Diya Sharma Architecture Portfolio 2020

ARCHITECTURE PORTFOLIO

DIYA SHARMA

“Bloom where you’re planted”

Diya Sharma portfolio of selected works

Birth 03.04.1999, Haryana, India Contact +91 9632147276 sharmadiya555@gmail.com diya.17ar@cmr.edu.in Education Bachelors of Architecture 2017-2022(expected) CMR School of Architecture PUC(Science) 2015-2017 Allen Integrated Coarse (in affiliation with Brooklyn college) ICSE(science) St.Francis De Sales Public School Workshops fullscale 101 fullsclae 102 fullscale 103 fullscale 104 fullscale 105

Language skills Hindi English Kannada

mother-tongue very Good intermediate

Computer skills Autoesk AutoCad Rhinoceros 5.0 Adobe Indesign Adobe Photoshop Adobe Illustrator Sketchup Lumion Documentation the Kerala House Hunnarshaala Interests and hobbies dancing travelling sketching painting

Dakshinchitra Bhuj,Gujrat

HARD WORKING PASSIONATE CREATIVE INNOVATIVE

Table of Contents

Architecture Design Veterinary Institute

1-6

Commercial Plaza

7-12

Working Drawing

13-14

2nd Innings

15-20

9 Cubes

21-24

Bauhaus

25-28

Building Construction

29-30

Interior Design

31-32

Workshops

33-34

Veterinary Institute SMESTER VI

03 location

Bannerghatta road, opposite Sri Anjaneya Swami Temple; Sampigehalli, Bengaluru; India

proposed site

abstract

The site is situated very close to Banerghatta biological park,in a rural setting very close to nature.

hill to north west

Surroundings of site are lush green with the presence of a hill towards north west and a small lake that is dried up. There is a small stretch of ecualyptus forest at west of the site.

Towards the east are individual residences of the locals.

exsisting lake eucalyptus trees bannerghatta main road

There are two main entrances to the site, one from south east and other from north east ends. design requirements

The requirements called in for the design of a vetrinary institute that also included a vetrinanry hospital.

The institute was supposed to house 300 students and provide for a hospital with research institute housing 50 attendants at once.

research, library, hostel with their respective courtyards central space responds to node and axis public spaces , with easy access and seperate courts

sub axis internal and external courtyards connecting with built form

private zone semipublic zone Node public zone

view towards hill view towards forest view towards residences roof plan , made in AutoCad

04

parking for institution and research centre Library with its open reading space Cafeteria wit animal play area OAT orientation hall and auditorium

The built mass spreads across the site , creating pockets of landscapes that create a flow between the voids and the built. Each mass has its invidual open space to spill out into for inetractions and activities.

The mass is oriented towards North East with classrooms and open spaces facing that direction. and parking spaces fasing south.

Public , semi public and private spaces are divided based on ease of access keeping in mind the vew. All spaces are pedestrianised with minimum veicular access.

parking for medical centre and public spaces research center with open plaza

medical center with open courtyards

Ground floor plan, made in AutoCad, edited in photosop

The spaces in medical centre were not just arranged based on the ease of access but also keeping in mind comfort of users and the animals.

The medical centre connects to animal farm for adoption or drop off of animals, with a view towards forest and connection to animal play areas on either side.

Canteen Staff room Treatment rooms Operation Theatre Zone

Various entrances ad exits provided for free flow of spaces and enhance user experience.

Incubation Lab

All spaces wrap around a courtyard to provide breathable and open environment for animals.

Emergency room

Ancillary functions

Auditorium DEANS ROOM

SPEACIALITY LABS

LONG STAY ANIMAL FARM

LONG STAY RESEARCH

PLAZA

section , made in AutoCad, developed from Sketchup

X-RAY

COURTYARD

TEACHER’S LOUNGE EMERGENCY ROOM

05 The design focused on making the best of the site and providing views towards the hills and forest areas.

The institution had most of the classrooms facing North East for best sunlight and views.

