Sauce - Issue 103, 16-09-09

ISSUE 103. SEPTEMBER 16 - SEPTEMBER 29 2009 . TASMANIA’S STREET PRESS . FREE

The biggest ever global Guinness party. Celebrate 250 years of Guinness at the only official party in Hobart.

Irish band The To’Rags, giveaways and official celebrations 4pm - 8pm Acoustic tunes with Katie & Ado from 9pm

Covered Retro with Dr Fink till 2am

n e W!

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Coveraere Retrod All the old school classics

miCheal Clennett, entropy Katie & ado, dr finK

Joel everard, damage Control Jeremy matCham, Wolfe Brothers The best bands. Your favourite tunes. Every Saturday on the waterfront.

l on a n fi y t o o f e h t Catch free h t i w n e e r c s g the bi snacks all day.

HOBART | 21 Salamanca Place

Growing new Tasmanian music, Sunday through Thursday

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. ISSUE 97 . JUNE 24 - JULY 7 2009

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You’ve said on your MySpace that kids these days listen to garbage. What do you think so wrong with the more mainstream music these days?

I’m just getting older and getting bored of pop music.

I still like a few tunes coming from the mainstream, I feel pop music in general isn’t as interesting as it was say 10 or even 5 years ago, there’s less risks being taken at the moment, especially in hip hop. When is the last time a pop/hip hop tune gave you that feeling like ‘Get Ur Freak On’ or ‘Hey Ya’ did? Plus this ironic 80’s electro, Baltimore, new wave, clash ‘mashup’ thing is so fucking tired.

How does twenty years experience give you an edge?

Like most jobs, you learn and craft your skill through those moments of experience and the more you do it the moments you have that few other have grow into a passion. From DJing a heavy metal 18th birthday party in ‘94 to making an entire set for the DMCs using not a single hip hop tune to place 2nd in the world, being open to music and finding that link to yourself that allows you to fully express what you are and finding WWW.SAUCE.NET.AU

interesting ways to do that gives me an edge.

Do you ever worry about keeping your sound fresh?

No, there’s so much good music out there, dub step, krump, future ragga, cumbia, future hip hop soul etc. and the internet just makes finding new, exciting music easier too, fresh sounds are endless.

How did your time with The Avalanches, and the success you achieved, influence you as an artist?

They brought me in to give my skill, experience and ideas on DJing as a foundation of the live element of the group. Musically I haven’t been greatly influenced by them. I’m a hip hop child of 26 years so I brought my roots into the group and left with my roots intact.

Tell us about Grrilla Step, with whom you’ve spent time running hip hop workshops with kids in rural areas and indigenous communities.

What’s the best thing about these workshops for you, and for those taking them?

Grrilla Step is Traditional Pacific Island log drumming, dance and culture mixed with Krump music, dance

and culture. The Australian Krump scene is made up of mostly Pacific Islanders and Asians from suburban areas. We’re in Maningrida in Arnhem Land at the moment doing Grrilla Step workshops. I like sharing music and dance to interested people whether you are Indigenous, Anglo-Saxon or a purple and yellow blob of extra-terrestrial matter. The younger kids just throw themselves right into the workshops and fully engage on what’s happening, what Grrilla Step do is quite new and untapped so we are having as much fun learning about our own music, dance and cultures and other music, dance and cultures too.

How and why did you get involved?

I was invited to Golbourn Island off the coast of Arnhem Land through Music NT. The experience of sharing music to areas that don’t have as much access as major cities as well as inspiring people with different styles of music were the major factors in getting involved.

or Atlanta. A good tune is a good tune. I’ve yet to hear an Aussie hip hop tune I identify with, the majority of Aussie hip hop I’ve heard just sound like bad rip offs DJ premier, Dre, Just Blaze and Timbaland. My Grrilla Step mob are channeling music of Australia and the Pacific Rim into new and exciting territories that can be a part of the future of hip hop.

Have you got anything special planned for the Tassie show?

I’m always in search for krump scenes in each city to collaborate with. So if there are any krumpers in Tassie get me on MySpace or Facebook and let’s smash it!

So, what’s next?

Mainly working on Grrilla Step music and performance and culminating my body of work for my 20th year retrospective coming up in December.

What has your experience shown you about the future of Aussie hip hop?

I just listen to hip hop whether it be from Antartica . ISSUE 97 . JUNE 24 - JULY 07 2009

5

DANCE - SYDNEY // STEVE HILL

Long Live the King

There isn’t a lot in the Dance world that “Mr Hard House Academy” himself, Steve Hill, hasn’t accomplished in his ten year career. As one of the most prolific artists in his genre of Hard Dance (with one year alone seeing fifty productions for commercial release), Hill has spun in over fifty cities across the world and keeps himself busy with his production empire headed by his own Masif Records.

You spent nearly seven years in London and are now based in Australia. Do you ever wish you could have stayed in New Zealand?

I’m very happy living in Australia, so I don’t miss NZ very much or the UK at all. I get to visit both places regularly on tour so I meet up with all my friends when I do, and get any homesickness out of my system then.

What’s the scene like in kiwi country these days?

Do they ever feel betrayed that you’re now living in Sydney?

The scene is great in NZ. I’ve played there 3 times in the past month, once at Slinky’s 10th Birthday to 4,000; once at an under 18’s event to 1,500 (both in Auckland), plus I played at my favourite club in Christchurch called Base which was sold out. As long as I keep my NZ passport they’ll forgive me for living in Australia...and as long as I support the Warriors/All Blacks etc. then I won’t get lynched!

You’re known as the “King of Euphoric Hard Dance.” Is this an absolute monarchy, or are you accountable to the people?

I’m totally accountable. If I lose my reign as the undisputed champion of all things euphoric in Hard Dance the gigs will dry up rapidly!

What makes you and your music so Hard?

Well I’m sure there are people who say I could go harder, but to keep things on the euphoric side of things there is a limit to how hard you can go. Basically what I do is 10bpm faster than Electro; 5bpm faster than Trance; with all the vocals and chord progressions and euphoria that comes with the faster tempo!

Having been in the industry for over ten years, you’ve played some massive shows all around the world. Is there a dream gig you’ve yet to play?

I’d hate to ever say that I’ve got the T-shirt because then there would be nowhere left to go or to do.

I’ve played some of the biggest festivals in Europe

and continue to play numerous countries around the World. I love playing smaller clubs, I love playing big festivals. Dream gig yet to do? Maybe a full on club tour of the States...that’s one place I’ve yet to conquer!

What’s been the best time you’ve had while wearing headphones?

It involved DJing in a club in Ireland, owned by a strip bar owner, who’s workers had the night off and decided to let more than their hair down on stage. It made DJing very difficult!

How important is the production/recording side of what you do?

It is everything. Without those records I produce I’d be severely limited in what I could play, plus it’s always great to have a record box of tunes no one else in the World has, so not only the crowd benefit by hearing new music, but the DJ’s can hear what’s coming up on the label.

You’re the owner of Masif Recordings, Y2K, VW Recordings and S-Trax. Will your empire ever stop growing?

No, it’ll never stop growing if I can help it. I love it.

We’ve got some great things planned for the future.

Some of what we do is planned a year ahead and as long as the ideas and opportunities keep coming we can only keep getting bigger. We turn 5 years old shortly which is a great milestone in the music business plus last week we had 9 tracks in the Top 20 sales charts on the World’s biggest dance music mp3 store!

After the 60 track album My Past, Your Present, Our Future, how many tracks do you think you can fit on one release?

100. That’s the next album. HTML (Hard Trance is My Life). The biggest album in dance music history spanning 5 CD’s and 1 DVD. It was due to come out in April this year but my wife’s mother died late last

“…Hobart loves it banging and euphoric... how hard I go depends on the crowd!...” year before I went to record the final tracks for the album, so it’ll be released in early 2010, after I mix Wild Energy for Central Station and Masif Hard Dance Anthems 3.

depends on the crowd! Last time was insane! Syrup rocks!

How Hard will things get at Syrup in Hobart?

Hobart loves it banging and euphoric...how hard I go

sMEEGAN MAY

See his majesty spin the hard stuff 0 26 June @ Syrup, Hobart

triple j Presents

with special guests Hungry

Kids of Hungary and Kimbra

Tickets on Sale Now!

HOBART THE REPUBLIC BAR FRI 31 JULY

LAUNCESTON HOTEL NEW YORK SAT 01 AUG

moshtix.com.au 1300 438 849 & Roughcut Records 6234 8600

oztix.com.au 1300 762 545 Album ‘Secrets and Lies’ in store and online now! www.bertieblackman.com I www.myspace.com/bertieblackman I www.forum5.com.au

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. ISSUE 97 . JUNE 24 - JULY 7 2009

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. ISSUE 97 . JUNE 24 - JULY 07 2009

7

METAL - USA // MORBID ANGEL

ROCK - AUS // KIM SALMON

Morbid Angels Salmon Rock n Rolls

In the world of indie rock, Kim Salmon has reached legendary status. Soon to be playing a solo gig in Hobart, Salmon is known for his work with The Scientists, the Beasts of Bourbon, the Surrealists, SALMON and more.

With many genres traversed, it’s sure to be an eclectic show.

