Dinorah Martínez Schulte - Portfolio 2019 (B.Arch)

Universidad Iberoamericana | CENTRO Diseño, Cine y Televisión

2019

POR T B.Arch / Bachelor in Architecture

/ Dinorah Martínez Schulte.

Universidad Iberoamericana | CENTRO Diseño, Cine y Televisión

2019

POR T B.Arch / Bachelor in Architecture

/ Dinorah Martínez Schulte.

“Architecture is like writing.

You have to edit it over and over so it looks effortless�

- Zaha Hadid, Zaha Hadid Architects.

index.

10

C U R R I C U L U M V I TA E ARCHITECTURAL PROJECTS TOPOGRAPHIC SUTURE

14

FLEXTRUCTURE

28

B O D I E S I N F O R M AT I O N

48

POSADA REAL

54

IDC Detention Centre

60

VINCULACIÓN

66

FÉ Y ALEGRIA

72

ARCHITECTURAL COMPETITIONS M E L B O U R N E TAT T O O A C A D E M Y ARCHITECTURAL PHOTOGRAPHY

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78 82

about. study. bio.

DINORAH M A R T I N E Z S C H U LT E

October 2018

January - July 2016

August 2011 - December

Archinect: http://archinect.com/dinorahmschulte

PROFESSIONAL EXPERIENCE

E D U C AT I O N January - December 2018

México, D.F. | 55 8290 9897 dino.schulte97@gmail.com Instagram: @dinorahmschulte Twitter: DinoMSchulte

Graduate Specialization in Creative Design Code.

CENTRO Diseño, Cine y Televisión, Mexico City, Mexico. / Thesis Project: Flextructure.

Workshop: Bodies in Formation By Andrew Kudless ACADIA 2018, UNAM, Mexico City, Mexico.

Studied Abroad at University of Technology Sydney, Sydney, Australia. / Third Year.

Bachelor of Architecture and Urbanism (B.Arch) , Universidad Iberoamericana Mexico City, Mexico. / Average Score 8.9

Arquitectura 911, Mexico City, Mexico. / Junior Urbanist.

May - August 2018

Projects: Distrito Chihuahua, Chihuahua.

- 3D Modeling in Rhino.

- Graphic Design: SD / DD Documents and diagrams.

- CAD: SD / DD Documents drawings. arq911.com

Sordo Madaleno Arquitectos, Mexico City, Mexico. / Junior Architect.

January - May 2018 May - August 2017

Projects: C6, Rancho Valle de Bravo and Bogota 92 - 3D Modeling in Rhino.

- Graphic Design: SD / DD Documents and diagrams.

- CAD: SD / DD Documents drawings. sordomadaleno.com

MAD Architects, Beijing, China. / Architectural Internship

August - December 2017

SOCIAL SERVICE July 2014

Projects: LA Landing, Changsha Highrise, Kindergarten and HK Henderson Highrise.

- 3D Modeling in Rhino.

- Graphic Design: SD / DD Documents and diagrams.

- CAD: SD / DD Documents drawings.

Foi et Joie, Education Organization, Port Au Prince, Haiti / By Universidad Iberoamericana, Ciudad de México -

Design of a football court’s movil roof in

Canaan,Haiti by “Futbol +” Assosiation.

-

i-mad.com

Rojkind Arquitectos, Mexico City, Mexico. / Media and Communication Director

May 2016 - May 2017

Design and remodelation of the Foi et Joe’s

Projects: Tori Tori Altavista, Rincón de Romos Infonavit, Rehab 01, Atelier de Hoteles, Valle de Guadalupe, Foro Boca, VACA + Rojkind.

Exhibitions: “Deconstruye tu Cubo” by Marmoles Arca, “Atelier de Hoteles” Public Presentation.

Lectures: Academia Nacional de Arquitectura 2016, Moscow Urban Forum 2016, PINC Sarasota 2016, PLAT 2017, Semana Nacional del Emprendedor 2016, Talk Walk Series Terhán, PLAT 2017 and PINC 2018.

Juries: Fairy Tales 2016, IE Student Awards 2016, FONCA 2016.

Awards: A+Awards 2016, WAN Awards, International Architectural Awards 2016.

Competitions: RFP for OCAD University Re-design, Toronto Canadá feat PARTISANS Architects.

- Collaborated with management on the marketing plan and brand strategy.

- Created mediakits for all projects and submit them to print and digital media.

- Created, manage and published content for their website, social media accounts and newsletters, and submit content to architectural blogs and websites.

- Prepared and monitor awards submissions.

- Updated company profile.

- Coordinate lectures and presentation between media.

dormitories.

-

Spanish and Architectural Drawing

Representation classes to the Foi et Joe’s students.

ABOUT ME / Great ability to speak in public. / Excellent capacity for graphic representation. / Easiness for quick problem solving. / Mastery in architectural programs such as making models, renders, and 3d modelling. / Competence for fast learning.

SKILLS

/ Autodesk Autocad 2D + 3D / Autodesk Revit. / Rhinoceros / Grasshopper / Processing / Autodesk 3Ds Max Design. / Autodesk Maya 2017 / Adobe Suite Package (Photoshop, InDesign, Illustrator, Premiere, After Effects and Lightroom CC)

LANGUAGES Spanish English

Native lenguage Toefl IBT: 80 / IELTS: 6

AWARDS AND HONORS 2017

rojkindarquitectos.com

Projects: CC and BC - CAD: SD / DD Documents drawings.