Learning happens not just witin classrooms but also in the open spaces and corridors. was the deriving idea to the design.

The classrooms were arranged creating groups of four, with each having its spill out and interactive spaces.

The building had a direct flight of steps from the plaza , in order to create a grand sense of entry.

First floor plan,made in AutoCad , edited in photoshop

BADMINTON COURT

LONG STAY COURTYARD

PLAZA

LIBRARY

GENERAL LAB COURTYARD

SPECIALITY LAB ADMIN

TEACHERS STAFF ROOM

CLASS

DOCTOR’S LOUNGE WASHROOM COURTYARD LOBBY

ORIENTATION HALL WASHROOM

OT ZONE

06 The form was derived from the functions and with the intention of providing maximum natural light into spaces.

The roof created a clearsenssssse of entry and exit from one space to another Each space was designed to be inviting yet providing connections with its surroundings and views.

The concept of play of void and built was carried out not just horizontally but also vertically.

The massing intended to provide not just physical but also psycological transition between spaces.

Y COURTYARD

S ROOMS

ENTRY TO LIBRARY

LAB

07

Community Center SMESTER V

08

09 location

Indian Oil Petrol Pump, Opoosite Banashankari Bus - Station, Jayanagar 8th Block, Bangaluru, India

abstract

The site is situated very close to the famous Banashankari Amma Temple which holds an History and there he place is name after it. 80 years ago the site was a stone quarry which was later filled up and now houses the Indian Oil Petrol Pump. The Site has no Vegetation apart from planters.

The Metro station is at a distance of 600m from the site and the metro line runs right in front of the site. The shade of the line provides room for a market , consisting of sevral vendors attracting the temple crowd.

The Signal , the Bus station , the crowd and the vendors result in heavy traffic in early morning and evenings.

proposed site

signal post

existing bus- station

Access points proposed built up space

existing metro station

existing metro line

commercial/residential zone

metro column

handrendered - site section towards bus station

handrendered - site section towards residences proposed site - existing Indian Oil Perol and Indira Cnateen

handrendered - elevation facing the site metro line

handrendered - elevation facing metro

vendors under metro line

bus station

10 design requirements 15 retail stores 1 anchor store BBMP Office RTO Office Food court Co-Working Spaces Total Built Up 8000 sqm with ground coverage of 4000sqm

co working spaces food court BBMP and RTO master plan

retail stores

Approach towards the design was to bring the chaos from around ,into the site. The chaos that people enjoy and have fun in.

spill-out spaces

The design focused on forming a clear blockage towards the noise, pollution, traffic and dirt,thereby using stone walls on the facade as an imagery to the same.

buffer/ cafeteria

anchor stores

ancillary spaces

general zoning

handrendered - elevation (edited in photoshop)

11

The ground floor was the most crucial part of the design , as it formed the major reason to attract people to the site.

The pedestrian access into the site was not restricted to one, but to 4 entrances, with one large one in the center, adding to the curvilinear periphery of the site. The back of the design was kept open facing the vegetation.

The site periphery was curvilinear, hence the ground floor spaces along the periphery were placed at an angle such that it provides a dynamic experience as people walk along the road of the site.

The dynamic view was enhanced by the use of glass on one face and stone on another of the surfaces. It helped add to the concept of blocking the chaos.

circulation core

angular spaces responding to curvilinear periphery

The main ideology used in the structure of the design was to provide multiple voids and buffer spaces for people to gather and spill out.

glass and stone responding to curvilinear periphery

While the concept of blocking chaos was intact the element of fun was added using the void spaces, which even enables the viewers from the metro to get a glance of the building at various angles, creating emotions of curiosity.

12 retail stores circulatory core anchor store ancillary functions

The circulatory core is the only one that spans all the floors and is a binding element that acts as a datum to hold all spaces together.

It also has a fun factor to it as it looks into the central open space having a play of staircase and corridors.

