2024.06.05 FINE JEWELLERY AND WATCHES at Dore & Rees Auction Salerooms

FINE JEWELLERY AND WATCHES to include Jewellery from the Collection of the Late Mrs. Henry T. Ford II

WEDNESDAY 5 JUNE 2024 at 2pm

Fine Jewellery and Watches Wednesday 5 June

2pm Lots 200-386 Viewing

Saturday 1 June 11am to 3pm Sunday 2 June11am to 3pm Monday 3 June 10am to 4pm Tuesday 4 June 10am to 4pm Morning of sale from 9am

Head of Sale

Susan Rumfitt susan.rumfitt@doreandrees.com 01373 462257

Enquiries

enquiries@doreandrees.com

Dore & Rees

Auction Salerooms Vicarage Street Frome BA11 1PU 01373 462257 www.doresandrees.com

Cover illustrations

Front cover: Inside front: Inside back: Outside back

lot 312 lot 234 lot 383 lot 311

Information for Bidders and Buyers Bidding

The following notes will give you the most important information regarding how to bid and buy.

Please keep an eye on the auction catalogue listed at auctions.doreandrees.com/auctions/ where any specific arrangements for auctions will be kept updated.

The full Terms and Conditions of Sale can be found at doreandrees.com (link at the bottom of the webpage) and also printed at the back of this catalogue.

In person – join us in the saleroom By absentee bids – you can submit your absentee bids via doreandrees.com By telephone – a limited number of telephone lines will be available for the auction, bookable on a first come first serve basis Online – bid live online via doreandrees.com, easyliveauction.com and the-saleroom.com, charges apply.

Condition Reports Condition reports will be available up to 48 hours before the auction, requests are to be submitted via the lot details page of the auction catalogue listed at doreandrees.com/upcoming-auctions

As a Buyer, you will pay the Hammer Price, Buyer’s Premium of 30% of the Hammer Price (inclusive of VAT), any artists resale right royalty payable on the sale of the Lot and any further VAT due

Additional Images

Additional images may be requested up to 48 hours before the auction, please submit your requests the lot detail pages of the auction catalogue listed at doreandrees.com/upcomingauctions

Deposits

Deposits may be requested for high value lots in advance of the auction. Deposits can be paid by debit card or BACS payment and will be refunded in the event that you are not the Buyer of the lot.

Registration

Registration closes at 5pm on the day before the auction. New bidders are requested to provide the following: • Name, address, telephone number and email • Two forms of identification - A passport or photographic driving license - A utility bill or document showing proof of name and address When registering to bid online via doreandrees.com or via easyliveauction.com, you will be requested to provide your bank or credit card details to complete 3D secure authentication.

Buyer’s Premium

Payment Methods

Purchases can be paid by BACS, Debit Card, or Cash (up to a limit of £8,000 in person). Payment is due within 5 working days of the auction.

Collection and Shipping

Once paid for, lots can be collected from Dore and Rees by appointment. We can recommend shippers to assist with the collection and transport of lots to you.

Diamond Grading

At the back of the catalogue you can find a page explaing how Dore&Rees refer to the colour and clarity of diamonds.

Important note re illustrations

Please note that the illustrations are not necessarily to scale.

Order of Sale Lots 200-351 Fine Jewellery including

The Collection of The Late Mrs. Henry T. Ford II and A Private Collection of Contemporary Jewellery

Lots 360-386 Watches

Gemmological Certificates The contents of any gemmological certificates accompanying lots in this sale are not guaranteed by Dore and Rees and we cannot be held responsible for any disagreement over the contents of the certificates after the sale, or for a retrospective change in opinion by the certificate issuer. All weights and measurements provided are approximate only. Prospective purchasers should assume that all coloured stones sold by Dore and Rees have been treated unless otherwise stated to the contrary in the catalogue description. Stones are commonly treated to enhance their colour and clarity. Sapphires and rubies are commonly heat treated and emeralds commonly oiled. Jade/jadeite is often bleached, polymer/resin filled or dyed.

Please contact Dore and Rees for more clarification on treatment in individual lots. Items containing rubies or jade/jadeite of Burmese origin are not permitted for import by the USA.

How to find the Saleroom Dore and Rees is centrally located in Frome, Somerset; about a 10 minute walk from the station with direct trains from London Paddington, operated by Great Western Railways (www.gwr.com).

Dore and Rees Auction Salerooms Vicarage Road Frome BA11 1PU 01373 462 257

Photography: Dominic Brown

Layout & Design: Eddie Hams

Gemstones IMPORTANT INFORMATION FOR BUYERS Historically many gemstones have been subjected to a variety of treatments to enhance their appearance. Certain enhancements, such as heating, are commonly used to improve colour or transparency in rubies and sapphires.

Emeralds are also frequently treated, usually with oils or resin, for the same purpose. Other methods, including staining, dyeing, coating or irradiation, may have been used on other gemstones including Jade and associated hardstone that may have been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments.

The international jewellery trade has generally accepted these methods.

Heat enhancement of colour is usually permanent, however, in some cases; this may have an impact on the durability of the gemstone. Gemstones that have been oiled may require re-oiling after a number of years in order to retain their optimum appearance.

It is, in suitable cases, Dore & Rees’s policy to obtain gemmological reports from internationally recognised gemmological laboratories describing certain gemstones sold by Dore & Rees. In the event that Dore & Rees have been given, or have obtained, reports for any lot in the sale these reports will be mentioned in the catalogue description.

However, it is not feasible for Dore & Rees to obtain a gemmological report for each gemstone offered for sale by Dore & Rees. If no report is published in the catalogue prospective buyers should assume that the gemstones may have been enhanced by some method. However, please note that there may not be consensus between different laboratories on the degrees or types of treatment for any particular gemstone. Prospective buyers should be aware that Dore & Rees’s pre-sale estimates assume that gemstones may have been subjected to such treatments.

ALL DIMENSIONS, WEIGHTS ARE APPROXIMATE.

DIAMOND GRADING TERMS Where printed in the catalogue, estimated diamond grades for colour and clarity are intended as guides for prospective buyers. Dore & Rees do not guarantee these estimated grades due to the limitations of mounts and settings.

DIAMOND COLOUR GIA D E F G H I/J K/L M to Z Fancy

DIAMOND CLARITY GIA

Flawless (FL)

CIBJO

Exceptional White + (EW+) Exceptional White (EW)

EXPLANATION

Face up colourless Face down colourless

Rare White + (RW+) Rare White (RW) White (W)

Face up colourless Face down slightly tinted

Tinted White (TW)

Face up slightly tinted Face down obviously tinted

Slightly Tinted White (STW)

Tinted Colour (TC) Fancy Colour

CIBJO

Loupe Clean (LC)

Internally Flawless (IF) Very Very Slightly Included (VVS) VVS1 / VVS2

Very Very Small Inclusions (VVS) VVS1 / VVS2

Slightly Included (SI) SI1 / SI2

Small Inclusions (SI) SI1 / SI2

Face up obviously tinted Face down obviously tinted Face up definite colour

EXPLANATION

Shows no inclusions or blemishes under 10x magnification Shows no inclusions and only insignificant blemishes under 10x magnification

Minute inclusions, which are difficult, even for an experienced grader, to locate under 10x magnification

Very Slightly Included (VS) VS1 / VS2

Very Small Inclusions (VS) VS1 / VS2

Minor inclusions, observable with effort under 10x magnification

Included (I) I1 / I2 / I3

Pique (P) P1 / P2 / P3

Obvious inclusions, visible to the unaided eye, face up. These may affect the stone’s beauty and durability.

Noticeable inclusions under 10x magnification

Auctioneer’s Welcome Susan Rumfitt, Head of Jewellery, comments: We are looking forward to our forthcoming jewellery sale which includes a fabulous pair of Aluminiumnium Earrings by JAR, from the jewellery collection belonging to the Late Mrs. Henry T. Ford II. There is a lovely selection of Victorian jewellery to choose from including a

About Susan

Susan Rumfitt is delighted to be partnering with Dore & Rees. Susan’s passion for jewellery and her intimate knowledge brings a unique dimension to these joint auctions.

The early part of her career was spent with Christie’s and then she joined Phillips. Susan has built up a loyal following, offering advice to collectors, buyers and sellers of fine jewellery.

She is also active in assisting clients with their jewellery valuations, repairs and redesign requirements. Susan also runs an extensive lecture program at her gallery in Harrogate, which focuses on jewellery history and design.

Susan is a Freeman of the Worshipful Company of Goldsmiths’, an accredited lecturer for the Arts Society, as well as a regular jewellery expert on the BBC’s Antiques Roadshow.

diamond hair brooch and a beautiful pearl and diamond brooch designed as a shell.

The sale also includes an interesting selection of contemporary jewels including stacking rings by Wendy Ramshaw and a Perspex brooch by Nuala Jamison.

Fine Jewellery

200

ELIZABETH TAYLOR JEWELLERY SALE CATALOGUES

13th December 2011, Christie’s New York £300-£500

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DUCHESS OF WINDSOR JEWELLERY CATALOGUE

1997, Sotheby’s New York £100-£200

Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.

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‘DRESSES’; AUCTION CATALOGUE OF THE SALE OF DRESSES FROM THE COLLECTION OF DIANA, PRINCESS OF WALES

25th June 19917, Christies, New York £100-£200

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A SET OF VICTORIAN GOLD, TURQUOISE AND MOTHER OF PEARL BUTTONS, CIRCA 1880

circular mother of pearl plaque with a collet set turquoise and a border of chased gold.

Complete with fittings.

‘Stamped 18CT’ Total weight including fittings 14.6gms Each button measures 1.4cm diameter £150-£250

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FIVE VARIOUS CAMEO BROOCHES, INCLUDING

A SHELL CAMEO AND GOLD BROOCH, CIRCA 1880 carved to depict a Bacchante within an oval gold frame with beadwork detail.

Brooch pin fitting Total weight 20.7gms 6cm x 5cm A VICTORIAN SHELL CAMEO AND GOLD BROOCH, CIRCA 1890 carved to depict the three graces, within a plain gold mount.

Marked 9ct Total weight 16.6gms 5cm x 3.8cm A LATE VICTORIAN CAMEO AND SILVER GILT BRACELET, CIRCA 1890 the ten oblong plaques carved with classical maidens.

Marked ‘935’ Total weight 16.7gms 20cm long £120-£180

Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.

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A CHALCEDONY AND GOLD BROOCH

the oval chalcedony plaque carved with a classical scene, within a pierced mount.

Total weight 18.7gms 5.8cm x 5cm FOUR VARIOUS CHALCENDONY SET SEALS Total weight 23gms £200-£300

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AN EARLY NINETEENTH CENTURY GOLD AND AMETHYS FOB SEAL, CIRCA 1830

the amethyst engraved with a motto, within a two colour gold mount with flower head detail.

AN AMETHYST SEAL engraved with a motto and a motto within a shield.

