daniel scott
contact education contact
address: 418 hilltop road conyers, georgia 30094
e-mail: danelsctt@gmail.com dscott@spsu.edu tel:(404)384-7845
education
spring 2010
southern polytechnic state university major: architecture (bachelor of architecture 5-year degree)
spring 2003
heritage high school dual diploma (technical/college)
experience experience
fall 2009
lightroom design studio position: intern designer tasks: worked extensively with construction document revisions, conducted site visits and site documentation, furniture design and fabrication, as well as 3d modelling and rendering for high-end residential projects
spring 2009
southern polytechnic state university (architecture department) position: shop assistant job duties: metal fabrication, welding,wood working, laser machine maintenance and operation, college of architecture exhibition design and fabrication as well as student consultant and assistant
summer 2008
keller general contracting position: various construction tasks, roofing repair and restoration, sitework and excavation, as well as furniture fabrication
competitions competitions spring 2010
fall 2009 fall 2009
spring 2009
fall 2008 fall 2008
spring 2008 fall 2007
skills
southern polytechnic state university (college of architecture) project: Thesis studio competition award: 3rd Place and Faculty Choice southern polytechnic state university (college of architecture) project: 5th year focus studio competition award: honorable mention southeast regional agc design-build competition project: multi-media campus jacksonville award: honorable mention (best design presenter) acsa preservation as provocation competition project: salk institute masterplan award: none southern polytechnic state university (college of architecture) project: 4th year mixed-use tall building studio award: 3rd place southeast regional agc design-build competition project: hotel and convention center award: 2nd place european winter school workshop project: masterplan extension of domodossola, italy award: honorable mention southeast regional agc design-build competition project: st. augustine college campus masterplan award: 5th place
marietta, georgia
marietta, georgia jacksonville, florida
la jolla, california
marietta, georgia jacksonville, florida
domodossola, italy
jacksonville, florida
skills
language: english (native) french volunteer: conyers boys and girls club counselor
software: microsoft word, powerpoint, excel adobe photoshop, illustrator, in-design, premiere graphisoft archi-cad auto-cad, 3ds max, vray render ableton live fl studio
hardware: model making architectural drafting sketching site documentation and analyses metal fabrication woodworking laser machine maintenance and operation furniture design and fabrication
semester Semester
studio i studio ii studio iii studio iv thesis furniture other studio i
winn park landscape folly
adaptive re-use west end factory
studio ii
environmental protection agency mid-rise
studio iii
midtown mixed use tall building
studio iv thesis
furniture
other
light responsive art center for the study installation of light adaptive re-use chattahoochee brick forum and masterplan table .01, .02 bookshelf photography competition entries
Ground Floor Plan with context
North
studio i third year fall 2007
studio i
third year
fall 2007
study models study models
1.
design processprocess design this studio involved incorporating a landscape feature or folly into winn park. in these sketche and diagrams in the early stages of the process i was investigating a way to weave a bench in and out of the topography.
u.s.a
georgia
atlanta
site conditions: a lush, green park situated on the urban fringe between downtown atlanta and the surrounding ansley park residential district.
winn park
winn park folly
2
3.
design response design response throughout the process i continued pushing a theme of weaving a structure in and out of the topography, but the main difficulty was finding a structural system to fit the aesthetic. these various process models illustrate both the light and structural capabilities of this installation. once i discovered the overall functional “zones� ( areas for seating, standing, viewing, resting, etc.) on the hillside it was only a matter of adapting the parametric truss system. this parametric truss system consists of: a light weight steel frame truss slotted with apertures of various sizes to hold the secondary bamboo and rope structure.
this sketch was an exploration in the bundling of bamboo to form terracing for stairs.
