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Dingo Australian Jazz Journal - Issue 5 Autumn 2023

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M USI C REVI EWS EDUCATI ON G I GS

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Dingo acknowledges the Traditional Custodians of Country throughout Australia and their continuing connection to land, culture and community. We pay our respects to Elders past, present and emerging.


This project is supported by the Victorian Government through Creative Victoria

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EDITOR Adam Simmons | editor@dingojazz.com CO-EDITOR & MARKETING Cal Barry | marketing@dingojazz.com ART DIRECTOR Perri Winter | artdirector@dingojazz.com COVER ART Louise Adams | www.louiseadamsartist.com WRITERS Dan Barnett, Jack Beeche, Des Cowley, Felix Elliot-Dedman, Billy Exton, Madison Foley, Bianca Gannon, Nat Grant, Julia Messenger, Eric Myers, Roger Mitchell, Natalie Morgenstern, Tim Nikolsky, Holly Norman, Tim O’Dwyer, Barry O’Sullivan, Michael Prescott, Isabelle Skaburskis, Josh Underhill COPY EDITOR Des Cowley & Sonja Horbelt ARTISTS Meg Kolac | www.megkolac.com Clare Caulfield | www.clarecaulfield.co.uk Joel 'Mulga" Moore | mulgatheartist.com.au John Prince Siddon | www.mangkaja.com/content/john-prince-siddon SUBSCRIBE subscriptions@dingojazz.com ADVERTISING marketing@dingojazz.com PUBLISHED BY Sounding Grace Pty Ltd 339 Clarendon St, South Melbourne, VIC 3205, Australia DISTRIBUTED BY ARE DIRECT ISSN 2652-9637 Dingo accepts freelance art, photo and writing submissions, however we cannot reply personally to unsuccessful pitches. For submission guidelines please visit www.dingojazz.com/contact Views expressed by the authors are not those of the publisher. Reproduction in whole or in part is prohibited. Copyright is reserved by the publisher. Sumo Laser is an environmentally responsible paper manufactured under the ISO14001 Environmental Management System, using elemental chlorine free pulp. Sumo Laser is FSC Certified Mix pulp.


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M USIC REVIEWS E DUCAT ION GI GS

M USIC REVIEWS E DUCAT ION GI GS

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editor Wominjeka/Welcome Our little Dingo is turning three!

MUSIC REVIEWS EDUCAT ION GIGS

MUSIC REVIEWS EDUCAT ION GIGS

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It feels we have managed to establish something of our identity over the past few years, though in preparing each edition I always enjoy the surprises: first, as the articles start coming in; then as the spreads are designed, bringing the words alive visually. And each time, it feels we are discovering new possibilities, new perspectives on what Dingo might be. Jazz is inextricably linked to identity. Identity is our sense of self, our way to connect to a community; it informs our being and how we act in the world. In a recent university class with some young music students, they generously shared stories of how improvisation formed part of their being, their history and about the processes involved that create opportunities for authentic self-expression. While each student presented a clear sense of identity through words and sounds, there was nothing limiting in regard to style within their responses. Improvisation for these young artists is alive and of the “now”, not a museum piece to be archived – encouraging indeed! How we identify is crucial in these times. It can mean being included or excluded – though we don’t always get to decide for ourselves. An example where definitions may have implications will be in how the jazz sector fits into the scope of activity for the newly announced Music Australia as part of the National Cultural Policy. Identity may be expressed through style, but style does not define identity. Jazz is the same in this regard as identity. Unfortunately, the debate about what constitutes jazz can more often be based on style. Though if I could, I would give the final word to the beloved and recently departed saxophonist Wayne Shorter with his quote: “Jazz is not supposed to be something that’s required to sound like jazz. For me, the word ‘jazz’ means, ‘I dare you.’” Enjoy Adam Simmons


contents

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EDITOR’S LET TER

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S POTLIGHT

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RECORD STORES: WHAT ARE THEY GOOD FOR

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S HIFTING TH E CONVERSATION A PROFILE OF GEMMA FARRELL

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ACID ON TAP: E XPLORING JA ZZ THROUGH NEURODIVERSIT Y

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REVIVE CONSIDERING THE NATIONAL CULTUR AL POLICY

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JAZZ IN SYDN EY

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REVIEWS

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ARTIST L ACHY HAMILTON

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EDUCATION HISTORY LESSON: SIMA STEVL AND DEEP DIVE IMPROVISATION AND CRE ATIVIT Y YOUNG ARTISTS

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GE AR REVIEWS

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LIVE

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GLOBAL PERS PECTIVE

SPOTLIGHT ON SINGAPORE NO PL ACE LIKE HOME / NÍL AON TINTE ÁN MAR DO THINTE ÁN FÉIN MEET LYNET TE IRWIN GR ANT WRITING 101: DEFINE YOUR PROJECT

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CONTRIBUTORS

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15

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50 67 105 80


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one by one by one community

ISSN 2652-9637

ISSUE 05 AUTU MN 2023 AUS : $ 14 . 95 Publ ish ed by

9 772652

963002

SOUNDING GRACE

Cover Art ‘Jazz’ Louise Adams


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