Design In Print 6.1 - The DP Design Issue 2015

THE DP DESIGN ISSUE

IN DEPTH

RAFFLES EDUCATION SQUARE SHOW AND TELL

CONNEXION

THE INTERSECTION OF HEALTHCARE AND HOSPITALITY INDUSTRY WA100 – DPA RETAINS

TOP 10 RANKING

MICA (P) 081/08/2014

DESIGNING SPACES

IN DEPTH

www.dpa.com.sg

UPDATES DP DESIGN – BOOK LAUNCH

VOLUME 6 NUMBER 1 2015 SINGAPORE

Vo l u m e 6 N u m b e r 1 , 2 0 1 5 , S i n g a p o re

CONTENTS Letter from the Guest Editor Dear Readers,

The latest happenings in DP

What does good interior design mean to you? As the renowned American architect and designer Charles Eames once said, “The details are not the details, they make the design.” While most of us may consider interior design akin to the soft furnishing and embellishments seen in residential and hospitality spaces, how does the design process adapt to spaces like hospitals, shopping malls and schools? How does space planning and an understanding of internal volume and materials transform a space from the mundane to the memorable?

The act of ‘placemaking’ is imperative to the work that we do as architects and interior designers. Unique and memorable spaces elicit an emotional response from the users of the space – we form deep attachments to places that evoke sensation and which allow for interaction.

DP Design, the interior design arm of the DP Group, innately understands this. For over 30 years, it has been our philosophy to design spaces that bring out the best in the user so that the space is not merely for occupation, but has a character and life of its own. Collaborating hand in hand with peers at DP Architects in a close-knit team structure, our interior designers – many with an architectural background – are challenged to draw out the three-dimensional possibilities within a space, working towards a harmony of form and function. The design process with the client and user groups is also a collaborative endeavour to ensure the best resultant space in terms of function, utility, design and community ownership. We create sensitive interiors that complement the architectural exterior and surroundings, supporting DP Architects’ vision of creating spaces that uplift the human experience and spirit.

DP Design – Designing Spaces book launch DPA in London

Short takes on new & notable projects

01 Block 51 at NP 02 Yotel Singapore 03 Lee Kong Chian School of Medicine 04 Temasek Club 05 Deli Medan Mall 06 Respublika Plaza Astana 07 Moon Restaurant 08 Doha Festival City Mall

Design solutions

Designing Dynamic Retail Spaces

Featured projects

Cinemaxx & Maxx Coffee @ Palembang Icon Connexion Raffles Education Square

Corporate profile

DP Design DP Design will also hit a new milestone with the upcoming launch of our newest publication, DP Design – Designing Spaces, showcasing our unconventional interior work behind large-scale retail, institutional projects and public spaces. We hope that you will enjoy this brief preview of DP Design’s work in this issue of Design in Print and look forward to sharing with you in greater detail through DP Design – Designing Spaces.

Awards & events

Angelene Chan Deputy CEO, DP Architects Pte Ltd

DP personalities

WA100 – DPA retains Top 10 ranking LKCMedicine marks significant milestone Engaging residents on Tampines Town Hub

Interview with Mike Lim

Chan Hui Min Nartano Lim

Bonnie Oeni Leanne Lim Leong Wei Lin

DESIGN IN PRINT TEAM

Esplanade – Theatres on the Bay, 2002 Graphics

Writing

Editorial

Celebration of past projects

Loh Yew Cheng Lee Hui Yee Fu Tingting

Additional contributors: Elaine Lee & Jackie Poh

Cover image: Cinemaxx @ Palembang Icon, Indonesia

| The latest happenings in DP

DPD to launch book

A New Chapter

To highlight its body of work within the interior design field over thirty years, DP Design is launching its publication DP Design – Designing Spaces, available June 2015. The book explores schemes beyond typical typologies for interior design such as hospitality and residential, and delves deeper into unconventional interior work behind largescale retail, institutional projects and public spaces.

Examples illustrate DP Design’s approach to interiors, which respond to a building’s intrinsic architectural form, functionality and user experience. Rather than treating interiors as isolated design projects, interiors are seen as extensions of the building’s architecture.

Copies can be ordered on Amazon.com.

In line with its vision of becoming a globally recognised firm of choice on the world stage, DP Architects (DPA) opened its newest office in London in January 2015. Located at Cowcross Street, the outfit in London will assist existing clients with their European ventures while keeping an eye on trends and new opportunities in this part of the world.

DP Design – Designing Spaces

Short takes on new & notable projects

Block 51 at NP Singapore

Centrally located within the Ngee Ann Polytechnic (NP) campus, Block 51 houses educational facilities that are designed with environmental sensitivity in mind. Drawing reference from the façade shading elements, where perforated cladding allows daylight to cast gentle speckled shadows on the walls, the interior design applies the same triangulated pattern in gradated shades of grey. The play of light and shadow is further reinforced in the floor finish, which incorporates slanting lines in greys and whites that stretch across the open spaces, along with bold bright splashes of aquamarine. Simple groove lines add a subtle depth and texture to the plaster feature walls. The overall effect is cool, modern and serious, complementing the academic pursuit of knowledge and skills that takes place in the building.

institutional

Supporting DPA’s expansion is its first project in London, a proposed 58m tall apartment tower located on Plot 18 within the Royal Wharf master plan development.

The final and tallest waterfront building anchoring the corner, the building will be a bold statement along the Thames waterfront.

Its striking silhouette will be created by the subtle tectonic shift of the three building boxes, unifying the housing block into a single twisting urban entity.

hotel

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DPA in London

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Yotel Singapore Singapore

Yotel’s distinct design aesthetic, inspired by first-class airline cabins and Japanese capsule hotels, is reflected in the hotel brand’s first foray into Asia. Modern, sleek spaces are infused with an Asian influence that lend a textured look to Yotel Singapore. A combination of soothing purple mood lighting, patterned grey flooring and predominantly white finishes are used in the public spaces including the waiting lounge, lift lobby and guestroom corridors, maintaining a sense of simplicity and sophistication. The hotel’s signature purple tones are echoed in accent lighting within the cabins, with timber panels and flooring that add warmth to the overall modern vibe. Meanwhile, at the hotel’s club lounge, vibrant splashes of colour in the furnishings add a touch of whimsicality and quirkiness to the stylish, cosy and inviting character of the space.