4.
studio i third year fall 2007
studio i
third year
design intent: the initial intent and development of this project began with re-interpreting the volume of space in between the existing buildings. solid/void relationships as well as a rhythm of convex spaces became part of the plaza schematics. the plaza further became visually activated through the exposition of circulation on the facing interior facades, this extension of the circulation also allowed for the entire alloted program to fit into the existing shell creating a syncopation of old and new building.
fall 2007 u.s.a
aa
after
aa
before
void solid
georgia
atlanta
site conditions: the adaptive re-use of two existing buildings incorporating a new mixed use program. the two buildings were formerly cnl used auto parts and salvage yard.
aa
adaptive re-use
mcdaniel-glenn
text describing the diagrams on the left and right
longitudinal section longitudinal section
typical office plan typical office plan
programmatic spaces description and
glenn street street perspective perspective glenn
gsp
transverse section transverse section
stu
railroad perspective railroad perspective
rp
studio iii
site model photos photos site model plaza design and process models a.
b.
c.
d.
e.
final site model- constructed with museum board, plexi-glass, vegetation and posterboard. existing buildings in grey chip board.
section model photos section model photos quarter inch section model- constructed out of museum board, chip board, plexi-glass, styrene, foam core and scale plastruct i-beams.
studio ii third year spring 2008
studio ii
analysis analysis mid town atlanta street section diagram
third year
spring 2008 u.s.a
leasable space
site conditions: georgia
atlanta
pedestrian green furnishings
vehicle
a. site model
design processprocess design analysis
a1.
a2.
b1.
a3.
b2.
these series of process models explore various themes of mass, skin, and programmatic displacement
5th street section
midtown , atl
floor plansplans floor
site planplan site
3rd floorfloor plan 3rd plan
elevations elevations
transverse section section transverse
perspectives perspectives
5th street
spring street section spring street section
5th street
exploded axonometric exploded axonometric
metal veil and screen
rooftop terrace louver study skin study
floor plate distribution
auditorium
lobby/retail
retail facade illustrating context
parking deck
model photosphotos model
main pedestrian entrance
night rendering
section detail detail section
fifth street section detail
section model model section one-quarter inch section detail model. this model is constructed of: medium density fiberboard, basswood, plywood, cork, plexi-glass, balsa wood, acrylic and perforated metal screen.
studio iii analysis fourth year fall 2008 analysis
studio iii
fourth year
fall 2008
site section bb
u.s.a
aa
site conditions: georgia
atlanta
this site, similar to the epa project earlier is located in midtown atlanta. the similar street section and conditions apply with the exception ofaa the primary peachtree street facade on the west.
site section aa
bb
design intent intent design a. shuffling of mixed uses
b.
c.
d.
the intent of this design was to shuffle the mixed use program vertically in order to stimulate more unprogrammed interaction. this would be further facilitated by the integration of the sky lobby as a social condenser where various programs can interchange between the different levels.
the museum was to serve as an autonomous urban block that hovered 30 feet above street level. the large, most prominent east facing facade would be used as an interactive led facade that illustrated the latest contemporary art expositions inside. on top of the museum you will find the main sky lobby which also serves as a large green space for the buildings inhabitants. overall the building seeks to invent a new vision of the tall building in atlanta.
midtown , atl
floor plansplans floor
bb the green illustrates office and public circulation the blue represents residential circulation
Ground Floor Plan with context
aa
North
peachtree street section peachtree street section
seventh street elevation seventh street elevation 1
1
2
2
3
3
mechanical space distribution
peachtree street perspective peachtree street perspective
entrance perspective entrance perspective
museum perspective 1
2 amenities perspective
3
4
residence perspective
nighttime perspective entrance perspective
model photosphotos model
1:50 scale site model constructed out of: black museum board, medium density fiberboard, vegetation, and white colored pencil. final building model constructed out of: chip board, plexi-glass, museum board, and balsa wood structural supports.
studio iv fifth year fall 2009
studio iv
fifth year
site section residential
cultural
parking
fall 2009
bb
u.s.a
aa
georgia
atlanta
commercial analysis analysis
building as installation this project focused on the idea of transforming an initial exploration of a light modulating art installation into a building. more specifically, a building which connects the proposed program with the high museum across the street. this program consists of: contemporary art musem spaces, science laboratories, art laboratories, residences and retail. this new intervention is to serve as a catalyst to the already activating arts district in midtown.
