Les Misérables

TM © 1986 CMOL

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TABLE OF CONTENTS

8

Welcome from our Sponsor – First Horizon Bank

40A

Show Credits and Cast Information

10

Welcome from Mayor Leonardo Williams – City of Durham

44

The DPAC Rising Star Awards

48

Connect with DPAC

54

Discover Broadway

56

Guest Etiquette

58

DPAC's Local Hero Spotlight

60

DPAC Performing Arts Ambassadors

12

Welcome from Bob Klaus – General Manager of DPAC

16

DPAC’s Guiding Principles

18

DPAC’s Awards and National Rankings

22

Our Theater Family

64

DPAC's Club of 15

29

BMW of Southpoint President’s Club

72

Mobile Entry at DPAC

75

DPAC Group Services

34

DPAC Showstoppers

76

DPAC for All

38

DPAC Season Dedication

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4 | DPAC

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Dear North Carolina, For 70 amazing years, you—the people of North Carolina—have been by our side. You’ve inspired us and cheered us on since our first telecast back in 1955.

Together, we’ve welcomed Mister Rogers to our neighborhood, gotten our hands dirty with This Old House and gone on countless trips with NC Weekend. We’ve mastered the art of French cooking with Julia, found our roots with Henry Louis Gates Jr. and rummaged through every yard sale looking for the next big Antiques Roadshow discovery.

Because of you, PBS North Carolina has expanded beyond broadcast television to educate, inform, entertain and inspire all North Carolinians—at home, in the classroom or on the go. Your support has made all of this possible, and for that we’re forever grateful.

for GBH, (c) WGBH 2023 Photo credits: Antiques Roadshow, Meredith Nierman

So here’s to you for 70 wonderful years!

And stay tuned as the best is yet to come.

With gratitude,

Your friends at PBS North Carolina

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WELCOME FROM OUR SPONSOR

First Horizon Bank Welcomes You to DPAC

A

s a proud DPAC sponsor and advocate of the arts, First Horizon Bank is honored to welcome you to the theater. It is a privilege to share this remarkable experience with you as we celebrate the many ways live performance unites, inspires and uplifts us all.

Our financial institution recognizes the benefit and importance of supporting community events like this one. While we have the resources and reach of a large bank, our roots are firmly grounded in the values of a local one — roots planted right here in Durham. These connections empower us to drive meaningful change in the places we serve and for the people who call them home.

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Thank you for joining us today. Now, sit back, relax and enjoy the show! 

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8 | DPAC

WELCOME FROM THE MAYOR

Greetings

O

n behalf of the City of Durham, I would like to welcome you to DPAC! Like so many Durham residents, I recognize the jewel that DPAC is to Durham and the Triangle region.

I’m thrilled to say that DPAC, after more than a decade, is continuing to showcase the energy, the passion and great entertainment with a list of performances that people will travel from miles around to see.

This season will feature some of Broadway’s biggest hits, concerts, comedy shows and special events to ever take the DPAC stage. I’m also excited to see so many DPAC fan-favorites and first-time performers take the stage throughout the upcoming season.

And as usual, all the special touches that come with seeing a Broadway show or concert at DPAC still await you, starting with the beauty of the theater and DPAC’s legendary customer service. A visit to DPAC is an open invitation to experience Durham.

It’s as easy as parking and walking to downtown restaurants, or taking a short drive to nearby malls, museums, or historical sites.

As your Mayor, I’m so excited that one of my duties is to officially welcome you to one of the greatest theaters in the world! But don’t take my word: last year DPAC was ranked in the top 5 in the country by national theater reviewers and magazines, including Venues Today and Pollstar.

Thank you for choosing DPAC and Durham.

Now settle into your seats to enjoy your DPAC experience and an unforgettable show.  In Service and Gratitude,

Leonardo Williams Mayor @CityofDurhamNC

10 | DPAC

WELCOME FROM THE GENERAL MANAGER

"Welcome to DPAC!"

S

ince opening in 2008, this greeting has been offered to the nearly seven million guests who have come to DPAC to experience spectacular Broadway productions, high-profile concerts and comedy shows, and special events of all kinds.

As we look ahead, I can confidently say that Broadway’s biggest blockbusters, the very best new musicals from theatres in New York and London, plus the most exciting revivals of Broadway’s greatest hits are all planning for their future engagements at DPAC. As one of the most successful Broadway theaters in America, we cannot wait to share details about Broadway at DPAC’s 2025 / 2026 season and beyond.

It is both an honor and a privilege to present some of the biggest stars and greatest shows in the world, but what’s even more important is ensuring that each and every one of our guests has an unforgettable, moving, emotional, fun, and all-around great experience at DPAC. Our passion for the guest experience is unmatched, and our red carpet customer service commitment is always to you, our guests, members, and the super fans of Broadway.

It is our greatest reward to see audiences at DPAC immersed and captivated by the magic of live entertainment experiences shared with friends, family members, and loved ones.

I thank you for joining us for this very special performance... we’re glad you are here. 

Bob Klaus – General Manager

12 | DPAC

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DPAC | 15

DPAC’S GUIDING PRINCIPLES

PHOTO BY HUTH PHOTO

We have an unfair advantage...

We care more

OUR VISION We believe in great entertainment experiences. We want to be our guests’ favorite place for live events.

OUR MISSION To present one-of-a-kind, live entertainment events. From Broadway to concerts, comedy to family shows – ‘there is something for everyone’ at DPAC. OUR VALUES Quality, safety, and service. We deliver these values with warmth, friendliness and an attention to detail that is the hallmark of the legendary DPAC experience.

OUR PROMISE DPAC welcomes all guests, performers, and events in an open, friendly and respectful setting. We stand committed against all forms of discrimination. 

16 | DPAC

DPAC’S AWARDS AND NATIONAL RANKINGS

#2

#3

#4

Top Stops 2,001 - 5,000 capacity

Top Venues 5,000 or less capacity

Top 200 Theaters

2024

2024

2024

Top 5 in America #1 WITH OUR FANS

DPAC is honored to be regionally and nationally recognized as one of the top theaters in the nation. We continue to be humbled and proud of all of our accomplishments, but what really drives us each day are the smiles and applause we see and hear at the end of every performance.

Enjoy this experience of a lifetime.

2024

Best Live Theatre

Certificate of Excellence

Best Venue for Live Music

Best Live Theatre

#1 Performing Arts Organization Awards and Rankings as of 2025

18 | DPAC

Diamond Award: Best Live Theatre

Voters’ Choice Awards: Performing Arts Venue

Arrive curious. Leave inspired.

Join NC State LIVE for world-class performances by artists from across the globe. live.arts.ncsu.edu

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DPAC | 19

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OUR THEATER FAMILY

DPAC is proud to be operated under the direction of Nederlander and PFM.

The Nederlander Organization

I

f you’ve ever attended a Broadway show in New York, chances are you may have been to one of DPAC’s sister theaters operated by its parent company, The Nederlander Organization. With nine of the largest venues in New York’s theater district, Nederlander theaters are host to some of Broadway’s biggest productions.

Under the leadership of President James L. Nederlander, the Nederlanders have built a national network of theaters including: • • • • • • • • • •

• • • • • • • •

The Gershwin Theatre – New York, NY The Lena Horne Theatre – New York, NY The Lunt-Fontanne Theatre – New York, NY The Marquis Theatre – New York, NY The Minskoff Theatre – New York, NY The Nederlander Theatre – New York, NY The Neil Simon Theatre – New York, NY The Palace Theatre – New York, NY The Richard Rodgers Theatre – New York, NY Broadway In Chicago at The CIBC Theatre, The James M. Nederlander Theatre, The Cadillac Palace Theatre, The Roosevelt University Auditorium Theatre and The Broadway Playhouse – Chicago, IL DPAC – Durham Performing Arts Center – Durham, NC Broadway at The Steven Tanger Center for the Performing Arts – Greensboro, NC The Hollywood Pantages Theatre – Los Angeles, CA Broadway San Diego at The Civic and Balboa Theatres – San Diego, CA Broadway in Tucson at Centennial Hall – Tucson, AZ OKC Broadway at The Oklahoma City Civic Center Music Hall – Oklahoma City, OK Broadway San Jose at The San Jose Center for the Performing Arts – San Jose, CA Broadway at The National at The National Theatre – Washington, DC

22 | DPAC

OUR THEATER FAMILY

• • • • • •

Best of Broadway at The North Charleston Coliseum Performing Arts Center – North Charleston, SC Broadway Alaska at the Alaska Center for the Performing Arts – Anchorage, AK Broadway in Richmond at The Altria Theatre – Richmond, VA Broadway in Norfolk at Chrysler Hall – Norfolk, VA Broadway Comes to Reno at The Pioneer Center – Reno, NV The Aldwych Theatre, The Adelphi Theatre and The Dominion Theatre in the U.K. – London, England

Professional Facilities Management, Inc. (PFM)

P

FM is a wholly-owned for-profit subsidiary of Providence Performing Arts Center (PPAC), incorporated in 1988 in response to a growing need for objective evaluation and management of small-to-medium-sized performing arts facilities in geographically-diverse locations. One of the first companies of its kind, PFM’s business is focused on what we know and do best – performing arts “product.”

Our corporate mission – to bring a wide variety of programming to the broadest audience while maintaining financial responsibility and sensitivity to local constituency needs – has guided PFM to past successes and promises future growth. PFM is governed by a Board of Directors who contribute successful business experience, entrepreneurial spirit, and a bottom-line focus.

Presently, PFM holds management/booking contracts in nine facilities located in five states.

• • • • • • • •

Providence Performing Arts Center and Veterans Memorial Auditorium – Providence, RI Barbara B. Mann Performing Arts Hall – Fort Myers, FL Coral Springs Center for the Arts – Coral Springs, FL DPAC – Durham Performing Arts Center – Durham, NC The Hanover Theatre and Conservatory for the Performing Arts – Worcester, MA Sandy Springs Performing Arts Center – Sandy Springs, GA Sarasota Performing Arts Center at The Bay – Sarasota, FL The Steven Tanger Center for the Performing Arts – Greensboro, NC 

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DPAC | 23

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VERY BEST SEATS + VIP AMENITIES

Broadway’s Ultimate Season Ticket

W

e invite you to join the BMW of Southpoint President’s Club at DPAC, where members enjoy the very best seats and VIP amenities to every one of the Broadway hits that are part of Broadway at DPAC. BMW of Southpoint President’s Club members also play an important role in helping maintain DPAC’s excellence. With member support, DPAC is able not only to be self-sustaining, but also sponsor over 50 Community Engagement programs that touch the lives of so many throughout Durham and the entire Triangle region each year.

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•

•

• • •

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DPAC | 29

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30 | DPAC

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BMW OF SOUTHPOINT PRESIDENT’S CLUB

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DPAC | 31

BMW OF SOUTHPOINT PRESIDENT’S CLUB

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32 | DPAC

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DPAC PERFORMING ARTS SHOWSTOPPERS

T

he Performing Arts Showstoppers at DPAC program is for Triangle area high school students who both love smiling and saying hello AND seeing Broadway at DPAC’s biggest shows.

Showstoppers will be welcoming guests at DPAC’s entry doors all season long.

Their genuine and kind greetings provide an upbeat entry experience for DPAC’s guests as they arrive at the very biggest Broadway shows on tour.

The Showstopper program offers students the following:

• • • •

Volunteer service hours for college-bound applications and resumes.

Excellent customer service experience at one of the top-five performing arts centers in America.

Access to experience Broadway at DPAC’s hit shows.

Plus, peer social gatherings with like-minded fans of Broadway and theatre.

The inspiration for this program comes from the Durham Wayfinders at DPAC, a City of Durham volunteer program where members share their time and talents in the spirit of helping everyone feel welcome at DPAC. For more information, visit DPACnc.com/community/performing-artsshowstoppers 

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34 | DPAC

Are you a THEATRE LOVER?

You belong at PlayMakers

A Broadway-quality experience created right here in the Triangle Dynamic, intimate spaces keep you close to the action Tickets start at just $20

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Join us in Chapel Hill for reimagined classics, world premieres, & more

WE’RE SAVING A SEAT FOR YOU! Save 10% with code DPAC2526 playmakersrep.org/dpac

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36 | DPAC

Get Involved: emilyk.org

2024/2025 SEASON DEDICATION

DPAC's Broadway season is dedicated in loving memory of Betsy Kessler

Betsy Kessler (1952 – 2023)

F

or many of us, DPAC holds a special place in our hearts. From the bright lights and big smiles to that feeling of anticipation; there’s nothing quite like catching a show at DPAC. At least that’s what Betsy Kessler believed.

Betsy was the first ever Ticketing Specialist hired at DPAC. She would lovingly tell you that she had been here ‘since the dirt’. A larger than life persona, Betsy never met a stranger and made it her mission to connect everyone she met to DPAC. With her giant laugh, big rosy red cheeks, and warm hugs, it was a joy watching Betsy do what she loved in the place she called home.

For nearly sixteen years, Betsy was DPAC’s greatest champion. She ushered in groups by the dozens, made thousands of Broadway at DPAC members smile, and wore her DPAC red with pride. For me and many others, she will always be remembered as DPAC’s shining star.