With his early efforts smashing out punk with Perth band The Cheap Nasties, his first big band, The Scientists, had their first release in 1979. Though not huge commercially, The Scientists were hailed by critics all over the world. Going through a number of line-up changes, Kim was one member of the post-punk band that remained the same. His other well-known band, Kim Salmon and the Surrealists formed their first line-up in 1987, between the final tours of The Scientists. Continually performing, no matter what the band, Salmon has remained steady throughout the years, bands and genres to become one of the most influential songwriter/performers of the Australian music scene.

Since their landmark 1989 debut Altars Of Madness, Florida’s long-serving metallurgists Morbid Angel have been melting ear cavities and challenging Christian morality with the ultimate blast-beating coalition of speed, death and black metal mayhem.

The frenetic pace and heady lifestyle of their early days saw vocalist-bassist ‘Evil’ Dave Vincent incur more than his share of bumps and bruises along the way.

multi-guitar band called SALMON. “I’ve had the idea of having a heavy band with about 8 guitarists since the seventies… For me Salmon is lots of things. It’s fun - let’s face it posing around with loud guitars is fun; it’s a challenge - I have to write and arrange everything for all the players (otherwise it’d be too outta control - maybe later I’ll free it up a bit); it’s arty so it satisfies a few pretensions I might entertain; and it is sort of a social event which brings us to: ‘Who’d I recruit?’...

Answer: Only friends.”

“It’s challenging just surviving in the music industry.

For me, I’d have to say it’d be far more challenging to play the same style and keep interested. I’m sure I’d have been much more successful, if I had. I’m not knocking that idea either. A lot of my favourites have kept to the same style all their careers.”

With The Darling Downs, formed with Ron Peno in 2004, there was a more simple country sound, “I just took an acoustic guitar over to his place and before you know it, we had a swag of songs. If it’s that easy, which is a fuckin’ rare thing in my experience, you really ought to pursue it.” But it’s with SALMON that Salmon simply lets loose, with other well-known musician members such as Clare Moore and Dave Graney, the latter of which will be joining Salmon at his Hobart shows.

As he survived through the decades and a number of different projects, one of the most current is the

For the solo shows, it’s not very likely that you’ll hear a “best of ” the tunes from acts in his past. Instead, the

more intimate performances of his solo career simply express his diversity and eclectic nature. As Salmon describes himself, a solo show is “more likely to do something with tape loops and an akai sampler than renditions of old Scientists tunes.”

But whether see him on his own or with the Surrealists, it’s definitely not worth missing one of the true legends of Aussie rock in action.

0 4 July @ The Brisbane Hotel, Hobart (with The Surrealists) 0 5 July @ The Alley Cat, Hobart (solo)

Irish Murphy’s 211 Brisbane Street, Launceston

“It’ll make a man out of you if you’re not already there,” says Vincent, who exited the band in the mid-90s to pursue solo work and spend time in his wife’s industrial-rock outfit, the charmingly named Genitorturers.

“Although it’s nothing at all like Morbid Angel I found it fun,” says Vincent, “especially the tour antics and the ratio of females in attendance. How could a man not have fun in that environment?”

After a lengthy hiatus, Vincent rejoined Morbid Angel during a brief South American tour in 2004.

“During those shows everything felt really good and the chemistry was awesome,” he says. “The rest is history.”

He says a “passion for music and creative energy” was key to his own ambition and to the longevity of the Tampa quartet, formed in 1984 by guitarist Trey Azagthoth – a man known to sometimes sleep in a coffin.

Vincent says he’s encouraged by the raw talent of emerging artists but isn’t moved by recent trends he claims have retarded metal’s evolution.

“I have heard a tonne of examples of devolution unfortunately,” he argues. “Most of this ‘safe for radio play’ nu-metal crap doesn’t speak to me at all.”

One of the few death-metal acts to sell a million albums and achieve mainstream success, Morbid Angel split with their long-time label Earache in 2003 following the release of Heretic, the last of eight studio albums that critics concede tested all sonic and spiritual boundaries. Vincent says the seminal UK stable still license the band’s back catalogue.

· Live music 7 days a week· · Great meals in our family restaurant· · Shamrocks restaurant open 7 nights a week· · Wood fired pizza oven· · 3 bars including roof beer garden· · Outdoors in summer & cosy fires in winter· · Accommodation for genuine backpackers·

“You never really end a relationship,” he says. “There is ongoing business with them but I haven’t spoken to (label boss) Digby (Pearson) in more than fifteen years. But as far as our career is concerned, Morbid Angel is as strong or stronger than we’ve ever been.”

An Alice Cooper Band-inspired musician and member of the Church of Satan who plays a ‘Demonator’ bass guitar, Vincent seems to have ticked all the right devilrock boxes throughout his career.

Whether there’s a touch of self-parody in his methods is unclear however the 44-year-old sounds genuinely excited at the prospect of creating some thunder down under this month when Morbid Angel tour Australia for the first time since 1996.

“We’ve got a lot of fresh material and ideas and it’s going to be a great experience,” he enthuses. “And I will tell you that our management has been in negotiations and we will have a new label to announce soon.”

Wednesday, 24 June The Little Cubas / Carl Fidler Wednesday, 1 July Halfway To Forth / Mick Attard Wednesday, 8 July Jason Lucas / Ben Tome / Mark Edmunds

sSTEVE TAUSCHKE 8

. ISSUE 97 . JUNE 24 - JULY 7 2009

WWW.SAUCE.NET.AU

INDIE - MELBOURNE // DASH & WILL

In Control

Charlotte Thorpe, also known as the Dash half of Dash & Will, tends to find herself in a bit of a Hannah Montana situation as she tries to balance a normal home life working two regular jobs with a more glamorous career in music. “There’s such a big contrast between the music industry and normal life, and it is almost like living in a different world when you’re in the music industry.”

The names in the bands title came from what the families of Charlotte (Charlie) and Josie De SousaReay would have called them if they were born boys.

The duo have been playing together since they were young teenagers, and first stepped into the spotlight at age 16, when they entered their demo into the MusicOz competition, coming second place overall.

A couple of years later the girls signed with Mercury Records and their debut LP is set to drop later on in the year.

Despite the increasing success, such as having a song featured on US hit show Grey’s Anatomy, touring, and the new single ‘Out of Control,’ Charlie’s kept grounded by her two non-musical jobs and her downto-earth “hippie” family. “We’ve made a bit of a print in the music industry at the moment, but we’re not a well-known band, we’re not making heaps of money at the moment, so there’s a lot of time when you are at

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home and we still have to have a job to pay for things.”

The jobs in question include working behind a bar and as a nanny for an eight month old a few times a week.

Although she enjoys the other work, it’s the contrast between this part of her life and the musical side of things that Charlie finds difficult. “ It’s very hard sometimes to position it all in your mind, there’s so much going on and I work six days a week. I used to get annoyed about having to go away and do promo and go to radio stations and do live performances for the staff and stuff, but now I love it, because I’m not working for somebody else and people treat you really well, like you’re someone important, it’s a bit of a break. I’m loving doing that.”

One of the most recent industry experiences was a trip to Japan to film the music video for ‘Out of Control,’ right in the middle of Tokyo. The song itself has a lot

more of a beat to it than some of their other songs. “We were just experimenting in the studio… Me and Josie just love to jump around on stage and pretend we’re in a club and wear really funky leggings. So we thought, ‘let’s turn it into a dance song!’” So after dosing themselves up with caffeine eye drops (which Charlie describes as “amazing”), the two began filming and ended up surrounded by hundreds of Shibuya locals armed with camera phones, which can be seen in some of the behind the scenes footage the band posted on their MySpace.

Even with a fairly glamorous overseas experience like this one, Charlie is often dragged right back down to earth by her parents, who “don’t really know what’s going on too much, and that’s the way I like to keep it.” Charlie prefers to chat about industry things with people that can relate, like good friend Katy Steele from Little Birdy. When it comes to talking to her

parents, conversations tend to go a little differently.

“I’ll call my mum up and say ‘I’m just in Brisbane.’ And she’ll be like ‘what?! What are you doing in Brisbane?!

Oh, are you doing your blog over there, are you blogging over in Brisbane?’ and I’ll say ‘No mum, I’m over here doing gigs.’”

Though it’s probably safe to say it won’t be long before Charlie’s mum is fully aware of just what Dash & Will are getting up to, with Up In Something out in August.

Until then, luckily there’s enough time in Charlie’s busy schedule to fit a visit to Tasmania. sDAVID WILLIAMS & MEEGAN MAY The single, ‘Out of Control’ is out now.

You can hear more from Dash & Will on their MySpace, myspace.com/dashandwill.

0 3 July @ Republic Bar, Hobart

. ISSUE 97 . JUNE 24 - JULY 07 2009

9

MAY

DANCE - SYDNEY // NICK SKITZ

The Skitz Mix

“…Looking out to a packed house of clubbers going off is the ultimate buzz for me...”

Pioneer of the megamix craze in Australia, and responsible for huge hits like the remix of the X-Files Theme and the Skitzmix CD series, there’s no doubt that Nick Skitz (aka Nicholas Agamalis) has been influential. Soon Launceston fans will be able to find out why this DJ is such a crowd pleaser when he makes his way to Lonnies later this month.

After so many years on the scene, how have you changed as an artist?

