Interview: Daniel Radcliffe

The Mention of Reinvention

Daniel Radcliff e’s ability to embrace new projects across multiple mediums is no less admirable than his willingness to reference the past, and a certain wizard who just won’t go away.

Change and reinvention for Daniel Radcliffe has never been in doubt. Of course, the 32-year-old, to some, will always be Harry Potter, no matter how much the genre changes or the boyish good looks lessen. “And besides, what fi lm does is immortalises people in that moment… so I will always be there, in one sense.”

“I learned a long time ago you can’t keep going back to the well,” he admits. “Harry Potter was great but, you know, I was a kid, and I’m defi nitely not that kid now.

“Of course I will always be grateful, and I know to a certain generation they would love me to stay that character forever, but for my own sanity I had to reinvent as far away from that as I could, and I feel I have done that.

Since the fi nal Potter fi lm screened in 2011, Radcliffe has extended his range with a series of daring performances in horror fi lms (The Woman in Black and Victor Frankenstein), dramas (Kill Your Darlings and The Gamechangers), and edgy comedies (Horns and Swiss Army Man). He’s also made a name for himself on stage in Equus (famously appearing naked), How to Succeed in Business Without Really Trying, Business Without Really Trying, and Broadway play and Broadway play Privacy. Privacy.

“I don’t have any strategy other than to choose projects that make me happy and satisfy me creatively. “It starts with the script, but I’m also anxious to work with actors and directors I admire, and who are going to help me grow as an individual and evolve in my profession.” For a while, it

seemed as though Radcliffe, who is in a long-term relationship with actress Erin Darke, was going to head the way of emotive, intellectual independent movies. After all, that would match the headspace he occupied as a kid growing up writing and poetry – two things he loves. “I think my love of words comes from having grown up surrounded by books, scripts, and plays. My father was an agent whose clients were writers and directors and there were always “I don’t have any stacks of books lying around the strategy other than house. to choose projects that make me “I didn’t read that much when happy and satisfy I was a child but suddenly me creatively. around the age of 14, I began to devour everything, especially “It starts with the books on history. I still read a lot script, but I’m also although now it’s mainly nonanxious to work fi ction. Reading and writing with actors and are great passions of mine and directors I admire, I think that has helped me in and who are going terms of choosing scripts. to help me grow as an individual and evolve in my profession.” For a while, it “Ultimately, whatever it is – TV, fi lm, stage – I know what makes me tick and I look forward to the next job, and making the best of that experience.”