Total weight 63.8gms 1.2cm x 1cm x 1cm A PALE PURPLE GLASS PLAQUE CIRCA 1880 depicting a coaching scene.

Total weight 11.9gms 3cm x 2cm x 0.6cm £120-£180

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A VICTORIAN AGATE AND GOLD FOB SEAL, CIRCA 1880

the oval carnelian engraved with a crest, within a gold mount.

Total weight 19.8gms 3.4cm x 3cm A VICTORIAN CARNELIAN AND GOLD FOB, CIRCA 1880 the oval carnelian within a gold mount.

Total weight 13.7gms 2.8cm x 3.5cm £100-£200

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TWO VICTORIAN CARNELIAN AND GOLD SEALS, CIRCA 1850

the carnelian plaque set within an elaborate chased mount.

3.3cm x 2.5cm

A VICTORIAN CARNELIAN AND AGATE WATCH KEY, CIRCA 1850 3.8 X 1.5cm Total weight of group 31.6gms £150-£200

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FOUR AGATE SWIVEL SEALS; A BLOOD STONE FOB AND A MALACHITE FOB, CIRCA 1880

the malachite fob chipped.

Total weight 25.2gms

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A VICTORIAN GOLD MOUNTED CARNELIAN AND AGATE SEAL, CIRCA 1850

the carnelian plaque engraved with a crest, within a gold mount with a faceted agate mount. (chipped) 6.8cm x 20.2cm Total weight 36.7gms £100-£150

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A VICTORIAN CARNELIAN, BLOODSTONE AND GOLD FOB, CIRCA 1860

the carnelain faceted handle mounted with a silver collar above a gold mount with scroll detail, to a bloodstone circular plaque.

Total weight 10.6gms 4.8cm long Bloodstone plaque 0.9cm diameter £80-£120

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A NINETEENTH CENTURY CARNELIAN RING, CIRCA 1880

the oval carnelian carved with a lady and gentleman’s head in profile within a gold mount, on plain band.

Ring size Q 1/2 Total weight 1.8gms A CARNELAIN AND GOLD RING, CIRCA 1890 the carnelian plaque carved with a head gentleman’s head in profile, the ring with chased shoulders.

Ring size N Total weight 1.6gms A BLOODSTONE AND GOLD RING, CIRCA 1880 the oval bloodstone plaque carved with a stag’s head within a gold mount, to plain band.

Ring size K 1/2 Total weight 4.1gms £120-£180

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TWO VICTORIAN CITRINE AND GOLD SWIVEL FOBS, CIRCA 1880

each faceted citrine on a gold mount.

Each hallmarked for 9 carat gold Total weight of two fobs 29.2gms

A VICTORIAN CITRINE AND GOLD SEAL, CIRCA 1880 the citrine mounted within a scrolling gold mount.

Total weight 15.6gms 3.5cm x 2.2cm £80-£120

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A VICTORIAN AGATE AND GOLD FOB SEAL, CIRCA 1840

the agate engraved with motto and sun dial motif, within a fluted gold mount.

Total weight 9.2gms 2.5cm x 1.9cm A VICTORIA CARNELIAN AND GOLD FOB SEAL, CIRCA 1870 the carnelian engraved with a crest and motto within a chased and scroll mount.

Total weight 20.2gms 3.5cm x 2cm £100-£200

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A VICTORIAN ROCK CRYSTAL AND GOLD FOB, CIRCA 1830

the circular fob inset with three dice, the reverse engraved with scroll detail.

Total weight 5.4gms A VICTORIAN GOLD LOCKET, CIRCA 1850 the circular locket within a gold chased mount, on a chased ring.

2.2cm diameter Total weight 6gms A VITORIAN ROCK CRYSTAL AND GOLD LOCKET, CIRCA 1880 the circular locket within a gold mount.

Total weight 9.2gms 2.4cm diameter A NINETEENTH CENTURY ROCK CRYSTAL AND GOLD BOX, CIRCA 1840 the oblong box with plain gold mount.

2.3cm x 1.6cm x 0.4cm 1.5cm diameter £200-£300

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FOUR NINETEENTH CENTURY HARDSTONE AND GOLD SEALS

set with bloodstone, quartz, or amethyst seals.

Total weight 30.2gms £100-£200

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A NINETEENTH CENTURY CARNELIAN SET CLOAK PIN, CIRCA 1880

the carnelian bead with flower head details with chain and second pin.

Main pin measures 9cm long Total weight 18.1gms A CARNELIAN AND GOLD BROOCH, CIRCA 1850 the oval carnelian carved with a lady holding a cross, within a gold mount.

Brooch pin fitting Total weight 3.4gms 2.3cm x 1.5cm A CARNELIAN AND GOLD BROOCH, CIRCA 1890 the oblong plaque carved with a lion and a putti, within a gold scroll mount.

Brooch pin fitting Total weight 5.9gms 4cm x 1.8cm £150-£200

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AN NINETEENTH CENTURY GLASS AND GOLD SEAL RING

the oval glass plaque depicting a winged putti within a gold mount, on a plain band.

Total weight 11.3gms Ring size L £80-£120

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A GARNET AND GOLD NECKLACE, CIRCA 1840-50

the uniform row of oval flat-cut garnets, in closed back collet setting, suspending seven pear oval-cut garnets to the front, with integral clasp.

Unmarked Total weight 12.6gms 40cm long £600-£800

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A GEORGIAN CIRCULAR MOURNING LOCKET, CIRCA 1790

the circular en grisaille plaque depicting a lady, within a locket decorated with black enamel and gold border to the front and a depicting the profile of a gentleman to the reverse, on a hoop pendant.

Total weight 23.7gms (worn) A MOURNING RING, CIRCA 1790 the oval en grisaille plaque depicting an urn on a plinth, the white enamel band with inscription ‘Mary Ronalds OB 1779 AET 23’ (worn) Total weight 3.6gms £200-£300

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A GOLD RING, CIRCA 1800

of cross over design with flower detail throughout.

Total weight 3.9gms Ring size Q 1/2 £150-£200

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A GEORGIAN ENAMEL PENDANT AND CHAIN, CIRCA 1800

the pink and white enamel egg, on a faceted steel chain.

Total weight 16.7gms Egg measures 3cm x 1cm Chain 114cm long AN ENAMEL GLOBE PENDANT 2cm diameter AN ENAMELLED BALL LOCKET £250-£350

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AN EARLY NINETEENTH CENTURY GREEN STONE AND DIAMOND RING, CIRCA 1820

the cushion-cut green stone, in fluted closed back gold setting, between old brilliant-cut diamonds in collet set.

Unmarked Total weight 3.8gms £70-£100

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A PAIR OF GEORGIAN GOLD AND DIAMOND EARRINGS, CIRCA 1790

of pod design with gold leaf detail and rose-cut diamond detail, mounted in silver, possibly later hook fittings.

Total weight 13.1gms £200-£300

Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.

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AN EARLY NINETEENTH CENTURY CITRINE GARNET AND SEED PEARL BROOCH, CIRCA 1840

the oval mixed-cut citrine claw set within a border of half pearls within an outer border of garnets.

Engraved to the reverse with an inscription.

Brooch pin fitting Total weight 6.4gms 3cm x 2.7cm

£100-£200

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No lot

£2000-£3000

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A VICTORIAN GARNET NECKLACE AND A PAIR OF EARRINGS, CIRCA 1840

the necklace set with oval and circular-cut garnets suspending a pendant drop, all set within gold closed back settings, integral clasp, and a pair of earrings.

Necklace 33cm long. Pendant 4cm x 2cm Earrings 2cm long Total weight 25gms £500-£700

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A CHARM BRACELET

the oblong link chain suspending eighteen various charms, including a Gondola, a sea horse, guilloche enamel hearts and a dice.

Marked ‘750’ Total weight 50gms £800-£1200

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AN EARLY NINETEENTH CENTURY DIAMOND, SILVER AND GOLD CROSS PENDANT

set throughout with table and rose-cut diamonds, articulated surmount, mounted in silver and gold.

Total weight 18.6gms 8.5cm x 4.7cm £400-£600

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A PAIR OF ANTIQUE DIAMOND EARRINGS

each drop of ribbon tied scrolling petals and leaves, circa 1820, later converted to earrings with post and butterfly fittings.

Set in silver and gold 3.5cm long Total weight 11.5gms £1000-£1500

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A DIAMOND FLOWER BROOCH, CIRCA 1860

the flower head set with nine old brilliant-cut diamonds, collet and closed back settings, with diamond set leaves, on a gold stem.

Brooch pin fitting Mounted in silver and gold Total weight 4.7gms 4cm long £200-£300

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A LATE VICTORIAN DIAMOND FLOWER BROOCH, CIRCA 1890

of floral spray design, set throughout with old brilliant-cut diamonds, brooch pin fitting.

Mounted in silver and gold.

Total weight 4.1gms 4.4cm long £80-£100

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A VICTORIAN PEARL AND DIAMOND FLOWER BROOCH, CIRCA 1880

of spray design set throughout with old brilliant-cut diamonds and half pearls Mounted in gold Total weight 11.3gms 4.5cm x 2.8cm £250-£350

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A MID VICTORIAN DIAMOND AND BAROQUE PEARL BROOCH, CIRCA 1850

the baroque pearl nestled within a mount modelled as a shell and set throughout with old brilliant-cut diamonds.

Mounted in silver and gold Brooch pin fitting Unmarked Mounted in silver and gold Total weight 8gms 2.6cm x 2.3cm Presented in Streeter & Co tooled jewellery case £800-£1200

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A CAMEO AND DIAMOND BROOCH, CIRCA 1860

the blue ‘truquoise coloured’ tassie cameo, claw set within a border of twenty six cushion-cut diamonds within an outer border of twenty cushion-cut diamonds, above a pierced gallery.

Brooch harness fitting and retractable pendant hoop.

Mounted in gold Total weight 11.7gms 3cm x 2.5cm £500-£700

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A FRENCH VICTORIAN GOLD AND PEARL LOCKET, CIRCA 1870

the central oval section pavé set with half pearls within an outer border of half pearls with beaded detail, above an undulating mount with six half pearl collets and a ropework border, the outer edge with scroll work detail, the reversed with hinged locket, on an articulated hinged bale.

French Control Mark Total weight 18.2gms 5.5cm x 3.2cm £200-£300

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A VICTORIAN ENAMEL BROOCH, CIRCA 1860,

the oval enamel plaque depicting a scene of Lake Geneva, within a gold mount, to an outer oval frame, brooch pin fitting.

The reverse marked ‘Chillon Paint Jour sel Henry’ Total weight 8.1gms 4cm x 3.5cm AN EDWARDIAN GOLD AND SEED PEARL LOCKET, CIRCA 1890 the circular locket with a surround of half pearls.

Total weight 13gms 4cm £100-£150

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A LATE VICTORIAN GOLD AND TURQUOISE PENDANT, CIRCA 1890

the circular turquoise cabochon, above a scroll work ground, on a fancy link chain.

