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NOTE FROM ME N ON BOATS & TH E FESTIVAL DIRECTOR
W
elcome to the 2019 Thingamajig Playwrights Festival. This is Thingamajig Theatre Company’s 3rd Festival! If you participated in the Festival last year, we are glad to have you back. If you are new to these events, we are so pleased you are joining us. Developing and workshopping new plays is a process, a very sacred process and a very sacred journey. Every playwright is different and each play in development requires different elements from the rehearsal process. This developmental environment presents a unique opportunity for a wonderful collaboration in which the writer is able to get whatever help they may need to further their story. During this year’s Festival, we will be working to hone and strengthen the pieces that are in residency. We look forward to you, the audience, seeing the progress each play makes. Since you are invited to the first reading and the last reading of each piece in development you can see the path the play took over its time in rehearsal. You can see the developmental arc. It is an amazing experience to bear witness to a play’s journey and to see how it can change, grow, shift and adjust over an incubation process. Each play will need something different from this experience because of where it is in the writer’s journey. Is it a first draft? A few drafts in? A few years in process? One piece may need a lot of rewrites and require the actors to work the play from scene to scene so they can find the story or the areas that need mining. Another piece maybe ready for staging to see how the play moves so the writer can ensure that what is in their mind and on the page is being successfully animated
and translates visually to the stage. Regardless of the needs of the plays, we are ready to be a part of the playwright’s journey in making their script the strongest possible. Journey is an appropriate word for the Festival; an act of traveling from one place to another. In this collaborative journey with the playwright, we hope that where we start is different than where we end. We hope the path is one we all can find a place on, as our participation is pivotal. During the journey, it is our responsibility, as an audience, to care for and nurture the play. We know there will be risks and challenges, but it is our job to protect it and help it find its own way. It takes a village to get a play to where it is going. We are embarking on the journey, together. Get on board.
M
en on Boats by Jaclyn Backhaus is a 10-man journey traversing the Green and Colorado Rivers from Wyoming to the Grand Canyon. The play is based on John Wesley Powell’s journal, published as The Exploration of the Colorado River and Its Canyons. It was the government’s first sanctioned expedition in 1869. Historically, the people/characters were all cisgender white males. Playwright Backhaus forces a glorious shift in perspective with a cast made up entirely of people who are not. So, get your satchel packed, put on your good boots, grab your oars and your boat because we have a big journey ahead. Don’t be scared to get wet. We’ve got places to discover, or so we think. — Melissa Firlit
F eat u red p l ays w ith op e n R e he arsal a n d stage d p e rfo rm a n c e s
A FTER OWE N By Jay Koepke When recently-married David loses his celebrity chef husband, he is suddenly widowed and alone before the age of 30. Meanwhile, Owen’s spirit won’t let David rest until he has finished repairing Owen’s relationships with his ex-wife and child. By asking us to suspend our disbelief, After Owen leads us to deeper truths about growing up, fortitude, and forgiveness as David takes ownership of his new life.
SEE i n th e DARK By Heidi Kraay When a young girl shows up in the desolate village that Juneau, Alaska has become, the surviving community embraces her as their new hope. That is, until a boy is found hunting her down with brutal accusations. Set in a future Juneau, after all the glaciers have melted, the ice fields have vanished and nothing is recognizable, See in the Dark is a mythic look at the value of compassion over suspicion.
Pe rformed R ead i n gs H ow to Hi d e you r M o n st e r By Heidi Kraay Savannah tries to save the day for her sister and mom at an unexpected reunion, but unburying secrets amidst Alzheimer’s, monsters and storms threatens to break them all apart. These women must decide whether the truth they uncover will connect or fracture them forever.
Ad ri f t By Jay Keopke In the middle of the night at the end of a disaster of an anniversary cruise Deb is pushed to the brink as she refuses to face the reality of her failing marriage. She meets a local friendly bartender Jake who is hiding from issues of his own. Can two strangers save each other’s lives?
T he O ak T re e By Jay Keopke A first date between two ten-year-olds gets off to a rocky start with an unexpected third wheel.