Thank you, Betsy. It was a pleasure to see you shine.

38 | DPAC

2024/2025 SEASON DEDICATION

DPAC's Broadway season is dedicated in loving memory of William (Bill) Brackett, Jr.

Bill Brackett (1949 – 2024)

W

e take pride in being able to present the best touring shows that Broadway has to offer and one reason we can do that season after season was due to the tireless efforts of William (Bill) Brackett, Jr., retired Technical Director at the Providence Performing Arts Center (PPAC) and retired Director of Technical Operations at Professional Facilities Management (PFM), one of the two partner companies that operate DPAC. As part of his work with PFM, Bill was the lead consultant for the Stage and Backstage portions of DPAC, and it was Bill’s goal to ensure that DPAC could welcome the largest touring shows from New York - Phantom of the Opera, The Lion King, Radio City Christmas Spectacular, and Wicked, to name a few. In fact, many of the touring crew working on these shows provided input on the design of DPAC, all due to relationships Bill cultivated when these shows visited PPAC during his 21-year career in Providence.

Bill spent countless hours between Providence and Durham making sure the design came to fruition, all vital Audio, Lighting, and Rigging systems were specified and installed, and that all Production Staff were in place and ready to go ahead of DPAC’s opening performance on November 30, 2008, with B.B. King.

DPAC would not be the place it is today without the vision, leadership, and mentorship of William Brackett, Jr. – one of the founding fathers of DPAC.  presented by

DPAC | 39

DPAC

Operated under the direction of Nederlander and PFM BOB KLAUS General Manager

JOSH ANDERSON

CANDICE TERRELL

Senior Director of Facilities & Production

SAMANTHA YANCEY

Senior Director of Marketing, Sales & Ticketing

Senior Director of Events & Business Operations

CAMERON MACKINTOSH presents BOUBLIL & SCHÖNBERG’S

A musical based on the novel by VICTOR HUGO Music by CLAUDE-MICHEL SCHÖNBERG Lyrics by HERBERT KRETZMER Original French text by ALAIN BOUBLIL and JEAN-MARC NATEL Additional material by JAMES FENTON Adaptation by TREVOR NUNN and JOHN CAIRD New Orchestrations by STEPHEN METCALFE, CHRISTOPHER JAHNKE and STEPHEN BROOKER Original Orchestrations by JOHN CAMERON Musical Staging by GEOFFREY GARRATT Projections realized by FINN ROSS and FIFTY-NINE PRODUCTIONS Sound by MICK POTTER Lighting by PAULE CONSTABLE Original Costume Design by ANDREANE NEOFITOU Additional Costume Design by CHRISTINE ROWLAND and PAUL WILLS Set and Image Design by MATT KINLEY inspired by the paintings of VICTOR HUGO Directed by LAURENCE CONNOR and JAMES POWELL For LES MISÉRABLES North American Tour Casting by General Management CLAIRE BURKE, CSA GREGORY VANDER PLOEG MERRI SUGARMAN, CSA for Gentry & Associates for The TRC Company Associate Sound Designer NIC GRAY

Associate Projection Designer SIMON HARDING & JONATHON LYLE

Executive Producer SETH SKLAR-HEYN for Cameron Mackintosh Inc.

Executive Producer TRINITY WHEELER for NETworks Presentations

Associate Lighting Designers BEN JACOBS & KAREN SPAHN

CHRISTINE PETERS

Associate Set Designers DAVID HARRIS &

Wigs, Hair & Make-Up Designer STEFAN MUSCH

Resident Director KYLE TIMSON

Musical Director GLENN ALEXANDER II

Musical Staging Associate JESSE ROBB

Musical Supervision STEPHEN BROOKER & JAMES MOORE

Associate Director COREY AGNEW

A CAMERON MACKINTOSH and NETWORKS Presentation presented by

40A

THE CAST (In order of Appearance) Jean Valjean . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . NICK CARTELL Javert . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . NICK REHBERGER Farmer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . STEVE CZARNECKI Laborer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DANIEL GERARD BITTNER Innkeeper’s Wife . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GRACIE ANNABELLE PARKER Innkeeper . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DAVID T . WALKER The Bishop of Digne . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .RANDY JETER Constables . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .JEREMIAH ALSOP, JONATHAN YOUNG Factory Foreman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . STEVE CZARNECKI Fantine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LINDSAY HEATHER PEARCE Factory Girl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PAIGE McNAMARA Old Woman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SARAH PANSING Wigmaker . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JULIETTE REDDEN Bamatabois . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DAVID ANDINO Fauchelevent . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CHRISTIAN ENGELHARDT Champmathieu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . COLIN ANDERSON Little Cosette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMERSON MAE CHAN, GRETA SCHAEFER Madame Thénardier . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VICTORIA HUSTON-ELEM Young Éponine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMERSON MAE CHAN, GRETA SCHAEFER Thénardier . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MATT CROWLE Petit Gervais / Gavroche . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .JACKSON PARKER GILL, JACK JEWKES Éponine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MYA RENA HUNTER Cosette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DELANEY GUYER Thénardier’s Gang Montparnasse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JEREMIAH ALSOP Babet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DAVID ANDINO Brujon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . STEVE CZARNECKI Claquesous . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DAVID T . WALKER Students Enjolras . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CHRISTIAN MARK GIBBS Marius . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JAKE DAVID SMITH Combeferre . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . COLIN ANDERSON Feuilly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DANIEL GERARD BITTNER Courfeyrac . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DANNY MARTIN Joly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CHRISTIAN ENGELHARDT Grantaire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .KYLE ADAMS Lesgles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .RANDY JETER Jean Prouvaire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JONATHAN YOUNG Loud Hailer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .RANDY JETER Major Domo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .KYLE ADAMS Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . NICOLE FRAGALA, GILLIAN HASSERT, AUDREY HOFFMAN, EDEN MAU, KAITLYN SUMNER Swings . . . . . . . . . . . . . . . . . KENNETH QUINNEY FRANCOEUR, MIKAKO MARTIN, NICOLE MORRIS, ASHLEY DAWN MORTENSEN, NICHOLAS PATTARINI, MATT ROSELL, CHRISTOPHER ROBIN SAPP, LAMONT J . WHITAKER Dance Captain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .KYLE TIMSON Fight Captain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . STEVE CZARNECKI UNDERSTUDIES For Jean Valjean–COLIN ANDERSON, RANDY JETER; for Javert–STEVE CZARNECKI, DAVID T . WALKER; for Cosette–EDEN MAU, GRACIE ANNABELLE PARKER; for Fantine– NICOLE FRAGALA, JULIETTE REDDEN; for Thénardier–KYLE ADAMS, DAVID ANDINO; for Madame Thénardier–GILLIAN HASSERT, PAIGE McNAMARA; for Éponine–MIKAKO MARTIN, KAITLYN SUMNER; for Marius–JEREMIAH ALSOP, CHRISTIAN ENGELHARDT; for Enjolras–DANIEL GERARD BITTNER, DANNY MARTIN, JONATHAN YOUNG; for Little Cosette/Young Éponine– AUDREY HOFFMAN; for the Bishop of Digne–DAVID T . WALKER, LAMONT J . WHITAKER; for the Factory Foreman–KYLE ADAMS, LAMONT J . WHITAKER; for the Factory Girl–ASHLEY DAWN MORTENSEN, JULIETTE REDDEN; for Bamatabois–DANIEL GERARD BITTNER, JONATHAN YOUNG; for Grantaire–DANIEL GERARD BITTNER, JONATHAN YOUNG

40B

SCENES & MUSICAL NUMBERS Act One

PROLOGUE: 1815, DIGNE

Prologue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Company “Soliloquy” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Valjean 1823, MONTREUIL-SUR-MER

“At The End of the Day” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Unemployed and Factory Workers “I Dreamed a Dream” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fantine “Lovely Ladies” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ladies and Clients “Who Am I?” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Valjean “Come To Me” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fantine and Valjean 1823, MONTFERMEIL

“Castle on a Cloud” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cosette “Master of the House” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Thénardier, his Wife and Customers “Thénardier Waltz” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M . and Mme . Thénardier and Valjean 1832, PARIS

“Look Down” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gavroche and the beggars “Stars” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Javert “Red and Black” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Enjolras, Marius and the students “Do You Hear the People Sing?” . . . . . . . . . . . . . . . . . . . . . . . . . . Enjolras, the students and the citizens “In My Life” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Cosette, Valjean, Marius and Éponine “A Heart Full of Love” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Cosette, Marius and Éponine “One Day More” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Company INTERMISSION

Act Two

“On My Own” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Éponine “A Little Fall of Rain” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Éponine and Marius “Drink with Me to Days Gone By” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Grantaire, students and women “Bring Him Home” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Valjean “Dog Eats Dog” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Thénardier “Soliloquy” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Javert “Turning” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Women “Empty Chairs at Empty Tables” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Marius “Wedding Chorale” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Guests “Beggars at the Feast” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M . and Mme . Thénardier Finale . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Company THE ORCHESTRA Music Director/Conductor – GLENN ALEXANDER II; Associate Conductor/Keyboards – TIM LENIHAN; Assistant Conductor/Keyboards – LINDSAY NOEL MILLER; Violin/ Concertmaster – ALLY JENKINS; Viola – JARVIS BENSON Cello – FREDDY RENAUD; Bass – BRAD LOVELACE; Flute / Piccolo / Alto Flute / Recorder – SCHUYLER THORNTON; Oboe / Cor Anglais – MARK SOPHIA; Clarinet in Bb / Clarinet in Eb / Bass Clarinet / Recorder – PETER SCUDERI; Horn 1 – ANSON CARROLL; Horn 2 – ELIZABETH HARRAMAN; Trumpet in Bb / Flugel Horn / Piccolo Trumpet – JOSHUA NORTON; Bass Trombone / Tuba – CRAIG WATSON; Drums / Percussion / Mallets / Timpani – MAX MEYER; Music Coordinator – JOHN MILLER

Scan this QR Code for the Les Misérables Synopsis; and for the cast list for this performance .

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WHO’S WHO

Kyle Adams

Jeremiah Alsop

Colin Anderson

David Andino

Daniel Gerard Bittner

Nick Cartell

Emerson Mae Chan

Matt Crowle

Steve Czarnecki

Christian Engelhardt

Nicole Fragala

Kenneth Quinney Francoeur

Christian Mark Gibbs

Jackson Parker Gill

Delaney Guyer

Gillian Hassert

Audrey Hoffman

Mya Rena Hunter

Victoria Huston-Elem

Randy Jeter

Jack Jewkes

Danny Martin

Mikako Martin

Eden Mau

Paige McNamara

Nicole Morris

Ashley Dawn Mortensen

Sarah Pansing

Gracie Annabelle Parker

Nicholas Pattarini

Lindsay Heather Pearce

Juliette Redden

Nick Rehberger

Matt Rosell

Christopher Robin Sapp

Greta Schaefer

Jake David Smith

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Kaitlyn Sumner

David T. Walker

Lamont J. Whitaker

Jonathan Young

WHO’S WHO IN THE COMPANY KYLE ADAMS (Grantaire, Major Domo, u/s Thenardier, u/s Factory Foreman). Regional: Paramount, Drury Lane, Marriott, Rocky Mountain Rep, Fireside. TV: “Chicago Med” (NBC), “4400” (CW). Commercial: Google Pixel, Lyft. VO: QuikTrip, Jackbox.

STEVE CZARNECKI (Farmer, Factory Foreman, Brujon, u/s Javert, Fight Captain) is thrilled to fight on the barricade once again. NYC/Tours: Phantom (Swing), Paint Your Wagon (Ensemble). Regional: The Muny, Papermill, and more. BFA Otterbein.

Love to the circus.

JEREMIAH ALSOP (Constable Montparnasse, u/s Marius). Broadway: The Who’s Tommy.

Chicago/Regional: Goodman, Drury Lane, Marriott, Portland Center Stage. TV: “Chicago Med,” “77th Tony Awards.” Hugger+Lover represented by DDO. All my love to Allan!

CHRISTIAN ENGELHARDT (Fauchelevent, Joly, u/s Marius) is ecstatic to make his National Tour debut in his dream show! Regional: Jesus Christ Superstar (Judas), Margaritaville (Tully), Jersey Boys (Bob Gaudio). Gratitude to the Les Mis team, Tara Rubin, and Henderson Hogan. Carnegie Mellon MT grad. Wouldn’t be here without his parents, brothers, girlfriend, family, and God!

COLIN ANDERSON (Champmathieu, Combeferre, u/s Jean Valjean). Broadway: Carousel. National Tours: My Fair Lady, The Book of Mormon. Off-Broadway/New York: Sweeney Todd (Barrow Street Theatre and Lincoln Center/ New York Philharmonic). Regional: A Little Night Music (Ogunquit & DCPA), Hunchback...

(Argyle Theatre). TV: “FBI,” “The Equalizer” (CBS). Thanks to DGRW & TRC. OCU Alum.

For my family.

