Founding Artistic Director, Dana Tai Soon Burgess
Executive Director, Christine Doyle
Associate Artistic Director, Felipe Oyarzun Moltedo
April 24 - May 3, 2026
For 33 years, I have explored dance as a universal language - tracing the confluence of cultures, histories, and human experience, and bringing their stories to life through movement.. As a fourth generation Korean American, I draw inspiration from my own ancestors, my immediate family, personal experiences, and the Company around me to explore the universal themes of identity, belonging, and home.
This season we focus on emotionally complex and abstract dances. Our two weeks of performances at the Woolly Mammoth Theatre include Meditations (2008), a full company work that celebrates the connectedness of the Asian American community through sublime phrasing and breathtaking elegance of movement. Drawing in Space (2026) is a premiere which pays tribute to the artistry and life of Japanese American artist, Ruth Asawa whose looped wire-metal works Asawa herself described as “drawings in space.” Caverns (2012) is a pensive piece for a trio of dancers. It follows the cyclic emotions of a protagonist caught within a web of remembrance and her inability to escape the haunting of an unrequited love. Charlie Chan and the Mystery of Love (2010) is inspired by my own coming of age story as a young gay Korean American in Santa Fe, NM in the early 1980s. Khaybet-The Shadow (1999) is inspired by a US State Department cultural tour to the tribal borderlands between Afghanistan and Pakistan. Now a signature work of the Company, this solo focuses on a woman approaching death; she revisits images from her life and ultimately comes to terms with her mortality. Sudden Snow (2025), a full-company dance inspired by the paintings of abstract expressionist Helen Frankenthaler set to a montage of Romantic-era classical scores that Frankenthaler herself listened to while she painted. This multi-media work includes an interactive video design by Felipe Oyarzun Moltedo and costumes by Taos Pueblo fashion designer Patricia Michaels.
I am deeply honored by your presence at our performances and thank you for believing in the beauty and mystery of dance.
Warmest, Dana
Program A (April 24 - 26)
Choreography: Dana Tai Soon Burgess
Dancers: Tomas Fischer and Baylee Wong
Rehearsal Direction: Anne Sidney and Kelly Moss Southall
Assistant Rehearsal Director: Sarah Halzack
Music: “J.S. Bach: Partita for Violin solo No. 2 in D Minor, BWV 1004: I. Allemande & III. Sarabande” Christoph Poppen, violin. “J.S. Bach: Cantata “Christ lag in Todesbanden”, BWV 4: Den Tod (1) David James, tenor, from the album ECM 1765 “Bach: Morimur.” 2001 ECM Records GmbH. Used by arrangement with ECM Records.
Light and Projection Design: Felipe Oyarzun Moltedo
Set Design: Felipe Oyarzun Moltedo
Costume Design: Sigrid Johannesdöttir
-- Brief Pause --
Originally commissioned by Ballet Memphis
Choreography: Dana Tai Soon Burgess
Dancers: Natasha Ames, Joan Ayap, Armani Colón, Christine Doyle, Tomas Fischer, Trevor Frantz, Felipe Oyarzun Moltedo, and Baylee Wong
Understudy: William Robinson
Rehearsal Direction: Anne Sidney
Assistant Rehearsal Director: Sarah Halzack
Music: “Varied Trio: IV Rondeau in Honor of Fragonard,” “Suite for Violin and American Gamelan: Jhala I,” “Varied trio: I Gending” by Lou Harrison. Used by permission Frog Peak Music
Light Design: Felipe Oyarzun Moltedo
Costume Design: Sigrid Johannesdöttir
-- Brief Pause --
Choreography: Dana Tai Soon Burgess
Dancers: Natasha Ames, Joan Ayap, and Felipe Oyarzun Moltedo
Understudy: Armani Colón
Rehearsal Direction: Anne Sidney
Assistant Rehearsal Director: Sarah Halzack
Music: “Für Alina” by Arvo Pärt and Alexander Malter by arrangement with B&H Music Publishing Inc., U.S., Canada, and Mexican agent for Universal Edition, publisher and copyright owner
Light Design: Carl Gudenius
Costume Design: Judith Hansen