FREELANCE EXPERIENCE August - November 2018

November 2015 - July 2016

/ Publication at Digital Magazine: The Archiologist: Topographic Suture. / “Manuel Garibay” Award: Topographic Suture, Best thesis project winner.

Project : Sutura Topografica Tutors : Marq. Diego Ricalde / Marq. Emmanuel Rámirez.

Collaboration with: Ricardo López 2016

/ MCHAP Student Awards 2016: Topographic Suture, Nominated project.

/ Chicago, IL, USA. http://www.arch.iit.edu/prize/mchap/selected-works/ project/universidad-iberoamericana-cuidad-de-mexico 1.

Marketing and Media Consultory for S*ARC Salvador Rivas Architects, Mexico City, Mexico. / Client: S*ARC: Salvador Rivas Architects

https://thearchiologist.com/student/topographic-suture

2016

3ARCH, Mexico City, Mexico. / Junior Architect

August - November 2015

Architectural design and graphic representation.

Hotel and time share Posada Real, San José del Cabo, Mexico.

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/ Client: Promotora Túristica “Posada Real” S.A. de C.V. Architectural and graphic design.

LECTURES October 2018

“The Utopian Architect” by Dinorah Martinez Schulte.

Cuarta Semana del Diseño by Facultad de Arquitectura, Universidad Veracruzana.

Xalapa, Veracruz, Mexico.

September 2018 010

“Presentation” by Dinorah Martinez Schulte.

Holcim Chair, Universidad Iberoamericana.

Mexico City, Mexico.

M OT I VAT I O N “I believe that in order of architecture to be effective, we need to recognize the issues of our context through understanding of architecture as a holystic system, or a relationship between spacial composition and society. And as such, find patterns and create algorithmic systems to form the most optimal solutions that answer to a necessity and providing benefits for our society.

As an architects, we are not just designers, we are multi-disciplinary thinkers to are concerned to solve all the necessities through our designs.

Architecture is the art of creating and selling the experience of inhabiting a space. “ Dinorah is an extremely passionate about cities and architectural design. She wants to make cities a better place by carefully analyzing them in order to find specific solutions suitable for the exact place. Her interests lie in exploring the relationships between technology and architecture applicable in the creative process and design. Shaped by her working experiences, she is determined to bring an international perspective to her academic, professional, and creative work. A versatile and driven architect, she has worked and volunteered in fields spanning from international development to design.

01 TOPOGRAFIC SUTURE Description: Thesis project at Catedra Blanca CEMEX 2015/2016, Universidad Iberoamericana.

Tutors: MArq. Diego Ricalde, MArq. Emmanuel Ramirez (Estudio MMX) , Arq. Moises Gamúz.

Location: Texcoco, México City, Mexico.

Date: 2015 / 2016 Collaboration: Ricardo López The atelier objective was to analyze the terrain from the biggest scale that would have an impact on the city, which meant studying the Basin of Mexico. This is the name given to the region of four valleys in the central part of the Mexican territory, which not only contains Mexico City but also other federal states. To study it properly distinct binomials that create city were assigned: water, landscape, urban and infrastructure. Our project studies the binomial of water and landscape, understanding the effect of the ever-growing metropoli against what used to be the dominant natural environment. Numerous zooms were made in search of the critical point of that binominal, which turned out to be the heart of the Basin of Mexico, what was once known as the great Lake Texcoco.

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W AT E R + LANDSCAPE

In colonial times, rivers were sent underground and lakes began to be drained; the sinking of the city and floods are a consequence of those actions, problems that consume the city today.

Neither the city nor the Basin of Mexico are auto sufficient; and it is ironic that a region shaped to contain a great body of water has to bring it from other hydrologic systems; that the lowest point of the basin is not covered by rainwater which instead of being stored, is ejected from the territory. Through an urban proposal and later an architectural proposal, we address all these factors from the macro scale and reflect them on a micro scale Mexico City has grown disproportionately eliminating its connections with the natural environment. We believe that to amend this, the territory should answer to its topographic vocation where natural systems correspond to the heights of the land.

In today’s context it is impossible to go back to depending on only one great lake, because of this we seek to divide the magnitude of this lake in various fragments that adapt to the contemporary infrastructure.

The project strives for a topographic suture of the surroundings of Lake Texcoco.

1.1 Manifestation of water and landscape through infraestructure and mobility; linking Texcoco with Mexico City

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If we join the sites of water with the sites of landscape we can have a suture, weaving the programmatic axis of the city with the natural axis of the basin which is its natural drain, the sewage of Mexico City.

Naturally, the high points of the basin are where landscape emerges and the low points are where water accumulates.

The project strategy places the ecologic as its first hierarchy, followed by the urban and finally the architectural. The essential action is to regenerate a withering landscape.

Because of the absence of an immediate urban context we use topography as a means of order, where the same natural trend of the basin is replicated in order to be able to reconfigure the terrain.

We elaborate a network of high points which is where we can build, and another network of low points which become bodies of water.

The places where these two meet become areas for mangroves and natural reserves.

