Joyce Weinstein: Country Fields

Joyce Weinstein’s distinguished career has been propelled by her acute observations of the world around her, and her ability to translate what she sees into paintings with inspired invention and abstracted playfulness.

The artist builds layers of movement and shape in an inspired manner. Her mixed media paintings balance a freedom of gesture with a fervent sense of form.

Finding inspiration from what she sees around her, Weinstein also draws on her body of work for ideas for new pieces. “The work gives me ideas for new work,” Weinstein remarks. “It’s just like a continuation. You're working on one continuous painting, even though you're doing one painting after the other.”

Born in 1931 in New York, Weinstein studied at the City College of New York and the Art Students League, and had her first solo exhibition in 1953 at the Perdalma Gallery in New York City. Weinstein has shown her work around the United States, Canada, and Europe, and was included in the groundbreaking “Women Choose Women” exhibition at the New York Cultural Center in 1973, the first major museum exhibition of contemporary art by women.

The exhibition resulted from the activism of an organization Weinstein co–founded, called Women in the Arts (WIA), aimed at seeking a cultural shift toward women artists. After spending her early career as often one of very few women in the male–dominated art world, Weinstein was a leader in ushering in change. The group picketed the Museum of Modern Art and other galleries prior to the opening of the “Women Choose Women” exhibition.

Weinstein’s work has been widely collected by museums internationally, including the Centre de Creacion Contemporanea Museum in Barcelona, Spain, the Clint Eastwood Collection in Palo Alto, California, the Edmonton Museum in Canada and many more. The Museum of Modern Art owns Weinstein’s pastel on paper work, Cityscape (1980), with its furious broad horizontal strokes that stack up like towers.

Joyce Weinstein, Cityscape, 1980 Pastel on Paper, 17 1/2 x 25 1/8 in (44.5 x 63.9 cm) (Image: The Museum of Modern Art, © 2023 Joyce Weinstein)

Joyce Weinstein, Summer Country Field with Green and White, 2015 Oil and Mixed Media on Linen, 41 x 41 x 3/4 in (© 2023 Joyce Weinstein)

In 1992, Weinstein moved to Ancramdale, New York, with her husband, Stanley Boxer, a painter and sculptor who also held a successful career until his death in 2000. The scenic location proved fruitful for Weinstein, whose work subsequently reflected the bucolic landscape of her surroundings.

In Summer Country Field with Green and White (2015), Weinstein employs bold gestures: a bulbous shape intersected with pastel lines, and a pool of near–white movement, rippling with energy. The work hearkens to its natural world inspiration, with a strip of green squiggles within a rectangular border, and a cascading burst of floral–inspired splashes.

Another work, First of Spring with Red (2001), boasts a line of easter egg–colored ovals sitting playfully at the bottom painting. They look out at an expansive wintry landscape, with hints of life that spring will soon bring. A daring circle of red surrounds the scene: it's both joyful even as it hints at the drama of the changing seasons. Her paintings often employ geometric forms with distinctly irregular lines. In some ways, she contains the ideas found from nature into containers, sorting them in an improvised geometry. The result is a bold statement on how we remember what we see. Her art form is a communication of memory and emotion, a vibrant translation of beauty with assertive strokes.

Sheila Regan, May 2023

Sheila Regan is a Twin Cities-based arts freelance journalist, columnist and critic. She writes MinnPost’s twice-weekly Artscape column, the Star Tribune, Pioneer Press and elsewhere.

Joyce Weinstein First of Spring with Red, 2001 Oil and Mixed Media on Linen, 9 x 15 3/4 in (© 2023 Joyce Weinstein)

Winter Country Haystacks with a White, 2008

Oil and Mixed Media on Linen, 44 x 46 in

June Hayfields with Green and Blue, 2007

Oil and Mixed Media on Canvas, 60 x 70 in

Untitled, 2021 Oil on Canvas, 10 x 10 in

Untitled, 2021 Oil on Canvas, 10 x 10 in

Untitled, 2021 Oil on Canvas, 10 x 10 in (Detail Opposite Page)

Burst of Spring with a Pink, 2021 Oil on Canvas, 10 x 10 in

Ancramdale Morning, 2022

Oil and Mixed Media on Linen, 50 x 60 in

Burst of Spring Reds and Greens, 1995

Oil and Mixed Media on Linen, 50 x 50 in

Winter Country Fields at Sundown, 2003

Oil and Mixed Media on Linen, 54 x 60 in

Country Field with a Pink, 2007 Oil and Mixed Media on Linen, 28 x 30 in

End of Summer Country Fields with a Pink, 2007

Oil and Mixed Media on Linen, 30 x 24 in

Summer Hayfields with White, 2007

Oil and Mixed Media on Linen, 20 x 16 in

Summer Country Fields with a White, 2012 Oil and Mixed Media on Linen, 20 x 16 in

