Spring Arts Preview 2016

SPRING

ARTS PREVIEW

2016

The Chronicle

www.dukechronicle.com

2 | TUESDAY, JANUARY 19, 2016

Bring it on!

ARTS WORKSHOP SERIES

January

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Tues, Jan. 26, 6-8pm: Media Production Wed, Jan. 27, 6-8pm: Painting & Drawing Thu, Jan. 28, 6-8pm: Ceramics Sat, Jan. 30, 2-4pm: Printmaking

February Wed, Feb. 3, 6-8pm: Painting & Drawing Thu, Feb. 4, 6-8pm: Ceramics Sat, Feb. 6, 2-4pm: Printmaking Tues, Feb. 9, 6-8pm: Media Production

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Wed, Feb. 10, 6-8pm: Photography Thu, Feb. 11, 6-8pm: Painting & Drawing Sat, Feb. 13, 2-4pm: Ceramics

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Thu, Feb. 25, 6-8pm: Photography

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Wed, Feb. 17, 6-8pm: Printmaking Thu, Feb. 18, 6-8pm: Painting & Drawing Fri, Feb. 19, 6-8pm: Special Sat, Feb. 20, 2-4pm: Ceramics Tues, Feb. 23, 6-8pm: Media Production Wed, Feb. 24, 6-8pm: Printmaking

Wed, Mar. 2, 6-8pm: Painting and Drawing Thu, Mar. 3, 6-8pm: Ceramics Tues, Mar. 8, 6-8pm: Media Production

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Wed, Mar. 9, 6-8pm: Painting & Drawing Thu, Mar. 10, 6-8pm: Ceramics Wed, Mar. 23, 6-8pm: Printmaking Thu, Mar. 24, 6-8pm: Photography Fri, Mar. 25, 6-8pm: Special Sat, Mar. 26, 2-4pm: Painting & Drawing Tues, Mar. 29, 6-8pm: Media Production Wed, Mar. 30, 6-8pm: Ceramics Thu, Mar. 31, 6-8pm: Printmaking

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Wed, April 6, 6-8pm: Ceramics Sat, April 9, 2-4pm: Photography Tues, April 12, 6-8pm: Media Production Wed, April 13, 6-8pm: Painting and Drawing Thu, April 14, 6-8pm: Ceramics Sat, April 16, 2-4pm: Printmaking Wed, April 20, 6-8pm: Photography Fri, April 22, 6-8pm: Special

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Sat, April 23, 2 - 4pm: Ceramics

PAINTING & DRAWING, PRINTMAKING, CERAMICS, PHOTOGRAPHY AND SPECIAL WORKSHOPS WILL TAKE PLACE AT THE ARTS ANNEX. MEDIA PRODUCTION WORKSHOP LOCATIONS TO BE ANNOUNCED.

#artstigators arts.duke.edu

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Sat, April 2, 2-4pm: Painting and Drawing Thu, April 7, 6-8pm: Printmaking

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The Chronicle

www.dukechronicle.com

TUESDAY, JANUARY 19, 2016 | 3

Wired! symposium to showcase digital arts Lucy Zhang The Chronicle Faculty and students from many disciplines at Duke are searching for connections between what is old in art and what is new in technology.

The Duke Wired! group will examine the intersection of modern technology and the artistic humanities in its “Apps, Maps & Models: Digital Pedagogy and Research in Art History, Archaeology and Visual Studies”

symposium Feb. 22. The free, one-day symposium features distinguished professors from across the country speaking on topics as diverse as “mapping architecture in 1914 1924 Germany” to “Italian Renaissance Piazza as a social media space.”

Wired! is composed of faculty, staff and undergraduate and graduate students and applies the study of culture, art, architecture and urban history. The symposium itself marks significant strides in the group’s efforts to engage more of the community in the digital humanities.

Special to The Chronicle The Wired! symposium will look at topics such as a bust of the Virgin Mary and modeling of the agora of ancient Athens.

“As our group has grown and evolved, with numerous teaching and research initiatives, we thought it was time to evaluate our initial vision to understand how our work relates to that of the broader emerging disciplines in digital humanities and digital art history,” Caroline Bruzelius, Anne M. Cogan Professor of Art, Art History and Visual Studies, and John Taormina, director of the Visual Media Center, wrote jointly in an email.

Wired! originally consisted of a small but diverse group—a classical archaeologist, a visual artist, an art historian, a media studies specialist and a computer scientist. Their original goal of exploring digital visualization technologies for art, architecture and urban space expanded into courses for students of all levels, multiple research projects at the Wired! Lab and other teaching and research initiatives. In 2014, Wired! introduced a degree in Historical and Cultural Visualization.

The Wired! group has also organized an impressive group of speakers from Duke and outside institutions for the symposium, each working on unique projects.

“We looked for really interesting projects that involve a wide range of digital tools (3D modeling, ArcGis, mapping tools, databases, interactive museum displays, apps, etc.) from ancient to modern art and architecture, including both western and non-western

topics,” Bruzelius and Taormina wrote.

Several of Wired!’s past projects have also incorporated such tools. One project, “Old Stones, New Technologies,” was headed by Bruzelius and professor of computer science Carlo Tomasi and tested a data capture system to study medieval construction and labor. Through the system, students studied historical buildings using data mining, texture analysis and pattern recognition.

The team of the Wired! group’s ongoing “Digital Athens” project is producing a database and digital map of archaeological remains of ancient Athens. The digitization and visualization are based on data from historical maps and material collected from the Athens Metro Excavations.

Digital technology is now permeating almost every aspect of material culture. While materials such as art pieces and architecture reveal thousands of stories about civilizations and history, Bruzelius and Taormina drew attention to the gap between these unheard stories and the modern museum visitor. In Fall 2014, “Digital Athens” received a grant from the Josiah Charles Trent Memorial Foundation Endowment Fund to cover expenses for an undergraduate to work on the project in Athens and encounter See SYMPOSIUM on Page 11

Special to The Chronicle The Wired! group meets in Smith Warehouse to discuss their various projects. The lab brings together faculty, graduate and undergraduate students to combine technology and art.

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The Chronicle

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4 | TUESDAY, JANUARY 19, 2016

‘Life Inside’: Duke students’ podcast highlights life on campus Jessica Williams The Chronicle Although Duke has many print and visual sources of news for University and student life, audio sources do not have a mainstream presence on campus. “Life Inside,” a podcast set to launch by the end of Januar y, hopes to fill this void by producing episodes about ever yday life at Duke.

Created on campus by Duke undergraduates, “Life Inside” aims to be a new, authentic take on Duke life. Topics for episodes, ranging from K-Ville to the contrast between freshman and senior experiences, will cover all aspects of campus living.

The first broadcast will highlight a topic relevant on campus but rarely spoken about—fifth year seniors. Although “Life Inside” plans to discuss lighter and more fun subjects in its first few segments, the founders hope to move towards more serious and possibly controversial themes as they gain more experience.