Choreography: Dana Tai Soon Burgess
Dancers: Natasha Ames, Joan Ayap, Armani Colón, Christine Doyle, Tomas Fischer, Trevor Frantz, Felipe Oyarzun Moltedo, William Robinson, and Baylee Wong
Rehearsal Director: Anne Sidney
Assistant Rehearsal Director: Sarah Halzack
Music: “Chinita” Written by: Mario Talavera (BMI), Blanko (N/S)
Published by: Edward B Marks Music Company (BMI). “Dream A Little Dream Of Me” Words by Al Dubin and Gus Kahn. Music by Wilbur Schwandt and Fabian Andree. TRO – © Copyright 1930 (Renewed) 1931 (Renewed) Essex Music, Inc., Words and Music Inc., New York, ny & wc music corp. (ASCAP) Obo Gilbert Keyes music company. All rights reserved. Used by permission. “I Only Have Eyes For You” written by Al Dubin and Harry Warren wc music corp. (ASCAP) all rights reserved. Used by permission. Multimedia Design: Ricardo Alvarez
Set Pieces: Charles and Nina Southall
Props: Kelly Moss Southall
Costume Design: Judith Hansen and Joan Ayap
Join us for a 20-minute post-performance audience Q & A with Dana Tai Soon Burgess and Felipe Oyarzun Moltedo immediately following tonight’s performance
Elevate your technique and artistry at DTSBDC’s Modern Summer Intensive —a rare opportunity to train with Dana Tai Soon Burgess and members of D.C.’s premier modern dance company
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Program B (May 1 - 3)
Choreography: Dana Tai Soon Burgess
Dancers: Tomas Fischer and Baylee Wong
Rehearsal Direction: Anne Sidney and Kelly Moss Southall
Assistant Rehearsal Director: Sarah Halzack
Music: “J.S. Bach: Partita for Violin solo No. 2 in D Minor, BWV 1004: I. Allemande & III. Sarabande” Christoph Poppen, violin. “J.S. Bach: Cantata “Christ lag in Todesbanden”, BWV 4: Den Tod (1) David James, tenor, from the album ECM 1765 “Bach: Morimur.” 2001 ECM Records GmbH. Used by arrangement with ECM Records.
Light and Projection Design: Felipe Oyarzun Moltedo
Set Design: Felipe Oyarzun Moltedo
Costume Design: Sigrid Johannesdöttir
-- Brief Pause --
Originally commissioned by Ballet Memphis
Choreography: Dana Tai Soon Burgess
Dancers: Natasha Ames, Joan Ayap, Armani Colón, Christine Doyle, Tomas Fischer, Trevor Frantz, Felipe Oyarzun Moltedo, and Baylee Wong
Understudy: William Robinson
Rehearsal Direction: Anne Sidney
Assistant Rehearsal Director: Sarah Halzack
Music: “Varied Trio: IV Rondeau in Honor of Fragonard,” “Suite for Violin and American Gamelan: Jhala I,” “Varied trio: I Gending” by Lou Harrison. Used by permission Frog Peak Music
Light Design: Felipe Oyarzun Moltedo
Costume Design: Sigrid Johannesdöttir
-- Brief Pause --
Choreography: Dana Tai Soon Burgess
Dancers: Christine Doyle
Rehearsal Direction: Anne Sidney
Assistant Rehearsal Director: Joan Ayap
Music: “The Kuru Field of Justice” by Philip Glass. Used by permission Dunvagen Music Publishers, Inc.
Light Design: Carl Gudenius
Costume Design: Judith Hansen -- Intermission --
Originally commissioned by the University of New Mexico Art Museum
Choreography: Dana Tai Soon Burgess
Dancers: Natasha Ames, Joan Ayap, Armani Colón, Christine Doyle, Tomas Fischer, Trevor Frantz, Felipe Oyarzun Moltedo, William Robinson, and Baylee Wong
Rehearsal Director: Anne Sidney
Assistant Rehearsal Director: Sarah Halzack
Music: 7 Chansons Grises: No. 5, L’Heure exquise by Reynaldo Hahn, Solitude (Rêverie) by Rita Strohl, Beau Soir, L. 6, CD 84 (arr. Heifetz for Violin and Piano), “Les Sons et les Parfums Tournent dans l’air du Soir” (Prélude No. 4, Livre I)by Claude Debussy, Keyboard Sonata in F Minor, Kk. 466 (L. 118) [Andante moderato], Keyboard Sonata in E Minor, Kk. 198 (L. 22) [Allegro], Keyboard Sonata in C-sharp Minor, Kk. 247 (L. 256) [Allegro] by Domenico Scarlatti, Variations on Balkan Themes, Op. 60: Variation IV. Andante alla Barcarola by Amy Beach, and 24 Preludes, Op. 11: No. 11 in B Major, Allegro assai by Alexander Scriabin. Played by Dana Nichole Scott (piano), David Felberg (violin), and Melinda Mack (Cello).