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Short takes on new & notable projects

institutional

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03

Lee Kong Chian School of Medicine Singapore

Singapore’s newest medical school will house two separate campuses – the Experimental Medicine Building at Nanyang Technological University and the Clinical Sciences Building at Health City Novena. Facilities at both sites – which include state-of-the-art learning spaces as well as training and research facilities

– will adopt a signature uniform look for visual consistency to foster a better sense of belonging among the students and faculty. The school’s corporate colours of purple and grey are used in many parts of the campuses such as the public spaces and teaching facilities. This soothing combination creates a relaxed, comfortable

environment to facilitate learning and interaction. To weave the local context back into the design, colours like green, brown and blue that evoke a tropical island feel are used for the library, offices and breakout spaces. The design also focuses on the use of clean lines and forms to achieve a contemporary look.

04 Temasek Club

recreational & civic

The new clubhouse sits on a green site adjacent to the Bukit Timah Nature Reserve. This inspired the concept for its interior environment which focuses on engaging with nature. To achieve this, the design emphasises the site’s natural surroundings by distinctly framing the portal between the lobby and restaurant to offer unhindered stunning views of the natural landscape beyond. To create an atmosphere that is welcoming yet formal to accommodate the military character of the club, soothing shades of wood are balanced by the subtly masculine grey of the travertine tile flooring – the colours a pleasant contrast to the lush greenery outside.

Complementary to the architectural concept, there is a simple linearity in the interior elements, such as the timber slats across the ceiling which resonate with the strong lines of the club’s lion head emblem. Green walls have been proposed as an accent feature in the reception to bring a slice of nature indoors. The overall atmosphere allows club members to relax in a tranquil environment befitting of its idyllic surroundings.

mixed development

Singapore

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Deli Medan Mall Indonesia

The mall is part of Deli Medan, a mixed-use development earmarked to be a new hotspot in the city of Medan. Strategically zoned to provide effective wayfinding, the project breaks the mould for traditional mall designs by combining retail therapy with artistic elements. Motifs evoking local traditions and culture form the theme of the lower ground and mezzanine storeys where the grocery and utility stores are located, while the use of complementary earthy tones creates an intimate, familiar atmosphere reminiscent of traditional local bazaars. Chiseled forms conveying luxury and style characterise the fashion and gourmet zones; in contrast, dynamic shapes and forms are chosen for the levels housing the mall’s core retail collection to reflect the diversity of its contemporary offerings, with the use of cool tones for a casual yet composed retail experience. On the topmost storey, the entertainment hub features abstract collages interlaced with interactive elements that draw visitors into a world of imagination and reverie.

Kazakhstan

commercial

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Respublika Plaza Astana

commercial

The Fashion Galleria and The Arcade are two out of four retail precincts catering to shoppers’ different needs at the mall, part of an upcoming mixed-use development located in Astana, Kazakhstan. Inspired by the rich natural resources of Kazakhstan, the interiors of both precincts feature strong geometric lines and patterns that echo the multi-faceted structure of diamonds. For the Fashion Galleria housing high-end luxury stores, a cool silver palette was chosen to convey an elegant and upscale feel; the classy look is complemented with a mixture of polished marble and quartz floor tiles. A dramatic display of light fixtures suspended from the ceiling contributes to the stylish ambience. Illuminated pathways featuring a continuous floor-to-wall pattern of rhythmic stripes create a futuristic look for The Arcade, a dynamic lifestyle destination offering the latest electronics. The colour palette was kept minimal with a predominance of black and white, keeping in line with the modern and sophisticated vibe.

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Moon Restaurant Vietnam

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Doha Festival City Mall Qatar

commercial

Located at the award-winning Dolphin Plaza condominium development in Hanoi, this elegant Japanese fine-dining restaurant features sushi and teppanyaki counters, with private dining rooms available. Lit with soft lighting for a more intimate ambience, the chic, spacious interior embraces natural woods and warm, earthy tones that bring a feeling of nature indoors. Decorative laser-cut screen partitions incorporating the traditional Japanese wave motif (seigaha) add a touch of intricacy to the décor. The design concept is further infused with a Vietnamese flavour, with throw cushions upholstered in Vietnamese-inspired fabrics. At one end of the restaurant, full-height glass windows flood the space with natural light and provide a stunning view of the city to further complement a delectable dining experience.

When completed, Doha Festival City will be Qatar’s largest retail destination comprising the Doha Festival City Mall, a hotel and convention centre. The interior design challenge involved breaking down the massive scale of the mall and intriguing shoppers to keep them moving. Four main zones have been created with the intention of characterising specific retail segments. The largest of the four zones, Luxury Fashion, is designed as a circular atrium with a dome-shaped feature ceiling. The space is accentuated by natural light from high level windows on which the dome is elevated. The other three zones – Centre Court, Entertainment Centre and Market Place – are similarly distinguished by simple geometric shapes and characterised by different themes, making them uniquely identifiable.

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Design solutions

DESIGNING DYNAMIC RETAIL SPACES THE DUBAI MALL, PARAGON, SUPER BRAND MALL AND THE CLEMENTI MALL

By Leong Wei Lin

The design of retail environments incorporates elements of architecture and interior design, as well as considerations for branding and consumer patterns. Traditionally, the primary purpose of retail space has been to stock and supply products to consumers. However, in the context of today’s competitive consumerist culture, shopping malls can no longer simply focus on providing relevant consumer products but must craft the user experience as a memorable and special one to entice multiple visits.

Within the shopping mall typology, there are many elements that differentiate malls from each other. Between the basic architectural form of a low-rise sprawling building and a high-rise tower with typical floor plates, the circulation strategies, approaches to transitional spaces and spatial cues may differ greatly. The decision of the mall operator on the type of retail structure and tenant mix – such as stand-alone boutiques as opposed to departmental store tenants – will shape the environment and interior design approach. The target market, location and marketing approach of the development all also pose great implications on the atmosphere, themes and materials used in the design.

Aesthetically, there needs to be memorable elements or iconic representative spaces to give character to a mall and create the optimal experience. At the same time, this needs to be balanced with the longevity of design as well as the suitability and durability of materials, given the nature of high traffic at shopping malls.

