “PERSIAN DEER” TRADITIONAL CHARGER circular form, shape no. 528, decorated in the VU pattern, the centre decorated with a deer amongst scrolling foliage and flowers, painted in polychrome by Anne Hatchard, designed by Truda Adams, painted and impressed marks, 38cm dia Literature: Poole Pottery, Leslie Hayward, edited by Paul Atterbury, pg. no. 37 for comparable £200-400

135 POOLE POTTERY: A FOOTED BOWL circular form, decorated in the UI pattern, shape no. 686, painted in polychrome with a band of stylised flowers by Pat Summers, impressed and painted marks, 23cm dia £100-200

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136 POOLE POTTERY CARTER STABLER ADAMS VASE shouldered form with everted rim, decorated in the CE pattern, shape no. 970, painted in polychrome with stylised flowers by Margaret Holder, impressed and painted marks, 25cm high

Lot 137

£100-200 137 POOLE POTTERY: A “PLANE WARE” VASE shape no. 209P, decorated in the black panther colourway, designed by John Adams, impressed marks, 16cm high £150-250 138 POOLE POTTERY “DELFT” VASE cylindrical tapering form, decorated in the HT pattern, shape no.

166, painted by Jean Cockram, impressed and painted marks, 25cm high

Lot 139

£100-200 139 POOLE POTTERY “SLYVAN” TRIAL BOWL circular form with raised collar, drip glazed decoration, probably designed by John Adams, impressed and painted marks, 22cm dia £100-200 140 POOLE POTTERY “SYLVAN” GLAZE JUG oviform, scroll handle and spout, shape no. 663, glaze no. M24, designed by John Adams, painted and impressed marks, 27cm high

Lot 141

£80-150 141 POOLE POTTERY “SYLVAN” TOBACCO JAR AND COVER globular form, pull-off cover, glaze no. M22, probably designed by John Adams, commissioned for W.C.L Parsons, Dorchester c.1936, impressed, incised and painted marks, 17.5cm high £50-100

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142 POOLE POTTERY “THE SHIP OF HARRY PAYE” CHARGER c. 1938, circular form, the centre decorated with a vessel, within a stylised geometric border “The Ship of Harry Paye Poole 1400” designed by Arthur Bradbury, painted by Ruth Pavely, painted and impressed marks, 38cm dia

Lot 142

£200-400

Lot 144

143 POOLE POTTERY: A “1951 FESTIVAL OF BRITAIN” TRADITIONAL CHARGER circular form, painted in polychrome and decorated with a bouquet of flowers, and a cheese dish and cover (2) £80-150 144 POOLE POTTERY: AN IMPORTANT “1951 FESTIVAL OF BRITAIN” VASE cylindrical form with raised collar, painted in polychrome and decorated with the Poole coat of arms and crest, entitiled “Presented to the borough & county of the town of Poole by the makers of Poole Pottery In commemoration of the Festival of Britain 1951” impressed marks, 36.5cm high Provenance: Ex Christie’s Poole Pottery Auction £300-500

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148 POOLE POTTERY: A “FREEFORM” YOYO VASE shape no. 719, decorated in the HYT pattern, designed by Alfred Read, painted by Gwen Haskins, impressed and painted marks, 31.5cm high

145 POOLE POTTERY: A “FREEFORM” 1953 CORONATION VASE shape no. 167, limited edition no. 9/25, painted in polychrome

by Gwen Haskins, designed by Alfred Read, intitled “Her Majesty Queen Elizabeth June 2nd 1953” painted and impressed marks, 21cm high

£100-200

£50-100 149 POOLE POTTERY: A “FREEFORM” PEANUT VASE shape no. 701, decorated in the PRP pattern, designed by Alfred Read, painted by Gwen Haskins in polychrome, impressed and painted marks, 32.5cm high

146 POOLE POTTERY “FREEFORM” CARAFE bottle form, shape no. 698, decorated in the black panther colourway, designed by Guy Sydenham and Alfred Read, printed and incised marks, 39cm high £50-100

Provenance: Christie’s Poole Pottery, September 20th 2001 Lot 99

147 POOLE POTTERY: A FREEFORM “BAMBOO” TUREEN AND COVER circular form with pull-off cover, two shaped handles, decorated in the QU pattern, designed by Ann Read, painted by Gwen Haskins, painted marks, 24cm dia

£80-150 150 POOLE POTTERY: A “FREEFORM’” PEANUT VASE shape no. 701, decorated in the WL pattern, painted in polychrome

by Gwen Haskins, impressed, painted and printed marks, 32cm high

£50-100

£80-150

Lot 150

Lot 148

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Lot 149

151 POOLE POTTERY: A “FREEFORM” MINIATURE TRIAL VASE shape no. 688, “Tropic Turquoise”, probably designed by Alfred Read, painted by Gwen Haskins, 14.5cm high, and a “black panther” miniature bottle vase (2)

154 POOLE POTTERY: A STONEWARE “ATLANTIS” VASE globular form with long cylindrical neck, incised decoration, thrown and designed by Alan White, no. A113, impressed marks, 29cm high

£80-150

£50-100

152 POOLE POTTERY EXHIBITION STANDARD “ATLANTIS” VASE cylindrical form with flared everted rim, designed by Guy Sydenham and Beatrice Bolton, incised sylised design, impressed marks, 30.5cm high

155 POOLE POTTERY “ATLANTIS” VASE cylindrical form, incised decoration with a white glaze, thrown and designed by Guy Sydenham, and a footed beaker, designed by Guy Sydenham and Beatrice Bolton, impressed marks, tallest 14.5cm high (2)

£350-550

£100-200

153 POOLE POTTERY “ATLANTIS” VASE cylindrical form with everted rim, the body with incised stylised decoration with blue copper glazes, designed and thrown by Guy Sydenham, impressed marks, 24cm high

156 POOLE POTTERY STONEWARE PLAQUE circular form, decorated in relief with a grey heron, designed and sculpted by Barbara Linley-Adams, impressed marks, 12cm high £50-100

£150-250

Lot 152

Lot 153

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157 SIR TERRY FROST R.A FOR POOLE POTTERY: A “TREWELLARD RED” CHARGER circular form, limited edition of 100, printed marks, facsimile signature to verso, 40.5cm diameter.

“Trewellard Red” was inspired by the colours of the sunset as seen from Trewellard on the north coast of Cornwall near Land’s End. Terry decided to paint this special charger to celebrate his 80th birthday. Part of a limited edition of 100. This actual charger was painted by Sir Terry himself at the Poole Pottery Studio. £200-400

158 SIR TERRY FROST R.A FOR POOLE POTTERY: “ARIZONA BLUE” CHARGER circular form, painted with a spiralling blue design, limited edition of 100, painters marks only, 40.5cm diameter. £200-400

160 BARBARA RAY FOR POOLE POTTERY: A “MANHATTAN” VASE oviform, decorated in mottled and glazed tones, impressed marks, 38cm high

159 POOLE POTTERY “DELPHIS” VASE oviform, decorated in an abstract design in tones of red, yellow and turquoise, designed by Loraine Sanders, 34cm high and a Poole Pottery Living Glaze purse vase, decorated in the Flamboyance pattern, 26cm high (2)

£100-200

£80-150 50

161 GROUP OF POOLE POTTERY WARES comprising a Carter Stabler Adams “ Chinese Blue” footed bowl, designed by John Adams, two small lustreware bowls and a Nursery ware dish, decorated in the LA pattern with two dancing figures, painted by Doris Marshall, impressed and painted marks (4)

Lot 162

£80-150 162 GUY SYDENHAM (1916 - 2005): A “BAMBOO” VASE cylindrical form with raised collar, incised striped and painted stylised decoration, brown glazed, paper label to base, 38.5cm high Provenance: Guy Sydenham Studio Collection, purchased by vendor at the Guy Sydenham Life Exhibition, Dorchester 2008 £150-250 163 POOLE POTTERY: A COLLECTION OF CARTERS “FARMYARD” TILES painted and glazed with farmyard animals 15.5cm sq. (a lot) £80-150 164 POOLE POTTERY: A POST WAR TILE TOP COFFEE TABLE inset with stylised tiles, 78cm long x 47.5cm deep x 49cm high £50-100 165 POOLE POTTERY STONEWARE “CANADA GOOSE” SCULPTURE designed by Barbara Linley Adams, limited edition no. 453/500, printed and signed marks, 40cm long £400-600

Lot 165

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166 URI GELLER FOR POOLE POTTERY: THREE LIMITED EDITION “LIFESTYLE” CHARGERS circular form, comprising “Creation of Earth”, “Faces of the Universe” and “Subliminal Fish” signed and printed marks, 32cm dia (3) £100-150

167 POOLE POTTERY STUDIO “TUTANKHAMUN” CHARGER circular form, designed by Nikki Massarella, painted and printed marks, 41cm dia £100-200

168 POOLE POTTERY STUDIO CHARGER circular form, decorated with a John Dory fish, painted in polychrome, designed by Tony Morris, painted and printed marks, 41cm dia £300-500

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Ceramics

detail of lot 196 53

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169 ALDERMASTON INTEREST: A LAURENCE MCGOWAN EARTHENWARE CHARGER the border painted in polychrome and decorated with a frieze of birds, with pampas grasses and flowers, signed marks, 36cm dia Provenance: Purchased by the vendor from the Artist's studio, Collingbourne, Kingston £200-400

170 ALDERMASTON INTEREST: A LAURENCE MCGOWAN EARTHENWARE OWL tin glazed and painted in polychrome, signed marks, 21cm high Provenance: Purchased by the vendor from the Artist's studio, Collingbourne, Kingston £150-250

172 ALAN CAIGER-SMITH (b.1930) AN ALDERMASTON POTTERY FOOTED BOWL circular form, with stylised decoration in tones of copper and ruby lustre on an off-white ground, 14cm dia, and a large shallow footed bowl painted with a Welsh Dragon with stylised border, inscribed A.LL. CE. 26 September 1987, signed markings to bases, 27cm dia (2)

171 ALDERMASTON INTEREST: NICK CAIGER-SMITH SIX LUSTREWARE TILES each with stylised decoration and painted in polychrome, each tile 15cm sq £100-200

£80-150

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Lot 173

Lot 174

173 RAY ROGERS (b.1953): A LARGE RAKU OVOID POT fungoid form, burnished finish incised signature, 45cm. high

Lot 175

£500-1,000 174 GUY SYDENHAM (1916-2005): A STONEWARE SCULPTURE circular form, modelled as Chesil Beach to the exterior with Portland rocks to the interior, impressed marks, 17cm dia £150-250 175 GUY SYDENHAM (1916-2005): A PORTLAND “ ROKKO ART” BOTTLE STOPPER modelled in the form of a mermaids head, 9cm length

Lot 176

£50-100 176 GUY SYDENHAM (1916-2005) AND JOHN BENFIELD: A TERRACOTA PLAQUE modelled as a self-portrait of Guy, applied with five glazed monkey heads, signed marks, 29cm dia £80-150 177 GUY AND JOAN SYDENHAM: A SALT GLAZE NECKLACE the beads with incised decoration, and a similar bracelet, produced on Green Island, Poole, impressed markings (2) £50-100

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178 GUY SYDENHAM (1916-2005): A STONEWARE PENDANT oval form, modelled as a mother and child, 7cm high, and two Joan Sydenham stoneware models of bears, glazed, largest 5cm (3) £50-100 179 GUY SYDENHAM (1916-2005): A STONEWARE PEN POT pebble form, both sides incised with wild flowers and fern leaves, one hole, brown glazed, impressed marks, 11cm high £80-150 180 GUY SYDENHAM (1916-2005): A “GREEN ISLAND” STONEWARE PEN POT c.1999, oblong form, incised decoration, three holes, impressed marks, 11.5cm long £80-150 182 JOHN MALTBY (b.1936): A GLAZED ABSTRACT SCULPTURE architectural form, with incised and pierced decoration, signed marks, 21.5cm high

181 BERNARD LEACH (1887-1979): A ST IVES STUDIO POTTERY BOWL circular form, tenmoko glaze and painted with a frog to centre, signed and impressed markings, 12cm dia, and a St Ives Leach Pottery single handled stoneware pitcher, ribbed body, impressed seal mark, 19.5cm high (2)

£100-200

£80-150

183 BRYAN NEWMAN (b.1935): AN ALLER POTTERY STONEWARE SCULPTURE c.1978, modelled in the form of a domed bridge and town, with incised decoration, signed markings, 19.5cm high x 32cm length £50-100

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184 WILHELM KAGE (1889-1960): A GUSTAVSBERG STUDIO “FARSTA” VASE shouldered cylindrical form with raised collar, turquoise dripglazed with incised decoration in segmented panels, raised on a circular foot, impressed marks and paper labels, 20cm high This vase was reputedly exhibited at the 1955 “Stockholmia 55” Exhibition Provenance: Private Collection, Dorset £150-250

185 CHARLES VYSE (1882 - 1971): A CHELSEA STUDIO POTTERY STONEWARE VASE oviform with a flared raised collar, decorated in a purplish - blue crackle Chun glaze, raised on a circular foot, incised marks, 12.5cm high £100-200

188 WETHERIGGS POTTERY: A SLIPWARE CHARGER circular form, the centre slip - trailed decorated with medieval figures at a banquet, within a stylized scroll border, impressed marks, and a booklet “ Wetheriggs Country Pottery - 19th Century Industrial Monument”, 45cm dia (2)

186 CHARLES VYSE (1882-1971): A CHELSEA STUDIO POTTERY STONEWARE VASE oviform, painted with foliate sprays on an olive green ground, incised marks, 15cm high £80-150

£80-150

187 CHARLES VYSE (1882 - 1971): A CHELSEA STUDIO POTTERY STONEWARE FOOTED BOWL flared circular form with a scalloped shaped edge, decorated in a purplish - blue crackle Chun / Celadon drip glaze, on a circular foot, incised marks “ VYSE 1939” 19cm dia

189 EELES FAMILY: A COLLECTION OF SHEPHERD’S WELL STUDIO POTTERY including a tapped flagon, vases, and dishes, each glazed and decorated with stylised designs, mixed forms and proportions, impressed marks (9)

£100-200

£100-200 57

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190 JANET LEACH (1918-1997): A LEACH ST IVES STUDIO POTTERY VASE compressed sides with applied lug handles, decorated in a mottled drip green ash glaze, impressed stamp marks, 12.5cm high £80-150

191 REGINALD FAIRFAX WELLS (1877-1951): A GLAZED TERRACOTTA SCULPTURE modelled as a pony, oatmeal glazed, unmarked, 14.5cm high £100-150

193 ART DECO TURQUOISE CRACKLE GLAZE POTTERY VASE shouldered form with twin handles, 28cm high

192 COLLECTION OF DORSET AND OTHER STUDIO POTTERY including a woodfired dish by Douglas Phillips, small covered dish by Alan Ashpool, a stoneware vase by Warwick Parker, a stoneware covered dish and handled dish by Vellow pottery and three other Studio pottery pieces (8)

£50-100 194 CONTINENTAL ART DECO CRACKLE GLAZE VASE globular form with raised collar, four stepped angular shoulders painted in blue and yellow, painted marks, 20cm high

£80-150

£50-100

58

195 CHARLES PASSENGER FOR WILLIAM DE MORGAN: A CERAMIC DISH decorated with a scene of a galleon in a harbour with figures and fish within a stylised Persian type scroll border, stylised leaves to reverse, painted in polychrome, monogrammed “C.P” to reverse, painted marks, 21.5cm dia £300-500

196 CHARLES PASSENGER FOR WILLIAM DE MORGAN: A CERAMIC DISH decorated with a scene of a sailing vessel with a palazzo to the foreground with figures and a fish within a stylised Persian type scroll border, stylised leaves to reverse, painted in polychrome, monogrammed “C.P” to reverse, painted marks, 21.5cm dia £300-500

197 CHARLES PASSENGER FOR WILLIAM DE MORGAN: A CERAMIC DISH the centre decorated with three carp fish within a stylised Persian type scroll border, stylised leaves to reverse, painted in polychrome, monogrammed “C.P” to reverse, painted marks, 21.5cm dia £200-400

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198 IN THE MANNER OF BLOOMSBURY GROUP: A PAIR OF TERRACOTTA POLYCHROME PLATES circular form, tin glazed, the centres decorated with stylised peacocks within a border of tulips and leaves, possibly painted

by Vanessa Bell or Duncan Grant, unmarked, 23.5cm dia Provenance: Private Collection, Dorset £200-300

199 WILLIAM DE MORGAN: A MERTON ABBEY POTTERY TILE painted in polychrome and decorated with a stylised Islamic/Persian motif in tones of blue and turquoise, impressed marks, 20.5cm sq

200 WILLIAM DE MORGAN: A MERTON ABBEY POTTERY TILE painted in polychrome and decorated with a stylised Islamic/Persian motif in tones of blue and turquoise, impressed marks, 20cm sq

201 WILLIAM DE MORGAN: A SAND’S END POTTERY TILE painted in polychrome and decorated with a stylised Islamic/Persian motif in tones of blue and turquoise, impressed marks, 20cm sq

£200-400

£200-400

£200-400

60

202 VICTORIAN CRAVEN DUNNILL & CO TILE PANEL designed by G.Harold Elphick, shaped topped, glazed and decorated in relief with a stylised pattern in tones of yellow, within a wooden frame, REG No 241168, 71cm high x 61cm width The pattern was originally taken directly from a decorative plaster motif in the Alhambra Palace in Granada, Spain. This tile panel was removed from the Nevills New Turkish Bath, Old Broad Street, London ÂŁ1,200-1,500

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

203 LOYD HABERLY (1896 - 1981): A COLLECTION OF TERRACOTA TILES in the medieval style, 16cm sq (5)

Lot 205

Provenance: Agatha Walker and thence y descent £80-150 204 MINTON HOLLINS & CO: A SET OF FOUR TILES each depicting various biblical scenes, possibly after a design by John Moyr Smith, impressed marks, 15cm (4) £80-150 205 ARTS AND CRAFTS CERAMIC MUG painted in blue and white and decorated with a frieze of roses and scrolling tendrils with gilt highlights, with text “Some people are always grumbling because roses have thorns I am so glad that thorns have roses” A.Kapp, the base reads “ To be kept for some of A.M’s best printing for B or/ . or. R. or. M “ dated 1916, signed, 8.5cm high

Lot 206

£150-250 206 GORDON FORSYTH FOR PILKINGTONS ROYAL LANCASTRIAN: A LUSTREWARE VASE shouldered form, decorated with flower heads and frieze of praying figures, no. 2369, impressed and painted marks, 22.5cm high £200-300 207 S. HANCOCK & SONS: A PAIR OF MORRISWARE VASES bulbous form with long slender necks, tubeline decorated and painted with flowers on a mottled ground, designed by George Cartlidge, and one bowl, printed, painted and fascimile marks (3)

Lot 208

£100-200 208 TAYLOR TUNNICLIFFE: A STAFFORDSHIRE AESTHETIC MOVEMENT CERAMIC INKWELL/BOX modelled in the form of a bell with brass angular loop, hinged domed cover with brass mounts, painted in polychrome with flowers, gilt highlights, printed marks, no. 403109, 17cm high £100-200 62

209 SIR EDMUND ELTON (ELTON WARE) JUG long slender neck, single handle, decorated with a bird and a butterfly on a blue mottled ground, 24cm high, and a Burmantofts faience vase, in the manner of Dr Christopher Dresser, globular form with incised decoration, impressed marks, 17cm high (2) £100-200

210 F.X ABRAHAM FOR S. HANCOCK & SONS: A “TITIAN WARE” VASE bottle form with long cylindrical neck, no. 6870, painted in polychrome and decorated with fruits on a green and brown ground, 36cm high, and one other similar of tapering cylindrical form, 26cm high, stamped and painted markings (2) £80-150

212 MINTONS: A LUSTREWARE BOWL hexagonal form, painted in polychrome enamels and decorated with a cockerel within a band of flowers, gilt highlights, raised on a pedestal base, printed marks, 24.5cm dia

211 BOMBAY SCHOOL OF ART: AN EARTHENWARE LUSTRE POTTERY EWER bottle form, painted in polychrome and decorated with stylised scenes, signed marks, and two Canakkale style pottery ewers applied with flower roundels, the largest 38cm high (3)

£80-150

£150-250

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213 BOCH FRERES KERAMIS VASE designed by Charles Chatteau, oviform, painted in polychrome and decorated with stylised flowers and leaves on a crackled white ground, printed, painted and impressed markings, model no.

