dishant vyas architecture portfoilo

DISHANT .P. VYAS ARCHITECTURE PORTFOLIO

RHINO 6

AB OU T ME

SK IL L S

HI, My name is Dishant vyas the journey of architecture begins from my school time with observatation .From non architectural background i self channelised my knolowdge towards art and architecture.

Architecture is more than a design profession,where it deales with 120 billion (india)real estate sector architects create future ,In the business of real estate architecture work as a catalayst .

Architecture is a profession where it has a responsibility to shape the future with innovating the history

LAZER CUTTING PHYSICAL MODEL MAKING

AC ADEMIC EXPERIENC ES 2015-UDAAN FEST VOLUNTERING POL DOCUMENTATION

C ON TACT

DISHANT .P. VYAS +91-9769011557, 022-26238521 vyasdishant007@gmail.com 54/A-3 bhawanji mauji bldg, J.P. road Andheri west, Mumbai -400058

ENGLISH

MARWARI

GUJARATI

2015-UPGRAD GOVERMENT STARTUP POGRAM CERTIFICATES 2016-AICA AWARDS VASHI

VOLUNTERING,PANNELING

Dishant v yas

PRESENTATION

PART OF CORE INSTALLATION AND MANAGING TEAM

2018- WORKING ON AR TECHONOLOGY FUTURE ARCHI2016-ARGHYA BORIVALI DESIGN TECTURE INDUSTRY TEAM MEMBER FAIR VOLUNTERING FAIR ORCHHA DOCUMENTATION MITAWALI MODEL MAKING TEAM HEAD

2017- ADITYA MOCK STOCK TOP 10 IN ADITYA COLLEGE MOCK STOCK EXCHANGE COMPETETION

VRAY 2.3

PHOTOSHOP

HAND-RENDERING

2018- SUTHAR HOUSE RAJ.

LEADERSHIP/BUSINESS

DESIGN

-LANDSCAPE DESIGN DESIGN , RENDER

Q UA L IF IC ATION

AUTOCAD 2016 REVIT 2017 SKETCHUP 2016 RHINO 6.0

LUMION 8.0

PROBLEM SOLVING

IDEA DEVELOPMENT IDEA EXECUTOR

D ishant v yas c l i c k t h e l i n k b el ow

MICROSOFT OS

SCHOOL WITHOUT CLASSROOM

S O CIAL YOUTUBE CHANNEL

ANALYTICAL THINKING

2017- ARCHASM COMPETETION

SOFT WARE SKILL dishantv97 3dverbs

3D PRINTING

2016-VOLUNTERING IDC(INTERNATIONAL DESIGN COMPETITION

INDESIGN

2018

-THIRD YEAR ARCHITECTURE

2018

-HIGHER SECONDARY CERTIFICATE

2018

-SECONDARY SCHOOL CERTIFICATE

ADITYA COLLEGE OF ARCHITECTURE BHAVANS COLLEGE SCIENCE M.V.M HIGH SCHOOL

HOBBIE S/ IN TE RE ST

https://www.instagram.com/3dverbs/ https://www.youtube.com/channel/UChrzQLAJHJZORD_2BtQRJ-A

FLOW DESIGN

ECOTECT

SKETCHING READING

Chess

MUSICS

MOVIES START-UP POLITICS

M SE

6

R TE S E

TARA’S HOUSE

5

M SE

M SE

4

ER T ES

D

N O I AT T EN M U OC

2

RK O LW

NA O S

R PE SC I M

CONTENT

M SE

R

TE S E

RHINO

7

R

TE S E

s

1

MASS HOUSING PROJECT INCREMENTAL HOUSING

HIERARCHY

GRID

CONNECTIVITY

LOCATION:- NASHIK MAHARASHTRA AREA:BRIEF:-

20 ACER NASHIK IS THIRD LARGEST CITY IN MAHARASHTRA AFTER MUMBAI AND PUNE SITE CONNECTS WITH THE CITY HIGH WAY GROWTH IN INDUSTRIES BOUGHT MAJOR GROWTH IN POPULATION WHICH RESULT IN EXPANSION OF CITY CITY HAS VARRING LAYER SUCH AS HERITAGE , INDUSTRIES ETC. THE DESIGN INTEND FOR TH STUDIO IS TO CAPTURE SUCH LAYERWITH RESPECT TO SET MAPING PARAMETERS .