Contributing to the demand for retail design are existing malls that wish to remain current, updated and in line with trends. The challenges

of these additions and alterations projects are multi-faceted – from the constraints of existing construction, to dealing with regulatory compliances, as well as the complications of working in phases within an operating mall.

Over the years, DP Design has honed a speciality in retail projects across a broad spectrum – from the mega-scale The Dubai Mall, the high-end luxury shopping mall Paragon in the heart of Singapore’s Orchard Road to the high-rise nature of Super Brand Mall in Shanghai and the informal environment of The Clementi Mall in Singapore.

IN TODAY’S COMPETITIVE CONSUMERIST CULTURE, IT IS THE FRESH, RENEWED SPATIAL EXPERIENCE OF A PHYSICAL MALL THAT WILL ATTRACT VISITORS

Right: Visually arresting light installations serve as stunning backdrops for the world-class destination, The Dubai Mall.

THE DUBAI MALL: ARABIAN OPULENCE In the case of The Dubai Mall, the key challenge was in dealing with the vast scale and spectacle of the mall, where maintaining a continuity in the design language was important to convey a coherent message. The goal of this mega-mall was to encapsulate the best of retail, dining, leisure and entertainment attractions within a world-class destination, catering to a global audience with epicurean tastes. With the scale of the mall, the interior design approach had to start at a master planning level to identify the nodes and zones, main and secondary circulation paths as well as the transitional spaces in between. Wayfinding was a critical component that had to be considered to deliver a complementary and seamless solution that integrated well with the interior design elements.

Inspiration was drawn from the local context and

expressed throughout the spatial environment, in the form of patterns and details. These were applied at a micro-scale as well as to the domes inspired by traditional architecture in the greater context, anchoring the visitor in the spirit of the place despite the extensive scale of the development. Together with the expansion of the Fashion Avenue currently underway, The Dubai Mall will indeed remain an epitome of modernity and luxury.

Top: The expansive, aweinspiring Fashion Atrium serves three purposes: a wayfinding landmark, an oasis of rest within a huge mall and a nucleus for interaction.

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Design solutions

PARAGON: PERFECTION AND CLASS Paragon, a shopping mall in the heart of the main shopping belt Orchard Road in Singapore, houses many international high-end luxury brands. The challenge was to create a backdrop that could unite the disparate identities of the brands while exuding a character of timelessness and elegance. Completed in 2009, the latest phase of additions and alterations achieved greater transparency and visual connectivity, boasting a new concentration of premier fashion boutiques along 115m of frontage with high atrium spaces that convey a sense of grandeur for visitors. The dual atria are connected at every floor via wide corridors and are flooded with natural light. Materials more often seen in upscale hospitality settings were meticulously selected and combined with ambient lighting to distinguish the mall’s ritzy character and position as an upscale destination for discerning patrons.

AESTHETICALLY, THERE NEEDS TO BE MEMORABLE ELEMENTS OR ICONIC REPRESENTATIVE SPACES TO GIVE CHARACTER TO A MALL

Top: Sketch showing how the sharp edges and high atrium spaces exude an air of urbanity for Paragon’s visitors.

Middle: Polished surfaces and beautifully veined stones accentuate Paragon’s luxury and opulence.

Right: Paragon’s wide corridors extend vertically through the podium to connect all shopping levels visually and functionally.

Far right: An atmosphere of elegance and exclusivity is created by the array of extravagant shop-fronts.

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Design solutions SUPER BRAND MALL: SUPER-SIZED RETAIL THERAPY Situated at an iconic junction in the Central Business District of Pudong in Shanghai, the Super Brand Mall’s esoteric, symbol-laden façade and interior décor has made it one of the more eccentric landmarks in Shanghai.

The challenge with this additions and alterations project was to maintain the unique character of the existing building while presenting a revitalised interior mall experience across ten floors of retail, dining and entertainment options. With multiple entrances at both street and upper levels, the hierarchy of circulation became a prime consideration to ensure a sense of arrival at each distinctive entrance. The interior circulation had to be reorganised to draw visitors to the less frequented areas, including a new north atrium catering to the existing north entrance.

Within the existing mall interior, where there are symbols of Chinese culture, the new proposal addressed areas where new and fresh focal points could be created and spaced throughout the mall to captivate visitors both

young and old. Extensive media elements have been planned for the two main atria to appeal to a tech-savvy society as well as the younger crowd. New materials have been proposed to create a cohesive atmosphere in the mall’s public areas, while design touches have been kept elegant and refined. When completed, the revitalisation exercise aims to propel the mall into the future while retaining its unique character within Shanghai’s city skyline.

COMPLEMENTING THE EXISTING INTERIOR, WHICH IS DECORATED WITH CULTURAL SYMBOLS, NEW FOCAL POINTS WITHIN THE MALL HAVE BEEN PROPOSED TO CAPTIVATE VISITORS Top: Digital media features are incorporated within the interior to update the mall for a tech-savvy crowd.

Right: The new Super Brand Mall in Shanghai is defined by elegant and refined design.

THE CLEMENTI MALL: VIBRANCY IN THE NEIGHBOURHOOD The Clementi Mall is a new six-storey shopping centre for the community in the west region of Singapore, serving as the anchor attraction for the mature suburban estate of Clementi where key tertiary institutions are located, as well as for neighbouring estates well-connected to the mall through the adjacent Clementi MRT Station.

Left: A detailed sketch of the railings.

Middle: For a lively design, colourful floor tiles and staggered light strips on the ceiling form pixelated patterns within The Clementi Mall.

The recurring theme in the interior design is liveliness, achieved by colours and pixelation.

Each level was assigned a distinct colour identity and this demarcation can easily be seen from the central atrium. Combining the colours with the circular motifs of the Clementi Mall logo, a comprehensive signage concept had also been achieved for clear and fun wayfinding. Patterns formed by the concept of pixelation have been reflected not only in the floor patterns of brightly coloured tiles, but also on the ceiling, through patterns formed by staggered light strips. The element of fun is further brought through in the whimsical arrangement of circular mirrors in the washrooms and quirky public furniture.

Bottom: In the absence of natural daylight, the central atrium features scattered light bands reminiscent of skylights.