D2516, 15.5cm high

Lot 214

£50-100 214 HANNAH BARLOW FOR ROYAL DOULTON: A PAIR OF LARGE STONEWARE VASES no. 816, baluster form, decorated in sgraffito with a freize of horses, with glazed foliate borders, impressed and signed markings, 38cm high £200-400 215 ROYAL DOULTON “FLAMBE” OWL printed marks, 31cm high

Lot 215

£100-200 216 ROYAL DOULTON “FLAMBE” LIMITED EDITION FIGURE c.1992, modelled as a Samurai Warrior, no. HN3402, designed by Robert I. Tabbenor, printed marks, 28cm high £150-250 217 ROYAL DOULTON: A “GIFT OF LIFE” FLAMBE GROUP modelled as a mare and foul, no. HN3536, printed marks, 24cm dia x 22cm high

Lot 216

£150-250 218 BELE BACHAM FOR ROSENTHAL: A PAIR OF PORCELAIN FIGURES modelled as a pair of female figures playing flutes with polychrome painted cockerels, printed and impressed markings, 27cm high (2) £150-250

64

219 MARCEL GUILLARD (1896-1932) FOR EDITIONS ETLING, PARIS: A LARGE ART DECO CERAMIC FIGURE GROUP modelled as a nude female figure beside a gazelle, painted in polychrome, impressed marks, cast and modelled by Lucas, 47cm long £200-400

220 GALILEO CHINI (1873 - 1956) FOR ARTE DELLA CERAMICA: A LUSTREWARE FAIENCE BOWL circular form, the centre decorated with a pair of phoenix amongst trailing vines and stylised flowers, painted in polychrome, stamped Fontebuoni Firenze , painted marks, 36.5cm £500-1,000

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

221 ZSOLNAY PECS: A POLYCHROME CHARGER circular form, decorated with a phoenix amongst foliate tendrils with gilt highlights, impressed marks, 40cm

Lot 221

£300-500 222 TAPIO WIRKKALA FOR ROSENTHAL: A STUDIO LINE “SNOWFLAKE” TEA AND COFFEE SET comprising teapot, coffee pot, milk jug, sugar bowl, ten cups and ten saucers, printed marks (24) £100-200 223 MICHAEL POWOLNY FOR WIENER WERKSTATTE: AN EARTHENWARE FIGURE modelled as a cherub on a snail, glazed and painted in polychrome, impressed marks, 20cm long

Lot 223

£300-500 224 AFTER BERTEL THORVALDSEN: A DANISH BISCUIT PORCELAIN PLAQUE circular form, depicting a winged angel and child, 14.5cm dia, and a similar plaque, framed (2) £80-150 225 ARTHUR MOELLER FOR GOEBEL: A PAIR OF PLANTERS circular banded form, each decorated with three Biedermeier figures, painted in polychrome, printed and impressed marks, 14.5cm long

Lot 226

£50-100 226 RUSSIAN AESTHETIC MOVEMENT CERAMIC CHARGER the centre painted in polychrome with a scene of Grecian warriors, within a stylised and foliate border, printed marks, .48cm dia £500-800

66

227 ZDENKA RALPH: A “MATISSE” STYLE VASE oviform, decorated in polychrome with stylised nude figures, signed and printed marks, 20.5cm high

Lot 227

£80-150 228 SHELLEY: A “SWANSEA LACE” CHINTZ TEA SET comprising six cups and saucers, six side plates, milk jug, sugar bowl and cake plate, no. 11302/25, printed and painted marks (21) £100-200 229 SHELLEY: A REGENT SHAPE “CHERRY BLOSSOM TYPE” TEA SET comprising six cups, six saucers, six side plates, sugar bowl, milk jug and cake plate, no. 781613 pattern WR066, printed and painted marks (22) £80-150

Lot 230

230 WADE: A “BABY SCRUPLE” CERAMIC GLAZED MODEL designed by A.G Fiddes Watt, printed marks, 13.5cm long £200-400 231 TROIKA: A “CHIMNEY” VASE rectangular form with raised collar, decorated with an aztec design in tones of blue and brown, designed by Linda Taylor, painted marks, 20cm high £80-150

Lot 232

232 ROYAL CROWN DERBY: A “CHESHIRE CAT” LIMITED EDITION PAPERWEIGHT c.1996, commissioned by John Sinclair, no. 80/500, complete with certificate of authenticity and original presentation box, 13.5cm high £400-800

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233 CLARICE CLIFF: A NEWPORT POTTERY BIZARRE “GARLAND” LOTUS JUG oviform with single handle, painted in polychrome with flowers and bands, impressed and printed marks, 30cm high £200-400

234 CLARICE CLIFF: AN “APPLIQUE IDYLL” DISH trefoil form, scroll chrome plated carrying handle, painted in polychrome and decorated with a lady in a crinoline dress on a cottage pathway, printed marks, 21.5cm £100-200

236 ANITA HARRIS STUDIO: A COLLECTION OF “HEATWAVE” VASES of mixed forms and proportions, designed by Sam Johnson, printed and signed marks (8)

235 CARLTON WARE “SKETCHING BIRD” VASE globular form, enamelled in polychrome on a matt blue and peach ground, gilt highlights, no. 3890, 18.5cm high and a Carlton ware bowl lustreware bowl decorated with Egyptian figures, printed marks and painted marks (2)

£100-200

£50-100

68

237 RICHARD GUYATT FOR WEDGWOOD: A COLLECTION OF OVERSIZED COMMEMORATIVE MUGS including the Coronation of Her Majesty Queen Elizabeth II 1953, The Silver Jubilee of Her Majesty Elizabeth II and The Wedgwood Bicentenary 1759-1959 designed by Robert Goodden (9) £100-200

238 LONGWY POTTERY: A CIRCULAR DISH painted in polychrome enamelled and decorated with four segmented sections with flowers on a turquoise ground with a foliate border and a lidded scent bottle with stopper, impressed and painted marks (2) £80-150

239 FREDERICK RHEAD FOR BURSLEY WARE: A PAIR OF “SEED POPPY “ VASES double gourd form, tubeline decorated with flowers, berries and foliage in tones of pink, purple and green on a dark blue ground, printed marks, 30.5cm (2) £100-200

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240 DENNIS CHINAWORKS: A “KOI CARP” LIMITED EDITION CHARGER circular form, tubeline decorated with a pair of carp, designed by Sally Tuffin, no. 21, thrown by Rory Mcleod, impressed and painted marks, 36cm dia £100-200

241 DENNIS CHINAWORKS: A “HARE IN AN ORANGE GROVE” LIMITED EDITION VASE c. 2010, baluster form with everted rim, tubeline decorated and painted in polychrome, designed by Sally Tuffin, no. 21, thrown my Rory Mcleod, painted and Theresa Blackmore, painted and impressed marks, 36cm high

242 DENNIS CHINAWORK: A “LOBSTER” TRIAL VASE c. 2007, baluster form with everted rim, tubeline decorated and painted in polychrome with lobsters on a blue ground, designed by Sally Tuffin, thrown by Rory Mcleod and painted by Vanessa Thompson, impressed and painted marks, 31cm high £150-250

£200-400

70

243 DENNIS CHINAWORKS: A “PHOENIX” TRIAL VASE c. 2014, tapering cylindrical form, tubeline decorated and painted in polychrome with figures and birds on a cream ground, designed

by Sally Tuffin, thrown by Rory Mcleod and deocrated by Adam White, impressed and painted marks, 32.5cm high

245 DENNIS CHINAWORKS: A “TULIP” TRIAL VASE c.2010, cylindrical form, tubeline decorated in polychrome with wild tulips, designed by Sally Tuffin, thrown by Rory Mcleod, painted by Teresa Brooker, impressed and painted markings, 33cm high.

£150-250

£150-250

244 DENNIS CHINAWORKS: A “BEER LUGGER NIGHT TIME” TRIAL VASE c. 2011, tapering cylindrical form with everted rim, tubeline decorated with sailing vessels under moonlight with a band of crabs below, designed by Sally Tuffin, thrown by Rory Mcleod and decorated by Adam White, impressed and painted marks, 28.5cm high

246 ROYAL WORCESTER: A PORCELAIN FIGURINE “JOY” modelled as a scantily clad lady with blue robe and gilt highlights, stamped markings, 25cm high £80-150

£100-200

Lot 243

Lot 245 Lot 244

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247 DAISY MAKEIG-JONES FOR WEDGWOOD: A “ HUMMINGBIRD” LUSTREWARE VASE AND COVER shouldered form with detachable pull-off cover, no. Z5294, painted in polychrome and gilt on a mottled blue lustre ground, printed and painted marks, 24.5cm high

249 DAISY MAKEIG-JONES FOR WEDGWOOD: A FAIRYLAND LUSTRE FOOTED BOWL circular form, decorated in the Leap Frogging Elves design, pattern no. Z4968, the exterior painted in polychrome and gilt on a dark ground, the interior decorated with mythical creatures, painted and printed marks, 9.5cm dia

£80-150

£100-200

248 DAISY MAKEIG-JONES FOR WEDGWOOD: A “HUMMINGBIRD” LUSTREWARE VASE baluster form, no. Z5294, painted in polychrome on a blue mottled lustre ground, a baluster form vase with slender neck, no. Z4825, a footed bowl decorated with butterflies no. Z4832 and a miniature footed bowl no. Z5294, printed and painted marks (4)

250 DAISY MAKEIG-JONES (1881-1945): A WEDGWOOD FAIRYLAND LUSTRE BOWL circular form, pattern no. Z4968, the exterior decorated “woodland bridge” pattern and the interior in “picnic by a river” with gilt highlights, printed marks, 18.5cm dia

£80-150

£1,000-1,500

Lot 250

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Posters

Lot 279 73

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Lot 251

Lot252

253 LAWRENCE STONE: ESSEX, HERTFORDSHIRE & SUFFOLK ADVERTISING POSTER c.1950, Publ. Railway Executive (Eastern Region), printed George Philip & Son Ltd, QR, 126.5cm x 101cm

251 KENNETH BROMFIELD, JOSEPH MCKEOWN & REGINALD MONTAGUE LANDER: HAMPSHIRE “ARRIVE EARLIER BY TRAIN” c.1963, Publ. British Railways (Southern Region), printed Gilbert Whitehead & Co Ltd, DR, 101cm x 63.5 cm

£200-400

£200-400 254 ROBERT JOHNSTON: DEVON TRAVEL BY TRAIN ADVERTISING POSTER c.1960, Publ. British Railways (Western Region), printed Haycock Press, QR 127cm x 101cm

252 KENNETH BROMFIELD, JOSEPH MCKEOWN & REGINALD MONTAGUE LANDER: KENT “ARRIVE EARLIER BY TRAIN” c.1963, Publ. British Railways (Southern Region), printed Gilbert Whitehead & Co Ltd, DR, 101cm x 63.5 cm

£200-400

£200-400

74

Lot 255

Lot 256 255 MAURICE GREIFFENHAGEN (1862-1931): CARLISLE THE GATEWAY TO SCOTLAND ADVERTISING POSTER c.1924, Publ. London Midland and Scottish Railway, Japan backed, QR £800-1,500 256 LAWRENCE: CROSS THE CHANNEL FROM DOVER ADVERTISING POSTER c.1960, Publ. British Railways (Southern Region), DR, 63cm x 101cm £200-400 257 WILLIAM KROGMAN (1901-1979): WESTON-SUPER-MARE ADVERTISING POSTER c.1950, Publ. Railway Executive, printed Partridge & Love Ltd, DR, 101cm x 63cm £200-400 75

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Lot 258

258 F GREGORY BROWN (1887- 941): OLD COUNTRY TOWNS ADVERTISING POSTER c.1939, Publ. Southern Railway, printed Waterlow & Sons, linen mounted, QR, 101.5cm x 126.5cm £800-1,500 259 FREDA LINGSTROM (1893-1989): TO THE COUNTRYSIDE ADVERTISING POSTER c.1933, Publ. London Transport, printed Vincent Brook, Day & Sons, linen backed, DR 63cm x 101.5cm £300-500 260 FREDA LINGSTROM (1893-1989): BORDER COUNTRY ADVERTISING POSTER c.1924, Publ. London & North Eastern Railway, printed The Avenue Press, Japan backed, DR, 63cm x 101.5cm

Lot 259

£250-450

76

Lot 261

Lot 262

Lot 264

265 EPH COWAN: TRAVEL BARGAINS FROM VICTORIA AND LONDON BRIDGE ADVERTISING POSTER c.1960, Publ. British Railways (Southern Region), DR, 110cm x 63cm

261 BOGNOR “THE PLACE IN THE SUN” ADVERTISING POSTER c.1912, Publ. London Brighton & South Coast Railway, linen backed, DR 61cm x 98cm £200-400

£150-250

262 REGINALD MONTAGUE LANDER (19131980): THE DORSET COAST ADVERTISING POSTER c.1980, Publ. British Railways (Southern Region), printed St Michael’s Press Ltd, DR, 63cm x 101cm

266 REGINALD MONTAGUE LANDER (19131980): ARUNDEL CASTLE ADVERTISING POSTER c.1977, Publ. British Railways (Southern Region), printed Planet Displays Ltd, DR, 101.5cm x 63.5cm

£150-250

£150-250

263 OTTO NIELSEN (1916-2000): INDIA ADVERTISING POSTER c.1950, Publ. Scandinavian Airline System, printed Axel Andreasen & Sonner, Japan backed, DR, 62cm x 99cm

267 BRITAIN “CHEDDAR, THE GORGE AND COVE, SOMERSET” ADVERTISING POSTER c.1940, Publ. The Travel Association of Great Britain, printed Rembrandt, 76cm x 51cm

£150-250

£50-100

264 TOM ECKERSLEY (1914 - 1997): PAIGNTON c.1960, Publ. British Railways (Western Region), printed Charles & Read Ltd, DR, 101cm x 63cm £200-400

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Lot 269

Lot 268

268 FRED TAYLOR (1875-1963): CAMBRIDGE ADVERTISING POSTER c.1932, Publ. London and North Eastern Railway, printed Vincent Brooks, Day & Son Ltd, linen backed, DR 63cm x 101.5cm £250-450 269 A.N. WOLSTENHOLME: HOLIDAY TRAVEL ADVERTISING POSTER c.1955, Publ. British Transport Commission, printed Jordison & Co, DR, 63cm x 101.5cm £150-250 270 NATIONAL SAVINGS ADVERTISING POSTER "ALL THE YEAR ROUND MAKE USE OF NATIONAL SAVINGS" no.214, Publ. The National Savings Committee, printed by Messrs.

Chromoworks, London, 76cm x 51 cm £80-150

Lot 270 78

Lot 275

271 NORMAN WILKINSON (1878-1971): A NATIONAL SAVINGS ADVERTISING POSTER no.213, Publ. The National Savings Committee, printed by Messrs.

Fosh & Cross Ltd, London, no. 51-5249, 76cm x 51cm

274 HARRY ROUNTREE (1876-1950): A NATIONAL SAVINGS ADVERTISING POSTER no.201, Publ. The National Savings Committee, printed by J. Howitt & Son, Nottingham, 76cm x 50.5 cm

£50-100

£80-150

272 FRANK HENRY MASON (1875 - 1965): A NATIONAL SAVINGS ADVERTSING POSTER no.212, Publ. The National Savings Committee, printed by Howard, Jones, Roberts & Leete, London, 76cm x 50.5 cm

275 JOHN MINTON (1917-1957): “IWERNE MINSTER” ADVERTISING POSTER offset colour lithograph publ. G.P.O, 90.5cm x 72.5cm, with original cardboard tube

£50-100

£300-500

273 S.T.C WEEKS : A NATIONAL SAVINGS ADVERTISING POSTER "HOUSES OF PARLIAMENT" no.207, Publ. The National Savings Committee, printed by Waterlow & Sons, London, 76cm x 50.5 cm £80-150

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Lot 276

Lot 277

276 NORMAN WILKINSON (1878-1971) ‘The Tower’ A view of the Tower of London from across the Thames, coloured print, 75cm x 113cm

277 FRED TAYLOR (1875-1963) ‘Lincoln’ A view of the Cathedral from Brayford Pool, coloured print, 83.5cm x 121cm

This image was used for a London, Midlands and Scottish Railway (LMS) advertising poster

This image was used for a London North Eastern Railway (LNER) advertising poster

£200-300

£200-300 80

278 TATE GALLERY: A poster for the Ben Nicholson Exhibition, 19th June-27th July 1969, 75cm x 50cm; together with a poster advertising the portrait of the then Lady Diana Spencer by Bryan Organ (b. 1935) which went on display at the National Portait Gallery on the 24th July 1981, less than a week before the sitters Wedding to Prince Charles, the poster with ink inscription “For Bryan from Bryan (Organ) Dec 1981”, 76cm x 50cm (2)

Lot 279

£80-150 279 NIKOLAI ZHUKOV (1908-1973) AN ART DECO STYLE POSTER for the USSR Dance Festival, Moscow-Leningrad, June 10-20, 1936, comissioned by Intourist, the Soviet state travel monoploly, 98.75cm x 69cm; and two further Intourist posters, both for the Fourth Moscow Theatre Festival, 1936, each 99.5cm x 66cm (all unframed) (3) £300-500 280 ALAN FLETCHER (1931-2006) FOR PENTAGRAM: A poster for the Design & Art Directors Association 21st Anniversary Awards Dinner, 8th June 1983, held at the Royal Albert Hall, London, an adaptation of ‘Dubonnet, Vin Tonique au Quinquina’ by Adolphe Mouron (Cassandre) (1901-1968), 83.5cm x 59.5cm; together with two Venice ‘Carnivale’ posters (3)

Lot 280

£100-200 281 POP MUSIC INTEREST: A POSTER FOR PINK’S ‘I’M NOT DEAD’ TOUR European leg, 2006, published by Bravado Merchandising, limited edition numbered 380/750, 48cm x 32cm £50-100

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Lot 282

Lot 283

283 COMIC BOOK INTEREST: FOUR UNITED BOOK GUILD POSTERS A ‘Flash Gordon’ poster showing the hero in a running pose with the inscription “So Flash Gordon sets out on a perilous but allimportant venture - a daring, one-man rescue expedition against fearful odds” 132cm x 81.5cm; A ‘Mandrake the Magician’ poster showing the character reaching forward with the speech bubble “Hold on Lothor, I’m coming!”