Locket measures 2cm x 1cm Length of Chain 60cm Total weight 6.9gms £80-£120

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A VICTORIAN TURQUOISE AND GOLD RING

of belt and buckle design set with two turquoise stones.

Hallmarked for 12 carat gold Total weight 3.7gms A LATE VICTORIAN TURQUOISE, SEED PEARL AND GOLD BROOCH, CIRCA 1890 modelled as three leaves set with turquoise and half pearls.

Total weight 2.6gms 3.5cm x 2.5cm A TURQUOISE AND DIAMOND BROOCH, CIRCA 1880 the heart shaped turquoise within a rose-cut diamond surround.

Hallmarked for 9 carat Total weight 2.7gms 5cm long A VICTORIAN SEED PEARL AND PERIDOT RING, CIRCA 1890 the flower head set with six half pearls within a flower head setting centred by peridot.

Marked 18ct Total weight 1.5gms Ring size L 1/2 A LATE VICTORIAN GOLD AND SEED PEARL BROOCH, CIRCA 1890 modelled as three shells each inset with a pearl, on a knife edge bar.

Marked 9ct Total weight 2.7gms £200-£300

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A ROCK CRYSTAL, PEARL, ENAMEL AND GOLD LOCKET PENDANT, CIRCA 1870

the circular rock crystal locket within a border of twelve half pearls, each spaced by a panel of turquoise enamel, on an articulated gold, turquoise and half pearl bale, lacking locket reverse.

Total weight 18.5gms 4.5cm x 3.2cm A VICTORIAN TEXTURED CIRCULAR LINK CHAIN, CIRCA 1850 on a textured barrel clasp.

92cm long Total weight 16gms £300-£500

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A LATE VICTORIAN JAPONISME BROOCH

the two cranes set with half pearls and turquoise with ruby eyes, against a four colour gold lake scene, locket reverse and brooch pin fitting.

Total weight 20.4gms 4.5cm x 3.5cm £400-£600

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AN AMETHYST AND SEED PEARL PENDANT, CIRCA 1890

the square-cut amethyst millegrain collet set suspending a scrolling mount centered by a half pearl suspending three knife edge bars, the central drop with a square-cut millegrain set amethyst, with four half pearls, suspending a knife edge drop with two pairs of half pearl set petals, with either side a knife edge bar with two half pearl set petals and pear-cut amethyst drop, the whole on a trace-link chain.

Marked ‘15’ Total weight 9.5gms Length of necklace 42cm Pendant drop 7.7cm £300-£400

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AN ARTS AND CRAFTS GARNET AND QUARTZ BROOCH

the centre set with a cabochon-cut aventurine quartz, within a border of four circular mixed-cut amethysts and four oval cabochon-cut garnets within an undulating border of white enamel with red and green dots, the silver mount with flower and scroll work detail to the reverse.

Brooch pin fitting Total weight 10.7gms 3cm diameter A SILVER AND GARNET BRACELET, CIRCA 1900 set with thirteen cabochon-cut garnets, within silver mounts and spaced by oval links.

Total weight 8.71gms £500-£700

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A LATE VICTORIAN GARNET SEED PEARL, ENAMEL AND GOLD BROOCH PIN, CIRCA 1890

the circular mixed-cut garnet millegrain set within a border of seed pearls and green guilloche enamel beads, on brooch pin fitting.

Mounted in gold, unmarked Total weight 2.9gms 3.7cm long AN EDWARDIAN DIAMOND AND PEARL BROOCH the central seed pearl within a square mount set with nine seed pearls and four old brilliant-cut diamonds, between diamond set mounts on tapering knife edge bar, brooch pin fitting.

Stamped ‘P 15CT’ Total weight 3.9gms 5.8cm long A LATE VICTORIAN GOLD AND SEED PEARL BROOCH, CIRCA 1890 the seven half pearls set in flower formation within a circular double gold mount, on a knife edge bar.

Marked ‘15CT’ Total weight 3.3gms 6.5cm long £200-£300

245

AN AMETHYST AND PEARL BROOCH, CIRCA 1880

the oval mixed-cut amethyst collet set within a double border of half pearls.

Mounted in gold, unmarked Total weight 12.2gms Brooch pin fitting 5.5cm x 3.7cm Cased £200-£300

246

AN ETRUSCAN REVIVAL DIAMOND, GOLD AND SEED PEARL PENDANT, C1880

the old brilliant-cut diamond star set within a navette shaped mount set with a border of seed pearls, bead work and an outer border of half pearls each in individual setting, on plain hinged bale, locket reverse.

Unmarked Total weight 14gms 4.5cm x 3cm £100-£150

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244

245

246

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38 | SUSAN RUMFITT @ DORE & REES AUCTIONEERS

247

AN ETRUSCAN REVIVAL BROOCH, CIRCA 1860

the oblong brooch, slightly domed, decorated throughout with bead and rope work detail.

Brooch pin fitting Total weight 7.7gms 6cm long A LATE VICTORIAN GOLD TIE PIN, CIRCA 1890 modelled as a ram’s head.

Total weight 2.8gms 8cm long A LATE VICTORIAN GOLD TIE PIN, C1890 modelled as a bull’s head with coloured eyes.

Total weight 4.4gms 7cm long TWO STICK PINS £150-£200

248

A LATE VICTOIRAN BASALT, PEARL AND GOLD MOURNING LOCKET, CIRCA 1890

the oval basalt plaque, inset with a half pearl and a gold border, to an outer border of half pearls, glass locket reverse.

Total weight 27.8gms 4.5cm x 2.8cm £120-£180

249

A VICTORIAN AGATE CAMEO BROOCH, CIRCA 1860

the oval onyx carved to depict a classical lady within a gold mount.

Brooch pin fitting Total weight 16.7gms 3.5cm x 2.8cm A VICTORIAN AGATE AND GOLD RING, CIRCA 1890 the agate carved to depict a gentleman in profile with a laurel headdress.

Mounted in gold Total weight 2gms £80-£120

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247

248

249

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40 | SUSAN RUMFITT @ DORE & REES AUCTIONEERS

250

A LATE VICTORIAN GOLD AND DIAMOND BIRD BROOCH, CIRCA 1890

modelled as a Swallow in flight with diamond set eye.

Brooch pin fitting Total weight 6gms 4.5cm wide £120-£180

251

A LATE VICTORIAN ENAMEL AND GOLD BRACELET, CIRCA 1890

composed of eight figure of eight links, and eight square links with rounded corners, all with green guilloche enamel decoration and pearls highlights.

Integral clasp and safety chain.

Unmarked Total weight 18gms Inside diameter 6.2cm approx 7mm width £600-£800

252

AN ENAMEL, SEED PEARL AND DIAMOND BROOCH, CIRCA 1890

the navette shaped mount, set to the centre with a row of old brilliantcut diamonds (one deficient), above a red guilloche enamel ground, to an outer border of seed pearls, brooch pin fitting.

Mounted in silver and gold.

Unmarked Total weight 6.6gms £80-£120

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250

251

252

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42 | SUSAN RUMFITT @ DORE & REES AUCTIONEERS

253

A REVERSE ROCK CRYSTAL, GOLD AND ENAMEL PENDANT, CIRCA 1900

the navette shaped rock crystal depicting sprigs of Rosemary, within an undulating frame of white enamel detail, circular hoop.

Engraved to the reverse ‘Rosemary 14 March 1910’.

Total weight 3.7gms 3.5cm x 1.8cm £120-£180

254

A LATE NINETEENTH CENTURY GOLD VICTORIAN LONG CHAIN

with later clasp.

Total weight 31.4gms 149cm long £700-£1000

255

A VICTORIAN MARQUISE DIAMOND CLUSTER RING, CIRCA 1880

set with fifteen old brilliant-cut diamonds, above pierced gallery and between old brilliant-cut diamond shoulders.

Mounted in silver and gold Total weight 4.3gms Ring size P £600-£800

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253

254

255

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44 | SUSAN RUMFITT @ DORE & REES AUCTIONEERS

256

A VICTORIAN DIAMOND SPRAY BROOCH, CIRCA 1870

the ribbon tied floral spray set with old brilliant and rose-cut diamonds with a pear cut diamond to one of the sprays, brooch pin fitting.

Mounted in silver and gold In fitted box Total weight of brooch 10gms 6.5cm long £200-£300

257

A MID VICTORIAN DIAMOND HAIR ORNAMENT, CIRCA 1870

the curved frame set with a central row of nineteen old brilliant-cut diamonds, each four claw set within square mounts, with a trefoil mount terminal set with a rose-cut diamond, with nineteen trefoil mounts, above and below the central section, each set with a rose-cut diamond.

Detachable Brooch Pin Fitting Mounted in silver and gold Total weight 35.4gms £800-£1200

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256

257

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46 | SUSAN RUMFITT @ DORE & REES AUCTIONEERS

258

A LATE VICTORIAN DIAMOND AND GOLD BANGLE, CIRCA 1880

the upper section with thirteen old brilliant-cut diamonds, graduating in size and fancy claw set above a pierced gallery, on a plain hinged bangle.

With safety chain Unmarked Total weight 13.8gms Internal diameter 6.8gms £2000-£3000

259

A VICTORIAN OPAL AND GOLD PENDANT, CIRCA 1880

carved to depict George and The Dragon, within a rock crystal locket, with a trace link chain.

Total weight 18.7gms Locket measures 4cm x 2.5cm £800-£1200

258

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259

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48 | SUSAN RUMFITT @ DORE & REES AUCTIONEERS

260

A PAIR OF LATE NINETEENTH CENTURY PASTE EAR PENDANTS

of girandole design, set throughout with circular mixed-cut paste in closed back silver settings.

Post and butterfly fittings 6cm long Total weight 15gms £80-£120

261

AN EDWARDIAN PASTE PENDANT

the pierced and scrolling mount set with circular white paste stones and suspending three pear-cut pink paste drops, on a trace-link chain, with white paste circular surmount to an oval link long chain.

Total weight 16.3gms Length of chain 77cm Pendant measures 8cm x 5cm £100-£200

262

A PASTE NECKLACE

of geometric Art Deco design Total weight 26.2gms Chain 32cm long Pendant drop 6.5cm long £200-£300

263

A GEORGIAN PASTE AND CRYSTAL LOCKET, CIRCA 1830

the oval crystal locket with gold mount, within a paste surround, with scroll surmount.

Total weight 7.2gms 3.5cm x 2cm TWO NINETEENTH CENTURY PASTE BROOCHES, CIRCA 1830 the oblong brooch and oval brooch each with blue enamel ground below paste set mounts.

2.5cm x 1cm & 2.2cm x 1.8cm Total weight 7.9gms A VICTORIAN PASTE BROOCH, CIRCA 1890 modelled as two monkeys, set throughout with circular cut paste with red paste eyes.

