Durham Academy wishes our Class of 2025 success in their future endeavors:
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Auburn University
Barnard College
Bates College
Bennington College
Boston College
Boston University
Brown University
Case Western Reserve University
Chapman University
Colby College
Colorado College
Columbia University
Cornell University
Davidson College
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Emory University
Fordham University
Franklin & Marshall College
George Mason University
George Washington University
Georgetown University
Howard University
Indiana University (Bloomington)
McGill University
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New York University
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Northeastern University
Northwestern University
Pace University (New York City)
Pomona College
Purdue University (Main Campus)
Rice University
Santa Clara University
Smith College
Stanford University
Swarthmore College
Sweet Briar College
The University of Texas at Austin
University of British Columbia
University of California (Berkeley)
University of California (Davis)
University of Colorado Boulder
University of Georgia
University of Illinois at Urbana-Champaign
University of Miami
University of North Carolina at Chapel Hill
University of North Carolina at Charlotte
University of North Carolina at Greensboro
University of North Carolina Wilmington
University of Notre Dame
University of Pennsylvania
University of South Carolina
Vanderbilt University
Virginia Military Institute
Wake Forest University
Washington University in St. Louis
Wellesley College
William & Mary
Yale University
ADVERTISING
EDITORIAL: Josette Roten, Candice Terrell, Emma Tonnemacher
PHOTOGRAPHY: Ken and Colin Huth, Andy Martin, Michael Gillman
EDITORIAL
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For 70 amazing years, you—the people of North Carolina—have been by our side. You’ve inspired us and cheered us on since our first telecast back in 1955. Together, we’ve welcomed Mister Rogers to our neighborhood, gotten our hands dirty with This Old House and gone on countless trips with NC Weekend. We’ve mastered the art of French cooking with Julia, found our roots with Henry Louis Gates Jr. and rummaged through every yard sale looking for the next big Antiques Roadshow discovery.
Because of you, PBS North Carolina has expanded beyond broadcast television to educate, inform, entertain and inspire all North Carolinians—at home, in the classroom or on the go. Your support has made all of this possible, and for that we’re forever grateful.
Dear North Carolina, YEARS
So here’s to you for 70 wonderful years! And stay tuned as the best is yet to come.
With gratitude,
Your friends at PBS North Carolina
Photo by Danica Paulos
First Horizon Bank welcomes you to Broadway at DPAC
As a proud DPAC sponsor and advocate of the arts, First Horizon Bank is honored to welcome you to the theater. It is a privilege to share this remarkable experience with you as we celebrate the many ways live performance unites, inspires and uplifts us all.
Our nancial institution recognizes the bene t and importance of supporting community events like this one. While we have the resources and reach of a large bank, our roots are rmly grounded in the values of a local one — roots planted right here in Durham. These connections empower us to drive meaningful change in the places we serve and for the people who call them home.
If you’re interested in learning more about our organization, the ways we’re impacting our communities and how we’re bringing our clients a unique blend of big bank power and small bank personalization, we encourage you to visit us online at rsthorizon.com or stop by one of our many banking centers in the Triangle.
Thank you for joining us today. Now, sit back, relax and enjoy the show!
5,000 years of art history
On behalf of the City of Durham, I would like to welcome you to DPAC! Like so many Durham residents, I recognize the jewel that DPAC is to Durham and the Triangle region.
I’m thrilled to say that DPAC, after more than a decade, continues to showcase the energy, passion and great entertainment with a list of performances that people will travel from miles around to see.
This season will feature some of Broadway’s biggest hits, concerts, comedy shows and special events to ever take the DPAC stage. I’m also excited to see so many DPAC fan-favorites and rst-time performers take the stage throughout the upcoming season.
And as usual, all the special touches that come with seeing a Broadway show or concert at DPAC still await you, starting with the beauty of the theater and DPAC’s legendary customer service. A visit to DPAC is an open invitation to experience Durham. It’s as easy as parking and walking to downtown restaurants, or taking a short drive to nearby malls, museums, or historical sites.
As your Mayor, I’m so excited that one of my duties is to o cially welcome you to one of the greatest theaters in the world!
But don't take my word for it – DPAC is a Pollstar favorite, consistently ranking among the top theaters in the country. Thank you for choosing DPAC and Durham. Now settle into your seats to enjoy your DPAC experience and an unforgettable show.
In
Service and Gratitude, Leonardo Williams – Mayor
"Welcome to DPAC!"
For seventeen years, I’ve had the privilege of being part of the team that says, “Welcome to DPAC!”
From our inaugural season in 2008 where we only had a few thousand Broadway at DPAC members to this season where we are proud to be welcoming nearly 18,000 season members and be ranked as one of the top- ve theatres in the country, it has been an exceptional journey.
On behalf of everyone on Team DPAC, we thank you for this chance to host you at this incredible Broadway performance.
For some of you in the audience, this may be your rst time visiting, while others may have joined us for countless great shows over the past decade. Whether this is your rst visit or your hundredth, please know that every single guest at DPAC is important to us.
We are always here to listen and to help. Your feedback helps us stay on track to deliver unforgettable, moving, emotional, fun, and all-around great experiences.
We invite you to Discover the Magic of Broadway this season…we’re glad you are here.
Bob Klaus – General Manager
We have an unfair advantage... We care more
OUR VISION – We believe in great entertainment experiences. We want to be our guests’ favorite place for live events.
OUR MISSION – To present one-of-a-kind, live entertainment events. From Broadway to concerts, comedy to family shows – ‘there is something for everyone’ at DPAC.
OUR VALUES – Quality, safety, and service. We deliver these values with warmth, friendliness and an attention to detail that is the hallmark of the legendary DPAC experience.
OUR PROMISE – DPAC welcomes all guests, performers, and events in an open, friendly and respectful setting. We stand committed against all forms of discrimination.
BY HUTH PHOTO
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2,501 - 5,000 Capacity
Mid-Year National Rankings
Mid-Year U.S. Rankings
Top 5 in America
#1 WITH OUR FANS
DPAC is honored to be regionally and nationally recognized as one of the top theaters in the nation. We continue to be humbled by and proud of all our accomplishments, but what really drives us each day are the smiles and applause we see and hear at the end of every performance. Enjoy this experience of a lifetime.
Beyond education – transformation
Campbell University invests in each student. We prepare each one to make a life, to make a living and to make a difference. Our students are welcomed into an inclusive community of family, and mentored to become leaders who will impact the world. Inspired by our faith, we encourage each student to grow academically, spiritually and socially through the world of opportunities that surround them. Your career, your calling.
DPAC is proud to be operated under the direction of Nederlander and PFM.
The Nederlander Organization
If you’ve ever attended a Broadway show in New York, chances are you may have been to one of DPAC’s sister theaters operated by its parent company, The Nederlander Organization. With nine of the largest venues in New York’s theater district, Nederlander theaters host Broadway’s biggest productions.
Under the leadership of President James L. Nederlander, the Nederlanders have built a national network of theatres including:
• The Gershwin Theatre – New York, NY
• The Lena Horne Theatre – New York, NY
• The Lunt-Fontanne Theatre – New York, NY
• The Marquis Theatre – New York, NY
• The Minsko Theatre – New York, NY
• The Nederlander Theatre – New York, NY
• The Neil Simon Theatre – New York, NY
• The Palace Theatre – New York, NY
• The Richard Rodgers Theatre – New York, NY
• Broadway In Chicago at The CIBC Theatre, The James M. Nederlander Theatre, The Cadillac Palace Theatre, The Roosevelt University Auditorium Theatre and The Broadway Playhouse – Chicago, IL
• DPAC – Durham Performing Arts Center – Durham, NC
• Broadway at The Steven Tanger Center for the Performing Arts – Greensboro, NC
• The Hollywood Pantages Theatre – Los Angeles, CA
• Broadway San Diego at The Civic and Balboa Theatres – San Diego, CA
• Broadway in Tucson at Centennial Hall – Tucson, AZ
• OKC Broadway at The Oklahoma City Civic Center Music Hall – Oklahoma City, OK
• Broadway San Jose at The San Jose Center for the Performing Arts – San Jose, CA
• Broadway at The National at The National Theatre – Washington, DC
• Best of Broadway at The North Charleston Coliseum Performing Arts Center – North Charleston, SC
• Broadway in El Paso at The Plaza Theatre – El Paso, TX
• Broadway in Richmond at The Altria Theatre – Richmond, VA
• Broadway in Norfolk at Chrysler Hall – Norfolk, VA
• Broadway Comes to Reno at The Pioneer Center – Reno, NV
• The Aldwych Theatre, The Adelphi Theatre and The Dominion Theatre in the U.K. – London, England
Professional Facilities Management, Inc. (PFM)
PFM is a wholly-owned for-profit subsidiary of Providence Performing Arts Center, incorporated in 1988 in response to a growing need for objective evaluation and management of small- to medium-sized performing arts facilities in geographically diverse locations. One of the first companies of its kind, PFM’s business is focused on what we know and do best – performing arts “product.” Our corporate mission – to bring a wide variety of programming to the broadest audience while maintaining financial responsibility and sensitivity to local constituency needs – has guided PFM to past successes and promises future growth. PFM is governed by a Board of Directors who contribute successful business experience, entrepreneurial spirit, and a bottom-line focus.
Presently, PFM holds management/booking contracts in nine facilities located in five states.