132cm x 81.5cm; A ‘The Phantom’ poster depicting the crime-fighter grappling a tiger and exclaiming “Phew!” 132cm x 81.5cm; and a ‘Prince Valiant’ poster with the Nordic Prince swinging on a rope whilst an angry group of knights shout “Seize Him!”, 132cm x 81.5cm (all unframed) (4)

282 COMIC BOOK INTEREST: A Batman POSTER ‘The Caped Crusader’ printed by G & F Posters, NYC, 1966, 100.75cm x 68.75cm;‘ together with a similar Spiderman poster Your friendly neighbourhood Spider-Man’, one of the first Marvel posters of this type, it was initially offered in the December 1965 issues of Marvel comics, 181cm x 63cm (unframed); together with a vintage Batman poster and a drawing of Minnie Mouse, 76cm x 55.5cm (all unframed) (3) £100-200

£100-200

82

Items from the Collection of E.O. HoppÉ (1878-1972)

Emil Otto Hoppé (1878-1972) was one of the most important art and documentary photographers of the modern era whose artistic success rivaled those of his peers, Alfred Stieglitz (1864-1946), Edward Steichen (1879-1973) and Walker Evans (1903-1975).

Hoppé was one of the most renowned portrait photographers of his day, as well as a brilliant landscape and travel photographer. His strikingly modernist portraits describe a virtual Who’s Who of important personalities in the arts, literature, and politics in Great Britain and the US between the wars. Among the hundreds of well-known figures he photographed were George Bernard Shaw, H.G. Wells, A.A. Milne, T.S. Eliot, Ezra Pound, G.K. Chesterton, Leon Bakst, Vaslav Nijinsky and the dancers of the Ballets Russes, and Queen Mary, King George, and other members of the Royal Family.

Beginning art photography in 1903 Hoppé was admitted as a member of the Royal Photographic Society where, over the next four years, he regularly exhibited his amateur photographic works. In this same year Hoppé was also associated with The Linked Ring Brotherhood and fellow members Alvin Langdon Coburn (1882-1966), Henry Peach Robinson (1830-1901), and George Davidson (1854-1930), who played an important role in international art photography, maintaining close ties with continental and American groups including the Vienna Camera Club and the Photo Secession, New York.

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

284  TRISTAN TZARA (1896-1963) ‘Excursions & Visites Dada 1ère visite: Église Saint Julien le Pauvre’ Jeudi 14 Avril a 3 h, (Paris, 1921), original printed broadside, with text printed in black and blue, 27.5cm x 22cm (unframed) This rare Dada publicity broadside features the names of the Dada group at the foot: Buffet, Aragon, Arp, Breton, Eluard, Fraenkel, Hussar, Peret, Picabia, Ribemont-Dessaignes, Rigaut, Soupault and Tzara. The typography was designed by Tristan Tzara. This was the first and only public gathering of the Paris Dadaists. The text, attributed to Andre Breton, invites the reader on a visit to the church of St Julien le Pauvre, being one of “a series of visits to selected spots, particularly those which really have no reason for existing... “ £200-400

285 ALEKSANDER MIKHAILOVICH RODCHENKO (1891-1956) ‘Dobrolet’ a constructivist style letterhead for the Russian State Airline, letterpress, 16.25cm x 20cm (unframed) £50-100 84

286  IVAN MESTROVIC (1883-1962) A study of a classical figure stading aboard a boat with ram’s head prow, above the artists name, gold paint on paper, 35cm x 24cm in a gold painted frame with relief animal decoration bearing a Rowley Gallery label verso; together with a copy of the Victoria and Albert Museum Exhibition Catalogue of 1915, which features the artwork on the front cover The book ‘Ivan Mestrovic, A Monograph’ (various authors) pub.

Williams & Norgate, London, 1919, states on page 93, note 86 “The reproduction of the end piece in the centre of the last page, is made from a drawing by I. Mestrovic himself, and was used on the cover of the catalogue of the Victoria and Albert Museum Exhibition in London, 1915’ £400-800

287 VARIOUS ARTISTS: A DIVERSE FOLIO OF UNFRAMED WORKS including original, lithographic and printed works, to include: a study of an antelope by Luise Klempt (1889-1981); a sketch of a moustached gentleman’s head with inscription wishing “Hearty good wishes for Christmas and the New Year, December 1913” by Edmond Xaver Kapp (1890-1978); Ethel Gabain (1883-1950) ‘Profile Fin’ a study of a gent in a hallway, signed in pencil and dedicated to E. O. Hoppe; and further works by artists including Karl Frankel (1895-1974), Hermann Hartel (b. 1943) and more (a lot) £300-500 85

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Lot 288 (detail)

Lot 288

288  BRUNO GUTENSOHN (BOLD) (b. 1895) A COLLECTION OF WORKS including amusing designs for cars, a sketchbook, original drawings, woodblocks, and a design for a Christmas greeting from E.O Hoppe and Marion Hoppe (a lot)

289  EMIL OTTO HOPPE (1878-1972) A COLLECTION OF BOOK COVER DESIGNS each with a stylised motif against a marbled watercolour background, various sizes

£300-500

£50-100 86

Pictures and Prints

detail of lot 341 87

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

290 ANTHONIE JACOBUS VAN WYNGAERDT (1808-1887) A river or harbour scene with a boat to the foreground and buildings beyond, oil on board, 23cm x 32cm

Lot 290

£300-500 291 JOHN MACALLAN SWAN (1847-1910) A crouching tiger drinking from a stream, signed lower right, oil on canvas laid on board, 16.5cm x 24cm £100-200 292 MANNER OF STEPHEN ADAM (1848-1910) An Arts and Crafts style design for a stained glass window, the lower panes reading ‘In Loving Memory of Frances Infield’, watercolour, 45.5cm x 20cm

Lot 291 Lot 294

£50-100 293 ATTRIBUTED TO FRANK LEWIS EMANUEL (1855-1948) ‘The Artist and His Muse’ pen and ink study, 17cm x 15cm £50-100

Lot 293

294  SAMUEL JOHN LAMORNA BIRCH (1869-1955) ‘In Upper Swaledale, Yorkshire’ signed lower left, watercolour and pencil, titled to the mount, 25cm x 36.5cm £100-200

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Lot 296 296 ALLAN DOUGLAS DAVIDSON (1873-1932) A Bloomsbury style head and shoulders portrait of a young lady, signed lower right, oil on board, 25cm x 17.5cm

Lot 295

£200-300

295 PETER MORRIS (20th century) A three quarter length portrait of a lady seated in an armchair before a curtain, c. 1935, oil on canvas, 105cm x 64cm (unframed)

297 WILLIAM SHACKLETON (1872-1933) A funeral procession, with pallbearers carrying a coffin behind a priest, signed lower right, mixed media, 27.5cm x 26.5cm £200-300

Provenance: The Estate of William Gaspard Guy Romilly, 4th Baron Romilly (1899-1983) Peter Morris a friend and one time lover of Duncan Grant. Morris painted in France with Grant and is known to have sat for portraits for him. Grant also painted his sister Dora, and both were associated with the Bloomsbury Group. Dora Morris (1902-1960) was the second wife of the 4th Baron Romilly

298  HURST BALMFORD (1871-1950) A beach scene with a headland to the distance, signed lower right, oil on canvas laid on board, 39cm x 49.5cm

£300-500

£100-200

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Lot 299

Lot 302

Lot 301

299  NORMAN EVILL (1874-1958) ‘Nymans, Handcross, Sussex’ An architectural study for the early 20th century redesign of the House at Nymans, with banner title inscription and signed ‘Norman Evill F.R.I.B.A’ lower right, pen and ink on paper, 34.5cm x 71cm; together with a smaller study of a house by the same hand ‘Barn Close, Carlisle’, monogrammed, dedicated and dated 1906 lower right, watercolour, 20cm x 27cm

301  ARTHUR HENRY KNIGHTON HAMMOND (1875-1970) ‘Menton’ Fishermen sorting their nets, signed and titled lower right, watercolour, 33cm x 48cm £200-400 302  ARTHUR HENRY KNIGHTON HAMMOND (1875-1970) ‘San Remo, 1924’ signed and titled lower left, watercolour, 31cm x 44cm

£100-200 300  ARTHUR HENRY KNIGHTON HAMMOND (1875-1970) Fishermen drying their nets in front of a whitewashed building, signed lower right, watercolour, 46.5cm x 61cm £200-400

£200-400

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303  DAME LAURA KNIGHT (1877-1970) A pair of clown studies, one signed and inscribed lower right “A happy birthday on this good Friday, sixty eight to you and many may these Fridays be this good to you, to Gail with love from Laura Knight” pen and ink drawings, each 25cm x 19.5cm (framed as one) £300-500

304  DAME LAURA KNIGHT (1877-1970) ‘Two Dwarfs Clowning’ signed and titled lower left, charcoal drawing, 35.5cm x 25.5cm

305  DAME LAURA KNIGHT (1877-1970) A head and shoulders profile portrait of a clown, signed lower right, charcoal drawing, 29cm x 20cm

£300-500

£300-500

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307  DAME LAURA KNIGHT (1877-1970) A study of a boxing match, possibly at an Army camp, with inscription above “Ms D Yglesias, co-Founder of the Wild Birds Hospital, Mousehole”, pencil drawing, half inscribed in pen, 24.5cm x 32cm £400-600

309  MANNER OF DAME LAURA KNIGHT (1877-1970) Figures in a circus, a woman seated backwards on her chair with clowns and entertainers around her, inscribed verso “Circus sketch by L.K.”, watercolour and gouache, 25cm x 23.5cm

308  DAME LAURA KNIGHT (1877-1970) ‘Paul Scofield & Diana Wynward, Hamlet’ signed and titled lower left, pencil sketch, 34.5cm x 24cm £200-400

£200-300

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312  AFTER PABLO PICASSO (1881-1973) ‘La Toilette de la Mère’ inscribed with the Artist’s name and numbered 65/500 in pencil to the margin, etching, the image 23cm x 17cm £200-400 313  MARIE VASSILIEFF (1884-1957) ‘Madonna and Child’ mixed media study with silver ‘foil’ overlaying black paper, signed and dated 1927 in pencil to the margin, the image 17.75cm x 11.75cm Provenance: Acquired by the vendors Father in France c.

1960’s/70’s £800-1,500

Lot 313 Lot 312 310  H. DEARDEN (19th/20th Century) A still life study of flowers in a vase, signed lower left, oil on canvas, 45cm x 34.5cm £200-300 311  KATE ELIZABETH OLVER (1881-1960) ‘Christmas at Beausoleil’ a study of a seated woman knitting, oil on canvas, 83cm x 70cm; together with a small pencil sketch, possibly a preparatory work for the oil, 25.5cm x 20cm (2) Provenance: Acquired from the Artist’s Studio, 1979 £200-300

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Lot 314

314  LAURENCE STEPHEN LOWRY (1887-1976) ‘The Fever Van’ signed in pen to the margin lower right, Fine Art Trade Guild blindstamp lower left equating to 478, limited edition offset lithograph from the edition of 700 printed in 1972 by Mainstone Publications, the image 41.5cm x 51.5cm

315  LAURENCE STEPHEN LOWRY (1887-1976) ‘Peel Park, Salford’ signed in pencil to the margin lower right, Fine Art Trade Guild blindstamp lower left equating to 177, limited edition offset lithograph from the edition of 850 printed in 197 by Venture Prints Limited of Bristol, the image 37.5cm x 75.5cm

The fever van was the colloquial term in the north of England for the ambulance that transported patients with infectious diseases, usually scarlet fever or diphtheria, to the local isolation or infectious diseases hospital. These vehicles were in existence throughout the country from around 1910 to the 1950s and had various nicknames

£2,000-3,000 316  LAURENCE STEPHEN LOWRY (1887-1976) ‘The Pond’ signed in pencil to the margin lower right, Fine Art Trade Guild blindstamp lower left equating to 640, limited edition offset lithograph from the edition of 850 printed in 1974 by the Beric Press, London, the image 43cm x 57cm

£1,500-2,500

£2,000-3,000 94

Lot 315

Lot 316

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317  CHRISTOPHER WOOD (1901-1930) ‘On the Quay’ Oil on board, 36cm x 45cm Provenance: no 229 in 1927 (labels on the reverse) FMS Winand Esq. acquired from The Redfern Gallery, March 1944.

The property of a gentleman of title Private Collection London.

Exhibited: Lent by F.M.S. Winand Esq. to an Arts Exhibitions Bureau Exhibition, The Guildhall London 1954 £30,000-50,000

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318  ELSIE BARLING (1883-1975) ‘Irish Landscape c. 1925’ Figures and donkey led carts amongst buildings and ruins, titled verso, gouache, 40cm x 50cm

Lot 318

£100-150 319  OROVIDA CAMILLE PISARRO (1893-1968) ‘Polo’, signed, titled, dated 1930, and numbered 34/50 in pencil to the margin, etching, 19cm x 24cm

Lot 321

£50-100 320  MABEL FRANCES WICKHAM (1901-1992) ‘Bridge, Portland’ signed lower left, oil on board, 24.5cm x 31.5cm £100-200

Lot 320

321 BAYNARD PRESS FOR SCHOOL PRINTS LTD: Three colour lithographs ‘Timber Felling in Essex’ (S.P. 5) by Michael Rothenstein (1908-1993), 41.5cm x 69cm; ‘Tractor’ (S.P. 3) by Kenneth Rowntree (1915-1997), 48.5cm x 75cm; and ‘The Grey Horses’ (S.P. 11) by Tom Gentleman (1892-1966), 48.5cm x 75cm (3) £200-400 322 MAUD SUMNER (1902-1985) Still life study of fruit and a glass bottle on a cloth, signed lower right, oil on canvas, the reverse with a classical style head, 56cm x 76cm (unframed but on stretcher)

Lot 322

£1,000-2,000

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323  JOHN PIPER (1903-1992) ‘Isle Abbots’ signed and numbered 1/100 in pencil to the margin, screenprint in colours, the image 68cm x 46cm Provenance: Private collection, Dorset £500-1,000 324  JOHN PIPER (1903-1992) ‘Ottery St. Mary’ stamped signature and numbered 40/70 in pencil to the margin, screenprint in colours, the image 41cm x 54cm Provenance: Acquired from the Bohun Gallery, Henley-on-Thames Private collection, Dorset £300-500

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325  JOHN PIPER (1903-1992) ‘Abbotsbury Church, Dorset’ a street scene looking towards St. Nicholas’ Church with trees, buildings and a raised pavement to the foreground, signed lower left, watercolour and gouache, 35cm x 48cm Provenance: Acquired from Peter Deane, The Wildlife Gallery, 9A South Street, Eastbourne, Sussex, with original purchase receipt for £73/10, dated 23rd April 1968 Private Collection, Dorset £6,000-10,000

100

Lot 326

Lot 327

326  EDWARD BAWDEN (1903-1989) ‘Dunkirk’ signed, titled and numbered 64/75 in pencil to the margin, limited edition coloured lithograph, the image 36cm x 58cm

327  EDWARD BAWDEN (1903-1989) ‘Among the Marsh Arabs’ signed, titled and numbered 72/75 in pencil to the margin limited edition coloured lithograph, the image 36cm x 58cm

Issued in 1985 in editions of 75 by the Hurtwood Press, and printed by the Curwen Studio, the production of this lithograph was supervised by Bawden and based upon a watercolour carried out by him as a war artist in 1940. The original work is in the Collection of the Imperial War Museum

Issued in 1985 in editions of 75 by the Hurtwood Press, and printed by the Curwen Studio, the production of this lithograph was supervised by Bawden and based upon a watercolour carried out by him as a war artist in 1943. The original work is in the Collection of the Imperial War Museum

£400-600

£400-600 101

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Lot 329

Lot 328

328  STEPHEN TENNANT (1906-1987) ‘The International Elegante’ A study of an actress in costume, with various inscriptions, ink and wash, 52.5cm x 37.5cm

Lot 330

£400-600 329  STEPHEN TENNANT (1906-1987) ‘The Count of Luxembourg’ figural studies, various inscriptions, large signature running through the centre of the image, ink and wash, 52.5cm x 37.5cm £400-600 330  CECIL BEATON (1904-1990) A costume design depicting a gentleman wearing maroon coloured breeches with lime green detailing, lime green boots and a maroon hat, signed ‘Beaton’ lower right, pencil with watercolour highlighted with white, 32cm x 21cm £300-500 102

331  JOHN STRICKLAND GOODALL (1908-1996) ‘Billy Henderson, Cagnes, France’ A study of a man reclining in a deckchair amongst garden plants, signed and dated ‘53 lower left, watercolour and gouache, 34.5cm x 45cm

Lot 331

£200-300 332  WILLIAM HEATON COOPER (1903-1995) ‘After Sunset, Grasmere’ signed and titled in pencil to the margin, coloured print, the image 35cm x 45cm; together with another similar print by the same artist ‘A Langdale Beck’ (2)

Lot 333

£100-200 333  WYN GEORGE (1910-1985) ‘Wheelhouse’ signed and titled verso, oil on board mounted on tiled board, the image 58cm x 44.5cm £100-200 334  JAMES FRY (1911-1985) ‘Studland Beach’ monogrammed lower right, signed and titled verso, oil on canvas laid on board, 19cm x 29cm £100-200

Lot 335

335  JAMES FRY (1911-1985) ‘Dancing Ledge, Dorset’ monogrammed lower right, oil on board, 23.5cm x 34cm £100-200

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336  JAMES FRY (1911-1985) ‘Old Harry Rocks’ monogrammed lower right, oil on board, 23cm x 33.5cm

Lot 336

£100-200 337  JAMES FRY (1911-1985) A view a stretch of Dorset coastline, possibly looking towards Kimmeridge, monogrammed lower right, oil on board, 29cm x 40cm

Lot 337

£100-200 338  DERRICK LATIMER SAYER (1917-1992) A study of the Thames at low tide, with boats to the foreground and Battersea Power Station beyond, signed lower left, oil on board, 39cm x 49cm £150-250

Lot 339

339  DERRICK LATIMER SAYER (1917-1992) Figures in an abstract landscape, signed, inscribed and dated 31 May 1991, pen, ink and watercolour, 20cm x 29cm £150-250 340  RONALD ‘CARL’ GILES (1916-1995) ‘To my dear Wife’ a cartoon study of a couple in bed on Christmas Eve, signed lower left, pen and ink with colour, 31.5cm x 42cm £400-600

Lot 340 104

341  JOAN GILCHREST (1918-2008) ‘St. Ives, Walking the dog’ monogrammed lower left, oil on board, 16.5cm x 12cm Provenance: Peter Hedley Gallery, Wareham, Dorset £800-1,200 105

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

342  MARY FEDDEN (1915-2012) ‘Italian Landscape’ with foliage to the foreground and two houses beyond, signed lower right, watercolour, 43cm x 29cm This work was executed on the other side of a sheet of paper discarded by the artist’s husband Julian Trevelyan (1910-1988), it shows the central section of Trevelyan’s etching ‘Bolton’ £2,000-4,000

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343  ERNST EISENMAYER (Austrian 19202018) ‘Old Jack’ a head and shoulders profile portrait of Joseph John ‘Jack’ Gover, signed and dated 1944 lower right, oil on canvas laid on board, 55cm x 45cm

In 1944 he showed work for the first time in an exhibition on Austrian art in exile. Two years later he enrolled at Camberwell College of Arts and studied there until 1947. Initially he focused on painting but later began creating sculptures and works with welded steel, bronze and stone. Acquiring British citizenship after the war, he worked temporarily as a toolmaker, painting in his free time under the guidance of the Austrian artist, poet and playwright Oskar Kokoschka, who became a key influence and supporter of his career. The City of Vienna awarded him the Medal of Honour for his artistic work.