Some paste deficient 9cm x 3.5cm Total weight 9.6gms A VICTORIAN PASTE AND FAUX PEARL BROOCH, CIRCA 1890 modelled as a Swallow in flight.

3cm x 2.8cm Total weight 2.2gms £300-£500

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260 261

262

263

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50 | SUSAN RUMFITT @ DORE & REES AUCTIONEERS

264

DAVID ANDERSEN: AN ENAMEL BUTTERFLY BROOCH

decorated with powder blue guilloche enamel wings and black enamel body.

Signed ‘Norway Sterling 925’ 4.5cm wide Total weight 6gms A SCANDINAVIAN ENAMEL BUTTERFLY BROOCH the large butterfly of blue and orange enamel decoration.

Brooch pin fitting Marked ‘925S’ 9cm wide Total weight 32gms £70-£100

265

A TIGER’S EYE NECKLACE

Length 41cm approximately Total weight 270gms £80-£120

266

A DIAMOND CROSS PENDANT

set with twelve brilliant-cut diamonds on a plain hoop.

Hallmarked for 18 carat gold.

Total weight 2.3gms 3.5cm x 1.8cm £80-£120

264 266

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265

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52 | SUSAN RUMFITT @ DORE & REES AUCTIONEERS

267

A VICTORIAN A PEARL RING, CIRCA 1850

the five graduating half pearls, between carved shoulders, plain hoop.

Unmarked Total weight 2.1gms A GRADUATED SEED PEARL NECKLACE Total weight 1.2gms TWO FAUX PEARL NECKLACES one with a cultured pearl and diamond cluster clasp. £300-£500

268

A GOLD ARTICULATED FISH PENDANT ON GOLD CHAIN

with a green stone set eye.

Unmarked Total weight 10.7gms £100-£150

269

A RUBY AND DIAMOND BRACELET

the thirteen oval mixed-cut rubies, four claw set between pairs of diamonds and gold sections, integral clasp and safety clasp.

20.5cm long Marked 14k Total weight 9.1gms £400-£600

269

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268

267

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270

A RUBY AND DIAMOND RING

the five circular-cut rubies and three brilliant-cut diamonds channel set in v-shaped mount.

Unmarked Total weight 2.5gms Ring size K £200-£300

271

A DIAMOND RING

the cross over design ring channel set with brilliant-cut diamonds.

Hallmarked for 9 carat gold Total weight 2gms Ring size O 1/2 £200-£300

272

HIRSCH: A SINGLE STONE DIAMOND RING

the emerald-cut diamond four claw set, between pierced shoulders on plain band.

Stamped ‘Hirsch’ Total weight 3.8gms Ring size Q £600-£800

273

CORAL FLOWER BROOCH

carved as a rose, on a brooch fitting.

Stamped ‘14k’ Total weight 14.7gms 3.5cm wide £70-£100

273

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270

271

272

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56 | SUSAN RUMFITT @ DORE & REES AUCTIONEERS

274

A ROPE WORK NECKLACE

marked for 18 carat gold Total weight 39.6gms

A JADEITE SET BRACELET Total weight 9.7gms TWO EARRINGS Total weight 6.5gms £800-£1200

275

A JADEITE PENDANT

with tourmaline bead Total weight 16.9gms 6cm x 4cm

A NEPHRITE CARVED PLAQUE WITH BEADS Total weight 11gms 4.5cm x 1.5cm A JADE PENDANT Total weight 7gms £300-£500

276

A PAIR OF DIAMOND EAR STUDS

each brilliant-cut diamond four claw set.

Post and butterfly fittings Total weight 1.3gms £80-£120

276

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274

275

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277

A CULTURED PEARL NECKLACE

the uniform row of cultured pearls on a shaped clasp set with three graduating cultured pearls.

Clasp marked ‘9ct’ Total weight 51.8gms 81cm long including clasp.

A CULTURED PEARL NECKLACE the graduating cultured pearls on a simple hook clasp.

Total weight 12.4gms 84cm long £150-£200

278

A HALF HOOP DIAMOND ETERNITY RING

the seven brilliant-cut diamonds set with bar links between, in white gold mount, to a yellow gold band.

Hallmarked for 18 carat gold Total weight 3.7gms Ring size N 1/2 £300-£500

279

LACLOCHE; A LEATHER JEWELLERY BOX

the oblong leather box with gold tooling and inlaid address of LACLOCHE FRERES 15 RUE DE LA PAIX PARIS, to the reverse 9.7cm x 5.5cm x 1.7cm £70-£100

279

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278

277

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280

A LATE VICTORIAN STAR SAPPHIRE AND GILT SCENT BOTTLE

the cabochon-cut star sapphire within a diamond surround to an outer border of turquoise stones, mounted in gilt.

Total weight 44.4gms 6cm high and 2cm diameter £80-£120

281

A CULTURED PEARL NECKLACE WITH RUBY AND DIAMOND CLASP

the two uniform rows of cultured pearls on a ruby and diamond swirl clasp.

The clasp marked ‘14K’ Total weight 70.7gms Total length 49cm £200-£300

282

A SHELL CAMEO BROOCH, CIRCA 1880

carved to depict dancing maidens within a woodland scene, within a gold mount to an outer scroll mount.

Brooch pin fitting Hallmarked for 9 carat gold 1968 Total weight 45.4gms £100-£200

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280

281

282

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62 | SUSAN RUMFITT @ DORE & REES AUCTIONEERS

283

AN AUSTRO HUNGARIAN SILVER AND ENAMEL BROOCH, CIRCA 1890

modelled as a George and the Dragon Knight decorated with varicoloured enamel to front and back.

Total weight 13.2gms 4cm x 3cm A QUANTITY NINETEENTH OF LOOSE BEADS GILT PANELS £70-£100

284-286

No lots

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284

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64 | SUSAN RUMFITT @ DORE & REES AUCTIONEERS

287

AN OPAL RING

the oval cabochon-cut opal fancy collet set, between split shoulders to plain hoop.

Hallmarked for 18 carat gold Total weight 3.8gms Ring size M 1/2 A SAPPHIRE ETERNITY RING set with circular mixed-cut sapphires.

Total weight 2.6gms Ring size L AN EGYPTIAN SYNTHETIC COLOUR CHANGE CORUNDUM RING the circular mixed-cut stone claw set within pierced mount, to plain hoop.

Hallmarked for 18 carat gold Total weight 3gms £300-£400

288

A DIAMOND AND GOLD RING

the square modified brilliant-cut diamond weighing 1 carat, collet set in undulating diamond set shoulders.

Hallmarked for 18 carat gold Total weight 12.5gms Ring size M 1/2 Accompanied by Gemmological Institute of America Report Number 2116093374, stating that the diamond is Carat weight: 1 carat Colour: G Clarity SI2 No Fluorescence 1 CARAT GIA Certificate: 2116093374 £2000-£3000

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287

288

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66 | SUSAN RUMFITT @ DORE & REES AUCTIONEERS

289

A SAPHIRE AND DIAMOND RING

the oval cut sapphire four claw set within a bezela of twelve brilliant-cut diamonds, claw set above pierced shoulders on plain hoop.

Hallmarked for 18 carat gold.

Total weight 4.5gms Accompanied by GIA Report 1478629371 stating that the sapphire weights 3.38 carats and is a natural Sapphire of Sri Lanka Origin, with no indication of heating.

Ring size N1/2 £9000-£11000

290

A SAPPHIRE AND DIAMOND RING

the cushion-cut sapphire four double claw set between baguette-cut diamond set shoulders.

Total weight 6.5gms Ring size N1/2 Accompanied by GIA Report Number 1478629358, stating that the sapphire weighs 2.82 carats and is a Natural Sapphire Geographic Origin Cambodia with no indications of Heating. £4600-£5600

291

A TOURMALINE AND DIAMOND RING

the pear-cut tourmaline rub over set within a bezel of sixteen brilliantcut diamonds, above basket setting.

Total weight 9.8gms Ring size N1/2 Accompanied by GEMRESEARCH SWISS LAB REPORT Stating that the it is a Natural Tourmaline “Cuprian-Elbaite” weighing 5.38 carats.

The stone contains minor elements (including copper) such as found in tourmalines from Paraiba (Brazil) (Accuracy as testing in mounting permits) £20000-£30000

291

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289

290

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292

A MULTI-ROW BEAD NECKLACE

Total weight 185g Length 45cm plus pendant section 15cm £80-£120

293

A SUITE OF CIRO JEWELLERY NECKLACE AND EARRINGS

of gilded metal and blue stone detail.

Total weight 191g Length approx. 48cm £70-£100

294

AN ART DECO GREEN GLASS SAUTOIR

the oblong facet pendant drop with flower head detail to a sautoir set with thirty six square-cut pastes with oblong silver link spacers.

Total weight 48.1gms One glass paste loose from necklace 49cm drop A COLLECTION OF PASTE JEWELLERY to include A BUTTERFLY BROOCH Marked BSK

A PASTE FLOWER BROOCH, of spray design set with five ‘citrine coloured’ paste stones A WHITE PASTE BROOCH of star design A BLUE AND WHITE PASTE BROOCH of undulating design. £80-£120

294

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292

293

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295

MIRIAM HASKELL: A FAUX PEARL AND GILT NECKLACE

the heart shaped pendant with chased scroll work and faux pearl clusters, encasing paste decoration and suspending a faux pearl drop, on a herringbone link long chain with faux pearl spaces and a faux pearl cluster clasp, with a pair of matching clip earrings.

Marked ‘Miriam Haskell’ 52.5cm long Pendant measures 7cm x 4cm £150-£250

296

MIRIAM HASKELL: A FAUX PEARL NECKLACE

the two graduating rows of faux pearls on a faux pearl and paste clasp and a pair of matching earrings.

Marked ‘Miriam Haskell’ Necklace 42cm long including clasp A PAIR OF FAUX PEARL CLUSTER EARRINGS of flower spray design.

Unsigned 4.5cm x 4cm £150-£200

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295

296

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The Collection of the Late Mrs. Henry T. Ford II Lots 297-312 Dore & Rees are delighted to be selling pieces from the jewellery collection of the Late Mrs. Henry T. Ford II. A collection of her jewellery was sold at Christie’s in December 2020 to great acclaim.

Kathleen DuRoss Ford was part of an affluent American elite who enjoyed bringing English country house style to their homes. Married to Henry T. Ford II in 1980, they both enjoyed collecting and furnished their homes with the stunning artworks and homewares befitting members of one the America’s most famous families.

The Late Mrs. Henry T. Ford II’s jewellery collection reflects an appreciation of the unusual as well as exquisite pieces. Amongst the pieces being sold at Dore & Rees are a pair of gold and diamond clips circa 1950 and a range of fashion jewellery by Chanel. Her costume jewellery collection was extensive. A sense of fun is reflected in pieces in the form of frogs and tortoises.