• Providence Performing Arts Center and Veterans Memorial Auditorium – Providence, RI
• Barbara B . Mann Performing Arts Hall – Fort Myers, FL
• Coral Springs Center for the Arts – Coral Springs, FL
• DPAC – Durham Performing Arts Center – Durham, NC
• The Hanover Theatre and Conservatory for the Performing Arts – Worcester, MA
• Sandy Springs Performing Arts Center – Sandy Springs, GA
• Sarasota Performing Arts Center at The Bay – Sarasota, FL
• The Steven Tanger Center for the Performing Arts – Greensboro, NC
BY HUTH PHOTO
The Performing Arts Showstoppers at DPAC program is for area high school students who both love smiling and saying hello AND seeing DPAC’s biggest shows.
Showstoppers will welcome guests at DPAC’s entry doors all season long. Their genuine and kind greetings provide an upbeat entry experience for DPAC’s guests as they arrive at the very biggest shows on tour.
The Showstopper program o ers students the following:
• Volunteer service hours for college-bound applications and resumes.
• Excellent customer service experience at one of the top- ve performing arts centers in America.
• Opportunities to experience DPAC’s hit shows.
• Plus, peer social gatherings with like-minded fans of live entertainment and theatre.
The inspiration for this program comes from the Durham Way nders at DPAC, a City of Durham volunteer program where members share their time and talents in the spirit of helping everyone feel welcome at DPAC.
For more information, visit DPACnc.com/community/performing-artsshowstoppers
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visitchapelhill.org/restaurants
For Fun, For Friends, For Good:
Expanded Youth & Family programs like Camp Shelanu, School’s Out Camp, and AfterCrew
Academic Excellence: Nurturing young learners from six weeks through 5th grade at our Early Childhood Learning Center and The Lerner School
Supporting Our Community: Social and clinical services through our Helping Department
Get Moving: Fitness and aquatics in our state-of-the-art Health & Wellness Center
Celebrating Jewish Life: Film & Book Festivals, lectures, and community holiday events
WBroadway’s Ultimate Season Ticket
e invite you to join the DPAC President’s Club, where members enjoy the very best seats and VIP amenities for every one of the Broadway hits that is part of Broadway at DPAC.
DPAC President’s Club members also play an important role in helping maintain DPAC’s excellence. With member support, DPAC is able not only to be self-sustaining, but also to sponsor over 50 Community Engagement programs that touch the lives of so many throughout Durham and the entire Triangle region each year.
Exclusive membership bene ts:
•Center Orchestra Seating – Guaranteed seats in the rst 12 rows of the Orchestra and the rst row of the Grand Tier for each of the Broadway at DPAC shows.
•Priority Ticket Purchases – DPAC President’s Club members have direct access for additional ticket purchases, exchanges, and special arrangements. Opportunity to purchase added orchestra seats before the public for almost 150 added performances, including Concerts, Comedy, and Special Events, plus Holiday performances and Greatest Hits of Broadway.
•Extended Payment Plans – Budgeting for your DPAC President’s Club membership is easier than ever. There’s no interest, and you can pay in monthly installments.
•Members-Only Hospitality Area
•Private hospitality area with members-only entrance.
•Open 60 minutes before events and at intermission.
•Complimentary snacks and beverages, including soft drinks and bottled water.
•Plus, a members-only gift card pre-loaded for snack and beverage purchases at DPAC events.
•First Access – Receive rst access to exchange seats prior to the start of public sales.
•Complimentary Parking – Exclusive parking directly adjacent to DPAC.
• PLUS! Elevated membership levels provide even more extraordinary bene ts, including advertising in show programs distributed at all Broadway events and bonus tickets to select shows, and access to priority seats for Nederlander theatrical and concert events in New York, Los Angeles, and Chicago.
For more information on member bene ts and seating availability, email us at PresidentsClub@DPACnc.com. See members list on the following pages
Nevin and Holly Absher
Art and Nina Adams
Anthony and Paula Adams
Alison and Dustin Allen
Marlene and Lee Allen
Vance and Karen Allen
Dr. Diane Alligood and Donald Willis
Andy and Jan Ammons
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Matt and Heather Barber
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Dan and Starr Basmajian
Elaine and Dan Bell
Dr. and Mrs. Hershey Bell
Traci and Lance Berberian
Molly C Bibee
Blue Cross and Blue Shield of North Carolina
Mark and Jill Boliek
Andrew and Melissa Bond
Danielle and David Borasky
Elliot and Connie Bossen
Roxana Bossen
Jonathan and Zoe Boykin
Don Bradley and Kathy Andolsek
Kevin and Rhonda Brandon
Michael and Wendy Brautman
Keith Brown and Eleanor Jones
Vance and Betsy Brown
Jason Buchanan and Stephen Bennett
Gary and Toni Buck
Dr. Shalini Ramasunder and Dr. Scott Buckel
Sterling Title Company / David Bull
Gracie BumpassGentry and Thomas Gentry
Cameron and Cardinal Byrd
Hedy and Lanny Caldwell
Ann and John Campbell
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Dr. Jerry L. and Mrs. Nancy
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Jean and Kevin Cox
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James and Kimberly Dunphy
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Wade and Kay Gresham
Daniel and Lauren Grossman
Marilyn and Walt Grundy
Doug and Martha Guthe
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Susan and Adam Jones
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Patty and Will Kelsey
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Jason and Bridget Koontz
Sendil Krishnan and Hannah Mills
Carol and Mitchell Kruco and Rae Kruco Williams
Mickie Krzyzewski
David and Nancy Laitinen
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Neil and Christie Lambert
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Paul and Lisa Leifer
Lemmo Family
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Dan and Laura Magid
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Anne and Mike Marino
Brian and Heidi Marks
Mindy Deason Marlowe MD, Sanford Pediatrics PA
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Amy and Dave McCready
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DPAC
Operated under the direction of Nederlander and PFM
BOB KLAUS
General Manager
JOSH ANDERSON
Senior Director of Facilities & Production
CANDICE TERRELL
Senior Director of Marketing, Sales & Ticketing
SAMANTHA YANCEY
Senior Director of Events & Business Operations
CONCORD THEATRICALS and NETWORKS PRESENTATIONS present
Music by RICHARD RODGERS
Lyrics by OSCAR HAMMERSTEIN II
Book by HOWARD LINDSAY and RUSSEL CROUSE
Suggested by The Trapp Family Singers by Maria Augusta Trapp
with CAYLEIGH CAPALDI KEVIN EARLEY
NICHOLAS RODRIGUEZ KATE LOPREST ARIANA FERCH IAN COURSEY
ELI VANDER GRIEND AVA DAVIS BENJAMIN STASIEK HADDIE MAC RUBY CARAMORE LUCIANA VANDETTE OLIVER CIRELLI HARPER BURNS MOLLY GLOWACKI
JOHN ADKISON COREY GREENAN DANIEL ROBERT SULLIVAN
BLAIRE EILENE BAKER SYDNEY K. BORCHERS DYLAN BRADFORD STEVEN GRANT DOUGLAS ALLI ECHELMEYER ZACH HERMAN CHARLOTTE JENKINS JADE LITAKER MEREDITH LUSTIG JENNIFER MALENKE MARK BRADLEY MILLER TESS PRIMACK RUTHIE SANGSTER and CHRISTIANE NOLL as Mother Abbess
Scenic Design
DOUGLAS W. SCHMIDT
Associate Director MATT LENZ
Costume Design JANE GREENWOOD
Lighting Design NATASHA KATZ
Associate Choreographer MARK MYARS
Orchestrations
ROBERT RUSSELL BENNETT
Tour Booking THE ROAD COMPANY
General Management
GENTRY & ASSOCIATES
STEVEN VARON-MOORE
Sound Design KAI HARADA
Music Director JONATHAN MARRO
Dance & Vocal Arrangements TRUDE RITTMANN
Casting THE TELSEY OFFICE
RACHEL HOFFMAN, CSA
RASHAD NAYLOR, CSA
Company Manager JAMEY JENNINGS
Executive Producer SEAN PATRICK FLAHAVEN for Concord Theatricals
Production Stage Manager BRIGHAM JOHNSON
Hair Design TOM WATSON
Music Coordinator JOHN MILLER
Tour Press & Marketing KENT MCINGVALE & COMPANY
Production Management NETWORKS PRESENTATIONS MATTHEW REARDON
Executive Producer TRINITY WHEELER for NETworks Presentations
Music Supervision and Additional Orchestrations by ANDY EINHORN
Choreography by DANNY MEFFORD
Directed by JACK O’BRIEN
Produced by Special Arrangement with Concord Theatricals, Crouse Literary Properties Company LLC and The Howard Lindsay Trust
www.SoundofMusicOnTour.com
CAST AND MUSICIANS
(in order of appearance)
Mother Abbess CHRISTIANE NOLL
Maria Rainer, a Postulant at Nonnberg Abbey .............................................................................................CAYLEIGH CAPALDI
Sister Berthe, Mistress of Novices. ........................................................................................................................ JADE LITAKER
Sister Margaretta, Mistress of Postulants TESS PRIMACK
Sister Sophia MEREDITH LUSTIG
Captain Georg von Trapp ..................................................................................................................................... KEVIN EARLEY
Franz, the butler JOHN ADKISON
Frau Schmidt, the housekeeper JENNIFER MALENKE
Liesl ARIANA FERCH
Friedrich ELI VANDER GRIEND
Louisa AVA DAVIS
Kurt BENJAMIN STASIEK
Children of Captain Georg von Trapp
Brigitta HADDIE MAC
Marta RUBY CARAMORE
Gretl LUCIANA VANDETTE