As the definition of malls broaden and grow more all-encompassing in the future, designers will be challenged to cater for an increasing number of functional spaces within the design, while having to understand the changing habits of consumers. In a time when online shopping networks have proliferated, it is the renewed spatial experience of a physical mall that will attract visitors, as well as fresh interpretations of the retail experience.

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Featured projects

CINEMAXX & MAXX COFFEE@PALEMBANG ICON A CONTEMPORARY CINEMATIC EXPERIENCE

By Leong Wei Lin

Cinemaxx is a new cinema chain in Indonesia that aims to redefine and encourage the experience of going to the movies for the locals, who have traditionally shied away from cinemas. With a lofty vision to become the country’s largest cinema chain operator with 2,000 cinema screens in 300 locations and 85 cities by 2024, Cinemaxx requires lifestyle offerings that can rise above the competition.

Cinemaxx Palembang Icon is thus the first flagship cinema boasting integrated options within the premises such as a Cinemaxxaffiliated café – Maxx Coffee, a bookstore and a games room.

FILMS, STYLE, INDULGENCE To match the grand ambition of Cinemaxx, the interior concept of Cinemaxx Palembang Icon focuses on impressing the moviegoer by introducing modern technology with first-class

amenities, and creating a cinematic experience within the public space. An interactive media wall at the main lobby showcases movie content to pique the viewer’s interest within a plush environment. To create a snug sense of warmth, the materials used are rich in texture and grain.

Brown, bronze and gold tones dominate the colour palette with accents of cream, orange and red.

The main lobby opens up towards the café into a double volume space, with a striking perforated backlit folded feature wall running along the perimeter of the high ceiling, mimicking the paper folds of origami. Complementing the main lobby’s material palette, the Gold Lounge includes dark-stained timber strips and wall cladding that utilise back-painted glass and marble for an extra swanky touch. Lounge, bar and dining seating configurations are provided for a more personalised experience.

“Cinemaxx is the newest and most dynamic cinema chain in Indonesia, and we want to ensure that every element of our complexes — from time of entry to time of exit — enchant and entertain moviegoers. DP Design has worked tirelessly to come up with a concept that is both elegant and enticing.

The designs don’t just look and feel stunning; the team that we work with takes special interest to consider how the end user will experience and interact with the space, and that to me is the mark of great design.”

- Brian Riady, CEO, PT Cinemaxx Global Pasifik

Left: Maxx Coffee appeals to trendy youth with its open concept and feature graphic wall reinforcing the quirkiness of the brand.

Facing page, bottom: Reminiscent of origami, a perforated backlit folded feature wall acts as a stunning visual highlight for the roomy Cinemaxx.

YEAR: 2014

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AREA: 4,240SQM

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INDONESIA

A VIBRANT AND INVITING ATMOSPHERE Maxx Coffee at Palembang Icon is an openconcept cafĂŠ found within the spacious public area of the cinema. A design highlight includes a four-metre high feature graphic wall located above the seats, which introduces a playful vibrancy and drums up the youthful and fashionable character of the space.

Generous full-height windows overlook the pleasant cityscape on one side, while on the other side, the roomy public space flows cohesively into the cinema area. Warm wood tones were used for the counter, tabletops

and ceilings, complemented by stylish, glossy black wall tiles and dark grey walls decorated with branding artwork. The inviting atmosphere is conducive for get-togethers, with different furniture arrangements catering to different group settings.

Together, Cinemaxx and Maxx Coffee at Palembang Icon set new benchmarks for locals seeking unique places to hang out or spend their weekends at. Embedded within the modern and trendy interior design is the promise to gently shift moviegoing patterns in Indonesia.

Team Members: (sitting left to right) Andrew Tan, Mike Lim, Leong Wei Lin, (standing left to right) Jason Chen, Florian Lei Antonino Cunanan, Mahalia Ong, Chan Yi Ping & Monica Boenawan.

Top: The entrance of the cinema is framed by a stainless steel portal that evokes a grand and welcoming atmosphere.

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Featured projects

YEAR: 2014

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AREA: 58,400SQM

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SINGAPORE

CONNEXION THE INTERSECTION OF HEALTHCARE AND HOSPITALITY

By Elaine Lee

Left: Each Sky Villa is tastefully customised with art pieces and cosy furniture.

Right: Connexion’s sunshading panels reduce solar gain while minimising the need for artificial lighting.

For the past few decades, Singapore has been positioning itself as a medical hub to provide world-class medical services for regional as well as international visitors. Connexion at Farrer Park is the latest addition to concretise that positioning. Privately funded, this mediplex of the future is developed and managed by The Farrer Park Company, a group of eminent private medical and hospitality specialists.

Connexion is the first fully integrated healthcare and hospitality complex in the region. It comprises a specialist medical centre known as The Farrer Park Medical Centre, a tertiary hospital called The Farrer Park Hospital, as well as a luxury hotel with

Team Members: (sitting left to right)

Mylanie Del Rosario

John Tan,

Ronquillo,

Mike Lim,

Monica Boenawan & Mochamad Ikhsan Nur.

(standing left to right) Joanne Delos Santos,

its own full-fledged conference facilities, One Farrer Hotel and Spa. The Farrer Park Medical Centre is found in the west wing of the complex, while The Farrer Park Hospital and One Farrer Hotel and Spa occupy the east wing. The complex also houses a retail zone and dining avenue on the ground floor known as Owen Link. To create a more cohesive experience throughout the Connexion building, the medical centre and hospital subtly take cue from the modern design language of the hospitality and retail zones.

Conveniently located in a heritage district near the heart of the city, Connexion is sited next to Farrer Park MRT Station. In response to building guidelines, a six-storey podium that fills the entire site has been established on the ground.

A 14-storey slab block fronting Race Course Road sits on the podium.

Green pockets have been included within Connexion to complement its medical and hospitality programmes. Sky gardens, terraces and roof gardens are found throughout the building to provide relief and promote healing. Environmental factors are also carefully considered, with a conscious effort to minimise energy consumption.

For instance, every opening in the west-facing medical centre is shaded by three triangulated sun-shading panels. The panels are triangulated to allow an unimpeded view out to the streets at eye level. They are also perforated to allow light in. The sun-shading system is designed to reduce solar gain while minimising the need for artificial lighting.