I haven’t changed at all, I have stuck to the same formula which has worked for me over the past 15 years.

People can be pretty hard on you, even though you’ve created one of the biggest selling DJ compilations, the Skitzmix series. Why do you think this is?

Unfortunately this is the ugly side of success, however after 20 years its water of a ducks back.

Is there something people tend to misconceive about you?

No there isn’t because what you see is what you get, there’s no pretence or facade with me.

You’re pretty prolific with your releases, so what’s new on Skits Rocks 2 and Skitzmix 31?

As always-great music and artwork, but most of all, the hottest tracks coming out of Europe.

Which part of the job is most important to you, the producing/mixing, or playing live?

They all compliment each other. For example, playing the latest music in clubs to see how the crowds react helps me decide which tracks will get onto the next Skitzmix.

What’s the one thing that makes a venue great to play at?

The people, because they’re the ones who bring the atmosphere.

What’s the best time you’ve had while DJing?

Looking out to a packed house of clubbers going off is the ultimate buzz for me.

If you’re a slave to the music, who are your masters?

In no certain order... my wife, my bank manager and God. Even though you’ve done pretty well for yourself on the charts and the club scene, is there anything you really hope to achieve this year?

I’ve started my new record label this year called LNG Music and I’m looking forward to this new challenge.

Is there anything special planned for your gig in Tassie? What’s the set list looking like?

I look forward to coming back to Tassie as it’s only my second time in 15 years. I don’t have a set list, as I like to improvise and surprise the clubbers on the night. sMEEGAN MAY

See Skitz mix.

0 26 June @ Lonnies, Launceston.

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. ISSUE 97 . JUNE 24 - JULY 7 2009

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COUNTRY - SYDNEY // SYDNEY CITY TRASH

“…We took the quality aspects of country added some f*cking balls, lefty sentiment and there you have it, the not-so-perfect blend of country and punk...”

Sydney City Trash Talking

Originally formed by a couple of boys from Tamworth, Sydney City Trash now hails from the big smoke, playing their own brand of extremely Aussie “Convict Cuntry Rock and Roll.” With a new album on the horizon, the SC TRASH boys are currently touring to help pay for its release, and we asked fiddle and mandolin player Jim Bones just how they manage to jam traditional country and punk into the same sound.

How do you find country and punk mix exactly?

Well as Browny once said, if you take a country song, speed it up, crank a bit of distortion and don’t sing like a choir boy you’ve got yourself a punk song. 3 chords, verse/chorus/verse/chorus/bridge/end!

The two genres, musically, aren’t that far apart so the combination came fairly naturally. We took the quality aspects of country added some fucking balls, lefty sentiment and there you have it, the not-so-perfect blend of country and punk.

What was it that drove you to play country music anyway? Isn’t it just for old people and bogans?

Country has a lot going for it. The problem is mainstream country gives country a really bad name – and for good reason. Pop country makes me want to kill something. Solid outlaw country however, gets your foot tapping, makes you wanna move because it is fundamentally good music.

A lot of the themes of good country music are things we enjoy singing and writing about. Drinking, having a hoedown, lassoing cows, getting drunk at a hoedown and lassoing a cow, assassinating right wing pollies, generally being badass... And yes we have plenty of old

bogans come to our shows and we welcome that. It makes the night interesting.

What was it in some of the traditional music that inspired you?

Because trad music was written before music became a commodity, it has a real honesty to it - for me anyway.

There were no commercial imperatives to write songs and perform –so the music is generally more down to earth. I also love the sound of traditional instruments and the way they mesh together when played by really good musos.

How does it feel to be referred to as saviours of Australian country music?

I think the only people I have heard say that is us after a few slabs and a bottle of whiskey... “yeah man. We’re totally the saviours of this shit...”

What do you think makes your sound special enough to get that kind of reputation (whether you think it’s warranted or not)?

How drunk and messed up our crowds are? I don’t know... Look, if I had to pick something...if you are making me say it, and I am being completely honest...

I’d have to say the fiddle and the mando. Seriously

If your roots are in Tamworth, what’s with the band name?

Well I’m not from Tamworth so I can’t really say... we were all living in Redfern, Sydney when the band formed so maybe that was it. And just for the record, nobody in this band has gotten a root in Tamworth there since we trashed the Century Tavern and Mitch called the owner of the majority of venues in town a stupid bitch. She kept trying to touch him up while we were playing... long story.

I hear you have a new album waiting to be released. What can you tell us about it?

It’s recorded, mixed and this tour is raising the money to get it mastered and pressed. Its gone back to the country sound of the first EP – twangy country guitar, fiddle, mando and some rip roaring vocal guest spots from Damien Dempsey, Gary Og, Sonia Craw (Psychonanny & The Babyshakers), LOKI (RFC) and Steph motherfucking Miller of Roaring Jack infamy.

The record will be out by late August. We’ll be releasing it ourselves and will sling a few copies to Tassie record shops so keep your grapes peeled.

$10

9PM

JUNE / JULY 2009 : Wednesday 24TH

Ross Hannaford + Paul Madigan

Thursday

Jazz Upstairs: Swingamathing & Special Guests

25th

Friday

26TH

Saturday

27TH

Sunday

28TH

Monday

29TH

Tuesday

30TH

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Myspace.com/sydneycitytrash 0 27 June @ The Brisbane Hotel, Hobart

FRIDAY 3rd JULY

sunday 28th june

SATURDAY 4TH JULY

+ ALL FIRES THE FIRE + NEW SAXONS

10PM

How much of the outlaw spirit can we expect at your Hobart show?

Think Jack Donahue, Jandamarra and Ben Hall riding motorbikes, flanked by the entire Outlaws gang, clad in Ned Kelly’s Armour, attacking Parliament House with dinosaurs that shoot smaller, yet more deadly, dinosaurs out of their mouths all covered in fire and shit singing Manowar’s ‘Outlaw’ through the biggest fucking PA system conceivable. Seriously, that’s exactly what the show is going to be like – you don’t want to miss it! sMEEGAN MAY

299 Elizabeth St North Hobart Ph. 6234 6954

ENOLA FALL Rosie burgess DASH & WILL & BAND

$3

What was different about the writing and recording this time around?

Not a hell of a lot. We tend to write in a very collaborative way and get songs finished pretty quickly. We had a few bumps along the road in losing our original drummer (ABW Howie II) and bass player (RIP Pig) so things got pushed out a bit longer than we would’ve liked. All in all it’s been a blast though – the songs are sounding killer so we are really excited about getting it out.

REPUBLIC BAR & CAFE

Tix Available Online www.republicbar.com SATURDAY 27th June

without me, this band would be FUCKED.

$5

9pm

Faye Blais + Andrew Marshall + Gretel Templeton

$5

6pm 9pm

sugartrain ENOLA FALLS + ALL FIRES THE FIRE + NEW SAXONS ROSIE BURGESS & BAND QUIZ NIGHT G.B. BALDING

$4 10pm

$3 10pm

$15

10PM

$10

9PM

Wednesday 1st

120Y’s

9pm

Thursday

Jazz Upstairs: Swingamathing & Special Guests ARGUS (CD LAUNCH)

6pm

2ND

$5 9pm

Friday

3RD

DASH & WILL

Saturday

4TH

DJ Dexter & Acumen featuring DJ Grotesque

Monday

6TH

CARL RUSH

8:30pm

Tuesday

7TH

joe pirere

9pm

$10 10pm 8.15 pm 9 pm

DEXTER + ACUMEN FEAT DJ GROTESQUE

$15 10PM $17/$20 10PM

. ISSUE 97 . JUNE 24 - JULY 07 2009

11

ROOTS - MELBOURNE // JAIMI FAULKNER

Enjoying The Ride “…[Kiss & Ride] is all about the excitement of what’s to come and also the reverse of that which is standing on that sign at the end of little journeys. That’s a part of the big overseas journey I was doing...”

“We arrived at this church early, just hanging out the front, and then in rocks this Cadillac with a number plate that says ‘God Loves You,’ and we thought ‘Man, that’s gotta be Al [Green].’ Sure enough, he parks the car, steps out and looks at us. He looks us up and down, three young, white tourists from Australia and he just extends his hand, introduces himself, and leads us in to his church.”

Sounding like a story that would be at home on Touched by an Angel, Jaimi Faulkner describes one of the profound experiences he had while on tour in America. Despite the church setting, it wasn’t a religious one; instead Al Green’s sermon inspired him musically. “To me, I guess the soul music in itself is a form of spirituality. And I certainly got more into that style of music and Al Green after that sermon.”

Perhaps it was Al’s cheeky little slips into his old songs during the service…

journeys. That’s a part of the big overseas journey I was doing.”

Visiting Al Green’s church in Memphis is just one of the many stories Jaimi has taken from his experiences touring the world. It’s from these that Jamai has put together his latest record, Kiss & Ride. “It was this sign called ‘Kiss and Ride’ and it was where you would wait for someone to pick you up or drop you off. For me, the kind of songs were leaving people behind on the road and meeting people, and the sign is all about the excitement of what’s to come and also the reverse of that which is standing on that sign at the end of little

Finally, Jaimi entered the studio, and it was here that all this enrichment entered his music and songwriting.