1.2 Location Map 1 1 1 CORTE CORTE GEOGRAFICO GEOGRAFICO

1 CUAUTITLAN CUAUTITLAN Rio Cuautitlan Presa de Guadalupe Rio Cuautitlan Presa de Guadalupe

PRECIPITACIÓN PRECIPITACIÓN ANUAL ANUAL POBLACION POBLACION

AREAAREA / VOLUMEN / VOLUMEN

USO USO DE SUELO DE SUELO Y VEGETACION Y VEGETACION

Sierra de Monte Alto Sierra de Monte Alto

Superfie Superfie 348 ha.

Altitud

Superfie

Altitud 2.795 msnm 2.795 msnm Longitud Longitud 110 km 110 km

Superfie 16.426 km² 16.426 km² Longitud Longitud 24 km 24 km

348 ha.

Almacenamiento Almacenamiento 15,000 M3

764 mm.

764 mm.

764 mm.

764 mm.

13 825 hab.

13 825 hab.

15,000 M3

Rio Cuatitlan Rio Cuatitlan

Cuatitltan - Izcalli Cuatitltan - Izcalli

Superfie

Superficie Superficie 109,9 km²

Superfie 16.426 km² 16.426 km² Longitud

109,9 km² Altitud

Longitud 24 km

Altitud 2.260 msnm 2.260 msnm

24 km

498 030 hab.

498 030 hab.

764 mm.

764 mm.

2

CORTE CORTE GEOGRAFICO GEOGRAFICO

2 2 ECATEPEC ECATEPEC

AREAAREA / VOLUMEN / VOLUMEN

USO USO DE SUELO DE SUELO Y VEGETACION Y VEGETACION

Barranca Tepatlasco Barranca Tepatlasco

Presa de Madin Presa de Madin

El Salitre El Salitre

Superfie Superfie 15.046 km² 15.046 km² Longitud Longitud 14 km 14 km

190 ha.

Almacenamiento Almacenamiento 24,700,000 m3

800 mm.

800 mm.

800 mm.

800 mm.

PRECIPITACIÓN PRECIPITACIÓN ANUAL ANUAL POBLACION POBLACION

110 km

859 hab.

859 hab.

Gran Canal de Desagüe Gran Canal de Desagüe

Superfie Superfie 83.40

Capacidad de desalojo Capacidad de desalojo 40 m3/s

Superfie Superfie 190 ha.

Altitud Altitud 820 msnm

820 msnm Longitud Longitud 110 km

Rio Tlanepantla Rio Tlanepantla

2

Superficie Superficie 186,9 km²

186,9 km² Altitud

40 m3/s Longitud Longitud 153.3 km

83.40 Longitud Longitud 16.4 km

24,700,000 m3

Ecatepec de Morelos Ecatepec de Morelos

16.4 km

153.3 km

Altitud 2.250 msnm 2.250 msnm

800 mm.

800 mm.

800 mm.

800 mm.

1 656 107 hab.

1 656 107 hab.

3

PRECIPITACIÓN ANUAL POBLACION

3

PRECIPITACIÓN AREA / VOLUMEN USO DE SUELO Y VEGETACION CORTE GEOGRAFICO AREA USO DE SUELO Y VEGETACION CORTE GEOGRAFICO ANUAL/ VOLUMEN POBLACION

33

CIUDAD NEZA

CHIMALHUACAN

Río Magdalena Contreras

Ciudad Neza

Río Magdalena Contreras Superfie

Superfie

Lago de Texcoco Río Coatepec Monte Tlaloc

Ciudad Neza Capacidad Chimalhuacan Superfie de desalojo

3790 msnm

29.25 km²

452 ha.

16 km²

Longitud

Longitud

Almacenamiento

Longitud

190,00 M3

13.4 km

1529 HA

28 km

CHIMALHUACAN

Chimalhuacan

Presa Anzaldo Río Churubusco Gran Canal de Desague

Cerro de San Miguel Altitud

Lago de Texcoco Río Coatepec Monte Tlaloc

Presa Anzaldo Río Churubusco Gran Canal de Desague

Cerro de San Miguel

CIUDAD NEZA

Superfie

40 m3/s

35 ha

27 km²

Longitud

Longitud

Altitud

22 km

25 km

4125 msnm

Superfie

Superfie

35 ha

27 km²

Longitud

Longitud

153.3 km

Superfie

Superfie

Capacidad de desalojo

29.25 km²

452 ha.

16 km²

40 m3/s

Longitud

Longitud

Almacenamiento

Longitud

Longitud

1529 HA 0 hab.

0 hab.

28 km 734 mm.

734 mm.

190,00 M3 734 mm.

734 mm.

Superficie

Longitud

Altitud

3790 msnm

Superfie

Superfie

13.4 km 734 mm.

153.3 km 800 mm.

734 mm.

800 mm.

22 km 621 mm.

25 km 621mm.

621 mm.

621mm.

2613 HA

Superficie

2613 HA Altitud

4125 msnm 0 hab.

0 hab.

44

4

TLAHUAC Lago Tlahuac

Río Amecameca Iztaccihuatl

Tlahuac

TLAHUAC Lago Tlahuac Superfie

Superfie

Superficie

40 ha

55 km²

90,2840 HA

Longitud

Altitud

66 km

46 km

5286 msnm

POBLACION

Superfie

40 ha

55 km²

Longitud

Longitud

66 km 667 mm.