Projection Design: Felipe Oyarzun Moltedo
Costume Textile Design: Patricia Michaels
Costumiere: Sigrid Johannesdöttir
Join us for a 20-minute post-performance audience Q & A with Dana Tai Soon Burgess and Felipe Oyarzun Moltedo immediately following tonight’s performance
Now in its 33rd season, Dana Tai Soon Burgess Dance Company (DTSBDC) creates and performs contemporary modern dance works to celebrate, through dance, the indomitable American spirit.
DTSBDC performances uplift, inspire and bring insights to seasoned dance lovers and new audiences alike in Washington, DC, around the United States, and the world. The Washington Post says of the company, “not only a Washington prize, but a national dance treasure.”
DTSBDC makes all its programs ADA accessible and at free or reduced pricing.
DTSBDC is a leader in the national movement to collaborate with and perform at visual arts museums as well as theaters. In 2016, DTSBDC was named the Smithsonian Institution’s first-ever resident dance company. DTSBDC has a long history of artistic collaborations and partnerships with other organizations including: NASA, the U.S. State Department, National Gallery of Art, the Kreeger Museum, the Mayor’s Office of Asian
Pacific Islander Americans, the DC Commission on the Arts and Humanities, and more. DTSBDC has been presented at NYU Skirball Center for the Performing Arts, The Sylvia and Danny Kaye Playhouse, Arena Stage, the United Nations, La MaMa, the Asia Society, and the Korean Cultural Center, among others. DTSBDC is the modern dance company in residence at The Kreeger Museum, Maryland Youth Ballet, and The Arts Club of Washington.
As a U.S. State Department cultural envoy for over 25 years, Dana Tai Soon Burgess Dance Company has toured extensively both nationally and internationally to 5 continents and over 30 countries including Egypt, Israel, South Korea, China, India, Mongolia, Venezuela, Germany, Latvia, Ecuador, Panama, Mexico, Peru, Cambodia, the British Virgin Islands, and Suriname to name a few. For more information about DTSBDC visit www.dtsbdc.org
Dana Tai Soon Burgess is a leading American choreographer and cultural figure known internationally as the “Diplomat of Dance.” In 1992, he founded Dana Tai Soon Burgess Dance Company, Washington, DC’s preeminent modern dance company, now in its 33rd season. As noted by Pulitzer Prize–winning critic Sarah L. Kaufman of The Washington Post, Burgess is “not only a Washington prize, but a national dance treasure.”
His contemporary modern dance works explore the joy, sorrow, and beauty of the human experience. Burgess has served as a Cultural Ambassador for the United States Department of State for more than two decades and has received three Fulbright Program Senior Scholar awards.
In 2016, Burgess was named the first Choreographer-inResidence at the Smithsonian Institution, where he created works inspired by museum exhibitions and developed public and educational programming through 2023.
The son of two visual artists, he approaches choreography as a visual canvas, with dancers functioning as living brushstrokes. His work has been presented at the
National Gallery of Art, Noguchi Museum, National Museum of Asian Art, and National Portrait Gallery.
Burgess has served as a mayoral-appointed commissioner for the DC Commission on the Arts and Humanities and the DC Commission on Asian and Pacific Islander Affairs. He is the author of Chino and the Dance of the Butterfly and editor of Milestones in Dance History, and hosts Slantpodcast. com, which focuses on Asian American arts and culture.
This podcast is an ongoing conversation around the Asian American experience through the lens of artists and luminaries. Hosted by Dana Tai Soon Burgess.
Listen on all streaming platforms.
Christine Doyle (Executive Director - Dancer) is in her tenth season with the Dana Tai Soon Burgess Dance Company and currently serves as the company’s Executive Director. Originally from Jacksonville, Florida, she received her early training at the Florida Ballet under Laurie Picinich-Byrd and at Douglas Anderson School of the Arts under Phyllis Penney and Rhonda Stampalia. She earned a B.A. in International Affairs from Florida State University before relocating to Washington, DC.
Since 2013, Christine has been dedicated to ballet education throughout the region, teaching students of all ages at institutions such as the Kirov Academy of Ballet, Georgetown University, American Dance Institute, Metropolitan Ballet Theatre, and Georgetown Day School. She also spent seven years as Assistant Director at the Maryland School of Dance. Christine is currently on faculty at Mid-Maryland Performing Arts Center, where she continues to inspire the next generation of dancers.