Rolf Gruber IAN COURSEY
Elsa Schraeder ....................................................................................................................................................... KATE LOPREST
Ursula SYDNEY K. BORCHERS
Max Detweiler NICHOLAS RODRIGUEZ
Herr Zeller DANIEL ROBERT SULLIVAN
Baron Elberfeld .................................................................................................................................. MARK BRADLEY MILLER
Baroness Elberfeld JADE LITAKER
A New Postulant SYDNEY K. BORCHERS
Admiral von Schreiber COREY GREENAN
Neighbors of Captain Georg von Trapp, Nuns, Novices, Postulants and Contestants at the Festival Concert
JOHN ADKISON, BLAIRE EILENE BAKER, SYDNEY K. BORCHERS, DYLAN BRADFORD, ALLI ECHELMEYER, COREY GREENAN, ZACH HERMAN, CHARLOTTE JENKINS, JADE LITAKER, MEREDITH LUSTIG, JENNIFER MALENKE, MARK BRADLEY MILLER, TESS PRIMACK, DANIEL ROBERT SULLIVAN SWINGS
STEVEN GRANT DOUGLAS, RUTHIE SANGSTER
UNDERSTUDIES
Understudies never substitute for the listed players unless a specific posting or announcement is made at the time of the performance. For Maria Rainer–SYDNEY K. BORCHERS, CHARLOTTE JENKINS; for Mother Abbess–BLAIRE EILENE BAKER, MEREDITH LUSTIG; for Captain Georg von Trapp–COREY GREENAN, DANIEL ROBERT SULLIVAN; for Liesl–SYDNEY K. BORCHERS, ALLI ECHELMEYER; for Friedrich–OLIVER CIRELLI; for Louisa–ALLI ECHELMEYER, MOLLY GLOWACKI; for Kurt–OLIVER CIRELLI; for Brigitta–MOLLY GLOWACKI; for Marta–HARPER BURNS, MOLLY GLOWACKI; for Gretl–HARPER BURNS, RUBY CARAMORE; for Rolf Gruber–DYLAN BRADFORD, ZACH HERMAN; for Max Detweiler–JOHN ADKISON, MARK BRADLEY MILLER; for Elsa Schraeder–JENNIFER MALENKE, TESS PRIMACK; for Franz–STEVEN GRANT DOUGLAS, MARK BRADLEY MILLER; for Frau Schmidt–BLAIRE EILENE BAKER, RUTHIE SANGSTER; for Admiral von Schreiber–STEVEN GRANT DOUGLAS, MARK BRADLEY MILLER; for Herr Zeller–STEVEN GRANT DOUGLAS, ZACH HERMAN; for Sister Margaretta–CHARLOTTE JENKINS; for Sister Berthe–BLAIRE EILENE BAKER.
Dance Captain: ALLI ECHELMEYER ORCHESTRA
Music Director/Conductor: JONATHAN MARRO; Associate Conductor/Keyboards: ANNE VAN STEENWINKEL; Keyboards: GRIFFIN STROUT; Trumpet: KYLE KNEPPER; Violin/Concertmaster: SARAH FAZENDIN LOCAL ORCHESTRA
Flute/Clarinet: ALEXIA JOWERS; Oboe/English horn: AMANDA LABRECQUE; Bassoon: CHRISTOPHER ALLPRESS; French horn: CARESSE VIRNIG; Trumpet 2: RUSTY SMITH; Trombone: SEAN DEVLIN; Violin 2: TASI MATTHEWS; Cello: JAKE WENGER; Bass: JOHN SIMONETTI; Drums/Percussion: LES WEBSTER; Local Music Coordinator: WAYNE LEECHFORD
ELECTRONIC MUSIC DESIGN: HIRO IIDA AND ETHAN DEPPE FOR STRANGE CRANIUM MUSIC SUPERVISOR — ANDY EINHORN
To view the cast list for this performance, scan the following QR code:
CAYLEIGH CAPALDI
KEVIN EARLEY CHRISTIANE NOLL
NICHOLAS RODRIGUEZ KATE LOPREST
ARIANA FERCH
IAN COURSEY ELI VANDER GRIEND
AVA DAVIS
BENJAMIN STASIEK HADDIE MAC
RUBY CARAMORE
LUCIANA VANDETTE
OLIVER CIRELLI
HARPER BURNS
MOLLY GLOWACKI JOHN ADKISON
COREY GREENAN
DANIEL ROBERT SULLIVAN
BLAIRE EILENE BAKER
SYDNEY K. BORCHERS
DYLAN BRADFORD
STEVEN GRANT DOUGLAS
ALLI ECHELMEYER
ZACH HERMAN
CHARLOTTE JENKINS
JADE LITAKER
MEREDITH LUSTIG JENNIFER MALENKE
MARK BRADLEY MILLER
TESS PRIMACK
RUTHIE SANGSTER
MUSICAL NUMBERS AND SCENES
ACT I
Scene 1: The Nonnberg Abbey
Preludium .................................................................... The Nuns of the Nonnberg Abbey
Scene 2: A Mountainside Near the Abbey
The Sound of Music .................................................................................................. Maria
Scene 3: The Office of the Mother Abbess, the next morning
Maria ........................................... Sisters Berthe, Sophia, Margaretta and Mother Abbess
My Favorite Things .................................................................. Maria and Mother Abbess
Scene 4: A Corridor in the Abbey
Reprise: My Favorite Things .................................................................................... Maria
Scene 5: The Living Room of the Trapp Villa, that afternoon
Do-Re-Mi ...................................................................................... Maria and the Children
Scene 6: Outside the Villa, that evening
Sixteen Going On Seventeen ........................................................................ Rolf and Liesl
Scene 7: Maria’s Bedroom, later that evening
The Lonely Goatherd Maria and the Children
Scene 8: The Terrace of the Villa, six weeks later
How Can Love Survive?
Max, Elsa and Captain Georg von Trapp
Reprise: The Sound of Music ........................ The Children and Captain Georg von Trapp
Scene 9: The Living Room, one week later
So Long, Farewell .......................................................................................... The Children
Scene 10: A Corridor in the Abbey
Morning Hymn
Scene 11: The Office of the Mother Abbess, three days later
Climb Ev’ry Mountain
Scene 1: The Terrace, the same day
ACT II
The Nuns
Mother Abbess and the Nuns
Reprise: My Favorite Things The Children and Maria
No Way To Stop It ............................................... Elsa, Max and Captain Georg von Trapp
Something Good Maria and Captain Georg von Trapp
Scene 2: The Office of the Mother Abbess, two weeks later
Gadeamus Domino.............................................................................................. The Nuns
Scene 3: The Cathedral at Nonnberg Abbey, immediately following
Reprise: Maria .................................................................................................... The Nuns
Confitemini Domino
The Nuns
Reprise: Something Good .........................................Maria and Captain Georg von Trapp
Scene 4: The Living Room, one month later
Reprise: Sixteen Going On Seventeen ...................................................... Maria and Liesl
Scene 5: The Concert Hall Stage, Kaltzberg, three days later
Reprise: Do-Re-Mi Maria, Captain Georg von Trapp and the Children
Edelweiss ............................................ Captain Georg von Trapp, Maria and the Children
Reprise: So Long, Farewell
Scene 6: The Garden of the Abbey, that night
Maria, the Children and Captain Georg von Trapp
Finale Ultimo ............................................................................................... The Company
There will be one 20-minute intermission
WHO’S WHO IN THE CAST
CAYLEIGH CAPALDI (Maria Rainer) is honored to be making her Broadway National Tour debut bringing this iconic and vital story to life. Off-Broadway & West End: Titanique (Rose, Céline Dion). West End: Figaro (Sienna). Regional: Frozen (Elsa, US regional premiere), Putting it Together (The Younger Woman), Mary Poppins (Mary Poppins), Into the Woods (Cinderella), and Little Women (Jo March). TV/ Film: “Law & Order: Organized Crime,” “Mrs. Fletcher.” As an influencer and creator, she has garnered over 300K followers and 100M views across socials. Recent honors graduate of Columbia University and Berklee College of Music, Londoner-turned-New Yorker, and fluent Mandarin speaker. Gratitude to M+D+N+G, Kimberly, her Stewart team, Dave, Telsey and Beanie for being one of my favorite things. @cayleigh.capaldi www.CayleighCapaldi.com
KEVIN EARLEY (Captain Georg von Trapp). Broadway: Old Friends, Les Misérables, Thoroughly Modern Millie and A Tale of Two Cities. Off-Broadway: Death in Death Takes a Holiday (Drama Desk Nom). Recent Regional: Pierre in Natasha Pierre and…, Dysart in Equus, Andrews in Titanic, Hart in 9 to 5, and Archibald in The Secret Garden. Awards: Joseph Jefferson Award, Drama Critics Circle Award and 4 Ovation Award noms. Albums: Death Takes a Holiday, A Tale of Two Cities, Secondhand Lions, Ripper, Rarities and “Earley Standards.” kevinearley.com
CHRISTIANE NOLL (Mother Abbess). Broadway/Tour: Dear Evan Hansen, Ragtime (Tony/Drama Desk Nomination), Elf, Chaplin (Drama Desk Nomination), Urinetown, Mambo King’s, Ain’t Nothin But The Blues, Jekyll and Hyde, Grease, Miss Saigon, City of Angels. Television/Film: “The Equalizer,” “FBI: Most Wanted,” “Ruth,” “Evil,” “Madame Secretary,” “L&O: SVU,” “The Good Fight,” “L&O: Organized Crime,” “The Bite,” The Sound of Music Live!, The King and I (Singing Anna). Other: Partnership, God of Carnage, Fun Home, Next to Normal, Follies, Encores! 1776, Closer Than Ever (Off Broadway Alliance Award). Symphony Soloist - 100 0rchestras worldwide. @christiane.noll
NICHOLAS RODRIGUEZ (Max Detweiler). Grammy nominee. Broadway: Company, Tarzan. Tour: Sound of Music (Captain Georg von Trapp), The Eyes of the World (PBS). Off-Broadway: Toxic Avenger, Almost Heaven. Symphonic Soloist, including Carnegie Hall, Boston Pops, Lincoln Center, Kennedy Center, White House. Film: Sex and the City 2 (soundtrack). TV: One Life to Live (GLAAD Award), Madam Secretary,
Tommy. Regional: Arena Stage (Helen Hayes Awards), George St., MUNY, Bucks County, ZACH, Barrington Stage. Artistic Director: Broadway Dreams. Album: The First Time... www.thenickrod.com @thenickrod
KATE LOPREST (Elsa Schraeder). Broadway: First Date (Allison), Hairspray (Amber), Xanadu, Wonderland, Drowsy Chaperone. Tour: Wicked (Glinda, Nessa u/s), Little House on the Prairie (Nellie Oleson, 1st Nat’l). Regional: The Guthrie, Asolo Rep, Barrington Stage, Ogunquit Playhouse, Washington National and Dallas Opera Theatre and more. Select TV: ADA Heidi Russell on “Law & Order: SVU,” “FBI,” “Boardwalk Empire” (Corrine). For Juliette and James: Auntie’s “favorite things”. www.KateLoprest.com.
