An Asian American Dance Journey Virtual Program - 2026

WOOLLY MAMMOTH THEATRE COMPANY Presents

DANA TAI SOON BURGESS DANCE COMPANY An Asian American Dance Journey Founding Artistic Director, Dana Tai Soon Burgess Executive Director, Christine Doyle Associate Artistic Director, Felipe Oyarzun Moltedo

Photo by Lauren Victor featuring Joan Ayap and Felipe Moltedo

April 24 - May 3, 2026

A Message from Dana Tai Soon Burgess For 33 years, I have explored dance as a universal language - tracing the confluence of cultures, histories, and human experience, and bringing their stories to life through movement..

As a fourth generation Korean American, I draw inspiration from my own ancestors, my immediate family, personal experiences, and the Company around me to explore the universal themes of identity, belonging, and home.

This season we focus on emotionally complex and abstract dances. Our two weeks of performances at the Woolly Mammoth Theatre include Meditations (2008), a full company work that celebrates the connectedness of the Asian American community through sublime phrasing and breathtaking elegance of movement. Drawing in Space (2026) is a premiere which pays tribute to the artistry and life of Japanese American artist, Ruth Asawa whose looped wire-metal works Asawa herself described as “drawings in space.” Caverns (2012) is a pensive piece for a trio of dancers. It follows the cyclic emotions of a protagonist caught within a web of remembrance and her inability to escape the haunting of an unrequited love. Charlie Chan and the Mystery of Love (2010) is inspired by my own coming of age story as a young gay Korean American in Santa Fe, NM in the early 1980s. Khaybet-The Shadow (1999) is inspired by a US State Department cultural tour to the tribal borderlands between Afghanistan and Pakistan. Now a signature work of the Company, this solo focuses on a woman approaching death; she revisits images from her life and ultimately comes to terms with her mortality. Sudden Snow (2025), a full-company dance inspired by the paintings of abstract expressionist Helen Frankenthaler set to a montage of Romantic-era classical scores that Frankenthaler herself listened to while she painted.

This multi-media work includes an interactive video design by Felipe Oyarzun Moltedo and costumes by Taos Pueblo fashion designer Patricia Michaels.

I am deeply honored by your presence at our performances and thank you for believing in the beauty and mystery of dance.

Warmest, Dana

An Asian American Dance Journey Program A (April 24 - 26)

Drawing in Space (Premiere) Choreography: Dana Tai Soon Burgess Dancers: Tomas Fischer and Baylee Wong Rehearsal Direction: Anne Sidney and Kelly Moss Southall Assistant Rehearsal Director: Sarah Halzack Music: “J.S. Bach: Partita for Violin solo No. 2 in D Minor, BWV 1004: I. Allemande & III. Sarabande” Christoph Poppen, violin.

“J.S. Bach: Cantata “Christ lag in Todesbanden”, BWV 4: Den Tod (1) David James, tenor, from the album ECM 1765 “Bach: Morimur.” 2001 ECM Records GmbH. Used by arrangement with ECM Records.

Light and Projection Design: Felipe Oyarzun Moltedo Set Design: Felipe Oyarzun Moltedo Costume Design: Sigrid Johannesdöttir

-- Brief Pause --

Meditations (2008)

Originally commissioned by Ballet Memphis

Choreography: Dana Tai Soon Burgess Dancers: Natasha Ames, Joan Ayap, Armani Colón, Christine Doyle, Tomas Fischer, Trevor Frantz, Felipe Oyarzun Moltedo, and Baylee Wong Understudy: William Robinson Rehearsal Direction: Anne Sidney Assistant Rehearsal Director: Sarah Halzack Music: “Varied Trio: IV Rondeau in Honor of Fragonard,” “Suite for Violin and American Gamelan: Jhala I,” “Varied trio: I Gending” by Lou Harrison. Used by permission Frog Peak Music Light Design: Felipe Oyarzun Moltedo Costume Design: Sigrid Johannesdöttir