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P RE SE N TS
By
JACKLYN BACKHAUS CHRISTINA NORRIS AMELIA HARPER
JESSI MILLER
SIMON MITCHELL
ROSA CAMPBELL
ALEXANDRIA BATES
CLEO FOUTI
LAURA KELLY
MELISSA MELENDEZ
LAURA MOORE
Costume Design
Lighting Design
ELLY HUNT
ERICA KAE
Scenic Artists
Original Music & Sound Design
Set Design
JILL FIVES & DONNA MERCHANT CROOKS
MATT BITTNER
LAURA MOORE & JILL FIVES
Intern
HUNTER SWINEHART Directed by
MELISSA FIRLIT Playwrights Horizons, Inc. and Clubbed Thumb produced MEN ON BOATS in New York City, 2016 Initially developed and produced by Clubbed Thumb in 2015 “MEN ON BOATS is presented by special arrangement with Dramatists Play Service, Inc., New York.”
King Campbell D.D.S. At your dental ofďŹ ce...
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C ast Aboard the Emma Dean, the boat named after Powell’s wife JOHN WESLEY POWELL. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Christina Norris* WILLIAM DUNN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jessi Miller JOHN COLTON SUMNER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Alexandria Bates Aboard the Kitty Clyde’s Sister, the boat named after Powell’s wife OLD SHADY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Amelia Harper BRADLEY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Simon Mitchell Aboard the No-Name, the boat named after noting O.G.HOWLAND/TSAUWIAT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cleo Fouti SENECA HOWLAND/THE BISHOP . . . . . . . . . . . . . . . . . . . . . . . Melissa Melendez FRANK GOODMAN/MR. ASA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rosa Campbell Aboard the Maid of the Canyon, the party boat HALL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Laura Kelly HAWKINS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Laura Moore (*) Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States, appearing under a Special Appearance Contract.
Setting On boats in 1869. Traversing the Green & Colorado Rivers from Wyoming to a Big Canyon on the government’s first Sanctioned Expedition.
The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited. Please turn off all electronic devices such as cellular phones, beepers, and watches.
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Playwrights THINGAMAJIG
SUNDAY
13
MONDAY
TUESDAY
14
15 SEE IN THE DARK by Heidi Kraay Play A Reading 11 AM
MEN ON BOATS 2 PM
AFTER OWEN by Jay Koepke Play B Reading 7 PM
20
MEN ON BOATS 2 PM
SEE IN THE DARK by Heidi Kraay Play A Staged Performance 7 PM
27 MEN ON BOATS 2 PM
21
22
Y
FESTIVAL CALENDAR WEDNESDAY
THURSDAY
FRIDAY 11 MEN ON BOATS Opening Night 6 PM
16
17
HOW TO HIDE YOUR MONSTER by Heidi Kraay Play C Performed Reading 7 PM
23
24
THE OAK TREE & ADRIFT by Jay Koepke Play D & E Staged Performance 7 PM
AFTER OWEN by Jay Koepke Play B Performed Reading 7 PM
18
SATURDAY 12 MEN ON BOATS 7 PM
19
AFTER OWEN by Jay Koepke Play B Open Rehearsal 2 PM
SEE IN THE DARK by Heidi Kraay Play A Open Rehearsal 2 PM
MEN ON BOATS 7 PM
MEN ON BOATS 7 PM
25
26 Youth Plays Staged Performance 2 PM
MEN ON BOATS 7 PM
MEN ON BOATS 7 PM
October 2019
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W ho’s Wh o Alexandria Bates (Sumner) playing the role of William Sumner is a native of Florence Alabama. Alex received training from Jacksonville State University, where she started a cabaret theatre called Cocky Guerrilla. Some of her favorite credits include Motormouth, Hairspray (Shoals theatre), Sylvia, Allshookup (Trumpet in the Land), Kate, Kiss me Kate (JSU) and Rosa Parks (Birmingham Children’s Theatre) in The Montgomery Bus Boycott. Alex enjoys, comedy singing, and adventures. Her favorite part of performing is knowing that people leave the theatre changed. Rosa Julia Campbell (Goodman/Mr. Asa) is making her Thingamajig Theatre debut in Men on Boats. Previous credits include The Jungle Book and Stories in the Stars (Hampstead Stage Company); tick, tick…BOOM!, The Bikinis, and Graceland (Canterbury Summer