STUDIO WILL INCLUDE STUDY OF TH COMMUNITY ,SOCIAL ANDECONOMICAL SETTINGOF THE CITY WHILE LOOKING AT SITE

REVIT + LUMION + INDESIGN

VISSION STATMENT

•

-CREATING HABITAL SPACE ,FORMATION IN SUCHA A WAY -WHICH BELONGS TO THEM,THE ARCHITECTURE DEPICT THEIR CULTURE -IREGULLAR FORMATION ON GRID BASED -THE APPROCH TO TH HOUSING TYPOLOGY IN TERMS OF INCREMENTALITY FOLLOWING IT PURALISM IN NATURE OF FORMATION AND CASTE OR LOCATION

•

CONTEXT

SITE INFERENCE

GOATHANS:-1.OLD HOUSE PITCHED ROOF 2.NEW HOUSE FLAT ROOF NARROW LANES RENT ROOMS FOR EARNING TEMPLE JUNCTION(FESTIVAL WITHIN COMPLEX)RANDOM ARRANGEMENT

TYPOLOGY

PROBLEMS

•

•

GROUND FLOOR PLAN

MARKET BEING THE MOST CULTURAL SPOT IN GAOTHAN WHICH IS REPLICATED IN NEW SITE. TWO MARKET SPOT WHICH CONNECTS WITH 15M WIDE CULTURAL STREET WHICH CONNECTS EWS ,LIG ,MIG,HIG CULTURE ,FESTIVAL BREAK THE BARRIER OF ECONOMIC IMBALANCE

HOUSE HOUSE + SHOP HOUSE + RENT FLAT SHOP STAIRCASE OUTSIDE HOUSE

1.PARKING OF RANDOM BIKE ON NARROW LANE 2.LESS STORAGE SPACE 3.MIGRATE IF BUSINESS SCOPE IS THERE 4.MIGRATION HAPPEN IF SAME CULTURE ABOPE BY NEW HOUSING PATTERN

TO UNDERSTAND THE CURRENT GAOTHANS NEARBY AREAS LINK SOCIOLOGICAL CONCEPT INTO TOWN PLANNING(MASS HOUSING) 3 FACTOR MAKE SUCESSFUL MIGRATION WITHIN EWS AND LIG WHICH ARE SOCIAL ,PHYSICAL,ECONOMICAL USING NEIGHBORHOOD PLANNING PRINCIPLESTHE WHOLE SITE IS DIVIDED INTO GRID AND EACH BLOCK IS USED AS SMALL UNIT

CLIMATEOLOGY

•

ZOONING+ MASSING

PLACE

(GEOGRAPHY)

A:- COMMERCIAL WORK PLACE a1 :-SHOPS a2:- SHOPS a3:-R.G. BLOCK A FOLK PLACE B:-INCREMENTAL HOUSE b2,b3,b4:- HOUSE b1:- R.G. BLOCK B HIERARCHY C:- INCREMENTAL HOUSING c3,c4,c1:- HOUSE c2:- R.G. BLOCK C D:-d1,d2 - COMMERCIAL d3:- MIG APPARTMENT +R.G E :-CENTER PART e3-school +market e2-MIG APPARTMENT e1,e4- MIG INCREMENTAL HOUSE F EWS & LIG CLUSTER SETTELMENT H,G,1:- HIG VILLA,APPARTMENT + LANDSCAPE

PLACE WORK

PLACE FOLK

WORK

WORK FOLK

(ECONOMIC)

WORK FOLK

FOLK

(ANTHROPOLOGY)

OF OPEN SPACE

KEYWORDS

PURALISM GRID BASE ECONOMY BASED PLANING CULTURAL INTEGRATION (PRACTICAL APPROCH)