The panels are also brightly coloured to create an architectural feature on the façade.

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Featured projects

MODERN HEALTHCARE The Farrer Park Medical Centre has been designed for patients to conveniently access specialised and personalised healthcare services.

High levels of connectivity and accessibility between the medical centre and the hospital ensure timely access to the hospital wards, as well as the cutting-edge medical facilities. The interiors of the healthcare facilities take on a timeless expression.

The Farrer Park Hospital features innovative medical technology and elegantly designed yet functional hospital wards. Vibrant artwork, lighting and a warm material palette welcome patients at the medical drop-off area. The public

THE INTERIORS OF THE HEALTHCARE FACILITIES TAKE ON A TIMELESS EXPRESSION lobbies and waiting areas are deliberately kept bright, soothing and hospitable.

Throughout the hospital, clean lines and neutral, warm colours maintain a pleasant and welcoming atmosphere. Occasionally, trendy and eye-catching light features and furnishings add a dash of colour and visual interest to the interior environment.

A notable highlight of the hospital would be the Farrer Suites, found on the ninth and tenth

storeys. These suites can be flexibly allocated as guestrooms or VIP hospital wards and are fully equipped with medical facilities that are tastefully and thoughtfully designed.

Outpatients also have the choice of recuperating and resting in the comfort and privacy of their hotel rooms at One Farrer Hotel and Spa after a day surgery or a routine check-up at Farrer Park Medical Centre.

Clockwise from top left: With natural light flooding the airy space, the hospital’s public lobby is kept bright, soothing and inviting.

Healing spaces – in various configurations – include a splendid city view, as well as elegantly designed medical facilities.

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Featured projects

Clockwise from above: With a clean aesthetic defined by plush rugs, wood finishes and neutral tones, the Urban Hotel is ideal for the business traveller.

The Presidential Villa epitomises the high life, with its designer finishes, outdoor Jacuzzi and magnificent skyline views.

The modern chic dĂŠcor reflects the comfort and intimacy of home.

Posh materials and earthy tones selected for the bathroom create an upscale yet relaxing feel.

ELEMENTS OF HOSPITALITY One Farrer Hotel and Spa, a five-star urban resort, embodies a ‘hotels within a hotel’ concept which combines three hotels – the Urban Hotel, Loft Apartments and Skyline Hotel, and Sky Villas – under a single hospitality umbrella. The entire resort offers over 240 rooms, suites and villas.

The Urban Hotel offers comfortable and luxurious corporate rooms suited for business travellers. The Loft Apartments and Skyline Hotel offer elegant designs with clean visual lines and Japanese aesthetics, as an idyllic haven for individuals to escape their urban surroundings. The Sky Villas offer superlative luxury accommodation as each villa is individually customised to offer a unique interior experience, with state-of-the-art controls and original art pieces that are one of a kind.

The Conference Centre comprises a grand ballroom, three meeting rooms and outdoor facilities. The centre is equipped with the latest sophisticated technology, with video-conferencing capabilities to link its facilities to operating theatres in The Farrer Park Hospital, as well as the Institute of Nutrition, an interesting F&B concept that combines a retail shop and cooking school.

In addition to the myriad of dining and retail options at Owen Link, hotel residents have exclusive access to two dining outlets located on the sixth storey. The stylish and bright décor of these establishments are inviting for guests

ONE FARRER HOTEL AND SPA, A FIVE-STAR URBAN RESORT, IS DESIGNED AS AN IDYLLIC HAVEN FOR INDIVIDUALS TO ESCAPE THEIR URBAN SURROUNDINGS who wish to lounge and relax privately. One Farrer Hotel and Spa is complete with a choice selection of indulgent, pampering services available in its spa and fitness facilities.

The revolutionary concept of Connexion lies in its seamless integration of healthcare with hospitality.

The result is a uniquely amalgamated mixed-use development, with complementary and intrinsic services, all linked within a single building complex.

Top: Sketch of the lobby, with its clean lines and emphasis on spaciousness.

Below: The inviting and stylish hotel lobby.

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Featured projects

SUPERLATIVE LUXURY ACCOMMODATION IS OFFERED AT THE HOTEL – WITH EACH SKY VILLA FEATURING A ONE OF A KIND INTERIOR EXPERIENCE

Clockwise from left: Swirls of colour from custom-made carpets and selected furniture give the public spaces a fresh look.

With views and a wine cellar, the classy dining room in the Presidential Villa is perfect for a laidback party or customised dinner.

Designed for long-term residents, the sophisticated duplex Loft Apartments provide cosy living, work and kitchenette areas.

Guests can enjoy panoramic city views within a plush environment accented with warm, contemporary furnishings.

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Featured projects

RAFFLES EDUCATION SQUARE SHOW AND TELL

By Elaine Lee

Clockwise from above: Underscoring the school’s corporate identity, splashes of bright orange or red accent a muted palette.

Walls along the main thoroughfare are designed as displays for the students’ works.

Designed with youth in mind, wayfinding ‘Gents’ and ‘Ladies’ labels are fun and oversized.

Sketch showing how the interior design looks at disparate elements together as a cohesive whole.

YEAR: 2013

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AREA: 7,200SQM

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SINGAPORE

THE NEW CAMPUS WAS CONCEPTUALISED AS A PLACE FOR EXPRESSION – AN ART MUSEUM SHOWCASING THE INDIVIDUAL, SPONTANEOUS CREATIVE ENERGIES OF THE STUDENTS AND FACULTY Raffles College of Higher Education (also known as Raffles Singapore in short) is a subsidiary of Raffles Education Corporation Limited (RafflesEducationCorp), a premier private education provider, owner and manager of education assets and facilities, as well as an education-linked real estate investor and developer.

RafflesEducationCorp established its first college, Raffles Singapore, in 1990. The college was relocated to a permanent campus along Merchant Road in the historical riverside quay of Singapore in April 2013. The location, known for its fusion of rich heritage and modern attractions, is also a stone’s throw away from Clarke Quay MRT Station.

Raffles Singapore is housed in a four-storey commercial building alongside two blocks of heritage shophouses. It occupies an area of over 7,000 square metres and consists of seminar rooms, classrooms, workshops, studios, a library and laboratories with stateof-the-art equipment and technological applications to create an engaging and interactive learning experience for students.