“Duke does a really good job at documenting things, like in classes and student broadcasting, but most of that is in video format. In doing audio format we’re going to expose student life to a new, different way of thinking,” said sophomore Luisa Frasson-Nori, a co-founder of “Life Inside.”

Individual professors and

Chronicle Graphic by Georgia Parke The ‘Life Inside’ podcast will premiere early this semester and feature interviews with Duke students.

departments have developed podcasts in the past, but not about topics relevant to students and their daily lives. In using a different form of media, the founders of “Life Inside” hope to connect to students through both its format and subject matter.

“People should really give audio a chance, because it’s a really good thing to do while you’re making your bed, brushing your teeth, walking to class—for times you don’t have all your focus you can still listen to something really valuable,” FrassonNori said.

Lasting approximately 30 minutes,

Spring Jazz at Duke!

each episode of “Life Inside” will feature interviews with various members of the Duke community and occasional narration by the podcast’s creators. The podcast will provide insights and points of view that may be new to listeners, broadening perspectives on campus issues and opening conversations on usually taboo topics.

“So far the interviews we’ve gotten are so great—people open so much to you, and it’s hard to cut down so much great stuff,” said Alexandra Gonzalez, a sophomore and co-founder of “Life Inside.” “It discusses issues we talk about all the time, but [which] we

COVER PHOTOS 1. Damien Hirst, Beautiful Superheroes Painting (with Butterflies), 2007. Butterflies and household gloss on canvas, 48 x 48 inches (122 x 122 cm). Nancy A. Nasher and David J. Haemisegger Collection.

SPRING

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February

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2016

2. Venice Virtual World Group—Wired!, Art, Art History & Visual Studies

Duke Jazz Ensemble

Featuring John Brown, director with guest artist Jason Marshall, saxophone

3. Photo of John Fedchock by XO Brass, Department of Music 4. Nancy Cohen’s Hackensack Dreaming, Power Plant Gallery

Baldwin Auditorium - 8pm

February

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Valentine’s Day Concert featuring Duke Jazz Ensemble, North Carolina Central University Jazz Ensemble and UNC-Chapel Hill Jazz Ensemble Baldwin Auditorium - 3pm

only talk about with a certain group of people.”

By including candid interviews with Duke students, “Life Inside” will be a source of discussion on campus topics generated from actual student opinions.

Although the podcast’s target audience is students, Duke faculty will be able to use “Life Inside” to learn more about the students they are teaching, and high school students interested in applying to Duke will be able to access the podcasts to gain an inside view of Duke experiences.

“It’ll be really cool for outside of Duke...so they can get a little insight on what people already here are thinking about,” Frasson-Nori said.

Launching this month, “Life Inside” will have a new Facebook page and website, where episodes can be accessed.

The first installment will be published by the end of January, with later podcasts made each month during the school year.

The creators of the podcast hope to have a few live recording events on campus, and eventually extend their episodes to other forms of access, like apps and iTunes.

“We record it down in the Link, we edit it in the [Multimedia Project Studio] lab,” Gonzalez said. “It’s very Duke-sourced—we use our campus and the resources that are available to us.”

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5. Photo by Alec Himwich, Duke Dance Program

Get

April

15th

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Duke Jazz Ensemble

Featuring John Brown, director with guest artist John Fedchock, trombone Baldwin Auditorium - 8pm

Sign up for The Chronicle’s weekly newsletter— a compilation of what’s trending for Duke students on campus and in the Triangle.

dukechronicle.com/page/dirt-signup For tickets, visit tickets.duke.edu or call 919-684-4444 l www.dukejazz.org

The Chronicle

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TUESDAY, JANUARY 19, 2016 | 5

Spring 2016 Calendar of Events ONGOING Exhibitions

Gallery Talk. Duke student co-curators on Full Exposure: Paul and Damon McCarthy’s Pirate Party. 4:30pm Reception; 5pm Talk. Free. (NAS)

South Side. 2014 Lange-Taylor Prize winner Jon Lowenstein’s photos, video, and oral histories explore the legacy of segregation and wealth inequality in his Chicago neighborhood. Thru February 27, 2016. Center for Documentary Studies. Free. (CDS) Aunties: The Seven Summers of Alevtina and Ludmila.

Color photographs of her Russian aunts and their timeless way of life by CDS/Honickman First Book Prize in Photography winner Nadia Sablin. Thru February 28, 2016. Rubenstein Photography Gallery. Free. (CDS) Full Exposure: Paul and Damon McCarthy’s Pirate Party, an exhibition of photographs by Paul and Damon McCarthy, co-organized by Duke undergraduate students. Thru March 13, 2016 (NAS) Reality of My Surroundings: The Contemporary Collection, demonstrating the museum’s ongoing commitment to collecting contemporary work by global artists, with a focus on artists of African descent. Thru July 10, 2016. (NAS) The New Galleries: A Collection Come to Light. Thru September 18, 2016. (NAS)

The Look of Silence. In this arresting companion piece to The Act of Killing, an Indonesian optometrist confronts the men who murdered his brother and demands accountability in a society silenced by fear. Part of the Full Frame Winter Series. 7pm, Fletcher Hall at the Carolina Theatre.

Free. (CDS)

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Gallery Talk. Restoring the Beecher Portrait.

Art conservator Ruth Cox on Francis Bicknell Carpenter’s 1858 portrait of Henry Ward Beecher, rediscovered in storage and repaired extensively for The New Galleries. 6pm. Free. (NAS) Exhibition Opening, Reception & Artist’s Talk.

Hackensack Dreaming. Artist Nancy Cohen presents her installation Hackensack Dreaming, exploring the death and rebirth of the Mill Creek Marsh in the NJ Meadowlands. Thru March 5.

5pm Reception, 6pm Artist’s talk, Power Plant Gallery. Free. (PPG)

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Emanuel Gruber, cello.

Works of J.S. Bach. 4pm, Nelson Music Room, East Duke Bldg. Free. (MUS)

february

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Flamenco Vivo Carlota

Becca Blackwell Santana. The Passion of (PHOTO BY GEORGE MARACINEANU)

Belén Maya with Flamenco Dance Scholars.

One of Spain’s greatest flamenco dancers, Belén Maya, joins scholars Michelle Heffner Hayes and Meira Goldberg for a conversation about the art of flamenco. 12-1pm, Ark Dance Studio. Free.