SKETCHUP +PHOTOSHOP +FLOWDESIGN +INDESIGN

REVIT +LUMIN8.0 + PHOTOSHOP + INDESIGN + PHOTOSHOP

REVIT + PHOTOSHOP + AUTOCAD + INDESIGN

2

COMMUNIT Y CENTER

Enriching and Empowering

GATHERING SPACE

ORGANIC PLANNING THERMAL INSULATION

LOCATION:- MANDVI GUJARAT (KUTCH) AREA:BRIEF:-

22000 SQM The climate responsive approach as necessity in the limited resources in the region.

The appropriate approach to enable artisan to be significantly involved in both design and craft.

Aim:To give an appropriate built platform to explore the ex-

isting art form and Boat building ofMandvi for the socio-economic upliftment of the community.

To preserve, promote and disseminate arts of Mandvi and the region.

To create awareness about handicrafts and boat building of Mandvi.

To enable the local community to explore and innovate to connect and reach out to

VISSION STATMENT -TO PROVIDING A PLATFORM FOR TH ARTISANS TO COMMUNICATE AND GROW TO GETHER -DESIGNE ACT AS AA CATALYST IN THE PROCESS OF EVOLUTION TO THE WAY OF DESIGN OR INNOVATION -DESIGNE IN SUCH A WAY THAT IT EMPOWER THE WHOLE CITY TO CREATE A COMPLEX WHICH JUSTIFY TO ALL THE ART AND ARTISANS -ART AND ARTISANS BECOME THE STRONG ROOT OF THE CULTURE OF BHUJ ,TO CREATE A CENTER HICH MOTIVTES THE ARTISANS -CREATE A PLATFORM WHICH HELP IN ECONOMY OF THE CITY

CONTEXT

ARCHITECTURE AS SYSTEM TO INNOVATE • • 1.

2.

3.

4.

5.

THE DESIGNE INTENT TO CREATE SYSTEM CYCLE WHICH WORK FOR ITSELF SYSTEM OF WATER CYCLE WHICH KEEP STRUCTUR COOL FROM THREE FACES TOP,SOUTH ACING FACADE ,BOTTOM WHERE ROOF IS GREEN ROOF RAIN WATER COLLECTS FROM THERE TAKEN DOWN FROM SOUTH FACING FACADE WHICHING IS SCREEN WITH WATTEL AND DAUB PANNEL TO PREVENT EVAPARATION WHICH FUTHER FLOWS DOWN TO CHANNEL THROUGH OUT THE STRUCTURE WHICH IS UNDER BERM CONSSTRUCTION TO UGT COLLECTING WATER THEN IT IS PUMP OUT AGAIN TO ROOF OF STRUCTURE SO THE CYCLE CONTUNITUITY SOLAR PANNEL GENERATES SUFFICIES ENERGY TO PUMP WATER

THE CONCEPT REVOLVES AROUND THE CIRCULATION THE MASSING IS POSITION AS PER ORGANIC SPREAD AS PER THE SITE 1. PUBLIC 2. SEMIPUBLIC 3. PRIVATE

SITE INFERENCE

BOAT BUILDING (TRADE OF BOAT) RICH & GLOURIOUS HISTORY COASTAL REGION MOSTLY RESIDENTAL HOUSE TYPOLOGY TOURIST SPOT DUE TO RANN OF KUTCH EASYILY PUBLIC TRANSPORT AVALIABLE

TYPOLOGY

PROBLEMS • • • • • •

HOUSE HOUSE + SHOP GARRAGE BOAT BUILDING GANTRY OFFICE + WORKSHOP

LESS MOTTIVATION TO ATISANS NO PLATFORM FOR ARTISANS NO BUSINESS SCOPE FOR PEOPLE TO STAY NO STAYING FACILITY FOR TOURIST NO CONCENTRATED MARKET NO CONCENTRATED WORKPLACE