“Certainly most of it’s autobiographical, but there’s definitely a few tunes that I’ve written about other people’s experience. One in particular was the track ‘My Dear Girl,’ from the eyes of a friend who was going through a hard time with his relationship…It was just about the difficulties of them keeping their relationship happening and fired up…given that they were a year apart from seeing eachother.”

The artist had made it to Memphis in 2008 after winning the chance to represent Australia in the International Blues Festival with his band. From there Jaimi headed to the United States, Canada, and then to his second tour of Europe, all before returning home to support Chris Isaak and Jeff Martin on their respective Australian tours.

Going along with the travel-inspired song material, he describes the new album’s sound as continuing to swing from a more folky sound to roots and soul elements; “I don’t try to pigeon hole my writing to one sort of style, it always falls, generally, under those three banners: folk, blues and soul music.” These differences of style are ones he tries progressively recreate when he’s playing live. And now with the new album born from the vigorous touring, there is, of course, a lot more touring and playing live in Jaimi’s future.

He is especially looking forward to getting back to Tasmania, not just for the respectful and attentive audiences, but also for the scallop pies. “You’ve got great food and great beer. That’s always a bonus…I usually stop off at Ross and grab myself a scallop pie.”

He’s also anticipating the great interactions with fans and friends that come out of a tour. “I like to get amongst it! I like sitting with people who have been

at the shows, specifically people who have made the effort to support my music. There’s nothing I like better than sitting down and having beers with people at the bar after the show.

I do a lot of touring solo, and it can get pretty lonely just doing a show then going back to the hotel room, so for me, part of the joy in travelling and playing music is meeting people. Again it sort of relates back to what I was talking about in Europe, building those relationships and getting to revisit those relationships each time you go back. My musical journey.” sDAVID WILLIAMS & MEEGAN MAY

Kiss & Ride is out now.

0 9 July @ Republic Bar, Hobart 0 10 July @ The Royal Oak, Launceston 0 11 July @ Stage Door Café, Burnie 0 12 July @ Iluka Tavern, Coles Bay

124 DAVEY ST HOBART 03 6224 9494 WWW.HOTELSOHO.COM.AU

MONDAY NIGHT SPECIALS

WEDNESDAY NIGHT SPECIALS

SUNDAY RECOVERY

INDU S T R Y N I G H T

UNI NIGHT

Jug around the clock from 5pm

Jug around the clock from 5pm

Jug around the clock from 5pm

Two 4 One on drinks

Chicken Parmi around the clock from 5pm

from 9pm with societies card Live Music from 10pm 12

. ISSUE 97 . JUNE 24 - JULY 7 2009

Two 4 One on bubbles from 7pm $3.00 spirits from 8pm

Chicken Parmi around the clock from 5pm Open mic from 9pm WWW.SAUCE.NET.AU

GIG GUIDE

392 - 394 Elizabeth St. North Hobart Ph: 03 6234 5975

Wednesday, 24 June

Saturday, 27 June

Tuesday, 30 June

sHobart

sHobart

sHobart

The Brisbane Hotel Liquid Nails

The Brisbane Hotel All Ages: Paint Your Golden Face + The Frets + Powerchild + Mdusu and Dameza DJ BTC + Puritan Frivolity +DJ No Requests + Panic Attack Sydney City Trash + Hairyman & The Snug Guns + The Sin & Tonics + Scurvy + The Thieves

Republic Bar G.B. Balding

Brookfield Vineyard Rosie Burgess + Faye Blais + Andrew Marshall + Dominic Francis

Wednesday, 1 July

The Metz Uni Night Republic Bar Ross Hannaford + Paul Madigan Irish Murphy’s Greenhouse: Johnno Coleman + The Trolls + The Bursting Sun sLaunceston The Royal Oak Open Mic Irish Murphy’s Top Shelf: The Little Cubas + Carl Fidler Thursday, 25 June sHobart The Brisbane Hotel Bunny + The Love In The Alley Cat Harry Laughlin + Psychedelic Jesus + Nick Morgan Republic Bar Jazz Upstairs: Swingamathing Faye Blais + Andrew Marshall + Gretel Templeton Syrup Mashup Da’ Town: DJ Stirlo

myspace.com/hobartmusiccentre

103 Elizabeth St Hobart 03 6231 5578

Irish Murphy’s Greenhouse: Ben Wells and the Middle Names + Dali and the Paper Band sLaunceston The Royal Oak Deux Perverts Lonnies Pure Glam Irish Murphy’s Sally Day & Ban Castles Hotel New York Uni Night: Victor Charlie Charlie + Doctor J Friday, 26 June

If you are after a young, enthusiastic look at ways to sell your property please contact your local area agent David Hernyk for obligation free advice and appraisals.

David Hernyk PROPERTY CONSULTANT dhernyk@harcourtstasmania.com.au MOBILE: 0438 088 496 Harcourts Launceston, 187 Brisbane Street EMAIL:

sHobart The Brisbane Hotel Humonic + Mephistopheles + Lost Hope + Satanicus The Alley Cat Faye Blais + Gretel Templeton + Andrew Marshall Isobar Dance Music Republic Bar Sugartrain Syrup Pickle vs Pitch Black: Steve Hill

Brookfield Vineyard. 1640 Channel Highway.

Margate. 7054. Ph 6267 2880 Licensed cafe open 7 days & late for all events Saturday 27th June - $20 Rosie Burgess + Faye Blais, Andrew Marshall & Dominic Francis Friday 3rd July - Free Open Mic Sunday 5th July - $15/10 Rebecca Moore & Adam Cousens Friday 10th July - $15/10 Borstal Boys 10th Anniversary Daido & the Blue Mosquitos Saturday 11th July - $10/8 The Stillsons + Lyndsay Newitt & Nic Courto

All have meals available. www.brookfieldvineyard.com - info@brookfieldvineyard.com

WWW.SAUCE.NET.AU

Hotel New York Doctor J + Luke Warren + Roger Charles + Randall

Irish Murphy’s Ben Castles

sHobart

The Alley Cat Jordan and the Original 6 + The Swell Tones

The Metz Uni Night

Isobar Dance Music

Isobar Dance Music

Republic Bar 120y’s

Republic Bar Clockwork Orange 40th Anniversary

Irish Murphy’s Greenhouse: Dali Srhoj + Joni’s Plastic Sunday + Gordon’s Light Hour

Republic Bar DJ Dexter + Acumen + DJ Grotesque

Syrup Call It…: Tristan + Gillie + Corney Irish Murphy’s Covered : Big Swifty sLaunceston The Royal Oak 5 Bands for 10 Bucks: The Little Cubas + The Dudley Nightshades + Jesus and the Jedi + Half Way To Forth + Fat Smalls The Commercial Hotel Hard Drive Hotel New York Motley + Roger Charless + Joycie Irish Murphy’s Victor Charlie Charlie Sunday, 28 June

sHobart

sLaunceston The Royal Oak Aleks and the Ramps Irish Murphy’s Top Shelf: Halfway To Forth + Mick Attard Thursday, 2 July sHobart The Brisbane Hotel Guthrie Republic Bar Jazz Upstairs: Swingamathing Argus Syrup Mashup Da’ Town: DJ Stirlo Irish Murphy’s Greenhouse: Dan Hennessy + Joe Nuttall + Winter Coat

sHobart Raincheck Live Acoustic Music Republic Bar Rosie Burgess Set Irish Murphy’s Greenhouse: The Middletones sLaunceston The Royal Oak Open Folk Group The Hub Faye Blais + Gretel Templeton + Andrew Marshall Irish Murphy’s Luke Parry + Glenn & Jade + Two Strung + Pocket Rocket

The Alley Cat Cult Film Night: A Clockwork Orange

Irish Murphy’s Long Way Home

Satuday, 4 July

sLaunceston

The Alley Cat Rose and The Turtle Ertier

sLaunceston

The Commercial Hotel Hard Drive

Irish Murphy’s Victor Charlie Charlie

The Brisbane Hotel Argus + Truck Show

The Alley Cat Zombie Cabaret: Anna the Kidd + Latrina Bidet + Sister0 + Nicole Simms + Southern Belles + The Birds of Paradise + Time Logan + Momma Rosa + more

Monday, 29 June

Lonnies Nick Skitz

The Commercial Hotel DJ Skip

The Brisbane Hotel Late Night Krackieoke: “Cowboys and Indians” Dave Graney & The Yellow Lurid Mist + Kim Salmon & The Surrealists + The Black Mourning Ban

Irish Murphy’s Covered : Stoking The Neighbours

The Royal Oak Mick Attard

Irish Murphy’s Greenhouse: Ruth Berechree + Crystal Campbell + Ryan Kinder

The Royal Oak Adam Cousins + Reuben Ellenberger

sHobart

sLaunceston The Royal Oak Lonnie Tunes: Lonnies Pure Glam Irish Murphy’s Two Strung Hotel New York Uni Night Friday, 3 July sHobart The Brisbane Hotel Aleks & The Ramps + Mixolodian + Paint Your Golden Face + Russian Prison System Brookfield Vineyard Open Mic The Alley Cat Jordan and the Original 6 + The Sin & Tonics Isobar Dance Music

Republic Bar Quiz Night

Republic Bar Dash & Will

sLaunceston

Syrup La Casa: Matt B. + St.Nick + Discotouch

Irish Murphy’s Glenn Moorhouse

Irish Murphy’s Covered : Selecta sLaunceston

Recording Mixing Mastering Production Bookings Essential Call Dave Venter for a quote 0408 373 066 or email fatlipstudios@gmail.com

Launceston Studio www.myspace.com/fatlipstudios

Syrup Call It…: Kir + Adam Turner + Corney Irish Murphy’s Covered : The Smashers sLaunceston The Royal Oak C.T. & The Niughthawks The Commercial Hotel Hard Drive Irish Murphy’s Long Way Home

The Biggest Variety Of Comedy In Tassie!