The facade deatil shows the idea of blocking chaos using the strong material like stone .

The detail of glass and wooden lintel adds to the idea of inviting and being transparent and fun to the users.

isometric view of the facade detail

wooden mullion plate gass extruded metal stop WRB lath mortar scratch coat mortar joint stone

section of the facade detail

13

Working Drawing SMESTER Vi

The following are the working drawings of the community centre project done in 6th semester.

All drawings are just for 2 floors of the building.

The drawings show bathroom detail with all elevations, a section of the building , staircase detailing with section and wall sections.

14

15

2nd Innings SMESTER IV

16

17

location

Karimanti Village, District Srirangapatna, Karnatake, India

abstract

The site is located amidst the green lucious fields of Srirangapatna. The access to the site is through a side lane which connects to the main road leading to banglore on one and Mysuru on the other end.

Mandya,

There is a canal that runs right beside the entrance raod. The site is 3m below the level of the road.

Ranganathittu Bird Sanctuary

prpoposed site

Stream of Kaveri River

access points

There is a railway track laid on the opposite end of the site, which have 30 trains passing per week.

design requirements

Housing Project for people of age group in early 60’s,mostly couples, who looking to relive their life.

railway track

The Housing Project has rental accomodations to support and sustain the functioning of the community.

10 houses single bedroom bread and breakfast, short stay accomadation with ach - 180 sqm 10 houses stay for the owners along with a house that can be rented out to a small family - 210sqm 10 houses only for the older couple - 120sqm

handrendered section , emphasising the liveliness of the street

Concept

Traditional street housing, inspired from traditional market

unit of 4 houses with its gathering space

House type 1

House type 3

18

house type 2

community market

vehicular access

the street

pedestrian entry

Workshop

The community comprises of three types of houses, with each house having its own workspace.

The housing typology is inspired from Japanese traditional housing.

Therefore, Each workspace has a portico beside it , which serves the purpose of buying and selling or just a space to interact with community members.

Emphasis on movement through street by the inward and outward placement of houses , forming transition from narrrower to larger volumes of spaces resulting to a dymanic experience.

portico intereractive buying and selling open facade

The terrace and portico facing the street adds a sense of openess to the facade of the house.

It adds to the volume of the street and makes it more breathable.

The houses are designed with a combination of modern and traditional type of housing , therefore the combiation of wood and stone are the choice of materials.

The idea of butterfly roof was brought about , binding ll the houses as one , and bringing in unity in the community.

front elevation

11 The Communtiy has a central gathering space with a local market which is open to the visitors .

The surroundings being just farm lands, each house has its own terrace to view them.

doouble height space

doouble height space terrace

terrace owners bedroom

owners bedroom

portico dinning and kitchen

portico

living room

living room

rental bedroom

dinning and kitchen

workspace

workspace

House type 1

House type 2

In order to kep the community more lively and connected to the environment, each house has a beffer space at the back which can be used for a personal garden.

The cars are parked behind each house, so that vehicles dont disturb the functioning of the street.

play of levels

handrendered section , edited in phtoshop

20

21

9 Cubes SMESTER IV

22

23 abstract The Site is an undualted terrain right beside a lake.

The terrain is dense with woods, and is situated on the outskirts of the city. design The design breif calls for a proposal of a requirements habitation for four people made from 9 volumes of 3m*3m*3m auuming context and user characteristics. concept The big idea was to make use of the features around the site and therefore provide maximum open spaces looking towards the woods and responding to the lake.

The aim was to design spaces that meet the day to day requirement of the users.

The Mother

The Father

a teacher loves clothing design loves cooking

a businessman private person loves open spaces

individual rooms

Family of four Son Aeronautical engineer extrovert loves working out and sports

Daughter medical student introvert loves reading

circulation spaces

solids and voids in 9 cubes.

24

handrendered plan , edited in phtoshop

The Section is through the three floors, namely the living room at the ground floor with a deck facing the lake.