As a keen collector, it is not surprising to have a pair of aluminium earrings by JAR, (Joseph Arthur Rosenthal) modelled as a ‘Violet’ flowers, amongst her boxes of costume jewellery. They are delightful, reflecting style and grace, attributes so well known of the Late Mrs. Henry T. Ford II.

..Turville Grange, Buckinghamshire, the home of the Late Mrs. Henry T. Ford

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297

A COLLECTION OF COSTUME JEWELLERY

an eclectic range of costume jewellery to include a frog brooch set with green and white paste stones; a pair of turtle ear clips; a group of gilded jewellery. £100-£200

Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.

74 | SUSAN RUMFITT @ DORE & REES AUCTIONEERS

298

A LARGE COLLECTION OF COSTUME JEWELLERY

£80-£120

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299

A LARGE COLLECTION OF COSTUME JEWELLERY

£80-£120

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300

A LARGE COLLECTION OF COSTUME JEWELLERY

£80-£120

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301

AN ECLECTIC COLLECTION OF COSTUME JEWELLERY INCLUDING

a gilded fruit bracelet, marked ‘MADE IN FRANCE’; Two enamel brooch lockets, A ‘CLANDESTINE’ abstract brooch, a pair of Italian ear clips, a gilt tassle ring, a ‘MARYSE BOXER’ scarf ring (?), a pair of enamelled clips, a zebra bangle, various bracelets, heart earrings, heart ring, paste set bow £70-£100

Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.

78 | SUSAN RUMFITT @ DORE & REES AUCTIONEERS

302

A INDIAN GILDED METAL AND GEM SET BANGLE

of pierced scrolling design, set with vari-coloured gemstones including white sapphires, tourmalines and emeralds.

Total weight 22gms 5.6cm inside diameter 11mm width £60-£80

303

A TIGER’S EYE NECKLACE

the uniform row of tiger’s eye beads spaced by gilt beads.

Total weight 126gms 84cm long £60-£80

304

FOUR PAIRS OF EARRINGS BY KENNETH J. LANE

each with clip fittings.

Marked Kenneth J Lane £60-£80

302

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303

304

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80 | SUSAN RUMFITT @ DORE & REES AUCTIONEERS

305

A PAIR OF CHANEL EARRINGS

each circular earring set with an embossed four leaf clover plaque above a white ground, to a border of ropework detail.

Clip fittings Marked ‘CHANEL’ to the reverse Total weight 59gms 4.8cm diameter £80-£120

306

A CHANEL OVAL LINK BRACELET AND NECKLACE, MARKED ‘CHANEL MADE IN FRANCE’

the two sections connecting together with hook fastenings.

Total necklace weight 331g Each section measures 40cm in length.

A CHANEL BRACELET with T-bar fastening.

Total weight 94gms 21.5cm long. £150-£250

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307

A VINTAGE RUE CAMBON CHANEL MEDALLION ON OVAL LINK CHAIN

Total chain length 80cm approx.

Medallion diameter 7cm Total weight 196g £150-£250

308

A CHANEL NECKLACE WITH PERSPEX PANELS

three acrylic citrine-coloured circular panels on snaked chain with hand shaped clasps 87cm long Diameter of circles is 42mm 2 panels detached and one badly broken £30-£50

Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.

82 | SUSAN RUMFITT @ DORE & REES AUCTIONEERS

309

A PAIR OF UNUSUAL CHANEL WIRE WORK EARRINGS

with clip fastenings.

Marked ‘Chanel 98 Made in France’ 6.5cm diameter Weight of each earring is 9gms £60-£80

310

THREE CHANEL BANGLES AND TWO BANGLES (NOT SIGNED)

SILVER COLOURED CHANEL BANGLE 6.2cm inside diameter. 7mm width.

LARGER BLACK CHANEL BANGLE 6.5cm inside diameter. 8mm width.

SMALLER BLACK CHANEL BANGLE 6.5cm inside diameter. 5mm width.

TWO UNSIGNED BANGLES both 6.6 cm inside diameter. 3 and 4cm width. £100-£200

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311

A PAIR OF GOLD AND DIAMOND CLIPS, CIRCA 1950

each modelled as a shell with scroll surmount set with thirty two brilliant-cut diamonds.

Clip fittings Marked ‘14K’ Total weight 52gms £800-£1200

Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.

84 | SUSAN RUMFITT @ DORE & REES AUCTIONEERS

312

JAR: A PAIR OF ALUMINIUM ‘VIOLET’ EARRINGS

with clip fittings Flowers signed ‘JAR’ Total weight 6.6gms 3.2cm wide

Note: Joseph Arthur Rosenthal, known as JAR has become one of the finest contemporary jewellery designers of the 21st Century.

JAR worked at Bulgari in New York in 1977 and then returned to Paris where he opened his own workshop and jewellery store with his partner Pierre Jeannet. His pavé set jewels incorporated various coloured gemstones which stand out against the dark metal alloys that he uses to create breathtaking jewellery.

In 2013, his creativity and craftsmanship were honoured with a retrospective at the Metropolitan Museum, New York. He was the first living ‘artist of gems’ to be honoured with a retrospective.

In 2002 JAR exhibited at Somerset House, London. The exhibition was an enormous success. 145 pairs of ‘Pansy’ earrings, made of aluminium were sent, by JAR, to the clients who had leant pieces to the show as a thank you. A further 1,000 pairs were made for sale at the exhibition. Visitors snapped them up within days. Other pieces that were made for sale were ‘Geranium’,’Ivy’ and ‘Violet’ earrings. £800-£1200

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Contemporary Jewellery from a Private Collection Lots 313-320

313

A CITRINE, GOLD AND DIAMOND RING

the marquise-cut citrine within a gold mount composed of marquise shaped pierced sections, with six marquise-cut diamond highlights to a band composed of marquise pierced gold sections.

Ring Size L 1/2 Total weight 18.6gms £1500-£2000

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88 | SUSAN RUMFITT @ DORE & REES AUCTIONEERS

314

CITRINE, SILVER AND GOLD RING

the oval mixed-cut citrine collet set in a heavy silver and gold band with bead work detail.

Possibly by Eileen Coyne Ring size S Total weight 22.3gms £500-£700

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315

A GOLD ABSTRACT RING

makers mark “W M (D)” Hallmarked for 9 carat London 1978.

Total weight 5.8gms Ring size J 1/2 A GOLD ABSTRACT RING of pierced triangular sections.

Hallmarked for 9 carat gold. Maker’s mark ‘W M (D)’ Total weight 4.5gms Ring size O £100-£200

Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.

90 | SUSAN RUMFITT @ DORE & REES AUCTIONEERS

316

NUALA JAMISON: AN ACRYLIC AND SILVER BROOCH

the square brooch of clear acrylic with green circles.

Brooch pin fitting Hallmarked for Nuala Jamison London 1974 4cm x 4cm x 0.8cm Total weight 26.2gms

Nuala Jamison (1948-2016) Nuala’s work reflects the importance of colour and light in jewellery.

Nuala was born in Lurgan County Armagh and went on to study Jewellery Design at Central St Martins in London. She graduated in 1972 and went onto design for the fashion designer Jean Muir.

In the 1980s Nuala partnered with Caroline Broadhead and named their line of acrylic jewellery ‘C&N’. The acrylic designs would not only include bright combinations of colours but would sometimes have a weathered appearance, which was produced by shaping the pieces with a pumice over several weeks.

Nuala’s work is now held in public collections world wide and she continues to be respected as an innovative designer £200-£300

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317

A SILVER AND TITANIUM BROOCH, CIRCA 1960

the circular plaque with raised circular mounts of varying colours.

5.4cm diameter Total weight 32.8gms £200-£300

Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.

92 | SUSAN RUMFITT @ DORE & REES AUCTIONEERS

318

CATHERINE MANNHEIM: AN ABSTRACT SILVER BROOCH

the hammered silver square with locket inset with a silver grid containing chrysoprase and opal hearts.

Maker’s mark ‘CM’ London 1972 Total weight 31.4gms 4.5cm x 4.5cm

Catherine Mannheim Catherine’s beautiful jewellery can be found in many public collections, including the Victoria & Albert Museum, London; The Worshipful Company of Goldsmiths’ and the West Midlands Jewellery Collection.

Catherine trained at the Central School of Art and the Werkunstschule, Dusseldorf and is now based in Clerkenwell, London. Her work is greatly admired for its innovative use of coloured golds with fine gemstones. £200-£300

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319

WENDY RAMSHAW: AN AMETHYST, GARNET, AND GOLD RING ON AN ACRYLIC STAND

the ring composed of twelve bands, set with a collet set cabochon amethyst, garnet or citrine. One band lacking gemstone.

Each band marked for Wendy Ramshaw and Hallmarked for 18 carat gold 1970 Total weight of rings 20.4gms Ring size M1/2 Stand 9cm high, 2.2cm diameter

Wendy Ramshaw CBE, RDI (1939-2018) Wendy Ramshaw’s work is original and mind blowing. Her jewellery was made to be worn but also became sculptures when not worn, due to the beautiful stands upon which the jewellery was displayed. Her work is on display worldwide, including, The Victorian & Albert Museum, London; British Museum, London; National Gallery of Australia, Canberra and The Metropolitan Museum of Modern Art, Kyoto. These locations are just a few of the 70 plus public Collections that include her work.

She began her studies in 1956 in fabric design at Newcastle’s College of Art and then went onto Reading University where she met her partner, David Watkins. Wendy began to design ‘self-assembly’ paper jewellery and was spotted by the fashion designer Mary Quant, who went on to stock her work in the early 1960’s.

Wendy’s work has been recognised as of immense importance in modern British Jewellery design and her work and contribution was celebrated in 1982 in a retrospective at the Victorian & Albert Museum, London. £600-£800

Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.

94 | SUSAN RUMFITT @ DORE & REES AUCTIONEERS

320

A GOLD PEARL AND SAPPHIRE PENDANT

the semi circular plaque set with a cabochon sapphire, suspending three rows of sapphire beads and seed pearls with gold wire work and gold feather like terminals, on a fancy link gold chain. Cased Maker’s mark ‘B Z’ London 1979 £500-£700

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Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.

Other Properties

322

A DIAMOND AND ENAMEL EGG PENDANT, CIRCA 1900

blue guilloche enamel egg with a band of white stones.

On a simple gold hoop Marked ‘585’ 960 Total weight 4.3gms £80-£120

323

AN ART NOUVEAU ENAMEL, DIAMOND AND PEARL NECKLACE, CIRCA 1890

set with an old brilliant-cut diamond within a pink irridescent enamel flower head, within a pink and green enamel scrolling surmount, with a pearl drop on a diamond scroll surmount, with a two row flat link chain.

Brooch pin fitting Marked ‘14K’ Pendant measures 5cm x 2.5cm Chain measures 56cm long Total weight 23.6gms £1000-£1500

322

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323

Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.