Country

Fields with a Red, 2005 Oil and Mixed Media on Linen, 28 x 58 in (Detail on Front and Back Cover)

Country Colors After a Sunshower, 1995

Oil and Mixed Media on Canvas, 40 x 46 in

Spring Country Fields, 2020

Oil on Canvas, 60 x 70 in

Winter Country Fields, 2008 Oil on Canvas, 20 x 40 in

Winter Country Field with a Red, 2011 Oil and Mixed Media on Canvas, 16 x 20 in

Ancramdale Noon, 2021 Oil on Canvas, 50 x 60 in

Country Fields with a Yellow, 2021 Oil on Linen, 50 x 60 in

Ancramdale Morning, 2021 Oil on Canvas, 50 x 60 in

Country Fields with a Yellow, 2020 Oil on Canvas, 50 x 60 in (Detail Opposite Page)

Winter Fields and Sky at Sunset, 1996 Oil on Canvas, 50 x 60 in

Joyce Weinstein Artist Statement, Biography and CV

Although abstract, I paint what I see... the beautiful countryside all around me... the rolling hills, mountains and distant views... the ever changing sky, nearby fields, woods and streams ... old barns ... haystacks ... weeds and wildflowers ... everything. The colors I see every day always seem to "appear" in the paintings: a sudden bright red, like a single flower all alone in a field of brown, tans and umbers... or the red of an old barn sitting in a field of snow or the colors of newly cut corn fields and the changing hues of sky, grass, trees and bushes all around me. I don't think of these things while I am painting, but after the work is done ... they remind me of all these things that I had seen.

My work is another kind of "landscape painting" resulting, I believe, in paintings which are more "real" than a literal interpretation. The "essence" of what has been seen and felt is there, making what is seemingly ambiguous, most tangible and unique... which is what I think "good art" is all about.

Born 1931 New York City, New York

Education City College of New York, New York City, New York

Art Students League, New York City, New York

One–Person Exhibitions

2023 Douglas Flanders & Associates, Minneapolis, Minnesota, Joyce Weinstein: Country Fields , May 20 – July 1

2019 Berry Campbell Gallery, New York City, Focus Show, Paintings, March 21 – April 20

2016 Berry Campbell Gallery, New York City, Paintings, July 28 – August 26, 2016

2012 Hartwick College, The Forman Gallery, Department of Art, Oneonta, New York

2010 Ezair Gallery, New York City

2007 Ezair Gallery, New York City

2005 Flanders Contemporary Art, Minneapolis, Minnesota

2002 Gallery One, Toronto, Canada

2000 Harmon–Meek Gallery, Naples, Florida

1999 Flanders Contemporary Art, Minneapolis, Minnesota

1990 Meredith Long & Co. Gallery, Houston, Texas

1989 Alena Adlung Gallery, New York City, New York

1988 Meredith Long & Co. Gallery, Houston, Texas

1985 Harbor Theodore Gallery, New York City, New York

Paul Kuhn Gallery, Calgary, Canada

Eva Cohon Gallery, Chicago, Illinois

1983 Harbor Theodore Gallery, New York City, New York

Gallery One, Toronto, Canada

1982 Galerie Wentzel, Cologne, Germany

Martin Gerard Gallery, Edmonton, Canada

1981 Martin Gerard Gallery, Edmonton, Canada

1979 Meredith Long & Co. Gallery, Houston, Texas

1978 Meredith Long & Co. Gallery, Houston, Texas

1976 Gloria Cortella Gallery, New York City, New York

1975 Galerie Ariadne, New York City, New York

1974 Dorsky Gallery, New York City, New York

1972 Dorsky Gallery, New York City, New York

Tom Bortolazzo Gallery, Santa Barbara, California

1969 University of California at Santa Cruz, Santa Cruz, California

1956 Perdalma Gallery, New York City, New York

1955 Perdalma Gallery, New York City, New York

1954 Perdalma Gallery, New York City, New York

1953 Perdalma Gallery, New York City, New York

Group Exhibitions 2020 Artist Insights / Contemporary Insights Berry Campbell Gallery, New York City, New York, Painting, June 10 – August 10