institutional
food and entertainment
iso-vist iso-vist study study compactness
(+)
(-)
peachtree street
peachtree circle
west peachtree street
17th street
16th street
15th street
14th street
sectional sectional analysis analysis
installation installation
surface as points: module as mediator This series of explorations involved extrusion and submersion of textures through light over time. This resulting “push and pull� of the surface results in a spatial field of points. This spatial field of points creates alternative interpretations of structure. //wall //floor //ceiling
design integration design integration The initial concept for the design of this Light Forum intends to fuse together concepts of: initial Light Prop design development, urban contextual relationships, and programmatic needs. 1. Light Prop Concept: “visually negotiable structure”(Eliasson, time as matter MOMA 2009) One of the main underlying themes throughout the Light Prop experiment was the extrapolation of topology from a given source. Although Initial explorations involved extrapolation of an image, the building hopes to achieve a similiar dynamism through extrapolation of the relationship between urban nature, and programmatic responsibility. This theme becomes reference for: space, structure and material. It serves as especially significant in the understanding of the Light Forum through its manipulation of surface, texture and light. 2. Urban Response: Urban Finger I feel the Light Forum should respect it’s neighbors to the utmost, so much so, as to become an urban space itself. An urban space which not only invites street life, but also serves in reverence to the High Museum across the street. The ground level of the Light Forum should create dialogue with the High’s plaza created by Piano. The urban space should also continue the city’s texture and extend as a multi-directional space that catalyzes existing urban conditions. 3.Programmatic needs: Hybrid Exchange The function of the Light Forum should serve as a space of exchange and collaboration within a myriad of disciplines and social classes; thus resulting in the blurring and integration of: visitor, guest, and inhabitant. This, in turn, provides a further opportunity to begin creating a dialogue between public and private spaces, as well as indoor and outdoor environments. Some initial programmatic intentions involve the extension of exhibit space as circulation throughout the building. I think these design themes can begin to further inform the fusing of inhabitants, guests, and visitors that experience the space.
Urban Response
Initial responsibility Parcel
Program Light Prop
Mediator/Hybrid Exchange Non-Urban
Experience/Structure
Plaza
Conceptual Diagram/Relationship
Peachtree st.
Urban Erupting Landscape (light prop)
building building
sketch site section of the context and the new threshold created by my intervention
form analysis form analysis winter
using the heliodon sun simulator i carved away the general massing of the program as block in order to maximize daylight throughout the building, all the way to the lower levels of the parking deck.
summer
building building programmatic diagram illustrating spatial configuration
parking deck/mechanical space levels 1-3
entrance/plaza/ auditorium levels 1-3
exhibition/admini stration/cafe levels 1-2
labs/classrooms/r esidences levels 3-5
site planplan site
section aa section aa
exploded section section exploded
section section bb sectionbb aa section aa
wall section wall section laboratory and artist studio
entrance and exhibiton facade
wireframe perspective wireframe perspective
perspective illustrating wire frame skin/structure
circulation perspective wall section
exterior circumscribed ramp
entrance perspective entrance perspective
entrance from parking and plaze
peachtree perspective peachtree perspective
view of new intervention in its’ context
thesis fifth year spring 2010
thesis
16th-17th Century
17th-18th Century
Mode of Power: Sovereign Primary Actor: King Primary Target: Flesh Primary Hinge: Bodies Primary Practice: Ceremony Most Intense Form: Torture Desired Outcome: Obedience
Mode of Power: Social Primary Actor: Jurist Primary Target: Signs Primary Hinge: Souls Primary Practice: Representation Most Intense Form: Reform Desired Outcome: Community
fifth year
spring 2010 u.s.a
georgia
atlanta
urban context
bb
19th-20th Century
18th-19th Century
timeline and argument timeline and argument
Mode of Power: BioPower Primary Actor: Individual Primary Target: Lives Primary Hinge: Governmentaliy Primary Practice: Norm Most Intense Form: Sexuality Desired Outcome: Autocontrol
Mode of Power: Discipline Primary Actor: Expert Primary Target: Capacities Primary Hinge: Training Primary Practice: Exercise Most Intense Form: Panopticism Desired Outcome: Docility
concentric diagram illustrating deduction of overall thesis to a local site in relation to a contemporary global issue. tangent lines represent literary references
Carceral Space Incarceration Punishment Prison Typology
James Chris Social Control
Institutionalization Colonization
Michel Foucault Discipline and Punish The Birth of The Clinic
Large export of bio-mass such as sugar and cotton from the southerast United Sates Abolishment of Slavery
Kim Dovey Framing Places: Mediat ing Power in Built Form
Alex Lichtenstein Twice the work of Free Labor: The Political Economy of Convict Labor in the New
Chattahoochee Brick Company
(Local)
(Global)
Manuel DeLanda A Thousand Years of Non-Linear History
introduction introduction According to the United States Bureau of Statistics, The United States has the highest documented incarceration rate in the world. In fact, 2,304,115 people were incarcerated in U.S. prisons and jails in 2008. Furthermore, approximately one in every 18 men in the United States is behind bars or being monitored and finally, the United States has less than 5% of the world's population and still comprises nearly 25% of the world's prison population. I think it was statistics like these and the impending socio-economic repercussions that prompted me to explore themes of space and power in architecture and more specifically carceral space. Carceral space, or any space modelled on the idea of a prison, served as the initial root of my examination. In the first stages of my exploration of carceral space one of the main relevant architectural precedents is the panopticon. Once I reviewed the panopticon and its historical relevance I then began to diverge into two tangents of research. The first of which involved topics of space and power in architecture and society, and the second of which involved a tracing of the history of incarceration and its relevance to my local context, Atlanta.