KEYWORDS

HERITAGE COMMUNICATE ATTRACT SUSTAINABILITY ORGANIC

•

•

PLAN

PLAN

THE USE OF BERM CONSTRUCTION ABOVE THE AUDITORIUM.WHICH ACTS AS THERMAL INSULATION BERM CONSTRUCTION HELP TO MAINTAIN THE TEMPERATURE AND ACT AS AN INSULATION

WALL DETAIL BERM CONSTRUCTION SKETCH

Scanned by CamScanner

WATER CTCLE

SOLAR PANNEL CALCULATION ELEVATION

ELEVATION

ROOF PLAN BIRDS EYE VIEW

SECTION

SECTION

SKETCHUP+ LUMION + INDESIGN +PHOTOSHOP

3

M A N D WA J E T T Y P R O J E C T IDENTITY

FLOOR DEFINE SPACE

BUILT MOVEMENT TO GUID

CENTRALITY

LOCATION:- MANDAWA ALIBAUG AREA:BRIEF:-

The studio focusses on the idea of Identity and the Institution. The principles of identity are quite straightforward and move from identification in general to personal identity OBJECTIVES To understand the value of institutional or organisational set up

Envisaging a built environment where the basic needs of a tourist are well taken care of – such as information, shelter, food and service area.

Designing an efficient circulation for the smooth movement of tourists

VISSION STATMENT • • • •

CREATE A BUSINESS POINT FOR PEOPLE WHO STAYS THERE EVEN ATTRACT NEW PEOPLE TO BUSINESS TRADE THERE AS ITS NEAR TO FINANCE CAPITAL MUMBAI IT CAN SHARE LOAD IF IT TO CREATE BUSINESS OPPURTUNITY TO GIVE REASON FOR PEOPLE TO STAY UNDERSTAN PEOPLE MOVEMNT AT TERMINAL POINT MAJOR CHALLANGE IS TO CLEAR THE CIRCULATION WHERE PEOPLE DOSENT CONFUSED

SITE INFERENCE

CONTEXT

• • • • •

MANDWA JETTY RECIVING POINT FOR PEOPLE CONNECTS ALIBAUG TO MUMBAI FAMOUS FOR SECOND HOME MOSTLY GREEN COVERED COVERED FROM BEACHES FROM ALL SIDE

TYPOLOGY

PROBLEMS

• • • • •

CENTRALITY CIRCULATION MASSING VOLUME COMFORT

• • • • • • • • • • •

FLOORS DEFINING MOVEMENT GUID LVL BECOME ATTRIBUTE OF DEMARKATION FLOOR DEFINE SPACE LINEAR MVEMENT ACHIVE WITH MASS R.G. INTEGRAL PART OF DESIGN FOR PEOPLE TO MEET AND RELAX AND SPEND TIME SEGREGATING THE VEHICULAR AND PEDESTRAIN MOVEMENT FOR THE COMFORT OF THE PEOPLE PARKING BUILDING NEAR TO RORO ENTRY TO MINIMISE VEHICULAR ENTRY FROM ALL FOUR SIDE 10 M RG PATCH] BUILD UP SECTION CIRCULATES OR INTAVT PEOPLE WITHIN

SECONDS HOME BUNGLOW HOUSE APPARTMENT RESORTS FARM HOUSE

NO SERVICE OR FACILITY NEAR BY ALIBAUG 45 MINS AWAY FROM SITE LESS PUBLIC TRANSPORT NO PROPPER HUB OR STATION CAN’T SUFFIES NEED OF RORO JETTY LAND & SOIL NATURE H U M I D I T Y KEYWORDS

CREATING GATHERING SPACE WITH THE HELP OF MASS CREATING LOOP FOR PEOPLE CREATING TWO LANES 1.ARRIVAL 2.DEPARTURE ARRIVAL LANE MASS HIEARARCHY:-1. ARRIVAL LOUNGE 2.SHOPS 3.CANTEEN 4.EXIBITION ENTRY 5.PUBLIC TRANSPORT DEPARTURE LANE MASS HIERARCHY:-1.PUBLIC TRANSPORT 2.EXIBITION ENTRY 3.LODGE STAYING 4.R.G. 5.SOVINER SHOP 6.DEPARTURE LOUNGE