DAVID ANDINO (Bambatois, Babet, u/s Thenardier). 50 Shades (Off-Broadway), R+H’s Cinderella (1st Nat’l Tour), Amelie the Musical (OBC). For Dani, Rj, Aj, Seby & Nemo.

DANIEL GERARD BITTNER (Laborer, Feuilly, u/s Enjolras, u/s Grantaire). Pittsburgh born-andraised, and Carnegie Mellon School of Drama Alum.

He made his Broadway debut in The Phantom of the Opera. Dan would like to thank his family and friends for everything.

NICK CARTELL (Valjean). Over 1,500 performances in this role. Bway: Paramour, Scandalous (OBCR), JCS (2012). Nat’l Tour: Phantom. Off-Bway: Frankenstein (OOBCR).

Regional: Light in the Piazza (AriZoni Best Actor), My Fair Lady & more! Concerts: A Thousand Spotlights, Bringing It Home, South Coast & Phoenix Symphonies, The Broadway Boys. Album: “A Thousand Spotlights” available digitally & at the merch stand. For MOM. EMERSON MAE CHAN (Little Cosette, Young Eponine). Natalie Hillard (1st Nat’l Tour, Mrs. Doubtfire). Regional: The Sound of Music (Gretl, Paramount Theatre), Children of Eden (Broadway in Chicago). VO: Nickelodeon Animation Studios.

NICOLE FRAGALA (Ensemble, u/s Fantine).

National Tour: Tootsie. Regional: Legally Blonde, Bernstein’s MASS (Ravinia Festival/PBS), Jekyll & Hyde, TV: “Pretty Little Liars.”

KENNETH QUINNEY FRANCOEUR (Swing).

A proud Mainer who has performed in all 50 states & many countries! NY: A Child’s Christmas in Wales, The King’s Legacy. Tours: Company, Jersey Boys, Memphis. Many thanks to TRC, Pantera/ Murphy, Ben, Dad, & Gail. BFA Elon U. CHRISTIAN MARK GIBBS (Enjolras).

Broadway: Camelot. New York: Follies (Carnegie Hall), Porgy and Bess, Hamlet (Metropolitan Opera). Off-Broadway: Intimate Apparel. Regional/ International: West Side Story (Savoy-teatteri), Pirates of Penzance (Glimmerglass). Concert: London Symphony Orchestra, Symfónia Umenia (Slovakia). TV: “WU-TANG: An American Saga.”

Film: The Woman King.

JACKSON PARKER GILL (Gavroche), 9, from NY. National Tour Debut! Regional: A Christmas Story (Randy), Beauty & the Beast (Chip), Seussical (Jojo), Bye Bye Birdie (Randolph). TV: “Impractical Jokers.” Thanks to Mom, Dad, TRC, CESD, Broadway Dance Theatre, Matt & the BDT Teachers!

DELANEY GUYER (Cosette) is elated to be making her national tour debut! Regional credits include: Carousel (Carrie), Sweeney Todd (Johanna), Parade (Mary). TV: “Based on a True Story” (Peacock). CCM MT Alum. Love & thanks to her teams at LBI and Arise, Tara Rubin Casting, the entire creative team, and M,D&L. For Grammie.

MATT CROWLE (Thenardier). Broadway: Monty Python’s Spamalot. Select Chicago: The Santaland Diaries, Gentleman’s Guide, Merrily We Roll Along, A Funny Thing Happened. Love and thanks to Ma, Pa, Jim, and Sam. For Erni.

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WHO’S WHO IN THE COMPANY GILLIAN HASSERT (Ensemble, u/s Madame Thenardier). Tour: Oklahoma!; Fame: The Musical.

Regional: Escape to Margaritaville, 42nd Street (Arrow Rock Lyceum); Kinky Boots, Hunchback (Fulton Theatre). TV: “The Other Two” (HBO); “New Amsterdam” (NBC); “Younger” (TV Land).

Soloist on Grammy Award-winning album “Women Warriors: The Voices of Change.” Thanks to Brian, Alexa, Tara Rubin Casting, and the little bears. This one’s for Carol.

AUDREY HOFFMAN (Ensemble, u/s Little Cosette/ Young Eponine), 7, is thrilled to make her National Tour debut! Recent film: IF (Young Bea).

Audrey thanks her family, friends, Zuri, Rebel, The Prep, and Tara Rubin Casting for their support.

MYA RENA HUNTER (Eponine). National tour debut! Recent credits: A Raisin in the Sun (Beneatha), 25th Annual Putnam County Spelling Bee (Swing). BFA Musical Theatre, Howard University. Love to her family, friends, BRS/Gage, and Tara Rubin Casting! AVID! VICTORIA HUSTON-ELEM (Madame Thenardier). National Tour: Finding Neverland, The Addams Family. Off-Broadway: Goldie, Max & Milk, Golden Boy of the Blue Ridge. Regional: Gypsy, The Music Man (Goodspeed), Ragtime (Bay Street), Sunset Boulevard, Sister Act (NSMT), A Little Night Music (DCPA). Endless thanks: CTG and Tara Rubin Casting. For my family.

RANDY JETER (Bishop of Digne, Lesgles, Loud Hailer, u/s Valjean) is elated to be joining the barricade with his Les Mis debut. Off-Broadway: Parable of the Sower (The Public Theater), International tour: Ivan Jacob’s The Phantom of the Opera (Maestro). Favorite Regional Credits: Man of La Mancha (Don Quixote), Jekyll & Hyde (Jekyll & Hyde), Ragtime (Coalhouse Walker Jr.).

MSM alum! Love to A&K! JACK JEWKES (Gavroche) is thrilled to make his national tour debut with Les Mis. Jack puts his whole heart into bringing Gavroche to life! Thanks to Maxed Management, RUCC, and his family.

DANNY MARTIN (Courfeyrac, u/s Enjolras).

National Tour: Anastasia (Dmitry u/s). TV/ Film: “Wu-Tang…” (Hulu). ShenCo alum!

Shoutout CTG! Endless thanks to his friends, family & beautiful wife for their love & support.

Numbers 6:24-26 MIKAKO MARTIN (Swing, u/s Eponine). Mika is a Singapore raised Japanese-American actor based in NYC. Recent: Miss Saigon (Kim) & The King and I. University of Michigan grad. Thank you to family, CTG & Tara Rubin Casting.

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EDEN MAU (Ensemble, u/s Cosette). National tour debut! Woohoo! Some of her favorite credits include: A Gentleman’s Guide (Sibella), Joseph (Narrator), and Kinky Boots (Lauren U/S). Eden is so grateful for all of her besties. A big old thank you to her role model parents, Nick, Sandy, Dustin, and Marc. I love you all endlessly. BWMT. Xoxo.

PAIGE MCNAMARA (Factory Girl, u/s Madame Thenardier) has been performing on tour and regionally for over 10 years. She is donating a portion of her earnings from the Kennedy Center to the ACLU. NICOLE MORRIS (Swing). National Tours include Les Misérables (2022-2024), Swing/ Éponine u/s; and An Officer and a Gentleman, Ensemble/Casey Seeger u/s. Regional/Summer Stock: Mamma Mia! (Sophie) and Footloose (Rusty) at Clear Space Theatre Company; Hairspray (Dynamite) at Laguna Playhouse. Happy to be back on the Barricade!

ASHLEY DAWN MORTENSEN (Swing, u/s Factory Girl, Assistant Dance Captain). Broadway: Les Misérables (Swing). National tour: Wicked (Elphaba understudy). Regional: Spamalot (Lady of the Lake). NYU CAP21.

SARAH PANSING (Old Woman) is beyond excited to be joining the company of Les Misérables! Regional Credits: Les Misérables at The Muny and Cabaret (Sally Bowles). CCM MT! Endless thanks to mom, family, friends, DGRW, the creative team, and TRC! GRACIE ANNABELLE PARKER (Innkeeper’s Wife, u/s Cosette). National Tour debut! Regional: The Muny: Les Misérables (Cosette). Proud CCM MT grad. Thank you to the Les Mis team, Tara Rubin, HH, MYM, and God. Love you mom and dad!

NICHOLAS PATTARINI (Swing). Regional: Les Misérables (Ensemble) The Muny. National Tour Debut! Recent graduate of CCM Musical Theater.

Thanks to the Les Mis Team, the TRC Company and HCKR for this opportunity. All my love to my family and friends.

LINDSAY HEATHER PEARCE (Fantine).

Broadway: Elphaba (Wicked). Off-Bway: Rose (Titanique). Tours: Janis Sarkisian (Mean Girls, 1st National). Regional: RENT (The Muny), American Idiot, Spring Awakening, Bare (LA Revival), For The Record: Baz, For The Record: Tarantino. TV/ Film: “The Glee Project” (Oxygen), “Glee” (FOX), “Recovery Road” (Freeform), “Grey’s Anatomy” (ABC), “Drop Dead Diva” (Lifetime). Thanks Tara Rubin Casting, Reel Talent Management,

WHO’S WHO IN THE COMPANY LA Talent. To my family, all of my gratitude, to my friends, all of my heart, and to Michael, all of my soul.

JULIETTE REDDEN (Wigmaker, u/s Fantine, u/s Factory Girl) is SO proud to be a French citizen performing the most French musical known to man.

Thank you to DGRW, Schachter Entertainment, Tara Rubin, Jake, et gros bisous à sa famille.

Vive la France!

NICK REHBERGER. (Javert). Broadway: Patriots, The Glass Menagerie, Fiddler on the Roof. Select Theater: Hamlet (Public Theater), …

Great Comet of 1812 (PCLO), Pride and Prejudice (St. Louis Rep), Shakespeare in Love (Chicago Shakespeare). Select Film/TV: I Am Michael, “The Other Two,” “Girls,” “The Deuce,” “The Equalizer,” “FBI: Most Wanted,” “Elementary,” “Gotham.”

MATT ROSELL (Swing).

Bway: Les Misérables. Tour: Anastasia, Les Mis. TV: “Mrs. Maisel,” “Glee.” Love to my family, friends and the disenfranchised.

CHRISTOPHER ROBIN SAPP (Swing). A true multi-hyphenate, CR has worked professionally as a musical theatre performer, instrumentalist, songwriter, and LEGO designer.

GRETA SCHAEFER (Little Cosette/ Young Eponine). Former Harvest Girl, Gretl von Trapp, Spot Conlon & Charlie Bucket. Student of comedy, loves books, singing & slime. Special thanks CESD, BKA, Tara Rubin, friends & family.

JAKE DAVID SMITH (Marius) is an actor, musician, and pickleball enthusiast. Broadway: Frozen. Off Broadway: Between the Lines (now streaming on Amazon prime!) Regional: West Side Story, Dark of the Moon (World Premiere), Margaritaville (Regional Premiere). Jake sends his love and gratitude to his family, Juliette, A Squad, Elon MT, Tara Rubin Casting and CGF. KAITLYN SUMNER (Ensemble, u/s Eponine).

National tour debut! Boston Conservatory graduate, B.F.A. Big thanks to UIA Talent and Tara Rubin Casting. Endless love and gratitude to Mom, Dad, and Kylie. This is for you.

DAVID T. WALKER (Innkeeper, Claquesous, u/s Javert, u/s Bishop of Digne) is beyond thrilled to be making his national tour debut with the Les Mis company!! Thanks to DDO Artists Agency, TRC, instructors, family and friends for helping me to continue this dream.

presented by

LAMONT J. WHITAKER (Swing, u/s Factory Foreman). Born and raised in Miami, FL, Lamont received his BFA from AMDA Los Angeles.

National tours: The Book of Mormon (Mafala), Summer: The Donna Summer Musical (Pastor).

Huge thanks to his manager Gregg Baker: “wouldn’t be here without you!”

JONATHAN YOUNG (Constable, Jean Prouvaire, u/s Enjolras, u/s Bamatabois, u/s Grantaire).

Previous credits include: Pretty Woman First Nat’l Tour (Alfredo, u/s Edward). Regional: An American in Paris (Henri), Titanic (Barrett), Austen’s Pride (Wickham), Grey Gardens (Joe/Jerry).

ALAIN BOUBLIL (Concept, Book and Original French Lyrics). Librettist/original lyricist: La Révolution Française, Les Misérables, Miss Saigon, Martin Guerre and The Pirate Queen with ClaudeMichel Schönberg and Marguerite with Michel Legrand. Co-wrote the screenplay and co-produced the movie soundtrack of Golden Globe-winning Les Misérables (Academy-Award nomination, best song). Author: plays The Diary of Adam and Eve and Manhattan Parisienne, prize-winning novel, Les Dessous de Soi. Awards: two Tony, Grammy, Victoires de la Musique Awards; Molière, Evening Standard and Olivier Award; special Grammy honor; honoree of NY Pops at Carnegie Hall (2016). Producer: Boublil/Schönberg Do You Hear the People Sing worldwide symphonic concerts.

Current major Martin Guerre re-write heralds a new first class production.