Felipe Oyarzun Moltedo (Associate Artistic DirectorDancer) is in his fourteenth season with the Dana Tai Soon Burgess Dance Company. Originally from Santiago, Chile, he began dancing at the
age of twelve and has since received numerous awards and distinctions, including Chile’s Best Dancer Inter-American Circle of Dance Professionals Award. In Santiago, he founded and directed his own contemporary dance company, which toured both nationally and internationally.
Felipe holds a B.F.A. in Dance and an M.A. in Dance Education with honors from the University of Chile, as well as an M.F.A. in Dance from The George Washington University. Felipe’s choreography has been shown at different national venues such as The Kennedy Center, Dance Place, The Arts Club of Washington, The Corcoran Museum, and the National Dance Institute to name just a few.
In addition to his roles as Associate Artistic Director and dancer, Felipe is the company’s multimedia designer and creator, producing engaging visual content that connects audiences to the company’s artistic mission. He also serves as webmaster and consulting UX/UI designer for a diverse portfolio of clients including DTSBDC’s digital platforms, ECOG-ACRIN Cancer Research Group and The Department of Transportation for the DC Government.
Joan Ayap (Costume Supervisor - Dancer) is in her ninth season with Dana Tai Soon Burgess Dance Company. Joan was born in Washington, DC, and raised in Manila, Philippines. She started her dance training at the Halili-Cruz School of Ballet and the Philippine Ballet Theatre Conservatoire. While earning a B.S. in Interior Design from Assumption College, San Lorenzo, she also pursued a dance career. Her professional journey began with the Philippine Ballet Theatre, where she worked with renowned teachers and choreographers such as Gener Caringal, Ronilo Jaynario, Anatoli Panasiukov, Enrico Labayen, Tony Fabella, Maiqui Mañosa, and Graham Lustig. In Washington, DC, she has performed with DC Contemporary Dance Theatre and Bowen McCauley Dance. She has competed in Rising Star and Open Pro divisions in American Rhythm, as well as Amateur International Latin events. Additionally, she worked as a correspondent and field producer for The Filipino Channel. She teaches at CityDance, The VIVA School of Dance, and DTSBDC’s educational programs. Currently, Joan is pursuing an M.A. in Cultural Heritage Management at Johns Hopkins University.
Natasha Ames (Dancer) is
in her second season with the Dana Tai Soon Burgess Dance Company. Trained in classical ballet and modern dance at The Washington Ballet and the Kirov Academy of Ballet, she holds a BFA in Dance Performance and Choreography from Towson University. Influenced by mentors such as Ralph Glenmore, Robbin TashaFord, Irina Wunder, LindaDenise Fisher-Harrell, Catherine Horta-Hayden, Vincent Thomas and Caroline Rocher Barnes, Natasha’s choreography reflects her experiences as a woman of color, exploring themes of identity and resilience. Beyond performance, she is dedicated to expanding dance education and inclusivity. As part of the JUNTOS Collective in 2023, she helped bring cultural dance programs to children in Guatemala, fostering artistic exchange and enhancing education in underserved communities. Natasha advocates for dance accessibility and works to address inequalities and promote diversity within the art form.
Armani Colón (Dancer) is in his first season with the Dana Tai Soon Burgess Dance Company. He is a Puerto Rican dancer, choreographer, model, and cultural organizer whose work explores identity, memory, and the intersections of classical
form with diasporic expression.
Armani began his dance training at 14 when accepted into the Dance program at The Chicago High School for the Arts. He earned his BFA in Dance from the Peabody Institute of Johns Hopkins University, where he trained under Danah Bella and developed a foundation in ballet, modern, and contemporary techniques. As an independent dancer and choreographer across the DMV area, he has performed and choreographed nationally, including at Lollapalooza with British pop singer “Flowerovlove”, and has collaborated with choreographers such as Gabriel Mata, Bernard Brown, Diedre Dawkins, Tracy Kofford, Kim T. Davis, Kevin Iega, Dolly Sfier, Tiffanie Carson, Jess Beach, and others.
As Communications Manager and an Ambassador of the Latinx Movement Festival D.C., Armani aims to uplift Latine artists and expand dialogue around performance, culture, and community. His work embodies hybridity, resilience, and joy that bridges tradition with contemporary innovation.