-- Brief Pause --

Caverns (2012) Choreography: Dana Tai Soon Burgess Dancers: Natasha Ames, Joan Ayap, and Felipe Oyarzun Moltedo Understudy: Armani Colón Rehearsal Direction: Anne Sidney Assistant Rehearsal Director: Sarah Halzack Music: “Für Alina” by Arvo Pärt and Alexander Malter by arrangement with B&H Music Publishing Inc., U.S., Canada, and Mexican agent for Universal Edition, publisher and copyright owner Light Design: Carl Gudenius Costume Design: Judith Hansen

-- Intermission --

Charlie Chan and The Mystery of Love (2010) Choreography: Dana Tai Soon Burgess Dancers: Natasha Ames, Joan Ayap, Armani Colón, Christine Doyle, Tomas Fischer, Trevor Frantz, Felipe Oyarzun Moltedo, William Robinson, and Baylee Wong Rehearsal Director: Anne Sidney Assistant Rehearsal Director: Sarah Halzack Music: “Chinita” Written by: Mario Talavera (BMI), Blanko (N/S) Published by: Edward B Marks Music Company (BMI). “Dream A Little Dream Of Me” Words by Al Dubin and Gus Kahn. Music

by Wilbur Schwandt and Fabian Andree. TRO – © Copyright 1930 (Renewed) 1931 (Renewed) Essex Music, Inc., Words and Music Inc., New York, ny & wc music corp. (ASCAP) Obo Gilbert Keyes music company. All rights reserved. Used by permission. “I Only Have Eyes For You” written by Al Dubin and Harry Warren wc music corp. (ASCAP) all rights reserved. Used by permission.

Multimedia Design: Ricardo Alvarez Set Pieces: Charles and Nina Southall Props: Kelly Moss Southall Costume Design: Judith Hansen and Joan Ayap

Join us for a 20-minute post-performance audience Q & A with Dana Tai Soon Burgess and Felipe Oyarzun Moltedo immediately following tonight’s performance

DANCE WITH US THIS SUMMER Elevate your technique and artistry at DTSBDC’s Modern Summer Intensive —a rare opportunity to train with Dana Tai Soon Burgess and members of D.C.’s premier modern dance company

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An Asian American Dance Journey Program B (May 1 - 3)

Drawing in Space (Premiere) Choreography: Dana Tai Soon Burgess Dancers: Tomas Fischer and Baylee Wong Rehearsal Direction: Anne Sidney and Kelly Moss Southall Assistant Rehearsal Director: Sarah Halzack Music: “J.S. Bach: Partita for Violin solo No. 2 in D Minor, BWV 1004: I. Allemande & III. Sarabande” Christoph Poppen, violin.

“J.S. Bach: Cantata “Christ lag in Todesbanden”, BWV 4: Den Tod (1) David James, tenor, from the album ECM 1765 “Bach: Morimur.” 2001 ECM Records GmbH. Used by arrangement with ECM Records.

Light and Projection Design: Felipe Oyarzun Moltedo Set Design: Felipe Oyarzun Moltedo Costume Design: Sigrid Johannesdöttir

-- Brief Pause --

Meditations (2008)

Originally commissioned by Ballet Memphis

Choreography: Dana Tai Soon Burgess Dancers: Natasha Ames, Joan Ayap, Armani Colón, Christine Doyle, Tomas Fischer, Trevor Frantz, Felipe Oyarzun Moltedo, and Baylee Wong Understudy: William Robinson Rehearsal Direction: Anne Sidney Assistant Rehearsal Director: Sarah Halzack Music: “Varied Trio: IV Rondeau in Honor of Fragonard,” “Suite for Violin and American Gamelan: Jhala I,” “Varied trio: I Gending” by Lou Harrison. Used by permission Frog Peak Music Light Design: Felipe Oyarzun Moltedo Costume Design: Sigrid Johannesdöttir

-- Brief Pause --

Khaybet - The Shadow (1999) Choreography: Dana Tai Soon Burgess Dancers: Christine Doyle Rehearsal Direction: Anne Sidney Assistant Rehearsal Director: Joan Ayap Music: “The Kuru Field of Justice” by Philip Glass. Used by permission Dunvagen Music Publishers, Inc. Light Design: Carl Gudenius Costume Design: Judith Hansen