Widespread incarceration and subjugation of individuals surfaced as an amalgam of symptoms of colonization, institutionalization and societal expansion across the world. More specifically in Europe, with the increase and expansion of empires as well as corresponding economies, some of the major exports from North America were sugar and cotton. Along with the mass export of these goods was the commodification and enslavement of a whole race of people. In fact, in the United States during the 18th and 19th centuries few states ranked higher in exploitation of slave and convict labor than that of Georgia. It is this exact issue of Convict labor that began to reveal a twisted, shameful history of human rights injustice in Atlanta. Conditions in the city after the civil war were dire. Atlanta’s economy was founded on industry and export and now found itself crippled with a depleting workforce. In turn, Atlanta adapted and began to exploit other forms of incarceration by introducing convict labor camps.
“I initially began to diverge int The first of which involved topi tecture and society, and the sec ing of the history of incarcerati
chattahoochee brick co. chattahoochbrick co. Founded in 1867 by Mr. Harry English, the Chattahoochee Brick Company in Smyrna, Georgia, was conceived in tandem with many other combustion-related companies at the time. these companies were formed both to catalyze and respond with the industrial boom in and around Atlanta. As demand for ever-increasing exportable commodities like cotton and sugar grew, the need for supporting infrastructure grew.as well. Since most of the local companies shared similar goals they also used similar means of convict lease labor. However, it is The Chattahoochee Brick Company that utilized a force of over 175 convicts to create about 200,000 bricks a day. The bricks produced by inmates at the CBC were used for massive amounts of construction around Atlanta. In Robert Burns’ I am a fugitive from a Georgia Chain Gang he states “ The chain gangs working the roads of the Deep South came to exemplify the brutality of southern race relations, the repressive aspect of southern labor relations, and the moral and economic backwardness of the region in general.” This evidence suggests that a great deal of what is most distinguishable about Atlanta’s role as a modern hub of transportation infrastructure is built upon foundations of convict labor.
Additionally, in 1886 the United States Bureau of Labor observed that “ the brick making industry around Atlanta, formerly employing about 600 hands has been broken up almost entirely by convict-labor competition”. It also must be noted that about 30% of Georgia’s brick production relied on convict-labor, and this was more than any other state at the time.Almost immediately after the turn of the century the exploitation of convict labor was deemed illegal, thus resulting in the loss of the CBC’s workforce. In order to prepare for this necessary decline of productivity Mr. Harry English drained the last reserves of the CBC’s energy and closed the business stating that all of the brick sold would be surplus from the convict labor system. In the article “A different kind of Slavery” Douglas Blackmon states “Beginning in July 1908, a commission established by the Georgia Legislature convened a series of hearings into the state’s system of leasing prisoners to private contractors. Meeting early every day and late into the night to escape the city’s excruciating heat, the panel called more than 120 witnesses over three weeks to give testimony, witness after witness-ranging from former guards to legislators to freed slaves-gave vivid accounts of the system’s brutalities.