In the initial phase, the design team defined the campus as a student village. From the designers’ point of view, the spirit of the place was to reflect the youthful and energetic characteristics of its students and employees alike. It was conceptualised as a place for expression – a living and breathing art museum that showcases outstanding students and their works. The aim of the design was about reflecting the individual, spontaneous creative energies of the students and faculty. Most of the design elements showcased were concentrated on the ground level, where there is public access and which offers the highest and most effective exposure.

The overall interior design brings distinctive and disparate elements together as a cohesive whole.

The designers started their process by identifying and working around the placement of key volumes within the almost triangulated plot. The overlaps and residual spaces were then defined to establish a main thoroughfare that is skewed. Playing with the opacity of the walls, the designers were able to blur the boundaries between inside and outside.

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Featured projects

THE STUDENT LOUNGE WAS DESIGNED TO BE COMFORTABLE AND STYLISH IN ORDER TO NURTURE IMAGINATIVE EXCHANGES BETWEEN INTERNATIONAL STUDENTS

Team Members: (sitting left to right)

(standing left to right)

John Tan,

Maria Pedraza,

Mike Lim,

Louise Law &

Peeradet Kangsadalkun,

Sharlyn Villalon.

The visibility and connectivity of these boundaries were strategically curated to bring the inside out and the outside in. Taking advantage of the environment, the main thoroughfare linking the different campus blocks at street level enjoys natural light and break out spaces incorporated into the outdoors.

shades of wood. Stunning splashes of bright orange and rich red accent the otherwise muted and conservative palette. The accents are also expressed in door portals, graphic line works on the ceiling, accent furniture, soft furnishings and even oversized wayfinding ‘Gents’ and ‘Ladies’ labels.

The bulk of the campus area is dedicated to learning facilities, catering to students majoring in Design, Merchandising, Business, Applied Psychology and adult training.

Almost every wall that lines the main thoroughfare has been designed as a prospective display or frame to present students’ works. Dynamic geometric walls are punctuated with pockets of alcoves that display award-winning designs and works. With controlled lighting, corridors have become extended portals that frame exhibits at the far end.

With such heavy usage of the space, the most dynamic articulations can be found on the ground level. The entrance foyer is a spine that defines the main thoroughfare and doubles up as a waiting and discussion area. The spine is flanked by the Raffles Connexion to the left and the front office to the right, while a 73-seat seminar room rounds the back of the front office. A skewed path that veers off to the left of the spine leads to the library.

The Raffles Connexion is one of the key features of the campus at ground level, where students can mingle and establish networks with their peers from an international community. Featuring strong design elements that brim with vibrancy and elegance, the collaborative space was designed to be comfortable and stylish to facilitate these exchanges and connections.

Raffles Singapore’s corporate identity was also reflected strongly and cohesively in the building through the integration of corporate colours in various applications such as the furniture, wayfinding and design accents. The materials stick to a modern palette of off-white and warm grey base, highlighted with light and dark brown

The new campus boasts a chic and contemporary design, with a spacious layout that aims to provide a creative and ideal learning environment for students. Featuring students and their talent on campus helps to propel them to the forefront and the campus design provides the platform and exposure much needed by its students.

Top: An elegantly designed feature on campus, the Raffles Connexion, where students can mingle and brainstorm with peers.

Right: Modish and contemporary learning spaces are ideal to promote creativity.

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Corporate profile

DP Design

By Bonnie Oeni

History of DP Design Headquartered in Singapore, DP Design (DPD) was formed in 1982 to support DP Architects in interior design and space planning for its projects, to ensure each project speaks the same language externally and internally in a holistic manner. With over 30 years of experience, the firm has since evolved to collaborate with other reputable architecture firms on projects where they experiment with different ideas and approaches for strong solutions.

TSMP Law Corporation, Singapore

M&A Development, Singapore

DP DESIGN WORKS CLOSELY WITH THE ARCHITECTS DURING BUILDING CONCEPTION, PLAYING A CRITICAL ROLE IN HELPING TO LAYOUT AND PLAN THE OVERALL BUILDING

Mövenpick Heritage Hotel Sentosa, Singapore

The DP Design Philosophy Architecturally driven, DPD aims to break common misconceptions of interior design. While the team remains adept at creating photogenic spaces, they also go beyond superficial interior decoration for hospitality and residential typologies. Their body of work marries soul with functionality within large retail, institutional and other interior spaces. Examples include Singapore’s Esplanade – Theatres on the Bay, Stephen Riady Centre at National University of Singapore’s University Town, One Farrer Hotel and Spa, Orchard Central, Resorts World Sentosa and overseas projects such as The Dubai Mall, the world’s largest shopping destination.

Singapore Dance Theatre

designers provide input only towards the end of the design process when plans are finalised, DPD works closely with the architects during building conception, playing a critical role in helping to layout and plan the overall building in order to realise specific internal conditions for the ideal user experience. For completed buildings, internal spaces are re-examined and re-worked by DPD to achieve a functionality and personality that correspond with the existing architecture, ensuring that spaces remain memorable and relevant.

At DPD, interior designers create environments that seamlessly integrate people, architecture and technology to fulfil the ultimate purpose of the space. Instead of treating interiors as isolated design projects, DPD views them as natural extensions of the building’s architecture.

Challenging the industry convention that interior

Stephen Riady Centre, Singapore

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Structure of a DP Design Team A typical project team at DPD is kept small at five members, involving people of various skills to ensure the team is capable of handling projects from A to Z. Keeping in mind that design is a collaborative process and involves the minds of many, it is the intimate participation and exchange between DPD’s designers and DP Architects during the creation of a building’s interior design that allow a building’s character and functionality to be realised to its fullest potential.

Awards & events

WA100 – DPA retains Top 10 ranking

Among world’s largest architecture firms

DP Architects has been ranked the world’s tenth largest architecture practice in the World Architecture 100 (WA100) survey based on the number of fee-earning architects it employs – retaining its position as the only South-east Asian firm in the top ten since 2012. Compiled by Building Design magazine, the WA100 is an annual survey of the world’s largest architecture firms’ physical and financial growth, serving as an established reference point for international research.