ARIANA FERCH (Liesl). National Tour Debut! Regional: Little Women (Beth), Mamma Mia (Ali), Mary Poppins (Mary Poppins). Recent graduate of Oklahoma City University with a BM in Musical Theatre and Vocal Performance. Immense gratitude to ATB Talent, Jack O’Brien, Chuck Koslowske, her glorious family, and her two sisters who taught her the joy of music. She dedicates this to her beloved papa Fred in heaven. @ari_ferch Jeremiah 31:3
IAN COURSEY (Rolf Gruber) is a Maryland native and a proud graduate of the University of Michigan Musical Theatre program. He was recently seen on the First National tour of Dear Evan Hansen. He would like to think his family, his team at HCKR, John, Rolando, and Danmian. www.iancoursey.com
ELI VANDER GRIEND (Friedrich). The hills are alive—and so is Eli’s excitement for his national tour debut in the beloved classic, The Sound of Music! Regional: Falsettos (Court/Timeline) “Jason,” Fun Home (Porchlight) “Christian,” Matilda (Fireside) “Bruce,” Billy Elliot, School of Rock (Paramount), A Christmas Carol (Metropolis). Eli is a member of Chicago’s ETC Tap Company. Special thanks to coaches Audrey Belle Adams, Michelle Aravena, Tina Reynolds and Christina Ramirez, incredible sisters Lucy and Lila, and the dedicated Talent X Alexander team! Instagram: @elivandergriend
AVA DAVIS (Louisa). Excited to make her professional debut! A current vocal major at Charleston County School of the Arts. At SOA, she has had the honor to play Louisa (The Sound of Music) and is excited to get to do it all again! Previously seen in local productions of Annie (Molly), The Lion King Jr. (Young Nala), Matilda Jr. (Alice), and more. “This is an absolute dream come true, thank you to everyone who has helped me get here!” Insta: @avadavadavis
Photo: Karis Anderson by Matt Crockett
WHO’S WHO IN THE CAST
BENJAMIN STASIEK (Kurt) hails from SC, and is thrilled to be making his national Broadway tour debut! Matilda (Bruce, SC Children’s Theatre). A two-time National Association of Teachers of Singers Mid-Atlantic winner and three-time NATS SC category champion, Benjamin is passionate about musical theatre, storytelling, and making people laugh. He loves reading, building LEGOs, and games. He sends love and thanks to his family, BHA Voice Studio, and everyone cheering him on!
IG: @benjaminstasiek
HADDIE MAC (Brigitta) is over the moon to be on stage as Brigitta! She recently toured Asia as Marta (U/S Gretl) in the 23’/24’ The Sound of Music International Tour. Offstage, she’s chasing sparkles, bouldering mountains, befriending animals, and developing her wanderlust. Known to friends as Haddie Mac n’ Cheese, she’s thankful for the teachers and mentors who guide her, her professional team—and for her family, who makes all her dreams come true. Follow along: @haddiemac
RUBY CARAMORE (Marta, u/s Gretl) is thrilled to make her Broadway tour debut with this awesome cast! Favorite roles include Molly in Annie and Tiny Tim at BGW. Endless gratitude to her sisters Charlie and Stella. Special thanks to Kim Pedell, Hugh Copeland, Amelia DeMayo, Jacklyn Collier, and Kurt Domoney. @ruby_caramore
LUCIANA VANDETTE (Gretl) - Age 8, from Buffalo, NY. Lucy is thrilled to be a part of the von Trapp family and join this incredible cast! Credits: National Tour - How the Grinch Stole Christmas! The Musical (Cindy Lou Who). TV/ Film -Terrifier 3, Night Agent, Netflix’s Horton Hears a Who, Echo Valley, Fallout, Fresh Kills Huge Thanks to the creative team, NETworks Presentations, The Telsey Office, CESD - David Doan, Alyson Isbrandtsen, Darby Vincent, Donald Rey, Christie Delaney, Joanne. IG:@lucy_vandette
OLIVER CIRELLI (u/s Kurt, u/s Friedrich) is honored to join the national tour of The Sound of Music! Favorite regional credits include Bye Bye Birdie (Randolph MacAfee), A Bronx Tale (Young C), and Charlie and the Chocolate Factory (Augustus Gloop/U.S. Charlie Bucket). He is endlessly grateful for the support of his incredible family and friends, and to his amazing agent David Doan at CESD. Love to the entire SOM team! IG: @ollie_cirelli
HARPER BURNS (u/s Marta, u/s Gretl). National Tour debut! Credits: Frozen (Ogunquit Playhouse, u/s Young Anna), Annie (Rochester Opera House, Molly), Into the Woods (Hackmatack Playhouse), Peter Pan, Jr (The Word
Barn, Captain Hook), and Alice in Wonderland (Upside Arts, Dormouse). Harper studies gymnastics, dance, aerial silks and ukulele. She LOVES pigs and frogs and also loves going to overnight camp every summer with Upside! Huge thanks to everyone involved for this amazing opportunity! All her love to her sister Violet, mom, dad and her dog Bella!
MOLLY GLOWACKI (u/s Louisa, u/s Brigitta, u/s Marta) is thrilled to be part of The Sound of Music family! Her favorite past roles includeNational Tour: How The Grinch Stole Christmas The Musical (Annie Who), The Wizard of Oz (Dorothy), Fun Home (Small Alison), and Shrek The Musical (Young Fiona). You can also see her in film/tv, and voiceovers. Huge thanks to her family, coaches, David, Randi, The SOM creative team, and Telsey for supporting her dreams! IG: @mollyglowsings
JOHN ADKISON (Franz, u/s Max Detweiler). Tours: My Fair Lady directed by Bartlett Sher (Colonel Pickering), The Addams Family, Elf, The Music Man (Harold Hill). Regional: Laguna Playhouse, Sierra Repertory Theatre, Ocean State Theatre Co. People’s Light and Theatre Company. Stock: Little Theatre on the Square, Theatre by the Sea and Barn Theatre. More at www.johnadkison.com
COREY GREENAN (Admiral von Schreiber, u/s Captain Georg von Trapp). Broadway: Mamma Mia! (Sky), Scandalous (Ensemble). National tours: Jersey Boys (Tommy DeVito), Mamma Mia! (Sky), If/Then (Ensemble). International tours: The Sound of Music (Captain Georg von Trapp), Evita (Che). Regional: Mamma Mia! (Sam Carmichael), Damn Yankees (Joe Hardy), Anything Goes (Billy Crocker).
DANIEL ROBERT SULLIVAN (Herr Zeller, u/s Captain Georg von Trapp). Tours: Dear Evan Hansen, Jersey Boys, Motown. Creator of country music project Danny Ellsworth & the Cattle Drivers, award-winning play Prospect High: Brooklyn, hip-hop musical Star-Crossed: A GenreDefying R&J Remix, and true-adventure book Braving the Bronx River. Series Regular: Salty Pirate (Prime Video). MFA Acting & Directing, UMKC. @DanielRobertSullivan
BLAIRE EILENE BAKER (Ensemble, u/s Mother Abbess, u/s Frau Schmidt, u/s Sister Berthe). National Tours: Beauty and the Beast, Bullets Over Broadway. Regional: Tuacahn, Theatre Under The Stars, Ogunquit Playhouse, Gateway Playhouse. BFA, University of Arizona. Thank YOU for supporting live theatre-–telling these stories is more important now than ever. Find more about BB at blairebaker. com and @thequeenbeebs.