LINEARITY CENTRALITY FLOW MOVEMENT EASE OF CIRCULATION • THE DESIGNE INTENDS TO CREATE PEOPLE SPACE WHERE IT BINDS PEOPLE WITHI IT SAME TIME IT ALSO OPEN • MAIN PERPOSE IN ZONNING WAT TO GIVE USER A CLEAR AND EASE VISSION OF AMINITIE AND FACILITY • WHERE USERE CAN FREELY USE AS PER MOMENT • LESS OF OUTER MOVEMENT REDUCE HUMIDITY AND COMFORTABLE TO PEOPLE

ROAD SECTION DETAIL ROAD SECTION DETAIL

ROAD SECTION DETAIL

ELEVATION

ELEVATION

VIEW

VIEW

VIEW

PLAN SECTION

SECTION

SKETCHUP+ LUMION + INDESIGN +PHOTOSHOP

4 CIRCULATION

TOURIST CENTER

HERITAGE PRESERVATION

LINEAR TO SLOPE

VISTA

LOCATION:- ORRCHA MADHYA PRADESH AREA:-

2000 SQM + CIRCULATION

BRIEF:-

TOURISM& HERITAGE PRESERVATION: Tourism Facilities/Information, Market, Skill/Crafts Development Centre STUDIO INTENT: A design solution essentially with a deeper understanding of the vernacular architecture of the place set within the glorious and magnanimous heritageOrchha town with its fort, palaces, temples and derelict houses OBJECTIVES OF THE DESIGN PROGRAMME – VISITOR CENTER: value of institutional SET UP preserving a heritage town Outdoor Spaces of congregation

VISSION STATMENT

OFFSET FROM ALL SIDE

-CREATING SPACES THROUGH INDIVIDUAL CAN GET VIEW TO FORT AND RIVER -CREATING A TOURIST CENTER WITH EASE OF CIRCULATION -USING COUNTOUR FOR DIFFERENT PERESPECTIVE FOR SPACES -ARCHITECTURE WORK AS A CATALYST BETWEEN TOURIST AND CULTURE OF ORRCHA

MASS EXTRUCTION AS PER CIRCULATION

GOOD USE OF COUNTOUR HIERARCHY OF THE SPACES

CONTEXT

SITE INFERENCE

GOOD MARKET HANDICRAFT SHOPS G+2 STRUCTURE MAX ROW HOUSE (NO OFFSET BESIDE HOUSE) BUSINESS OPPURTUNITY NEAR RIVER

TYPOLOGY

PROBLEMS

HOUSE HOUSE + SHOP HOUSE + HOTEL SHOP STAIRCASE OUTSIDE HOUSE

1. NO PROPER SPACE FOR INFORMATION 2.NO EXPOSURE 3. NOT EDUCATED 4.NO BUSINESS SCOPE KEYWORDS

TOURISM LEVELS CIRCULATION MASS VOID INSTUTIONAL SPACE

CREATING VOID AND FLOOR PLATE

CONTEXT PLAN

ACE K PL

OR AN W

ARTIS

EX

IB

SECTION @ EXIBITION SPACE

R ATE

E HITH

AMP

KET

MAR

P

SHO

SECTION @ TOURIST CENTER

IO

N

RT

OP

H TS

RKE

MASSING MODEL

SITE SECTION

W

BB

U D CO

FOO

MA

LO

IT

Y

R.G

AT

TI

NG

OF

FI

CE

DESCRIPTION THE WINDOW OF RECPTION FACING TO EAST SUN ENTER FROM 3M WIDE WINDOW SITTING UNDER THe DOME ON THE RECEPTION ON THE FOUR CORNER WITHIN RECPTION THER IS sOVENIER SHOP TO ATTRACT THE CUSTOMER BEHIND IT THERE IS SMALL DOOR WHICH LEADS TOWARDS WAITING AREA WAITING AREA MAKES PEOPLE GLIMPSE OF WHOLE SITE WITH FORT BACKDROP AND MAKING PEOPLE TO TRAVEL TO LAWN AND EXIBITION SPACE AdMIN AREA WINDOW FACING TOWARDS RIVER AND FORT CREATING BOX WINDOW FOR SITTING . BALCONY GIVES SPACE FOR LOCAL PEOPLE