CLAUDE-MICHEL SCHÖNBERG (Book and Music). Co-book writer and composer of La Revolution Française, Les Misérables, Miss Saigon, Martin Guerre and The Pirate Queen. Co-wrote Marguerite in collaboration with Alain Boublil, Michel Legrand, Herbert Kretzmer. Supervised overseas productions and co-produced international cast albums of his shows. Composed the ballet scores for Wuthering Heights and Cleopatra for Northern Ballet. Co-wrote the screenplay and reconceived the music for the Les Misérables musical movie. Golden Globe winner, Oscar nominee, 2016 honoree of The New York Pops at Carnegie Hall with Alain Boublil. Appointed visiting Professor of Contemporary Theatre at St. Catherine’s College, Oxford University. Guest Professor at Royal Academy of Music.

CAMERON MACKINTOSH (Producer) for over 50 years has remained the world’s most prolific producer of musicals with dozens of his productions either in performance or in preparation around the world. As well as co-producing Hamilton in London his record-breaking original productions include Les Misérables, The Phantom of the Opera,

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WHO’S WHO IN THE COMPANY Cats, Miss Saigon, Mary Poppins (co-produced with Disney), Little Shop of Horrors, Side By Side By Sondheim, Tom Foolery and Five Guys Named Moe, all of which continue to be performed regularly around the world. He is also the producer and owner of Lionel Bart’s great musical Oliver! and both producer and devisor of Sondheim’s Putting It Together and most recently Old Friends.

His other modern reinventions of classic musicals include My Fair Lady, Follies, Half A Sixpence and Barnum. In 2013, alongside Working Title Films and Universal, Cameron produced Oscar, Golden Globe and BAFTA award-winning film adaptation of Les Misérables, which has become one of the most successful movie musicals of all time. The latest sell-out staged concert of Les Misérables produced in London for nearly 250 record breaking performances is now due to go on a World Tour starting in the autumn of 2024. He owns and operates eight historic London theatres which have all been spectacularly rebuilt and refurbished for the 21st Century. The Sondheim, formerly known as the Queen’s, has been rebuilt and renamed in honor of Cameron’s great friend, theatrical legend Stephen Sondheim. Music Theatre International, the world’s largest owner of secondary rights of many of the greatest musicals ever written, is now one of Cameron’s companies. In 1990, Cameron inaugurated the Chair of Contemporary Theatre at St. Catherine’s College in Oxford University, with Stephen Sondheim as his first visiting professor, and has since hosted some of the greatest names in the arts of all time. Cameron was knighted in 1996 and is the first British producer to be elected to Broadway’s Theatre Hall of Fame.

HERBERT KRETZMER, 1925 – 2020, (Lyrics) was born in South Africa to immigrant parents from Lithuania. He was a London journalist writing the commentary for a weekly cinema newsreel when Cameron Mackintosh invited him to write the lyrics for the epochal West End production of Les Misérables in 1985. Combining twin careers as a journalist/lyricist, he contributed regular lyrics for the BBC’s famous satire series “That Was the Week That Was” and had also written lyrics for the French singer Charles Aznavour (“Yesterday When I Was Young,” “She,” etc.). It was Kretzmer’s work with Aznovour, as well as having seen and admired his work on the musical, Our Man Crichton, that inspired Cameron to invite him to join the team to write the English lyrics for Les Misérables.

Kretzmer was the recipient of two honorary doctorates and was appointed OBE in 2010.

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JAMES POWELL (Director) was in London when he took over as resident director in 1996 and then later as associate director. He has since directed it in Scandinavia and Berlin, joint directed the anniversary production (U.K. tour, Japan Australia, Toronto) and the O2 Arena concert (London), Broadway, Sao Paolo, Dubai, Amsterdam Early 2023. Other work: Singin’ in the Rain (west Yorkshire Playhouse, RNT), The Witches of Eastwick (London, Australia), Mary Poppins (Bristol, London, Australia, Holland, New Zealand, Zurich, Germany, Japan), Dirty Dancing (London, Utrecht, Chicago, Toronto, Berlin, Oberhausen, U.S. Tour). He co-directed Batman Live (U.K., South America, U.S). This is the 3rd U.S. Tour for James.

LAURENCE CONNOR (Director). Theatre: Bad Cinderella (Broadway), Saving Grace (Riverside Studios), Cinderella (West End), Joseph and the Amazing Technicolor Dreamcoat (London Palladium), Chess (ENO West End), School of Rock (Broadway, West End, U.S. tour), Les Misérables (Broadway, West End, worldwide, U.S. and U.K. tours), Miss Saigon (West End, U.S and U.K. tours, worldwide), Jesus Christ Superstar (U.K. arena tour, Australia), the entirely new stage production of The Phantom of the Opera (Australia, U.S. and U.K. tours), Oliver! (U.K. tour). Concerts: The Phantom of the Opera 25th Anniversary (Royal Albert Hall, worldwide cinema streaming, DVD), Les Misérables 25th Anniversary (O2 Arena, worldwide cinema streaming, DVD), Miss Saigon 25th Anniversary (cinema release, DVD). Awards: Miss Saigon West End (Best Direction – WhatsOnStage, Broadway World awards), Miss Saigon Australia (Best Director of a Musical – Green Room Awards), Les Misérables Korea (Best Director of a Musical).

MATT KINLEY (Set and Image Designer) graduated from the Motley course in 1994 and spent the next decade in production and design at the National Theatre and the West End in London.

As part of a long-working partnership with Cameron Mackintosh, he has designed and adapted productions of My Fair Lady, Mary Poppins, Phantom and Miss Saigon all over the world amongst the design of numerous other independent productions. In 2009 he was asked to redesign Les Misérables for its 25th Anniversary, the success of this re-imagining has seen many international productions and he is delighted to present the latest version of this legendary show on this new U.S. tour.

WHO’S WHO IN THE COMPANY PAULE CONSTABLE (Lighting Designer) has designed productions for all the major U.K. companies including Follies, Angels in America and The Red Barn for the National Theatre and the 25th anniversary concert of Les Miz at the O2. Awards: Tony Awards for The Curious Incident of the Dog in the Night-Time, War Horse, four Olivier Awards, L.A. Critics Circle Awards, New York Critics Circle Award, Drama Desk Award and Helpmann Award.

Opera includes Cav and Pag and Roberto Devereux at the Met; dance includes The Red Shoes and Sleeping Beauty for Matthew Bourne.

PAUL WILLS (Additional Costume Design, Costume Design Consultant) is a critically acclaimed British Stage and Costume Designer.

His designs can be seen in the West End and Internationally. Work includes: The Clinic (The Almeida); The Steward of Christendom (Gate Theatre); The Monstrous Child (The Royal Opera House); An Enemy of The People (Theatre Cocoon, Tokyo); Anna Christie (Donmar Warehouse) and King Lear with Sir Ian McKellen (West End) which was nominated for Best Revival at the Olivier Awards in 2019.

MICK POTTER (Sound Designer) is one of the world’s leading Sound Designers. He has designed the sound for over a hundred first class musical theatre productions globally, working at the forefront of technical and creative innovation. His shows include multiple word premiere productions on both the West End and Broadway stage and his Sound Designs have garnered many awards, including an Olivier Award in the West End and a Tony Award nomination on Broadway. He is honoured to have worked with many of the greatest Producers, Composers, Directors, Creatives and Artistes in Musical Theatre. mickpotter.com

GEOFFREY GARRATT (Musical Staging).

Trained at Bird Theatre College in London.

Associate choreographer on Mary Poppins (London); Miss Saigon (Broadway, U.K. tour, Korea, Australia); Oliver! (London, Australia, Holland, Toronto, U.K., U.S. tours); Witches of Eastwick (London, Australia); South Pacific (National Theatre); Hey, Mr. Producer! (London, U.S.). Choreographic credits include Little Shop of Horrors, Blues in the Night and A Doll’s House for West Yorkshire Playhouse; Jack and the Beanstalk (Barbican); and Fascinating Aida (U.K. tour and West End). Performed in Cats, Martin Guerre, Fiddler on the Roof, Matador, West Side Story, Mister Cinders and Joseph and the Amazing Technicolor Dreamcoat.

ANDREANE NEOFITOU (Costume Designer).

Theatre includes Les Misérables (Tony nomination) and Miss Saigon (worldwide); Once in a Lifetime, Nicholas Nickleby, Hedda Gabler, The Merchant of Venice, Fair Maid of the West, The Changeling (all Royal Shakespeare Company); Peter Pan (National Theatre); Grease (West End); Miss Julie (Athens); Carmen (Royal Albert Hall); Timon of Athens with David Suchet (Old Vic); Martin Guerre (Guthrie); Nabucco (the Met); Jane Eyre (Broadway, Outer Critics Circle nomination). Film include Rosencrantz and Guildenstern Are Dead (dir. Tom Stoppard).

CHRISTINE ROWLAND (Additional Costume Design) was head of costume for the Royal Shakespeare Company and resident costume supervisor at the National Theatre. For Cameron Mackintosh: Carousel (London, NY, Tokyo), Oliver! (London, U.S. tour, Australia), The Witches of Eastwick (London, Australia), My Fair Lady (London, U.S. tour), Mary Poppins (London, NY, U.S. tour, Australia, Holland), Betty Blue Eyes (London), The Phantom of the Opera (U.K. tour, U.S. tour), Les Miz (Japan, South Korea, Australia, Brazil, Broadway, U.K. tour, U.S. tour, Spain, Canada). Other musicals: Gypsy (NY), Chitty Chitty Bang Bang (London, NY).

presented by

MICHAEL ASHCROFT (Musical Staging).

Movement director: Henry V (MGC), Dirty Dancing (Playful Productions), The Power of Yes (RNT), Resurrection Blues (Old Vic), Life Is a Dream (Donmar), The Blue Room (West End). RSC (associate artist): Hamlet, Richard III, Othello, A Midsummer Night’s Dream, Antony and Cleopatra, Julius Caesar, The Tempest, Merry Wives the Musical, Macbeth, Richard II. Film: Hamlet, Richard II, Henry IV. FINN ROSS (Projection Realization) has won two Oliviers, a Tony and three Drama Desk awards.

Recent Theatre: Back to the Future (West End); Les Misérables (West End); Sweet Charity (Donmar/ Broadway); Mean Girls (Broadway), Bat Out of Hell (West End/International), Harry Potter and the Cursed Child (West End/Broadway), Curious Incident... (Broadway/West End/Tour).

59 PRODUCTIONS (Projections Realization).

Led by Leo Warner, Mark Grimmer and Lysander Aston along with director of animation, Peter Stenhouse, 59 productions is a film and anew media production company with specialized in filmmaking and integrating the moving image into live performance. Theater projects include Waves (National Theatre/Schauspiel Holn) and Les Misérables (Cameron Mackintosh/world tour).

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WHO’S WHO IN THE COMPANY Opera include 125th Anniversary Gala, Doctor Atomic (Met Opera/ENO), Satyagraha (ENO/Met Opera), Al Gran Sole Carico d’Amore (Salzburg Festival). Dance includes Invitus Invitam, The Goldberg Project (Royal Ballet) and Dorian Gray (Matthew Bourne’s New Adventures). Live Music includes the set and video design for Icelandic singer Jónsi (Sigur Rós). Short film includes the multi-award-winning A Family Portrait and The Half-Light. fiftynineproductions.co.uk JOHN CAMERON (Original Orchestrations) arranged the Orchestral Score for all the original productions of Les Misérables, Paris, London, Broadway, the Symphonic recordings, Concert, 10th Anniversary and 2006 Queen’s Theatre versions. As a composer his extensive film and television film score credits include the Academy Award-nominated A Touch of Class and the Emmy-nominated “Path to 9-11.” John cocomposed Zorro the Musical, nominated for an Olivier Award for Best New Musical 2009. Other arranging credits include Joseph and the Amazing Technicolor Dreamcoat.

STEPHEN METCALFE (New Orchestrations).

For the past 19 years, Stephen has been Head Of Music at Cameron Mackintosh Ltd. Productions include Les Misérables, Miss Saigon, Mary Poppins, My Fair Lady, Avenue Q, Hair, Betty Blue Eyes, Barnum, The Witches of Eastwick, and Half A Sixpence. Stephen produced the cast albums of Les Misérables (25th anniversary), Oliver!

(London), Mary Poppins (Australia), Miss Saigon (London, Holland), Betty Blue Eyes (London) and Half A Sixpence. He orchestrated and produced the soundtrack albums for the Universal Pictures film of Les Misérables, for which he was nominated for a Grammy Award.

CHRISTOPHER JAHNKE (New Orchestrations).

Orchestrations: Porgy and Bess (2012 Tony nomination), Heart And Lights (2014 Radio City), Legally Blonde, Cry Baby, Grease (2007 Revival), Do You Hear the People Sing? (Symphonic arena tour of Boublil/Schönberg), Dessa Rose, A Man of No Importance, Tom Jones (Stiles/Leigh), Chasing Nicolette, Not Wanted on the Voyage (Bartram/ Hill), Just So (Stiles/Drewe). Music Producer/ Music Supervisor of Memphis. Assistant to William David Brohn: Ragtime, Sweet Smell of Success, The Witches of Eastwick, Mary Poppins, Wicked.