Theatre); Rosencrantz & Guildenstern Are Dead, Into the Woods, and Les Liaisons Dangereuses (Northwestern State University). Training: B.S. in Theatre, concentration in Performance & Directing. www.rosajcampbell.com Amelia Harper (Old Shady) was most recently seen during Thingamajig’s 2019 Summer Rep season as Donna in Mamma Mia and Nellie in Jekyll and Hyde. Before moving with her husband and children to Pagosa Springs, she was performing in Branson, Missouri, for the last 18 years. Some of her credits include Paulette in Legally Blonde (Branson Regional Arts Council) and Audrey in Little Shop of Horrors (Branson Regional Arts Council). Amelia also spent ten years with Sight and Sound Theatres in Branson. Perry Harper (Festival Artist) is an Arkansas native who performed in Thingamajig’s 2014 and 2019 Summer Rep Season and the last four years at Sight and Sound Theatre. Mr. Harper traveled the U.S. singing both operatic and musical theatre repertoire. Select credits: Don Jose (Carmen), Eisenstein (Die Fledermaus), Jean Valjean (Les Miserables), Dr. Jekyl/Henry Hyde (Jekyll & Hyde). Training: Masters Degree in Vocal Performance from University of Alabama, B.A. Music Arkansas State. Laura Kelly (Hall) is returning to Thingamajig Theatre after appearing in the 2015 Summer season: Joseph… Dreamcoat, Disney’s Tarzan, Damn Yankees, and The Secret Garden. Regional: West Side Story (Chance Theater); The Christians (Actors Co-Op). Laura graduated earlier this year with a B.F.A. in Music Theatre from AMDA Los Angeles. www.thelaurakelly.com @laukelll
Melissa Melendez (Seneca/The Bishop) Originally from Paris, France; Melissa has performed at the Thingamajig Theatre in the 2018 Summer Season (West Side Story, Thoroughly Modern Millie, Legally Blonde and Pinkalicious). Off-Broadway credits include With a Song in my Fists, The Little Mermaid and The Let’s Broadway Cabaret. Other credits: Victor/Victoria (Accords Majeurs), Chicago (Mairie de Paris), High School Musical (LCSC Theatre). Melissa is a graduate from AMDA New York. Special thanks to Nicolis for all the love and support. www.melissa-melendez.com Jessi Miller (Dunn) is making her Thingamajig Theatre debut in their production of Men on Boats. Other credits: Irish Revel - Music/ Improv Track, Poe Evermore, A Christmas Carol and Murder at Mount Hope (Pennsylvania Renaissance Faire) and Energized Guyz (National Theatre for Children). Jessi received her training in Musical Theatre at Northwestern State University of Louisiana where she received her BFA. Special thanks to Jessi’s parents, Thumper and Tracy Miller, for their full support. Website: Jessi-Miller.com.
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Th e Acto rs ( co n t i n u ed ) Simon Mitchell (Bradley) is making his Thingamajig debut. Other credits: Twelfth Night, Alice, The Heart of Robin Hood (Interlochen Arts Camp), Cinderella, Juvie, Sherlock Holmes, Footloose, Shrek: The Musical, Legally Blonde: The Musical, Hollydaze Too, Charlie Brown, Mary Poppins, Nutcracker! The Musical, Elf: The Musical (Curtains Up! Pagosa).
Laura Moore (Hawkins) is the Co-Founder of Thingamajig Theatre and Pagosa Springs Center for the Arts. Many thanks to the incredible volunteers (including her parents), sponsors, donors and artists who make Thingamajig tick. Past roles include Louise (Always, Pasty Cline) and Pilot (Grounded). To the loves of my life, Tim, Finlay and Lachlan - you are everything.
Christina Norris (Powell) is a Denver-based actor and teaching artist. She is thrilled to be back at Thingamajig after God of Carnage and Proof. Theatre credits include The 10x10 Festival at Barrington Stage Company, Intimate Apparel, A Taste of Honey, Machinal, Statements after an Arrest Under the Immorality Act, boom!, Any Place but Here, Our Lady of 121st Street, and Measure for Measure. Film & web series credits: Movement + Location, Precious Cargo, Now That’s Cute, and What to Expect. Training: MFA from Rutgers University, BA from Barnard College.