Tomas Fischer (Dancer) is in his second season with Dana Tai Soon Burgess Dance Company. Tomas was born in Lithuania and grew up in
Washington, DC. He began his career in ballet in 2008, at the age of 10, with the Maryland Youth Ballet and trained with Olivier Munoz. In 2010, he furthered his ballet training at the Kirov Academy of Ballet in Washington, DC. In 2017 he completed the 2 year Men’s Scholarship Program at Central Pennsylvania Youth Ballet where he performed as Benvolio in Alan Hineline’s premiere showing of Romeo And Juliet. Tomas started his professional dance career with First State Ballet Theatre in 2019, where he performed Dracula, and Russian in The Nutcracker. He most recently finished his fourth season with The Florida Ballet as a Company Member performing Dracula, Demitrious in A Midsummer Night’s Dream, Flames of Paris Pas de Deux, Le Spectre de la rose Pas de Deux, Prince and Cavalier in The Nutcracker, and other various director choreographed pieces.
Trevor Frantz (Dancer) is in his third season with Dana Tai Soon Burgess Dance Company. Trevor was born in Bucks County, PA, where he pursued performing arts and dance throughout his childhood. He continued his dance education at the George Washington University, where he earned a dance minor along with a BFA in Interior Architecture. He now works full-time as an interior designer.
William Robinson (Dancer) is in his second season with Dana Tai Soon Burgess Dance Company. He was raised in Washington, DC where he was first introduced to dance in middle school at Georgetown Day School. While at GDS, William met his mentor Jan Tievsky and where he first met Dana Tai Soon Burgess, performing original works set on the students there. During high school, he expanded his dance practice learning breaking from Emanuel Sanchez and joined the breaking crew Back 2 Basics. William went on to attend The University of the Arts high school summer program where he truly fell in love with dance. During this summer program William met Wayne Saint David who became a mentor and directed him to study at The Dance Institute of Washington under the direction of the late Fabian Barnes. After graduating high school William went on to attend The University of the Arts on a full scholarship, earning his B.F.A. in modern dance performance, and receiving both the Outstanding Achievement in Modern Dance Award and the President’s Award. While in school he used his summers to study at the Paul Taylor School. At UArts he had the honor of performing original works by faculty and mentors, Silvana Cardell, Brian Sanders, Donald Lunsford, Roni
Koresh, as well as works set on students by Momix and Rennie Harris. He has also danced professionally in projects and guest artist work for Diavolo, Ishmael Houston Jones, Raven Symone, Tierra Whack, and Boris Charmatz.
William was recently the assistant to the choreographer on the film The Young Wife by Tayarisha Poe, and worked as the project manager for Cardell Dance Theater’s Disposable Bodies. He has been on faculty at The University of the Arts and Georgian Court University.
Baylee Wong (Dancer) is in her third season with Dana Tai Soon Burgess Dance Company. She is a dancer, choreographer, and teacher based in the DMV area and passion for movement led her to train in various styles, including ballet, tap, jazz, modern, and ballroom. Baylee graduated from Towson University, where she obtained a B.F.A. in Dance Performance and Choreography. During her time there, she received several accolades, including the Outstanding Award for Choreography, the Jim Snyder Award for Technical Excellence, and was honored to be an Undergraduate Commencement Speaker. At Towson, she had the privilege of working with Linda Denise Fischer-Harrell, Runqiao Du, Catherine Horta-Hayden, Vincent Thomas, Caroline
Rocher Barnes, Xiang Xu and Jawole Willa Jo Zollar. Baylee has taught at Towson University, the Maryland Public High School Dance Festival and at Dance Sanctuaries at the Kennedy Center Reach. Additionally, her original choreography has been showcased at the Peabody Dance Festival, Origins hosted by DTSBDC, Motion Mixers
hosted by GRIDLOCK, and at S.H.E./Moves hosted by Maryland Youth Ballet.
As a performer, Baylee is a member of the Dana Tai Soon Burgess Dance Company, Gridlock Dance, and performed with Orange Grove Dance. Behind the scenes, she serves as the Assistant Director at The Berwyn Ballet School.
us at our upcoming performances
June 4th
The Arts Club of Washington
We gratefully acknowledge the support of the following corporations, foundations, government agencies, and individuals who supported Dana Tai Soon Burgess Dance Company during our 25-26 season.