Ernst Eisenmayer was born in Vienna in 1920 to poor AustroHungarian Jewish parents. During an attempt to reach France from Vienna following the annexation of Austria in 1938 He was arrested in Saarbrücken on the French-German border and transported to the infamous Dachau concentration camp. Fortunately for Ernst, his younger brother Paul had reached Britain as a Kindertransportee, where his guardian, Professor JL Brierley, promised to sponsor Ernst in Britain. This secured his release from Dachau in April 1939, where he was possibly one of the last prisoners freed before the outbreak of the Second World War.

A short film by Frances Lloyd on the early work of Eisenmayer was shown at the Jewish Museum of Art as part of their 2009 exhibition, “Forced Journeys: Artists in Exile in Britain 1933-45.”

It describes the artist’s deportation from Munich central station.

The curator Rachel Dickinson considered his contribution to the exhibition as the “greatest aesthetic revelation.”

In 1975 Eisenmayer left England for Italy where he lived until 1988, then moving to Amsterdam until 1996. He returned to Vienna and lived in the Maimonides Center, a Jewish retirement home. His last two retrospective exhibitions were Art beyond Exile and The Dignity of Man.

However, arrival in Britain proved something of a Pyrrhic victory.

In 1940 Eisenmayer was sent to five different British internment camps, including Onchan on the Isle of Man, where he made objects for warehouse exhibitions and wrote for the camp newspaper. His monochrome ‘Violinist at Onchan’ was later published as a stamp motif of the Isle of Man.

£300-600

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344  ALAN CARTER (1920-1999) ‘Sword Players’ signed, titled and dated ‘78 lower right, watercolour and pencil, 54cm x 79cm

Lot 344

£100-200 345  ALAN CARTER (1920-1999) ‘Autumn Night Tree’ signed, titled and dated 1991 lower right, watercolour, 73cm x 37.5cm

Lot 346

£100-200 346  ALASTAIR MICHIE (1921-2008) Stylised study of poppies in a field with white branches and stones to the foreground and a cottage and hills beyond, signed and dated 1984 lower right, watercolour and acrylic, 31cm x 23.5cm £150-200 347 ENGLISH SCHOOL, 20th century A study of trees, inscribed “INTS 73” lower left, oil on canvas, 50cm x 60cm £100-200 348 IRISH SCHOOL, 20th century A rural view of whitewashed thatched cottages, inscribed verso “By Cooper, Chelsea, 1943” oil on canvas laid on board, 34cm x 45cm

Lot 347

£100-200 349  JOHN SKELTON (1923-1999) ‘12th Century Church, Upwaltham, Sussex’ signed, titled and dated 1991 lower right, pencil and watercolour, 18.5cm x 26cm £50-100 109

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350  SANDRA BLOW (1925-2006) ‘COMPOSITION’ abstract study in tones of white and beige, signed and dated ‘68 in pencil to the stretcher, oil and sand on canvas, 106cm x 91cm Provenance: The property of a landed family from Buckinghamshire. £800-1,200

353  KEN WATERFIELD (b. 1927) ‘By the Hollow Tree’ with an owl swooping out from a gnarled tree, signed lower right, and the reverse inscribed on a label, oil on canvas, 60cm x 50cm

351  JOHN RYAN (Irish, 1925-1992) ‘The Scatterin’, Acts I-III’ A set of three set designs for the play ‘The Scatterin’ by James McKenna, watercolour, 35cm x 47cm (3) £300-500

£300-500

352  FRED G. WILLIS (20th century) ‘Old Belgrave’ Men working on a site beside a river, signed, titled and dated 1943 lower left, watercolour, 36.5cm x 52cm

354  KEN WATERFIELD (b. 1927) ‘Uprising’ with a pheasant taking flight, signed and inscribed on a label on the reverse, oil on canvas board, 48cm x 58cm

£60-80

£200-400

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355  CRAIGIE AITCHISON (1926-2009) ‘Still Life with Bird Vase, 2004’ signed and numbered 58/300 verso, colour silkscreen on Saunders Waterford 356gsm paper, from the edition of 300 plus 50 Artist proofs printed by Advanced Graphics and published

by Timothy Taylor Gallery, Waddingtons and Advanced Graphics, 2004, 28 x 22 cm, loosely contained in dark blue cloth portfolio, with the accompanying printed catalogue ‘Craigie Aitchison - Pictures’ £500-800

Lot 356 356  JOHN BRATBY (1928-1992) A still life study of dried flowers in a vase, signed lower left, oil on board, 61.5cm x 48cm £500-1,000 357  MANNER OF JOHN BRATBY (1928-1992) A study of three nude women seated together, oil on canvas, 141cm x 109cm £100-200

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Lot 358 358  DAME ELISABETH FRINK (1930-1993) ‘Anthony and Cleopatra’, 1982, signed and numbered 137/175 in pencil to the margin, etching and aquatint, the image 77cm x 56cm Provenance: Acquired from the Goldmark Gallery The work depicts Helen Mirren and Michael Gambon in the RSC production. £600-800

359  JANINE DELAPORTE (1928-2013) Trompe-l’œil style study of keys hanging from a nail, signed and dated ‘81 lower right, oil on panel, 26cm x 21cm £200-400 360  PADRAIG MACMIADHACHAIN (1929-2017) ‘Warm Earth Wind’ signed lower left, titled and further inscribed verso, oil on board, 24cm x 29cm

Lot 361

£200-300 361  JOHN MILLER (1931-2002) ‘The Harbour, Kassiopi’ signed lower right, oil on board, 30cm x 24cm £300-500

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362  JOHN BRUNSDON (1933-2014) ‘Dorset Landscape’ signed, titled and numbered 8/50 in pencil to the margin, limited edition etching and aquatint, the image 23cm x 30cm

Lot 363

£100-150 363  JOHN BRUNSDON (1933-2014) ‘Moonlight’ signed, titled and inscribed ‘T.P. 3’ in pencil to the margin, etching and aquatint, the image 60cm x 45cm £200-300 364  JOHN BRUNSDON (1933-2014) ‘Minsmere Beach’ signed, titled and numbered 24/125 in pencil to the margin, limited edition etching and aquatint, the image 44cm x 60cm £200-300

Lot 365 365  JOHN BRUNSDON (1933-2014) ‘Charmouth’ signed, titled and numbered 59/150 in pencil to the margin, limited edition etching and aquatint, the image 45cm x 60cm £200-300 366  JOHN BRUNSDON (1933-2014) ‘Two Bridges: Dartmoor’ signed, titled and numbered 27/150 in pencil to the margin, limited edition etching and aquatint, the image 44cm x 60cm

Lot 366

£200-300 367  JOHN BRUNSDON (1933-2014) ‘The Technique of Etching and Engraving’ 1965 edition, published by B T Batsford Ltd., London, W1; Ernest Stephen Lumsden (1883-1948) ‘The Art of Etching’ published by Dover Publications Inc., New York, NY (2) £50-100 113

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

368  JOHN NEWBERRY (b. 1934) ‘View from roof of Palace of Bishtok, Cairo, 1997’ signed lower left, watercolour, 25cm x 35cm

Lot 368

£100-200 369 MATTI BASIS (B.1933) Untitled composition, signed in pencil to the margin, Artist’s proof, 59cm x 50cm

Lot 370

£80-150 370 ISMAIL SAMY (1935-1990) A river scene with boats on the water and a house and palm trees on the opposite bank, possibly the Nile, signed lower left, oils on paper, 41cm x 31.5cm £100-200 371 MARCEL GOTENE (1935-2013) Abstract figural composition, signed and dated ‘84 upper left, acrylic on board, 69cm x 54cm £250-400 372 MARCEL GOTENE (1935-2013) Abstract figural composition, signed and dated ‘71 upper left, acrylic on board, 54cm x 69cm £250-400

Lot 371 114

373 MARCEL GOTENE (1935-2013) Abstract figural composition, signed and dated ‘88 upper left, acrylic on canvas, 49cm x 33.5cm

Lot 374

£100-150 374  ATHANASIUS NIKOLSKY (fl. 1950-1970) A view of Tower Bridge, London, signed and dated 1963 lower right, oil on canvas, 50cm x 76cm

Lot 375

£150-250 375  MARIO DUBSKY (1939-1985) ‘Reflection’ a seated male nude gazing at his mirror image, his head resting on his drawn-up knees, signed, titled and dated 1978 lower right, charcoal and pencil on paper, 53cm x 74.5cm

Lot 376

£200-300 376  IQBAL GEOFFREY (b. 1939) ‘Landscape of a Valley’ signed, titled and dated 1960 verso, along with numerous inscriptions, oils on board, 26.5cm x 37cm Provenance: Inscribed verso “Present to Dr. Mrs. Gunn in appreciation”

Lot 377

£200-300 377 CHINESE SCHOOL, 20th century A garden landscape with a line of trees and flower beds to the foreground and further trees beyond, seal mark signature lower right, mixed media, 65cm x 65cm £150-250

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Lot 379

378  JACQUES CHAROUX (b. 1940) ‘A IV, Aluminium’ A geometric op-art style study in brushed aluminium and perspex, signed, titled and dated 1972 verso, 60cm x 60cm

Lot 378

£300-500 379  DEREK JARMAN (1942-1994) ‘5 Red Beacons’, watercolour, ink and collage, 13cm x 16cm (unframed but retaining mount and back board) Provenance: Lisson Gallery, Marylebone, London, NW1 £200-300

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Lot 380

381  BRIAN DAVIES (1942-2014) A still life study of grapes, peaches and a harvest mug on a marble table top, signed lower right, oil on canvas, 24cm x 34cm

380  DEREK JARMAN (1942-1994) ‘Summer Camp’ signed and titled verso, oil on canvas, 122cm x 122cm £500-1,000

£150-250

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Lot 382

382  KEITH DUNKLEY (b. 1942) ‘Riverside Terraces’, signed lower left, oil on board, 60cm x 60cm

384  LARRY SMART (1945-2005) ‘JIMI HENDRIX’ signed and numbered 14/300 to the margin, screenprint in colours, 121cm x 91cm

£700-1,000

The artist admired Hendrix as a musician and by framing Hendrix with flames he references his track ‘Fire’ (1967), his stage performance of setting his guitar on fire, as well as the way his luminous but all too short career set the world alight.

This striking image of Hendrix was one of a series of large posters made by this artist: the others include Frank Zappa, Mick Jagger and John Lennon.

383  ROBERT WOOLNER (b. 1946) ‘The Pattern of Memory” relief abstract composition in blues, signed and dated ‘01 lower right, mixed media collage, 35cm x 39cm

£300-500

£50-100 118

Lot 384

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Lot 390

Lot 388

385  CHRISTOPHER AGGS (b. 1952) ‘A Glass of Milk’ still life study, monogrammed lower left, further signed, titled and dated ‘91 on a label verso, oil on board, 19cm x 14.5cm

388  GERARD MAGUIRE (b. 1963) ‘Trawenagh Bay, Donegal’ monogrammed lower right, oil on board, 40cm x 50cm

£50-100

389  ALISTAIR MAKINSON (b. 1961) ‘Coming Into The Splash’ signed lower right, oil on board, 19cm x 29cm

£300-600

386 MARGARET VORSTER (, b. 1953) A stylised female figure surrounded by leaves and roundels, signed and dated ‘88 lower right, watercolour and pastel on paper, 67cm x 63cm

£80-150 390 LAUREL HOLLOMAN (b. 1971) ‘Red Bats’ abstract composition in shades of red, signed, titled and dated 2011 in pencil verso, oil on canvas, 136cm x 136cm

£100-200 387  MACKENZIE THORPE (b. 1956) ‘Flowers for Christmas’ signed, titled and numbered 582/850 in pencil to the margin, with blindstamp and certificate of authenticity from Washington Green Fine Art Publishing Company Ltd, limited edition coloured print, the image 27cm x 50.5cm

£200-400 391  PETER JOYCE (b. 1964) ‘The Trip to Winspit’ signed and dated ‘01 lower right, inscribed on verso, mixed media on panel, 22.5cm x 15cm

£50-100

£120-180 120

Lot 397

392  PETER JOYCE (b. 1964) ‘Stack’ signed and dated ‘01 lower right, inscribed on verso, mixed media on panel, 12cm x 18cm

395  SEAN P. O’HALLORAN (20th/21st century) ‘The First Vessel Painting’ executed c. 1987, acrylic and ink on paper laid on card, 70cm x 100cm

£120-180

£100-200

393  GILLIAN RIPLEY (20th/21st century) A busy river scene, with figures conversing, children playing and swimming, people on boats, fisherman and houses beyond, signed lower left, watercolour and gouache, 53cm x 78.5cm

396  TIFFANY GROVES (b. 1975) ‘Scimitar’ abstract composition in green, red, orange, black and white, signed, titled and dated 2002 verso, oil on canvas, 60cm x 60cm £100-200

£100-200 394 SWEDISH SCHOOL, 20th century An abstract composition in greens, blues and browns, oils on board, 54.5cm x 43cm

397 ANWEN KEELING (b. 1976) ‘The Card Players, Spain’ signed and dated 2001 lower right, oil on canvas, 130cm x 194.5cm

£50-100

£500-800 121

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

401 MOMART: A COLLECTION OF ‘CHRISTMAS CARDS’ featuring artists such as David Hockney, Howard Hodgkin and Lucien Freud, for the years 2001-2008 inclusive, each with original letter

398  MICHAEL SOLE (b. 1985) A stylised coastal study, mixed media on canvas, 31cm x 61cm £100-200

Provenance: Photographer, Conservation department, Southampton City Art Gallery

399 CONTINENTAL SCHOOL, 20th century A large abstract composition in reds, oranges and greens, indistinctly signed lower right, oil on canvas, 115cm x 99cm

£300-500 402 ANDREW JONES ART: ‘THE DECK OF CARDS, 1972’ A full set (plus two jokers, info card and folding booklet) of playing cards, each designed by a noted British Artist, including David Hockney, Philip Sutton, Alan Davie, Patrick Caulfield, Cecil Collins, Howard Hodgkin, Sandra Blow, Terry Frost and Patrick Proctor, the box numbered 05357

£200-300 400  J. B. THIERY (Contemporary) ‘No. 31’ An abstract composition in purples, greys and golds, signed lower left, oils on board, 105.5cm x 85.5cm

Provenance: Photographer, Conservation department, Southampton City Art Gallery £50-100

£200-300

403 SVEN BERLIN (1911-1999): AN ARTIST’S PALETTE laden with layers of paint and four paint brushes, the underside inscribed in the Artist’s hand “This palette used from 1932 by me ‘till about 1962, Sven Berlin, 1991”; together with a signed and personalised 1978 first edition of ‘Amergin - An Enigma of the Forest’; a 1971 edition of ‘Dromengro - Man of the Road’; a signed and personalised copy of the Artist’s 1989 Belgrave Gallery catalogue; a 1992 edition of ‘Alfred Wallis - Primitive’; and a small cache of letters, cards, photographs and articles relating to and from Sven Berlin

Lot 403

£400-600

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Sculpture

Lot 428 123

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Lot 404 404 JEAN GARNIER (1853 - 1910) : A PAIR OF GILT BRONZE AND IVORY BOOKENDS modelled as a young boy and girl beside a tree stump, raised on a shaped marble plinth, signed marks, 23cm high (2) £1,000-2,000 405 AFTER PIETRO CALVI (1833-1884): A COLD PAINTED SPELTER SCULPTURE “LE MENESTREL” modelled as a gentleman wearing a top hat playing a banjo, raised on a polished marble plinth, signed marks, 25cm high £400-600 406 GEORGES MORIN (1874-1950): A BRONZE FIGURE OF A LADY stood with a frog on an outstretched arm, on a shaped base signed 'Morin' above a marble stepped plinth, 34cm high

Lot 406

£1,000-1,500 407 MARTIN GOTZE (German 1865-1931) ‘Die Stille (‘The Quiet’) a bronze study of a whispering female nude, signed to naturalistic circular base, 42.5cm high £500-800 124

409 EUGENE BARILLOT (1841-1900), A PAINTED BRONZE AND IVORY FIGURE modelled as the Pied Piper, raised on a stepped circular marble base, signed Barillot, 25cm high £3,000-5,000

408 D. WATRIN: A GILT BRONZE AND IVORY SCULPTURE modelled as a lady in medieval dress, holding a book and an ivory flower, walking down granite steps, signed marks, 34.5cm high. £3,500-5,500

125

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410 RENE-PAUL MARQUET (1875 - 1939): A GILT BRONZE AND IVORY SCULPTURE no. 9493, modelled as a young girl holding a basket of flowers, on a circular onyx plinth, impressed marks, 18cm high

Lot 410

£1,000-1,500

411 JUAN CLARA (1875 - 1958): A BRONZE AND ALABASTER SCULPTURE modelled as a toddler climbing on a chair, bronze foundry mark, 23cm high £200-400

Lot 411

Lot 412

412 ARISTIDE MAILLOL (1861-1944): BRONZE SCULPTURE modelled as a head of a woman, mounted on a limestone plinth, signed marks, 9.5cm high £1,000-1,500

126

413 ALEXANDRE KELETY (1880 - 1940): AN ART DECO BRONZE SCULPTURE modelled as a female hoop dancer with outstretched arms and legs, on a polished black marble base, signed to the base ‘A Van Kote’, 36cm long x 12cm deep x 36cm high Literature: Art Deco and Other Figures, by Bryan Catley, pg no. 227 for comparable. £2,000-3,000

127

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414 WILHELM KRIEGER (1877-1945) A cast bronze statue of a naked young girl, with cast signature to the base "Krieger", on an octagonal base, the sculpture 120cm high (175cm high overall) It has been suggested that the figure represents the sculptor's daughter Provenance: The Virgin Family, Sweden and thence by descent.