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T he Producti on Te am Matt Bitner (Original Music/Sound Design) New York: Present Laughter (Broadway), School of Rock (Broadway), Much Ado About Nothing (The Public - Shakespeare in the Park), Be A Good Little Widow (The Wild Project), An Idyllic Life (Sam French OOB Festival). Regional: Almost Famous (The Old Globe Theatre), As You Like It (Two River), Sweeney Todd (Penn. Shakes), Twelfth Night (Allentown Shakespeare in the Park), A Year With Frog and Toad (Mile Square), Romeo and Juliet, Moonlight and Magnolias, Lend Me a Tenor (Playhouse Theatre Tulsa), Tours: School of Rock (1st Nat. Tour) Training: MFA Rutgers. www.mattbittner.com Jaclyn Backhaus (Playwright) is a cofounder of Fresh Ground Pepper, and new member of The Kilroys. Her plays include Men On Boats (New York Times Critics’ Pick, Clubbed Thumb, Playwrights Horizons, published by Dramatists Play Service), India Pale Ale (Manhattan Theatre Club, recipient of the 2018 Horton Foote Prize for Promising New American Play), You Across From Me (co-written with three other writers for the Humana Festival), Folk Wandering (book writer and co-lyricist with 11 composers, Pipeline Theatre Company), and You on the Moors Now (Theater Reconstruction Ensemble), among others. She was the 2016 Tow Foundation Playwright-in-Residence at Clubbed Thumb and she is currently in residence at Lincoln Center. Training: BFA Drama NYU Tisch. Erika Bush (Lighting Designer MEN ON BOATS) is very happy to be returning to the PSCA family. After earning her BFA in Theater Technologies and Design from Metropolitan State University of Denver, she spent several seasons with here in Pagosa. A few titles include Spamalot, One Flea Spare, Boeing Boeing, Red, and A Picasso. Her life lead her to Telluride, CO where she currently is a new mom; set and lighting designer of Matilda; Lead Technician at the Michael D. Palm Theater, and dancer/designer with the Telluride Dance Collective. Where there is light, there is love. May the love of light surround us. Melissa Firlit (Artistic Director TPF) recently directed Marrow by Brian Quirk at the Edinburgh International Fringe Festival in Scotland. Thingamajig Credits: Jekyll & Hyde, West Side Story, Proof, Circle Mirror Transformation, Tuna Christmas, Aida, Buyer & Cellar, Always…Patsy Cline, A Funny Thing Happened on the Way to the Forum, A Few
Good Men, Moon Over Buffalo, The Pillowman, The Secret Garden, A Picasso, Misterman and Red. Some of her new play credits: The Texas Homecoming Revolution of 1995 (Best Medicine Rep), SIDD (New Light Theater Project), I’m Just Fine (FringeNYC, solocomNYC), BUBBA (FringeNYC, United Solo), Annabel Lee (Apothecary Theatre Co), Bunting or Flags (New Light Theatre Project). Training: MFA Directing Rutgers University, BA Theater The University of Hartford and The O’Neill National Theater Institute. Member SDC. www.melissafirlit.com. Jill Fives (Charge Scenic Artist) considers it a pleasure to be returning to Pagosa Springs after her 5th summer season. Previously she has worked for Arvada Center, Theatre Aspen, and served as scenic artist for the Robert Redford/Fonda Netflix film Our Souls at Night. Her husband, Kirk Speers, and she enjoy life on the road as travelling artists. She is grateful for all the wonderful opportunities and her Pagosa family! Elly Hunt (Costume Design) is making her debut at Thingamajig. Recent credits include: Costume Design for Best Foot Forward (Tour), Ripcord, Derring-Do! and Abandoned Way Out West (Creede Repertory theatre); Red Bowl At The Jeff’s (The Sound Theatre Company); Assistant Costume Design