98 | SUSAN RUMFITT @ DORE & REES AUCTIONEERS

324

A CULTURED PEARL NECKLACE ON AN ART DECO DIAMOND CLASP

the uniform row of cultured pearls on an oblong clasp set with two rows of five old brilliant-cut diamonds.

Total weight 45.8gms 51cm long including clasp £700-£1000

325

AN ART DECO EMERALD BRACELET

the uniform row of step-cut emeralds in articulated settings, concealed clasp.

Stamped ‘750’ Total weight 24.5gms Total length 17.5cm £2000-£3000

326

AN ART DECO EMERALD RING, CIRCA 1930

channel set with step-cut emeralds.

Total weight 5.2gms Ring size P1/2 £700-£1000

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325

324

326

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327

A RUBY AND DIAMOND BROOCH, CIRCA 1960

the six oval mixed-cut rubies in flower head formation with seven brilliant-cut diamonds, the scrolling leaves and stem set throughout with diamonds.

Total weight 11.8gms Measures 6cm x 2.5cm £200-£300

328

A SAPPHIRE BRACELET

set with three circular-cut diamonds to the centre and pear-cut sapphires, to an articulated chevron link bracelet strap, integral clasp.

Unmarked Total weight 17.3gms 20.5cm long £500-£700

329

A SAPPHIRE AND DIAMOND THREE STONE RING

the oval mixed-cut sapphire, set between brilliant-cut diamonds, above pierced shoulders on plain hoop, mounted in white gold Hallmarked for 18 carat gold Total weight 5.3gms Ring size Q 1/2 £800-£1200

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327

3328

329

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330

A GOLD BRACELET

the articulated bracelet of elaborate scroll link design.

Marked ‘750’ Total weight 134.6gms 22cm long 2.5cm wide £4500-£5000

331

AN 18 CARAT GOLD BROOCH

designed as a horseshoe and riding crop, the horseshoe with textured surface.

Hallmarked for 18 carat gold Total weight 10.6gms 7cm x 4cm £300-£400

332

A THREE COLOUR GOLD BRACELET, CIRCA 1950

designed as a belt, the clasp set with six circular-cut rubies.

Marked for 9 carat gold.

Total weight 67gms 19cm Long 2.2cm Wide £1200-£1500

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330

331

332

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333

AN AQUAMARINE SEED PEARL PENDANT, CIRCA 1900

the circular pendant set with six circular mixed-cut aquamarines, millegrain collet set and each spaced by pairs of half pearls, suspended on a knife edge bar, with an aquamarine collet on a tracelink chain.

Total weight 3.1gms Pendant 4.5cm long Necklace 38.5cm long £100-£150

334

AN EDWARDIAN PEARL AND DIAMOND BAR BROOCH

the central flower head set with two half pearls and three old brilliantcut diamonds, on a knife edge bar with pearl set terminals.

Mounted in silver and gold Total weight 2.7gms 4cm long AN EDWARDIAN PEARL AND DIAMOND BAR BAR BROOCH the central pear between rose-cut diamond set petals on a knife edge platinum bar.

Total weight 0.9gms 2.8cm long AN EARLY VICTORIAN GOLD AND EMERALD BROOCH, CIRCA 1850 of cluster formation.

Total weight 3.2gms 2.5cm diameter £300-£500

335

CARTIER: A RUBY AND DIAMOND TIE PIN, CIRCA 1900

the circular mount set with old brilliant-cut diamonds to one side and mixed-cut rubies to the other.

Signed ‘Cartier Paris’ and French Control Mark Total weight 3.5 carats 7cm long Hoop 1.2cm diameter £200-£300

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333

334

335

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336

A SINGLE STONE DIAMOND RING

the brilliant-cut diamond estimated to weigh 1.4 carats, eight claw set between pierced shoulders on plain platinum hoop.

Hoop stamped ‘PLAT’ Total weight 3.1gms Ring size O 1/2 approximately 1.4 carats £3500-£4500

337

A SAPPHIRE AND DIAMOND PLAQUE RING, CIRCA 1915

the square-cut sapphire rubover set within a border of twelve old brilliant-cut diamonds in platinum setting, above pierced gallery, between pierced shoulders and plain hoop.

Stamped ‘18ct PLAT’ Total weight 2.4gms Ring size M 1/2 £200-£300

338

AN EDWARDIAN RUBY ETERNITY RING

channel set with step-cut rubies, engraved borders.

Total weight 2.5gms Ring size M 1/2 £120-£180

339

AN EDWARDIAN BLACK OPAL AND DIAMOND RING

the oval-cut opal millegrain collet set within a border of twenty eight old brilliant-cut diamonds in rub over setting, above pierced gallery and shoulders.

Stamped ‘18ct PLAT’ Total weight 4.1gms Ring size O with ring spring £500-£700

339

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336

337

338

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342

340

SAPPHIRE AND DIAMOND BROOCH, CIRCA 1880

A RUBY AND DIAMOND RING, CIRCA 1900

the domed mount set to the center with a brilliant-cut diamond, within a border of six oval mixed-cut sapphires, above a border of two rows of brilliant-cut diamonds with six baguette-cut diamond highlights, all set above two further borders of brilliant-cut diamonds.

Brooch pin fitting Presented in Garrard & Co box Total weight 17.3gms 4.5cm diameter

the three circular mixed-cut rubies and two old brilliantcut diamonds claw set within pierced and carved mount and carved shoulders, to plain hoop.

Marked ‘18’ Total weight 3.5gms Ring size R 1/2 £80-£120

341

£7000-£9000

A PAIR OF RUBY, DIAMOND AND ROCK CRYSTAL EARRINGS, CIRCA 1880

343

each cushion-cut ruby set with in a diamond set star mount, above a circular rock crystal mount.

Post and butterfly fittings.

11mm diameter Total weight 4.9gms

A SAPPHIRE AND DIAMOND RING, CIRCA 1900

the circular mixed-cut sapphire collet set within a six ray star set with rose-cut diamonds, within a similarly set flower head mount, between pierced shoulders, on plain hoop.

Stamped 18ct Plat Total weight 3.6gms Ring size I 1/2

£120-£180

£80-£120

342

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340

341

343

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344

A SAPPHIRE AND DIAMOND RING

the emerald-cut sapphire four claw set between brilliant-cut diamonds.

Hallmarked for 18 carat gold Total weight 3gms Ring size Q 1/2 £200-£300

345

A SAPPHIRE AND DIAMOND RING, CIRCA 1880

the oval mixed-cut sapphire, cut down collet set, within a border of ten cushion and old brilliant-cut diamond, cut down collet set, between diamond set scroll shoulders, on plain hoop.

Unmarked Total weight 4.4gms Ring size M 1/2 £2000-£3000

346

AN ART NOUVEAU SAPPHIRE AND DIAMOND RING, CIRCA 1900

the pear-cut sapphire eight claw set below a trefoil of old brilliant-cut diamonds with two smaller old brilliant-cut diamonds on arched decorative shoulders set with old brilliant-cut diamonds on plain gold band.

Total weight 4.9gms Ring size T £700-£1000

347

A THREE STONE DIAMOND RING

the three graduating old brilliant-cut diamonds in undulating settings, between pierced tapering shoulders.

Marked 18ct Total weight 2.9gms Ring size £80-£120

348

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345

346

347

Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.

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348

A VICTORIAN DIAMOND CLUSTER BROOCH, CIRCA 1890

the old brilliant-cut diamond collet set above two rows of old brilliantcut diamonds all collet set in cluster formation.

Brooch harness fitting and retractable pendant hoop.

Mounted in silver and gold Total weight 6.9gms 2.5cm wide £300-£500

349

A FIVE STONE DIAMOND RING

the five graduating cushion-cut diamonds, each claw set, between tapering shoulders.

Unmarked Total weight 3.5gms Ring size Q 1/2 £1000-£1500

350

A PAIR OF DIAMOND CLUSTER EARRINGS, CIRCA 1880/1890

of flower cluster design, the central old brilliant-cut diamond within a collet setting, within a border of eight old brilliant-cut diamonds, screw back fittings.

Later Rhodium plated Total weight 4gms 1.3cm diameter £400-£600

351

RUBY AND DIAMOND HALF HOOP ETERNITY RING

the seven square-cut rubies channel set with seven brilliant-cut diamonds to each side of the gallery, to plain white gold mount.

Total weight 7.7gms Ring size P 1/2 £700-£1000 £XXX

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350

351

Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.

Watches

360

A GOLD PAIR CASED VERGE WATCH

Signed Thomas Cox, Kimcote, AD 1791, later dial and hands, inner case plain, the outer with monogram within an engraved floral border, London 1793, 49mm; and a gold watch key. (2) £1200-£1500

361

A SILVER FRONTED TIMEPIECE

enamel dial signed S.D Neill, Belfast, Subsidiary seconds, case with easel back, Birmingham 1897, 75 x 65mm, in velvet travelling case. £40-£60

362

A NICKEL CASED GOLIATH WATCH

keyless lever 8 day movement, dial signed Finnigans Limited, Manchester and Liverpool, case plain, 73mm; with silver fronted easel case, London 1904.

£100-£150

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363

A NICKEL CASED GOLIATH WATCH

8 day keyless lever movement, white enamel dial, case plain, 69mm; with leather case. £30-£40

364

A GOLD PLATED HUNTING CASED KEYLESS LEVER WATCH

by AWW Co. Waltham, jewelled to the centre, micrometer adjustment, in a plain case 52mm; an open face keyless lever watch by Limit, Signed dial and movement, and a gold plated keyless lever watch, jewelled to the centre, Swiss unsigned (3)

£150-£200

365

A GOLD PLATED OPEN FACE KEYLESS LEVER WATCH

Signed Crescent St, Waltham, Mass. Adjusted no.

4724896, gold jewel settings, micrometer adjustment, case engraved with birds and flowers, 53mm £100-£150

Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.

366

A NICKEL KEYLESS LEVER GOLIATH WATCH

dial signed Longines, subsidiary seconds, glazed curvette, 67cmm.

£80-£120

116 | SUSAN RUMFITT @ DORE & REES AUCTIONEERS

367

A NICKEL CASED KEYLESS LEVER WATCH

Signed Vanguard, Waltham, Mass, no 7022685, gold jewel settings, micrometer adjustment, lever set, 58mm. £100-£150

368

A NICKEL CASED KEYLESS LEVER WATCH

Signed Appleton, Tracy and Co, Waltham, Mass, no.12002916, gold jewel settings, micrometer adjustment, lever set, 57mm. £70-£100

369

THREE AMERICAN NICKEL CASED KEYLESS LEVER WATCH

two by Elgin National Watch Co, one by AWW Co, Waltham, and a silver open faced watch by A.W.W. Co. H.M Birmingham, 1903. (4)

£90-£120

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370

A NICKEL CASED KEYLESS LEVER WATCH

white enamel dial signed Waltham, USA, Vanguard, 23 jewels, fully signed movement no. 29452283, in a Denison case, back engraved, H.S.3 with MOD arrow £100-£150

371

A SILVER KEYLESS LEVER WATCH

dial and movement signed Buren, Grand Prix, in a guilloche case Birmingham 1957, with Buren box, and a silver keyless lever watch, dial signed J.W.Benson, London, Swiss movement, guilloche case, Birmingham 1926. (2) £120-£150

Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.