WHO’S WHO IN THE CAST
SYDNEY K. BORCHERS (Ensemble, u/s Maria, u/s Liesl). Broadway national tour debut! Grateful for the unbelievable Sound of Music team, Telsey casting, and all the incredible theatres and teachers that have poured into her. All glory to her Heavenly Father! Sending love to Mom, Dad and her BFF, Kylie. Psalm 34:1 @sydneykborchers #rosterproud
DYLAN BRADFORD (Ensemble, u/s Rolf Gruber). Honored to be making his National Tour debut! Previous Credits: Rent (Collins), A Chorus Line (Male Swing), & 2023 Jimmy Awards. Much love to Mom & Dad, NOCO, Hudson Artists & Sophia. @dylan.b.t
STEVEN GRANT DOUGLAS (Swing). National Tours: Summer: The Donna Summer Musical (Bruce Sudano), Ghost The Musical (Sam Wheat). Regional: Waitress (Dr. Pomatter), Jersey Boys (Bob Gaudio), Once (Guy), Cabaret (Cliff Bradshaw). Love to all my friends and family! B.F.A. University of Minnesota Duluth. @stevengdouglas
ALLI ECHELMEYER (Ensemble, u/s Liesl, u/s Louisa, Dance Captain) is thrilled to be making her professional debut in The Sound of Music From Jefferson City, Missouri, she has recently completed her first year at OCU (BM). Endless thanks to God, her amazing family, Emmie, and Cindy.
ZACH HERMAN (Ensemble, u/s Rolf Gruber, u/s Herr Zeller). After escaping a childhood in the perilous Florida jungle, Zachary hurled himself into a study of making mythology into reality. A graduate of Carnegie Mellon’s School of Drama. Selected Credits: Titanic (Pittsburgh CLO), West Side Story (Pittsburgh Ballet Theatre), Sorority Shonen (Self-Produced), Wait Till Dawn (Cincinnati Horror Fest).
CHARLOTTE JENKINS (Ensemble, u/s Maria, u/s Sister Margaretta) is beyond thrilled to be making her national tour debut! Favorite credits: Into The Woods (Cinderella), 25th Annual…Spelling Bee (Olive Ostrovsky).
B.F.A. Shenandoah Conservatory. Much love to my incredible family, friends, and agents! @charlotteajenks
JADE LITAKER (Baroness Elberfeld, Sister Berthe) (she/they). Excited for her second National Tour! Favorites: Pretty Woman (National tour, Violetta/The opera singer), Rent (ACT of CT, “Seasons of Love” soloist). Love to management team Stalwart Talent, her amazing 9 year old DaVeed, and her wonderful partner, David. Special thanks to Rashad Naylor and Rachel Hoffman at Telsey!
MEREDITH LUSTIG (Ensemble, Sister Sophia, u/s Mother Abbess) has enjoyed a diverse international career in opera, theater, and television. Proud Juilliard alumna and Circle in the Square Theatre vocal faculty. Gratitude to KOJO & Telsey. All my love to M&C. @meredithlustig
JENNIFER MALENKE (Ensemble, Frau Schmidt, u/s Elsa Schraeder). Broadway/Tour: Into the Woods, Charlie/Chocolate Factory Elsewhere: The Last Five Years, I Love You, You’re Perfect…, Pirates of Penzance. Member, Broadway Inspirational Voices: Carnegie Hall, Met Gala, White House, Tonys. Film/TV: The Power of Music with Josh Groban. Owner, Broadway Babysitters. Thanks Arbender, Rachel. Love to all, especially Otis. :)
MARK BRADLEY MILLER (Ensemble, Baron Elberfeld, u/s Max Detweiler, u/s Franz, u/s Admiral von Schreiber). Bridges of Madison County (Robert), Next To Normal (Dan), Beetlejuice (Charles), Newsies! (Pulitzer), Mamma Mia! (Sam), My Fair Lady (Higgins), Carousel (Billy), Nice Work, Kinky Boots, Phantom (Phantom). Tours: Sound of Music, South Pacific, Beauty and the Beast, Best of ALW. www.markbradleymiller.com
TESS PRIMACK (Ensemble, Sister Margaretta, u/s Elsa Schraeder). Broadway: Fiddler on the Roof. Regional: Jekyll & Hyde (Emma, NSMT), Einstein’s Dreams (Prospect Theatre), The Enlightenment of Percival Von Schmootz (Adirondack Theatre. Broadway Guest Artist, Disney Cruise Line. Tess is a sought-after acting and singing teacher: www.tessprimack.com/teaching. For Mom, Dad & Nona. BFA: Carnegie Mellon University, School of Drama.
RUTHIE SANGSTER (Swing, u/s Frau Schmidt) is thrilled to make her National Tour debut sharing this beloved story! Regional Highlights: Ragtime (Mother), The Music Man (Marian), The Sound of Music (Maria, Ensemble, u/s Elsa). Love to Mom, Dad, and Mimi! Special thanks to Jaime and RJ at Baker Mgmt! God Bless! @ruthielizabeth_
RICHARD RODGERS and OSCAR HAMMERSTEIN II (Music and Lyrics). After long and highly distinguished careers with other collaborators, Richard Rodgers (composer, 1902–1979) and Oscar Hammerstein II (librettist/ lyricist, 1895–1960) joined forces in 1943 to create the most successful partnership in the American musical theater. Prior to his work with Hammerstein, Rodgers collaborated with lyricist Lorenz Hart on a series of musical comedies that epitomized the wit and sophistication of Broadway
WHO’S WHO IN THE CAST
in its heyday. Among their greatest successes were Pal Joey, On Your Toes, and Babes In Arms Throughout the same era, Hammerstein brought new life to the operetta, culminating in the masterpiece Show Boat (music by Jerome Kern). Oklahoma!, the first Rodgers & Hammerstein musical, was also the first of a new genre, the musical play, blending Rodgers’s musical comedy style with Hammerstein’s innovations in operetta. Oklahoma! was followed by Carousel, State Fair (film 1945, 1962; Broadway 1996), Allegro, South Pacific, The King and I, Me and Juliet, Pipe Dream, Cinderella (television 1957, 1965, 1997; Broadway 2013), Flower Drum Song, and The Sound of Music. Collectively, the Rodgers & Hammerstein musicals have earned Tonys, Oscars, GRAMMYs, Emmys, Pulitzers, and Olivier Awards. HOWARD LINDSAY and RUSSEL CROUSE (Book). Lindsay and Crouse had one of the longest and most storied playwriting collaborations in theatrical history, lasting 32 years. Howard Lindsay was born in 1889 and died in 1968. He became an actor at 19 and went on to become a successful Broadway playwright and director. Russel Crouse was born in 1893 and died in 1966. After serving in the Navy, he worked on New York newspapers, gaining his first renown through a signed column in the Post. In 1932 he became head of the publicity department for the Theatre Guild and in 1933 wrote his first Broadway show, collaborating with Corey Ford on the musical comedy Hold Your Horses. From 1934 on Crouse wrote only with Lindsay. Their hits include The Sound of Music (with a score by Rodgers & Hammerstein); Anything Goes and Red, Hot, and Blue (with scores by Cole Porter); Call Me Madam (score by Irving Berlin); the long-running play Life With Father (which originally starred Lindsay); the Pulitzer Prize-winning State of the Union; and The Great Sebastians, written for Alfred Lunt and Lynn Fontanne, the pre-eminent acting team of the day. Their producing credits included The Hasty Heart, Detective Story, and Arsenic and Old Lace.
JACK O’BRIEN (Director) recently received a Lifetime Achievement Tony Award, and directed The Roommate on Broadway with Mia Farrow and Patti LuPone followed by a production of Ibsens Ghosts (Lincoln Center Theatre) and the musical Shucked (The Regents Park, London). He directed his first Broadway production in 1969 and has collected three Tonys since then (Henry IV, Hairspray and The Coast of Utopia). He’s done operas (Il Trittico, Great Soctt, Porgy and Bess, etc.) musicals (The Full Monty, Dirty Rotten Scoundrels, Carousel, etc.), television (“American Playhouse,” “Great Performances,” etc.), ran the Old Globe Theatre for 25 years, written two books
published by Farrar Straus & Giroux (Jack Be Nimble and Jack in the Box), and two night club performances at 54 Below. If he’s slowing down, he hasn’t noticed it yet.
MATT LENZ (Associate Director). Credits include - Broadway: Hairspray, Catch Me If You Can, Charlie and the Chocolate Factory, The Velocity of Autumn (Associate Director), Beauty and the Beast (Resident Director). OffBroadway: Pageant (Drama Desk nomination), The Irish Curse, Idaho!, The Great Daisy Theory, Fingers and Toes, Tense Guy. Tours: The Music Man (upcoming), Hairspray, Charlie, Sound of Music, A Christmas Story, Cheers, Catch Me, The Who’s Tommy. Regional: Paper Mill, Ahmanson, MUNY, Ogunquit, George Street, Cape, NCT, Maltz Jupiter, La Mirada, Zach, and more. Matt is a member of the SDC, a Broadway Dreams teaching artist, and Founding Artistic Director of In The Works ~ In The Woods Festival www.mattlenzdirector.com
DANNY MEFFORD (Choreographer) has choreographed three Tony Award winners for Best Musical: Kimberly Akimbo, Dear Evan Hansen (also Olivier, Best Musical) and Fun Home. Direction: a national tour of Shrek and The 25th Annual Putnam County Spelling Bee at the Kennedy Center and in NYC starting fall ‘25. Upcoming direction: The Gorgeous Nothings and The Fitzgeralds of St. Paul. Choreography highlights: Love’s Labour’s Lost, February House, Miss You Like Hell, Bloody Bloody Andrew Jackson, and Good Person of Szechwan. TV: theatrical sequences for “Rise” on NBC, “Dickinson” on AppleTV+, and “Fleishman is in Trouble” FX. Currently choreographing Richard Linklater’s film version of Merrily We Roll Along, a twenty year project. MFA in Acting from Brown University/Trinity Rep.