Private Collection, Dorset ÂŁ5,000-10,000

128

129

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Lot 415

Lot 417

418 L. DE MARCO: AN ART DECO PAINTED SPELTER SCULPTURE c.1930, the painted bronze modelled as a scantily dressed female with a bow and arrow and an rearing antelope, on a shaped polished marble base, signed “De Marco” to base, 39cm length x 29cm high.

415 MANNER OF JOE DESCOMPS (1872-1948): A NUDE FEMALE IVORY SCULPTURE standing nude, her hands holding up her hair behind her head, on a rectangular base, 22.5cm high £400-600

£100-200

416 AFTER D.H CHIPARUS (1886-1947): AN ART DECO SPELTER AND IVORINE SCULPTURE modelled as a lady with a pair of greyhounds, on an oval polished marble plinth, signed marks, 67cm long x 43.5cm high

419 ART DECO PATINATED BRONZE SCULPTURE modelled in the form of a semi-clad female figure, raised on a black polished marble octagonal plinth, indistinctly signed, 24.5cm high

£200-400

£350-550

417 GEORGES OMERTH (1895-1925) A GILT BRONZE AND IVORY FIGURE modelled as a young courtier, raised on a circular marble base, signed marks, 16.5cm high

420 COLD PAINTED BRONZE FIGURE modelled as a young boy lighting a cigarette, wearing an overcoat and hat, raised on a white marble plinth, 14.5cm high

£800-1,500

£200-300

130

421  MARY SPENCER WATSON (1913-2006) ‘Hero’ ash and colour, made from timber from her own orchard, the sculpture was created following a visit to Greece and Crete in 1954.

1954, 216cm high Exhibited: Dorset County Museum and other venues on five occasions between 1976 and 1999.

Illustrated fully on pages 29 and 102 of Ratusziniak “Mary Spencer Watson, Sculpture, Catalogue Raisonne”.

Provenance: The Mary Spencer Watson Estate, Dunshay, Dorset. £5,000-10,000

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422  IVOR ROBERTS-JONES (1913-1996) SIR WINSTON CHURCHILL a bronze maquette for the monument in Parliament Square, numbered 143, cast at the same Meridian Bronze Foundry as the original sculpture, with an attractive mid-brown patina, 51cm high, on a square white stone base inscribed “Churchill” (62cm high overall) This iconic maquette is a reduction of the large scale sculpture of Sir Winston Churchill by Roberts-Jones which stands in Parliament Square having been commissioned in 1971.

It is said that the artist’s friend Sir Kyffin Williams stood in as a model for Churchill.

The sculptor’s first important commission came from Lord Beaverbrook in 1961 for a bust of Somerset Maugham. Roberts-Jones success and the public acclaim that his statues engendered led to his election as an associate of The Royal Academy.

First rights to the sell the bronze were secured by The Library of Imperial History and restricted until December 1976 for owners of the library’s ‘Collected Works of Winston Churcill’. This bronze comes complete with the Library’s ‘Limited Edition Portfolio 1976/1977’ listing the work for sale at £630.

Provenance: Private Collection, Somerset £20,000-30,000

132

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424 BRUCE ONOBRAKPEYA (b. 1932) ‘Urhe Ovo Ogo - The First Tree in Creation’ monogrammed, signed and dated 1989 lower right aluminium relief mounted on a wooden panel 68cm x 49.5cm

423  ERIK THOMMESEN (1916 - 2008): A WOODEN SCULPTURE ‘PAS DE DEUX’ raised on a concrete square base, 50cm high £1,000-1,500

£300-500 425  TOLLECK WINNER (b.1959): “PEOPLE” BRONZE PATINATED SCULPTURE limited edition no.8/8, painted marks, 27cm high

Lot 423

£200-400

Lot 425

134

426  MARTIN SCOREY (b. 1961): ‘ORCAS’ A POLYCHROME PAINTED DOUGLAS FIR WOODEN SCULPTURE modelled as three Orca whales, on an oak rectangular plinth, signed marks, 60cm high x 123cm wide x 29cm deep £400-600

427  MARTIN SCOREY (b. 1961): A POLYCHROME PAINTED DOUGLAS FIR WOODEN SCULPTURE modelled as two Humpback whales, on an oak painted rectangular plinth, 130cm long x 69cm deep x 57cm high £600-800

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Lot 428

428  MARTIN SCOREY (b. 1961): “LEVIATHANS” A LARGE POLYCHROME PAINTED WOODEN SCULPTURE on an ebonised rectangular plinth, 215cm wide x 63cm deep £2,000-3,000 429  MARTIN SCOREY (b. 1961): A “DRIFTWOOD THRONE” open arms and back rest, three panelled seat, 180cm H £400-600 430 STONEWARE MODERNIST SCULPTURE modelled in the form of a reclining figure, mounted on a wooden plinth, impressed marks £50-100

Lot 429

136

Leslie Charlotte Benenson (1941-2018)

Leslie Charlotte Benenson RE (1941-2018) was born in London and began studying art at the Regent Street Polytechnic under Geoffrey H. Deeley A.R.C.A and James Osborne.

She was awarded a National Diploma in Design in 1962 and took private calligraphy tuition with Anthony Wood, after which she was elected a member to the Society of Scribes & Illuminators. After successfully exhibiting work at the Royal Academy from 1962, and at the Royal Society of Painter-Etchers and Engravers from 1968, she was elected to member status of the latter institution in 1978 and was one of the founder members of the Society of Equestrian Artists in 1979.

She is exhibited widely, and her work can be found in many public and private collections, including the Towner Art Gallery, Ashmolean, Hereford Museum and the International Exlibriscentrum.

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431  LESLIE CHARLOTTE BENENSON R.E. (1941 - 2018): A PATINATED CLAY SCULPTURE moulded study of a Spanish Bull, impressed mark, 19cm high x 26cm long £100-200

432  LESLIE CHARLOTTE BENENSON R.E. (1941 - 2018): A PATINATED CLAY SCULPTURE moulded study of a galloping horse, on naturalistic base, impressed marks, 28cm long £100-200

433  LESLIE CHARLOTTE BENENSON R.E. (1941 - 2018): A BRONZED EFFECT MAQUETTE SCULPTURE fibreglass, modelled as nurse and an ailing figure, signed marks, 48cm long x 36cm high £150-250

138

434  LESLIE CHARLOTTE BENENSON R.E. (1941 - 2018): A PATINATED CLAY SCULPTURE modelled as a study of a Japanese gaisha girl holding a fan, raised on a wooden plinth, and a study of a female head and shoulders, 20cm high (2) £100-200

435  LESLIE CHARLOTTE BENENSON R.E. (1941 - 2018): A PATINATED CLAY SCULPTURE modelled as a study of a stylised bearded gentleman with hands emanating from beneath, raised on a wooden plinth and one other similar, 16.5cm high (2) £100-200

436  LESLIE CHARLOTTE BENENSON R.E. (1941 - 2018): A PAIR OF PATINATED BRONZED EFFECT MAQUETTE SCULPTURES modelled as a study of male and female head and shoulders, raised on square wooden bases, impressed marks, 41cm high (2) £150-250

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Lot 437 Lot 440

440  LESLIE CHARLOTTE BENENSON R.E. (1941 - 2018): A PATINATED CLAY SCULPTURE modelled as a study of a stylised mermaid with long flowing hair on a sea effect base, impressed marks, 26cm high x 26cm long

437  LESLIE CHARLOTTE BENENSON R.E. (1941 - 2018): A BRONZED EFFECT MAQUETTE SCULPTURE fibreglass, modelled as a study of a young female head and shoulders, raised on a wooden base, 47cm high x 28cm deep x 34cm wide

£150-250

£100-200

441  LESLIE CHARLOTTE BENENSON R.E. (1941 - 2018): A BRONZED EFFECT CLAY SCULPTURE moulded and painted study of a horse and foal, and one other, impressed marks, largest 18cm high (2)

438  LESLIE CHARLOTTE BENENSON R.E. (1941 - 2018): A BRONZED EFFECT CLAY SCULPTURE moulded and painted study of a horse grazing, and four others similar, impressed marks to the maquette, largest 16cm high (5)

£100-200

£100-200 439  LESLIE CHARLOTTE BENENSON R.E. (1941 - 2018): A BRONZED EFFECT CLAY SCULPTURE moulded and painted study of a mountain goat and kid, another similar and a cat, impressed marks, largest 16cm high (3)

442  LESLIE CHARLOTTE BENENSON R.E. (1941 - 2018): A BRONZED EFFECT CLAY MAQUETTE SCULPTURE modelled as a study of male head and shoulders with incised features, and a fibreglass maquette study of a young female raised on a wooden base, impressed marks, 30cm high (2)

£80-150

£100-200

140

443  LESLIE CHARLOTTE BENENSON R.E. (1941 - 2018): A PATINATED CLAY SCULPTURE moulded as study of a reclining nude female, raised on a wooden plinth, and two other similar, impressed marks, largest 19cm high (3) £150-250 444  LESLIE CHARLOTTE BENENSON R.E. (1941 - 2018): A RED CLAY SCULPTURE moulded study of a water buffalo, a warthog and a polar bear, impressed marks, largest 23cm long £100-200 445  LESLIE CHARLOTTE BENENSON R.E. (1941 - 2018): A PATINATED BRONZED PLASTER SCULPTURE modelled as a study of two figures, one holding another with outstretched arms, impressed mark, 45cm high x 34cm wide £150-250

Lot 448

446  LESLIE CHARLOTTE BENENSON R.E. (1941 - 2018): A PATINATED CLAY SCULPTURE modelled as a study of three winged figures playing musical instruments, and a study of two figures standing on a wooden base, impressed marks, 27cm high (2) £100-200

448  LESLIE CHARLOTTE BENENSON R.E. (1941 - 2018): A BRONZED EFFECT SCULPTURE fibreglass, modelled as a nude female standing, 90cm high x 23cm wide x 18cm deep

447  LESLIE CHARLOTTE BENENSON R.E. (1941 - 2018): A PATINATED BRONZED EFFECT MAQUETTE SCULPTURE modelled as a study of a wounded figure, raised on a wooden base, 40cm high

£100-200 449  LESLIE CHARLOTTE BENENSON R.E. (1941 - 2018): FOUR BRONZED EFFECT SCULPTURES ON BOARD each depicting different stylised scenes, 70cm high x 27cm wide(4)

£80-150

£100-200 141

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450  LESLIE CHARLOTTE BENENSON R.E. (1941 - 2018): A LARGE BRONZED EFFECT PATINATED PLASTER SCULPTURE modelled as a female head and shoulders, with frilled collar blouse and jacket, signed marks, 70cm high x 52cm long x 33cm deep £300-500 451  LESLIE CHARLOTTE BENENSON R.E. (1941 - 2018): A BRONZED EFFECT MAQUETTE SCULPTURE fibreglass, modelled as a male head and shoulders, raised on a wooden base, 52cm high x 50cm long x 20cm deep £100-200 452  LESLIE CHARLOTTE BENENSON R.E. (1941 - 2018): A STUDIO SIGN cardboard, 54.5cm long £50-100

Lot 450

Lot 452

142

Silver and Jewellery

Lot 541 143

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Lot 453

Lot 454

Lot 457

453 ART DECO STYLE DIAMOND RING approximately 0.80ct total, on an 18ct yellow gold shank, ring size O

457 ART DECO STYLE RUBY DIAMOND AND ONYX RING on an 18ct white gold shank, ring size M

£600-800

£900-1,400

454 ART DECO STYLE SAPPHIRE AND DIAMOND RING approx 0.80ct total, on an 18ct yellow gold shank, ring size O

458 ART DECO STYLE SAPPHIRE AND DIAMOND RING on an 18ct yellow gold shank, ring size M £500-1,000

£1,200-1,500

459 ART DECO STYLE CUBIC ZIRCONIA, DIAMOND AND AQUAMARINE RING on an 18ct yellow gold shank, ring size P

455 ART DECO STYLE SAPPHIRE AND DIAMOND RING on an 18ct yellow gold shank, ring size P

£600-800

£350-550

460 VICTORIAN STYLE AQUAMARINE AND DIAMOND RING on an 18ct yellow gold shank, ring size P

456 ART DECO STYLE RUBY AND DIAMOND RING on an 18ct yellow gold shank, Ring size M

£600-800

£600-800

Lot 456

Lot 460

Lot 459 144

461 ART DECO STYLE RUBY AND DIAMOND EARRINGS approx 0.95ct ruby & 1.20ct total diamond weight, set in 18ct white gold £900-1,400

462 RUNNING RABBITS BROOCH each conjoined rabbit set with old-cut diamonds and red gem-set eyes, 3.2cms long £200-300

463 18K YELLOW GOLD AND ENAMELED FROG BROOCH with red and clear stone eyes, the reverse with white metal pin fastener, 4.8cms long, approx 14.20grms total weight £200-300

464 CONTINENTAL WHITE METAL PANELED LINK BELT AND MATCHING BRACELET each pierced link joined with a single round link, hook fastener with safety chain, 81cms long, and matching bracelet 19cms long (2)

465 MOTHER OF PEARL PENDANT AND CHAIN the mother of pearl claw-set in white metal with outer yellow metal scroll work, attached to a white metal chain, 44cms long

£150-250

£50-100

145

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Lot 469 Lot 466 466 MURRLE BENNETT & CO: AN ART NOUVEAU ENAMELED PENDANT the pendant centre set with an oval-cut mother of pearl, attached to an unmarked white metal chain, 43cms long

469 CHARLES HORNER; A SILVER AND ENAMEL “SWALLOW” PENDANT Chester 1909, the enameled swallow, conjoined to a single enameled drop, on a fine link silver chain, 47cms long

£100-200

£150-250

467 WILLIAM FUGLEDE COPENHAGEN; A SILVER AND CORAL “SKONVIRKE” NECKLACE 38cms long

470 DANISH MODERNIST SILVER AND HARDSTONE PENDANT marked “E D” import marks, attached to a silver chain, 52cms long £80-150

£80-150

471 COLLECTION OF MODERNIST SILVER DRESS RINGS various ring sizes, (4)

468 SOLOVARRA: A DANISH SILVER AND GREEN STONE SWIVEL PENDANT attached to a silver chain, 59cms long, and one other mistletoe pearl and silver pendant and chain, 54cms long, (2)

£60-120

£100-200

146

Lot 476

Lot 472 472 SMITH AND EWEN: AN ART NOUVEAU SILVER AND ENAMEL PENDANT Birmingham 1909, attached to a fine link silver chain, 50cms long

476 QUEENSWAY AN ART NOUVEAU SILVER AND ENAMEL PENDANT retailed by Liberty & Co, attached to an unmarked white metal chain link necklace, 53cms long

£150-250

Literature: The Liberty Style by Victor Arwas, Page 17 with illustration of similar, top row, centre pendant

473 m207/20 MANNER OF JAKOB BENGAL: AN ART DECO CHROME NECKLACE 21 alternating black and green graduating rods, centred on a chrome tube link necklace, 40cms long

£200-400 477 JACK SPENCER: A CONTEMPORARY MODERNIST SILVER BROOCH Sheffield 1989, stylised twist form, 7.5cm long

£80-150

£100-200

474 SIDNEY BEDDALL: A MODERNIST SILVER RING London, 1969, the centre in the form of a stylised flower, size L

478 JACK SPENCER: A CONTEMPORARY MODERNIST 9CT GOLD BROOCH Sheffield, 1980, stylised twist form, 5cm long (4.1g)

£80-150

£150-250

475 KOLLMAR AND JOURDAN: A MODERNIST SILVER PENDANT attached to a silver chain, 44cms long £50-100 147

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479 GEORG JENSEN: A PAIR OF SILVER CLIP EARRINGS the reverse stamped and numbered “106”

485 PETER GUY WATSON: A BRUTALIST SILVER RING London, 1972, the centre in the form of a stylised flower with a bark textured shank, size L

£50-100

£100-200

480 GEORG JENSEN: A POST-WAR SILVER BANGLE hexagonal form, design no. 177, 8cm (c.33g)

486 PIERRE MARCHAND: A MODERNIST SILVER AND ENAMEL RING London, 1972, decorated with stylised “blocks” in polychrome, size M

£80-150

£150-250

481 GEORG JENSEN SILVER: A BOOKLET REFERENCE CATALOGUE publ. Egmont-H-Petersen, printed in Denmark, the booklet contains a selected assortment of Georg Jensen silver-jewellery, with coloured illustrations, and price list.

487 NORMAN GRANT: A MODERNIST SCOTTISH SILVER AND ENAMEL PENDANT Edinburgh, 1980, rectangular form, decorated with a profile of a female, night sky behind, and Derek T Birch modernist chunky silver ring, ring size between M - N (2)

£50-100

£80-150

482 DAVID ANDERSEN: A SILVER OPENWORK PENDANT with hook fastener, attached onto a torque choker

488 RADEK SZWED (RADOSLAW SZWED) : A CONTEMPORARY SILVER AND ROSEWOOD BANGLE circular ribboned form, impressed marks, 4.5cm

Literature: Warmans Jewellery by Christie Romero, page 243, bottom right section, illustrated top row left £100-200

Radoslaw Szwed was born in Warsaw, Poland and established his workshop in 1989. In 1993, he gained membership to the Association of Forum Creators Goldsmith and has since exhibited at exhibitions and galleries across Europe.

483 HENNING KOPPEL FOR GEORG JENSEN: A SILVER MODERNIST BROOCH the reverse marked and numbered “375”, in a “Georg Jensen” card presentation box

£100-200 489 SEAMAN SCHEPPS: A TURBO SHELL BROOCH overlaid with unmarked yellow metal, decorated with three cabochon gem stones, the reverse stamped “Seaman Schepps”, with double clip fastner, 3cms wide

£150-250 484 PETER GUY WATSON: A MODERNIST SILVER RING London, 1972, the head in the form of a large dome, size N

£150-250

£100-200

490 POST-WAR SILVER AND MALACHITE BROOCH a malachite set ring, Danish pendant and a Norwegian silver bangle with stylised incised decoration (4) (53g total) £80-150 148

Lot 485 Lot 486 Lot 489

Lot 479 Lot 487

Lot 482

Lot 488

Lot 483

149

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Lot 492 Lot 491 492 ELIS KAUPPI: A MODERNIST SILVER AND AMETHYST PENDANT attached to an unmarked white metal chain, 49cms long £80-150

491 CONTEMPORARY AMBER CHUNKY NECKLACE five various amber pieces, overlaid with unmarked white metal , the largest piece ring linked, other pieces connected with pierced white metal links,and chain connections to concealed clasp. 56cms long.