to two tangents of research: ics of space and power in archicond of which involved a tracion and its relevance to Atlanta
chattahoochee brick co. (continued) chattahoochee brick co. Guards were routinely drunk and physically abusive.Testimony described hellish conditions at Chattahoochee Brick and other operations owned by Mr. English, a luminary of the Atlanta elite and a man hardly anyone in the reviving city would have associated with human cruelty. But by 1908, Mr. English- despite having never owned antebellum slaves-was a man whose great wealth was inextricably tied to the enslavement of thousands of men.” After the last convict left CBC it was no less than 3 months later that the CBC was crippled to nearly less than 50% of its usual profits. this resulted in the CBC’s closing until it was bought by the General Shale Brick Company in the late 1930’s. Today, the General Shale Brick Company utilizes approximately 10-15 percent of the site for storing and disributing bricks. The existing industrial equipment stands ruined and decrepit. Forgotten in time. awaiting reclamation.
images to the right are of the chattahoochee brick co. workers and conditions from the late 19th century courtesy of the atlanta history center
“...forgotten in time, awaiting reclamation...”
analysis analysis urban connection
context
composite figure ground analysis with chattahoochee river and I-285
figure ground analysis with green space and water bodies highlighted
composite figure ground with fringes on the urban fabric between residential and industrial areas.
composite figure ground analysis with railroad and supporting industrial infrastructure.
analysis (continued) analysis (continued)
Local Context
a.
b.
c.
local context figure ground with schematic site sections around the periphery
local context figure ground with existing water bodies and vegetation
local context figure ground with existing railway infrastructure highlighted in red
+
Local Context
d.
+
Local Context
+
e.
f.
local context figure ground illustrating local context figure ground with views local context figure ground with major vehicular circulation in and in and out of the site pedestrian paths in and around the site around site
C
Local Context
local site
site conditions site conditions
brick storage exterior panorama brick storage- used to gather sort and set preliminary mixes for brick manufacturing
distributor- refines, adds and further mixes clay for brick process -
main facility- this building extrudes, drys, and fires the bricks through a series of kilns and dryers, preparing them to be shipped
brick production interior panorama
design concept design concept Subversion of Chattahoochee Brick manufacturing process into a relevant contemporary Programmatic framework. Reclaiming carceral space by integrating The Arts and Humanitarian programs which en-courage knowledge and foster collaboration. Thus resulting in a dialogue between the brick that “once was” with the person that “will be”.
“exorcising the brick”
main pedestrian entrance
night rendering
Existing: Process and Brick Circulation Brick in-between
Brick as parts
Distribution
Main Brick Production Facility C
Crusher and Clay Storage
Series of Conveyors accumulate, sort and mix clay
Proposed: Process and People Circulation
Person as parts
Contemporary Arts Studios and Exhibition
Existing: This space was once used to store clay and material in the initial process of brick manufacturing. Proposed: Now this facility serves to store, exhibit, and promote Contemporary Art and materials research.
Existing Machinery Re-use
Series of Conveyors and hoppers Kiln, Dry, cool and
Series of Conveyors and hoppers pre dry, mix, and sort clay and aggregate.
Circulation as a series of conveyors and dumpers. Additional space as storage for material, art, and artists.
destination
Person in-between
Mediating Function
Existing: This space was once used to sort and transport material and aggregate for the brick making process. Proposed: Now this function serves to distribute, collect and displace the intentions of the Human Rights and Contemporary Arts Center.
Circulation as a series of conveyors, ramps, and hoppers which communicate between the two buildings. Additional connection to railroad for urban integration with existing sites.
Human Rights Center
Existing: This space was once used for the main portion of the brick manufacturing process, heating, drying, cooling and packaging. Proposed: Now this facility serves to engage, exhibit, and catalyze the public in understanding Human Right’s issues
Circulation as conveyors as well as track systems and people movers which allow for a variety of spatial sequences.
program program phase I master plan development space
History of Incarceration/ Punishment
area (sq. ft)
Human Rights Exhibition Center Social Aspect/Public Circulation and Support Permanent Exhibit Space-Past Temporary Exhibit Space- Present Auditorium-Theatre Administration Service Spaces Retail/Cafe
6,000 20,000 20,000 6,800 9,000 5,500 5,400
Contemporary Arts Factory Contemporary Exhibition Space Artist Studios/Labs Residences
30,000 15,000 10,000
Past
Industry, Civil Rights and the City of Atlanta Chattahoochee Brick Co.