MARK MYARS (Associate Choreographer). Resident Director/Choreographer: Death Becomes Her (Broadway). Broadway Associate Choreographer: Dear Evan Hansen (Tour, London), The Cher Show, My Fair Lady (Tour, London), Spongebob Squarepants, War Paint, If/ Then (Tour). International Dance Supervisor: Wicked. markmyars.com
ANDY EINHORN (Music Supervisor and Additional Orchestrator). Gypsy (Audra McDonald, OBCR), Hello, Dolly! (Bette Midler, OBCR Grammy nom), Carousel(Renée Fleming, OBCR Grammy nom), Holiday Inn, Woody Allen’s Bullets Over Broadway, Rodgers + Hammerstein’s Cinderella, Brief Encounter, Sondheim on Sondheim. Music
WHO’S WHO IN THE CAST
director and conductor for Audra McDonald since 2011 including two albums. Touring Music Supervisor: Peter Pan, Sound of Music. Regional: George Street Playhouse, PaperMill Playhouse, Goodspeed Opera House. TV: HBO’s “Six by Sondheim,” PBS “Broadway Musicals: A Jewish Legacy,” Academy Awards 2019, “Eat Sh*t Bob” for HBO’s “Last Week Tonight” starring John Oliver. Conducting engagements: The Cleveland Orchestra, Philadelphia Orchestra, Pittsburgh Symphony and Kansas City Symphony. Faculty: Juilliard, Aspen Music Festival, Brevard Music Festival. Rice University, summa cum laude. For Samantha W.
DOUGLAS W. SCHMIDT (Scenic Designer) with over 200 productions spanning five decades, his work has earned critical acclaim and numerous awards. He received New York Drama Desk Awards for Over Here and Veronica’s Room, the original production of Grease, Smile, They’re Playing Our Song, and the legendary Frankenstein which closed on opening night. His 1983 design of Porgy and Bess at Radio City Music Hall (dir. Jack O’Brien) toured the U.S. and Europe. Broadway credits include the 2001 revival of 42nd Street, Into the Woods (2002), and The Front Page—all earning Tony nominations. The Sound of Music and The Front Page mark his 18th and 19th collaborations with director Jack O’Brien.
JANE GREENWOOD (Costume Designer). Originally from Liverpool, England, Ms. Greenwood was educated at the Central School of Arts. She has designed over 125 Broadway productions since Ballad of the Sad Café in 1963. Recent credits: Bright Star, Saint Joan, Mother of the Maid (with Glenn Close), The Little Foxes (Tony Award), The Assembled Parties, The Sound of Music (national tour), You Can’t Take It With You, Act One, Harvey and Driving Miss Daisy. Awards: Irene Sharaff Award, 19 Tony nominations and the 2014 Tony Award for Lifetime Achievement. She is in the Theater Hall of Fame. Professor of Design at Yale School of Drama since 1976.
NATASHA KATZ (Lighting Design) has designed extensively for theatre, opera, dance, concerts and permanent lighting installations around the world. She is an eight-time Tony Award® winner whose recent Broadway credits include Hell’s Kitchen; Sweeney Todd; Here We Are; Grey House; MJ; Some Like It Hot; Springsteen on Broadway; and Hello, Dolly! Recent dance designs include Like Water for Chocolate at the Met. She is a TDF Wendy Wasserstein Project Mentor and was recently inducted into the Theater Hall of Fame.
KAI HARADA (Sound Designer). Broadway: Dead Outlaw; A Wonderful World; Once Upon a Mattress; The Days of Wine and Roses; Merrily We Roll Along (Tony Nomination); New York, New York (Tony Nomination); Kimberly Akimbo; The Old Man and the Pool; Mister Saturday Night; Head Over Heels; The Band’s Visit (Tony Award, Drama Desk Award); Amélie; Sunday in the Park With George; Allegiance; Gigi; Fun Home; On the Town; First Date; Follies (Tony, Drama Desk Nominations); and Million Dollar Quartet. Many other musicals at City Center, the Kennedy Center, off-Broadway, and beyond.
TOM WATSON (Hair, Wig and Makeup Design). Originally from Northern Ireland, he headed the wig/makeup department at the Metropolitan Opera for 17 years. He has designed more than 100 Broadway productions, including Wicked, Rock of Ages, The King & I, Fiddler on the Roof, Oslo, Falsettos, The Little Foxes, Junk, My Fair Lady, King Kong, All My Songs, The Great Society, Plaza Suite, Parade, and Floyd Collins
JOHN MILLER (Musical Coordinator) Over 140 Broadway shows, including: The Great Gatsby; The Who’s Tommy; A Beautiful Noise; Shucked; MJ: The Musical; Mrs. Doubtfire; Ain’t Too Proud; Tina; Waitress; Beautiful: The Carole King Musical; Jersey Boys. Studio musician (bass) for Leonard Cohen, Eric Clapton, BB King, Portishead, Bob Dylan and Michael Jackson. johnmillerbass.com
JONATHAN MARRO (Music Director/ Conductor) is thrilled to join NETworks and Concord with this incredible group of artists for Sound of Music! He is a proud alum of the University of Southern Maine, where he received his music and theatre training. Other NETworks’ productions: Peter Pan, Fiddler on the Roof 1st National, Shrek The Musical (International), Elf the Musical, and Dirty Dancing. Many thanks to Andy for his brilliant and loving mentorship, as well as the entire music staff and Giacomo for all their endless support.
ROBERT RUSSELL BENNETT (Orchestrations). In a career spanning more than five decades, Robert Russell Bennett (1894–1981) arranged more than 300 Broadway musical scores. In musical comedy’s golden era of the 1920s, he orchestrated up to 22 shows a season. Among his credits were Show Boat; Roberta; Sunny; Rose-Marie; No, No, Nanette; Girl Crazy; Of Thee I Sing; Face The Music; Carmen Jones; Finian’s Rainbow; Kiss Me, Kate; My Fair Lady and Camelot. He orchestrated seven of Rodgers & Hammerstein’s musicals including Oklahoma!,
November 26 - 30
WHO’S WHO IN THE CAST
South Pacific, The King and I and The Sound of Music. His arrangements for the 1955 film version of Oklahoma! earned him an Academy Award. He also orchestrated and arranged Rodgers’s 13 television documentary score for Victory At Sea. A classically trained composer, Bennett’s prolific output of original compositions includes symphonies, sonatas, a ballet, a concerto and an opera. He is the posthumous recipient of a 2008 Special Tony Award in recognition of his historic contribution to American musical theater.
TRUDE RITTMANN (Dance and Vocal Arrangements) has more than 50 Broadway credits as a choral and dance arranger including The Sound of Music, The King and I, South Pacific, My Fair Lady, Carousel, Finian’s Rainbow, Brigadoon, Paint Your Wagon and Peter Pan. A composer in her own right, she has provided music for such shows as Omnibus and Seven Lively Arts.
LEIGH ZIMMERMAN (Intimacy Director) is an Olivier Award-winning entertainment professional with 30+ years of experience in live theater, film, and TV in the US and UK. Leigh specializes in consent-based, trauma-informed practices for staged intimacy and as an Artistic Mental Health Practitioner to support the wellbeing of all artists. leighzimmerman.com
THE TELSEY OFFICE (Casting) With offices in both New York and Los Angeles, The Telsey Office casts for theater, film, television, and commercials. The Telsey Office is dedicated to creating safe, equitable, and anti-racist spaces through collaboration, artistry, heart, accountability, and advocacy. Please visit thetelseyoffice.com for our credits.
THE ROAD COMPANY (Tour Booking). Founded in 1997 by Stephen Lindsay and Brett Sirota. In addition to Back to the Future, current representation includes Wicked, The Outsiders, Death Becomes Her, Redwood, The Great Gatsby, Kimberly Akimbo, The Sound of Music, Beetlejuice, Moulin Rouge! The Musical, Dirty Dancing, and more.
GENTRY & ASSOCIATES (General Manager) has managed nearly 250 national and international touring theatrical productions over the past 25 years. Current and upcoming productions include A Beautiful Noise, Beetlejuice, The Book of Mormon, Boop! The Musical, Buena Vista Social Club, The Great Gatsby, Les Misérables, Life of Pi, Mark Twain Tonight!, Cameron Mackintosh presents Andrew Lloyd Webber’s The Phantom of the Opera, The Sound of Music, Water for Elephants and The Wiz.