STEPHEN BROOKER (New Orchestrations, Musical Supervisor). Conductor/musical director: Les Misérables film. Supervisor: Les Misérables (NY, London, Tokyo), Half a Sixpence, Barnum, Oliver!, Mary Poppins, Miss Saigon, Cats, My Fair Lady, The Secret Garden, South Pacific, Chess,

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The Woman in White, Saturday Night Fever, The Phantom of the Opera. Conductor: symphonies and choirs worldwide including Royal Choral Society for Her Majesty Queen Elizabeth. Composer: Walt Disney, Coca-Cola, Ford Motors, BMW cars, Jaguar Cars. Produced recordings of Les Misérables, Oliver!, Mary Poppins, South Pacific. Conducted the 85th Academy Awards.

JAMES MOORE (Musical Supervisor).

Broadway: Miss Saigon, On the Town, Gigi, Follies, South Pacific, Ragtime, Steel Pier, Company.

National tours: The Producers; Kiss Me, Kate; Crazy for You; And the World Goes ‘Round – The Songs of Kander and Ebb. Regional: Signature Theatre, Ford’s Theatre, Paper Mill, The Muny. Symphonic: Calgary Philharmonic Orchestra, National Symphony Orchestra, Orchestra of St. Luke’s, The Kennedy Center Opera House Orchestra, The Santa Barbara Symphony. Recordings: On the Town, Follies. Education: Master and Bachelor of Music degrees from the Indiana University Jacobs School of Music.

TREVOR NUNN and JOHN CAIRD (Adaptors).

Trevor Nunn joined the RSC in 1964 and in 1968 was made the company’s youngest ever Artistic Director. He was responsible for running it until retiring from the post in 1986. From 1997-2003, he was director of the National Theatre. Trevor has worked extensively in theatre, opera and musical theatre. John Caird is a freelance director, librettist and writer working worldwide in theatre, opera and musical theatre – at the National Theatre, the RSC (Honorary Associate Director) and at the Royal Dramatic Theatre Stockholm (Principal Guest Director). Theatre Craft, his encyclopedic book about directing, is published by Faber. Together, John and Trevor directed Nicholas Nickleby (five Tony Awards), JM Barrie’s Peter Pan and the original Les Misérables (eight Tonys).

JEAN-MARC NATEL (Original French Text) was born in 1942. He studied art at the Beaux Arts in Toulon before turning to poetry and has published two volumes of his poems. In 1968 he moved to Paris where he met Alain Boublil, who introduced him to songwriting with the daunting task of cowriting the lyrics for Les Misérables. Since then, he has written songs for a variety of artists and, recently, some of his poetry has been set to music

by Franck Pourcel.

JAMES FENTON (Additional Material) has worked as a political and literary journalist, drama critic and war correspondent. He won the Newdigate Prize for Poetry, was made Fellow of the Royal Society of Literature in 1983, Professor of Poetry at Oxford from 1994 to 1999 and awarded the Queen’s

WHO’S WHO IN THE COMPANY Medal for Poetry in 2007. Libretti include Haroun and the Sea Stories (New York City Opera). Plays include Pictures at an Exhibiton (Young Vic) and Orphan of Zhao (RSC, ACT).

COREY AGNEW (Associate Director) Corey is happy to be back with Les Misérables. Favorite credits include: Les Misérables (Associate and Resident Director - Mexico, Toronto, Australia, U.S. Tours), Matilda (Deputy-Associate and Resident Director - South Korea, Toronto, U.S. National Tour), Mary Poppins (Associate, Resident and Children’s Director - Broadway, Australian Premier, 1st and 2nd U.S. Tours), Joseph and the Amazing Technicolor Dreamcoat (Resident Director - Toronto), Original Kids (Artistic Director), Agnew Acting Studio (Artistic Director), The Sunshine Boys (Soulpepper Theatre), Robin Hood (Ross Petty Productions), Phantom of the Opera (Theatre Sheridan).

JESSE ROBB (Musical Staging Associate). An honors graduate of NYU’s Tisch School of the Arts, Robb’s career covers a wide variety of work including Broadway, Cirque Du Soleil, Disney, Momix, Prime Video, RWS Entertainment Group, Opera Philadelphia, and Turner Classic Movies.

Broadway: Associate Choreographer: Miss Saigon and The Cher Show. Additional Credits: Miss Saigon (co-staged Tony Awards Broadcast performance, North American Tour, Vienna); Stratford Festival of Canada, Theatre Calgary, Ogunquit Playhouse, The 5th Avenue Theatre, The Ordway, The Cape Playhouse, The Berkshire Theatre Festival, and the North Shore Playhouse among others. jesserobb.com KYLE TIMSON (Resident Director/Dance Captain) is thrilled to continue working on Les Mis after 5 years and close to 2,000 performances in the touring company. BFA University of Michigan.

When Kyle is not directing or performing - he is working as a theatre educator with a special focus on financial literacy for arts workers. More at kylertimson.com Love to family, friends, Rachel, and Lily. For Baba.

GLENN ALEXANDER II (Music Director/ Conductor). Broadway: Aladdin (Keyboard).

Regional: Paper Mill Playhouse. National Tour: Anastasia (Music Director). Symphonic: Atlanta Symphony, American Composers Orchestra, Carnegie Hall, Lincoln Center, Chicago Sinfonietta, Symphony of Southeast Texas, NYU Symphony Orchestra. TV: “American Symphony” (Netflix).

Collaborations: Jon Batiste, Infinity Song, Tamar-kali, Waffle House.

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STEFAN MUSCH (Wigs, Hair and Makeup Designer). Theatre: The Phantom of the Opera (London, 25th Anniversary, U.K. Tour, International), Les Misérables (London, Staged Concert, International), Miss Saigon, Shrek (London, International), King Lear (Chichester, London). London: An American in Paris, Frozen: The Play, Lady Windermere’s Fan, The Book of Mormon, Hairspray, Gone with the Wind, Wicked, Lord of the Rings. Germany: Disney’s Aida, Elisabeth, Tabaluga and Lili, Cats (also 1st national tour). Film: Young Woman and the Sea, Spencer, Maleficent, Cinderella, Flawless, The Merchant of Venice. Events: Royal Variety Show (2014, 2016), Her Majesty’s the Queen Platinum Jubilee Concert at Buckingham Palace. U.K. Theatre Trust Award for Outstanding Achievement in Wigs and Make-Up. JOHN MILLER (Musical Coordinator). Over 140 Broadway shows, including: Death of a Salesman, A Beautiful Noise, MJ-The Musical, Mrs. Doubtfire, Ain’t Too Proud, Tina—The Tina Turner Musical, Oklahoma!, Beautiful: The Carole King Musical, Waitress and Jersey Boys. Musician (bass): Leonard Cohen, Michael Jackson, Madonna, Bette Midler, Peter, Paul and Mary, Eric Clapton, Frank Sinatra, Bette Midler. johnmillerbass.com LEIGH ZIMMERMAN (Intimacy Director) is an Olivier Award-winning entertainment professional with 30+ years of experience in live theater, film, and TV in the US and UK. Leigh specializes in consent-based, trauma-informed practices for staged intimacy and as an Artistic Mental Health Practitioner to support the wellbeing of all artists. leighzimmerman.com BOND THEATRICAL (Tour Booking, Marketing & Publicity) is an independently-owned theatrical booking, marketing and publicity company representing award-winning Broadway shows and live entertainment properties. BOND connects artists and audiences by forming strategic, authentic and profitable partnerships between producers and presenters across North America.

For a complete list of current projects, please visit BondTheatrical.com STEVEN SCHNEPP (Tour Booking and Marketing Consultant) has worked for Cameron Mackintosh’s North American touring productions for more than three decades. He is proud to continue to be associated with the world’s most popular musical. BBONYC.com

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WHO’S WHO IN THE COMPANY THE TRC COMPANY (Casting). Led by partners Claire Burke, Kevin Metzger-Timson, Xavier Rubiano, and Peter Van Dam. Broadway: Dead Outlaw, BOOP! The Musical, Stephen Sondheim’s Old Friends, Buena Vista Social Club, Death Becomes Her, Left on Tenth, The Outsiders, SIX, Aladdin. National Tours: The Phantom Of The Opera, Water for Elephants, Beauty & The Beast, The Wiz, Back to the Future, Mamma Mia!. The TRC Company is proud to continue the casting legacy of Tara Rubin Casting and Johnson-Liff Casting.

CHRIS DANNER (Company Manager). National tour: The Band’s Visit, Dear Evan Hansen, The Lion King, Kinky Boots, Newsies, Once, 50 Shades, The Addams Family, 9 to 5, Legally Blonde, The Color Purple, My Fair Lady, Blue Man Group, The Light in the Piazza, Annie, Oliver!, Cover Girls, Blue’s Clues Live!, & David Copperfield. A proud DeMolay.org Advisor.

ELLE AGHABALA (Associate Company Manager) Tours: Annie, To Kill A Mockingbird.

Regional: Hairspray, Avenue Q, Phantom, Blue Man Group, Ain’t Misbehavin’, Eclipsed, A Raisin In The Sun, November, Harmony, The Revisionist.

KENNETH J. DAVIS (Production Stage Manager). Highlights include: 10 Broadway Tours and launching 6 new Norwegian Cruise Line ships. From The Lion King to Chicago, Spamalot to Hairspray, Kenneth is honored to carry on the legacy of this masterpiece.

JOHN N. FORTUNATO (Assistant Stage Manager) is thrilled to join the Les Misérables National Tour! Broadway: Mr. Saturday Night.

Off-Broadway: Mindplay, Exception to the Rule.

Tours: The Kite Runner, The Hip Hop Nutcracker, Bat Out of Hell, and others. Ithaca College Alum.

Proud AEA member.

TARA TOLAR-PAYNE (Stage Manager) Touring: Annie, Girl From the North Country, Jesus Christ Superstar. Pre-Broadway: Frozen. Regional: Asolo Rep, Phamaly Theatre. Endless gratitude for her loved ones for their support.

GENTRY & ASSOCIATES, INC. (General Management) has managed nearly 250 national and international touring theatrical productions over the past 25 years.

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SETH SKLAR-HEYN (Executive Producer) has served as Executive Producer for Cameron Mackintosh Inc. for North American projects since 2013, working on all recent Broadway and touring productions of The Phantom of the Opera, Les Misérables, and Miss Saigon. In 2021, Seth directed the new production of The Phantom of the Opera that reopened the recently renamed His Majesty’s Theatre in London’s West End (based on Harold Prince’s original staging), as well as the 2022 Australian premiere of Cameron Mackintosh’s new production of The Phantom of the Opera at the Sydney Opera House (based on Laurence Connor’s original staging).

Graduate of Vassar College.

TRINITY WHEELER (Executive Producer).

Broadway: 1776 (dirs. Diane Paulus and Jeffrey Page), Les Misérables. National tours: The Great Gatsby, The Sound of Music (dir. Jack O’Brien), 1776, Les Misérables, Peter Pan (dir. Lonny Price), A Beautiful Noise, Hairspray, Once on This Island, Waitress, The SpongeBob Musical, Chicago, Finding Neverland, Dirty Dancing, Bullets Over Broadway, Elf the Musical, Disney’s Beauty and the Beast, The Royal National Theatre production of Oklahoma!, The Wedding Singer, The Producers, The Wizard of Oz, The Phantom of the Opera, Mary Poppins, Young Frankenstein (dir. Susan Stroman) and Rent starring Adam Pascal and Anthony Rapp.

Gratitude to Ken, Seth, Clayton, Angela, Fred, Alecia, Cameron and Tom for believing. Love to Alan for everything. @trinityonbroadway NETWORKS PRESENTATIONS (Producer).

Current and upcoming productions include A Beautiful Noise, Beetlejuice, The Book of Mormon, The Great Gatsby, Les Misérables, Life of Pi, Mark Twain Tonight!, Cameron Mackintosh presents Andrew Lloyd Webber’s The Phantom of the Opera, The Sound of Music, Water for Elephants and The Wiz. networkstours.com

OPENING NIGHT OCTOBER 12, 2022 STAFF FOR LES MISÉRABLES EXECUTIVE PRODUCERS Seth Sklar-Heyn Trinity Wheeler GENERAL MANAGEMENT Gregory Vander Ploeg Amanda Lenti, Heather Moss PRODUCTION MANAGEMENT NETworks Presentations Jason Juenker Hector Guivas COMPANY MANAGER Chris Danner Associate Company Manager Elle Aghabala TOUR BOOKING, MARKETING & PUBLICITY BOND THEATRICAL bondtheatrical .com TOUR BOOKING Temah Higgins Mollie Mann Wendy Roberts Madison St . Amour Laura Rizzo Nilesha Alexander

Music Coordinator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .John Miller Assistant to John Miller . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Jennifer Coolbaugh Keyboard Programming . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Stuart Andrews Head Carpenter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Casey Nellis Automation Carpenter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Alice Michael Assistant Carpenter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kasey Walraven Flyman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Zane Whitmore Head Electrician . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .David George Assistant Electricians . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Dustin Flowers, Bradley Chelberg Knights Head Sound Engineer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Mason Wisecup Assistant Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sean Davis Head Properties . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Megan Kraft Assistant Properties . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Laura Rin Advance Rigger/Crew Swing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jameson Willey Head Wardrobe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Katrina Cahalan-Wilhite Assistant Wardrobe . . . . . . . . . . . . . . . . . . . . . . . . .Patricia Bond, Jennifer Thoele Wig/Hair Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Amanda Levens Assistant Hair and Makeup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Michael Briseno Assistant Hair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sarah Tyler Child Guardian/Teacher . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Jessica Balun Casting Associate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Spencer Gualdoni, CSA Production Assistants . . . . . . . . . . . . . . . . . . . . . . . . . .Carson Gantt, Emily Huber, Emily Korn, Sam Kronhaus, Tiffanie Lane, Jess Levine TOUR MARKETING & PUBLICITY Rehearsal Pianist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Danny Percefull DJ Martin Jenny Bates Tutoring Services . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .On Location Education Marc Viscardi Physical Therapy Consultant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Carolyn Lawson, Tony Joy Ayanna Jernigan NEURO Tour TOUR BOOKING & MARKETING CONSULTANT Print/Advertising Design . . . . . . . . . . . . . . . . . . . . .Cameron Mackintosh LTD, BBO KellyAnne Hanrahan Steven Schnepp Radio and Television Spot Production . . . . . . . . . . . . . . . . . . . . . . . . .Steam U .K .