Abstractly Speaking: Six + One Madelyn Jordon Fine Arts, Scarsdale, New York, May 24 – August 1

Palm Beach Modern & Contemporary 2020 Booth of Berry Campbell Gallery, New York City, NY – Painting, January 9 – 12

2019 Berry Campbell Gallery, New York City, New York, August 7 – 16 New York Centric The Art Students League, New York City, New York – Paintings, March 5 – May 1

2018 Berry Campbell Gallery, New York City, New York – Painting (Catalogue), July 9 – August 17

2017 Summer Selections 2017 Berry Campbell Gallery, New York City, New York, July 13 – August 18

2016 Stanley Boxer and Joyce Weinstein Douglas Flanders & Associates Gallery, Minneapolis, Minnesota – Paintings, July 9 – August 21

Art Southampton Booth of Berry Campbell Gallery, New York City, New York – Painting, July 7 – 11

Summer Selections 2016 Berry Campbell Gallery, New York City, New York, July 6 – 22

Art Wynwood – Art Fair, Miami, Florida Booth of Berry Campbell Gallery, New York City, New York, February 11 – 15

2015 Summer Selections

Berry Campbell Gallery, New York City, New York, June 30 – September 14

Art Wynwood – Art Fair, Miami, Florida Booth of Berry Campbell Gallery, New York City, New York, February 12 – 16

Winter Selections

2014 Modern Selections

Summer Remix: A Group Salon

July Selections

2013 Thirteen Contemporary Artists

Modern Selections

2012 ArtMRKT : July 19–21

Summer Selections

2011 ArtMRKThamptons

2010 ArtMRKThamptons : July 14–17

2009 Group 2009

Madelyn Jordon Fine Art, February 6 – March 20

Spanierman Modern Gallery, New York City, New York, September 8 – October 10

Madelyn Jordon Fine Art, Scarsdale, New York, July 10 – August 30

Spanierman Modern, New York City, New York, June 13 – July 3

Spanierman Modern , New York, New York, February 14 – March 16

Spanierman Modern , New York, New York, November 14 – December 20

Bridgehampton, New York, Paintings, Booth of Gallery Sam, Oakland, California

Spanierman Modern, New York City, New York, August 23 – October 6

Bridgehampton, New York, Paintings, Booth of Gallery Sam, Oakland, California, September 15 – 18

Houston Art Fair, Houston, Texas, Booth of Gallery Sam, Berkeley, CA

Bridgehampton, New York, Booth of Gallery Sam, Berkeley, CA

Phoenix Gallery, Millbrook, New York

2005 Whimsey Amy Simon Fine Art, Westport, Connecticut

Ancram Artists CCCA Gallery, Hudson, New York

Abstracts

2004 CCCA 10th Annual Artswalk 2004

2003 The Painted Gift 2003

CCCA Gallery, Hudson, New York

The Riders Mills Historical Society & CCCA Co–sponsored Outdoor Art Exhibition at Riders Mills, NY

Hubert Gallery, New York City, New York

2002 WIA Group Cornell University, Medical Library, New York City, New York

2001 Masterworks Gallery One, Toronto, Canda

2000 Private View

Art Strokes–WIA

Gallery Artists

WIA at Canajoharie, I

Private View

1999 37th Opening Group Exhibition

1998

Sarah Y. Rentschler Gallery, Hudson, New York

The Broome Street Gallery, New York City, New York

Harmon–Meek Gallery, Naples, Florida

The Canajoharie Art Gallery, Canajoharie, New York

Sarah Y. Rentschler Gallery, Hudson, New York

Harmon–Meek Gallery, Naples, Florida

Dorothy Blau Gallery, Bay Harbor Islands, Florida

Flanders Contemporary Art, Minneapolis, Minnesota

1997 New Visions Broome Street Gallery, New York City, New York

Painterly Forms

1996 Summer Group Exhibition

1995 Visions of Reality

1994 Gallery Group Exhibition

Chubb Group of Insurance Company, Warren, New Jersey

Flanders Contemporary Art, Minneapolis, Minnesota

Schering–Plough Corporation, Madison, New Jersey

Posner Gallery, Los Angeles, California Gardens of Delights

Brooklyn Botanic Gardens, Steinhardt Conservatory, Brooklyn, New York 1993 Booth – Miami Art Fair, Miami Florida Dorsky Gallery, New York City, New York 1992 Gallery Artists Meredith Long & Co., Houston, Texas 1991 Paintings & Paperwork WIA, 1991 – 92 Queens College, New York City, New York