(DDP) Belén Maya lecture/demo. One of Spain’s greatest flamenco dancers, Belén Maya, gives a lecture and demonstration of the art of flamenco with guitarist José Luis Rodríguez and cantaor Francisco J. Orozco. 7pm, Ark Dance Studio. Free and open to the public. (DDP) Belén Maya Flamenco Master Class. Flamenco artist Belén Maya will teach an open master class of flamenco. 11am, Ark Dance Studio. Free and open to the public. (DDP)

Flamenco. (See Feb. 12) (DDP)

They, Themself and Schmerm. (See Feb. 12) (TS)

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Valentine’s Day Jazz Concert. Annual concert featuring the Duke, NCCU, & UNC-Chapel Hill Jazz Ensembles. 3pm, 1201 Kenan Music Bldg., UNC-Chapel Hill. $10 Gen. Public; Tickets sold at door. (MUS) Flamenco Vivo Carlota Santana. The Passion of Flamenco. (See Feb. 12) (DDP)

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Talking Dance: A Conversation with Kyle Abraham and Jodee Nimerichter. Kyle Abraham, artistic director of Abraham.In.Motion talks with ADF Director Jodee Nimerichter about his collaborations. 12pm, 011 Old Chem. Free.

Light lunch served. (DDP) Lecture Series in Musicology. Julie Cumming (McGill University). “Choirbooks and Partbooks: Different Formats, Different Affordances.” 4:30pm, Room 104, Biddle Music Bldg. Free. (MUS) Cartel Land. With stunning access amidst danger and violence, Cartel Land viscerally exposes two contemporary vigilante movements, one on either side of the U.S.-Mexico border. Part of the Full Frame Winter Series. 7pm, Fletcher Hall at the Carolina Theatre. Free. (CDS)

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Rick Prelinger Artist Talk. MFA|EDA visiting artist Prelinger gives an artist talk and an archival moving image presentation. 6:30pm, Full Frame Theater. Free. (MFA)

Jennifer Curtis, violin & Clara Yang, piano.

Works of Enescu and others. 8pm, Nelson Music Room, East Duke Bldg. Free. (MUS)

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Vocal Master Class with Lucas Meacham. 5pm, Nelson Music Room, East Duke Bldg. Free. (MUS/ DA)

Tala Workshop for Dancers. In-class workshop,

by Wiley Sikes on the basics of Tala, a rhythmic language of Indian classical music. 11:45am, Bivins 210. Free, registration required. (DDP)

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Duke Wind Symphony Viennese Ball.

Food, music, and Viennese dance, featuring a live waltz orchestra and polka band.

Dress: semi-formal to formal.

7-11pm, Freeman Center. $12/single; $20/two. (MUS)

(PHOTO BY JUERGEN FRANK)

Nancy Cohen, Hackensack Dreaming

DukeCreate Arts Workshop Series. The FREE workshop series for Duke Students is back this spring with ceramics, screen printing, painting/ drawing, photography, and media production.

Taught by local artists and MFA students. Offered by the Duke Arts and UCAE in cooperation with duARTS, DUU Visual Arts, and #arstigators. More info at arts.duke.edu or 919-613-5116. Times vary, Arts Annex. Free. (DA)

The Ties That Bind. A documentary-in-progress in the Fresh Docs series from CDS and the Southern Documentary Fund explores a family’s journey of adaptation to the filmmaker’s former brother, who came out as transgender more than 12 years ago. 7pm, Full Frame Theater. Free. (CDS)

Jennifer Koh

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Visiting Filmmaker Marty Gross. A screening and presentation on Gross’s film-restoration project—footage of Japanese folk-art potters from the 1930s. 4–5:30pm, Center for Documentary Studies. Free. (CDS)

Violin Master Class with Jennifer Koh. Presented in assoc. with Duke Performances. 5pm, Nelson Music Room, East Duke Bldg.

Free. (MUS/DA)

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Free Family Day. 12pm-4pm, Nasher Museum of Art. (NAS)

They, Themself and Schmerm. Hilarious and challenging one-person show by NYC trans actor/ performer Becca Blackwell who explores gender, abuse, and sexuality. 8pm, Sheafer Theater, Bryan Center, West Campus. $10 Gen. Public; $5 Students/Sr. Citizens. (TS)

Trying to Get By: Stories from NC Workers.

Student-produced documentaries showcase NC workers confronting a low-wage service economy.

6–8pm, Smith Warehouse (Bay 4), Franklin Humanities Institute. Free. (CDS)

Odili Donald Odita. Two large-scale murals by visiting artist and abstract painter Odili Donald Odita have been commissioned by the Nasher Museum; one is at Duke and one is in downtown Durham. Thru October 1, 2017. (NAS)

Amy. Archival footage and personal testimonials present an intimate portrait of the life and career of British singer/songwriter Amy Winehouse. Part of the Full Frame Winter Series. 7pm, Fletcher Hall at the Carolina Theatre. Free. (CDS)

Flamenco Vivo Carlota Santana. The Passion of Flamenco. Carlota Santana’s vibrant flamenco dance company returns to Motorco for 3 nights of tablao performances. 8pm, Motorco Music Hall. $30 Tables; $20 Gen. Public; $10 Students (on risers). (DDP)

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Panel Discussion. Collecting and Presenting Work by Artists of African Descent, with New York Times art critic Holland Cotter; Studio Museum in Harlem director Thelma Golden; San Francisco art collector Pamela Joyner, New York gallery owner Jack Shainman and Pérez Art Museum (Miami) director Franklin Sirmans; moderated by Richard J. Powell, John Spencer Bassett Professor of Art and Art History and Dean of Humanities.

7pm, Nasher Museum. (NAS) Rare Music Harpsichord Lecture/Recital.

Tango for Two: Old and New Music for Two Harpsichords: Beverly Biggs, Elaine Funaro, and Rebecca Pechefsky perform harpsichord duos

by Krebs, McLean, and Janello. Presented by DUMIC (Duke University Musical Instrument Collections) in assoc. with the Mallarmé HIP Festival. 5pm, Bone Hall, Biddle Music Bldg. Free.

(MUS) Duke Jazz Ensemble. John Brown, dir., with guest artist Jason Marshall, saxophone. 8pm, Baldwin Auditorium. $10 Gen. Public; $5 Sr. Citizens; Students Free. (MUS)

Elliott Hundley, eyes that run like leaping fire, 2011.

A Material Legacy: The Nancy A. Nasher and David J. Haemisegger Collection of Contemporary Art.

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Exhibition Opening. A Material Legacy: The Nancy A. Nasher and David J. Haemisegger Collection of Contemporary Art. Thru June 26, 2016. (NAS) Dancing the African Diaspora. Embodying the Afrofuture conference. Bi-annual conference organized by the Collegium for African Diaspora Dance. See cadd-online.org. (DDP) Kyle Abraham/Abraham.In.Motion. When the Wolves Came In. 8pm, Reynolds Industries Theater. tickets.duke.edu (DDP)

The Chronicle

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6 | TUESDAY, JANUARY 19, 2016

Spring 2016 Cal 20

Ciompi Quartet with Kyo-Shin-An Arts.