The First Floor with two rooms and two decks, one looking towards the lake and other at the undulated terrain.

Each room on the second floor including the kitchen faces the lake directly.

The second floor has the master bedroom that has its own balcony facing the lake.

25

Bauhaus SMESTER V

26

27 location

Nirvana Film Studio , Indira Nagar , Bangaluru,Karnataka.

abstract

The Site is situated in the centre of the city with two sides looking at surrounding building and the other two looking at a park and the woods.

design requirements

The Idea of the project was to learn about the Bauhaus style and how it could be applied on a particular plan of a building.

concept

The basic concept was to make use of the features around the site and therefore provide maximum open spaces looking towards the woods and providing a buffer for the faces overlooking the other buildings.

Therefore the office building has a large deck facing the park and woods , on the other hand it has a buffer of trees from the buildings on the other side , provide by indoor garden.

woods

park

surrounding buildings

Bauhaus, was a German art school operational from 1919 to 1933 that combined crafts and the fine arts, and was famous for the approach to design that it publicized and taught.

Core objective was a radical concept: to reimagine the material world to reflect the unity of all the arts.

The Building also has a simple geometric pattern whch was the key of Bauhaus Buildings with no ornamentation.

The horizontal and vertical surfaces combined to form an asymmetry and yet having dynamic equillibrium.

The facade of the building follows a pattern where the horizontal and vertical surfaces balance each other.

Bauhaus buildings followed a grid pattern in which the plan or elevation were made propotionality yet having certain assymetrical elements to it.

The assymetry was used to bind the design together.

Therefore the assymetry is maintaned by the stairs in the plan , which are later emphasised on the facade.

The ideology of “Form follows Function� was implemented in a way that the external facade indicated the fuction.

The building also follows a push-n-pull fashion , like the modern Bauhaus strctures therby enhancing the appearance.

Bauhaus buildings seem to be imbued with a sense of buoyancy, weightlessness and rhythmic mobility which is indicated in the office building with way stilts and walls are placed on the ground floor .

emphasis of asymmetry

sense of buoyancy

dynamic equillibrium

In the office building, thus the facade indicates the function followed.

For Example, the workshop is provided with maximum lighting, therefore has a glass facade, whereas storeroom has minimal lighting with just one window .

29

Building construction and material SMESTER VI

BCM drawings focusing on the detail drawings of doors, gates, and shutters.

30

31

Interior Design SMESTER VI

The following design is of a Lawyer’s office with space for two junior advocates and a personal assistant.

Pantry

Junior Advocates Balcony

Washroom

Lawyers Cabin

Entry

32

33

Bamboo Canopy

SMESTER III

The Pavillion is Entitled Yure, a Japane expression for a nomadic habitat movin in the wind, the project is made fro identical wooden pieces, seeking to bl the lines between art and architectu with its organic structural geometry.

From every view, the structure appea different, creating a distinct diversity space. “It offers an organic geometry b a geometric composition of wood� sa Kuma.

The bamboo canopy was built for providing a light and organic shelter to the stone benches lining one side of the volleyball court, an area frequented by students.

The high tensile strength of the bamboo is critical to maintain the curved sections of the structure. The bamboo easily blends in with the surrounding trees, making the installment look natural.

Sculptural Pavillion

SMESTER IV

ese ng om lur ure

ars of by aid

34

Workshops

Space Truss System SMESTER VI

Arch Structure is a type of form active structure system where major load transfer is through cables and stabalisation is based on span.

The thrust of an arch is inversely propotional to its rise, for reduction of thrust the arch should be as high as possible.

Form Active Structure SMESTER VI

Compressive and tensile members, arranged in a certain pattern and put together in a system with hinged joints, form mechanisms that can redirect forces, and can transmit loads over long distances Short solid straight lineal members because of their small cross section and length can transmit forces in one direction only

I hereby declare that this document contains only original academic work, all drawings, photographs and text are my own.

Diya Sharma +91 9632147276 sharmadiya555@gmail.com