for The Watsons Go To Birmingham-1963 (Chicago Children’s Theatre); Craftwork and Stitching for Pride and Prejudice and Wizard of Oz (Creede Repertory Theatre); Mary Shelley’s Frankenstein (Lookingglass Theatre Company); Amor De Lejos (Albany Park Theatre Project) www.ellyhuntcostumes.com Jay Koepke (Playwright) is a writer / photographer / dog dad based in Chicago. His work has been developed and produced in Chicago (What Makes the Buddha Smile?), New York (Pietra or The Stone Baby, Adrift, The Idyllic Life: A Bavarian Family Tale), New Jersey (The End is Far, The Chief’s Last Day, The Cost of Living, A New Relationship), and Pittsburgh (The Oak Tree) among others. Jay has been a finalist for the O’Neill National Playwrights Conference and the New Jersey Playwrights Contest and a semi-finalist for the Bay Area Playwrights Festival. He’s twice been part of the Samuel French Off Off Broadway Short Play
The P ro d u ct i o n T e a m ( cont i n u ed ) Festival. His work has been seen at the Kennedy Center / American College Theatre Festival. Education: Ithaca College and Mason Gross School of the Arts, Rutgers University. Check out his photography at www.jaycupcake.com. Heidi Kraay (Playwright) Writing across disciplines and training in diverse theater vocabularies gives Heidi tools to live better making art. Plays include How To Hide Your Monster, New Eden, DIRT (co-devised), Me and My Shadow and Kilgore. She has been a top finalist at the Women Playwrights’ Initiative (CloudMelt), a finalist at Creede Repertory Theatre’s Headwaters Festival (How to Hide Your Monster). Her work has been awarded grants from the Idaho Commission on the Arts, Alexa Rose Foundation, Boise City Department of Arts & History and Boise Weekly. She teaches for the Department of Theatre, Film and Creative Writing at Boise State University and for The Cabin, a literary center. Heidi holds an MFA in Creative Inquiry, Interdisciplinary Arts from CIIS. She is a member of the Dramatists Guild of America. www.heidikraay.com Donna Merchant-Crooks (Scenic Artist) is a self-taught professional artist and woodcarver. It is a fact if you go to the bathroom at the PSCA (and you all should) you will recognize a variety
of Donna’s work. From the stalls and towel shelves, carved stall doors and piano key crown molding, sculpted legs under the sinks, and hand painted playbill backsplash to the most recent installments, the drinking fountains, door frames and molding down the hallway. Donna’s art has also been featured in The Little Mermaid and Alice in Wonderland. To find out more of Donna and her work, visit www.merchant-crooks.com. Acting: Siberia with a View. Laura Moore (Co-Set Designer MEN ON BOATS) Past set designs include Disney’s Tarzan, Little Mermaid, The Who’s Tommy. Select directorial credits: Welcome to Siberia, Now Go Home and The Best Christmas Pageant Ever. Hunter Swinehart (Stage Manager and Assistant to the Director Intern) hasn’t worked with the Thingamajig Theatre before in his career. His credits come from Footloose and Disney’s The Hunchback of Notre Dame (Pagosa Springs High School), Fantastic Mr. Fox (Saint Cloud High School), You Can’t Take It With You (Saint Cloud High School), Fiddler on the Roof (Saint Cloud High School), Elf the Musical JR., Children of Eden, and Tarzan (Curtains Up Pagosa) as well as Dancing with the Pagosa Stars two consecutive years. Training: High School and other experiences.
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Th eatre Sup porte rs Thank You! We salute the individuals and institution that have made extraordinary gifts to the Thingamajig Theatre Company.