WIA 1991 Broome Street Gallery, New York City, New York

1990 Field & Forest

New Yorkers & Outsiders

Themes of Music & Dance

Meredith Long & Co., Houston, Texas

Andre Zarre Gallery, New York City, New York

Cork Gallery, Lincoln Center, New York City, New York

Chicago International Art Exposition Booth of Meredith Long & Co., Houston, Texas Gallery Group Exhibition

Alena Adlung Gallery, New York City, New York

1989 Important Works on Paper Meredith Long & Co., Houston, Texas

4 Person Exhibition

Art For All

Alena Adlung Gallery, New York City, New York

Edmonton Art Museum, Edmonton, Canada

Themes From Nature Nabisco Corporation, East Hanover, New Jersey

1988

Christmas Exhibition – Gallery Artists

Grand Opening Exhibition

Art ‘88

WIA at Phoenix

1988 Summer Exhibition

1987 Art Triangle Barcelona

Meredith Long & Co., Houston, Texas

Art–Vark Gallery, Philadelphia, Pennsylvania

The Provident National Bank, Philadelphia, Pennsylvania

Phoenix Gallery, New York City, New York

Pumpkin Center Gallery, Ancram, New York

Centre de Creacion Contemporanea, Barcelona, Spain

Permanent Collection of The Edmonton Art Museum

McMullen Gallery, W.C. Mackenzie Science Center, Edmonton, Canada

An Exhibition in Celebration of International

Women’s Day, Curated by Lynn Gumpert, Curator New Museum, New York City

Erector Square Gallery, New Haven, Connecticut

1986 Basel Art Fair, Basil, Switzerland

Gallery Artists

Painting & Sculpture

Perspectives ‘86

Art Forms ‘86

1985 Docent’s Choice

Booth of Galerie Wentzel, Cologne, Germany

Richard Green Gallery, New York City, New York

Triangle New York at 111 Greene St. Gallery, New York City, New York

Passaic Community College, Patterson, New Jersey

The Harsen & Johns Delv. Col, Rochelle Park, New Jersey

The Edmonton Art Museum, Edmonton, Alberta, Canada

4 Person Exhibition Harbor Theodore Gallery, New York City, New York

Survival of the Fittest

4 Person Exhibition

Cologne Art Fair

1984 Paperworks – 4 Person Exhibition

Artists Collect

Contemporary Views ‘84

Invitational Exhibition

Dusseldorf Art Fair

Exploring the Abstract

1983 Gallery Artists

The Ingber Gallery, New York City, New York

Galerie Wentzel, Cologne, Germany

Booth of Galerie Wentzel, Cologne, Germany

Haber Theodore Gallery, New York City, New York

The Edmonton Art Museum, Edmonton, Canada

The Queens Museum, New York City, New York

Jerald Melberg Gallery, Charlotte, North Carolina

Booth of Galerie Wentzel, Cologne, Germany

J.H.P. Designs Corporation, New York City, New York

Haber Theodore Gallery, New York City, New York Connections; Painting & Poetry

Gallery Artists

Cologne Art Fair

Women Artists

1982 Season’s Preview

Dusseldorf Art Fair

Pace University Art Gallery, New York City, New York

Martin Gerard Gallery, Edmonton, Alberta, Canada

Booth of Galerie Wentzel, Cologne, Germany

Martin Gerard Gallery, Edmonton, Alberta, Canada

Haber Theodore Gallery, New York City, New York

Booth of Galerie Wentzel, Cologne, Germany

4 Person Exhibition by Visiting Artists at Clayworks Studio , Clayworks Gallery, New York City, New York

Gallery Artists

Dorie Ashton Selects

1981 International Artists

Opening Exhibition Gallery Artists

Dusseldorf Art Fair

Recent Acquisitions

1980 Works on Paper

Dusseldorf Art Fair

Martin Gerard Gallery, Edmonton, Alberta, Canada

Judy Caden Gallery, New York City, New York

Galerie Wentzel, Cologne, Germany

Martin Gerard Gallery, Edmonton, Alberta, Canada

Booth of Galerie Wentzel, Cologne, Germany

Museum of Modern Art, New York City, New York

Meredith Long Contemporary Gallery, New York City, New York

Booth of Galerie Wentzel, Cologne, Germany

12 Women : Selected by Linda Shearer, Assistant Curator, Guggenheim Museum, The Sarah Institute, New York City, New York

1979 Three Artists

Gallery Artists

WIA Visions

Women Artists

Christmas Show – Small Works

Women in the Arts Gallery, New York City, New York

Meredith Long Contemporary Gallery, New York City, New York

Women in the Arts Gallery, New York City, New York

New York City Commission on the Status of Women

Women in the Arts Gallery, New York City, New York

1978 Celebration Exhibition

Unusual Imagery

Women Artist’s Sketchbooks

Summer Group Exhibition

Claywork Studio Workshop, New York City, New York