493 PAIR OF MODERNIST SILVER BARK EFFECT CUFFLINKS London, 1997 £50-100

£300-500

494 CARTIER: A LES MUST DE CARTIER “VENDOME” BRUSHED STEEL BALLPOINT PEN no. 139989, in fitted tooled red leatherette case, 13cm long £100-200

Lot 493

495 CARTIER: A LES MUST DE CARTIER “VENDOME” BRUSHED STEEL BALLPOINT PEN no. 329652, in fitted tooled red leatherette case, 13cm long £100-200 150

SILVER AND PLATED ITEMS

Lot 496 Lot 497

Lot 498 496 CONTINENTAL SECESSIONIST SILVER MOUNTED AND AGATE COMPORT circular mottled hardstone bowl flanked by two angular handles, the stem mounted with red cabochons, terminating on a stylised circular foot, 13.5cm high

498 WMF: A SILVER PLATED AND GLASS CLARET JUG plated mounts with textured bark effect decoration, angular handle, hinge cover with scroll thumb piece, star-cut base, impressed marks, 21cm high £80-150

£250-450

497 FRENCH ART NOUVEAU SILVER PLATED OIL LAMP BASE the bulbous shaped bowl cast with tendrils and garlands below a freize of semiclad females in flowing dresses, on a trefoil base, marked “Chocolat L. Revault” with associated clear glass funnel, 42cm high

499 IN THE MANNER OF DR CHRISTOPHER DRESSER: A SILVER PLATED CHAMBER STICK circular form, the central stick with fluted and reeded decoration, cylindrical ebony turned handle, circular pan, raised on three ball feet, 15cm high

£80-150

£100-200

151

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500 DR CHRISTOPHER DRESSER (1834 -1904) FOR HUKIN AND HEATH: A SILVER PLATED SWEET MEAT DISH no. 2074, flared ovral form with folded sides, swing handle, impressed marks, 16.5cm long

Lot 501

£50-100 501 JACQUES ADNET (1900 - 1984): A CHROME PLATED BOTTLE HOLDER rectangular form, inset with a mirror plate, 28cm high x 24cm wide x 23cm deep £250-450

502 JACQUES ADNET: AN ART DECO CHROME PLATED TANTALUS the locking cover to enclose three glass decanters with mushroom shaped stoppers, on a rectangular base, 26cm high x 29cm wide x 12cm deep (with key) £600-800 503 IN THE MANNER OF THE BAUHAUS SCHOOL, A SILVER PLATED TEAPOT circular form, curved handle, pull-off cover with finial, 15cm long

Lot 502

£80-150

504 SECESSIONIST SILVER PLATED TRAY oval form, two raised stylised handles, the border applied with four panels, 50cm dia £50-100

Lot 504

152

505 VICTORIAN NOVELTY SILVER TOAST RACK

by Atkin Brothers, Sheffield 1889, the four divisions formed by the letters spelling TOAST, with loop handle on four ball feet, retailed by Thornhill & Co, Bond St., 13cm high, (c. 7oz) £100-200

506 ART NOUVEAU SILVER AND ENAMEL PHOTOGRAPH FRAME

by William Neale, Chester, 1904, rectangular form, the border decorated in relief with stylised flowers and scrolls, highlighted with blue greenish enamels, reg. no. 403177, 13cm x 9.5cm £200-300

153

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507 ART NOUVEAU STYLE SILVER PEDESTAL CUP

by Charles Boyton, London, 1934, circular form, twin scroll handles, leaf cast band, tapering stem, on a stepped spreading circular foot (filled) 23.5cm (c. 14.5oz)

509 ART NOUVEAU SILVER BELT BUCKLE

by Arthur Johnson Smith, Chester, 1902, modelled as a maiden with sweeping hair amongst flowers and dragonflies, 8cm dia, and one other similar (c. 1.4oz) (2) £50-100

£200-400

510 ASPREY & CO: AN ARTS AND CRAFTS SILVER WAX HOLDER London, 1905, rectangular form, with slide action, sky blue glass cabochon thumbpiece and seal end, monogrammed,17.9cm long (c.1.7oz)

508 ART NOUVEAU DRESSING TABLE SET

by Walker and Hall, Birmingham, 1904, comprising tray, hand mirror and four brushes, each highly embossed and decorated with maidens, flowers and whip-lash stylised lines, reg. no. 409494 (c. 13oz) (6)

£200-400

£1,000-1,500

Lot 508 154

511 ARTS AND CRAFTS PEDESTAL BOWL

by A.E. Jones, Birmingham, 1909, circular form with spot hammered decoration, engraved with a presentation inscription and dated “MCMIX”, the border with a band of Celtic motifs, raised on a spreading circular foot with stylised border, 19cm dia. (c. 11.4oz) £300-500

512 ARTS AND CRAFTS STYLE SILVER GOBLET

by Charles Boyton, London, 1930, the tapering circular cup above an applied section of leaves and fruit, the whole on a plain circular foot, with a spot hammered finish, the underside of the base bearing the facsimile signature of Charles Boyton, 23cm high (c.14.1oz) £1,200-1,500

513 SILVER ARTS AND CRAFTS INKSTAND

by William Aitken, Birmingham, 1910, rectangular form, the pierced stylised scrollwork borders with heart motifs , pen rest to centre, with two detachable square cut glass silver mounted inkwells, 23cm long x 18cm deep (c. 6.9oz) £100-200

155

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514 PAIR OF ARTS AND CRAFTS SILVER CANDLESTICKS

by Albert Edward Jones, Birmingham, 1906, circular form, the cylindrical holders with broad drip pans, the shafts of four straps terminating in arrows, the domed bases each set with four turquoise cabochon’s, 11cm high (c.6.5oz) Jones trained at the Birmingham School of Art under Edward R. Taylor and was for a period a Guildsman of the Birmingham Guild of Handicraft. He founded A. E. Jones & Co. in 1902 £4,000-6,000

156

515 LIBERTY & CO: AN ARTS AND CRAFTS SILVER TEAPOT Birmingham, 1913, no. 5815, compressed circular form, hinged cover with wooden disc finial, the body engraved with trailing vines and applied with a entwined rope and weave gurdle, wooden scroll handle, 25.5cm long (c. 16.4oz) £500-1,000

516 LIBERTY & CO: A SILVER CAKE SLICE Birmingham, 1924, shaped bowl, the stem with planished and incised decoration and set with a single cabochon, 18cm long (c. 3oz)

Lot 515

£200-400

Lot 517 Lot 516 517 ARTIFICERS’ GUILD: AN ARTS AND CRAFTS SILVER SPOON Birmingham, 1913, probably designed by Edward Spencer, the love heart bowl with spot hammered and incised decoration, the stem applied with a rope twist design, the finial inset with a single cabochon, 22.5cm (c.2.2oz) £150-250

518 ARTS AND CRAFTS SILVER FOOTED DISH probably Austrian, makers mark KA, shaped circular form, embossed, with spot hammered decoration, raised on four shaped feet, 35cm dia (c.26oz)

519 LIBERTY & CO: A SILVER FOUR DIVISION TOAST RACK Birmingham, 1921, reg no. 5945, shaped rectangular form, loop carrying handle, the border engraved with stylised scrolls, planished decoration, raised on four bun feet, 11cm long (c.4.9oz)

£200-400

£250-450

157

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520 MEDICAL AND MILITARY INTEREST: AN ARTS AND CRAFTS STYLE SILVER SALVER

by Omar Ramsden, London, 1933, circular form, raised geometric wavy border, the centre engraved with a crest, the underside engraved “From Wing Commander D’Arcy Power M.C. To Sir D’Arcy Power K.B.E., F.R.C.S November 11th 1935” 38cm dia (70oz) £4,000-6,000 Sir D'Arcy Power, KBE FRCS FSA (1855-1941) was a British surgeon, medical historian and contributor of some 200 articles on famous surgeons and other related figures to the Dictionary of National Biography. He became President of many associations including the Medical Society of London, the Harvein Society of London, the History of Medicine Society at the Royal Society of Medicine, the Bibliographical Society and a Fellow of the Society of Antiquaries of London. He was also a founding member of the Samuel Pepys Club. Commissioned to the Volunteer Medical Staff Corps in April 1888 and given the rank of major in the Royal Army Medical Corps when its Territorial Force section was created on 31 July 1908 and was attached to 1st London General Hospital. In August 1914, with the outbreak of the First World War he gained promotion to lieutenant-colonel and until 1916 he was based at the officers' hospital at Fishmongers' Hall. He then re-joined the main body of 1st London General Hospital, serving until demobilisation in 1920. Sir Power was then appointed Knight Commander of the Order of the British Empire in recognition of his service in military hospitals during the First World War in the 1919 King's Birthday Honours. His son, Air Vice-Marshal D'Arcy Power CBE MC MRCS (1889 – 1958) followed his father into part-time service in the RAMC in 1911, and during the First World War became a captain and won the Military Cross. He later transferred to the Medical Branch of the Royal Air Force on the formation of the new service in 1918 and taking a permanent commission as a flight lieutenant in 1920, ultimately reaching the rank of acting air vice marshal by 1945 when he was appointed Commander of the Order of the British Empire. Power was also a Freemason and served as Master of the Lodge of Assistance No 2773 (London) from 1949 to 1950.

158

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521 LIBERTY & CO: A SILVER CHRISTENING BOWL AND SPOON Birmingham, 1916, circular form, engraved with a band of stylised flowers, planished decoration, raised on a reeded circular foot, and a matching spoon (8.3oz) (2) £250-450

Lot 523

522 LIBERTY & CO: A SET OF SILVER CORONATION TEASPOONS Birmingham, 1953, the finials each with incised foliate decoration, in silk lined fitted case (c. 2.1oz) (6) £50-100 523 OMAR RAMSDEN: A SILVER SNUFF BOX London, 1919, oval form, hinged cover, planished decoration 8.5cm dia (c.2.8oz) £200-300 524 GENE MOORE (1910-1998) FOR TIFFANY & CO: A STERLING SILVER AND ENAMEL CIRCUS FIGURE modelled in the form of a clown in a barrel, enamelled in polychrome, 8cm high (6.8oz)

Lot 524

£500-1,000 525 ART DECO SILVER CUP AND COVER

by James Fenton, Birmingham, 1933, circular form, pull-off conical cover with flame finial, tapering stem on a spreading circular foot 39cm high (c. 38.4oz)

Lot 526

£700-900 526 ART DECO CHINESE SILVER COCKTAIL SHAKER

by Lee Yee Hing, tapering circular form, pull-off cover, decorated with a stylised dragon on a textured ground, vacant cartouche, 24cm high (c.12.8oz) £600-800

160

527 ART DECO STYLE SILVER ENGINE TURNED CIGARETTE BOX

by Padgett & Braham, London, 1951, rectangular form, engine turned panels with ribbed corners and gilt clasp, wooden lined interior (filled), 16.5cm long

Lot 528

£80-150 528 ART DECO SILVER SUGAR SHAKER James Ramsey, London, 1936, cylindrical form, cone shaped pull-off pierced cover with knopped finial, the body engraved with stylised leaves, on a reeded circular foot, 19cm high £200-400 529 IN THE MANNER OF GEORG JENSEN: A SET OF THREE GRADUATED SILVER CANDLESTICKS

by Melda, stamped 900, each of shaped rectangular form, largest 25.5cm high (c.23.5oz) (3)

Lot 529

£250-450 530 IN THE MANNER OF GEORG JENSEN: A SET OF THREE GRADUATED SILVER VASES

by Melda, stamped 900, each of shaped form with pointed collars, largest 37.5cm high (c.31.6oz) (3) £400-600 531 HANS HENRIKSEN FOR GEORG JENSEN: A PAIR OF SILVER SHAKERS barrelled form, no. 1031 (c.3.5oz) £300-500

Lot 530 532 SVEND WEIHRAUCH FOR FRANTZ HINGELBERG: A SET OF FOUR DANISH SILVER CANDLESTICKS circular form, urn shaped capitals with twisted stems on circular bases, no. 34510 (23oz) (4) £150-250

161

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533 GEORG JENSEN: A PAIR OF SILVER “PYRAMID” SALAD SERVERS import marks, c. 1931, horn effect ends, each finial engraved with initials, 19.5cm

534 GEORG JENSEN: A POST-WAR SILVER “PYRAMID” CHILDS FORK AND SPOON 14cm long, and a Norwegian silver David Andersen figural spoon, 18.5cm (c. 4.2oz) (3)

£100-200

£80-150

535 GERALD BENNEY (1930-2008): A SILVER DESK TIDY rectangular form, textured sides, t he interior inset with blue leather, 10.5cm x 8cm wide (c.9oz) £400-600

536 STUART DEVLIN (1931-2018): A SILVER PARCEL-GILT “SURPRISE” EASTER EGG London, 1985, the textured exterior to reveal rabbits and enamelled birds amongst flowers, 7cm high (2.8oz) £350-550

537 STUART DEVLIN (1931-2018): A SILVER GILT “SURPRISE” EGG London, 1978, the pierced textured exterior to reveal five enamelled flowers, 7cm high (2.7oz) £350-550

162

538 STUART DEVLIN (1931-2018): A PAIR OF SILVER PARCEL-GILT GOBLETS London, 1974, circular bowls, gilt washed interior, spot hammered decoration, knopped gilt textured stems, on a spreading circular foot, 15.5cm high (13.9oz) £800-1,500

539 STUART DEVLIN (1931 - 2018): PAIR MODERNIST SILVER PARCEL-GILT MAIN DISHES London, 1971, circular form, the border with pierced and textured decoration with planished centres, 27.5cm dia (36.8oz) (2) £1,300-1,500 540 STUART DEVLIN (1931 - 2018): SET OF FOUR MODERNIST SILVER PARCEL-GILT FOOTED DISHES London, 1971, circular form, the border with pierced and textured decoration with planished centres, raised on a gilt circular foot, 11.5cm dia (15.7oz) (4) £600-800

163

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541 STUART DEVLIN (1931 - 2018): SET OF EIGHT MODERNIST SILVER PARCEL-GILT GOBLETS London, 1969, circular form, the bowls of shaped urn form, gilt-washed interiors, with bark textured gilt stems and each raised on a circular foot, 17.5cm high (73.5oz) (8) £3,000-5,000

164

542 STUART DEVLIN (1931 - 2018): MODERNIST SILVER PARCEL-GILT FLATWARE London, 1994, comprising a fork, knife and spoon, with textured handles (c.7.6oz) (3) £250-450

543 FREDERICK RICHARD COOK: A MODERNIST SILVER PARCEL-GILT BEAKER London, 1972, cylindrical tapering form, the body with textured pierced decoration with a plain band, 14cm high (c.10.3oz) £500-1,000

544 GRANT MACDONALD: A MODERNIST SILVER PARCEL-GILT ROSE BOWL London, 1984, circular form, gilt stylised pull-off cover, vacant cartouche, 21cm dia (c.17.2oz) £800-1,500

165

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545 ANTHONY ELSON: A PAIR OF COMMEMORATIVE LIMITED EDITION SILVER-GILT WINE COASTERS London, 1973, circular form, with pierced borders, each commemorating the 600th anniversary of the city of Bristol 1373 - 1973, no. 18, 17.5cm dia (2) £400-600

Lot 545

546 POST WAR MODERNIST SILVER SHAKER

by Marlylebone Adult Institute, London, 1981, cylindrical form, textured decoration with lower plain band, 13cm high (8.9oz) £300-500 547 PAIR OF MODERNIST SILVER CANDLESTICKS makers mark FE, London, 1994, circular form, cylindrical capitals, shaped stems on a spreading circular foot, 12.5cm high (c.4.3oz) £100-200 548 PAIR OF CONTEMPORARY ITALIAN SILVER COASTERS

by Donato Zaccaro, circular form, the borders decorated with a leaf border in relief, 11.5cm dia (c.6.5oz) (2) £200-300

Lot 546

166

549 MARTIN ELLI: A MODERNIST SILVER CENTREPIECE c. 1960, formed of three naturalistic, hammered textured flutes in an overlapping design, one larger and two smaller flanking it, and a matching stand, 37cm high (50.8oz)

550 ASPREY & CO: A CONTEMPORARY SILVER DISH London, 2003, circular form, stylised foliate border in relief, 17.5cm dia (c. 9oz) £100-200

£1,000-2,000

Lot 549

167

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551 DAVID-ANDERSEN: A SILVER AND ENAMELLED DISH circular form, the centre with translucent blue enamel of a relief portrait of a horseman with sword and shield, within a spiral fluted border, rim with presentation inscription to Air Vice Marshall E C Huddelston, diameter 18.4cm £500-1,000

Lot 551

556 JOAQUIN TALLER TINTA: A CONTEMPORARY METALWARE SCULPTURE modelled in the form of a stylised head with turquoise cabochon eyes, and pointed nose, impressed marks (tests as silver) 22cm high (c. 11.2oz)

552 PAIR OF DANISH SILVER FISH KNIFE AND FORK probably Georg Jensen, impressed mark, pierced bowls, reeded handles with tulip cast mounts (c. 5.9oz) £150-250

£250-450 553 PAIR OF CONTEMPORARY SILVER CANDLESTICKS

by Carrs, Sheffield, 2000, rectangular form, tapering stem on a rectangular base (filled) 23cm high (boxed) £80-150 554 JOHN ALISTAIR DONALD: A PAIR OF MODERNIST SILVER TOAST RACKS London 1973, rectangular form, with eight plain bars, central carrying handle with a circular finial, length 11cm, (c.18.4oz) (2) £500-1,000 555 PAIR OF CONTEMPORARY SILVER CHOPSTICKS

by Mappin & Webb, London, 2017, typical form , 26.5cm long (5.6oz) £150-250

Lot 556 168

Metalware, Lighting And Design

Lot 588 detail 169

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

557 IN THE MANNER OF WMF: AN ART NOUVEAU PEWTER TABLE CENTREPIECE oblong form, the twin handles modelled and cast in the form of maidens in long flowing dresses, the sides pierced and decorated in relief with stylised flowers and foliage, bristol blue tinted glass liner, 44cm long

Lot 557

£300-500

558 IN THE MANNER OF WMF: AN ART NOUVEAU PEWTER CENTREPIECE cast in relief with a maiden amongst scrolling foliage and stylised flowers, 57cm long