$50,000-150,000
DC Commision on the Arts and Humanities
$20,000-49,999
The Morris and Gwendolyn Cafritz Foundation
Patch Canada*
Mary Eccles
March Forth Foundation
Maryland Youth Ballet*
The National Endowment for the Arts
Philip L. Graham Fund
$5,000-19,999
AARP
Dallas Morse Coors Foundation for the Performing Arts
Jack Davis and Eric San Juan
Dwight Stuart Youth Fund
Eric Naison-Phillips Family Foundation
Events DC Community Grant Program
Fulbright Scholars
Cary Fuller
Elizabeth Wilson Harter
Bonnie Kogod
Ellen Kwatnoski
Microsoft
Kelly Dinglasan Minton and Joel Minton
Morningstar Foundation
Katia Norri
Eser Ozdeger
The Rosenfeld Rumford
Steckler Family Foundation
Teresa Saavedra
Leigh Slaughter
The Share Fund
Jan and Seth Tievsky
Aaron Tievsky and Frank Delaney
Heinz and Liselotte Nehring
Stiftung Foundation
Winged Keel Group
$500-4,999
Eugene and Gina Adams
Anonymous (5)
John Ashford
Lisa Barry and Jim Gale
Bloomberg Philanthropies
Anna Kang Burgess
Ian Tai Kyung Burgess
Jason and Melissa Burnett
Jane Cafritz
Michael Caplin
Alan Cariaso
Kay Casstevens
Cherry Blossom Giving Circle
Claudia de Colstoun-Werebe
Laurie Davis and Joseph Sellers
Bianca DeLille
Christine Doyle
Diane Dragaud
Frank Farrow
FBB Capital Partners
David Fischer and Joy Kassett
Izette and Neil Folger
Julie Frantz
Jameson Freeman and Dana
Tai Soon Burgess
Mary A. Gifford
Susan Gigli
Jenny Goldman
Ross Goldman
Sarah Halzack and Neil Irwin
Sergio Herrera and Kelly
Southall
Celia Hoke
Erick Hosaka
Jill and Bill Hudock
Janice Kaplan
Roxane Kaufmann and Neal Fitzpatrick
Lisa Kaye
Rebecca Klemm
Leslie Kobylinski
Richard Kwatnoski
Yoko Lawless
Marcia Lim
Barbara and Robert Liotta
Kristen Lund
Elizabeth McCallum
Gale McCallum
Laura McDonald
Kathy McGuire
Alanna McKee
Elvi Moore
Judith Viggers Nordin
Patricia O’Shea
Mark Ohnmacht
Dr. Susan Ohnmacht
Felipe Oyarzun Moltedo
PenFed Credit Union
Stacey Perelman
Arnold Polinger
Young-Key Kim and Bertrand Renaud
Sheri and Robert Rosenfeld
Joan and Berry Rosenthal
Stephanie Rosenthal and Scott Meisler
Stuart Ross and Patricia Devine
Ben Sanders
Marian and Neel Saxena
Scout Properties
Steve Slaughter
Arnie Stolberg
Peter and Judith Storandt
Helen R. Trilling
Maida R. Withers
Barrie Zucal
We appreciate and acknowledge our donors who give between $25-499
*Denotes in-kind services
Leadership
Dana Tai Soon Burgess, Founding Artistic Director
Christine Doyle, Executive Director
Felipe Oyarzun Moltedo, Associate Director
2025-26 DTSBDC Dancers
Natasha Ames
Joan Ayap
Armani Colón
Christine Doyle
Tomas Fischer
Trevor Frantz
Felipe Oyarzun Moltedo
William Robinson
Baylee Wong
Artists
Anne Sidney, Rehearsal Director
Sarah Halzack, Assistant Rehearsal Director
Judith Hansen, Costume Design
Sigrid Johannesdottïr, Costume Design
Millicent Scarlett, Resident Musician
Dana Nichole Scott, Resident Musician
Staff
Bianca DeLille, Development Director
Patch Canada,
Public Relations Specialist
Jan Tievsky, Educational Principal
Joan Ayap, Wardrobe Supervisor
William Robinson, Production Assistant
Isel Perez, Accountant
Max Goldman, Intern
Riley Horner, Intern Board of Directors
Ellen Boyers Kwatnoski, President
Jan Tievsky, Vice President
Erick Hosaka, Treasurer
Mary Eccles, Secretary
Jack Davis
Jameson Freeman
Susan Gigli
Bonnie Kogod
Marcia Lim
Leigh Adams Slaughter
Kelly Moss Southall
Dana Tai Soon Burgess (ExOfficio)
Bianca DeLille (Ex-Officio)
Advisory Board
Kay Casstevens
Josue Castilleja
Nicole Colameta
Diane Dragaud
Sara Gay Forden
Sarah Halzack
Joshua Kaufman
Kelly Dinglasan Minton
Mark Ohnmacht
Steve Oshana
Anatol Steck
Yang-Ro Yoon
Organizational Mentors
Patch Canada
Michael Kaiser