118 | SUSAN RUMFITT @ DORE & REES AUCTIONEERS

372

A SILVER OPEN FACE WATCH

Signed Fattorini and Sons, Bradford, a Swiss silver watch, a silver lever watch by Kay’s, a nickel cased watch by Limit, a blued steel watch by Noni, a nickel cased stop watch and a quantity of base metal chains £70-£100

373

A SWISS 14CT GOLD AND ENAMEL LADY’S FOB WATCH

keyless cylinder movement, dark blue translucent enamel dial over a guilloche ground, back decorated with gilt fleur-de-lys, 24mm with associated ribbon fob. £300-£400

374

A SWISS 18CT GOLD LADY’S FOB WATCH

lever movement gilt dial in a foliate engraved case 35mm, with a Swiss 18ct gold chain of fancy design, and a seal.

(3)

£500-£600

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375

A SWISS 14K GOLD KEYLESS CYLINDER FOB WATCH

gilt dial, in a florally engraved case, 33mm. £150-£250

376

OMEGA: A STAINLESS STEEL AND GOLD DIAMOND SET LADY’S QUARTZ CONSTELLATION “MY CHOICE” WRISTWATCH

REF 13687100, no. 58811285, signed Mother Of Pearl dial, diamond set bezel, on integral steel bracelet with gold central bars, 22.5mm with box, certificates and slip case. Purchased 2004 £700-£900

Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.

377

ROLEX REF 1936, CASE NUMBERED 35894; A 9 CARAT GOLD RECTANGULAR WRISTWATCH

signed silvered dial with raised Arabic numerals and subsidiary seconds, signed 15 jewel movement, the case with stepped lugs, import marks. Glasgow 1937. 34 x 20mm. Rolex 18k buckle to strap.

£1000-£1500

120 | SUSAN RUMFITT @ DORE & REES AUCTIONEERS

378

AN 18CT GOLD LADY’S WRISTWATCH

signed silvered dial with baton numerals, with Omega flexible bracelet, 17mm and a steel Omega lady’s Wristwatch, signed silvered dial with subsidiary seconds (2). £400-£600

379

AN OMEGA CONSTELLATIONS STEEL LADY’S WRISTWATCH

signed silvered dial, on integral linked bracelet with Omega clasp, 24mm with Omega pouch £200-£300

380

A SILVER CASED VERGE WATCH

igned Jho. Roskell, Liverpool, no 6995, Arabic numerals, both cases plain. Chester 1806. 54mm £100-£140

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378

379

380

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381

A SILVER QUARTZ WRISTWATCH BY ROTARY

signed black dial with date aperture, on leather strap with Rotary buckle, 36mm. £80-£120

382

A SILVER WRISTWATCH

gilt movement signed Longines, 15 jewels, black enamel dial, subsidiary seconds, screw back case, import marks London 1930, later steel bracelet. 33mm. £200-£300

383

OMEGA: A STEEL WWII PILOTS WRISTWATCH

signed silvered dial, centre seconds, signed 16 jewel movement numbered 9739942 case back engraved A.M 6B/159, A3130, circa 1943, 34mm. £800-£1200

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381

382

383 Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.

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384

ROLEX: A GOLD AND STEEL OYSTER PERPETUAL LADYDATEJUST

Ref 79173 no. P823xxx, signed silvered dial with baton numerals, with jubilee bracelet, 26mm, circa 2000. £1200-£1500

385

JAEGER LECOULTRE: A STEEL MEMOVOX WRISTWATCH

silvered dial signed Jaeger-LeCoultre Automatic, Centre seconds, raised baton numerals, central alarm setting disc, case plain, 36mm. on later steel bracelet. £350-£450

386

A STEEL AND GOLD LADY’S WRISTWATCH

Signed Champagne dial, stone set minerals, gold bezel, on Ebel flexible bracelet, 29mm. £250-£300

END OF SALE

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385 Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.

386

DORE & REES EST. 1868

CURATED INTERIORS to include contents from

TURVILLE GRANGE and EATON SQUARE THE RESIDENCES OF THE LATE MRS. HENRY T. FORD II 3 JULY, 10:30am

Viewing: Saturday 29 June 10:00 to 16:00 Sunday 30 June 10:00 to 16:00 Monday 1 July 10:00 to 16:00 Tuesday 2 July 10:00 to 16:00

Dore & Rees Auction Salerooms Frome Somerset BA11 1PU

enquiries@doreandrees.com www.doreandrees.com 01373 462 257

DORE & REES EST. 1868

CLASSIC CARS THE SUMMER AUCTION 22 JUNE, AT 2:00pm

2002 FERRARI 360 MODENA F1 Sold in April 2024

Inviting enquiries Contact Nick Wells, Head of Motoring 07920 500091 Viewing Friday 21 June: 10:00 to 18:00 Dore & Rees Vicarage Street, Frome BA11 1PU 01373 462 257 www.doreandrees.com

Conditions of Sale BUYERS

This document acts to confirm the terms and conditions under which Dore & Rees, acting as agent, will sell Lots by auction to Buyers on behalf of Sellers. 1

11. Our Status a. We act as agent to sell the Lots on the Seller’s behalf by auction. b. You will pay the Hammer Price, with Buyer’s Premium at 25% together with VAT at the prevailing rate and any applicable charges within 5 working days following the Auction in which the Lots are purchased by you. c. We will always treat your data with care, personal details are held securely and will not be sold. Our Privacy statement is available at www.doreandrees.com 12. The Estimate a. The estimate is a guide to help you gauge how much you might have to spend to purchase the Lot. b. Estimates can change, they are not definitive and should not be thought of as the sale price. c. Estimates do not include the Buyer’s Premium or VAT at the prevailing rate and any applicable charges. d. Estimates may be altered by a saleroom notice or announcement by the auctioneer before the Lot is offered.

13. Buyer’s obligations and undertakings a. You warrant to us and to the Seller that: i. you will not bid on a Lot you do not intend to pay for ii. you have the funds to complete the purchase at the total value of Hammer Price, Buyer’s Premium together with VAT at the prevailing rate and any applicable charges; iii. the funds are not connected with any criminal activity including tax evasion, and that you are neither under investigation nor have you been charged with or convicted of money laundering, terrorist activities or other crimes iv. if the Lot you purchased is to be removed to a country outside the UK, all duties, taxes and licences on the export of the Lot are your responsibility. b. If you, the Buyer, decide to exercise your right to cancel, we are entitled to account directly to the Seller for any applicable refund and we shall retain on account amounts to compensate the Seller should the Lot be damaged or tampered with by you. c. You will indemnify us and the Seller in full on demand against all claims, costs or expenses incurred by us or the Seller as a result of any breach by you of any of the obligations in this clause.

14. Inspection of Lots a. As we act on behalf of the Seller, we are dependent on information provided by the Seller about their Lots. We may inspect Lots and will act reasonably in taking a general view about them. However we are normally unable to carry out detailed examinations of Lots to check their condition in the way a Buyer would do. b. We strongly recommend that you attend the auction viewing in person if possible. You are responsible for your decision to bid for particular Lot. If you bid on a Lot, including by telephone,

absentee bid or online bidding, we will assume that you have carefully inspected the Lot and satisfied yourself regarding it’s condition. c. Please note that the Lots (in particular second hand Lots) are unlikely to be in perfect condition.

Lots are sold ‘as is’ (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of secondhand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/or which the inspection of a Lot by the Buyer ought to have revealed.

15. Descriptions and condition a. Our descriptions of the Lot will be based on i i. Information provided to us by the Seller of the Lot (for which we are not liable); and i ii. Our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot). b. We will give you a number opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot. c. Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently.

16. Registration, Bidding and the Buyer a. You are required to register to bid by 5pm on the day before the auction. We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a absentee bid. b. If you wish to bid on high value Lots, the registration deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. c. We reserve the right to require deposits at the point of Registration on high value Lots.

Deposits are refundable after the auction if you are not a successful Bidder. d. Lots will be invoiced to the name and address on the Registration Form. e. Absentee bids may be left with us in writing indicating the maximum amount to be bid against a Lot (excluding Buyer’s Premium and/or VAT and any applicable charges). We will execute absentee bids as cheaply as possible having regard to the Reserve (if any) and competing bids. If two Bidders submit identical absentee bids we may prefer the first bid received (where this can reasonably be ascertained). Neither we nor our employees or agents will be responsible for any failure to execute your absentee bid, unless our failure to do so is unreasonable. f. Telephone bidding is offered on a first come first serve basis on high value lots. Neither we nor our employees or agents will be responsible for any failure to execute your telephone bid, unless our failure to do so is unreasonable. g. Bidding online is available via doreandrees.com and our auction partners EasyLiveAuction.com.

Please refer to EasyLiveAuction.com for their charges and terms and conditions.

CONDITIONS OF SALE

h. We reserve the right to refuse to register you if you do not provide us with all the information and documentation that we ask for at our discretion. i. We may bid on Lots on behalf of the Seller up to one bid below the Reserve. j. We may refuse to accept any bid if it is reasonable for us to do so. k. Bidding increments will be at our sole discretion (and in line with standard auction practice). l. The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may reoffer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.

17. Anti-Money Laundering Regulation a. We are obliged to comply with Anti-Money Laundering regulations which apply to individuals and businesses who deal in the sales, purchases and storage of works of art with a value of €10,000 (or equivalent) or more. b. Buyers may be requested to provide photographic ID and proof of address documentation in advance of the Auction in which they are bidding in order to meet the requirements of the regulations.

18. The Purchase price a. As Buyer, you will pay: i. The Hammer Price; ii. Buyer’s Premium of 25% of the Hammer Price iii. Any artists resale right royalty payable on the sale of the Lot iv. Any VAT due11

19. VAT a. You are responsible for the payment of any VAT applicable on the Hammer Price and Buyer’s Premium due for a Lot. b. We will charge VAT at the current rate at the date of the auction.

10. Artist’s Resale Right a. From mid February 2006, living artists are entitled by law to receive a resale royalty each time their work is resold by or to and art market professional. From January 2012, the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright).

Royalties will be payable to the families and the beneficiaries of these artists. b. An artwork must be resold for more than 1000 euros Hammer Price (or equivalent) to qualify for the right. The rates applicable are calculated as a percentage of the Hammer Price and are set out on a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. We reserve the right to pass all the cost to the Buyer of the qualifying artwork.

11. The contract between you and the Seller a. The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction. b. You may directly enforce any terms in the Terms and Conditions of Sale - SELLER against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms and Conditions - SELLER.