Debussy: String Quartet in G Minor, Op. 10; Zhou Long: Poems from Tang (commissioned by the Ciompi Quartet); James Nyoraku Schlefer: Dream Corner, for Japanese Sankyoku and String Quartet. Presented by Duke Performances. 8pm, Baldwin Auditorium. $25 Gen. Public; $15 age 30 & under; $10 Students. (MUS) Dancing the African Diaspora. Embodying the Afrofuture conference. (See February 19) (DDP) Kyle Abraham/Abraham.In.Motion. When the Wolves Came In. (See February 19) (DDP)

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Faculty Chamber Music Concert. Music by Ravel, Villa-Lobos and Brahms, performed by Duke faculty members Elizabeth Linnartz, soprano; Laura Byrne, harp; Randy Reed, guitar; Rachel Niketopoulos, horn; Eric Pritchard, violin; Susan Fancher, soprano saxophone; & guest pianist Greg McCallum. 3pm, Baldwin Auditorium. Free.

(MUS) Vespers Ensemble Spring Concert. Miserere: Lenten Baroque Music. A collection of rarelyheard choral and orchestral compositions focusing on the contemplative nature of the season of Lent. In collaboration with Capella Baroque and the Mallarmé HIP Festival. 7:30pm, St. Stephen’s Episcopal Church. Free. (CM)

Op. 3 & 4. Gabriel Richard, violin; Kivie CahnLipman, viola da gamba & lirone; Simon MartynEllis, theorbo & guitar; Elliot Figg, harpsichord & organ. Presented by DUMIC (Duke University Musical Instrument Collections) in assoc. with the Mallarmé HIP Festival. 7:30pm, Nelson Music Room, East Duke Bldg. Free. (MUS) We Are Pussy Riot. (See Feb. 25) (TS)

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22 Alina Taalman, MFA/EDA, Digital Athens Project, created in MapBox.

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Duke ArtCon 2016. The second student-led arts and creativity summit will engage arts students, faculty, and alumni in discussions that help shape, celebrate and advance the arts at Duke.

Organized by duARTS, visArts, Duke Arts and #artstigators. More info at duarts.org/artcon.

Bryan Center and Penn Pavilion. Free. (DA) Rare Music Concert. Giovanni Antonio Pandolfo Mealli (c.1630-c.1670): Complete Violin Sonatas,

Deviant Septet (IMAGE COURTESY OF DUKE PERFORMANCES)

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Annual Rothschild Lecture. Alfredo Jaar, a Chilean-born artist, architect, and filmmaker who lives in New York and whose work is part of A Material Legacy. 7pm, Nasher Museum. (NAS)

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Alvin Ailey II Master Class. Modern dance class by members of Ailey II dance company. 2pm, Ark Dance Studio. Free. (DDP) Duets: Elizabeth Linnartz, soprano & Deborah Hollis, piano. 7:30pm, Nelson Music Room, East Duke Bldg. Free. (MUS)

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Duke Wind Symphony: Adventure Into The Universe. Verena Mösenbichler-Bryant, dir., featuring the premiere of composition contest winner Benjamin Daniels, Michael Markowski’s Saturn Returns, Sparke’s Sunrise at Angel’s Gate, John Mackey’s Lightning Field, and Satoshi Yagisawa’s Machu Picchu: City in the Sky. 8pm, Baldwin Auditorium. Free. (MUS)

Chamber Music Concert: Pianist Fazil Say and Duke Students. Works by Schubert, Shostakovich, and Beethoven. Presented in assoc. with Duke Performances. 8pm, Nelson Music Room, East Duke Bldg. Free. (MUS)

Duke Symphony Orchestra with Jennifer Koh, violinist. Harry Davidson, music dir. Beethoven: Violin Concerto in D Major, Op. 61; Schubert: Symphony No. 8 in B minor, D 759 “The Unfinished;” Weber: Overture to Euryanthe.

Presented in assoc. with Duke Performances.

8pm, Baldwin Auditorium. Free. (MUS/DA)

Documentary Film.

Dance of the Maize God, (2014, director David Lebrun, 96 minutes), to complement Art of the Americas: Mesoamerica, part of The New Galleries. 7pm, Nasher Museum. (NAS)

We Are Pussy Riot. A work-in-progress by visiting playwright Barbara Hammond taps into the power of chaos and mischief to defy oppressive regimes. 8pm, Sheafer Theater, Bryan Center, West Campus. Free.

An Indictment. (See March 4) (TS)

Randall Love, fortepiano. Works by Beethoven, Clementi, and Field on the DUMIC Clementi piano (c.1805-10). 8pm, Baldwin Auditorium. Free. (MUS) Duke ArtCon 2016. (See February 26) (DA)

Dancing the African Diaspora. Embodying the Afrofuture. (See February 19) (DDP) Apps, Maps & Models. A Symposium on Digital Pedagogy and Research in Art History, Archaeology and Visual Studies. 8:30am-6:30pm.

Nasher Museum. Free but registration required. (AAHVS).

Exhibition Opening: The Self Care Exhibit: A Word and Image Act of Self-Preservation and Political Warfare. Inspired by the words of poet and activist Audre Lorde, these photographs and stories invite us to recognize self-care as a way for black women to help build and sustain their families and communities. Thru May 15. Center for Documentary Studies. Free. (CDS)

An Indictment. Prisoners create a play hoping to focus the president’s attention on the prisonindustrial complex. Staged reading of original script from senior distinction candidate Kari Barclay. 8pm, Brody Theater, Branson Building, East Campus. Free. (TS)

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Ailey II. Performance by the Alvin Ailey American Dance Theater. 8pm, Reynolds Industries Theater. tickets.duke.edu. (DDP) An Indictment. (See March 4) (TS)

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Susan Fancher, saxophone. Joined by pianist Inara Zandmane and saxophonist Branford Marsalis in a recital of music featuring Maurice Ravel’s Sonatine, J. S. Bach’s double concerto, Dorothy Chang’s New Stories & John Harbison’s San Antonio. 3pm, Baldwin Auditorium. Free. (MUS) Susan Dunn, soprano & David Heid, piano. Lecture/recital: Songs of the Civil War. 5pm, Nelson Music Room, East Duke Bldg. Free. (MUS) Susan Fancher

Deviant Septet. Featuring new pieces by Duke Ph.D. student composers developed over the course of Deviant Septet’s artist residency at Duke, as well as the group’s signature rendition of Stravinsky’s L’Histoire du Soldat. Presented in assoc. with Duke Performances. 8pm, Baldwin Auditorium. $28 & $22 Gen. Public; $15 age 30 & under; $10 Duke Students. (MUS/DA) Exhibition Opening. Art and Nature: Artwork inspired by the Culberson Asiatic Arboretum.

Featuring more than 20 visual artists. Thru March 16, 9am-4pm. Reception 4:30-6pm, Doris Duke Center, Duke Gardens. Free. (DG) Duke University String School. Erica Shirts, dir.