Cork Gallery, Lincoln Center, New York City, New York

Women’s Interart Center, New York City, New York

Meredith Long Contemporary Gallery, New York City, New York

WIA / 25 Women in the Arts Gallery, New York City, New York

Artists Choice

Clayworks Studio Workshop, New York City, New York

1977 New Abstract Art 1977 Edmonton Art Gallery Museum, Edmonton, Alberta, Canada

5 Painters Northeastern University, Boston, Massachusetts

Invitational

WIA Artist’s Choice

Sweet Briar College, Sweet Briar, Vermont

Randolph–Macon Woman’s College, Lynchburg, Virginia

WIA Artist’s Choice Lehigh University, Bethlehem, Pennsylvania

WIA Artist’s Choice Virginia Polytechnic Institute State University, Blacksburg, Virginia

WIA Artist’s Choice City College, New York City, New York

Opening Exhibition

Meredith Long Contemporary Gallery, New York City, New York

1976 Invitational Drawing Exhibition Gloria Cortella Gallery, New York City, New York

Rolling Art

Castle Clinton, Battery Park, New York City, New York; National Park Service & US Department of The Interior Sponsored Exhibition

WIA Artist’s Choice SUNY / Binghamton State University of New York

WIA Artist’s Choice Chatham College, Pittsburgh, Pennsylvania

1975 Works on Paper

The Brooklyn Museum, Brooklyn, New York

New York Professional Women Artists New School for Social Research, New York City, New York; Special Event of United Nations International Women’s Year

Walk–Thru–Art Douglas College, Rutgers University, New Brunswick, New Jersey

Gallery Artists Galerie Ariadne, New York City, New York

Walk–Thru–Art Cedar Crest College, Cedar Crest, Pennsylvania

Women Artists 1975 City University, Borough of Manhattan Community College, New York

1974 118 Artists

Ciba–Geigy Collection

Landmark Gallery, New York City, New York

Weatherspoon Art Gallery Museum, Greensboro, North Carolina

New York Professional Women Artists Lehigh University, Bethlehem, Pennsylvania

Ciba–Geigy Collection

Gallery Artists

Kresge Art Center, East Lansing, Michigan

Dorsky Gallery, New York City, New York

New York Professional Women Artists Women’s Interart Center, New York City, New York

Walk–Thru–Art Central Park, New York City, New York; NYC Department of Cultural Affairs & Public Arts Council; Sponsored Exhibition of Out–Door–Art

Walk–Thru–Art Battery Park, New York City, New York; NYC Department of Cultural Affairs & Public Arts Council; Sponsored Exhibition of Out–Door–Art

Game Show Invitational

1973 In the Beginning – Women’s Religion

Women Choose Women

Professional Women Artists

1972 Invitational

Permanent Collection Exhibition

Invitational – Benefit Exhibition

Unmanly Art

Women’s Interart Center, New York City, New York

Women’s Interart Center, New York City, New York

New York Cultural Center Museum, New York City, New York; Historic first major New York Museum Exhibition of Women’s Art

Brooklyn College, Brooklyn, New York City, New York

Kent State University, Kent, Ohio

New Jersey State Museum, Trenton, New Jersey

New York Studio School, New York City, New York

Suffolk Museum, Stony Brook, New York

New York Women in the Arts C.W. Post College, Long Island University, Greendale, New York

Gallery Artists

Dorsky Gallery, New York City, New York

Women in the Arts

Airlift 549

Permanent Collection

1971 A New Consciousness

1970 Invitational Exhibition

American Painting

1969 Small Works

Stamford Museum, Stamford, Connecticut

Women’s Interart Center, New York City, New York

Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania

Hudson River Museum, Yonkers, New York; from the Ciba–Geigy Collection

Rose Fried Gallery, New York City, New York

Birla Museum, Calcutta, India

Rose Fried Gallery, New York City, New York

Mr. & Mrs. Alonzo Gallery, New York City, New York

1968 Brandeis University Invitational Marlborough Gallery, New York City, New York

1956 Gallery Artists Perdalma Gallery, New York City, New York

1955 Gallery Artists Perdalma Gallery, New York City, New York

1954 10 Artists

Perdalma Gallery, New York City, New York

Gallery Artists and Invited Artists Perdalma Gallery, New York City, New York

1953 Tiny Paintings on View – 6 Artists Perdalma Gallery, New York City, New York

Joyce Weinstein & Gerson Leiber; Two Person Exhibition of Paintings, Watercolors and Drawings , Perdalma Gallery, New York City