Present
Exposition of recent Human Rights Topics
Future Global Rights Symposia and Fora
Non-Program General Circulation Mechanical
10,000 10,000
Total -Gross Floor Area (phase I)
147,000
preliminary sketches
Prospective Solutions and/or Preventions for Human Rights Injustice
design processprocess design initial model studies and massing This series of models explore various themes of the adaptive re-use concept. The first model illustrates the initial state of the existing truss system on the site. The second model traces the space of the brick manufacturing circulation. The third model begins to explore a wrapping of a skin system in and around the existing structures. Finally the fourth model begins to explore a combination of all three themes while adding the iconography of the silo structures. b.
c.
d.
C
a.
site plan development and master planning
a.
This series of Site plan explorations involve the eventual integration of the Chattahoochee River waterbody, as well as a new wetland ecology created by greywater runoff.
b.
c.
d.
design processprocess design e.
site plan development and master planning
C
This series of Site plan explorations involve the eventual integration of the Chattahoochee River waterbody, as well as a new wetland ecology created by greywater runoff.
f.
g.
h.
museum shell and materiality studies This series of explorations involved the adaptive re-use shell structure that will encompass the new museum. This 1/4� section model evolution explored themes of shell structural systems, membrane structures, and overall materiality.
a.
b.
c.
design processprocess design
a.
b.
c.
This series of explorations involved the construction and design of the newest building on the site, the Distributor. The overall form was subject to connecting either side of the site. The structural system was conceived as a mega scaffolding system with hanging floorplates on the interior. This allowed for great flexibility on the leasable space, as well as for the capability for circulation to encompass the periphery of the building.
C
distributor and main entrance building studies
design design phase I site development perspective
a- Laboratories and Materials Research
b a
b- Distributor
c- Contemporary Arts and Human Rights Museum
c
Master Plan
Ecological investigations
comprehensive master plan phases I, II, and III
Initial Conditioncessive standing water in between old and new buildings.
C
Flood Plain
Maximize Littoral Zoneengage existing rivers and streams to extend littoral zone through the site.
Filter zones
Building Systems Integrationincorporate extensive greywater recycling through chanical condensextend water and resources to the Chattahoochee and surrounding creeks
Greywater
Wetland Emergenceperipheral micro-ecologies started through wetland emergence on site
north
new wetland areas
Chattahoochee River
design design
site ecological development Initial Conditionflooding and excessive standing water in between old and new buildings.
i.
Initial Conditioncessive standing water in between old and new buildings.
Flood Plain
ii.
Maximize Littoral Zoneengage existing rivers and streams to extend littoral zone through the site.
Maximize Littoral Zoneengage existing rivers and streams to extend littoral zone through the site. Filter zones
iii.
Building Systems Integrationincorporate extensive greywater recycling through chanical condens-
Building Systems Integrationincorporate extensive greywater recycling through filtration and mechanical condensers. Seasonal flows extend water and resources to the Chattahoochee and surrounding creeks
extend water and resources to the Chattahoochee and surrounding creeks
Greywater
iv. Wetland Emergenceperipheral micro-ecologies started through wetland emergence on site
Wetland Emergence-peripheral micro-ecologies started through wetland emergence on site new wetland areas
Chattahoochee River
catalyzing ecologies ecologies catalyzing
re cht Pea
k ree eC
materials research research materials structural
zoning
C
circulation
ground floor
subterranean floor
materials research research materials perspective viewing into the materials labs and exposition
light wells, laboratory exhaust vents and ancellary mechanical support systems
materials research research materials circulation
zoning Program
Pr og
ra m
to Labs
to M
use
um
C
connection in addition to the external “scaffolding� super structure the interior plates are hung from large space frame truss system.