CASTING Website . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Brackets Digital The TRC Company Social Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AKA UK Claire Burke CSA, Kevin Metzger-Timson CSA, Production Photography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Matthew Murphy and Xavier Rubiano CSA, Peter Van Dam CSA, Evan Zimmerman for MurphyMade Tara Rubin CSA, Merri Sugarman CSA, Tour Booking, Marketing & Publicity Office . . . . . . . . . . . . .BOND Theatrical Louis DiPaolo CSA, Spencer Gualdoni CSA Melissa Cohen, Jesse Daniels, Alexandra De La Cerda, Olivia Paige West CSA, Frankie Ramirez CSA Caroline Frawley, Bridget Goss, Steph Kelleher, Deborah Mann, U .S . ASSOCIATE DIRECTOR . . . . . . . . . . . . . . . . . . . . . . . . COREY AGNEW Harrison Mootoo, Scotland Newton, Elisabeth Reyes, U .K . MUSICAL SUPERVISOR . . . . . . . . . . . . . . .STEPHEN BROOKER Linda Stewart, Katelyn Wenkoff, Mary Witte U .S . MUSICAL SUPERVISOR . . . . . . . . . . . . . . . . . . . . . . . . . JAMES MOORE U .S . MUSICAL STAGING ASSOCIATE . . . . . . . . . . . . . . .JESSE ROBB Merchandising . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Platypus Productions, LLC RESIDENT DIRECTOR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .KYLE TIMSON Merchandising Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Caitlyn Martin PRODUCTION STAGE MANAGER . . . . . . . . . . . . . . .KENNETH J . DAVIS Legal Services . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . F. Richard Pappas, Esq. Stage Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tara Tolar-Payne Accounting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . NETworks Presentations LLC Assistant Stage Managers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John N . Fortunato, HR Services . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . K+K Reset, LLC Michael Morales Housing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Road Concierge Fight Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Joe Bostick Travel Agency . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kessler & Co ./Direct Travel Intimacy Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Leigh Zimmerman Trucking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Clark Transfer For Cameron Mackintosh, Inc. Voice Consultant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Liz Caplan U .K . Associate Scenic Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .David Harris Directors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Cameron Mackintosh Alan Finch U .S . Associate Scenic Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Christine Peters Richard Knibb Costume Design Associate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Laura Hunt Robert Noble U .S . Costume Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sam Fleming Thomas Schönberg Wigs, Hair and Make-up Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . Stefan Musch U .K . Hair and Wig Coordinator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Amy Kinsey Executive Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Seth Sklar-Heyn U .K . Associate Lighting Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ben Jacobs Technical Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jerry Donaldson U .S . Associate Lighting Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Karen Spahn Creative Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .David Dolman Lighting Programmer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Alyssa Eilbott Marketing Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Lucy May U .K . Associate Sound Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Nic Gray Graphic Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Angeline Teo Production Electrician . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Olivia Doniphan Head of Music . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Stephen Metcalfe Production Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Josh Hummel Accounts Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Katherine McNamee cameronmackintosh .com Associate Projection Designers . . . . . . Simon Harding, Jonathon Lyle

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For NETworks Presentations Chief Executive Officer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Orin Wolf President/Chief Production Officer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Seth Wenig Chief Operating Officer/Chief Financial Officer . . . . . . . . Margaret Daniel Business Affairs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Scott W . Jackson Executive Producers . . . . . . . . . . . . . . . .Mimi Intagliata, Hannah Rosenthal .

Trinity Wheeler Vice President of Finance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Scott Levine Sr . Director/Finance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .John Kinna Controller . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jennifer Gifford Director of Tour Accounting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Laura S . Carey Tax Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Pat Guerieri Tax Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Deborah Brown Accounts Payables & Receivables Clerk . . . . . . . . . . . . . . . . . . .Lisa Loveless Sr . Director, Booking & Engagements . . . . . . . . . . . . . . . . . . . . . .Amanda Laird Directors, Booking & Engagements . . . . . . . .Stacey Burns, Colin Byrne Booking Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lily Flippin Director of Sales . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Zach Stevenson Director of Marketing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Heather Hess Sr . Director/General Management . . . . . . . . Gregory Vander Ploeg General Managers . . . . . . . . . Madeline McCluskey, Rebecca Shubart Steven Varon-Moore Associate General Manager . . . . . . . Amanda Lenti, Heather Moss, Shira Wolf Sr . Director/Production Management . . . . . . . . . . . . . . . . . Jason Juenker Sr . Production Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Hector Guivas Production Managers . . . . . . . . . . .Matthew Reardon, Alex Williams Technical Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . pesci Associate Production Manager . . . . . . . . . . . . . Aimeé Mangual Pagán Production Coordinator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Gina Boccolucci Director of Operations . . . . . . . . . . . . . . . . . . . . . . . .Pearce Landry-Wegener Workers Compensation Coordinator . . . . . . . . . . . . . . . . . . Kayla Rooplal People Operations/Payroll Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sara Clayton Executive Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Isabella Schiavon Office Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Michelle Adye Adminstrative Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Aidan Herman Music Coordinator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John Mezzio Warehouse Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Joseph Spratt NETworks Asset Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Richard Haug Warehouse Costume Shop Assistant . . . . . . . . . . . . . Grace Santamaria Credits Rigging and Lighting Equipment supplied by Christie Lites; Video Projection supplied by 4Wall; Sound Equipment supplied by Sound Associates; Set, Show control and scenic motion control featuring stage command systems® by PRG-Scenic Technologies, a division of Production Resource Group, L .L .C ., New Windsor, NY; Scenic Construction by Global Scenic; Costumes constructed

by Eric Winterling, Arnold Levine Millinery, Arel Studios, Timberlake Studios, Dyenamix, Parsons-Meares, Ltd ., Montana Leatherworks, Stiefelwerks, Mad Tailor LLC, John Schneeman Studio; Wigs by Atelier Perru, The Netherlands . Weapons and Torches by J&M Special Effects .

Rehearsed at Gibney Dance Center, New York Special Thanks to Playhouse Square, Cleveland, OH; Gina M . Vernaci, President & CEO Insurance Broker Services EPIC Entertainment & Sports Financial Services and banking arrangements by Flagstar Bank N.A. Online: LesMiz.com Facebook, Instagram, X: LesMizUS, TikTok: @LesMisOfficial

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The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited .

The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the union of professional actors and stage managers in the United States .

All stage work performed by employees represented by IATSE .

UNITED SCENIC ARTISTS represents the designers and scenic painters for the American Theatre .

The Musicians employed in this production are members of the American Federation of Musicians of the United States and Canada .

The Director and Choreographer are members of the Stage Directors and Choreographers Society, an independent national labor union .

The Press Agents, Company and House Managers employed in this production are represented by the Association of Theatrical Press Agents & Managers .

This production is produced by a member of The Broadway League in collaboration with our professional union-represented employees .

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42 | DPAC

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If you like North Carolina, you’ll love Our State.

To subscribe, scan the QR code below, visit ourstate.com or call (800) 948-1409.

THE DPAC RISING STAR AWARDS

PHOTO BY HUTH PHOTO

The best of high school musical theater talent in our region

T

he DPAC Rising Star Awards is a program designed to celebrate outstanding achievements in high school musical theater throughout Central North Carolina. The program focuses attention on the meaningful work being done both on and off stage by dedicated teachers and students.

As the regional qualifying event for The National High School Musical Theatre Awards™ (NHSMTA), also known as The Jimmy Awards®, The DPAC Rising Star Awards brings together high school musical theater students from Durham, the Triangle and the surrounding region to perform and compete for a chance to represent DPAC in the national finals in New York City.

44 | DPAC

The DPAC Rising Star Awards will take place at DPAC on May 29, 2025. The event will feature twenty student finalists as they compete live for their chance to advance to the national level at the Jimmy Awards in New York City. Throughout the course of the evening, 12 awards will be presented recognizing excellence in a broad range of categories. Hosted

by Clay Aiken and adjudicated live by a panel of esteemed judges, this event will not be one to miss.

Last spring, DPAC named Alex Fluker (Panther Creek High School) and Conor Kruger (Enloe High School) The DPAC Rising Star Awards’ Best Actress and Best Actor winners. Alex and Conor then went on to compete nationally at The Jimmy Awards®.

The national competition included a total of 102 nominees representing 51 Regional Awards Programs from across the country. Alex and Conor worked with Broadway professionals and made their Broadway debuts on Nederlander’s Minskoff Stage, where Disney’s The Lion King performs to sold out audiences nightly. Both represented DPAC and Central North Carolina exceptionally and we cannot wait to see their bright futures.

More information on NHSMTA™ and The Jimmy Awards® can be found at jimmyawards.com.  The DPAC Rising Star Awards are made possible by the generous support of Blue Cross and Blue Shield of North Carolina

Special thanks to our community partners and judges

presented by

DPAC | 45

PHOTO BY HUTH PHOTO

THE DPAC RISING STAR AWARDS

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46 | DPAC

“Imagination does not become great until human beings, given the courage and strength, use it to create.” -Maria Montessori

Offering authentic Montessori education since 1976 for children infant through 6th grade, Montessori School of Durham is committed to the joy of learning and seeks to educate the “whole child,” addressing each aspect of development.

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CONNECT WITH DPAC

Download the Official DPAC App DPAC's mobile app offers you a secure place to easily store and organize all of your mobile tickets, so you are ready for entry to every one of the blockbuster Broadway shows on our calendar.

In addition, DPAC’s mobile app offers other great features, including updates on all upcoming shows and key tips to help you plan for your visit.

Become a Friend of DPAC Join today for these great benefits: • • •

Latest news New show announcements Special online ticket offers

•

Friends-only sweepstakes and special events

It’s free, fast and easy to sign up now at DPACnc.com.

Join the conversation Whether you like, share, or post, DPAC invites you to become part of our social community. We hope you’ll share your memories and experiences with us, and in return, we’ll show you inside backstage and share announcements, special offers and other great entertainment news. 

DPAC

48 | DPAC

@DPACnc

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THANK YOU TO DPAC’S CORPORATE PARTNERS:

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DISCOVER BROADWAY

Help local students experience their first Broadway show

C

an’t use one or more of your season tickets for an upcoming show? Consider donating them to DPAC’s Discover Broadway program.

As a Broadway at DPAC Member, you have the option to donate tickets you cannot use, preventing valuable seats from going to waste. Your generosity allows area youth and seniors the opportunity to experience their first Broadway show and discover the magic of live entertainment.

This season, donated tickets are distributed to Durham Public Schools and the Durham Housing Authority.

It’s easy to help: •

If you know in advance that you cannot attend a show, or even if one member of your party will not be joining you, simply contact DPAC at DiscoverBroadway@dpacnc.com.

•

You will receive an acknowledgment from DPAC that your unused tickets will be transferred to an area student or senior.

•

DPAC will handle all other details and provide instructions to the recipient on how to access their tickets. 

PLEASE NOTE: Ticket donations must be made at least 72 hours prior to your scheduled performance date.

Discover Broadway donations do not provide tax donation receipts.

54 | DPAC

GUEST ETIQUETTE

At DPAC, we’re committed to Guest Courtesy. Please remember to be a good neighbor to those seated around you.

After the Performance Yes, the lobby gets busy and the parking lots can be tricky, but please remain at your seats until the houselights come up.

As a courtesy to the performers and other audience members, DPAC asks that you do not rush for the exits prematurely at the end of the performance.

Entering and Exiting the Seating Area Please time your exits and reentry to the seating area to occur only at intermission or breaks between songs.

This is a courtesy to other guests around you who will appreciate you keeping these disruptions to a minimum.

Kids at DPAC Please note that all guests require a ticket, regardless of age. Children under the age of 6 are not allowed at most DPAC performances including Broadway, Concerts and Comedy shows.

For some shows, DPAC will make recommendations on the appropriate minimum age based on the content and the length of the event. Parental discretion is always advised and judgment of the appropriateness of the content for each show should be made on an individual basis prior to purchase.