From left: Carlo Magallanes Calleja, Loh Hai Yew, Chin Thoe Chong, Marisa Pua, Angela Lee, Ng Ruilin, Steven Baga.

LKCMedicine marks significant milestone Ocean Suites, Resorts World Sentosa, Singapore

INTERNAL SPACES ARE DESIGNED TO ACHIEVE A FUNCTIONALITY AND PERSONALITY THAT CORRESPOND WITH THE EXISTING ARCHITECTURE

On 8 January 2015, the Lee Kong Chian School of Medicine (LKCMedicine) held its foundation stone laying ceremony for its new dual campus, marking a significant milestone in its development. Some 180 guests, staff and students including DP Architects chairman Chan Sui Him, director Chin Thoe Chong and DP Healthcare senior associate director Loh Hai Yew gathered to witness the laying of the foundation stones – specially selected to reflect the strengths and aspirations of the school – by Dr Tony Tan, President of the Republic of Singapore. Designed by DP Architects, the dual campus comprises the seven-storey Experimental Medicine Building at Nanyang Technological University’s Yunnan Garden campus which will be completed by July and the 20-storey Clinical Sciences Building at upcoming medical hub Health City Novena which will open its doors next year.

Engaging residents on progress of

Tampines Town Hub Director Seah Chee Huang shared at length about the conceptualisation of the new Tampines Town Hub at a residents’ engagement session on 7 February 2015. During the session, part of a regular series to update the residents on the project’s progress, Mr Seah highlighted key design and planning strategies that encompassed several aspects like enhancing accessibility and inclusivity, creating integrated community spaces and introducing green initiatives to make Tampines Town Hub a cohesive community destination for residents. Scheduled to complete in phases from 2016, it will be Singapore’s first integrated lifestyle town hub in the suburbs, combining community, sporting and lifestyle facilities under one roof.

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DP personalities

With experience ranging from event and exhibition design, business administration to architecture, Mike Lim is now behind the design development of DP Design’s wide range of projects including commercial complexes, large condominiums, retail shops, restaurants and offices. In this chat, he shares with Design in Print his design journey so far.

Mike Lim An interview with

Interview by Bonnie Oeni

IN PERSON celebrates the firm’s diversity by profiling members of the DP family. The interview is conducted as a casual conversation between individuals.

Right: Mike deep in discussion with his team of interior designers.

Below right: An amalgamation of Mike’s ideas on various ideal spaces.

What is your favourite interior space?

You were originally on a scholarship to study engineering at the National University of Singapore. Why did you eventually choose to study architecture instead?

M: I have a rebellious and non-conformist streak. I used to get into trouble at school, such as wanting to work around the curriculum by only choosing subjects that I wanted to do. I chose engineering at first because it was a subject that I did well in. After a month, I realised there was no challenge. I wanted something new. I decided to pursue a course in architecture, without even understanding what it was about.

Essentially, I like challenges. I thrive on problem sums – if you give me a Mathematics problem, I will think about it day and night until I resolve it.

Similarly, design gives me consistent challenges.

Every day, every project brings a new issue. You have to think out of the box, you need to give new solutions. Having this sense of freedom and not having to live up to anyone’s expectations since I was young has also helped shape my design philosophies.

M: I’m more of a space person rather than a form or elevation person, which is why I chose to do interiors. I’ve always felt that human beings have an intuitive response to spaces – picking up on feelings that the space is trying to evoke, which can be sensed when you are quiet and still. Often, we miss out on this because we’re just passing through or bombarded by environmental stimuli.

However, stripping this away, we are able to feel calm, peaceful and appreciate light, space and shadow when we are in a meditative space such as a religious building. Our senses are sharpened; so I like any type of quiet space, whether it’s a religious space or nature. It is only then that you can appreciate the beauty of space – space which need not be formed by four walls. When your heart is still and your mind is clear, you can sense

space – whether on an immense scale like the Niagara Falls or small like a church – which will help you understand how to create space.

Where do you go to get inspiration?

M: Whenever my mind is alone. I could be in a social space with people but if my mind is independent of what is going on, ideas will still come. I get ideas driving alone in my car or walking my dog, as long as I’m not distracted by the external environment. Aside from reading architecture and interior design books, I also read fashion magazines to keep up to date on design trends. In fact, inspiration comes too in the mornings before I start work, when I’m fresh.

It’s the quietest and my favourite time of the day, when I’m not bombarded by distractions and modern technology.

“When your heart is still and your mind is clear, you can sense space – which will help you understand how to create space.”

- Mike Lim

Speaking of challenges, what are some of the biggest challenges you’ve faced? How did you overcome them?

M: I think the most challenging thing about design is understanding what is expected of you and achieving an alignment of expectations between you and the other party. Many people do not know what they actually expect. The best way to overcome that is to produce something for them to assess and review, and then it becomes clearer what they actually want. I truly believe the best is yet to be, which is why I always take criticism in a positive light.

You accept it, learn from it and do better the next time.

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DP personalities

Toughest design discipline? What do you mean?

M: It’s toughest in that you are being creative within a fixed space. Compared to an artist who has zero parameters to work with, architects design with the function, budget, client’s expectations and brief in mind, which forms the initial frame of the design. We have to draw within that canvas and yet be grounded and self-confident enough to still create, recreate and invent despite external factors.

A good designer has to know himself very well and not try to be another person, because whether it’s the media, internet, clients, people around you – the whole world will tell you what to do. You can only improve as a designer if you stay open-minded and fully experience the world with your own five senses. You cannot see and feel the world with pre-conceived notions because that means you are no longer sharpening your sense of design.

You’re an avid traveller.

Is there a favourite place you like to travel to? Why?

“A good designer would be someone filled with passion, and who devotes his time and energy pursuing his ideals of perfection. Design is not just ‘now’; it is everything, it is your whole life.”

- Mike Lim

Top: Sketch showing The Glass House at Hotel Fort Canning, with floor-to-ceiling glass walls designed to maximise stunning tree-top views.

Bottom: The minimalist reception counter at China Square Central is designed to eschew all ornate affectations.