-- Intermission --

Sudden Snow (2025)

Originally commissioned by the University of New Mexico Art Museum

Choreography: Dana Tai Soon Burgess Dancers: Natasha Ames, Joan Ayap, Armani Colón, Christine Doyle, Tomas Fischer, Trevor Frantz, Felipe Oyarzun Moltedo, William Robinson, and Baylee Wong Rehearsal Director: Anne Sidney Assistant Rehearsal Director: Sarah Halzack Music: 7 Chansons Grises: No. 5, L’Heure exquise by Reynaldo Hahn, Solitude (Rêverie) by Rita Strohl, Beau Soir, L. 6, CD 84 (arr.

Heifetz for Violin and Piano), “Les Sons et les Parfums Tournent dans l’air du Soir” (Prélude No. 4, Livre I)by Claude Debussy, Keyboard Sonata in F Minor, Kk. 466 (L. 118) [Andante moderato], Keyboard Sonata in E Minor, Kk. 198 (L. 22) [Allegro], Keyboard Sonata in C-sharp Minor, Kk. 247 (L. 256) [Allegro] by Domenico Scarlatti, Variations on Balkan Themes, Op. 60: Variation IV. Andante alla Barcarola by Amy Beach, and 24 Preludes, Op. 11: No. 11 in B Major, Allegro assai by Alexander Scriabin. Played by Dana Nichole Scott (piano), David Felberg (violin), and Melinda Mack (Cello).

Projection Design: Felipe Oyarzun Moltedo Costume Textile Design: Patricia Michaels Costumiere: Sigrid Johannesdöttir

Join us for a 20-minute post-performance audience Q & A with Dana Tai Soon Burgess and Felipe Oyarzun Moltedo immediately following tonight’s performance

DT SB DC

About DTSBDC Now in its 33rd season, Dana Tai Soon Burgess Dance Company (DTSBDC) creates and performs contemporary modern dance works to celebrate, through dance, the indomitable American spirit.

DTSBDC performances uplift, inspire and bring insights to seasoned dance lovers and new audiences alike in Washington, DC, around the United States, and the world. The Washington Post says of the company, “not only a Washington prize, but a national dance treasure.”

DTSBDC makes all its programs ADA accessible and at free or reduced pricing.

DTSBDC is a leader in the national movement to collaborate with and perform at visual arts museums as well as theaters. In 2016, DTSBDC was named the Smithsonian Institution’s first-ever resident dance company. DTSBDC has a long history of artistic collaborations and partnerships with other organizations including: NASA, the U.S. State Department, National Gallery of Art, the Kreeger Museum, the Mayor’s Office of Asian

Pacific Islander Americans, the DC Commission on the Arts and Humanities, and more.

DTSBDC has been presented at NYU Skirball Center for the Performing Arts, The Sylvia and Danny Kaye Playhouse, Arena Stage, the United Nations, La MaMa, the Asia Society, and the Korean Cultural Center, among others. DTSBDC is the modern dance company in residence at The Kreeger Museum, Maryland Youth Ballet, and The Arts Club of Washington.

As a U.S. State Department cultural envoy for over 25 years, Dana Tai Soon Burgess Dance Company has toured extensively both nationally and internationally to 5 continents and over 30 countries including Egypt, Israel, South Korea, China, India, Mongolia, Venezuela, Germany, Latvia, Ecuador, Panama, Mexico, Peru, Cambodia, the British Virgin Islands, and Suriname to name a few. For more information about DTSBDC visit www.dtsbdc.org

About Dana Tai Soon Burgess Dana Tai Soon Burgess is a leading American choreographer and cultural figure known internationally as the “Diplomat of Dance.”

In 1992, he founded Dana Tai Soon Burgess Dance Company, Washington, DC’s preeminent modern dance company, now in its 33rd season. As noted

by Pulitzer Prize–winning critic Sarah L. Kaufman of The Washington Post, Burgess is “not only a Washington prize, but a national dance treasure.”