BIRDS EYE VIEW • • •

LAWN HAVING TENSILE FOR SHADE CREATING FREE SPACE GIVING CLEAR VIEW OF SURROUNDING LAWN LEADIN TO EXIBITION SPACE AFTER EXIBITION FOR TOURIST THERE IS DIRECT ENTRY TO FOOD COURT AND FOR THE LOCAL PEOPLE THERE IS ENTRY FROM WORKSHOP TO CREATE CONNECTIVE SPACE MANY OPENING IN EXIBITION COLUMNS WITH DARK COLOUR CERTICALITY SHOW DIRECTION DIFFERENCE IN HORIZONTAL PLANE FLOOR SHOW DIRECTION PLAY WITH OPENING VIEWS LEADIND TO RIVER VIEW

SOUTH FACING ELEVATION

EAST FACING ELEVATION

SITE PLAN

POL DOCUMENTATION

UNDERSTANDING

PLAN

,CIRCULATION

,ZOONING,

ACTIVITIES,

ELEMENTS

ELEVATION AND FACADE FEATURE

POL

ACTIVITIES

SITE

WITH

INTERECTIVE

SECTION

OF

WALL

POL

PHYSICAL

MODEL

UNDERSTANDING

OPENSPACES

POL HOUSE

5

R E G E N E R A T I O N

1 PLAN SLOPE

VENTELATION OPEN SW DIRECT

2

PROVIDING TRADITIONAL COURTYARD

INTERIOR VIEW ( SHOWING STAIRCASE & LIVING ROOM WHERE IT CREATE PRIVICY FROM PG

P.G. ROOM

LOCATION:-Ahmedabad GUJARAT TOILET DUCT

AREA:BRIEF:-

STAIRCASE BLOCK P.G. ROOM

•

• •

• • •

The Design – You are required to 3 STEP FORMATION TO CREATE OPENESS design this House, which functions as a paying guest facility for visitors once the Scholars leave.

This house shall include – Spaces of Living, Dining, Kitchen, TOILET DUCT Storeroom and Bedrooms for the CHILDREN BEDROOM Family and the 3 Scholars. Parking facility for 4 two wheelers.

Spaces for solitude, gathering and interaction and other spaces you deem necessary.

The built form shall not extend 4 CHAMPHERING STEP FORM INTO TO 10 DEG GARAGE more than (G+2).

7 BLOCK MODEL ENTRY The family of 3 comprises of a PROCESS MODEL Husband who is a textile businessman, a Wife who operates a Pickle making business from home while taking care of the Child who is currently in the 9th Std.

5 STAIRSCASE BLOCK SEMI OUTSIDE

MASTER BEDROOM STAIRCASE BLOCK

KITCHEN COURTYARD STAIRCASE BLOCK

6

ZOONING FLOOR PLATE

VISSION STATMENT • • •

• •

DESIGN IN WESTERNISED FORM AS PEOPLE WHO LIVE IN POL ARE MIGRATING TO NEW GUJARAT FOR LUXURY AS THE PLOT SIZE IS CONGUSTED CHALLENGE IS THAT TO CREATE OPENESS TO CLIENT WITHIN HOUSE UNDERSTANDING THE TIME TABLE OF PEOPLE AND PROVIDING THEM BEST FROM INNOVATING OLD AND BLENDING INTO NEW LOOK UNIQUE ,EYES CATCHING,INTERESTING GIVE CLIENT A DIFFERENT USER EXPERIENCE