Beginner Violin/Cello & Violin/Cello Choirs. 4pm, Nelson Music Room, East Duke Bldg. Free. (MUS)

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ALICE FEST. CDS sponsors this annual film and media festival of work by women in recognition of Women’s History Month. See alicefest.org for information. Full Frame Theater. (CDS) Duke University String School. Erica Shirts, dir.

Intermediate String Orchestra, Concert String Orchestra & Youth Symphony Orchestra. 6:30pm, Baldwin Auditorium. Free. (MUS)

SPRING BREAK - March 14-18

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Duke Chorale Spring Tour Concert. Rodney Wynkoop, dir. 8pm, Baldwin Auditorium. Free.

(MUS) Wednesdays @ The Center. Legendary flamenco artist Leonor Leal will give a talk on the Art of Contemporary Flamenco. 12pm, 240 Franklin Center, 2204 Erwin Rd. Free and open to the public. Light lunch served. (DDP) Conrad Tao, pianist. Open Reading/Recording of New Works by Graduate Student Composers.

Presented in assoc. with Duke Performances.

2-5pm, Baldwin Auditorium. Free. (MUS) MFA|EDA Thesis Exhibition Kickoff. The 2016 MFA Thesis Exhibition begins March 25 with an opening reception, and continues through April 24 at several venues. 5pm, Power Plant Gallery.

Free (MFA/PPG)

(PHOTO BY STACEY HAINE)

FOR MORE INFO

The Duke Arts Calendar is edited

by Beverly Meek, Office of the Vice Provost for the Arts.

Events are subject to change. Please contact event sponsor for updates.

AAH&VS CDS CM DA DG DDP MFA|EDA MUS NAS PPG SS TS

Art, Art History and Visual Studies ....................................................919-684-2224 ...................deptAAH@duke.edu Center for Documentary Studies .....................................................919 - 660-3663 .................documentarystudies.duke.edu Chapel Music ........................................................................................919 - 684-3898 .................chapel.duke.edu Duke Arts - Office of the Vice Provost for the Arts ......................919 - 684-0540.................arts.duke.edu Duke Gardens .......................................................................................919-684-3698 ...................gardens.duke.edu Duke Dance Program .........................................................................919 - 660-3354 .................danceprogram.duke.edu Master of Fine Arts in Experimental & Documentary Arts ..........919 - 681-3695..................mfaeda.duke.edu Music Department ...............................................................................919 - 660-3333 .................music.duke.edu Nasher Museum of Art ........................................................................919 - 660-5135..................nasher.duke.edu Power Point Gallery.............................................................................919-660-3622 ...................powerplantgallery.org Screen Society ......................................................................................919 - 660-3031 .................ami.duke.edu/screensociety Theater Studies.....................................................................................919 - 660-3343 .................theaterstudies.duke.edu

Buy tickets online at tickets.duke.edu or visit the University Box Office in the Bryan Center on West Campus, Mon-Fri, 11am-6pm, or one hour prior to performances at event venue. (919684-4444) Persons with disabilities who anticipate needing accommodations, or who have question about physical access, may contact the Box Office in advance of the event you wish to attend.

Duke University Spring 2016 Calendar of Events designed by

The Chronicle

www.dukechronicle.com

TUESDAY, JANUARY 19, 2016 | 7

Screen/Society

lendar of Events 26 29 31

Flamenco Master Class. Legendary flamenco artist Leonor Leal will give a master class. 11am, Ark Dance Studio. Free and open to the public. (DDP) Voice Master Class with Mary Gayle Greene.

5pm, Bone Hall, Biddle Music Bldg. Free. (MUS) The Braveness of Jane. Duke Players steps into magical realism and puppetry with an original work by Duke student Faye Goodwin. 8pm, Brody Theater, Branson Building, East Campus. Free. (TS) previous days; see November 20) (CDS)

APRIL

1

Lecture Series in Musicology. Margot Fassler (Univ. of Notre Dame). “Hildegard of Bingen’s Sounding Model of the Cosmos in the Digital Age.” Presented in assoc. with Duke Initiatives in Theology and the Arts and the Duke Center for Medieval and Renaissance Studies. 4:30pm, Room 104, Biddle Music Bldg. Free. (MUS)

The Full Frame Documentary Film Festival. (See April 7) (CDS)

13 14 15

2 7

Bob: A Life In Five Acts. Peter Nachtrieb’s rowdy and thought-provoking road-trip comedy, directed

by Ellen Hemphill for Duke Theater Studies. 8pm, Sheafer Theater, Bryan Center, West Campus. $10 Gen. Public; $5 Students/Sr. Citizens. (TS) Duke Wind Symphony: Broadway in Baldwin. Verena Mösenbichler-Bryant, dir. Favorite songs from Wicked, Joseph, Lion King, Cats, West Side Story and more. 8pm, Baldwin Auditorium. Free. (MUS)

8

ChoreoLab 2016.

Dance performance featuring new works by Duke faculty and advanced choreography students. 8pm, Reynolds Industries Theater. $17 Gen. Public; $12 Sr. Citizens; $7 Students.

(DDP) Bob: A Life In Five Acts.

(See April 7) (TS) The Full Frame Documentary Film ChoreoLab 2016 Festival. (See April 7) (PHOTO BY ALEC HIMWICH) (CDS)

9

ChoreoLab 2016. (See April 8) (DDP)

16

Ciompi Quartet 50th Anniversary Concert with Edgar Meyer, bass. Bach: Brandenburg Concerto No. 3 in G Major featuring Duke alumni musicians; Edgar Meyer: String Quintet; Dvorák: String Quintet No. 2 in G Major, Op. 77. Presented

by Duke Performances. 2pm, Baldwin Auditorium. $25 Gen Public; $15 30 & under; $10 Duke Students. (MUS)

17 19 21 22 23 24 30 1

The Full Frame Documentary Film Festival. (See April 7) (CDS)

Bob: A Life In Five Acts. (See April 7) 2pm. (TS)

Bob: A Life In Five Acts. (See April 7) (TS) Bob: A Life In Five Acts. (See April 7) 2pm. (TS) Chamber Music Concert. Advanced undergraduate musicians in the chamber music program perform works from the 18th-21st centuries. 7pm, Nelson Music Room, East Duke Bldg. Free. (MUS) Duke Collegium Musicum. Beyond Bawdy: The Dirtiest Music of Medieval and Renaissance Europe. Roman Testroet, dir. 8pm, Nelson Music Room, East Duke Bldg. Free. (MUS) Duke Chorale Celebration Concert. Rodney Wynkoop, dir. 8pm, Biddle Music Bldg., Fountain Area. Free. (MUS) Duke Opera Workshop. Susan Dunn, dir. 8pm, Baldwin Auditorium. Free. (MUS) Duke Opera Workshop. Susan Dunn, dir. 3pm, Baldwin Auditorium. Free. (MUS) Duke University String School. Erica Shirts, dir.