Lot 558

£150-250

Lot 559

559 WMF: AN ART NOUVEAU PEWTER WATER JUG tapering form, the handle modelled in the form of a reclining semi-clad female, the body with stylised flowers in relief, impressed marks, 37cm high £80-150

560 WMF: AN ART NOUVEAU PEWTER TEA AND COFFEE SET decorated in relief with stylised scrolling tendrills and flowers (4) £100-200

Lot 560

170

561 LUC LANEL (1893 - 1965) FOR CHRISTOFLE: A BRONZE CHARGER the centre of the dish lacquered and inlaid, decorated with a stylised flower, impressed marks, 42cm dia £500-1,000 562 KAYSERZINN: AN ART NOUVEAU PEWTER TRAY oblong form, decorated in relief with stylised flowers, carp and crustaceans, no. 4143, impressed stamp markings, 55cm length x 26.5cm width £50-100

Lot 561

563 ART NOUVEAU BRONZED GREEN PAINTED JARDINIERE central pull-out liner, wire mesh grill cover, the frame of circular form with stylised whip-lash design, on three shaped flower feet, 66cm high x 31.5cm dia £100-200

565 ARCHIBALD KNOX FOR LIBERTY & CO: A “TUDRIC” PEWTER HOT WATER JUG tapering cylindrical form with scroll handle, the body decorated with stylised poppies, stamped “ TUDRIC no. 028 “ 23cm high, a BCM / Tudric twin handled footed dish, no. 01818 and a Kayserzinn style Art Nouveau pewter oil lamp with stylised decoration, 21.5cm high (3)

564 IN THE MANNER OF BROGGI: AN ART NOUVEAU VASE flared cylindrical form, decorated with entwined stylised flowers and tendrils, raised on a circular wooden ebonised base, 30cm high £50-100

£80-150

566 PAIR OF ART DECO BRONZED “SCOTTIE” DOGS each standing on hind legs, signed “ E. NIKOPOKY” impressed marks, 12.5cm high £100-200

Lot 566

171

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Lot 567

Lot 569

567 IN THE MANNER OF KESWICK: AN ARTS AND CRAFTS COPPER CHARGER circular form, the centre embossed with a Pelican in her piety, the border with four heart motifs and latin text “BLOOD THAT DIES VALUES REDEMPTION” 29.5cm dia

569 IN THE MANNER OF KESWICK: ARTS AND CRAFTS COPPER CHARGER circular form, embossed and planished decoration, “Rhos on Sea Golf Club 1915 Medal” the border with lozeng motifs and incised border, 26cm dia

£100-200

£100-200

568 IN THE MANNER OF A.W.N PUGIN: A PAIR OF AESTHETIC MOVEMENT BRASS CANDLESTICKS reeded capitals, circular drip tray, knopped stems with four glass jewelled cabochons, on a spreading circular foot with reeded decoration, 26cm high (2)

570 AESTHETIC MOVEMENT BRASS STANDARD LAMP with scissor mechanism, central circular ebonised shelf, on a tulip form base, 115cm high £80-150

£100-200

571 ARTS AND CRAFTS COPPER FRAMED MIRROR rectangular form, peach tinted mirror plate, the top embossed with two roundels, below “Tulips”, 66cm H x 51.5cm W £100-200 572 ARTS AND CRAFTS BLACK PAINTED WROUGHT IRON CANDLE STAND up and down mechanism, on a stylised tripod base, 145cm H £100-200

Lot 568 172

573 IN THE MANNER OF KESWICK SCHOOL: AN ARTS AND CRAFTS COPPER FRAMED MIRROR rectangular form, central bevelled mirror plate, the top embossed with stylised scrolling tendrills, flowers and fruits, the sides with rivited strapwork, the reverse marked in pen “made by Janet Nobbs, c.1933” 99.5cm high x 41cm wide £100-200

Lot 573

Lot 574

574 PAIR OF SECESSIONIST COPPER LAMPS cylindrical strapwork shades with conical pull-off pierced covers with knopped finials, the central shafts each formed of four tapering strapwork panels with central rod, raised on a square plinth, impressed marks, 60cm high x 12.5cm Sq £400-600 575 ARTS AND CRAFTS BRASS TABLE LAMP the textured domed shade modelled in the form of a tree, the cut panels inset with green fabric, tapering stem, on a shaped square base, 37cm high £80-150

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578 CONTINENTAL ARTS AND CRAFTS BRONZE TABLE LAMP the mushroom form shade inset with clear and amber naturalistic glass “jewels”, the band pierced with panels depicting a hunting scene, the blockwork stem flanked by two knights caryatid’s on a stepped verde marble base, impressed monogram, 60cm high £500-1,000 579 IN THE MANNER OF CHRISTOPHER GUY: A CONTEMPORARY BLACK LACQUERED STANDARD LAMP with lime green shade, 153cm high

Lot 578

£50-100 580 JEAN NOVERDY: A PATE DE VERRE GLASS PENDANT CEILING LIGHT circular form, mottled tones of blue and yellow, mounted with three ironwork cast leaves, 35cm dia £80-150

576 METALWARE ENAMEL CHARGER circular form, decorated with stylised lime waves on a lime green ground, presentation inscription to reverse “From friends and colleagues at the Halden Project”, 37.5cm dia £50-100 577 ART DECO ADJUSTABLE BRASS TABLE LAMP the square shade inset with four tinted blue glass panels, on a curved stem, shaped rectangular base, 33.5cm high

Lot 577

£80-150

174

Lot 581

581 M. OFFNER: A PAIR OF ART DECO CHROME PLATED CANDELABRA LAMPS the three sections each decorated with a black and red geometric design, on a stepped rectangular base, with a simulated walnut effect, 24.5cm high (fitted for electricity) £2,000-3,000 582 HARVEY GUZZINI: A MUSHROOM TABLE LAMP with grey circular acrylic shade, chrome and brushed stainless steel base, 50cm high £80-150 583 VETRI VENINI: A LARGE OPAQUE LIGHT SHADE PENDANT circular form with swirl effect decoration, 73cm dia £300-500

Lot 582 Lot 583

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584 ARTS AND CRAFTS MARQUETRY TRAY rectangular form, twin inset handles, decorated with flowers, 64cm long x 32.5cm wide £50-100 585 WILLIAM HAIR HASELER: CIRCA 1913,TREE OF LIFE MANTLE CLOCK the white enamel dial with Arabic numerals,key wind movement, in a silver case, with shaped wooden back, 24.5cm high £3,000-5,000

Lot 585

Lot 586

586 ART NOUVEAU MANTLE CLOCK the square brass dial with arabic numerals, the movement with shaped visual pendulum, housed in a wooden case with brass inlay, 32cms high £100-200 587 HEINRICH MULLER FOR KIENZLE: A “WORLD CLOCK” TIMEPIECE the dial with 24-hour time zone scale, lacquered brass circular case, 26cm dia

Lot 587

£100-200 176

588 J. TONELLI: AN ART DECO SHIPPING LINE ADVERTISING PERPETUAL WALL CALENDAR the glass fronted panel with a view of a ships bow, entitled “ CIE DE NAVIGATION PAQUET” cruising to Maroc, Canaries and Senegal, perpetual day, date and month window with levers to side, contact offices below, within a rectangular chrome border, SMAP. Marseille A.Gerrer S.A. Mulhouse -56, mounted on a wooden board, 48cm high x 42cm wide £150-250

589 NOVELTY STAINLESS STEEL COCKTAIL SHAKER modelled in the form of a penguin, 22.5cm high £50-100 590 ART DECO POLAR BEAR ASHTRAY the ceramic glazed model of the polar bear with painted features in a seated position, on a polished marble base, stamped “Made in England” with serial number, 23cm length x 14.5cm high £80-150

Lot 590

177

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591 ART DECO STYLE CHROME MODEL OF A JET on a stand with a stepped diamond shaped pedestal base, the underside stamped 52/NIV/101, the jet 69cm x 72cm £500-800

592 TABLE-TOP ROULETTE WHEEL

by John Huxley, London, the chromed turret on a central revolving section with burrwood veneer with red and black sequenced pockets and two green ‘zero’ pockets, on a stained wood base, 80cm diameter £800-1,200

593 1930’S AMERICAN FLYER BURLINGTON ZEPHYR 9900 STREAMLINER MODEL TRAIN c.1930’s, chromed, O scale, with a section of electric three rail track, the track section 114cm long £800-1,200

178

Lot 594

594 LEVI STRAUSS & CO: AN ILLUMINATED SHOP SIGN the backlit panel depicting the famous two horse logo above the tag line “The Original Jean Since 1850”, with a red Levi’s logo to the left, 120cm x 60cm x 17.5cm with twin hanging loops £400-600 595 LEVI STRAUSS & CO: AN ILLUMINATED SHOP SIGN the backlit panel depicting the famous two horse logo above the tag line “The Original Jean Since 1850”, with a red Levi’s logo to the left, 120cm x 60cm x 17.5cm with twin hanging loops £400-600 596 SCHLAPPI: AN EXHIBITION MANNEQUIN c.1970’s, the stylised female figure in a wide stance, silvered fibreglass, 189cm tall Originally based in Zurich, Switzerland, Schlappi are now owned by renowned Italian mannequin manufacturers Bonaveri. Schläppi Collections represent some of the worlds most enduring forms, used by the world’s leading fashion houses such as Chanel and Givenchy since the 1960s and are characterised by their futuristic, artistic forms. The poses are elegant, statuesque and athletic. £500-1,000

Lot 596

179

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597 SUPERMAN INTEREST: A LARGE SCALE LIGHT UP DAILY PLANET GLOBE with relief stencil lettering on a ring around the globe, approx. 92cm high £2,000-4,000

598 SANTA CLAUS FAIRGROUND BALL GAME depicting a polychrome decorated bust of Father Christmas with open mouth, above the playing area with painted numbers and instructions “All balls must score” on a blue painted wooden base 76cm x 56cm x 73cm £800-1,200

599 PAIR OF HOVIS ADVERTISING SIGNS each with the famous gilt lettering in relief against a green enamel ground, hanging mounts on either end, each 167cm x 41cm £1,200-1,800

180

Furniture

Lot 621 detail 181

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Lot 600

Lot 602

600 AESTHETIC MOVEMENT EBONISED SINGLE CHAIR with high back, upholstered in a Liberty & Co floral fabric, 107cm high x 41cm deep, 45cm wide

602 MORRIS & CO: AN EBONISED SINGLE “SUSSEX” CHAIR turned bobbin back with rush seat, turned legs linked by stretchers, 84cm H x 42cm W x 36cm D

£50-100

£100-200

601 WILLIAM MORRIS FOR MORRIS & CO: A “BIRD” FABRIC UPHOLSTERED LOW STOOL oblong form, raised on four bun feet, 122cm L x 24cm D x 12cm H £100-200

Lot 601

182

Lot 603

603 ATTRIB. MORRIS & CO: A PAIR OF EBONISED ASH “SUSSEX” ARMCHAIRS probably designed by Phillip Webb, turned bobbin back above railed open arms with rush seat, turned legs linked by stretchers, 39.5cm D x 49cm W x 86cm H (2)

604 ATTRIB. MORRIS & CO: A PAIR OF EBONISED ASH “SUSSEX” ARMCHAIR FRAMES probably designed by Phillip Webb, turned bobbin back above railed open arms, turned legs linked by stretchers, 39.5cm D x 49cm W x 86cm H (2)

£300-500

£200-400

Lot 604

183

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605 IN THE MANNER OF A.W.N PUGIN: SET OF FOUR AESTHETIC MOVEMENT EBONISED CHAIRS each with blue upholstered cushion and seat pad, single crossstretcher on shaped legs, 87cm H x 42cm D x 43cm W

Lot 606

£100-200 606 SCOTTISH SCHOOL: AN ARTS AND CRAFTS CANTERBURY the oak frame with embossed leather panels, decorated with stylised dragons, 47.5cm L x 32.5cm W x 62cm H £150-250 607 ARTS AND CRAFTS OAK CORNER CUPBOARD the two doors decorated with four carved vine leaf panels, the top with a freize of carved leaves, fitted with two shelves, 40cm D x 57cm L x 89.5cm H

Lot 607

Provenance: Agatha Walker and thence by descent £100-200 608 ARTS AND CRAFTS OAK BOOKCASE with five graduated open shelves, carved to back “My Friends” raised on shaped feet, 99cm H x 38cm W x 17cm D £100-200 609 ANGLO-MOORISH SINGLE CHILD’S CHAIR probably retailed by Liberty & Co, mashrabiya panels with rush seat, 79.5cm high x 34cm deep x 34cm wide

Lot 609

£80-150 610 ANGLO-MOORISH WALL MIRROR probably by Liberty & Co, rectangular form, the mirror plate within a bobbin turned and ebonised frame, 46.5cm high x 41.5cm long £80-150 611 ART DECO WALNUT VENEERED STANDARD LAMP tapered column raised on a square plinth, 158cm high x 38cm sq 184

£50-100

‡

612 HARRY AND LOU EPSTEIN: AN ART DECO BIRDS EYE MAPLE “CLOUD” DINING TABLE AND CHAIRS the shaped stepped top above a curved shaped central pedestal, six matching curved chairs with tan leather upholstery, raised on sabre and tapered legs, table 77cm H x 91cm W x 184cm L, chairs 84cm H x 52cm W x 61cm D £5,000-10,000

185

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613 BETTY JOEL (1894 - 1985): AN ART DECO AMERICAN WALNUT SOFA TABLE the top inset with a black tinted glass plate, below three graduated drawers, two short above one long, flanked by two cupboards, with chrome curved handles, raised on castors, 48cm H x 197cm x 197cm W x 100cm D

614 HILLE: AN ART DECO BURR WALNUT BAR CART the folding top to reveal a fitted interior with graduated shelves and chrome plated gallery, with fold-down front and fitted with mirror plate, one side cupboard, raised on a rectangular pedestal base, on four castors, 73cm H x 95cm W x 54cm D

£1,500-2,500

£2,000-3,000

186

615 MANNER OF HILLE: AN ART DECO WALNUT AND MACCASAR CANTEEN WITH A SUITE OF ELKINGTON & CO PLATED CUTLERY rounded rectangular top, three graduated drawers with curved handles, the single side cupboard with hinged glass door, four interior shelves, the canteen comprising, 12 table spoons, 11 dessert knives, 2 carving knives, knife sharpener, 1 bread knife, 1 cake knife, 1 carving knife, 1 fish server and fork, 12 mother of pearl handled fish knives and forks, 12 ivorine handled fish knives and forks, 6 six table spoons, 12 table forks, 12 dessert spoons, 1 soup ladle, 12 soup spoons (some fitted with stepped ivorine handles) (112 pieces) (with key) 105cm L x 46cm W x 76.5cm H £500-1,000

616 ART DECO LIBRARY TABLE bearing the trade label of “Howard & Sons Ltd, London W”, the rectangular top with a leather-lined writing surface over a stepped frieze of geometric design, on four panelled square legs ending in shaped feet, 175cm x 99cm

617 ART DECO CHROME AND GLASS OCCASIONAL TABLE the square top with glass under-tier, with chrome plated frame, raised on a stepped ebonised plinth, 43cm sq x 61.5cm H £100-200

£150-250 187

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‡

618 HARRY NORRIS: AN ART DECO BURR WALNUT FRAMED CLUB CHAIR with white leather cushion and seat pad, impressed “Harry Norris, Bolton”, 83cm H x 60cm W x 101cm D £1,000-2,000

619 FRENCH ART DECO MACCASAR EBONY AND KINGWOOD CENTRE TABLE the circular top raised on three fluted columns on a triangular plinth, 122cm Dia x 77cm H

620 ART DECO FLAME MAHOGANY AND MACASSAR BANDED QUARTETTO NEST OF TABLES circular top with an inlaid border, four tables below, 60.5cm dia

£2,000-3,000

£500-1,000

Lot 619

188

621 IMPRESSIVE ART DECO FRENCH LACQUERED “JAPONESQUE” FOUR-FOLD SCREEN of cloud design, finely painted with blossoming yellow lillies, the reverse decorated in gilt with painted Chinese symbols with citrus fingers, lily-pads, leafy bamboo, butterflies, auspicious items and calligraphy 214cm H x 50.5cm each fold £10,000-20,000

189

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

‡

622 ART DECO BURR WALNUT DRESSING TABLE SUITE comprising two pedestals each of cylindrical form, the tops each mounted with an oval mirror on swivel stand, below fitted with three graduated drawers, the central full length mirror of cloud form flanked with walnut panels with open shelf below, and matching stool, 164cm H x 70cm L (4) £500-1,000

‡

624 ART DECO STYLE WOOL RUG decorated with a three of swallows in flight in tones of pink and yellow on a dark blue ground, 243cm x 194.5cm

623 ART DECO STYLE CHILD’S HORSE HEAD BARBER CHAIR in the manner of Belmont, the enamelled body in ivory, with chromed fittings and leatherette seat, foot pedal height adjustor, 126cm high (maximum)

£100-200

£1,000-1,500

190

625 ROBERT “MOUSEMAN” THOMPSON: AN OAK CORNER CUPBOARD eight panel single door with traditional wrought metal hinges and latch opening to reveal three fixed shelves, 98cm H x 47cm D £400-600

‡

626 HEALS: A TEAK FRAMED DAY-BED oatmeal upholstered cushion and seat pad, on four tapered feet, 195cm long x 56cm deep (closed) £100-200 627 HEAL AND SONS: A PAIR OF OAK BOOKCASES rectangular form, two open-shelves, below a cupboard with hinged glass door, with single shelf, raised on square feet, Heals button stamp, 103cm H x 45.5cm L x 20cm D £200-400 628 MAURICE ADAMS: A WALNUT POT CUPBOARD the serpentine front with single door, raised on four cabriole legs, plaque to reverse, 70cm H x 38cm D x 38cm L £100-200

Lot 627 191

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Lot 630

629 MARSH JONES & CRIBB: A MAHOGANY D-END DINING TABLE the top raised on four tapered legs on castors, winding mechanism, with three sperate leaves and Joseph Foster hand winder, 278cm L x 119cm D x 77cm H

630 G.W. EVANS FOR ROBERT HERITAGE: AN EBONISED AND ASH CREDENZA the rectangular top above three drawers, with fitted interior, below a central cupboard with fold-down door and flanked by two cupboards, the doors each printed with an architectural scene, artwork designed by Dorothy Heritage, raised on four fluted legs with brass terminals, retailed by Heal’s London, 81cm H x 138cm W x 44cm D

£300-500

£3,000-5,000 631 HERBERT GIBBS: A SIMULATED ROSEWOOD SIDEBOARD the rectangular shaped top with four graduated drawers, single cupboard with tambour fronted door, fitted with a single shelf, raised on black painted angular legs, 137cm long x 86.5cm high x 53cm deep £100-200 632 © MARIO BELLINI: A ROSEWOOD, WALNUT AND ASH DRESSING TABLE AND MIRROR the central back mirror flanked by two full length mirrors plates each with a stylised foliate design, the mirror top above an open shelf unit below two graduated drawers, raised on shaped tapering feet, labelled, 182cm H x 137cm W x 32cm D £800-1,500