CONTEXT

• • • • • •

• • • • • • •

STAIRSCASE:-STAIRCASE BECOME MAIN PART OD DESIGN STAIRCASE BECOME AN VIEW DECK SO HALF INSIDE AND HALF OUTSIDE SO I GIVE AN INTERESTING PERESPECTIVE SOCIAL CONNECT WITH PEOPLE ALSO FIVE ASTHETIC LOOK TO FACADE FIRST FLOOR:-CHILDEN ROOM & PARENTS ROOM ON SAME FLOOR PLATE WITH FAMILY SPACE BETWEEN THEM CHILDREN ROOM WINDOW FACING TO KITCHEN WHERE HE ACN HAVE VISIBLE CONTACT OUTER FACADE WINDOW FACE MAIN STREET WHERE HE HAVE CONTACT WITH NEIGHBOUR •

• • • •

SITE INFERENCE

SKINNY ROW HOUSE TRADITIONAL ELEMENT IN HOUSE NARROW LLANES HERITAGE HOUSE HOUSE FACING EACH OTHER MORE OF SOCIOLOGY AMONG PEOPLE

TYPOLOGY

PROBLEMS

INCREASE IN SURFACE AREA OF INCOMING

VIEW

LIGHT LESS HEAT MORE LIGHT MORE VENTILATION WODDEN PANNEL FOR VENT & LIGHT

HOUSE HOUSE + SHOP HOUSE + RENTAL SHOP MANDIR,CHABUTRA

1.

2.

3.

4.

5.

CONGESTED SPACE IRREGULAR SETTEMENT TRANSPORTATION LESS OF OPEN SPACE LIGHT AND VENTILATION

1.

2.

3.

4.

MORE SOCIAL CONNECT POSSITIVE ENVIROMENT RICH HISTORY UNIQUE ARCHITECTURE

VIEW

SECTION

POSITIVE

ELEVATION

GROUNDFLOOR

FIRSTFLOOR

SECONDFLOOR

TERRACE

FLOOR

• A SCHOOL WITHOUT CLASSROOM School!

A Temple we say, Bonding the child As social influence looms, We find a school with no classrooms!

-PARTH MAKWANA •

Four walls do not define an education system. Education is something which goes on throughout one’s life, but the seed of education is sowed in the tender age of childhood.

• It is the age when a life or a being or a mortal is ripe and receptive to learning and being influenced by things around. At that age it is a free flowing life until the rigidity of society breaks in.

• The surrounding ambience of the place where they receive the formal education must also have a free flowing form. Knowledge can grow only when questions arise and there is a thirst to finding answers.

• Rigidness restricts questioning whereas free flowing advocates questioning. This is achieved by creating a balance between emotion and intellect.

• By creating a feeling of safety in school rather than the usual fear.

The three tier educational system of Germany seems to be a complex system and has constraints and rigidity to it. Thus to break this rigidity a proposal of a uniform educational system where the student can chose what to study along with an integration of Arts, Music and physical training is done. A special class for special students.

Depicting the history of Berlin being divided into 4 parts the students get distributed accordingly but as opposed to what history has it this distribution of students is a positive division.

SKETCHUP+ LUMION + INDESIGN +PHOTOSHOP

CLIENT BRIEF• • • • • •

• • •

•

PURPOSED SITE

3310

8

BEDROOM 1

5900

6

TOILET

1044

STORAGE

TOILET

6 5

DINING

2950

8

9

KITCHEN UP

LIVING ROOM

TOILET

5 LIVING ROOM

UP

4

4

DINING

3

2

TOILET

POOJA ROOM

1

2

LOBBY

F'

POOJA ROOM

TOILET

GUEST ROOM

E'