Beginner Violin/Cello & Violin/Cello Choirs. 4pm, Nelson Music Room, East Duke Bldg. Free. (MUS)

Duke University String School. Erica Shirts, dir.

Intermediate String Orchestra, Concert String Orchestra & Youth Symphony Orchestra. 6:30pm, Baldwin Auditorium. Free. (MUS) Exhibition Opening. Beyond the Front Porch 2016. Final projects by seniors graduating with a CDS Certificate in Documentary Studies. Thru October 1. 2:30pm, Center for Documentary Studies. Free. (CDS)

[dnme] Duke New Music Ensemble. Sid Richardson, dir. 3pm, Baldwin Auditorium. Free. (MUS) Verdi’s Requiem. A stunning intersection of the sacred and secular, this choral masterwork sees the traditional Requiem Mass text set in the idiom of Romantic Italian opera. Presented by the Duke Chapel Choir, Duke Chorale, and Choral Society of Durham Chamber Choir, along with full orchestra and professional soloists. 4pm, Page Auditorium. $20 Gen. Public; $5 Non-Duke Students; Duke Students Free. (CM)

v

MAY

Bob: A Life In Five Acts. (See April 7) (TS)

10

Duke Jazz Ensemble. John Brown, dir., with guest artist John Fedchock, trombone. 8pm, Baldwin Auditorium. $10 Gen. Public; $5 Sr. Citizens; Students Free. (MUS)

Bob: A Life In Five Acts. (See April 7) (TS)

The Braveness of Jane. (See March 31) (TS) The Full Frame Documentary Film Festival.

Come to downtown Durham for the 19th annual Full Frame Documentary Film Festival, four days of incredible nonfiction film from all over the world. Films show continuously all four days of the festival. The Full Frame Documentary Film Festival takes place at the Durham Convention Center, the Carolina Theatre, the Durham Arts Council, and other downtown Durham sites. Tickets and passes available for purchase in early 2016 at fullframefest. org/passestickets/. (CDS)

Bob: A Life In Five Acts. (See April 7) (TS)

MFA|EDA Thesis Exhibition Third Friday. The 2016 MFA Thesis Exhibition continues with a Third Friday reception, and more events through April 24 at several venues. 5pm, Power Plant Gallery.

Free. (MFA/ PPG)

The Braveness of Jane. (See March 31) (TS) Chamber Music Master Class. Paul Watkins, Emerson String Quartet. Presented in assoc. with Duke Performances. 12pm, Baldwin Auditorium.

Free. (MUS)

Duke Symphony Orchestra with Talya Lieberman, soprano and Jenny Li, violin. Harry Davidson, music dir. Fauré: Pelléas et Mélisande, Suite Op. 8; Górecki: Symphony No. 3, Op. 36; Copland: Billy the Kid (ballet suite); and featuring 2015-16 Student Concerto Competition winner Jingwei (Jenny) Li, playing the Brahms Violin Concerto. 8pm, Baldwin Auditorium. Free. (MUS)

COMMENCEMENT WEEKEND May 13-15, 2016

14 19

Arts Awards Ceremony. 6pm, Location TBD. More info at commencement.duke.edu/artsawards.

Moogfest. Workshops, expert demos and master classes for the novice to expert during the 2016 Moogfest. Thru May 22. Power Plant Gallery. Free.

(PPG)

All events are free and open to the general public. Unless otherwise noted, screenings are at 7pm in the Richard White Lecture Hall, East Campus. (G) = Griffith Film Theater, Bryan Center. (FFT) = Full Frame Theater, Power Plant, ATC. (Edge) = The Edge Workshop Room (Bostock 127). (FHI) = Smith Warehouse, Bay 4, C105 (“Garage”). (RUB) = Holsti-Anderson Family Assembly Room, Rubenstein Library. All events subject to change – for details, updates, and additions, see: ami.duke.edu/screensociety Ra’anan Alexandrowicz Series 1/25 The Law in These Parts – documentary about the legal mechanism created as part of Israel’s control over Palestinians living in the West The Law in These Parts Bank and Gaza Strip.

2/10 “47 Years of Documentation” (FHI) – a talk/visual presentation by Israeli documentary filmmaker Ra’anan Alexandrowicz. Q&A Annemin Sarkisi to follow.

New Turkish Cinema 1/26 Annemin Sarkısı (Song of My Mother) 2/15 Sivas 3/22 Oyun (The Play) 4/4 Köksüz (Nobody’s Home) 2016 Ethics Series (G) 1/27 Chef’s Table (2 episodes of the Netflix documentary series) – Q&A to follow w/ director/producer Brian McGinn ‘07 2/10 Wall-E 2/24 Black Gold 3/9 The Hundred-Foot Journey 3/23 Chef Rights! Camera! Action!

1/28 Reportero (Edge) 4/19 From Swastika to Jim Crow (RUB) African Film Festival 2/2 Faat Kine (G) 2/9 Daratt (Dry Season) 2/16 Bab El-Oued City 2/23 White Wedding

Sivas

Oyun

Chef’s Table

The Hundred-Foot Journey

Cine-East: East Asian Cinema 2/4 Qaranggha Tagh: The Villages Reporto Afar [Hong Kong] – Uyghur documentary – Q&A w/ dir.

Saipulla Mutallip 2/29? Monsoon [India] – tentative, location TBA From Swastika 4/12 Yartsa Rinpoche: Precious to Jim Crow Caterpillar [Tibet] – Q&A w/ dir. Dorje Tsering Chnaktsang [TBA] Rebels of the Neon God [Taiwan] - tentative AMI Showcase 2/12 Faculty screening: Short Faat Kine works by several filmmakers (FFT) 2/19 Faculty screening: Speculation Nation – Q&A w/ dirs. Bill Brown & Sabine Gruffat (FFT) 2/22 Experimental Shorts from the Bab El-Oued City 53rd Ann Arbor Film Festival 3/21 Faculty Screening: Cairo in One Breath – Q&A w/ dir.

Anna Kipervaser (G) 3/28 AMI Student Awards Yartsa Rinpoche: screening/presentation (G) Precious Caterpillar + several more screenings, TBA! (check website for updates) Special Events 2/8 Iraqi Odyssey – Expatriate Iraqi filmmaker Samir’s epic Cairo in One Breath documentary traces the emigrations of his extended family over more than 50 years, and pays moving homage to the frustrated democratic dreams of a people successively plagued Frame by Frame by the horrors of dictatorship, war, and foreign occupation.

3/29 Deli Man – Q&A w/ dir. Erik Anjou [location TBA] Documentary that explores Jewish culture and the traditions that make deli one of America’s great cuisines.