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c. If you breach these Terms and Conditions – BUYER, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim. d. We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot) e. In addition to any other rights we may have to cancel a contract for sale under these Terms and Conditions – BUYER, in the event: i. You are in breach of your warranties in clause 3; or ii. We have not completed our enquiries pursuant to the Money Laundering Regulations and related legislation to our satisfaction; or iii. We have reason to believe that the transaction might be unlawful for any reason, or that the sale might put us under any civil or criminal liability, we may delay the completion of the sale, delay a release of a Lot or cancel the sale of a Lot.

12. Payment a. Immediately following your successful bid on a Lot you will: i. Pay to us the Total Amount Due by one of the following methods: 1. BACS 2. Debit Card 3. Cash – up to a limit of £8,000 in person

13. Title and Collection of Lots a. While you are bound by the contract for the purchase of the Lot from the fall of hammer on your successful bid, ownership in the Lot will not pass to you until you have paid us in full the Total Amount Due in cleared funds for that Lot; b. You may not claim or collect your Lot until you have paid for it and ownership has passed to you. c. You will (at your own expense) collect any Lots that you have purchased and paid for either: i. Not later than 5 working days following the day of the auction II. Not later than 5 working days following the date that we have received payment of the Total Amount Due in cleared funds, if later.

14. Storage of Lots a. If you do not collect the Lot within the time period set out in above, you will be responsible for any reasonable removal, storage and insurance charges in relation to the Lot. b. The risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot. c. If you do not collect the lot that you have paid for within 90 days after the auction we may sell the Lot. We will pay the proceeds of any such sale to you, we will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot.

130 | DORE & REES AUCTIONEERS 15. Remedies for non-payment or failure to collect purchases a. Please do not bid on a lot if you do not intend to buy it. If your bid is successful, these Terms and Conditions of Sale - BUYER will apply to you.

This means that you will have to carry out your obligations set out in these Terms and Conditions of Sale - BUYER. If you do not comply with these Terms and Conditions of Sale BUYER, we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: i. Take action against you for damages for breach of contract ii. Reverse the sale of the Lot to you and/or any other Lots sold by us to you; iii. esell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 8. Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; iv. Remove, store and insure the Lot at your expense; v. f you do not pay within 5 days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the Total Amount Due; vi. Keep that Lot or any other Lot sold to you until you pay the Total Amount Due vii. Reject or ignore bids from you or your agent at future auctions or impost conditions before we accept bids from you; and / or viii. If we sell any Lots for you, use the money made on these Lots to repay any amount you owe us. b. We will act reasonably when exercising our rights under clause 7. We will contact you before exercising these rights and try to work with you to correct any non-compliance by you with these Terms and Conditions.

16. Forgeries a. A sale shall be cancelled and the Buyer shall be entitled to a refund of both the Hammer Price and the Buyer’s Premium if a Lot bought by the Buyer through our Auction is shown to our satisfaction and within 14 days of the Auction to be a forgery.

17. Data Protection a. We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our website.

18. Liability a. Save as set out in these Terms and Conditions, we exclude to the fullest extent permitted by law all warranties and conditions, whether express or implied by statue, common law or otherwise. b. Nothing in these Terms shall operate to exclude or limit the liability of a party in respect of death or personal injury resulting from that party’s own negligence, for fraud or for any liability that cannot be excluded or limited under applicable law.

c. No party to these Terms shall be liable to any other contract, tort (including negligence) or otherwise for any indirect or consequential losses, or for any loss of profits, loss of good will, loss of revenue, loss of business or loss of anticipated savings. d. Subject to Clauses 10.b and 10.c, our liability to you shall not exceed £5,000, unless your claim relates to an item sold through an Auction in which case our liability to you shall not exceed the greater of £15,000 or the Hammer Price for the relevant Lot. e. We will not be responsible or liable for errors and omissions to execute bids, caused by a loss of internet connection, a breakdown or interruption of the on-line bidding system, or a breakdown or failure of any internet connection, computer or IT system.

19. General a. No party shall have any liability in respect of any delay in performance or non-performance of its obligations under these Terms (other than an obligation to pay) owing to Force Majeure. If a party is affected by Force Majeure it shall notify the other parties as soon as reasonably possible, in any event within 5 days, and shall take reasonable steps to mitigate the effect of the Force Majeure. Subject to Clause 4.b, risk in the Lot remains with you at all times until risk passes to the Buyer. You will indemnify us and our employees and agents, and the Buyer (where applicable) against all losses, damages, claims, costs and expenses suffered or incurred as a result of any claim in respect of the Lot or proceeds of the sale of the Lot. b. Every person on our premises shall be deemed to be there at their own risk and, subject to clause 9.b, shall have no claim against us in respect of accident or loss, however caused. c. hese Terms are governed by in interpreted in accordance with the laws of England and Wales or the laws of Scotland or Northern Ireland if you live there). If you choose to bring proceedings in conjunction with these Terms you must do so in the courts of England and Wales, unless you live in Scotland, in which case you can choose to bring proceedings there, or in Northern Ireland, in which case you can choose to bring proceedings there. d. Any or all part of any term of these Terms that is found to be unfair or unenforceable by a court of competent jurisdiction will be treated as deleted and the remainder of the Terms will continue to govern each of our respective obligations. e. ny notice from you to us must be sent in writing to us at our address detailed on our website. f. f you elect to collect the Lot from us you will bear all associated cost, expenses and duties.)

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CONDITIONS OF SALE

SELLERS

1. Our Status a. You appoint us to act as agent to sell the Lots on your behalf by auction. b. You will pay us the Sellers Commission together with VAT at the prevailing rate. c. We will not include any Lots in an auction until they have been received by us. d. We will pay the Hammer Price, with Seller’s Commission, Loss and Damage Warranty and any other charges incurred deducted and applicable VAT applied at the prevailing rate, to you at 28 working days following the Auction in which the Lots are sold, or if later, 7 days after payment by the Buyer.

2. The Reserve a. We will agree with you the Reserve, which may be higher than the starting bid. b. We shall not publicise the Reserve. c. We may bid on your Lot up to an amount equal to the Reserve. You may not bid on your Lot under any circumstances, nor maySyou permit any person to bid on your lot on your behalf.

3. Seller’s obligations and undertakings a. You warrant to us and to the Buyer that: i. you are the sole owner of the Lot and that you have full right, title and authority to sell the Lot; ii. you have no reason to believe that it is a Forgery; iii. all Lots sold by you are sold to the Buyer with full title guarantee and free from all encumbrances; iv. you have provided to us all of the relevant information and documents in your possession or control concerning the Lot, including information about its authenticity, history, condition, prior ownership and all such information is complete to the best of your knowledge; v. if the Lot has been removed from a country outside the UK, all duties and taxes on the import of the Lot have been paid, all export and import declarations have been properly made; vi. you will pay any and all duties and taxes that may be due in connection with the sale of the Lot; vii. you have given us notice of any alterations to the Lot of which you are aware; viii. you may not withdraw a Lot from an Auction without our consent. b. If you withdraw a Lot from an Auction without our consent, you will pay to us 15% of the Lot’s estimate and any related costs within 14 days of such withdrawal. c. If the Buyer of your Lot decides to exercise their right to cancel, you agree that we shall be entitled to account directly to the Buyer for any applicable refund and we shall account to you for any sums retained on account of the Lot being damaged or tampered with by the Buyer. d. You will indemnify us and the Buyer in full on demand against all claims, costs or expenses incurred by us or the Buyer as a result of any breach by you of any of the obligations in this clause.

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4. Loss and Damage Warranty a. All Lots held with us are covered by insurance against risk of fire, burglary, water damage and accidental damage except to glass. For this we will charge you 1.5% plus applicable VAT of the Hammer Price for the Lot or the value the Lot would have achieved as assessed by the Auctioneer. b. Subject to this, risk in the Lot remains with you at all times until risk passes to the Buyer. You will indemnify us and our employees and agents, and the Buyer (where appliable) against all loss damage claims costs and expenses suffered or incurred as a result of any claim in respect of the Lot or the proceeds of the sale of the Lot.

5. Anti-Money Laundering Regulations a. We are obliged to comply with Anti-Money Laundering regulations which apply to individuals and businesses who deal in the sales, purchases and storage of works of art with a value of €10,000 or more b. Sellers may be requested to provide photographic ID and proof of address documentation in advance of the Auction in which their Lot is to be offered in order to meet the requirements of the regulations.

6. Images and Illustration a. We will take (or authorise others to take) photographs, video and/or produce images of the Lot and will own all intellectual property rights in any such images and may use them for any purpose, and you warrant that there is no restriction on our ability to do so.

7. Unsold Lots a. If at the end of the Auction, your lot is unsold (other than because it was withdrawn) the Lot will be available for After Sale offers. b. Registered Bidders may contact us and offer to purchase a Lot after the Auction. If the bid meets or exceeds the Reserve, we may authorise the sale of your Lot without contacting you and the sale will be completed as if the Lot had been sold during the Auction. If the bid is less than the Reserve, we will contact you. If you accept the bid and wish to proceed, the sale will be completed as if the Lot had been sold during the Auction. c. You may contact us at any time after the Auction to remove your Lot from the After Sale process. d. Subject to agreement with us, your unsold Lot can be re-offered at a future Auction at a revised Estimate and Reserve or can be collected by you, you are responsible for collection and transportation arrangements and costs.

8. Withdrawn Lots a. If we withdraw a Lot from Auction, we will notify you and you will collect the Lot from us within 30 days of our notification. b.You are responsible for collection and transportation arrangements and costs.

9. Forgeries A. A sale shall be cancelled and the Buyer shall be entitled to a refund of both the Hammer Price and the Buyer’s Premium if a Lot bought by the Buyer through our Auction is shown to our satisfaction and within 14 days of the Auction to be a Forgery. b. If this is the case, you shall refund to us on demand, the total amount paid to you in relation to the lot plus any costs incurred by us or by the Buyer.

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DORE & REES EST. 1868

NOVEMBER 2024 FINE SILVER FINE JEWELLERY AND WATCHES NOW INVITING ENTRIES

A SILVER GILT VINAIGRETTE WITH CAST TOP BIRMINGHAM 1830 SOLD: £1,300

A DIAMOND PENDANT, CIRCA 1900 SOLD: £2,080

ROLEX: A STEEL OYSTER PERPETUAL COSMOGRAPH DAYTONA WRISTWATCH SOLD: £19,500

AN EARLY AND FINE SILVER TANKARD, MADE IN KUTCH, INDIA, C.1870 SOLD: £3,120

FINE SILVER Contact: Duncan Campbell www.duncan.campbell@doreandrees.com

FINE JEWELLERY AND WATCHES Contact: Susan Rumfitt susan.rumfitt@doreandrees.com

DORE & REES EST. 1868

AUCTION SALEROOMS, VICARAGE STREET, FROME BA11 1PUA 01373 462257 www.doreandrees.com