KENT McINGVALE & COMPANY (Tour Press & Marketing) currently leads the marketing and press campaigns for the national tours of Rodgers & Hammerstein’s The Sound of Music, Mark Twain Tonight!, A Magical Cirque Christmas, Mannheim Steamroller Christmas, and Dog Man: The Musical!. Recent projects include marketing and press campaigns for the national tours of Harper Lee’s To Kill a Mockingbird, Hairspray, Jersey Boys (14 seasons on tour), Beautiful – the Carole King Musical (6 seasons on tour), and Summer: The Donna Summer Musical www.kentmco.com
JAMEY JENNINGS (Company Manager) is excited to be part of this classic musical! Select projects: Oklahoma! (2019 revival), Once on this Island, Les Misérables, Dirty Dancing: The Classic Story on Stage, We Will Rock You, Mary Poppins, and Hairspray. Proud native of Paducah, Ky and an honored alumnus of Murray State University.
LUKE MEYER (Associate Company Manager) is excited to be donning his lederhosen and traveling to Austria with his sidekick, Tank (@tourdogtank)! He has toured extensively as both a musician and Company Manager. Credit highlights: Peter Pan (tour); Hairspray (tour); Friends the Musical Parody (Off-Broadway/tour); Sasha Velour’s Smoke & Mirrors (tour); Dr. Mike (tour); Love, Actually? A Musical Parody (Off-Broadway); Kinky Boots (US tour/China); Elf (tour); Anything Goes (tour); Hello, Dolly! starring Sally Struthers (tour).
BRIGHAM JOHNSON (Production Stage Manager). Tours: Annie (North America, China), Dr. Seuss’ How the Grinch Stole Christmas, Christmas in Killarney. Norwegian Cruise Line. Regional credits: The Rev Theatre Co., Arizona Theatre Company, Skylight Music Theatre, Musical Theatre West, The Gateway, Florida Repertory, Triad Stage, and Connecticut Repertory. Brigham is a proud graduate of Western Carolina University. Special thanks to his family and friends.
KALI ASHURST (Stage Manager). National Tours: A Beautiful Noise, Dr. Seuss’ How the Grinch Stole Christmas. NYC: UC-CCM Honors Alumnus Stephen Flaherty at Carnegie Hall. Regional: San Francisco Opera, Weston Theater Company. MFA: Stage Management, UC-CCM. Thanks to her family and friends for all their love and support! @kali.ashurst kaliashurstsm.com
MEGAN BELGAM (Assistant Stage Manager) is thrilled to be joining The Sound of Music Team! National tours: Peter Pan, Hairspray, Waitress (Lulu), To Kill a Mockingbird. Regional: Escape to
WHO’S WHO IN THE CAST
Margaritaville (Ogunquit), Frozen Jr. (Ogunquit), Winter Wonderland (American Music Theatre). Proud graduate of Penn State University. Thanks for supporting the arts!
SEAN PATRICK FLAHAVEN (Executive Producer) is a 3x GRAMMY® Award and 3x Tony Award-winning theatre and music producer and Chief Theatricals Executive of Concord. He was previously founding worldwide CEO of The Musical Company and SVP of Theatre & Catalog Development for Warner Chappell. He has been a producer on dozens of albums, 16 of which were nominated for Grammys, including winners Hamilton, Into the Woods, and Some Like It Hot. He has produced many shows and won Tony Awards as a co-producer of Hadestown, Company, and Stereophonic. He is a National Trustee of the Recording Academy and on the Variety500 for 6 years.
TRINITY WHEELER (Executive Producer). has been with NETworks Presentations for over 20 years. Broadway: 1776 (dirs. Diane Paulus and Jeffrey Page), Les Misérables. National tours: The Great Gatsby, The Sound of Music (dir. Jack O’Brien), 1776, Les Misérables, Peter Pan (dir. Lonny Price), A Beautiful Noise, Hairspray, Once on This Island, Waitress, The SpongeBob Musical, Chicago, Finding Neverland, Dirty Dancing, Bullets Over Broadway, Elf the Musical, Disney’s Beauty and the Beast, The Royal National Theatre production of Oklahoma!, The Wedding Singer, The Producers, The Wizard of Oz, The Phantom of the Opera, Mary Poppins, Young Frankenstein (dir. Susan Stroman) and Rent starring Adam Pascal and Anthony Rapp. Love to Alan for everything. @trinityonbroadway
CONCORD THEATRICALS (Producer) is the world’s most significant theatrical company: R&H, Tams-Witmark, Samuel French, ALW Collection, Dramatists Play Service and Playscripts. Our roster includes the work of the finest classic and contemporary authors. We are the only firm providing truly comprehensive services to creators and producers of plays and musicals, including theatrical licensing, music publishing, script publishing, cast recording and first-class producing. Recent Broadway: Hadestown (Tony), Company (Tony), Stereophonic (Tony), SIX, Into the Woods (Grammy), Some Like It Hot (Grammy), Gypsy, Operation Mincemeat. www.concordtheatricals.com
NETWORKS PRESENTATIONS (Producer). Current and upcoming productions include A Beautiful Noise, Beetlejuice, The Book of Mormon, Boop! The Musical, Buena Vista Social Club, The Great Gatsby, Les Misérables, Life of Pi, Mark Twain Tonight!, Cameron Mackintosh presents Andrew Lloyd Webber’s The Phantom of the Opera, The Sound of Music, Water for Elephants and The Wiz. networkstours.com
OPENING NIGHT SEPTEMBER 5, 2025
STAFF FOR The Sound of Music
EXECUTIVE PRODUCERS
Sean Patrick Flahaven and Trinity Wheeler
GENERAL MANAGEMENT GENTRY & ASSOCIATES
Gregory Vander Ploeg
Steven Varon-Moore Shira Wolf
PRODUCTION MANAGEMENT NETWORKS PRESENTATIONS
Jason Juenker
Matthew Reardon Aimeé Mangual Pagán
COMPANY MANAGER
Jamey Jennings
Associate Company Manager
Luke Meyer
TOUR BOOKING THE ROAD COMPANY
Stephen Lindsay Brett Sirota
Shawn Willett Gracie Lewis Rosa Taylor Shane Parksmith
Production Managers...........Matthew Reardon, Alex Williams
Associate Production Manager Aimeé Mangual Pagán
Technical Director ..................................................... pesci
Production Coordinator Gina Boccolucci
Asset Manager / Rentals Richard Haug
Director of Operations .................... Pearce Landry-Wegener
Workers Compensation Coordinator Kayla Rooplal
People Operations/Payroll Manager ................... Sara Clayton
Executive Assistant Isabella Schiavon
Office Manager Michelle Adye
Adminstrative Assistant ................................. Aidan Herman
Music Coordinator John Mezzio
Credits
Scenery provided by Production Resource Group and Proof Productions; Audio equipment provided by Masque Audio; Lighting provided by Production Resource Group; Rigging provided by Christie; Properties by BrenBri Properties, LLC; Costume Shops: Eric Winterling LLC, Arel Studio.
Rehearsed at Gibney Dance Rehearsal Studios in New York.
Special Thanks to
Broadway Theatre League of Utica and Daniella Padula, Executive Director
“Something Good”
Lyrics by Richard Rodgers
Additional Lyrics by Jack O’Brien
Financial Services and banking arrangements by
Customers Bank
Insurance Broker Services
EPIC Entertainment & Sports
Exclusive stage performing rights are represented by Concord Theatricals www.concordtheatricals.com
SoundOfMusicOnTour.com
X and Instagram: @SoundOfMusicontour
Facebook: TheSoundofMusicOnTour
TikTok: @SoundofMusicTour
The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited. Please turn off all electronic devices such as cell phones and pagers prior to the beginning of the performance.
The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the union of professional actors and stage managers in the United States.
All stage work performed by employees represented by IATSE.
UNITED SCENIC ARTISTS represents the designers and scenic painters for the American Theatre.
The Musicians employed in this production are members of the American Federation of Musicians of the United States and Canada.
The Director and Choreographer are members of the Stage Directors and Choreographers Society, an independent national labor union.
The Press Agents, Company and House Managers employed in this production are represented by the Association of Theatrical Press Agents & Managers. This production is produced by a member of The Broadway League in collaboration with our professional union-represented employees.
Your phone is your ticket
Mobile entry is a safe, easy, convenient, and contactless way to access and manage your tickets all in one place.
Safety is every venue’s #1 priority, and mobile entry gives DPAC a better understanding of who guests are prior to every performance. It is critical for venues to know who is in possession of each ticket in order to share important information with them before the doors open and the show begins.
With mobile entry, there’s no need for direct contact or physical exchange of your ticket. Mobile entry guarantees a quick and safe ticket scan straight from your phone.
Our secure ticket technology reduces the risk of ticket fraud and eliminates the possibility of theft or counterfeiting. Once you’ve purchased your mobile tickets on Ticketmaster, you can always rest assured you’re getting the seats you paid for. Always be aware, though. Do not purchase tickets from unauthorized online ticket brokers. Don’t be fooled by online websites that mimic DPAC’s name or website, or o er tickets they might not even have. Go directly to DPACnc.com
PHOTO BY MICHAEL GILLMAN
Here, at The Cedars of Chapel Hill, our Members live life to the fullest. Knowing that their health care needs are all taken care of at our on-site health center. Knowing that they own their own home and that all the hassles of home ownership, from yardwork and maintenance to a quick x or major repair, are taken care of. Knowing that they’re solid, secure and nancially in a very good place. And, oh yes, that it’s their serve.