Stand up, Sketch, Physical, Musical Comedy, Burlesque, Sitcom.

Next Show: Monday August 3rd - 8pm

@ The Backspace Theatre Sackville St Hobart

Sunday, 5 July sHobart Brookfield Vineyard Rebecca Moore + Adam Cousins The Alley Cat Kim Salmon + Dave Graney Raincheck Live Acoustic Music Republic Bar Martin Blackwell + Dominic Francis Irish Murphy’s Greenhouse: Prairie Nischler + Priscilla Gorringe sLaunceston The Royal Oak Open Folk Group Irish Murphy’s Ben Castles + Nathan Wheldon + Glenn Moorhouse + Paddy Duke Monday, 6 July sHobart Republic Bar Carl Rush sLaunceston Irish Murphy’s Carl Fidler Tuesday, 7 July sHobart Republic Bar Joe Pierre Irish Murphy’s Australian Songwriters Association: Heather + Jess Patmore + Lance Davlan + Mighty Few Irish Murphy’s Tash & Caz

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REHEARSAL ROOMS Equipped With Full Vocal Pa, Foldback, Mixing Desk, Mics & Stands, Drum Riser Derwent Park Area $50 Per 4 Hour Session Ph Jeff 0403 119 443

Venue Guide HOBART Brookfield Vineyard 1640 Channel Highway Margate 6267 2880 Hotel SOHO 124 Davey Street 6224 9494 www.hotelsoho.com.au Irish Murphy’s The Greenhouse 21 Salamanca Place 6223 1119 irishmurphys.com.au Isobar Frankin Wharf www.isobar.com.au The Metz on the Bay 217 Sandy Bay Road 6224 4444 www.themetz.com.au Syrup 1st Floor 39 Salamanca Place 6224 8249 www.syrupclub.com The Republic Bar 299 Elizabeth Street 6234 6954 www.republicbar.com

The Alley Cat Bar 381 Elizabeth Street 6231 2299 www.myspace.com/ thealleycatbar LAUNCESTON The Commercial Hotel 27 George Street 6331 3868 Irish Murphy’s 211 Brisbane Street 6331 4440 www.irishmurphys. com.au Hotel New York 122 York Street 6334 7231 Lonnies 107 Brisbane Street 6334 7889 www.lonniesniteclub. com The Royal Oak 14 Brisbane Street 6331 5346 www.myspace.com/ leapinlimpout

The Brisbane Hotel 3 Brisbane Street 6234 4920 www.myspace.com/ thebrisbanehotel . ISSUE 97 . JUNE 24 - JULY 07 2009

13

Stranger than Micktion

Read from the Book of Mick: Chapter IV So I’m still in a very Old Testament state of mind. I just love that these stories are treated by some people as gospel. When that’s very New Testament.

The story of Noah fascinates me. God, who has created the Earth, has come to the realisation that it’s crap and wants to start again. But does he restore factory default settings? No. Clearly he’s lost the Earth owner’s manual. He decides to pick on Noah and get him to do his dirty work. First of all he asks Noah to build an Ark, when no one had even heard of an Ark before. It’s like asking Neanderthal’s to build the QE2.

Still he manages to do this because God gives him very detailed instructions in the form of “Build it 300 cubits by 50 cubits by 30 cubits”. No blueprints, just three dimensions. The Ark might have looked like a giant toblerone for all we know. This must have been confusing for Noah. I mean was he using metric cubits or old Imperial cubits?

Then this brilliant Conversation; God: I’m going to destroy every living thing on the Earth.

Noah: How?

work experience kid off to find a female bull as well…

Old Testament hazing. How do you go about it? Do you collect them alphabetically? By Species/Order/ Phylum? Did he collect all 5 billion varieties of insect or just make do with a fly and a praying mantis. That’ll do.

Then once you’ve got all the animals herded up, how do you get them onto the boat/toblerone?

God: Got those animals on board yet?

God: With a flood.

Noah: Right…. What about fish?

God: Um. Right. Well, I’ll destroy every living thing except fish then.

Noah: And Dolphins.

God: Yes alright and Dolphins.

Noah: What about ducks?

God: eh?

Noah: Well they float about. They’ll just float about slightly higher up, they won’t actually die. You haven’t thought this through too well have you?

So Noah has to get two of every animal on the Earth.

How do you manage that? And he had to make sure he got one male and one female. How do you tell a female cockroach? I’m sure Noah must have sent the

Noah: Well we got two tigers on board, but then the rest of the buggers wouldn’t go in. It’s a nightmare. We keep losing the chameleons, one of the sheep actually turned out to be a wolf in fancy dress, no one can tell if the possums are alive, for some reason the crows appear to be stoned and the hyenas and kookaburras aren’t helping one bit.

But eventually he managed it all, there was a huge flood and everyone died, apart from some quite smug looking ducks and the whole planet started again.

God then invented rainbows and the Irish invented leprechauns.

Not True, but definitely a story. sMICK LOWENSTEIN

Catch The Short Back and Sideshow!

0 3 August @ The Backspace Theatre, Hobart

POSITION VACANT:

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. ISSUE 97 . JUNE 24 - JULY 7 2009

/ / R u f f c ut Sessions //

D J De x ter

classic h i p h o p & s o u l v s f u t u r e d u b s t e p & roots w i t h Acumen featuring DJ Grotesque bringing their 90BY90BY90 Mix to the stage

S a t urday July 4 R e p ublic Bar T i c k e t s $15 + BF / $20 Door from R u f f c u t & The Republic Bar

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Alley Cat The Alley Cat Bar 381 Elizabeth Street North Hobart 03 6231 2299

Fri 3rd & Sat 4th July

ASA and The Greenhouse present Wax Lyrical at Irish Murphy’s

Tuesday 7th July

OFF THE SHELF Hey y’all and welcome to another chilly installment of Off The Shelf. It may be cold outside but it has been cooking on the Top Shelf stage due to some scintillating performances over the past two weeks.

Jordan and the original 6

Friday 5th July

Heather Jess Patmore Lance Devlan Mighty Few (Dan Hennessy and Patto Anderson)

Kim Salmon + Dave Graney

9pm - 11pm

MONDAYS: CULT FILM NIGHT - 7.30PM

FREE ENTRY

You Get A Meal (Special Of The Night Plus Veg Option) A drink: House Wine,10oz Beer or Soft Drink And A Fab Film All For $15 Justin Carter Our first in the series of An Evening With... was hosted

by Nathan Wheldon and The Two Timers on Wed June 10 who took full advantage of the concept to stage a memorable performance to their fans. With a backdrop of gear including one marvelous looking double bass, Nathan took to the stage alone to open the night. He was soon joined by keyboardist, Heidi Mcguire, who’s vocal work inspired some to claim it “the highlight of the night!”. By the end of the night the whole band was assembled (including special guest on trumpet, Alex Wadley) and they delivered another high standard show that we have come to expect.

What makes it exceptional was the obvious work ethic and rehearsals that went in to producing this unique performance. A massive thank you to Dane, Hannah, Miss Julz and Shaw for all the effort you put in to make this night work.

well as the obvious rhythmic nature. Although a lot of their material was quite upbeat it was the slower more intimate tunes that truly hit their mark with the crowd. Opener, Tom Tuena, brought his bluesy sound to the stage first and instantly secured fans with his breezy groove and heartfelt vocal. A good solid night of roots and blues.

Justin Carter stopped by on his latest album tour Wed June 17, bringing with him to Tassie for the first time percussionist, Johnny Rollins. Johnny’s vocal work added a new dimension to Justin’s live show as

Halfway To Forth make their first Top Shelf appearance on Wed July 1 supported by Mick Attard.

Halfway To Forth consists of Lizotte brothers, Dan and Kyle, playing roots/folk and are currently putting finishing touches to their debut album in their uncles studio. These guys come heavily recommended by many throughout the Launceston scene and with Mick Attard (Kasper/The Embers) opening the show it promises to be one hell of a night in at Irish!

The Little Cubas were meant to debut on the Top Shelf stage a few weeks ago but due to singer Joss Thomas’s illness were unable to play. We are extremely pleased to announce their show tonight, Wed June 24, supported

by Carl Fidler. Joss along with Kylie Souter describe themselves as ‘high energy rock with some tribal beats, blues, harmonies and other delicious treats’ and we can’t wait to see them perform on the Irish Murphy’s stage.

Coming up in July we have a three way male vocal night with Mark Edmunds, Ben Tome and Jason Lucas as well as An Evening With....The Stoics. As always a huge thanks to all involved in putting Top Shelf together including Frontline, Jase Howard and James Dave at Irish Murphy’s Launceston. sCARL FIDLER & GLENN MOOREHOUSE PICS BY TONI M

Nathan Wheldon & The Two-Timers

Reach for the Top Shelf!