Selected Bibliography

Loercher, Diana “Women’s Art, Fresh & Daring” Article, “Women Choose Women” Exhibition at the New York Cultural Center The Christian Science Monitor, Friday, January, 26, 1973, Page 10 (B/W Reproduction)

Kingsley, April Article , “Women Choose Women” Exhibition at the New York Cultural Center Artforum Magazine , March 1973

Exhibition Catalogue “Women Choose Women” Exhibition at the New York Cultural Center, New York City, New York, January 12 to February 18, 1973 (B/W Reproduction)

Cambel, Lawrence Article , “Women Choose Women” Exhibition at the New York Cultural Center Art News , March 1973 Issue

Review , New York Professional Women Artists Exhibition at Brooklyn College, New York City Arts Magazine , January 1974

Brown, Gordon Review , One–Person Painting Exhibition at Dorsky Gallery, New York City, New York Arts Magazine , May 1974 issue

Quindlen, Anna Article , “Three Sides to Every Painting” (Walk–Thru–Art Exhibition at Central & Battery Parks, New York City New York Post , August 31, 1974 (B/W Reproduction)

Stock, Ellen “Joyce Weinstein & Ann Gillen and Their Triangles” “Best Bets” special feature, New York Magazine

“Strolling in Park, Through 12 Triangles”; article “Walk–Thru–Art” Item – Going Out Guide “Walk–Thru–Art” Exhibition at Battery Park, New York City The New York Times , September 4, 1974

“New York Professional Women Artists at Lehigh University” Sunday Call – Chronicle , Bethlehem, Pennsylvania, Oct 27, 1994

“Lehigh University Exhibition to Examine the Role of Women in Art” The Bethlehem Globe , October 26, 1974

Able “Walk–Thru–Art” Review of Exhibition at New York University Loeb Student Center, New York City Washington Square News , May 5, 1975

Exhibition Catalogue , “Works on Paper / Women Artists” Exhibition at Brooklyn Museum, Brooklyn, New York 1975 (B/W Reproduction p. 40)

Frackman, Noel “Joyce Weinstein” Review of One–Person Exhibition of paintings at Dorsky Gallery New York City Arts Magazine , December 1975, p.16 (Color Reproduction)

Siegel, Jeanne Article , “Joyce Weinstein at Ariadne Gallery” Art in America , March / April 1996 Issue (Color Reproduction)

Exhibition Catalogue “Artists Choice” Traveling WIA Exhibition to various museums and universities, 1996 (B/W Reproduction)

Fraser, Gerald C. “A Barrel of Art” An Exhibition of “Rolling Art” at Battery Park, New York City, New York; The New York Times , September 26, 1976

Kramer, Hilton “Joyce Weinstein” Review of One–Person Painting Exhibition at Gloria Cortella Gallery, New York City, New York, The New York Times , Friday, November 26, 1976

Pomfret, Margaret “Joyce Weinstein” Review of One–Person Painting Exhibition at Gloria Cortella Gallery, New York City, New York Arts Magazine , February 1977 Issue (B/W Reproduction)

Lauderdale, Donna “Exhibit of Women’s Art Opens This Week at SBC” Review of WIA Exhibition at Sweet Briar College, Sweet Briar, Virginia The News , October 30, 1977, Lynchburg, Virginia

“Forum–Is There Discrimination Against Women Artists?” Taped interview with Joyce Weinstein & Isobel Bishop (B/W Reproduction)

Martyr, Joan “Joyce Weinstein” Article and review of One–Person Painting Exhibition at Meredith Long Contemporary Gallery, New York City, New York Arts Magazine , October / November 1978 Issue, pg. 2 (Color Reproduction)

Who’s Who of American Women 11th Edition 1979 – 80

Poroner, Palmer Review , “Joyce” One–Person Exhibition at Meredith Long Contemporary Gallery, November 1979, New York City, New York

Artspeak , December 20, 1979

Gluexh, Grace “Joyce Weinstein” Review of One–Person Painting Exhibition at Meredith Long Contemporary Gallery, November 1979, The New York Times , Friday, December 14, 1979

“Joyce Weinstein” Goings On About Town – Listing and Review of One–Person Exhibition at Meredith Long Contemporary Gallery, November 1979 The New Yorker, December 17, 1979

“Recent Drawings – Acquisitions to Go on View in March” Notice – Joyce Weinstein – Recent Acquisitions Exhibition at MOMA, New York City, New York Museum of Modern Art Bulletin No.17, Winter 1980 / 81

Who’s Who in American Art 14th Edition 1980

Buonagurio, Edgar “Joyce Weinstein” Review of One–Person Exhibition at Meredith Long Contemporary Gallery, New York City, New York Arts Magazine , April 1980, pg. 23.