1.3 Strategy

Río Amecameca Iztaccihuatl

Tlahuac

Longitud Superfie

ACIÓN L CION

PRECIPITACIÓN AREA / VOLUMEN USO DE SUELO Y VEGETACION CORTE GEOGRAFICO AREA USO DE SUELO Y VEGETACION CORTE GEOGRAFICO ANUAL/ VOLUMEN

4

46 km 667mm.

Superficie

90,2840 HA Altitud

5286 msnm 0 hab.

1.2 Strategy Sections

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2.1 Urban strategy, four sector programming..

5 capa urbana Capa urbana donde emerge la ciudad, se conecta atravez de la infraestructura y emerge las ciudad y surge un nuevo punto en el lago deTexcoco.

4 PUNTOS altos Son la red de puntos altos que se saco mediante una programación y responde a las zonas altas de la topografía donde emerge el paisaje.

3 PUNTOS BAJOS Son la red de puntos bajos que se saco mediante una programación y responde a las zonas bajas de la topografía donde se acumula el agua.

2 topografIA De la topografía extragimos los puntos altos y bajos de la topografía como elemento ordenador urbano.

1 ZONIFICACIÓN Zona de sutura entre el eje programático de la ciudad y el eje natural que es el drenado del agua de la Ciudad de México.

URBAN LEVEL The project proposes a solution of four sectors, where the program corresponds to the terrain that now lies divided by its own infrastructure.

LANDSCAPE LEVEL The place where we can build and landscape emerges.

2.2 High points which is where we can build and landscape emerges.

WATER LEVEL The place where water accumulates and we can find connection and mobilty programs through the project.

ECOLOGIC LEVEL The project proposes to heal the territory with a 30 year plan of habitat restoration, with the recovery of water bodies.

2.3 The low points are where water accumulates.

TOPOGRAPHIC LEVEL The building further-develops site renewal; it is the final piece to solving the problem of frontier and to healing the critical point of water and landscape. A suture is a stich which purpose is to unite again what was separated or damaged.

2.5 Strategy.

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2.4 High and low points create a topographic network.

01 regeneracion

02 ENERGIA

Esta zona esta dirigida a la regeneración ambiental, creando centro de cultivo para ayudar a regenerar el suelo creando una zona rica en vegetación que a la vez funciona de colchón ecológico que evoluciona la actual zona de tiradero de basura en un gran bosque de diversas especies de la región como bosque de nogal, pino, cedro,oyamel entre otras especies de acuerdo el uso que se le quiera dar y como se quiere aporvechar dicha vegetación.

La segunda zona esta dirigida al bloque donde esta contenido el bordo poniente el cual es el tiradero más grande latinoamerica, se tiran toneladas de basura provenientes de la Ciudad de México y parte del Estado de México.

En dicha zona, en el subsuelo encontramos una gran cantidad de Biogas el cual queremos aprovechar para crear luz electrica como en proyectos pasados.

Creando luz y abasteciendo servicio para todo el bordo.

03

03 AEROPUERTO

agua

La cuarta y última zona se trata de la nueva propuesta que estan presentando FR-EE con el Arq. Fernando Romero junto con Foster + Partners con el Arq. Norman Foster, juntos creando el nuevo programa del aeropuerto internacional de La Ciudad de México con dos terminales y un programa complejo en cual estamos tomando en cuenta y respetando adaptandonos a el y siendo parte de este plan maestro.

La tercera zona de nuestra area de estudio esta dirigida al bloque donde esta contenido la laguna Nabor Carrillo y un juego de lagunas que constituyen un sistema de filtración y evaporación de agua que aprovecharemos en nuestro proyecto.

Las lagunas de evaporacion, canales y pozos de absorción acutualmente funcionan al 100% y se requiere solo mantenimiento del gobierno para seguirlas operando el cual tomamos en cuenta para producir y filtrar el agua en nuestra zona.

2.6 Section Programming

2.7 Topographic suture masterplan, reprogramming Mexico’s forgotten lake.

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ARCHITECTURAL PLANS

3.1 Axonometric

Administration Area Public Space Banks Car Rental Terrace Food Court Car Wash Subway Plataform Machine Room Parking

3.2 Project Program

Section A

Section B

Section C

Section D

3.3 Sections

South Facade

East Facade

3.4 Facades

4.1 Concept Studio

4.2 Building Infrastructure

4.3 Facade Studio

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02 FLEXTRUCTURE Description: Thesis project at Graduated Specialization of Creative Design Code by CENTRO DiseĂąo, Cine y TelevisiĂłn Tutors: Yoshi Fukumori, Eduardo Obieta and Eduardo Ramirez.

Location: CENTRO University, MĂŠxico City, Mexico.

Date: 2018 Traditionally, architectural design has been prevailed by topdown design methods, which generally subordinate material and manufacturing considerations for the geometry learned. While bottom-up strategies have increasingly been explored in design processes, such as biomimetic approaches, they often follow a top-down manufacturing solution. Unlike conventional design methods, both the design development and the materialization process can be considered equal design drivers through the use of biomimetic design principles and the simultaneous development of new manufacturing methods (La Magna et al. ., 2013; Menges, 2013) . Biomimetic approaches have proven to have significant potential for design implementations through their systemic complexity and multiple logics (Gruber 2011).

The morphological principles of natural organisms

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are absorbed and transferred to architectural applications for their performative geometries and their functional integration.