All donors listed gave between April 1, 2018 and April 1, 2019. Contributions received afterwards will be acknowledge in the next season programs. A n ge l s $ 50, 000+ Rohrbacher Family Charitable Trust B E N E FACTO RS $ 2 5 , 000+ Elisabeth Bottler and Bob & Robin Brobst E xecut ive P ro du c e r $ 1 0, 000+ Anonymous, Alley House Grille, John and Ginger Baxt, Tim Brown Construction, Katy Deshler, Bob and Carole Howard, Roger and Joan Organ, Tortoise Shell Charitable Fund, Town of Pagosa Springs, Bill and Rhonda Webb Produce rs $ 5,000+ Andre and Annita Bens, Greg and Sherri Booher, King Campbell Dentistry, Citizen’s Bank of Pagosa Springs, Vern and Connie Clark, Colorado Creative Industries, Colorado Tourism, El Pomar Foundation, Pagosa Springs Medical Center, Simon Fuger and Chris Pike, Kathy and Steven Lemons, Art and Peggy Long, Rosie’s Pizza Directors $ 2, 500+ Barbara Bruni, Melody and Bill Dean, Jim and Maribeth Hill, Kimberly and Christopher Hopkins, Carolle Hunt, Pat Love, Sherry Phillips and Les Faust, Beverly and Elaine Pitts, Pat and Dick Richardson, Alice Rohrbacher, Scott Strategic Investments, John and Joyce Webb Pl ayw rights $ 1, 000+ Diane and Jon Bower, King and Anne Campbell, Jim and Jean Carson, Dennis Elkins, Carla Evans and Monk Tarbel, Lawrence and Linda Echterhoff, Friends of Thingamajig Theatre, Terri Frahm, Stephen and Alice Keil, Barbara and Wayne Kennedy, Liz Kuhn, Amy and Clayton Leonard, La Plata Electric Round-Up, Sue McAleavey and Richard Bertoli, Mark and Claudine McAnelley, Melissa McDonald, Mary Miller, Lassie and Larry Olin, Ray Family Charitable Fund, David and Carol Shear, Betty and Dale Schwicker, Bob and Lisa Scott, Christine Schmidt, Jim and Deneice Stacy, Joan Ward, Zilber Family
A cto rs $ 500+ Amazon, Elaine Blumenhein, Colorado Gives, Jackie and Bart Cox, Karin and Kenny Daniels, Durango Friends of the Arts, Lofton Henderson, Beverly Kraska, Nancy and Michael Ray, Alan MacRunnels, Lee, Linda and Quinn Manthei, Liz Morrison, Carl Morrow, Mountain View Homemakers, David New, Malcolm and Joan Rodger, Shelia Rogers, Bruce and Nettie Trenk, Robert Ulrich, Charlotte Williams, Gary and Linda Williams De sign e rs $ 2 50+ Anonymous, Tom and Charlotte Ashbrook, Stephany and Al Bouchier, Bob and Jennifer Brown, Jeanette DeKay, Carla Elkins, Gloria and Roger Flynn, Kroger, Kathy Pascuzzi, Pat and Jessica Payne, Jim and Cindy Quigley, Joan Rose, Carolyn and Lawrence Rugar, Dick Scherzinger, Fran Smith, Charlene and Herb Stipe C a m eos $ 1 00+ Anonymous, Robert and Shirley Alley, Andrew Butler, Connie Davidson, Curtis and Sparla Dick, Steven and Roz Earle, John and Alice Farley, In Honor of Robin Brobst, In Honor of Bruce and Nettie Trenk, Susan Getty, Robert and Jacqueline Hagberg, Muriel and Mike Hayward Sandra Houston Mastel, Debbie Hurt, Chari and Dale LeMasters, Marty Madden, Kimberly Mohs, Tozi and Scott Rubin, Sarah Scott, Richard Shildt, Robin Stuck, Jeff and Betty Switzer, Andrea and Len Wasserman, Ali and Monty Whitman, William Wright