His contemporary modern dance works explore the joy, sorrow, and beauty of the human experience. Burgess has served as a Cultural Ambassador for the United States Department of State for more than two decades and has received three Fulbright Program Senior Scholar awards.

In 2016, Burgess was named the first Choreographer-inResidence at the Smithsonian Institution, where he created works inspired by museum exhibitions and developed public and educational programming through 2023.

The son of two visual artists, he approaches choreography as a visual canvas, with dancers functioning as living brushstrokes. His work has been presented at the

National Gallery of Art, Noguchi Museum, National Museum of Asian Art, and National Portrait Gallery.

Burgess has served as a mayoral-appointed commissioner for the DC Commission on the Arts and Humanities and the DC Commission on Asian and Pacific Islander Affairs. He is the author of Chino and the Dance of the Butterfly and editor of Milestones in Dance History, and hosts Slantpodcast. com, which focuses on Asian American arts and culture.

This podcast is an ongoing conversation around the Asian American experience through the lens of artists and luminaries. Hosted by Dana Tai Soon Burgess.

Listen on all streaming platforms.

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About DTSBDC Dancers Christine Doyle (Executive Director - Dancer) is in her tenth season with the Dana Tai Soon Burgess Dance Company and currently serves as the company’s Executive Director.

Originally from Jacksonville, Florida, she received her early training at the Florida Ballet under Laurie Picinich-Byrd and at Douglas Anderson School of the Arts under Phyllis Penney and Rhonda Stampalia. She earned a B.A. in International Affairs from Florida State University before relocating to Washington, DC. Since 2013, Christine has been dedicated to ballet education throughout the region, teaching students of all ages at institutions such as the Kirov Academy of Ballet, Georgetown University, American Dance Institute, Metropolitan Ballet Theatre, and Georgetown Day School. She also spent seven years as Assistant Director at the Maryland School of Dance.

Christine is currently on faculty at Mid-Maryland Performing Arts Center, where she continues to inspire the next generation of dancers.

Felipe Oyarzun Moltedo (Associate Artistic Director Dancer) is in his fourteenth season with the Dana Tai Soon Burgess Dance Company.

Originally from Santiago, Chile, he began dancing at the

age of twelve and has since received numerous awards and distinctions, including Chile’s Best Dancer Inter-American Circle of Dance Professionals Award. In Santiago, he founded and directed his own contemporary dance company, which toured both nationally and internationally.

Felipe holds a B.F.A. in Dance and an M.A. in Dance Education with honors from the University of Chile, as well as an M.F.A. in Dance from The George Washington University.

Felipe’s choreography has been shown at different national venues such as The Kennedy Center, Dance Place, The Arts Club of Washington, The Corcoran Museum, and the National Dance Institute to name just a few.

In addition to his roles as Associate Artistic Director and dancer, Felipe is the company’s multimedia designer and creator, producing engaging visual content that connects audiences to the company’s artistic mission. He also serves as webmaster and consulting UX/UI designer for a diverse portfolio of clients including DTSBDC’s digital platforms, ECOG-ACRIN Cancer Research Group and The Department of Transportation for the DC Government.

Joan Ayap (Costume Supervisor - Dancer) is in her ninth season with Dana Tai Soon Burgess Dance Company. Joan was born in Washington, DC, and raised in Manila, Philippines. She started her dance training at the Halili-Cruz School of Ballet and the Philippine Ballet Theatre Conservatoire.

While earning a B.S. in Interior Design from Assumption College, San Lorenzo, she also pursued a dance career. Her professional journey began with the Philippine Ballet Theatre, where she worked with renowned teachers and choreographers such as Gener Caringal, Ronilo Jaynario, Anatoli Panasiukov, Enrico Labayen, Tony Fabella, Maiqui Mañosa, and Graham Lustig. In Washington, DC, she has performed with DC Contemporary Dance Theatre and Bowen McCauley Dance.