0 Every Wednesday night @ Irish Murphy’s, Launceston

BYO Beanbag! - Bookings Recommended

Irish Murphy’s

21 Salamanca Place, Hobart Ph: 6223 1119

Monday 29th of June A CLOCKWORK ORANGE Monday 13th of July TERMINATOR Monday 20th of July DELIVERENCE UPCOMING SHOWS:

IN THE BAR (FROM 9PM)

Wednesday 24th June Open Mic Night

Thursday the 25th of June Harry Laughlin, Psychedelic Jesus Nick Morgan 9pm $5 Friday 26th of June Faye Blais

Thursday 25th June Deux Peverts Friday 26th June Mick Attard Wednesday 1st July Alex and the Lamps

Saturday 27th of June Zombie Cabaret fundraising for Bec's upcoming zombie lesbian musical extravangza flick $10 8.30pm

Thursday 2nd July Lonny Tunes Mick Attard Jeano & Simon Mickey J

Wednesday 1st of July Rose the Turtle Ertler - 8.30pm FREE

Friday 3rd July Adam Cousens + Rueben Ellenberger

Thursday 18th of June Alley Cat Comedy and Cabaret 8.30pm $7

Saturday 4th July C.T & The Nighthawks

Friday 3rd of July Jordan and the original 6 + The Sin & Tonics - $7 9.30pm

Wednesday 8th July Frankie Tess Kasper Gretal Templeton

Saturday 4th of July Jordan and the original 6 + The Swell Tones - $7 9.30pm

IN THE BOATSHED (FROM 9PM)

Sunday 5th of July Kim Salmon + Dave Graney (solo shows) 3pm $15 pre sale / $20 door WEDNESDAY NIGHT SPECIAL 6PM - 9.30PM $10 Beaut Beer & Bonza Burger Night. Your choice of beef, chicken or vege Alley Cat Burger with a 10oz. of Cascade Draught or Pale Ale. WWW.SAUCE.NET.AU

@ THE GREENHOUSE

Saturday 27th June FatSmalls, The Little Cubas Halfway To Forth, Jesus and The Jedi, The Dudley nightshades $10 cover EVERY SUNDAY FROM 5PM

Open Folk Group

GREAT FOOD

OPEN MIC NIGHT

THE LAST WEDNESDAY

OF EVERY MONTH

OPEN 7 DAYS

14 Brisbane Street, Launceston 6331 5346 . ISSUE 97 . JUNE 24 - JULY 07 2009

15

Green Fingers All the freshest produce from The Greenhouse, Irish Murphy’s, Hobart.

So, what do your myspace comments say about you? How about we test it out on some of Irish’s upcomings for the next month . . .

down having a sesh with you in the near future.. peace love and light.

Gretel and the Teramachi

The Middletones

Fiona O’Brien: Awesome set at Brookfield last night.

Heard some wonderful praise for your performance.

Best of luck with the rest of your gigs this weekend.

Liquid Nails: Have fun in WA next week and convert all those west coasters to the cult of rootsy blues that is the ‘tones’. Pete.

Ben: Oooh... 791 friends? That’s not a bad effort Gremlin :) People must like you or something :P

Hell Raisin Riff Hogs: Hey Max! didn’t recognise you without your truck! Steve

Abbey Doggett: hey gretel looking forward to thursday night! got heaps of donations already and we haven’t even started!! Xx

Liquid Nails: Stopped off in Margate for a bite to eat on Monday after the Sunday arvo Longley gig, and spotted the Middletones sticker by the shops. Good one! Pete.

Courtney: Kitten and maddison are having a party and were wondering if minty wanted to come.

Crystal and the Middle Sea

The Stillsons Cat Canteri: did I mention I bloody love this band!

Just ‘n idea productions: i should really organise to go places with you on weekends! ;) im not sure why i even spelled it with an ‘I’.... have fun in your dress over the weekend! Lol JnI

Aaron Green: hey i’m pretty sure ur already in my top friends sounds good about ur stuff everything of mine is on hold for a while unfortunately i’m still house hunting, it doesnt look good i hate being homeless Barry Harvey: Great recording sound and cool band, love to guys in Tasmania, Barry

Fee Brown: Hey guys! Congrats on the awesome review in the new Rhythms mag. You seen it? I heard your instrumental piece on either PBS or RRR the other day and it’s just beautiful. Nice work. : ) x Fee

Abbey Doggett

Ben Wells and the Middle Names

Scenic Flights: aaaaahhhh. haha, hey. i see you gave in to the pressure of the music (/social) community and got yourself a myspace...good to see. this IS tom by the way...

Sarah: ooohh spewin’ i heard boneyard was pretty good. i have never surfed there though! haha x Dave: Jeez I love how sly you are on here my man haha! xxx Jase: oh your funny ben wells. :P well yeah that pretty much was me up on stage being awesome with my fringy fringe fuck the crowd loved me. im amazing.

Box: Abs your music is amazing. I’ll be sure to spread the word round London Town, hope you well baby X

Catgut Mary: Just about the prettiest sounds we have heard in a long time Ms Doggett. Keep ‘em coming and most certainly let us know when plan to play on this side of the little stretch of brine.

Check the gig guide dammit!

Dali and the Paper Band

sFERT

Carmie: you truely are going to be famous dali.. but im sure u have been told that many of times.. anywayz dude keep up the good work.. hopefully will be sitting

Get seedy in The Greenhouse: 0 Every Sunday - Thursday night @ Irish Murphy’s, Hobart

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Friday June 26th Hard Drive Saturday June 27th Hard Drive Friday July 3rd DJ Skip Saturday July 4th Hard Drive

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. ISSUE 97 . JUNE 24 - JULY 7 2009

WWW.SAUCE.NET.AU

CINECISM - COMEDY // LAND OF THE LOST

Land of the Krofft H.R. Pufnstuf. Sigmund and the Sea Monsters. Electra Woman and Dyna Girl. Whether these names take you back to your childhood or simply trigger an acid flashback, there’s no denying that the trippy TV shows created by brothers Sid and Marty Krofft have had an indelible effect on a generation of viewers. And now the Kroffts are set to weave their particular type of magic on a whole new generation, aided and abetted by Will Ferrell, Pineapple Express’s Danny McBride and a budget in the neighbourhood of $100 million. Are you ready to travel to the Land of the Lost?

The original series, which ran for 43 episodes in the mid-Seventies, saw Rick Marshall and his kids Will and Holly sucked through a dimensional portal to a strange world inhabited by dinosaurs, a missinglink race called the Pakuni and menacing lizard creatures known as Sleestaks. The family dynamic has been reconfigured for the film – Marshall is now a kinda buffoonish scientist played by Ferrell, and his travelling companions are a redneck survivalist (McBride) and a clever, comely research assistant (Anna Friel) – but the dinosaurs, the Pakuni and the Sleestaks remain the same, even if they’ve been given a big-budget upgrade.

“…If they would have changed everything about Land of the Lost, it would have failed. It’s not gonna fail.

We honoured the series...”

Marty Krofft, the younger of the two brothers, says he and Sid have been trying to get a Land of the Lost movie off the ground since 1995, with the project moving from studio to studio as everyone involved strived to find the right approach. Eventually it was determined that striking a balance between comedy and action was the way to go, and landing Ferrell as the star was the capper.

“He grew up on the show,” says Krofft. “He and his brother used to sit there eating cereal and watching their favourite show. In fact, we didn’t hire anyone who wasn’t going to be faithful to the series, from director Brad Silberling to cinematographer Dion Beebe – he’s Australian, by the way, and he won an Oscar. We must have had 17 Oscars among the people who were working on this!”

Hiring talented people who were also fans of the Krofft aesthetic was a big part of the plan. “I didn’t want to piss off the fans, and I didn’t want to make myself crazy,” says Krofft. “Sid and I are hands-on on everything, and the minute we lose our goosebumps we’re out. We were involved in approving everybody who worked on this movie, and we got even more goosebumps when we started getting these people.

And if they would have changed everything about Land of the Lost, it would have failed. It’s not gonna fail. We honoured the series.”

Clearly a motivated salesman, Krofft gleefully hypes the upcoming movie’s stars (“Danny McBride is going to be huge”), special effects (“the dinosaurs on the original show cost $1.98 but these are the best dinosaurs ever created for a movie”) and publicity campaign (the Kroffts have set up a MySpace page featuring condensed four-minute episodes of Land of the Lost and their other shows – check it out at www. myspace.com/krofft.

He’s also adamant that no illicit herbs or chemicals influenced the distinctive style of the Krofft oeuvre, saying instead that he and Sid “had a rough childhood and a lot of nightmares as kids – we always thought we were going to be abandoned, so in our shows the kid never makes it home”.

Something that can make it home, though? The complete original Land of the Lost series on DVD! Every episode is now available in an eight-disc box set, and if you buy it from JB Hi-Fi, it comes in a cool Land of the Lost lunchbox. “That’s the best idea I ever had – remaking the exact lunchbox from the 1970s,” says Krofft. “Most of them got thrown away but the originals are worth around $2000 now! And the DVDs definitely complement the movie. It’ll be great to watch the show first; it’ll lead people into the story.”