Glueck, Grace “12 Women” Review of the Group Exhibition at the Sarah Institute, New York City, New York, The New York Times , Friday, April 11, 1980

Richards, Jean “A Show to Delight Non–Figurative Fans” Review of One–Person Painting Exhibition at Martine Gerard Gallery, Edmonton, Alberta, Canada Edmonton Journal , Monday, May 25, 1981 (B/W Reproduction)

Adams, James “Artist Loves New York Competition” Review of One–Person Painting Exhibition at Martine Gerard Gallery, Edmonton, Alberta, Canada Edmonton Journal , May 15, 1981

Who’s Who of American Women 12th Edition 1981 – 82

Muehlenbachs, Leide “Joyce Weinstein at Martin Gerard Gallery” Artmagazine 55 , Toronto, Canada, September / October Issue 1981, pgs. 66 & 67 (B/W Reproduction)

Who’s Who of American Women 12th Edition 1982

Shanks, John Arthur Review , WIA Group Exhibition at Judy Caden Gallery and Marymount College Gallery, New York City, New York Women Artists News , Vol.8, No.1 Fall 1982

Who’s Who in The East 19th Edition 1983

Tatransky, Valentin “Joyce Weinstein at Haber Theodore Gallery, New York City, New York” Article Arts Magazine , May 1983, pg.7 (Color Reproduction)

“Joyce Weinstein Presents Lecture to Gallery Docents” Update , Vol.4, No.4, July / August 1983, Edmonton Museum Magazine

Glueck, Grace “Contemporary Views ‘84” Review of Group Exhibition at Queens Museum, New York City, New York The New York Times , Friday, January 27, 1984

“Ten Women Artists at the Queens Museum” NYC Artspeak , Vol.V No.11, February 1, 1984, pg. 2

Who’s Who of American Women 14th Edition 1984

Who’s Who in the East 20th Edition 1984

“Triangle Artists Workshop” Catalogue , 1984 Pgs 80–81 (B/W Reproduction)

Tatransky, Valentin “Helen Frankenthaler” Arts Magazine , Summer 1985, pg. 14

Tousley, Nancy “New York Abstract Painters Work Distinctive”; Article – One–Person Painting Exhibition at Paul Kuhn Gallery, Calgary, Canada; Calgary Herald , Friday, May 24, 1985 (B/W Reproduction)

Witwicki, Deborah “Edmonton Collects–Docents Choice” Review of Exhibition at Edmonton Museum, Edmonton, Canada Update , Vol. No.5 Sept / Oct 1985

Who’s Who of American Women 15th Edition 1985

Who’s Who in the East 21st Edition 1985

Poroner, Palmer “Women in the Arts” Review of Exhibition Perspective ‘86 at Passaic College, New Jersey Artspeak , March 16, 1986

Who’s Who in America 44th Edition 1986–87

“Art Triangle Barcelona” Spanish language newspaper article Avul May 30, 1987 (B/W Reproduction)

Fontovo, Rosario Spanish language newspaper article, “Art Triangle Barcelona, Spain” El Periodico , May 1, 1987

“Art Triangle Barcelona” Catalogue for the Triangle Workshop at Centre de Creación Contemporánea, Barcelona, Spain, May 1987, pgs. 46–47 (B/W Reproductions – pg. 159) Catalogue Essay by Teresa Blach “J.W.” pg. 178 and Catalogue Essay by Karen WIlkin “J.W.” pg. 182

Wilkin, Karen “Art Triangle Barcelona” Article Update 4th Issue, 1987 pgs. 14–16

Edmonton Museum Paper, Edmonton, Canada, Article “The Work of Joyce Weinstein” 1988

Kent, Wallace “Don’t Sue, it’s Only Art” Review of WIA Exhibition at Phoenix Gallery, New York CIty