Lot 632

192

Lot 636

633 CAPPELLINI FRONZANI: A PAIR OF “64” TABLES rectangular form, matt lacquered in white, shaped rectangular supports, 200cm long x 100cm deep x 73cm high

636 GORDON RUSSELL: CURVED EXECUTIVE’S BOOMERANG DESK large leather writing surface, three drawers below, 76cm high x 190cm long x 87cm deep

£200-400

£1,000-2,000

634 CAPPELLINI FRONZANI: A “64” TABLE rectangular form, matt lacquered in white, shaped rectangular supports, 200cm long x 100cm deep x 73cm high

637 GORDON RUSSELL: A “HELIX” TYPE SIDEBOARD rectangular top with two fitted drawers below, two cupboard doors decorated with a stylised pattern fitted with a single shelf, raised on four tapered legs, 122cm L x 43cm D x 114cm

£100-200

£150-250

635 ALESSANDRO BECCHI FOR GIOVANNI COLLEZIONI: AN “ANFIBIO” SOFA BED fold out front, curved arms, brown leather upholstered cushioned seats, 240cm L x 65 cm H x 98 cm D £1,500-2,500

Lot 635

193

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

638 ROBIN NANCE (1907 - 1990): A ST IVES SCHOOL ELM DINING SUITE comprising dining table, two carvers, four chairs and a sideboard, the table of rectangular form, with pegged pedestal, ladder-back chairs with rush seats, the sideboard of rectangular form with two frieze drawers, two panelled cupboards with fitted shelf, raised on shaped feet, complete with original purchase receipt, the table 152cm long x 69cm wide x 72cm high, the sideboard 106cm long x 42cm wide x 87cm high Provenance: Purchased new from the vendors parents and thence by descent £500-1,000

‡

639 IN THE MANNER OF MAURICE JALLOT: A PAIR OF WALNUT FRAMED SALON CHAIRS with green studded leather upholstered cushion and seat pad, on sabre legs, 45cm W x 49cm D x 75cm H £200-400

‡

640 WILLIAM PLUNKETT: A MODEL WP01 DESIGN SOFA striped tweed upholstered cushion and seat pad, each end with two arms, raised on a polished aluminium feet, 65cm H x 188cm W x 70cm D £800-1,500

194

641 ASPREY & CO: A MIRRORED VANITY UNIT the top inset with a selection peach glass graduated scent bottles and dressing table pots, the central open shelf flanked by two peach tinted mirror plate cupboards, fitted with shelves, 71cm long x 18cm deep x 75cm high

Lot 644

£300-500 642 POST - WAR BLACK LACQUERED AND ALUMINIUM FRAMED OCCASIONAL TABLES each of rectangular form, comprising a coffee table and two similar occasional’s, largest 114cm L x 58cm W x 41cm H (3) £100-200

Lot 643

643 RUSSELL WOODWARD: EIGHT BLACK IRONWORK DINING CHAIRS curved mesh wire seats, raised on four feet, 80cm H x 46.5cm W x 44cm D £200-400

‡

644 ALF SVENSSON FOR DUX: A WHITE “GALAXY” CHAIR with red cushion and seat pad, on a star shaped base, 77cm deep x 74cm wide x 94cm high £100-200

‡

645 PETER GHYCZY (b.1940): A BLACK POLYEURETHANE GARDEN EGG CHAIR with hinged cover and original green fabric pads, 77cm D x 37cm H

Lots 645 and 646

£200-300

‡

646 PETER GHYCZY (b.1940): A BLACK POLYEURETHANE GARDEN EGG CHAIR with hinged cover and original green fabric pads, 77cm D x 37cm H £200-300 195

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

‡

647 CHARLES AND RAY EAMES FOR HERMAN MILLER: A “EA335” ALUMINIUM OFFICE CHAIR aluminium frame with black cushioned seat pad, swivel mechanism, raised on castors, 83.5cm H x 51.5cm W x 50cm D £100-200

‡

648 CHARLES AND RAY EAMES FOR HERMAN MILLER: A “EA335” ALUMINIUM OFFICE CHAIR aluminium frame with black cushioned seat pad, swivel mechanism, raised on castors, 83.5cm H x 51.5cm W x 50cm D £100-200

Lot 647

‡

649 © CHARLES AND RAY EAMES FOR HERMAN MILLER: A ROSEWOOD AND LEATHER “670” LOUNGE CHAIR AND “671” FOOTSTOOL each upholstered in black leather padded upholstered covers with Dot-Carr fasteners, on a cast steel swivel base with adjustable aluminium feet, the chair with Hermann Miller decal to the underside, chair 82cm x 82cm x 80cm, ottoman 65.5cm x 56cm x 41cm (2) £2,500-4,500

Lot 649

196

‡

650 CHARLES AND RAY EAMES FOR HERMAN MILLER: A “EA335” ALUMINIUM OFFICE CHAIR aluminium frame with black cushioned seat pad, swivel mechanism, raised on castors, 83.5cm H x 51.5cm W x 50cm D £100-200

‡

651 CHARLES AND RAY EAMES FOR HERMAN MILLER: A “EA335” ALUMINIUM OFFICE CHAIR aluminium frame with black cushioned seat pad, swivel mechanism, raised on castors, 83.5cm H x 51.5cm W x 50cm D £100-200

Lot 650

‡

652 © CHARLES AND RAY EAMES FOR HERMAN MILLER: A ROSEWOOD AND LEATHER “670” LOUNGE CHAIR AND “671” FOOTSTOOL c.1956, each upholstered in a white leather on a rosewood faced moulded plywood frame, ‘Herman Miller-Zeeland-Michigan’ label to base, the chair 85cm H x 82cm W x 73cm D, the stool 65cm W x 53cm D x 41cm H Provenance: Decorative Arts and Design from 1870, Sotheby’s, London, 07 November, 2002, Lot 503 £800-1,500

Lot 652

197

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

653  LASZLO HOENIG: A MAHOGANY SIDEBOARD the shaped top with raised curved ends, below three graduated drawers flanked by two fitted cupboards, the sycamore interior with fitted shelves, the curved “sunburst” sides inlaid with pewter vetical sections, raised on four fluted tapered legs with brass terminals, 198cm W x 54cm D x 82cm H

Lot 653

‡

654 DYRLUND: A TEAK “FLIP-FLAP” DINING TABLE AND CHAIRS the oval top on four tapered feet, with ten chairs, moulded frame with slat-backs, 176cm dia (max) x 73cm high

Provenance: The Lionel Jacobson Collection, Anderson & Garland, 2008 Laszlo Hoenig, the Jewish modernist designer/architect of Austro-Hungarian descent, settled in London in 1933 as a result of the rise of National Socialism in Germany.

Following a brief spell designing for furniture manufacturers E Warren Ltd, Hoenig opened a shop in 1936 in South Audley Street, Mayfair, producing private commissions for a range of wealthy clients and corporations, including the Bank of England, Winston Churchill and Lionel Jacobson, later the head of the Burton Tailoring group.

£300-500 655 © ARNE VODDER FOR SIBAST: A BRAZILIAN ROSEWOOD SIDEBOARD the four sliding doors to reveal a fitted interior with three cupboards and four graduated drawers, below a single stretcher raised on four tapered legs, 87cm H x 201cm W x 44cm D

£4,000-6,000

£1,500-2,500

Lot 655

198

656 PETER LOVIG NIELSEN FOR DANSK DESIGNS: A TEAK KNEEHOLE DESK shaped rectangular top with a pair of floating three drawer compartments below, on tapering legs, bearing makers stamp, 155cm L x 70cm D x 73cm H £200-300

Lot 656

‡

657 OLE GJERLOV-KNUDSEN & TORBEN LIND FOR FRANCE & SON: A PAIR OF MODULINE CHAIRS teak framed with black leather button cushion and back pad, 70cm x 58cm x 71cm £100-200

Lot 657

658 © AFTER EERO SAARINEN: A ‘TULIP’ STYLE TABLE BASE with circular Brazilian rosewood table top, 72cm high, the top 120cm dia.

Lot 658

£500-1,000

199

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Lot 659

659 CHRISTOPHER GUY: A PAIR OF CONTEMPORARY BLACK LACQUER CONSOLE TABLES the shaped top with raised platform with stylised metallic finish, bow front with cabriole legs, impressed marks, 80cm L x 57cm D x 74cm H (2) £400-600

Lot 660

660 CHRISTOPHER GUY: A CONTEMPORARY BLACK LACQUER DRESSING TABLE AND MIRROR the shaped top with raised platform with stylised metallic finish, oval mirror, bow front with single drawer, cabriole legs, impressed marks, 94cm L x 60cm D x 136cm H (2) £300-500

‡

661 MANNER OF CHRISTOPHER GUY: A SINGLE BLACK LACQUERED SALON CHAIR oval back with lime green velvet upholstered cushion pad and seat, on shaped feet 49cm D x 103cm H x 49cm W £100-200

200

662  WILLY RIZZO (1928-2013): A BRUSHED STEEL AND LACQUERED SWIVEL COFFEE TABLE 114cm dia. x 33.5cm high £200-400

Lot 662

‡

664 ©  RICHARD WILLIAMS: A ROSEWOOD DESK the curved rectangular top with a black leather panel insert and fitted drawers to the right pedestal, 210c W x 110cm D x 75cm H, Original Sale Value:£17,000.00 + vat

663  TIM BATES FOR PIEFF: A BLACK ASH BOARDROOM TABLE AND EIGHT CHAIRS c. 1970, Retailed by Heals of London as part of the “Lisse” range, the rectangular top raised on four chrome cylindrical supports, black leather high back chairs with chromed steel frames, 74cm H x 114cm W x 245 D

£3,000-5,000

£200-400

Lot 664

201

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Lot 665

665 STELLA ‘CHAMPION’ FOOSBALL TABLE each team with eleven polychrome decorated metal ‘foos men’ controlled by four rods per team, the oak table with coin operated mechanism, four corner chrome mounted ashtrays, and metal goals, the table standing on four legs, 140cm x 78cm x 97cm (excluding rods)

Lot 666

£3,000-5,000 666 MCDONNELL-DOUGLAS DC9 JET ENGINE INTAKE converted into a wall mirror, original manufacture c. 1975, with flush rivets and heavy duty hanging chain, 138cm dia. (maximum) £2,500-4,000

202

667 THREE CONTEMPORARY GRADUATED BAR STOOLS wooden shaped top with ironwork black painted frame, largest 75cm H x 44.5cm L x 32.5cm D

Lot 670

£50-100

‡

668 PARKER KNOLL: A BLACK LEATHERETTE EASY CHAIR with reclining footstool, on four chrome castors, 98cm H x 83cm D x 83cm W £80-150 669 NEAR PAIR OF DISTORTING FAIRGROUND MIRRORS each with a concave mirror plate housed in a red painted wooden frame, 203cm x 65cm x 20cm and 203cm x 62cm x 20cm £1,800-2,200 670 ALUMINIUM SCALE MODEL OF THE STATUE OF LIBERTY after the original designed by Frédéric Auguste Bartholdi (18341904), fitted for electricity, 230cm £2,000-4,000

203

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

GLOSSARY OF CATALOGUING TERMS The auctioneers are always pleased to discuss individual lots with prospective purchasers prior to the auction and will provide condition reports on request. If you require clarification of any terms employed in the catalogue please do not hesitate to seek advice.

The auctioneers are also pleased to discuss lots which may have been altered, repaired, or restored.

The term basically used in conjunction with a date (ie. basically 18th century) indicates that, in our opinion, the item may have undergone restoration, repair, or alteration. It also indicates that only an element of the piece may date from the period stated in the description.

The absence of the term basically does not imply that an item is without restoration, repair, or alteration. The use of inverted comas around a word or phrase (ie. “pearl”) indicates that the piece, or object, may not be what it is purporting to be. (ie. a simulated pearl). If you are in doubt our specialists are available prior to the auction to offer guidance and advice.

With Chinese ceramics and works of art, if the catalogue states that the object in question bears a mark, but it does not state “and of the period” it indicates that we believe the lot in question may not date from the period suggested by the mark. Clearly, references to the colour of jade are subjective and again buyers are advised to inspect personally any items on which they intend to bid to ensure the colour meets with their expectation.

Care is taken to ensure that any statement as to authorship, attribution, origin, date and provenance is reliable and accurate, but all such statements of opinion and are not to be taken as statement or representations of fact. Hy. Dukes & Son reserve the right, in forming their opinion, to consult and rely upon any expert or authority reasonably considered by them to be reliable.

Descriptions of property in this catalogue do not always indicate condition, repair or damage. Buyers are earnestly advised to inspect personally any lot they intend to purchase. Weights and measurements are approximate and should be verified by intending purchasers

PAINTINGS, DRAWINGS AND PRINTS A work catalogued with the forename(s) and surname or recognised designation of an artist is, in our opinion, a work by the artist, e.g.

NICHOLAS CHEVALIER Attributed to NICHOLAS CHEVALIER ... in our opinion a work of the period of the artist which may be in whole or in part the work of the artist.

Manner of NICHOLAS CHEVALIER ... in our opinion a work executed in the style of the artist but of a later date.

Studio of NICHOLAS CHEVALIER ... in our opinion a work by an unknown hand, which may have been executed in the studio of the artist.

After NICHOLAS CHEVALIER ... in our opinion a copy of any date after a work by the artist.

Signed/inscribed/dated NICHOLAS CHEVALIER ... in our opinion the work has been signed/inscribed/dated by the artist.

Circle of NICHOLAS CHEVALIER ... in our opinion a work from the period of the artist and showing his influence.

Bears signature/inscription/date NICHOLAS CHEVALIER ... in our opinion the signature/inscription/date are probably not by the. hand of the artist.

Follower of NICHOLAS CHEVALIER ... in our opinion a work executed in the style of the artist but not necessarily by a pupil.

The addition of a question mark after any of the cataloguing terms in the above glossary indicates an element of doubt.

The term 'ascribed to' may in certain cases be used to denote a traditional attribution based on style.

A work catalogued as 'School' accompanied by the name of a place or country and a date mean that in our opinion the work was executed at that time and in that location, e.g. Dutch School, circa 1700.

All reference to signatures, inscriptions and dates refer to the present state of work, i.e. as at the time of inspection for the purpose of cataloguing.

The use of onverted comas around the name of an artist, or date, in connetion with a signature, or inscription (ie. signed “Nicholas Chevalier”) indicates that the signature, or inscription, may have been added by another hand.

ARTIST’S RESALE RIGHT From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional.

From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work

204 204

CONDITIONS OF SALE Duke’s carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

1 DEFINITIONS

In these Conditions: (a) “auctioneer” means the firm of Duke’s or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Duke’s accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

9

2 BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

12 AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

3 INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4

THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 25% plus VAT on the premium at the rate imposed by law.

5

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. *VAT payable at 5.00% on the hammer price and 20% on the buyers premium.

6 PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us.

(2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(3) The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately.

7 TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges.

(3) No purchase can be claimed or removed until it has been paid for.

8 REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10 COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11 WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

13 TERMS OF SALE

The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14 DESCRIPTIONS AND CONDITION (1) The Catalogue contains an Entry about each Lot. Each Lot is sold by its respective Seller to the Buyer of the Lot as corresponding only with that part of the Entry which is printed in bold letters and with any photograph of the Lot in the Catalogue.

The remainder of the Entry, which is not printed in bold letters, represents Duke’s opinion (given on behalf of the seller) about the Lot only and is not part of the Contractual Description in accordance with which the Lot is sold by the Seller.

(2) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(3) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15 FORGERIES

Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

16 GENERAL

We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

(1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(3) Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

(4) Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

(5) Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

(6) English law applies to the interpretation of these Conditions.

205 205

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

CONDITIONS OF SALE (continued) DEBIT AND CREDIT CARDS Due to problems with fraudulent debit and credit card transactions payments over the telephone cannot be made for invoices totalling more than £500 unless the Buyers are known to Duke’s. Payment can be made in person using a chip and pin number, bank transfer, cash up to £9,000, or cheque (allow six working days for clearance).

CHEQUES The Auctioneers regret that they are unable to accept cheques in payment for purchases, except where arrangements have been made beforehand, well in advance of sale day.

Intending purchasers are asked to instruct their bank to contact the Auctioneer’s bank (Natwest, 49 South Street, Dorchester) as early as possible, to confirm clearance in writing up to a stated maximum amount to ensure that a cheque will be accepted on sale day.

A Banker’s Draft, a Building Society cheque or cash will be required to allow removal of goods on sale day. Purchasers may not otherwise remove goods until their cheques are cleared by the Auctioneers’ bank.

LIVE BIDDING Duke’s Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details (unless alternative arrangements are agreed with Duke’s Auctioneers) you: 1. authorise Duke’s Auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Duke’s Auctioneers through www.the-saleroom.com and agree that Duke’s Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale.

P lease note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 4.95% commission charge + VAT at the rate imposed on the hammer price. Clicking the bid button is a commitment to buy.

THIRD PARTY LIABILITY Any person or his personal property at or on the auctioneers premises, before, during, or after the auction, shall be deemed to be there at their own risk and will have no claim against the auctioneers in respect of any injury sustained, or accident which may occur.

IMPORTANT NOTICE TO BUYERS OF FURNITURE All items are held at the risk of the Buyer. If they are not removed within 5 working days of the sale the Auctioneers will instruct a carrier to remove them to storage. The Buyer will be responsible for paying the aforementioned carrier all charges incurred and for making arrangements in advance for the removal of items from their store after payment of their charges on production of our reciept for the items.

IMPORTANT NOTICE TO BUYERS OF WILDLIFE MATERIAL Property made of or incorporating (irrespective of percentage) endangered and other protected species of wildlife, including but not limited to, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone and certain species of coral, together with Brazilian rosewood, may require permits or certificates (e.g. a CITES permit) from the relevant regulatory agencies to be exported or imported. Prospective purchasers are also advised that some countries prohibit altogether the importation as well as exportation of such materials.

Accordingly, clients should familiarise themselves with the relevant customs laws and regulations prior to bidding on any property with wildlife material if they intend to import the property into another country.

Please note that it is the client’s responsibility to determine and satisfy the requirements of any applicable laws or regulations applying to the export or import of property containing endangered or protected wildlife material. The inability of a client to export or import property containing endangered or protected wildlife material is not a basis for cancellation or rescission of the sale.

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Duke’s AUCTIONEERS SINCE 1823

Bidding Form I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part.

I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue.

Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Email . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Lot No:-

£’s

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101

Avenue Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953 207 207

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Duke’s AUCTIONEERS SINCE 1823

Bidding Form I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part.

I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue.

Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Email . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Lot No:-

£’s

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101

Avenue Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953 208 208

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