3/31 Frame by Frame – Documentary about 4 Afghan photojournalists in post-Taliban Afghanistan.

4/7 Kisses to the Children (AKA Children in Hiding) – Q&A w/ dir. Vassilis Loules. Documentary about 5 GreekJewish children who were saved by Christian families during the German occupation.

The Chronicle

www.dukechronicle.com

8 | TUESDAY, JANUARY 19, 2016

Panel Discussion aT THe nasHeR MuseuM oF aRT

Collecting and Presenting Work

by Artists of African Descent Thursday, February 11, 2016 7 PM

Thelma Golden, director and chief curator, The Studio Museum in Harlem.

Photo by Julie Skarratt.

Jack Shainman, owner, Jack Shainman Gallery, New York.

Pamela Joyner, San Francisco art collector.

Franklin Sirmans, director, Pérez Art Museum Miami.

Holland Cotter, art critic, The New York Times. Photo

Photo by Jackie Nickerson. Courtesy of Jack Shainman Gallery, New York.

Photo by Jeff Gamble.

Photo by Angel Valentin. Courtesy Pérez Art Museum Miami.

by Damon Winter, The New York Times.

Join us, at the Nasher Museum, for a lively and critical conversation on collecting and presenting work by artists of African descent, moderated by Richard J. Powell, Dean of Humanities and John Spencer Bassett Professor of Art and Art History at Duke. This event is a collaboration between the Nasher Museum, Ackland Art Museum at the University of North Carolina at Chapel Hill, the North Carolina Central University Art Museum and the North Carolina Museum of Art.

2001 Campus Drive, Durham I nasher.duke.edu ABOVE: Kehinde Wiley, Ivelaw III (study) (detail), 2006. Pencil and oil on paper, 27 1⁄2 x 21 1⁄2 inches (69.9 x 54.6 cm). Nasher Museum of Art at Duke University.

Promised gift of Blake Byrne (‘57), in honor of Raymond D. Nasher. © Kehinde Wiley Studio. Photo by Peter Paul Geoffrion.

The Chronicle

www.dukechronicle.com

TUESDAY, JANUARY 19, 2016 | 9

‘Hackensack Dreaming’ asks viewers to consider the planet Georgina del Vecho The Chronicle An upcoming exhibition in the Duke Power Plant Gallery is more than just something pretty to look at. Amidst the translucent glass and beautiful blues of the installation lies a deeper message— one calling us to examine our polluted ecosphere and the delicacy of our planet.

The large-scale installation “Hackensack Dreaming,” created by New Jersey artist Nancy Cohen, will be featured at the gallery starting Jan. 22 until March 5. The installation will serve as an atypical documentary of the Mill Creek Marsh, a part of the Meadowlands located in Secaucus, N.J, using handmade paper, glass and monofilament to create a “constructed reality” in the 1,500-square-foot gallery. “[Cohen’s] work, while not documentary in a traditional application, is rife with referential essence,” said Power Plant Gallery Director Caitlin Margaret Kelly in a press release.

“Translucent glass objects hint at a cedar forest, poking up through the water on an icy New Jersey day, and liquid rubber poured on the paper suggests, interchangeably, a wet or toxic surface.”

Cohen, who has previously exhibited “Hackensack Dreaming” on other college campuses, noted the relevance of the statement her work makes to some students.

“In the big picture, the installation is

Special to The Chronicle ‘Hackensack Dreaming’—Nancy Hackensack’s new exhibit at Duke’s Power Plant Gallery—is a beautiful call to take pollution more seriously.

about climate change and environmental including New York University, Yale pollution, and that is certainly a strong University Art Gallery and Howard concern of many college students,” University.

“One big difference [in exhibiting on a college campus] is that there is xperiencing the installation no pressure for the art to be for sale is to experience a document so the commercial end of the art world goes away and the focus from of the Mill Creek Marsh’s, mediall sides—gallery, artist, audience—is ated through the artist. entirely on the art experience,” Cohen said.

— Caitlin Margaret Kelly As Duke Power Plant Gallery’s first large-scale installation, “Hackensack Dreaming” promises to be unlike Cohen said. anything the gallery has shown before.

Cohen has exhibited her work across “The PPG believes in the the United States, with previous sites transformative power of the arts, and...

E

‘Hackensack Dreaming’ continues that mission while expanding our repertoire into environmental art, and expanding our relevance to a wider part of the Durham community,” Kelly said.

The Power Plant Gallery is part of Duke’s Center for Documentary Studies and is located at the American Tobacco Campus in downtown Durham.

Cohen’s installation will be exhibited at the Power Plant Gallery—which is open Tuesday to Saturday from 11 a.m. to 6 p.m.—from now until March 5, 2016, with an opening reception and artist’s talk Jan. 22 from 5 to 8 p.m. The gallery is also open to student groups who wish to view the exhibit privately or hold a meeting in the space.

10 | TUESDAY, JANUARY 19, 2016

The Chronicle

www.dukechronicle.com

Movie and music combine in ‘Triplets of Belleville’ performance Christy Kuesel The Chronicle

“We’ve had artists use archival film footage as the visual backing for the musical score they would make,” Greenwald said.

The music, as well as the animation for “The Triplets of Belleville,” was completed over a three-year period. Since some of the characters were depicted playing instruments, Charest wrote music for these characters before they were animated.

He then composed a final score once all of the animation was complete.

Charest describes the music of “The Triplets of Belleville” as a mash-up, combining different periods of music to reflect the different time periods depicted in the film.

“The music is a mixture of French music, jazz music, a bit of traditional music,” Charest said. “It’s a journey.”

Additionally, Le Terrible Orchestra de Belleville will be accompanied by a Foley artist, who makes all of the sound effects seen in the movie live on stage.

Charest’s tour will start in Toronto on Feb. 11. The first leg of the tour travels around America and finishing in Taiwan

and Macau. The second part of the tour travels around San Francisco and Naples. Le Terrible Orchestra de Belleville has already performed about 20 shows with the same concept of playing live music along with the movie, traveling around Canada and to Los Angeles.

While Charest is focused on the music while he is performing, he enjoys the feedback he has heard from various audience members.

“They really enjoyed the combination of being able to watch the movie and see the band perform, because sometimes they get lost in one or the other,” Charest said.

Although “The Triplets of Belleville” came out over 10 years ago, its music, animation and themes still resonate with audiences today.

“The whole thing is a bit of a mixture of the past and some kind of surreal environment, and the music is a little timeless, in the sense that it captures different periods of music in the 20th century,” Charest said.

Next month, Duke Performances will combine the visual and the musical to produce an experience that audiences of all ages will not be likely to forget.

Composer Benoit Charest will lead the nine-piece Le Terrible Orchestre de Belleville in a live performance of his score from the critically acclaimed movie “The Triplets of Belleville,” in conjunction with a screening of the movie. The project was put together by the Montreal Jazz Festival for the tenth anniversary of the film. The performance is coming to Reynolds Theater on Feb. 25 at 8 p.m.