While the Krofft brothers have been off the radar for some time, you can expect to see much more of them if the Land of the Lost movie does well at the box office.

A Sigmund and the Sea Monsters movie is already in the pipeline, and serious discussions are underway about a big-screen H.R. Pufnstuf. “The director we’re talking to about that one has made a couple of small cartoons,” chuckles Krofft. “One of them is called Shrek.” sROBERT ROSSER

0 Land of the Lost is in cinemas now. The Land of the Lost DVD set (Universal Home Video) is available for $69.95 wherever good DVDs are sold.

ISSUE #2 OUT NOW!

A HEALTH AND LIFESTYLE RESOURCE FOR MEN IN2 MEN FREE!

ISSUE #2 MAY2009 2009 ISSUE #2 - APRIL

www.tascahrd.org.au IN THIS ISSUE:

Your Sexual Health STI Mythbusters Examining The Crown Jewels

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. ISSUE 97 . JUNE 24 - JULY 07 2009

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SOUNDCHECK - out and about in the hottest venues FLIPPER @ The Brisbane Hotel, 7 June

THE PROTECTORS @ Republic Bar, 12-Jun

The cold and the wet was no deterrent, as the punters turned out in scores. After all it’s not everyday an influential legendary San-Franciscan grunge-rock band hits town, to grace the stage of Hobart’s own home of punk and hardcore. Thirty odd years after forming in 1979.

I went to the Protector’s gig knowing little about them except that the lead singer looked like Mick Jagger, and the rest of them slightly resembled girls on the cover of the previous SAUCE Magazine. Also that they had a penchant for going all out in their live shows. I was excited, and not just for the androgyny.

The Brisbane hotel was packed and pumped with attitude, and more than a couple of DK t-shirt’s honing in on the dance floor. The crowd was an eclectic mix of punk, grunge and hardcore lovers of all ages. Fans that’d been getting amongst the sound of Flipper since the early ninety’s and newbie’s eager to get a dose of this trans-continental touring band.

The two support acts Chimp Militia and NoFoTo did a great job building up the tension for the Protectors and by the time they took the stage, the crowd was raring to rock.

MaBainbridge kicked off the night with a noisy and experimental gusto. Before Midnight Caller fronted by the Cross brothers (fresh back from Melbourne) let rip. I felt Midnight Caller seriously were paying homage to the golden years of grunge. Their Sonic Youthian anthems warmed up the stage nicely for Flipper. A band they’d revered since adolescence.

Reeking of ninety’s grunge and f**k you integrity, the U.S four piece known as Flipper hurled a screamy and angst-ridden set. Presenting an energetic front person, grinding guitar, thrashing drums and a hotchick bassplayer (with a rip in the arse of her jeans). After verging on shoegaze and removing an itinerant dancer from the stage, the singer proclaimed “its all about me…and if you want rock’n’roll, you came to the wrong show!” This was definitely way more about punk rock.

And this guy was so punk he was wearing white.

Flipper dished out more than a sample dose of ( jammed packed with attitude) not-quite-prescription punk rock and judging by the sweaty screaming crowd - this was just what the doctor ordered. sZOE ZAC HAVANA BROWN @ Lonnies, 13th June

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. ISSUE 97 . JUNE 24 - JULY 7 2009

VARIOUS GIGS @ Syrup, 2008 / 2009

And Rock and Roll it was alright. They have a seriously big sound and the stage presence to match. I witnessed mouthfuls of water being sprayed on each other, guitars being flung around and I even saw some girls in the front row caressing lead singer Pete Stals’ leg at one point.

The songs were tight and the vocals were incredible, but I found myself often watching the drummer Sunny Wood who was just obliterating his drum kit. This amazing show climaxed with their song ‘I’m a Sister’ which saw Stals ditch his guitar and stalk his way across the speakers to the delight of the pack watching.

They recently supported The Eagles of Death Metal on their Australian tour, so I imagine some of their flamboyance has rubbed off on the Protectors a bit.

And after a brief chat with them after the show, I quickly saw their passion for what they’re about and realised they’re damn nice guys who are having a great time doing what they love.

They’re back down on Friday July 10th in Hobart and the 11th in Launceston to support The Fumes. Get there early. sREMI CHAUVIN

Funkoars @ Hotel New York, 18th June

PHOTOS BY RYAN COOKE

WWW.SAUCE.NET.AU

CAMERA OBSCURA My Maudlin Career The fourth album from Scottish indie-poppers Camera Obscura, My Maudlin Career is strikingly melodic from the instant you press play. The gooey reverb dripping off singer Traycyanne’s vocals, glides over the top of bright guitars straight out of the 70’s, to which the gently-rolling drums, warbling organ and walking bass provide an almost perfectly layered backing.

Often thrown in to the mix, horn and string arrangements (done by Bjorn Yttling of Peter Bjorn and John) try to provide a counter melody to the vocals, which gives the music a back-and-forth quality of dynamic melody, such as on the closing track ‘Honey In The Sun,’ however, on some tracks, this just serves to muddy the group’s already full sound.

From a production stance, the album is sublime, managing to sound live and accessible while being

played flawlessly. It sounds like vinyl, without the clicks and hiss. The album’s sound borrows heavily from 1970s America, with the strings and occasional tambourine adding up to what could be mistaken for Motown and guitar parts that would sound at home on almost any country record from the period. The group do put their own British-Isles spin on it, which gives the album a sound unique enough to be interesting, though, apart from the second-last track, ‘The Other Towns And Cities,’ the songs all sound very similar.

But then, this is a pop album. It might be a fantastic, fun, beautiful, pop album, made to the highest recording standards, but it is still just a pop album.

It probably won’t change your life or give you any epiphanies; it will be nice to listen to while you read, or eat dinner or dance even. I think, worth a listen if you want something nice, but probably miss-able if you demand your next purchase redefines music.

7/10 sLOCHIE JAMES

Meeting People Is Easy #1 Saturday July 4th 2009 FEATURING:

The Little Cubas British Battlegrounds Frankie $5 COVER CHARGE

THE GUNNERS ARMS

23 LAWRENCE ST, LAUNCESTON 03 6331 3891

ROCK - SYDNEY // THE FUMES

FUMING

Before the rise of The White Stripes, The Black Keys and local constituents The Mess Hall, Sydney’s The Fumes were dabbling in duo-dom with solid albeit understated results. Guitarist-vocalist Steve Merry and drummer Joel Battersby formed the loose pairing well before the concept of a twopiece rock act became an industry construct and a buzzword that brought with it an inevitable backlash.

“We copped heaps of shit for being a two-piece, that’s for sure,” says Merry over the phone. “We were getting nasty things written on our posters at pubs saying ‘you’re not the fucking Mess Hall - fuck off!’ and all this sort of shit. And I hadn’t even heard of them at this stage.”

Having grown up with rock n’ roll and later an apprenticeship in a touring metal band who “played to nobody”, Merry discovered the banjo and bluegrass and country music. In 2000 he hitched up with Battersby and together they honed a muddy Mississippi blues-driven pub-rock sound documented initially on a self-titled EP in 2004 and later on the twosome’s 2006 debut album Guns Of Gold.

“We pretty much know what the other one’s going to do,” says Merry of their telepathic musical rapport. “If you’re leaning in one direction then you know where to go from there. I guess that’s the plus of just having two people, there’s a fair bit of intimacy in what you’re doing. I haven’t played with more than one other person for that long I can’t even remember what it’s like to play in a band.”

After touring Australia in 2008 as supports for US rockers Queens Of The Stoneage, The Fumes recorded their second album Sundancer in Sydney. It inspired a visit to the US in March this year where they spent five days in LA, a stint at Texas’ SXSW festival with sideshows in New York and at the last minute, Toronto.

“We weren’t originally going to Canada at all but we got offered these shows in Toronto and we couldn’t really turn them down,” says Merry. “So all of a sudden our two days off in LA for a rest period before these shows turned into a mad dash from LA to Canada and then fly back. I think I got about 13 hours sleep in Toronto in three days with 30 hours of no sleep before that and then another 30 hours after that with no sleep. Toronto is a bit of a blur to say the least.”

Although exhausting, it was a sojourn well worth the effort, says Merry.

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“We’ve got some good contacts and some good interest that we’ll be taking up at some stage in the future,” he enthuses. “We had a guy from Capitol Records in New York get pretty excited about a show we did and we own this album so it’s all about licensing to the record company. But we can’t hurry back to the States at any time soon because we’re obviously releasing the album here.”

Recorded to two-inch tape over twelve days, Sundancer was produced by American engineer Jim Diamond (White Stripes), former bassist with Detroit scuzzrockers Dirtbombs.

“…We copped heaps of shit for being a two-piece, that’s for sure...”

“It just happened with Jim,” says Merry of the collaboration. “His name came up and someone said he recorded this, this and this and one of them I’d heard and really liked and so we thought ‘let’s go with him.’ And the money was reasonably right so we flew him out to Australia. Then about three or four weeks later I flew back to Detroit for ten days and mixed it with him at his studio there.