The evolutionary biological processes offer a remarkable example for the integration of multiple requirements in the morphogenetic process.

This project seeks to make a replicable structure optimized from biomimetic studies to support anti-earthquake loads and to make a new and innovative construction process for the engineering and architecture market.

Based on the spiderwebs, the most resistant natural structure in the world, this project was developed in six different explorations to study the physical and mechanical properties about them and how they work as a structure.

Spider silk is a protein fiber spun naturally by spiders. The spiders use it to develop hunting nets or webs, nests, protections for their eggs or even to be transported by air as a paraglider.

Thanks to this form of transport, some sailors have reported the presence of spiders among their sails after having sailed, even at distances of 1,600 km offshore. They have also been found in atmospheric globes in their tasks of analysis of the atmosphere at heights somewhat less than 5000 m.

the spiderwebs.

Funnel webs Velvety fiber that is meshed to form a large hole in the center in layers to go unnoticed and then entangle its prey to hunt peacefully.

Sheet webs They are the most common and you can find them in trees or human objects.

- Silk bed elongated, flat and white.

- Against the attack of wasps and birds because of their thickness and complexity with their target deficit.

classifi cation.

¿Why are they

so resistant?

The cobwebs or spiderwebs, one of the most efficient and unsurpassed natural processes in the world.

nodes.

There are 700 m in a continuous thread, increasing the image 12,000 times the spider has in the adomén 4 organs called “rows” each contains taps, which produce liquid silk a few thousandths of a millimeter thick. The spider pulls these threads and turns liquid silk into solid and twists several rows together to give strength to the thread. Each thread has a thirtieth part of hair that contains a force outside its scale.

proper ties.

the

His genius and secret of his resistance is in the drops of water that there are of each crossing. Within each drop there are strands of cobwebs strongly entangled, when the victim collides, these strands unravel, causing the fabric to bend and stretch without breaking.

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exploration 01:

study of flexible structures.

The first exploration consisted in studying how flexible structures work with and respond with square shaped nodes with flexible materials (clips).

Experimentation from a digital process, gave us the result that when using square modules are easily deformed, but when adding a module in the form of a triangle, tension is created and its deformation is prevented by the properties of the geometry.

1.1 Physical study

1.2 Digital Study: Grasshopper

exploration 02:

I bought a tarantula of species The orange baboon tarantula (Pterinochilus murinus) is a species of tarantula of the genus Pterinochilus, belonging to the family Theraphosidae. It can be found on the African continent, specifically in the central and southern regions of Africa.

This species was chosen for its quickness to make cobwebs in a short time and its dense web was studied in the original container.

study of the naturalspiderweb.

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exploration 03:

mapping the process of spiderweb.

1. Module 01

1. Module 02

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1. Module 04

01

02

03

We build an acrylic box of 15 x 15 cm. where perforations were made so that the spider could breathe and also the mapping of the cobweb process was simple.

Then guides were built so that the spider would lean and could weave its web through them, as well as leaving food and drink at strategic points for more than 3 weeks.

After the estimated time, the record of how the spider made its web was mapped and a line was woven that crossed from point to point to be able to manipulate the design.

04

05

06

The process was extracted and that is how we chose the guidelines to be able to do the process of programming, simulation and solidification of the process.

From the points and lines of the process mapping of the natural web, a simulation was made with Kangaroo, which gave us the following diagram as a result and which allows us to simulate the mechanical properties of the web.

As a final result, this polygon mesh was optimized, using the Cocoon plugging, which allowed us to solidify the process and obtain a structure that is the result of a natural process, whose properties come from a natural web and can be edited to our own taste , depending on the necesity.

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exploration 05:

simulation of the web.

exploration 06:

01. Slack increase study.

02. Study of increase of vertices and slack.

03. Study of increase of vertices to tension.

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study of a flexible node.

“Spider mind doesn’t completely reside in their body as their web constitude a form of spatial thinking. Information from their web becomes integral part of their cognitive systems.

The web provides a medium of interaction with embedded intelligence. Form (web morphology), matter (spider silk) and production (spider behaviour) are interfered with an algorithmically designed and machined printed spatial scaffolding.

The object and it’s spatial architecture becomes ambiguous as spiders are both behavioral model informing the digital substratum and active agents of artistic production”

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“The development of manufacturing strategies based on the material behavior allows an integration early logics of manufacture in the design process and an exploration of new structural typologies. “ 1.

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designing with nature.

03 BODIES IN F O R M AT I O N Description: Workshop by ACADIA 2018 Tutors: Andrew Kudless Location: UNAM, MĂŠxico City, Mexico.

Date: 2018 Collaboration: ACADIA 2018

This 3-day workshop will focus on the use of flexible fabric formwork in the casting of plaster and concrete.

Building on the work of many architects such as Miguel Fisac as well as the research at Matsys, this workshop will explore both analog and digital techniques for the design and simulation of casting using flexible formwork.

The workshop will cover instruction in Grasshopper and Kangaroo to simulate and explore variations in the constraints on the flexible formwork. In addition, students will work in groups to develop a collective series of cast wall panels.

Kudless’s projects, both speculative and built, harness the opportunities that exist within the digital field, to interrogate issues of design, craft, and fabrication.

Individually and collectively, the works present an examination of the tension that exists between the analog and the digital.