“We’ve done a lot of projects that combine music and film over the last handful of years, and we’ve found it to be an enjoyable experience—an experience, frankly, that can only be accomplished in a live setting,” said Aaron Greenwald, Duke Performances’ executive director.

“The Triplets of Belleville” was released in 2003 and featured very little dialogue, relying on the film’s soundtrack to propel the narrative. In 2004, Charest’s score won the César award for Best Music Written for a Film.

“The music has a much more narrative role than in some of the films where there is more dialogue, where you have to withhold a bit, where you have to be subtle and not overdo things,” Charest said, describing the music as another character in and of itself.

The movie follows the story of Madame Souza and her grandson Champion. While competing in the Tour de France, Champion is kidnapped by henchmen. Souza and her dog Bruno, along with the help of the renowned jazz singing group the Belleville triplets, go on an adventure to get Champion back.

“The soundtrack of the film was so inventive and evocative that it clearly evokes the 1920s and ‘30s and jazz, which are integral in advancing the narrative of the film,” Greenwald said.

While Duke Performances has put on shows in the past that combine visuals and music, it has never put on a show where the soundtrack of the film is played in tandem to the actual movie.

Benoit Charest will conduct the live performance Feb 25 at 8 p.m. in Reynolds Theater.

SUMMER 2016 GLOBAL ED FOR ARTS STUDENTS FINAL APPLICATION DEADLINES FEB. 1

http://theaterstudies.duke.edu/academics/global-education

DUKE IN LONDON-DRAMA see and study over 20

productions in the world’s theater capital with Professor Brad Rogers. Meet leading British theater professionals for coaching on scenework. July 2 to August 12. Contact: globaled@duke.edu or jbr28@duke.edu

DUKE IN CHICAGO for artists and entrepreneurs to explore Chicago’s unique performing arts scene while working in teams with Professor Jody McAuliffe to devise, workshop and produce an arts-based event. Contact: globaled@duke. edu or mca@duke.edu Info session Jan. 24, 5:30p Page 109

DUKE IN NEW YORK Summer Internships in the City: imagine you in the City! Take a seminar with Professor Jeff Storer and work an arts/media internship of your choosing May 22—August 13. For more info: https://diny.squarespace.com/ or tor@duke.edu or globaled@duke.edu

ALSO: ASPEN, COLORADO! (not Global Ed)

Theatre Aspen’s Apprentice Program has two funded positions for Duke students, offering professional experience in performance, stage mgt., tech/design, or arts admin. Residency 5/29- 8/21/16. Application deadline is February 28. http://www.theatreaspen.org/education/2016-taap/

Special to The Chronicle

The Chronicle

What are you looking for?

You’re looking for:

Grrrl punk rock

L.A.-hailing punk rock sister duo Girlpool comes to The Pinhook Feb. 12, marking their second concert in Durham in a span of a few months.

The band recently released their sophomore album, Ideal World, which touched on topics like growing up and first love. Their concert at the Duke Coffeehouse, featuring Alex G, proved a rocking affair for an enthusiastic audience, and their latest concert at The Pinhook should be no less fun.

You’re looking for: Queer theater

Catch the Theater Department’s guest artist Becca Blackwell in the show “They, Themself and Schmerm,” in which Blackwell chronicles their struggle with abuse, sexuality in gender with raucous humor. Blackwell will perform the one-person show Feb. 12 and 13.

www.dukechronicle.com

SYMPOSIUM from page 3 archaeological remains.

“Big data—archaeological data, or the history of the art market, or the commodification of raw materials of works of art—can really change the way we understand the production and dispersion of artworks,” Bruzelius and Taormina added. “Digital tools now allow us to gather, collate and interrogate this information in different, and more efficient, ways.”

The significance of museums in these digital humanities developments is significant, as museum works constantly interact with an audience.

Digital interactive displays, for example, allow all people rather than just experts to be engaged and knowledgeable about the subjects.

“With digital interactive displays we can explain the origins or context of a work of art in terrifically exciting ways that reach out to the public to greatly

GENEROUS FUNDING AVAILABLE FOR ARTS-CENTERED PROJECTS

TUESDAY, JANUARY 19, 2016 | 11

enhance their experience,” Bruzelius and Taormina said.

The Nasher Museum of Art’s “The Lives of Things” project, for example, engages visitors with the idea that ancient and medieval art was always brightly painted. The project consists of recreating the coloring of four Brummer Apostles statues with computer-aided design software to help viewers better undewrstand the original context for these apostle reliefs.

Ultimately, digital technology maintains a significant stake in how people experience the physical world and art. The research projects spearheaded by faculty, graduate, and undergraduate students and the projects on which symposium speakers will present serve as specific answers to the myriad of opportunities that the digital humanities open.

“Digital tools represent a miraculous development for telling the stories of art, architecture and cities,” Bruzelius and Taormina wrote.

VISUAL ARTS ART HISTORY MUSIC THEATER DANCE CREATIVE WRITING FILM/VIDEO INTERDISCIPLINARY ARTS PROJECTS DOCUMENTARY STUDIES

You’re looking for:

Eats with a side of music Look no further than the latest Food Truck Rodeo Jan. 24 at Durham Central Park. Popular trucks like Pie Pushers and Only Burger are among nearly 50 trucks coming to the rodeo looking for fans.

A special surprise also awaits hungry rodeo-goers eager for a tune: Triangle cover band Plan B will play at the event starting at 12:15 p.m. Plan B only covers North Carolina and Triangle musicians, making the day a combination of local treats.

You’re looking for: A few laughs Yes, Saturday Night Live’s youngest cast member, Pete Davidson, comes to Duke’s campus on Jan. 30. You may know him from roasting Justin Bieber or guest appearances on Weekend Update. College Humor’s executive editor Streeter Seidell will open for Davidson. Seidell co-wrote The CollegeHumor Guide to College, so expect a fun night of comedy and college jokes.

OPEN TO DUKE UNDERGRADUATES, INCLUDING GRADUATING SENIORS

APPLICATIONS ONLINE FOR 2016:

undergraduateresearch.duke.edu/urs-programs/benenson-awards-arts FOR MORE INFORMATION, CONTACT DR. RON GRUNWALK, DIRECTOR UNDERGRADUATE RESEARCH SUPPORT OFFICE: ursoffic@duke.edu or 919.684.6536

7

6

DEADLINE MARCH 7, 2016

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12 | TUESDAY, JANUARY 19, 2016

The Chronicle

D UKE PER FO R MAN C ES

S P R I N G 20 1 6 S E A S O N | M U S I C , T H E AT E R , D A N C E & M O R E .

I N D U R H A M , AT D U K E , A R T M A D E B O L D LY.

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