She has competed in Rising Star and Open Pro divisions in American Rhythm, as well as Amateur International Latin events. Additionally, she worked as a correspondent and field producer for The Filipino Channel. She teaches at CityDance, The VIVA School of Dance, and DTSBDC’s educational programs.

Currently, Joan is pursuing an M.A. in Cultural Heritage Management at Johns Hopkins University.

Natasha Ames (Dancer) is

in her second season with the Dana Tai Soon Burgess Dance Company. Trained in classical ballet and modern dance at The Washington Ballet and the Kirov Academy of Ballet, she holds a BFA in Dance Performance and Choreography from Towson University. Influenced by mentors such as Ralph Glenmore, Robbin TashaFord, Irina Wunder, LindaDenise Fisher-Harrell, Catherine Horta-Hayden, Vincent Thomas and Caroline Rocher Barnes, Natasha’s choreography reflects her experiences as a woman of color, exploring themes of identity and resilience.

Beyond performance, she is dedicated to expanding dance education and inclusivity. As part of the JUNTOS Collective in 2023, she helped bring cultural dance programs to children in Guatemala, fostering artistic exchange and enhancing education in underserved communities.

Natasha advocates for dance accessibility and works to address inequalities and promote diversity within the art form.

Armani Colón (Dancer) is in his first season with the Dana Tai Soon Burgess Dance Company.

He is a Puerto Rican dancer, choreographer, model, and cultural organizer whose work explores identity, memory, and the intersections of classical

form with diasporic expression.

Armani began his dance training at 14 when accepted into the Dance program at The Chicago High School for the Arts. He earned his BFA in Dance from the Peabody Institute of Johns Hopkins University, where he trained under Danah Bella and developed a foundation in ballet, modern, and contemporary techniques.

As an independent dancer and choreographer across the DMV area, he has performed and choreographed nationally, including at Lollapalooza with British pop singer “Flowerovlove”, and has collaborated with choreographers such as Gabriel Mata, Bernard Brown, Diedre Dawkins, Tracy Kofford, Kim T. Davis, Kevin Iega, Dolly Sfier, Tiffanie Carson, Jess Beach, and others.

As Communications Manager and an Ambassador of the Latinx Movement Festival D.C., Armani aims to uplift Latine artists and expand dialogue around performance, culture, and community. His work embodies hybridity, resilience, and joy that bridges tradition with contemporary innovation.

Tomas Fischer (Dancer) is in his second season with Dana Tai Soon Burgess Dance Company. Tomas was born in Lithuania and grew up in

Washington, DC. He began his career in ballet in 2008, at the age of 10, with the Maryland Youth Ballet and trained with Olivier Munoz. In 2010, he furthered his ballet training at the Kirov Academy of Ballet in Washington, DC. In 2017 he completed the 2 year Men’s Scholarship Program at Central Pennsylvania Youth Ballet where he performed as Benvolio in Alan Hineline’s premiere showing of Romeo And Juliet. Tomas started his professional dance career with First State Ballet Theatre in 2019, where he performed Dracula, and Russian in The Nutcracker. He most recently finished his fourth season with The Florida Ballet as a Company Member performing Dracula, Demitrious in A Midsummer Night’s Dream, Flames of Paris Pas de Deux, Le Spectre de la rose Pas de Deux, Prince and Cavalier in The Nutcracker, and other various director choreographed pieces.

Trevor Frantz (Dancer) is in his third season with Dana Tai Soon Burgess Dance Company.

Trevor was born in Bucks County, PA, where he pursued performing arts and dance throughout his childhood. He continued his dance education at the George Washington University, where he earned a dance minor along with a BFA in Interior Architecture. He now works full-time as an interior designer.

William Robinson (Dancer) is in his second season with Dana Tai Soon Burgess Dance Company. He was raised in Washington, DC where he was first introduced to dance in middle school at Georgetown Day School. While at GDS, William met his mentor Jan Tievsky and where he first met Dana Tai Soon Burgess, performing original works set on the students there. During high school, he expanded his dance practice learning breaking from Emanuel Sanchez and joined the breaking crew Back 2 Basics.