Artspeak , Vol.X No.2, September 16, 1988, pg.9

Watlins, Eileen “Exhibit Belies Smug Assumptions About Women’s Visions” Review of “Women’s Visions – Themes from Nature Exhibition at Nabasico Corporation, East Hanover, New Jersey The Sunday Star – Ledger, March 5, 1989

Who’s Who in American Art 18th Edition 1989

Who’s Who of American Women 17th Edition 1989

Who’s Who in Professional and Executive Women 1989 Edition

“Important Works on Paper” Catalogue, Fall 1989, Meredith Long & Co Gallery, Houston, Texas; Group Exhibition (B/W Reproduction – pg. 38)

Wilkin, Karen “At the Galleries” Review of Joyce Weinstein, One–Person Painting Exhibition at Alena Adlung Gallery, New York City, New York, October 1989

Partisan Review , 1990, pgs. 127 & 131

International Who’s Who of Professional and Business Women 3rd Edition 1993

Who’s Who of American Women 1995 thru 2000

Halasz, Piri Review , “Joyce Weinstein” at Broome Street Gallery, New Vision, Group Exhibition

From the Mayor’s Doorstep , Print Edition 1998

“Art to Behold” Notice for Group Exhibition, Sarah Rentschler Gallery, Hudson, New York, (with Color Reproduction) The Paper, October 2000, pg. 36

Lectures and Residences

1982 Lecture The Edmonton Art Gallery Museum Sponsored lecture to Museum Docents at One–Person Painting Exhibition at Martin Gerard Gallery, Edmonton, Alberta, Canada, October

1983 Lecture Canadian Government Sponsored Conference: Celebration of Women in the Arts, Edmonton, Alberta, Canada; Invited guest speaker for the Visual Arts International Conference, May

1984 Residence Invited Guest Artist–in–Residence at Triangle Workshop, Pine Plains, New York, July 14–28, 1984.

Sponsored by the Triangle Arts Association, Anthony Caro

1985 Lecture Muttart Gallery Museum, Calgary, Alberta, Canada

1986 Lecture The Cooper Union for the Advancement of Science and Art, New York City, March 29, 1986:

“Cataloguing and Record Keeping for the Artist”

Lecture The Cooper Union for the Advancement of Science and Art, New York City, March 31, 1986:

“The Business of Art – Survival Tactics for Artists”

1987 Residence Invited Guest Artist Participant to special Triangle Workshop, Barcelona, Spain: May 14–June 1, 1987.

Sponsored by the Mayor of Barcelona, Ex. St. Pasqual Maragall and the Cultural Office of Barcelona City Hall, in collaboration with the British Arts Council and the Triangle Arts Association, Ltd. Anthony Caro

1989 Lecture

Brooklyn College, New York City, New York, December 14, 1989, Invited Panelist and Slide Show

Selected Permanent Collections: Public

Museum of Modern Art

Pennsylvania Academy of the Fine Arts

New Jersey State Museum

New School for Social Research

Weatherspoon Art Gallery Museum

Rose Art Museum

The Edmonton Art Gallery Museum

Ciba–Geigy Corporation

University of California at Santa Cruz

The Hines Collection

Centre de Creación Contemporánea

Chatham College

New York City, New York

Philadelphia, Pennsylvania

Trenton, New Jersey

New York City, New York

The University of North Carolina, Greensboro, North Carolina

Brandeis University, Waltham, Massachusetts

Edmonton, Alberta, Canada

Ardsley, New York

Santa Cruz, California, Santa Barbara Museum of Art, Santa Barbara, California

Boston, Massachusetts

Barcelona, Spain

Pittsburgh, Pennsylvania

Queens University, Agnes Etherington Art Center Kingston, Ontario, Canada

De Saisset Museum

Awards

University of Santa Clara, Santa Clara, California

Recipient Lambert Fund Award, 1954 Pennsylvania Academy of the Fine arts, Philadelphia, Pennsylvania

Selected 1974 Women Artists Historic Archives, Women’s Interart Center, New York City, “50 Women Artists” Sponsored by the New York State Council on the Arts

Awarded 1983 “Fourth Annual Susan B Anthony” Award; by the National Organization of Women, New York City Chapter, City Hall, New York City, “To Women Who Have Furthered the Cause of Women’s Equality in the Arts”

Organizations

1973 – Present Founding member and former Executive Coordinator and present board member of Women In The Arts Foundation, Inc, New York City

Prints and Publications

Edition of 40 Monotypes, July 1989, Smith Andersen Editions, Palo Alto, California

Exhibition Works Joyce Weinstein: Country Fields, May 20 – July 1, 2023 1