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IN BETWEEN D I G I TA L A N D P H Y S I C A L FA B R I C AT I O N 1. First Step: We assemble the wooden mold with its respective parts. Once armed, we drew a grid where we set the rules to direct the curves of our casting. Once the grid was established, we made it with wooden or steel molds, depending on the technique that will be used.

2. Second Stage: Already established our grid and the mold, we had an elastic fabric made of lycra so that it could give the elasticity and resistance necessary to create our pre-cast. Once the fabric was stretched, we prepared a mixture of gypsum and fiberglass to plasticize the result.

3. Third Stage: Now ready the mold with the tensioned fabric, we place the mixture of plaster and fiberglass very carefully over the whole mold until it is filled up. We wait a period of 20 minutes for the mixture to dry and with gravity to settle the fabric to project the result.

4. Final Stage: The mixture is already dry, we check it manually and we take it to get out of the mold. Then, we disassemble the mold and detach the cloth until we obtain the complete piece and let it dry upside down until we obtain plaster curves. With this result, we verify the resistance, elasticity and the characteristics of the material with the gravity that give us as result, that marks the relationship between the digital and analogous manufacturing.

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Exploring

a n a l o g and d i g i t a l t e c h n i q u e s for the design and simulation of casting using flexible formwork.

Bodies in Formation highlights the emergent relationships between architecture, engineering, biology and computation.

These cross-disciplinary relationships are radically changing the conditions for production in the field of architecture.

Transcending various scales and typologies and taking inspiration from a myriad of sources, Kudless’ work challenges our preconceptions of Architecture and the boundaries of traditional practice.

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04 POSADA REAL Description: Hotel and timesharing.

Client: Promotora Turistica Posada Real S.A. de C.V. Location: San José del Cabo, México.

Date: 2016 Collaboration: Ricardo López

A place where sea and land become one, “the client called for a series of exterior renders that would demonstrate an incredible experience for their future residents, common areas wrapped by water and vegetation. In turn, he asked for a series of interior renders that would demonstrate a beautiful view from any room to the sea. For this we had to design the distribution of hotel units, as well as define interior furnishings. The whole of the hotel was developed in collaboration with a foreign office.

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1.1 Principal Access / Lobby

Posada Real is located in the heart of San Jose del Cabo on the Pacific Coast of Mexico. A hotel that is developed first through a generous lobby that welcomes guests with an exquisite view of what will be their future stay; on the lobby´s left hand are located the stores and hotel´s reception and on the right hand are the food & beverages services. At the middle, an oceanfront bar that allows guests to enjoy a refreshing drink while contemplating the horizon.

4.1 Pools and recreation area

On the two wings of the hotel, rooms are divided into 4 categories, starting with the basic hotel unit with 50 m2 to an astounding suite of 120 m2; offering customers a wide array of options to choose their accomodations.

Posada Real is embellished by the presence of a magnificent pool that brings the sea into the heart of the hotel. Water then takes a central role in linking the other recreation areas: outdoor bars, a daycare center, and a specialties restaurant.

4.2 Aerial view 1.

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4.3 Unit A

4.4 Unit B

UNIT A

UNIT B

M2: 48.76 m2 Total units at hotel: 96 CUS: 4,680

M2: 48.76 m2 Total units at hotel: 96 CUS: 1,104

4.5 Unit C

4.6 Unit D

UNIT C

UNIT D

M2: 144.16 m2 Total units at hotel: 158 CUS: 22,770

M2: 40 m2 Total units at hotel: 20 CUS: 1,800 1.

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05 IDC DETENTION CENTRE Description: Project at Agonism Studio at University of Technology Sydney, Australia.

Tutors: Arq. Cristina Goberna Pesudo and Arq. Amaia Sanchez (Fake Industries Architectural Agonism) Location: Cockatoo Island, Sydney, Australia.

Date: 2015 Collaboration: Saba Schramkรณ, Linn Opsahl, Christina Tantcheva, Isobell Hall, Yumi Cui and Vivianne Yang.

Originally a shipping harbor for the British Navy in WWII, Cockatoo island has seen drastic change throughout the years. Once a school for women, a hospital afterwards, and today a detention center for illegal imigrants into Australia. But what if it could be more than that? What if it were a way for these foreigners to become part of the Australian system, part of the whole, without full government inhibition. A sincere process of integration, of unification, of synchronization with the Australian mindset. I call it, osmosis.

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1.1 Master Plan

MASTER P L A N

“It is obvious that the prolonged period of detention, characterised by frustation and insecurity, are doing futher damage to individuals who have filed grave human rights absuses. The detention policy has failed as a deterrent and secceeded only as punishment. How much longer will children and their families be punished for seeking safety from persecution?� - March 2001, Irene Khan, the Secretary General of Anmesty International.

A number of official inquiries and investigations into inmigration detention conditions were conducted between 2000 and 2007. The findings of these investigations have suffered severe criticism of detention conditions in Australia, and in some cases have brought changes in polices and practices.

After creating our strategy and studied disputes that are created in a detention centre, we created a new species of detention centre which is based on the osmosis that is generated between the visitor and the prisioner. A procees that allows to metamorphose detainees from their origins to 100% Australians.

The island occupies part of the existing buildings and architecture, transforming original buildings and infrastruture of the island trying to preserve the original identity of the detainees throughout the secret agenda.