William went on to attend The University of the Arts high school summer program where he truly fell in love with dance. During this summer program William met Wayne Saint David who became a mentor and directed him to study at The Dance Institute of Washington under the direction of the late Fabian Barnes. After graduating high school William went on to attend The University of the Arts on a full scholarship, earning his B.F.A. in modern dance performance, and receiving both the Outstanding Achievement in Modern Dance Award and the President’s Award. While in school he used his summers to study at the Paul Taylor School. At UArts he had the honor of performing original works by faculty and mentors, Silvana Cardell, Brian Sanders, Donald Lunsford, Roni

Koresh, as well as works set on students by Momix and Rennie Harris. He has also danced professionally in projects and guest artist work for Diavolo, Ishmael Houston Jones, Raven Symone, Tierra Whack, and Boris Charmatz.

William was recently the assistant to the choreographer on the film The Young Wife by Tayarisha Poe, and worked as the project manager for Cardell Dance Theater’s Disposable Bodies. He has been on faculty at The University of the Arts and Georgian Court University.

Baylee Wong (Dancer) is in her third season with Dana Tai Soon Burgess Dance Company.

She is a dancer, choreographer, and teacher based in the DMV area and passion for movement led her to train in various styles, including ballet, tap, jazz, modern, and ballroom.

Baylee graduated from Towson University, where she obtained a B.F.A. in Dance Performance and Choreography. During her time there, she received several accolades, including the Outstanding Award for Choreography, the Jim Snyder Award for Technical Excellence, and was honored to be an Undergraduate Commencement Speaker. At Towson, she had the privilege of working with Linda Denise Fischer-Harrell, Runqiao Du, Catherine Horta-Hayden, Vincent Thomas, Caroline

Rocher Barnes, Xiang Xu and Jawole Willa Jo Zollar.

Baylee has taught at Towson University, the Maryland Public High School Dance Festival and at Dance Sanctuaries at the Kennedy Center Reach.

Additionally, her original choreography has been showcased at the Peabody Dance Festival, Origins hosted

by DTSBDC, Motion Mixers

hosted by GRIDLOCK, and at S.H.E. /Moves hosted by Maryland Youth Ballet.

As a performer, Baylee is a member of the Dana Tai Soon Burgess Dance Company, Gridlock Dance, and performed with Orange Grove Dance.

Behind the scenes, she serves as the Assistant Director at The Berwyn Ballet School.

Find us at our upcoming performances

Origins: Emerging Choreographers’ Showcase June 4th

The Arts Club of Washington

Photo by Lauren Victor

DONOR LISTING We gratefully acknowledge the support of the following corporations, foundations, government agencies, and individuals who supported Dana Tai Soon Burgess Dance Company during our 25-26 season.

Major Supporters $50,000-150,000 DC Commision on the Arts and Humanities $20,000-49,999 The Morris and Gwendolyn Cafritz Foundation Patch Canada* Mary Eccles March Forth Foundation Maryland Youth Ballet* The National Endowment for the Arts Philip L. Graham Fund $5,000-19,999 AARP Dallas Morse Coors Foundation for the Performing Arts Jack Davis and Eric San Juan Dwight Stuart Youth Fund Eric Naison-Phillips Family Foundation Events DC Community Grant Program Fulbright Scholars Cary Fuller Elizabeth Wilson Harter Bonnie Kogod Ellen Kwatnoski Microsoft Kelly Dinglasan Minton and Joel Minton Morningstar Foundation Katia Norri Eser Ozdeger The Rosenfeld Rumford Steckler Family Foundation

Teresa Saavedra Leigh Slaughter The Share Fund Jan and Seth Tievsky Aaron Tievsky and Frank Delaney Heinz and Liselotte Nehring Stiftung Foundation Winged Keel Group $500-4,999