“He’s a pretty real person and pretty good at what he does. He has his own style and definitely knows what he’s doing. He loves big fat guitars and heavy drums and shit like that. He’d look at me and I’d say ‘fuck it, let’s go some more!’ and he’d say ‘that’s what I want to hear.’ We were both on the same page.”

A national tour for Sundancer is set to keep the band busy throughout the winter with more regional touring planned for later this year.

“We’ll probably have a month off and go around again!” sSTEVE TAUSCHKE

The busy band will be heading to Tassie in July.

0 10 July @ Republic Bar, Hobart 0 11 July @ Hotel New York, Launceston . ISSUE 97 . JUNE 24 - JULY 07 2009

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ELECTRO - UK // FRIENDLY FIRES

Getting Friendly

“…We want to make interesting pop music, we don’t just want to be straightforward and conventional...”

British electro-punk chameleons Friendly Fires want to rock with you, writes Steve Tauschke.

Michael Jackson’s choreographed falsetto-pop seems an unlikely reference point for a bunch of lads who started out playing gritty hardcore, but it’s all part of the musical melting pot that has evolved into UK trio Friendly Fires.

of bands that play electronic music because of their tendency to be a little bit more serious or boring on stage. We’ve always tried to keep our live shows as energetic as possible and I think that’s rooted in us listening to hardcore when we were very young.”

“The thing I liked about the Jacksons in the 70s was that they were trying to write more than just a disco hit,” offers Fires’ singer-bassist Ed Macfarlane from the back of his tour bus. “Michael Jackson wrote most of the music and I think he’s incredibly talented.

Off The Wall is probably one of my favourite albums ever made. It’s incredibly musical and full of catchy melodies and vocal lines you can hum in your head when you’re walking down the street. You know it’s a good pop song if it has that effect on you.”

Enrolling in university opened up additional musical dimensions for the wide-eyed lads who soon tapped into European techno, in particular German label Kompakt.

Chasing pop perfection is a long way from Macfarlane’s teen angst beginnings. He and drummer Jack Savidge along with guitarist Edd Gibson met at school in hometown St Albans in Hertfordshire and at the impressionable age of 14 they formed pimple-punk pack First Day Back, fuelled by a mutual appreciation of American straight-edge hardcore acts Gorilla Biscuits and Youth of Today. They then discovered DC’s Dischord label and the duelling guitars of Fugazi.

“I still think there’s still an element of that in what we do on stage,” offers Macfarlane. “That’s probably what makes our live shows more appealing than a lot

“We were constantly passing whatever we were listening to at the time amongst each other,” says Macfarlane. “We got into Warp Records, an electronica label, through an artist called Chris Clark from St Albans. He was writing music on his computer and I was really excited by that and I suppose that interested me in recording our music on our computers as well.

“I mean I don’t think we’ve tried to emulate a specific sound. If we’ve liked a guitar sound then we’ll try to imitate that but mix it with a different bass line. For us it’s about dragging in all these different influences from all over the place and trying to create something new and interesting.”

After misfiring early on during studio sessions run by an ex-member of dubious 80s band Hello – “he always give the tracks a horrible drum sound” – FF decided to go it alone in recording last year’s debut Friendly Fires,

a self-styled blend of house party pop, electro beats and shoe-gazer spirit.

“Ultimately our goal as a band is to write good classic pop songs and how you go about that is what makes it interesting,” declares Macfarlane. “We want to make interesting pop music, we don’t just want to be straightforward and conventional.”

And interesting they are. The album was preceded by 2007’s feature single ‘Paris’ that earned them both NME and Guardian singles of the week.

“It’s flattering to know that people appreciate what we do.” shrugs Macfarlane. “I find trying to write pop songs is far harder than trying to write experimental arty music. When we were younger we were never really interested in trying to write a pop song and we ended writing these meandering epic sort of post-rock songs that didn’t really have any direction.

“But when you’re trying to write pop music it’s a lot harder because you have to convey what you’re trying to say in a very short amount of time and it has to impact people straight away. I suppose with ‘Paris’ it’s the first initial lyric and that’s the thing that people remember.”

Having recorded one album track ‘Jump In The Pool’ with Paul Epworth, the band hope to team up with the

Bloc Party producer again for their follow up record.

“We share very similar musical tastes,” says Macfarlane. “He doesn’t seem like a producer, he seems like an extra member of the band and it’s pretty nice to have an external opinion of your music because when you’re producing it yourself you sometimes have a warped view of what you’re recording.

“We just finished recording a new song with him called ‘Kiss Of Life’ that is very samba-inspired and it feels like if we are going to do the next album with a producer then Paul’s the man to do it.”

Already, the album has landed the band on Japan’s Summer Sonic festival, this year’s Coachella bill with The Cure and July’s support slots for reformed Britpop giants Blur in London’s Hyde Park. Following that it’s their first Australian tour and Splendour In The Grass debut.

“It’s strange to think that we recorded this music in our garage just for fun and yet it’s taken us all the way around the world.”

sSTEVE TAUSCHKE

Friendly Fires tour Australia in July.

ADIDAS ORIGINALS

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C H A R L E S S T L A U N C E S T O N P H : 6 3 3 1 6 8 4 6 . ISSUE 97 . JUNE 24 - JULY 7 2009

Adidas are the king of old school cool!

Available at Route 66 WWW.SAUCE.NET.AU

$40 Fashionista

BY REBECCA TAYLOR Model: Emily Cappelletti

0 PIECES USED IN SHOT Pants(DecJuba) – $5, Red Cross Blouse(Rivers) – $4, Vinnies Jacket (Cooper Street) - $10, Showgrounds Market Scarf(Gucci) - $5, City Mission Shoes (Listina) - $8.50, Vinnies (Brand New)

ONBA OPEN 7 DAYS

I love headwear. Hats, scarves, berets, headbands…I love them all. I have even been known to wear a turban. The trend to top off an outfit with putting something atop ones head just never seems to get old.

And nor should it, for it is a quick and easy way of adding a little extra something to an outfit. There are other benefits too of adorning the head. Here are a few…

Covering the head can help keep you warm.

Did you know that the body will do anything it can to keep your brain warm? This means stealing warmth from other areas in order to give them to your head, and in turn, the brain. I figure I have damaged my brain enough over the years, and it’s the least I can do to give a little something back now.

Wearing something on your head can cover early (and not so early) signs of baldness.

Fortunately, this is not a problem for me, but it is for many of my friends who are mainly male, but I also know a few ladies who have less hair than a Brazilian. While you may not be able to keep your hair on, wearing a hat (or other item of headwear) is an easy solution.

Finally, headwear is a great way of hiding a bad hair day. Scarves are great for high voltage hair (hair that looks like you put your finger in a power point). Berets are great for covering Mykonos hair (hair that looks like it was brushed with a potato cake). I personally am wearing a lot of headbands at the moment to hide the fringe I am trying to grow out (and to cover the fact I’m not washing my hair as often as usual because there is a genuine chance that it may freeze solid as soon as I get out of the shower).

Whatever the reason is, be it for fashion, vanity, or mere practicality, get ahead, and throw something on your head.

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MONDAYS / TUESDAYS Industry Night • $25 Beer Buckets – Any 5 stubbies from our fridge for $25

WEDNESDAY - UNI NIGHT Gonna have a big night?

We will fill you up!

• Paella $25/hd • $15 Sangria Jugs •10pm – 12pm $10 Cocktails • Schooners @ 10oz prices

THURSDAY Ladies Night!

Girls leave the boys at home and come in for a stiff one!

• Cosmos $10

FRIDAY • Free Tapas between 5pm and 6pm with every drink

SATURDAY / SUNDAY Lazy Afternoons • Schooners @ 10oz prices 3pm – 6pm RELAX in our couches upstairs or the sunny courtyard.

Got a FUNCTION? We can cater for any budget.

Corner of Burnett & Elizabeth St, North Hobart Opposite The Republic Bar 6231 5931 • info@onba.com.au . ISSUE 97 . JUNE 24 - JULY 07 2009

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Name: Jake Age: 20 Fave artist: Lady ga Ga Something u’d like to do, but can’t? Fly The last thing you lost? $20

Name: Millie Age: 17 Fave artist: Jack Johnson Something u’d like to do, but can’t?

Go to Europe this year The last thing you lost? Sunglasses

Name: Satoko Age: 30 Fave artist: Aoiteshima Something u’d like to do, but can’t?

Stay in Tassie for another week The last think you lost? My purse

Name: Taka Age: 30 Fave artist: David campbell Something u’d like to do, but can’t?

Stay in a nicer hotel the last thing you lost? A watch

Name? Alicia Age? 20 Favourite band/artist? Presets Something you’d like to do, but can’t?

Nothing stops me doing what I want.

The last thing you lost?

Nothing recently.

Name? Daniel Age? 22 Favourite band/artist? Beast Something you’d like to do, but can’t?

Can’t say…hehe.

The last thing you lost? My wallet

Name? Jamen Age? 21 Favourite band/artist? The Killers Something you’d like to do, but can’t?

Fly The last thing you lost? A cymbal

Name? Tess Age? 20 Favourite band/artist? Coldplay Something you’d like to do, but can’t?

Retire The last thing you lost? My keys

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. ISSUE 97 . JUNE 24 - JULY 7 2009

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LE JO SA MO N O M X RO TI F W O N