Children must be able to sit quietly in their own seat without disturbing other guests. As a further courtesy to our guests, DPAC recommends one parent or chaperone for every one child in attendance.

It Can Wait Please save texting until AFTER the show. The light from phones is distracting to others throughout the theater. Please keep them turned off.

It’s Superstar Entertainment, Not a Food Fest Small snacks and drinks are welcome in the seating area, but as a courtesy to those around you, eat and drink as quietly as possible. Please know that odors and noisy wrappers can disturb others. We also ask that you finish sandwiches or other large food items before entering the seating area.

Photography / Video Recording Using Mobile Phones

At DPAC, each event that we host determines their own policy on photography and video recording using mobile phones. We enforce these policies at their direction.

Please note that GoPros, tablets, and cameras of any kind are prohibited at all DPAC events. All Broadway shows prohibit photography and video recording.

Quiet Please Once the show starts, please let the stage be the center

of attention. We ask that you turn off all cell phones and limit conversation.

If children are attending this performance with you, please exit the theater immediately if they become restless or talkative. 

56 | DPAC

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DPAC’S LOCAL HERO SPOTLIGHT

Sharing the Magic of Live Entertainment

D

PAC’s Local Hero Spotlight recognizes those doing great things in service to their communities or families. Local Heroes receive a VIP night out at DPAC and in many cases, this night out provides an opportunity for those who have never been to DPAC to have their first-ever live theater experience.

DPAC rolls out the red carpet for Local Heroes by providing a VIP experience which includes premium seating to a select show, complimentary parking and admission to the BMW of Southpoint President’s Club hospitality area. DPAC also shines a spotlight on the great work being done by all Local Heroes by featuring them on social media and on our website.

Want to nominate someone? Visit DPACnc.com, and you can find this program listed under the Community tab. 

Congratulations to all our Local Heroes

58 | DPAC

View all events at DPACnc.com

DPAC PERFORMING ARTS AMBASSADORS

E

ach fall, DPAC selects 30 high school students from across Central North Carolina who are passionate about live entertainment to serve as Performing Arts Ambassadors throughout the school year.

As part of the team, Ambassadors shadow staff across multiple departments and attend a wide variety of DPAC events, including Broadway, Concerts, Comedy and Special Events. With an emphasis on content creation, Ambassadors receive media training and report on their experiences via videos, online blogs, and social media posts. Ambassadors also receive exclusive opportunities to go behind-the-scenes at some of DPAC's biggest events.

These unique, memorable, and impactful experiences offer the chance to learn about the importance of media in the performing arts and live entertainment, while also preparing students for future careers in the performing arts industry.

Follow along with our Ambassadors this season by following @DPACHeartoftheArts on Instagram, or by visiting DPACnc.com. 

60 | DPAC

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DPAC | 61

PRE-SHOW DINING / AFTER SHOW DRINKS

James Beard Awards Finalist Outstanding Bar Program, Pre- & Post-Show Dinner

Eat Pasture-Raised Beef, Drink Freshly Brewed Beer

Coastal Carolina Seafood Prepared with Rich Soul and Playful Execution

An experience catering to all five senses, in the heart of the American Tobacco Campus

An Intimate New American Eatery

A Higher Order of Pizza, Local Beers, and Craft Cocktails

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Casual Pre- and Post-Show (‘til 2!) Dinner, with Bar & Patio Seating

Enjoy strong drinks, bites and vibes at INDY’s Best Neighborhood Bar

62 | DPAC

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DPAC’S CLUB OF 15

Season Seat Members Since 2008 Thank You For Supporting Us for 15 Years Thomas Wong & Sandy Moulton Phyllis Parrott Michele & Perry M. Taylor Carl Forsyth Kara & Gerald Battle Marianne Ward Sara Pottenger Giannina Wiegand Louis Soleo Cheri Sundaram Jason Herne Patricia Dennos Marjorie Y. Burton Terry & Beverly Rudolph Dr. Philip Pearce Carol Pinkasavage Herbert & JoAnn Amey Kelli Thomas Nancy Lee Heidi Huber & Donald Early Patti Lingafelt Rebecca Sbrollini Michael Oeser Jill & Brent Willett Brent Simpson Joanne Goodwyn Rachel Page Sue Duncan John L. Roth Anthony Lewitt Clare & Richard Fair Carlton Midyette Stephen Oxley Daniel & Leslie Kutner Diane Linfors James L. Travis & Renee Tyre David & Carol Sclove Michael C. McGee Susan Amey Michelle & Marshall Wilcoxen David Bartlett Brian & Cathy Thomas Margaret E. Jackson Tracy Futhey & Cindy Jeffrey Timothy & Lori Rowe Robert & Tiffany Taylor Lisa J. Orgren Marcia & David Lorimer

64 | DPAC

Cathy Cozart Robert Cadwallader Marilyn Kelley Robert & Mary Anne Peter Shirley Wells Daniel Ellison & Jim Denney Elaine Moody Eddie Blount Charles Darsie & Sandra Cook Floalice Reaves Eric Dingfelder Russ & Debra Smith David Stefan Scott & Kristen Selig Susan & Bobby Caddell Stephen Schewel Matthew & Robin Privette Barbara Rowland & Maude Cuchiara Rita Anita Linger Gene Carlone James Forrest & Lauren Fuhrer Linda C. Perry Wendy Tanson Susan W. Sharpe Eric Lubbs Ronald Pledger Kathryn Peters William Autry Marcia Rementer Judy Moneta Hank & Diane Walker Robert Harrison Tracey Goetz Debra & Edward Gerhardt Michael Connelly Leonard & Donna Kovalick James & Christy Gudaitis and Anne & Shrin Rajagopalan James Murray Richard & Teresa Hornaday Michael Canale Marie Sappenfield Kirstin Pellom John & Lou Anne Crumpler Michael & Denice Cotten Carolyn Eckhardt Thomas Herbert

David C. McNeill Allen & Claire Wilcox Cynthia Blakley Gale Meyer Kathy & Craig Hoffmeier Howard & Margaret Eisenson Michelle & Robert Hunt Damian Makarushka & Cheryl Crupi Penny Paskoff Alfred Harvey Kevin Turner Debbie A. Miller & Rachael Hansen Susan C. Ross & Tom B. Hadzor Paula McClain Carl A. Johnson Tamar Avineri Kevin Jackson Willis Ward Nancy C & Christopher Bolen Betty Bartolotta Judy J. Gibbs Charlotte R. & J Clark John Dailey Jr. Leonard & Elaine Goodwin John & Priscilla Morgan Jean J. Kramarik Keith & Kristine Sullivan Kelli Braunbach & Laurie Rose Laura S. Hall Sam & Becky Nichols Carol & William Wilcox and Dawn & David Wilcox Ira D. Mueller Randy & Robin Mullis Phil Kearney Anna Ho Debbi Schwartz John Denning Robert Drucker Paul & Linda Naylor Renee & Burt Rauch Mike & Sarah Woodard Spencer Muse Helen Hinton Barbara Taylor Jane Hardin

DPAC’S CLUB OF 15

Desiree T. Palmer Linda or Sarah Sipe Barbara & Robert Bell Mari Mansfield James Montague Deborah Boykin Janet Turyn Billie Boyd Richard & Lisa Bistreich-Wolfe Jeaninne Wagner Delbra & Robert Freudenberg Janelle & Cameron Krasovich Barbara C. Kaplan Rick & Patty Kreiselman Tom Boehringer Tamara L. Santana & Kim Hughes Anna & Bob DeGabriel Virginia H. Hartley Deborah Oronzio Jane Lovette Bob Gornto Sanjay Premakumar & Tucker Bartlett Charles & Ann Stewart Peggy H. Lee Helen Tharrington Margo Kane Esperanza & Gary Gereffi Reginald J. Johnson Adrian Ilie Michael E. Heath Joanne & Josh Edwards Gary Brookhart Pam Zornick Dr. Angela O. Terry Belinda F. Blackwood Heather Shinpaugh Teresa Schlotterer & Lori Wile Diana Spock Allen & Deirde Mask Pamela Hughes & April Walker Michael Sakash Maria Feldman David & Angie Lohse Arthur Taub Nicole Archibald Sally Croteau Richard & Susan Ellman Danielle Guerra Libby Webb Holly Rogers Marybeth Spanarkel & Camille Blommer

Mildred Barnes Henry Majestic & Claudia Michelman Lisa Salzman Jacqueline S. Knight Andrea & Rob Kirk Sondra Devincenzo Sandra L. Berman Stacey M. Mark Beth Gunn Nicole Holmes Terry Redmon Martha Davidson Amy & James Crum and Matt Moore Sarah W Safrit Christopher Leazer & Heath Ramsey Lucinda Weese Mary Jo Parks Warren & Kathleen Warren Steve & Richard Shipe Renee & William Hodges Mike & Sue Peters Patrice Jobes & Steve Hammel Thomas Petersen Rhonda Hockett Kathryn Breen Chris Dombrowski Elias Torre Tammy Everhart Katherine Peterson Michael I. Cohen Elizabeth Thomas William & Lois Eisel John O’Keefe Carol & Martin Schwartz Christine H. McCann Kimberley Harris Linda Richardson Barbara Self Ted Michie Elizabeth Chastain & Harriet Crisp Joanne Liddle Carol McMorrow Martha & George Heinrich Douglas & Karen Adams Virginia Creekman Danita Edwards Jeanne Ryan Gerald Knott Karen Mudd Leslie Alger

presented by

Lisa & Joel Wolf Annette Kirshner Lori Bush Suzanne MacIntyre Ronald & Elizabeth Coulter Nancy Grebenkemper Laura Parra Connie Siewers Phil Nelson Janie Leo Yvonne & Michael Anderson Denise & Jeffrey Sailstad Judy Fenton Douglas Quick Tanea Pettis Julie Reo Shelli Lieberman Beth Stringfield Deborah Tippett Paul Suhocki Lynne Carroll Katherine Hogg Call Karla Greene Johnny Izza & Benjamin Butler Mary Lynn Thomas & Donald Weiss Dan & Julie Moushon Michelle Itano & Kevin Bastian Tim & Edie Oakley Donald Baucom Jennifer S. Kirby Jennifer Hoffmann & Chris Konvalinka Kathlene Chmielewski & Sharon Berrian Benjamin A. Wagner Susan Hastings & Robert Park Stephanie Brennan Jim & Judith Parks Thomas McMaster Greg Andrea Bob Moulton Eleanor Meade Felicity Klintworth & Susan Van Vleet Janis Tillman Susan Parham Steve Siegel Gail Hignight Darylene Hecht Elaine Matheson Katherine Skinner Kathleen Mellody 

DPAC | 65

DPAC’S CLUB OF 15

Andrew Vitulano & Charles Deangelo Tammy B. Lamm Patrick Cacchio Keith & Karen Sherman Darrick Woods Steven Hess Mickie Krzyzewski Cynthia Burgess Natalie Dekle Kristin Powell Rita Magas Linda Chappel Nancy Newell Patricia Endsley Blair & Martha Sheppard Elizabeth & Donald Holt Dennis Nicholson Pamela Strand Doug Buckland Susan Rust Polly & Jerry Doliner Conrad Kunkel Lisa Ruckdeschel Sandra Krevat Nancy R. Miller Stacy Abramowitz Marion Thullbery Steve & Lisa Feierstein Marilyn Hays Gage Bennington Gracelyn Cromwell Mark & Linda Binkley Jennifer Blazing Ellen Marsland & Torey Peeler Terri Sherrill Mitch Mumma Lee Barnes Scott Williams Anne Poisson & Vicki Childers Victoria & Peter Childers Richard Forringer Wendy & James Speir Susan & William Reinhardt John & Lucy Grant Sandra Daughtry Lauren Vincent Wanda D. Lloyd Ann Jackson Fern Szulgit Diane Kelly Charles H. Montgomery Jeanne Watkinson Lisa Rist

66 | DPAC

Rachel Bath Mendy Legleiter Marcia Grogan Judy & Danny Rains David & Cassandra Kennedy Amy & Chris Brown Susan & Richard McFall Mary C. Gillan Nicole Clayton Robert & Susan White Jeanett Newsome Adrienne Howard John & Sandra Atkins Sarah Artz Susan Lynch Carolyn London Rachelle Friedrick Carol Myers Jean Spaulding Lynne Jung Mary Jo Hassett & Patty Cheifetz Wendy Jacobs & Caleb Meredith Ellen & Ken Reckhow Morris & Jane Weinberger Ashley Freedman Prince Bull Janet H. Blue Richard & Laura Riedel Steven Asher Mondora Griggs Karen Guidry Janae & Lynn F. Andrews Wink & Nancy Swain Tanja Atkins Robert & Mary Long Barry Radcliffe Katherine Ross Kasey Michael Susan LeGrand Laura E. English Perry Jeffries Elaine Durr Mark Pogers Irene Laube Stacie Halbert Herbert & Lisa Fox Sherry H. Thomas Robyn Hoffman Chandra Mosley Jeff Jeanneret Sharon Weaver Elaine Malone