M: Europe and Japan. As an interior designer, I find that interior spaces are very tactile and close to the heart. To create a space that feels intimate to the user, we need to be in touch with the finer things in life. What I like about Europe and Japan is that although both places have an urban nature, they have retained elements of their countryside and are refined in terms in their art, culture and food.

Before DP, you dabbled with exhibitions, events, interior, art, jewellery and even furniture design.

What’s the difference between those projects and your work at DP? M: With exhibitions and events, because it’s a temporary, momentary space – the sky is the limit, I could really dream out of the box, I could experiment.

Before DP, I had initially given up on architecture after graduating as I perceived that architecture had too many boundaries to work with.

Completing an architecture project also takes a much longer time than in literature, fashion or other design disciplines. In my early thirties, I deliberated for almost a year and a half over the decision to join DP. That was the tipping point, when I thought I could give architecture a try and still afford to return to my old professions if I did not succeed. Returning to architecture was a way for me to achieve balance as a designer, to prove I could use both my left and right brains and that I could become skilled at the toughest design discipline.

What do you consider to be the most interesting developments in your field at present and why?

M: It’s time to take note of a new user group – the millennials, and how technology has shaped their behaviour. They are very different from Generations X and Y and are much more connected and techsavvy. They were born in an age when the Internet had already become very developed. Have we ever thought about how that is going to shape the future of hotel design? How is it going to shape the layout and usage of a mall? How will it shape the functionality of a restaurant?

For example, e-commerce is already ingrained in the lifestyles of the millennials now. By the time they unlock their full spending power in the future, would they even go to a mall? What would attract them to go there and how can the design of a mall respond to the needs of the millennials? Even for hotels, millennials are choosing alternative offerings – beyond chain and boutique hotels, and trying bed-and-breakfasts and homestays. Such behaviour impacts design. Architects and interior designers tend to think in a more reactive manner towards issues in front of them, as compared to businessmen and product designers who respond more proactively and quickly to trends and the consumer’s needs.

As a senior design practitioner, what advice would you give to emerging designers entering the industry?

M: I believe that we are all created like pencils.

Some pencils are monochromatic, some have a multi-coloured core. My role is simply to sharpen whoever these designers are, and not to change their core. It doesn’t mean that designers with a monochromatic core are not producing nice designs like a multicoloured pencil. Some interior designers focus on simple, clean, monochromatic designs that can also be very beautiful. Designs do not need to be flamboyant and colourful. It is about sharpening all five of your senses to a point that you can discern what is beautiful.

Be true to yourself, be grounded, be contextual – and acknowledge that what you create may not be everybody’s cup of tea. Some people will never like a certain style, no matter how beautiful you’ve made it.

DP Design Titleholders: (sitting left to right)

Marlon Sua,

Andrew Tan,

Dessy Natalia Budhianto,

Leong Wei Lin,

Sherry Lynn Rivenburgh, Jael Hernandez Tutay,

Peeradet Kangsadalkun, John Tan,

(standing left to right)

Florian Lei Antonino Cunanan

Christine Pascual,

Kenny Chia,

& Jeffrey Tan.

Mike Lim,

Angela Zita Gonzalez Carrillo,

Ada Sim,

Bhavna Singhal Kapur,

A good designer would also be someone filled with passion, and who devotes his time and energy pursuing his ideals of perfection. You’re as good as how much time you spend on a project. Design is not just ‘now’; it is everything, it is your whole life – not just when you’re in the office. The management of your time and energy dedicated to a project is thus important.

All Rights Reserved. No material may be reproduced without prior permission.

DP Architects accepts no responsibility or liability for any errors, omissions or resultant consequences including any loss or damage arising from reliance on information in Design in Print. Any opinions in Design in Print are solely those of the named authors of the article in which they appear. Unless named as author, DP Architects, Editorial Panel and other Contributors do not endorse any such views and disclaim all liability from their publication.

Copyright © DP Architects Pte Ltd MCI (P) 081/08/2014 Printed by SC (Sang Choy) International Pte Ltd L006/03/2014

Spectacle and Charm

DP Year-End Carnival 2014 DPians traded in their work hats for Christmas and balloon hats as they ended the year with a cheerful carnival on 12 December. Recreating a festival atmosphere, booths creatively hawked everything from beer, terraria, toys and chocolates to hand sketches. DPians were also kept entertained at booths featuring the buzz wire game and the ‘Wheel of Charity’, where they could pay for a spin to win a prize. All funds raised were

donated to assist Typhoon Hagupit victims in the Philippines.

In addition to a generous buffet feast of Christmas favourites, DPians were treated to an entertaining performance of classic Christmas carols by their very own colleagues. A highlight was also the highly anticipated Decor-A-Tree competition, where many fancy, elaborately designed entries were received in all forms.

Published by DP Architects Pte Ltd 6 Raffles Boulevard #04-100 Marina Square Singapore 039594 T: +65 6338 3988 F: +65 6337 9989 E: designinprint@dpa.com.sg W: www.dpa.com.sg Photo Contributors: Jeremy San, Marc Tey, Pocholo Mauricio, Sean Lee and Steven Baga.

All photos are credited to the mentioned photographers unless otherwise stated.

DP 29

A performing arts centre embodying the heart of Singapore’s arts culture, Esplanade – Theatres on the Bay houses two primary performance venues – a 2,000-seat theatre and 1,800-seat concert hall – in its distinctive twin shells, supplemented by a recital studio, a theatre studio, as well as a popular waterfront outdoor theatre. The project explores the continuity of public and performance space, to engage those actively seeking the arts and the casual visitor. The interior design seeks to complement the dynamism of the architectural elements through the manipulation of form, edges and planes in a dynamic composition.

The introduction of warmth, materials and textures create a refined tranquility as an ideal streamlined setting for exhibitions in the public spaces, while the progression to the lush grandeur of the private performance venues is a nod towards the opulence of traditional grand theatres.

Designed in collaboration with Michael Wilford & Partners.

Architects: Koh Seow Chuan, Gan Eng Oon, Vikas Gore, Steven Gan, Cheang Mei Ling, Ti Lian Seng and Chin Thoe Chong DP Architects Pte Ltd Interior Design: Gan Eng Oon, Lydia Fong and Kwan Moh Yin DP Design Pte Ltd

Esplanade – Theatres on the Bay

2002