Eugene and Gina Adams Anonymous (5) John Ashford Lisa Barry and Jim Gale Bloomberg Philanthropies Anna Kang Burgess Ian Tai Kyung Burgess Jason and Melissa Burnett Jane Cafritz Michael Caplin Alan Cariaso Kay Casstevens Cherry Blossom Giving Circle Claudia de Colstoun-Werebe Laurie Davis and Joseph Sellers Bianca DeLille Christine Doyle Diane Dragaud Frank Farrow FBB Capital Partners David Fischer and Joy Kassett Izette and Neil Folger Julie Frantz Jameson Freeman and Dana Tai Soon Burgess Mary A. Gifford Susan Gigli Jenny Goldman Ross Goldman Google Sarah Halzack and Neil Irwin

PenFed Credit Union Stacey Perelman Arnold Polinger Young-Key Kim and Bertrand Renaud Sheri and Robert Rosenfeld Joan and Berry Rosenthal Stephanie Rosenthal and Scott Meisler Stuart Ross and Patricia Devine Ben Sanders Marian and Neel Saxena Scout Properties Steve Slaughter Arnie Stolberg Peter and Judith Storandt Helen R. Trilling Maida R. Withers Barrie Zucal

List from donations received through 4/11/2026

Sergio Herrera and Kelly Southall Celia Hoke Erick Hosaka Jill and Bill Hudock Janice Kaplan Roxane Kaufmann and Neal Fitzpatrick Lisa Kaye Rebecca Klemm Leslie Kobylinski Richard Kwatnoski Yoko Lawless Marcia Lim Barbara and Robert Liotta Kristen Lund Elizabeth McCallum Gale McCallum Laura McDonald Kathy McGuire Alanna McKee Elvi Moore Judith Viggers Nordin Patricia O’Shea Mark Ohnmacht Dr. Susan Ohnmacht Felipe Oyarzun Moltedo

We appreciate and acknowledge our donors who give between $25-499 *Denotes in-kind services

JOIN US IN OUR MISSION TO SHARE THE TRANSFORMATIVE POWER OF DANCE

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DTSBDC STAFF AND BOARD Leadership Dana Tai Soon Burgess, Founding Artistic Director Christine Doyle, Executive Director Felipe Oyarzun Moltedo, Associate Director 2025-26 DTSBDC Dancers Natasha Ames Joan Ayap Armani Colón Christine Doyle Tomas Fischer Trevor Frantz Felipe Oyarzun Moltedo William Robinson Baylee Wong Artists Anne Sidney,

Rehearsal Director Sarah Halzack, Assistant Rehearsal Director Judith Hansen, Costume Design Sigrid Johannesdottïr, Costume Design Millicent Scarlett, Resident Musician Dana Nichole Scott, Resident Musician Staff Bianca DeLille, Development Director Patch Canada, Public Relations Specialist Jan Tievsky, Educational Principal Joan Ayap, Wardrobe Supervisor William Robinson, Production Assistant Isel Perez, Accountant

Max Goldman, Riley Horner,

Intern Intern

Board of Directors Ellen Boyers Kwatnoski, President Jan Tievsky, Vice President Erick Hosaka, Treasurer Mary Eccles, Secretary Jack Davis Jameson Freeman Susan Gigli Bonnie Kogod Marcia Lim Leigh Adams Slaughter Kelly Moss Southall Dana Tai Soon Burgess (ExOfficio) Bianca DeLille (Ex-Officio) Advisory Board Kay Casstevens Josue Castilleja Nicole Colameta Diane Dragaud Sara Gay Forden Sarah Halzack Joshua Kaufman Kelly Dinglasan Minton Mark Ohnmacht Steve Oshana Anatol Steck Yang-Ro Yoon Organizational Mentors Patch Canada Michael Kaiser

The caller said he was IRS. What I found was a scam.

27% of Asian American/Pacific Islanders reported being victims of a scam.

AARP Fraud Watch Network® helps you recognize government impostor scams, so your money lives longer.

Learn more at aarp.org/fraudwatchnetwork Source: Fraud Awareness and Experiences Among Asian American and Pacific Islander Adults, AARP Research, November 2025.