S E C R E T

AGENDA

Allowing detainees to keep their roots and their origins, they begin to feel identified with the rest; their main activity is to socially coexist, improving on this aspect to fully become in an Australian.

The secret agenda lies everywhere, secret as its name suggest given that the government does not know of its existance. A means for a detainee to interact with other users and inhabitants.

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1.2 Library Temple

LIBRARY TEMPLE

Backgrounds they have left behind, making them the true secret agents. Identities and reinforcement of the multicultural with an enriching replaced is completely erasedheir identity and individualism has been tillng the immigrantsessing and assimilatiproc agenda of Governments intended. The Immigration Centre, theon through the secret agenda we have imposed Australia, illegally to migratedetainees that commonly of majority onalities of a backgrounds and nationalities and beliefs of the symbolic ties to the religion to provide prayer, meditation and design are into the embedded intention of the hidden spaces .

The building and the new detention centre with hidden meanings, secret spaces and religious ref ,architecture of assemblage resulted of the two architectures has libraries the meld temples and of typologies through Government.

Multicultural and religious identities of the detainees in plain, but unknown site of the the reinforceific cultural temples the underlying associations and representations of the spec Australian, �ideal“ of the and lifestyle , educational Government to educate and assimilate the detainees in the ways by the appointed architecture of the library, the intended space malleablethe fixed and through.

MINARET

GLOBUS DOMUS

GOTHICBRELLA

MOSQUE LIBRARY

GOVERNMENT AGENDA

GOVERNMENT AGENDA Just a middle garden with r ecycling system water

GOVERNMENT AGENDA Cross Ventilation system

SECRET AGENDA Big mobil domus that detenies can use for religious celebrations as a Stupa, the main element of Buddhist temples religion

SECRET AGENDA Umbrellas system having a structural similarity to cruceria nave using in the gothic style at Christianism church.

GOVERNMENT AGENDA Make a similar library floor with a grid full of bookshelves and reading rooms for detainees to enjoy a moment of reading.

System for control by staff SECRET AGENDA System for someone can be reflected and the prayers can know it is time to pray.

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SECRET AGENDA Booksellers moved and created prayer rooms giving emphasis on Muslim culture

06 VINCULACIÓN CHAPUTEPEC Description: Project at Vertical Studio by Julio Gaeta at Universidad Iberoamericana.

Tutors: M.Arq. Julio Gaeta (Gaeta Springall), Arq. Luis Carbonell, Arq. Tiago Pinto de Carvallo, Arq. Alberto García.

Location: Chapultepec, Mexico City, Mexico.

Date: 2014 Collaboration: Estefanía Anaya A park and a residential zone; divided by a great avenue, two neighboring zones continue to wither while undiscovered potential remains wasted. The shortest distance between two points is a line, but every line is different; the solution comes with urban unison. A bridge, a visual link: the intervention connects the two sides of a metropolitan sea through permeable architecture. Placing completely different architectural agendas on each side that react positively to the area. Thus, enabling the user to live a walkable city.

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¿D En Ch

¿Q Tra un

6.1 Chapultepec + San Miguel Chapultepec

6.2 Constituyentes Location Map 06

Building 2

Urban fracture on the edge of Constituyentes Avenue, between the first section of the Chapultepec Forest and the San Miguel Chapultepec colony.

In order to solve this, our main objective is to work on integrating the trace of the San Miguel Chapultepec colony into Section 1 of the Chapultepec Forest to generate an urban link. To achieve this urban urgency, the plan is to blend the building trace into the park, materializing buildings on both sides that are similar but not quite the same, housing different program that respond to the site´s neccesity.

When analyzing the San Miguel Chapultepec colony,it appears to be programatically divided, having one commercial block, a cultural block, and an inactivity block.

Furthermore there are no buildings with sports or recreational use. Buildings facing Constituyentes avenue appear to be in a deteriorating state, which not only damages its interior space but loses its relationship with the avenue, further enhancing fracture on the site. Meanwhile, on the side of the Chapultepec Forest there is no program that faces the avenue, indirectly provoking waves of insecurity.

This is why we decidided to develop the program C (Sports and recreational), the one that has greater potential to link nearby recreational areas such as the Chapultepec Castle, enabling the user to move comfortably in this area.

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Building 1

¿C Int de

BUILDING 1

BUILDING 2

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07 FÉ Y ALEGRÍA R E G E N E R AT I O N Description: Project at Vertical Studio at Universidad Iberoamericana.

Tutors: M.Arq Juan Carlos Cano (Cano-Vera), Fermin Andrade, Victor Martínez and Juan Casillas.

Location: Port Au Prince, Haiti.

Date: 2014 Collaboration: Ana Sofia Narro and Mathieu Perrier.

Home to 9.9 million people, Haiti houses some of the poorest living conditions in the world. No constant water or electricity supply, no roads; no haven for any kid growing up. This is the sole purpose of foundations such as Foi et Joie, create a better place for children. The architectural challenge presented consisted of renovating the spatial foundations, the establishment itself. Responding not to chaos or tragedy, but rather to the extreme weather conditions; to the true necessities of the people, using only material that would be available to the people, in an aesthetic manner.

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MISION

STRATEGIES

Fe y Alegria is an international movement of popular education and social promotion, based on the values of justice, freedom, participation, fraternity, respect for diversity and solidarity, aimed at the impoverished and excluded population to contributed to the transformation of societies .