Susan Aycock Eric Lipp Richard Jacobs Becky House Barbara & John Long Amy S. Peters Tina Early Jackie Wolfe Tallman Trask III & Molly Trask James & Jennifer Rosen and Elizabeth Moshier Jennifer Hall Paula and Ron Lang Anne Marie Reppucci Catherine Hren Linda Tugurian Linda Yankes and Mary Adcock Susan Clifton Lowell & Scarlett Oakley Michael Relf Kenneth & Robin Leto Andrius & Kristin Benokraitis Melissa Mertz Barbara Holbrook & Christine Rodio Lawren Stevens Courtney S. Brown Heather Hester Gayle B. Harris Mary Casey Marc & Kimberly Macenko Delphine Riley & Kendra Timberlake Mary Beth Cecil Sandra Mills Ellen F. Cox Patricia Sprouse and Wendy & Michael Elder Toni Whitaker Alice Parsons Patricia Robinson & Carolyn Schuldt John & Mary Sampson Bret & Janet Stolp Dawayne & Joi Whittington Nancy & Tom Metzloff Brant & Nicole Burnett Vicki Westbrook Brenda Kay Johnson Carolyn H. Borden & Margaret Vermillion Carlton & Susan White Chris Underwood Guy & Mindy Solie

DPAC’S CLUB OF 15

Tedder & Ann Million Patricia Lichty Katherine Kantner Lillian Whitacre Richard A. Stallings Carolyn & Charles Rinker Michael & Melissa Faneuf Bobbie & Tim Dahlgren Annette Baker PhD Abby Zarkin Jennie & Robert Orr Heather Paradis Sylvia Jones Kelly & Michael Pincus Larry & Colette Myers Marty & Aralu Lindsey Cheryl Robinson Lorri & Thomas Givens David Dahl Joanne Kurtzberg & Dr. Henry Friedman Melody Watral Spring Davis Tom Morris Sharron Hunter Laurie Yeames Edward J. Collins Annette A. Smith Jennifer Edmunds Brenda Rimmer David & Joanne Frisch Karen Bordeaux William & Marsha Giles Kim Tupper Tim Rauwald Trudy Harris-Adeeyo Martha B. Pritchett & Martha Conner Gilda & Jeremy Tucker Linda M. Davis and Marci & Mike Russell Michael J. Slaughter David & Altagracia Evert Holly Speight Courtney & Michael James Robert & Karen Winterkorn Janet McGough-Csarny Amy & Edward Daw Robin Dubois Karl Bongarten Paula Breedlove Geraldine Young & Gerry Pope Carol S. Walker Alvera Lesane Robert P. Black

Ellen McDermott & James Mollmann Kelly Kuss Alton Williams Stephanie Rogers Mary Ann Ruegg Alice L. Sharpe Virginia English David & Joanne Simel Diane Neer Synthia Sweere & Teresa Winstead Jill & Sean Doran Jennifer Burch Amy Csorba Kay & Wade Gresham Wm. Christopher Clarke Emma & Ashlee Smart Tracy Wang M.D. Scott Harmon & David Helwig Irvin Eisen Michelle & John Dennis Timothy Chadwick Richard & James Tyler-Walker Shelia & Lamar Willis Valerie Kempf & Jeni L. Hauver Laura & Bob Clarke Felix & Mary Markham Stacy & David Bright and Shelia & Dan Mollin Phillip & Judy Stover Craig & Jennifer Cadwallader Sandy & Harvey Cohen Teresa T. Brown Mitchell & Carol Krucoff Jacqueline Quirk Earl & Connie Kirby Kerry Haynie Jay & Julie Harris Anne Marie Dubnansky & Claire Druckenbrod Marcia DiMartino Elizabeth Fitzsimmons & MaryFrances Porch Kelli Brooks Michael Rice Eugene & Signe Brown Megan Wilson & Deborah LoBiondo Douglass & Patricia Durrett Steven Tapp Elliot & Connie Bossen Britt Haynes Keith & Julie Alexander Jeanene Olin presented by

Gregory & Cynthia Fisher Stuart Manning Ashlee Taylor Jean Jaros Angela E. Washington Janet Berntsen Ruth Dzau Scott & Angela Dewalt Jim & Vera Shanley Lindsay & Robert Dobbins Yvette West Cheri C. Patrick Rick & Julie Soles Cathy Rimer-Surles & Brady Surles Ray & Diane Cobb Gloria Doyle Cindy H. Clark Christopher Waters Penny Shikowitz Ann M. Farmer Lee Dobson Gavin Stevens Anna Naples Chuck & Jean Wilson Tim & Kathie Wilkinson Cameron Hill & Abby Coleman Richard and Helen Moon Jamy & Josh McGee Vivian Veto Karyn Harrell Anthony Morgan Julie & Whit Brannon Malbert Smith Janice & Mark Given Hardee Klitzman & Beth Hollister Lisa R. Smith Linda Hicks Carol & Chris Leach Marvin Genzer Tracey Reynolds & Richard Schmidt Barbara Riggsbee Linda J. Warren Jennifer McRant Suzanne McMaster Heather E. Gaudaur Eric & Allison Chetwood Kristin and Dale Wahl Ellen and Michael Luken Renea Hunnings Anne Watson 

DPAC | 67

We Provide Arts Education

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We Create A Vibrant Community Help cultivate the next generation of artists, like those who shine on the DPAC stage, stage, & ensure the arts continue to thrive by making a gift today!

@durham_arts /DurhamArts 120 Morris St. Durham, NC 27701

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A co-ed, independent school in Durham serving students from TK through 8th grade

Schedule a tour!

919-383-8800 | triangledayschool.org

Where legacies .

Clearstead Advisory Solutions (CAS), formely known as Wilbanks Smith & Thomas until April 1, 2024, is a division of Clearstead Advisors, LLC.

3605 Glenwood Avenue Suite 450 | Raleigh, NC 27612 INFO@CLEARSTEAD.COM WWW.CLEARSTEAD.COM

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DPAC | 69

WHERE TO STAY

DPAC recommends these official hotel partners

Contemporary Art Museum Meets Lifestyle Hotel in Downtown Durham

Come discover the new AC Hotel Durham

Expect anything but ordinary at our downtown Durham hotel

Your Suite Escape in Durham

Broadway Shows are Scripted.

Hotels Don’t Have to Be.

70 | DPAC

VERY MERRY RECIPES 44

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FESTIVE FUN FOR THE WHOLE FAMILY 54

HOLIDAY GIFT GUIDE 64

DECEMBER 2024 / JANUARY 2025 DURHAMMAG.COM

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EDUCATION

DUKE LIFE FLIGHT TAKES EMERGENCY CARE TO NEW HEIGHTS

Fire up Your Summer

SKY’S THE LIMIT Christina Shelton and Rohan Kulkarni stand ready as a Duke Life Flight helicopter lifts off.

OUTDOORS

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champions Meet four remarkable and healing of care bringing hope 54 to our community page

zinenc.com Summer 2024

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FOOD, DRINKS

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DECEMBER 2024 / JANUARY 2025

SUMMER 2024

CHAPELHILL ACCE SS FOR ALL Dr. Giselle Corbie and spearheads research to drive policy initiatives systemwide improvements director in health care as for of the UNC Center Health Equity Research.

LICENSE TO GRILL Your guide to local meats, veggies plus recipes and more, and tips for your next barbecue.

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PAGE 88

Magazines that fit your lifestyle!

trianglemediapartners.com

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DPAC | 71

MOBILE ENTRY AT DPAC

PHOTO BY HUTH PHOTO

Your phone is now your ticket

M

obile entry is a safe, easy, convenient, and contactless way to access and manage your tickets all in one place.

Safety is every venue’s #1 priority and mobile entry gives DPAC a better understanding of who guests are prior to every performance. Now, more than ever, it is critical for venues to know who is in possession of each ticket in order to be able to share important information with them before the doors open and the show begins.

With mobile entry, which is powered by DPAC’s official ticketing partner Ticketmaster, there’s no need for direct contact or physical exchange of your ticket. Mobile entry guarantees a quick and safe ticket scan straight from your phone.

Our secure ticket technology reduces the risk of ticket fraud and eliminates the possibilities of theft or counterfeiting. Once you’ve purchased your mobile tickets on Ticketmaster, you can always rest assured you’re getting the seats you paid for.

Always be aware, though. Do not purchase tickets from unauthorized online ticket brokers. Don’t be fooled by online websites that mimic DPAC’s name or website or offer tickets they might not even have. Go directly to DPACnc.com or to Ticketmaster.com.  72 | DPAC

Become a part of The Village At The Village at Brookwood, you'll experience a close-knit community where neighbors feel like family. Enjoy a warm, supportive environment with peaceful surroundings and lasting connections.

A Village to Inspire You

A Village to Call Home

A Village to Feel Welcomed

• Experience Lifelong Learning programs • Exploring new activities • Unleash creativity

• Spacious apartments • Expansive garden homes • 11 Floor plan options

• Exquisite dining • Pet friendly community • Over 200 new friends!

Join The Oak Circle, our Exclusive Wait List, Today!

Carolyn S. Holcomb Hriso M.Ed., B.S., B.A., ABR, SRES, CMBA

919.801.4103 carolynhriso1@gmail.com

74 | DPAC

GROUP SERVICES AT DPAC

Bringing a group of 10 or more?

PHOTO BY ESTLIN HAISS

Make DPAC your group destination

A

Broadway show at DPAC is the ultimate experience for any group. The universal stories of friendship, ambition, and love are perfect for all ages and interests, with stunning stagecraft and unforgettable songs that speak to everyone.

Group Services at DPAC is your connection to savings of 10% to 15% for most Broadway performances. Seeing a performance with a group is not only fun, it’s also economical.

You just need 10 or more people who want to get together for both a great outing and a great deal on Broadway shows at DPAC. Any group can take advantage of our special group pricing, including:

• • • • • •

Corporate outings Coworkers Faith groups Families and friends Fundraising organizations Girls’ night out

• • • •

presented by

Meet-up groups Schools Scouts, Y-Guides Social organizations, clubs and more! 

DPAC | 75

DPAC FOR ALL

Special Savings

For City of Durham Residents, Military and Students

I

nspired by Durham’s great community leader, MaryAnn Black, DPAC has reserved select seating exclusively for Durham residents, military and students to most Broadway shows and select special events.

This program provides an opportunity for many to experience their firstever live performance at a savings of 20% to 75%.

DPAC For All tickets may be purchased online, via phone or in person at the Blue Cross NC - Ticket Center at DPAC, located at 123 Vivian Street / William V. "Bill" Bell Way. For a complete list of available performances, please visit DPACnc.com. 

76 | DPAC

DISCOVER THE DIFFERENCE We are a preK-12 allgender independent school inspired

by Quaker values.

We empower our students to question their world, discover their passions, think deeply, and use their voices in service of the greater good.

2024

Jump rope classes & camps for all ages

For more information, go to:

www.cfsnc.org

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bouncingbulldogs.org | 919.493.7992

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BURLINGTON NC • 336-538-1572 A division of Lutheran Retirement Ministries of Alamance County, North Carolina

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DPAC | 77

A DPAC Gift Certificate is the Perfect Gift for Any Occasion

The convenience of a DPAC gift certificate allows you to choose from Broadway to concerts, comedy to family shows....

There’s something for everyone at DPAC. Gift certificates are available year-round and can be purchased Online at

By Phone at 919.680.2787 In Person at

WEEKEND PLANS? WE’VE GOT YOU COVERED

thetriangleweekender.com

TRADED THE STOCK MARKET FOR THE FARMERS MARKET.

LIFE HAPPENS HERE. From independent living, wellness and home care to assisted living, memory care and 24-hour skilled nursing, your every health care need is front and center. All in an on-site health facility where the highest quality care is backed by the vast clinical and technological resources of UNC Hospitals.

So, with all due respect to picking the right fruits and veggies, picking The Cedars of Chapel Hill could very well be an equally healthy choice. Bon appétit.

A Life Plan Community

Home ownership, financial security and the highest quality health care at every life stage are all part of the plan. Learn more today at cedarsofchapelhill.com.

SOLVE: Move one toothpick in such a way that all of them together still spell WIN

If you figured it out, congratulations. Moving the orange toothpick from first to last creates the word WIN again—if you turn the page upside down.

The puzzle demonstrates that finding solutions sometimes requires looking at a problem from an unexpected angle. That’s the way Brooks Pierce lawyers approach legal issues—always questioning the conventional answers, and finding uncommon ways to solve problems.

BUSINESS LAW • Greensboro | Raleigh | Wilmington

BrooksPierce.com

Create Where You Belong

CALL , VI S IT A S H OW RO O M , O R FI N D U S O N L I N E TO SCHE DULE YOUR C OMP LI M EN TA RY D ES IG N CO N SU LTATI O N

919.785.1115

Raleigh 8421 Glenwood Ave, Ste 120 – New showroom!

CA L I FO R N I AC LO S E TS . C O M

©2025 California Closet Company, Inc. Each California Closets® franchised location is independently owned and operated.

Local contractor licenses available at californiaclosets.com.