1385

9

10

3

3683

7

7

BEDROOM 1

TOILET

KITCHEN

7230

•

5280

20119

•

D

C

3880

8717

• • • • • • • •

•

B

5

VASTU FOLLOWED•

•

19690

A

1179

CLIENT :- SHAYAMSUNDER SUTHAR(2018) LOCATION:- NOKHA CITY RAJASTHAN • AS CLIENT FROM RAJASTHAN AND HAS 25 YEARS OF EXPERIENCE IN INTERIOR CONTACTOR HE WAS VERY CLEAR ABOUT VASTU AND ITS PRICIPLES,HE GUIDEDES US THROUGHT THE PROJECT CONCEPTULIZATION,EXECUTION • DESIGN SHOULD FOLLOW THE VASTU PRINCIPLE • FOR TWO BROTHER • CONTEMPTERY LOOK • INTERIOR SHOULD FOLLOW MODERN LOOK ,DESIGN AS PER THEIR COMING GENERATION • TWO BUNGLOW SHOULD BE PURPOSED • ONE SHOULD FUTHER BREAK INTO TWO VERTICALY FOR THEIR TWO SONS • ANOTHER SHOULD REMAIN SAME • ONE BUNGLOW

34447

CLIENT BRIEF

•

AS PER CLIENT VASTU WAS PRIORITY TO BE FOLLOWED IN DESIGN VASTU WAS BLEND WITH MODERN DESIGNE CONCEPT OF SEVRED AND SERVANT SPACES AS PER CLIENT TWO HOUSE TO BE BUILD ONE WHO HAS TWO CLIDREN WHO E CAN VERTICALY DEVIDE HOUSE ANOTHER WHO HAS ONLY ONE CHILD CAN USE AS ONE BUNGLOW CURRENTLY THERE IS ONLY ONE F GROUND STORY STRUCTURE TWO BUNGLOW CAN FUTHER DEVIDE INTO TWO PLOT BY BUILDING WALL WITH TWO DIFFERENT ENTRY FRONT ELEVATION INTENTS TO LOOKS SAME WHICH SHOWS THAT ITS TWO BUNGLOW OF ONE FAMILY HAD GREAT LEARNING ABOUT OLD VAST PRINCIPLE AND BLENDING AND SHAPING IT WITH CONTEMPETRY DESIGNE WAS A GREAT EXPERIENCE LEARNED ABOUT DESIGN WITH ALL FACTORS LIKE CLIENT,SITE CONSTRAIN,VASTU RULES,LESS SITE SPACE ,REQUIREMENT OF CLIENT AND NATURE

3650

SUTAR MANSION

•

14610

CURRENT SITE

21341

PERSONAL WORK

OTLA 4866 LOBBY

1

GUEST ROOM

3460

4002

A'

B'

D'

C' 8

19

23

LEGEND 1.GUEST ROOM 2.PUJA ROOM 3.TOILET 4.STAIRSCASE 5,6.TOILET 7.BEDROOM 8.KITCHEN 9.DINNING ROOM 10.LIVING ROOM

6000

TOILET :- SOUTH GUEST ROOM:-SOUTHEAST ENTRANCE :-NORTH,EAST PUJA ROOM:-NORTH EAST LIVING ROOM:-NORTH STAIRCASR:-SOUTH KITCHEN:-NORTH WEST BEDROOM:-SOUTH WEST DINNING :-NORTH

CLIENT:-VINAYAK NURSERY 2018 SITE :- SITE OFFICE HUBTOWN CHEMBUR ,MUM OUR ROLE:- DESIGN ,LANDSCAPE MATERIAL VINAYAK NURSERY OWNER JITENDRA SAWANT HELP US IN MATERIAL SELECTION AND WORK AS MEDITOR BETWEEN US AND CLIENT

• • • • • • • • • • •

MARERIALS CYRUS REVULTA TOPARI (MALPEGIA BALLS) STONE PEBBLES SHRUBS FLOWER BED CREEPERS DINA LADY PINK MINIATURE EXORA DRYTR (MONESTRA PLANT) WHITE CHAMPA

RHINO MODEL MAKING

HAND MODEL/SKETCHING

SEMESTER 1

ALLIDE DESIGN

RHINO

MITAWALI EXI 2

SEMESTER 1

ELECTIVES

POL DOCUMENTATION

RHINO

SEMESTER 2

SEMESTER 2

SEMESTER 5

MITAWALI EXI 2

SKETCHING

ALLIDE DESIGN

DESIGN IS NOT WHAT ITS LOOK LIKE OR FEEL LIKE DESIGN IS HOW IT WORKS -STEVE JOBS

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