Sharing the Magic of Live Entertainment
DPAC’s Local Hero Spotlight recognizes those doing great things in service to their communities or families. Local Heroes receive a VIP night out at DPAC, and in many cases, this night out provides an opportunity for those who have never been to DPAC to have their rst-ever live theater experience.
DPAC rolls out the red carpet for Local Heroes by providing a VIP experience, which includes premium seating to a select show, complimentary parking and admission to the President’s Club hospitality area. DPAC also shines a spotlight on the great work being done by all Local Heroes by featuring them on social media and on our website.
Want to nominate someone? Visit DPACnc.com, and you can nd this program listed under the Community tab.
Congratulations to all our Local Heroes
In all the world, there is not one single person on the same path as your child. At MSD, we strive to be citizens of the world, endeavor to create a welcoming environment, and offer individualized, authentic Montessori education for children infant through 6th grade.
msdurham.org
Bringing a group of 10 or more? Make DPAC your group destination
BY
ABroadway show at DPAC is the ultimate experience for any group. The universal stories of friendship, ambition, and love are perfect for all ages and interests, with stunning stagecraft and unforgettable songs that speak to everyone.
Group Services at DPAC is your connection to savings of 10% to 15% for most Broadway performances. Seeing a performance with a group is not only fun – it’s also economical.
You just need 10 or more people who want to get together for both a great outing and a great deal on Broadway shows at DPAC.
Any group can take advantage of our special group pricing, including:
• Corporate outings
• Coworkers
• Faith groups
• Families and friends
• Fundraising organizations
• Girls’ night out
• Meet-up groups
• Schools
• Scouts, Y-Guides
• Social organizations, clubs and more!
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your way Living
Stay close to what you love. Glenaire and The Village at Brookwood offer exceptional living, right here at home.
With five North Carolina communities, your options are abundant. By joining us as a Resident of the Future, you’ll be embracing an active, fulfilling lifestyle filled with opportunities for growth, learning and meaningful engagement—all while ensuring your future healthcare needs are thoughtfully planned and supported. Secure your place on the Resident of the Future Waitlist today!
COLFAX
At DPAC, we’re committed to Guest Courtesy. Please remember to be a good neighbor to those seated around you.
After the Performance Yes, the lobby gets busy and the parking lots can be tricky, but please remain at your seats until the house lights come up.
As a courtesy to the performers and other audience members, DPAC asks that you do not rush for the exits prematurely at the end of the performance.
Entering and Exiting the Seating Area Please time your exits and reentry to the seating area to occur only at intermission or breaks between songs. This is a courtesy to other guests around you who will appreciate you keeping these disruptions to a minimum.
Kids at DPAC Please note that all guests require a ticket, regardless of age. Children under the age of 6 are not allowed at most DPAC performances, including Broadway, Concerts and Comedy shows.
For some shows, DPAC will make recommendations on the appropriate minimum age based on the content and the length of the event. Parental discretion is always advised, and judgment of the appropriateness of the content for each show should be made on an individual basis prior to purchase.
Children must be able to sit quietly in their own seat without disturbing other guests. As a further courtesy to our guests, DPAC recommends one parent or chaperone for every one child in attendance.
It Can Wait
Please save texting until AFTER the show. The light from phones is distracting to others throughout the theater. Please keep them turned o .
It’s Superstar Entertainment, Not a Food Fest Small snacks and drinks are welcome in the seating area, but as a courtesy to those around you, eat and drink as quietly as possible. Please know that odors and noisy wrappers can disturb others. We also ask that you nish sandwiches or other large food items before entering the seating area.
Photography / Video Recording Using Mobile Phones
At DPAC, each event that we host determines their own policy on photography and video recording using mobile phones. We enforce these policies at their direction.
Please note that GoPros, tablets, and cameras of any kind are prohibited at all DPAC events. Photography and video recording using mobile phones is not permitted at all Broadway shows.
Quiet Please Once the show starts, please let the stage be the center of attention. We ask that you turn o all cell phones and limit conversation. If children are attending this performance with you, please exit the theater immediately if they become restless or talkative.
Restorative
Teeth
Waterlase
Braces/Orthodontics • Dental Implants
Help local students and seniors experience their rst ever Broadway show
Can’t use one or more of your season tickets for an upcoming show? Consider donating them to DPAC’s Discover Broadway program. As a Broadway at DPAC Member, you have the option to donate tickets you cannot use, preventing valuable seats from going to waste. Your generosity allows area youth and seniors the opportunity to experience their rst Broadway show and discover the magic of live entertainment.
This season, donated tickets are distributed to Durham Public Schools and the Durham Housing Authority.
It’s easy to help:
• If you know in advance that you cannot attend a show, or even if one member of your party will not be joining you, simply contact DPAC at DiscoverBroadway@dpacnc.com.
• You will receive an acknowledgement from DPAC that your unused tickets will be transferred to an area student or senior.
• DPAC will handle all other details and provide instructions to the recipient on how to access their tickets.
PLEASE NOTE: Ticket donations must be made at least 72 hours prior to your scheduled performance date. Discover Broadway donations do not provide tax donation receipts.
The best of high school musical theater talent in our region
The DPAC Rising Star Awards celebrates the performing arts in our schools by recognizing outstanding achievements in high school musical theater throughout central North Carolina. The program focuses attention on the meaningful work being done both on and o stage by dedicated teachers and students. As the regional qualifying event for The National High School Musical Theatre Awards™ (NHSMTA), also known as The Jimmy Awards®, The DPAC Rising Star Awards brings together high school musical theater students from Durham, the Triangle and the surrounding region to perform and compete for a chance to represent DPAC in the national nals in New York City.
To learn more about how to register your school’s theater program for The DPAC Rising Star Awards, please visit DPACnc.com/community/dpacrising-star-awards.
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This past spring, DPAC named Carmen Sophia Dubon (Weaver Academy) and Josiah Jennings (Hillside High School) The DPAC Rising Star Awards’ Best Actress and Best Actor winners. Carmen and Josiah then went on to compete nationally at the Jimmy Awards® in New York City, which included a total of 110 nominees representing 55 Regional Awards Programs from across the country.
Carmen and Josiah worked with Broadway professionals and made their Broadway debuts on Nederlander’s Minsko Theatre stage, where Disney’s The Lion King performs to sold out audiences nightly. Josiah was one of ve recipients who received the Outstanding Performance in an Ensemble Award, which came with a $2,500 scholarship.
Additionally, KoKo Thornton (Enloe High School) represented The DPAC Rising Star Awards on the national level this past spring. Nominated by DPAC's 2024 Best Actor winner Conor Kruger, she was one of two teachers from across the country to receive the Inspiring Teacher Award during the Jimmy Awards® in 2025.
KoKo, Carmen and Josiah represented DPAC and central North Carolina exceptionally and we could not be prouder of the great talent that exists in our region.
More information on NHSMTA™ and the Jimmy Awards® can be found at jimmyawards.com and by these valuable community partnerships and sponsors
The DPAC Rising Star Awards are made possible by Blue Cross and Blue Shield of North Carolina
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Each fall, DPAC selects 30 high school students from across Central North Carolina who are passionate about live entertainment to serve as Performing Arts Ambassadors throughout the school year.
As part of the team at DPAC, Ambassadors shadow sta across multiple departments and attend a wide variety of DPAC events, including Broadway, Concert, Comedy and Special Events. With an emphasis on content creation, Ambassadors receive media training and report on their experiences via videos, online blogs, and social media posts. Ambassadors also receive exclusive opportunities to go behind the scenes at DPAC's biggest events.
These unique, memorable, and impactful experiences o er the chance to learn about the importance of media and live entertainment, while also preparing students for future careers in the performing arts industry.
Keep up with our Ambassadors this season by following @DPACHeartoftheArts on Instagram or by visiting DPACnc.com.
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Download the
O cial DPAC App
DPAC's mobile app o ers you a secure place to easily store and organize all of your mobile tickets, so you are ready for entry to every one of the blockbuster Broadway shows on our calendar.
In addition, DPAC’s mobile app o ers other great features including updates on all upcoming shows and key tips to help you plan for your visit.
Become a Friend of DPAC
• Latest news
• New show announcements
• Special online ticket o ers
Join today for these great bene ts:
• Friends-only sweepstakes and special events
It’s free, fast and easy to sign up now at DPACnc.com
Join the conversation
Whether you like, share, or post, DPAC invites you to become part of our social community. We hope you’ll share your memories and experiences with us, and in return, we’ll take you backstage and share announcements, special o ers and other great entertainment news.
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Special Savings
For City of Durham Residents, Military and Students
Inspired by Durham’s great community leader MaryAnn Black, DPAC has reserved select seating exclusively for Durham residents, military and students to most Broadway shows and select special events.
This program provides an opportunity for many to experience their rst-ever live performance at a savings of 20% to 75%
DPAC For All tickets may be purchased online, via phone or in person at the Blue Cross NC - Ticket Center at DPAC, located at 123 Vivian Street / William V. "Bill" Bell Way.
For a complete list of available performances, please visit DPACnc.com.
Created in partnership with
Thank You to DPAC’s Corporate Partners
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SO LVE:
Move one glass so that the order becomes empty, full, empty, full.
If you gured it out, congratulations. Pick up the 1st glass, pour its contents into the 4th glass, and return it to its original place.
Solving the problem requires unconventional thinking—realizing that “move” can mean more than one thing. It illustrates the way we approach legal issues—by rejecting the constraints of unimaginative assumptions to nd uncommon solutions for our clients.