To Labs
floors 1-3 To M e us um
materiality the two skins- of the facade are: a.) external structure and louver system b.) recessed mullion glass curtain wall system.
ground floor
materials research research materials double skin detail of the distributor super structure and hanging floor plates
contemporary arts museum arts museum contemporary structural
circulation
zoning theatre
admin.
to str
di or ut ib
below grade
C
exposition
transition
ground floor plan
transition
tickets exposition
exposition
exhibit i
exhibit ii
exhibit iii
exhibit iv
exhibit v
Artist: Francesc Torres Piece: Construction of the Matrix Date: 1976 Media: Earthwork/mixed- media
Artist: Manon De Boer Piece: Attica Date: 2008 Media: Stop-motion picture
Artist: Judith Barry Piece: In the Shadow of the CIty.. Date: 1985 Media: Digital Projection
Artist: David Lamelas Piece: Situacion de tiempo Date: 1967 Media: Television/ aural
Artist: Joan Jonas Piece: Lines in the Sand Date: 2002 Media: Projection
well as outrigging will support the expansive roof with minimal interference into existing
covered with tensotherm structural fabric.
contemporary arts museum arts museum contemporary connection
materiality
composite
structural detail illustrating connection between old and new
old structural framework new tensile membrane
primary tensile support structure
entrance perspective looking south
circulation section
entrance perspective viewing towards the silos
C
silos and auditorium silos and auditorium
museum and kilnsand kilns museum
furniture design third year fall ‘07
furniture design
third year
fall ‘07
detail view of weld between old and new
u.s.a
design synopsis design synopsis
georgia
atlanta
aa the design of this table was a true exploration of material, structural connections, and the overall integration of an historical artifact. the artifact was an old spring and base plates from an 1970’s chevrolet camaro. the materials were comprised of: reclaimed cherry hardwood, copper and aluminum conduit, maple, and reclaimed glass. the connections included: arc welds, pin connections, base plates, and a series of recessed tap drill points that hold the spring (artifact) to the cherry base. the final design ultimately became an amalgam of responses to various contingencies. these ranged from: dealing with the aesthetic consequences between a flush connection of base to spring and spring to tabletop, all the way to tackling a welded connection of two tube profiles to create a seamless tangent of spring to conduit to maple top. also, during the final stages of the process of welding the spring to the tube i wanted to create a similiar oxidation characteristic in the connection. interestingly enough, i buried the table for 3 weeks in mulch and soil to increase the rate of oxidation. overall i found the table to be a great exhibit of design process integrating materiality, function and aesthetic.
“...i buried the table for 3 weeks in mulch and soil to increase the rate of oxidation.�
furniture design fourth year fall ‘08
furniture design
fourth year
fall ‘08 u.s.a
aa
georgia
detail view of weld and counter sunk plank with supporting pin
design synopsis design synopsis the design of this bookshelf was a similar response as the previous table, but this time i mainly wanted a shelf to complement the table .01. with that in mind i just wanted a contextual piece of furniture that used a similar materiality and overall aesthetic.
atlanta
the shelf was to be designed with minimal lines and to carry the inherent qualities of the materials. the shelves consist of three 3� reclaimed cherry hardwood planks, reclaimed steel square tubing and solid steel pins to hang the planks. i chose the rusted steel tubing in order to: a. complement the artifact from table .01 and b. complement the existing color of the cherry hardwood. overall i liked working with this piece of furniture, it was minimal and allowed me to explore more connections between different materials and it also paved the way for me to further hone my skills in welding
“...a contextual piece of furniture...”
furniture design fourth year spring ‘09
furniture design
fourth year
spring ‘09
detail view of poplar grain and worm holes
u.s.a
design synopsis design synopsis aa georgia
atlanta
the design of this table was a response to some found and reclaimed materials my professor gave me. the table costed a total of twelve dollars, all of which was spent on the 2”x8” pine. the inspiration piece or “artifact” of this piece was the reclaimed poplar. this poplar was hand chosen and milled at a local mill. the poplar still retained its original quality with worm holes excavated throughout the softer grain. it was this detail and contrast in the grain that helped me envision this table as a split table. i saw this table as a representation of a colliosion of forces. overall, the table is made of: reclaimed poplar, georgia pine, and copper conduit. the two tables were conceived of as two “benches” that would be attached via copper conduit. the whole concept for the connections of the table was to use no glue, metal or screws as attachments. in all, the table is held together through pin connections at the legs, copper conduit in between, and biscuit joints under the poplar to create a “floating” tabletop.
“...no glue, metal or screws as attachments.”
other works
other works
aa
these photographs were taken with my holga analog camera. i developed a majority of them myself and worked extensively with different kinds of filters. this particular matrix of photographs are from alaska depicting various landscape and architectural elements.
urban design workshop
other works
other works
map of domodossola and proposed master plan interventions.
aa
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