1. Identify the strengths and weaknesses of the area in order to respond adequately to the context.

2. Based on the old system of vernacular housing to which Haitian users are accustomed. New facilities will blend to local context, creating a sense of beloning while still providing a fresh architectural perspective.

MASTERPLAN

WORKSHOPS

DINING

TALLERES Faith and joy is characterized as an open forpor ser un espacio Fé ypublic alegria sespace caracteriza abierto al público para reaizar actividades de learning activities and workaprendizaje e imparte talleres con actividades comunes para la población activde Haití, como es shops; providing common taller de carpintería, danza, música y aveces ities for the population ofdeHaiti: hasta se realizan cursos apredizaje como matemáticas o clases de lectura para evitar el carpentryanalfabetismo, shop, dance, music ya que las cifras son grandes. and ocassionally academic courses including reading and

“Fecomedor y Alegria” is concerned Fé y Alegría preocupa por of la nutrición with thesenutrition usersdeand los usuarios y darles la oportunidad de tener alimento por el tiempo que esten ahi. give them the opportunity to Por ello cuenta con un comedor totalmente have food by the time they abierto al público en general para brindar desayuno, comida y cena y regalarles un arrive.

Open to the general tiempo de convivencia. public, serving breakfast, lunch and dinner.

basic mathematics.

DORMITORY DORMITORIO

COTTAGES

Besides the cabins there are Aparte de las cabañas more private spaces thatque son espacios más privados para brindar techo, Fé y Alegría cuenta con espacios provide roof, “Fe ytambién Alegria” comunales para aquellos usuarios que no has communal spaces forel users se nieguen a compartir espacio con alguien más o no tengan la necesidad de who neither mindmucho sharing hospedarse tiempo. space nor have the need to stay for long.

“Fe y Alegria“ gives users priCABAÑAS alegria otorga a losthey usuarios espacios vate space Fé toy sleep when privados para dormir cuando estos no tienen de do not haveun atecho, roof, providing se les brinda esta oportunidad con un espacio digno. shelter a decent shelter for the homeless.

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T H E

ANTI-SEISMIC HOUSES Houses with the appropriate design to face an earthquake, built with a set of economical and technical principles for maximum resistance. The cube-shaped housing is the basic principle to ensure safety, this is then followed by a series of constructive steps to assure structural integrity.

C O T T A G E The Cube: Aseismic Geometric

Simetric Principal Structure

Ariostres Secondary Structure

Warp and filling

Paraseismic housing

CUTTING FRONT Material Analysis

TIN ROOF

The sheet is very common in the region in Haiti.

THERMAL INSULATION

Leaving an air chamber is essential for commodity, given that tin roofs multiply local heat.

BAHAREQUE WALL

This technique combines various economic materials while still maintaining rigidity in walls: Background: I talk + Mortar bottles.

Structure: Bamboo Coating: Adobe

WOODEN / BAMBOO WINDOW CANCEL A glass supported by a bamboo structure

BAHAREQUE WALL

This technique combines various materials and obtain a wall very rigid such materials are: Background: I talk + Mortar bottles. Structure: Bamboo Coating: Adobe

SLAB

Concrete slab that creates insulation, prevents internal heat in the room and allows circular ventilation.

GIVEN FOUNDATION

A basic concrete foundation to support single columns and provide support for the structure. More expensive than traditional construction but allows the building to stand in the event of an earthquake.

Photography by: Dinorah MartĂ­nez 1.

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08 MELBOURNE TAT TO O AC A D E M Y Description: Architectural Competition by Bee breeders.

Location: Melbourne, Australia.

Date: 2016 Collaboration: Ricardo López, Nathalie Franquebalme and Alexia Tardán.

The main objective of the project is to give identity to the Melbourne Tattoo Academy, such as a tattoo does on the human body. The urban strategy of the building is based on the ten year“North of Melbourne Structure Plan”, creating recreational areas in the local district.

The proposed architecture responds to the flows of the area, incorporating the building to the main road, enfasizing a public acces with an inner courtyard. This way, the geometric gesture allows a constant flow of pedestrians.

Consequently, seeing the current needs for public space of inhabitants in Melbourne, a public agora becomes the heart of the project, and then the heart of the district. A place for art to be contemplated, be it the human body or the academy itself.

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Rene Descartes once said that “the being expreses himself through the body and the body through dimensions to discern between the good and bad�. This philosophy became a central idea in the project, which main objective is to give Melbourne identity such as a tattoo does on the human body. Throughout history, the idea of the tattoo represents hierarchy and maturity.

Following the psychology of this art, the tattoo has a special meaning depending on the place where it is drawn.

Just as a tattoo changes meaning depending on its location on the human canvas, the project agenda evolves and matures as you move along the project and the building becomes the skin on which the tattoo is drawn.

Similarly, depending on the level in which the user is involved the relationship of the agenda has a different meaning.

The urban strategy is based in the north of Melbourne structure plan. The project responds to the flow of the study area, incorporating the main avenues to have a constant vehicular and pedestrian flow. Similarly we attach a new public space to the city, creating more green areas and turning the building into an urban landmark.

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8.1 Exploded Axonometric with program

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8.2 Section

A R C H I T E C T U R A L PHOTOGRAPHY