T ha nk You ( con t i n u ed ) Frie nds $ 1+ Amy Van Dorfy, Anne Davis, Diane Davis, Brenda Graffis, Mary Jo and Thomas Gwaltney, Linda Hobbs, Polly McLaughlin, Felicia and Brad Meyers, Jari Sage, Carrie Medin, Sharyn Milligan, Ronald Sagent, Patria Lenher, Wendy Mcallister, Marilyn Hagan, Holly Mathews, Claudia Weger, Christine Schmidt, Alexis Weber, Kurt Laverty, Jason Mahanna, Chasen Smith, Elaine Harding, Joanne Biron, Clinton Spence, Laura Carpe, Carl Willes, Davin Hanly, Kelsye Hicks, Brittany Bell, Luanne Poma, Timothy Karr, Mathew Lee, Bill Trimarco, Bradley Neveil, Brandon Smith, Brian Huber, Carol Drotar, Carrol Smith, Cathy Jones, Christina Beinvenu, Cindy Galabota, Dana Stone, Deborah Harrison, Deborah Mccormick, Donald Leach, Edith Brown, Gail Hershey, Harold Thompson, Joanne Irons, James Martin, Jan Miller, Jan O’Brian, Janan Hoyer, Janine Haley, Jean Brittingham, Joann Roset, John Gosselink, John Halbig, John Scahill, Josina Rivera, Joyce Stenberg, Judi Estes, Leanne Miller, Leslie Baird, Martin Lidy, Michele Certoma, Mike Kent, Paige Butler, Sarretta Mccaslin, Sharyn Milligan, Shelby Wolverton, Stephanie Zayatz, Suanne Mclellan, Susan Ammann, Susan Darrow, Susan Sunday, Suzy Halterman, Terry Porter, Todd Zampese In Me mory of Tom Alspach, Sarah Basset, Ed Haynes, Ingrid Leppitsh, Cheryl Moore, Alice Rohrbacher, Bev Warburton, Mary Webb
E n dowm e n t Fu n d C h a ir Pl aqu es Alice Who Danced at 90, Jimmy and Lisa Bankston, Richard Bertoli and Susan McAleavy, Josh Blanchard and Christopher Alleman, Carla & Monk Evans, Bob and Bonnie Hite, Chuck and Jeanette Howey, In Memory of Jeffery Papple, Simon Fuger and Christine Pike, Deanna Johnson, Dianne and Michael Killen, Madeline Lyons, Joan and Roger Organ, Pat Payne, Jann and Todd Pitcher, Miquel Quinones, George and Ann Rohrbacher, Karen Rohrbacher and John Hartwell, Jean and Howard Stahlendorf In K in d Alley House Grill, Greg Booher, Bob and Robin Brobst, Curtains Up Pagosa, Sharon Crump, Karin and Kenny Daniels, Beverly Pitts, Stephanie Hill and Tim Brown, Nanette Cheffers, Dinning Guide, John Santangelo Design, Ursala Hudson, Bill Hudson, Joanne Irons, King Campbell Dentistry, KWULF, Mountain Landing, Pagosa Brewing Company, Pagosa Baking Company, Rosie’s Pizzeria, Terry’s Ace Hardware, Tim Brown Construction, Toner Mountain Copiers, Lisa and Kurt Raymond, Dale and Betty Schwicker, Susanne Russell with the Art and Framing Shop, Cynda Green and the Acoustic Duets
The Thingamajig Theatre Company relies on the generous support of its patrons to help bring art and magic to our stage and offstage with diverse educational programming. Your individual or institutional contribution will significantly support the productions that appear on our stage: musicals, comedies, and dramas for all ages and generations of theatre-goers. YOU CAN MA K E A DO N AT IO N O N L IN E AT : www.pagosacenter.org OR M A IL A CO N T RIBU T IO N TO : Thingamajig Theatre Company 2313 Eagle Drive Pagosa Springs, CO 81147 Thingamajig Theatre Company is a 501c3 nonprofit. All donations are tax-deductible. For more information on ways to give, please call Business Manager Laura Moore at 970-507-0408 or email laura@pagosacenter.org.
’s g i j a m a Thing PROUD TO SUPPORT
WINTER SEASON
Bob Scott, CFP®, AAMS Certified Financial Planner™ Practitioner President
Anthony Doctor, RICP® Wealth Manager
TALISMAN DRIVE, STE D • PAGOSA SPRINGS, CO TEL • FAX
W W W. S C OT T S T R AT EG IC I NV.C OM Securities ooered through LPL Financial, Member FINRA/SIPC. Scott Strategic Investments and LPL Financial are separate entities. Certiied Financial Planner Board of Standards Inc. owns the certiication marks CFP®, Certiied Financial Planner™ and CFP™ in the U.S.
Wi n ter Se ason SPon sors
A love note to our wonderful volunteers who work so Thingamajig can play.