Portfolio 2024

DHVANI SHAH Architectural Designer dshah.arch@gmail.com +1 (979) 334 - 5449

CONTENTS 01. ANTHRO(POST)SCENE [IN MEMORY OF] Carbon Memorial for the Environmental Losses

01

02. ANTHRO(POST)SCENE [RE-LIVING THE MEMORY] Carbon Crater for a New Lifestyle

09

03. ADD TO CART Micro-Housing for Fishermen Community

13

04. SARVA MANGALA PEETHAM Experience Centre for Women Empowerment

16

04. ISRO SCIENCE EXHIBITION CENTER Children’s Experience Centre

20

05. TO FUTURE IT NOW! Climate Emergency Biennale in New York City

23

06. RAISING SPIRITS OF ODISHA Convention Centre for Craftsmen

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07. KNOWLEDGE HAAT Elementary School for Education and Communal Activities

30

09. 100 SAINT PAUL ST. Infill Project Around Heritage Facades in Downtown Baltimore

33

10. BALTIMORE NATIONAL PIKE Senior Living Multi-Family Housing

35

11. JOURNEY Multisensory Cabins for Backpackers

39

12. FLOATING LEAVES Private Villas for Weekend Getaway

42

OTHER WORKS

45

Pratt Spring Studio Instructors : Ariane Lourie Harrison, Jonas Coersmeier Studio Experts: Oliver Schaper (Gensler), Signe Nielsen (MNLA) Site : Governors Island, New York City Recorded Presentation : YouTube Type : Research, Material Experimentation, Architectural Design Keywords : Anthropocene, 2050, CO2 Emissions, Carbon Sequestration, Material Urbanism, Memorial, Prototype, Interstate Highway Systems, Ecology, Equity Endorsement: Design Dissertation

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01

ANTHRO(POST)SCENE [In memory of]

PREMISE: “It is the year 2050 and we are still alive. The past 3 decades have seen dramatic changes to atmospheric carbon, once that have set the course to the post Anthropocene, an end to an epoch.”

The aim of this project is to shed light upon the rising global temperature, discuss the role of CO2 in it, and urge people to allow carbon to help keep the warming below 1.5 degree Celcius. The project also stresses the critical importance of a 2030 milestone - 65% of CO2 reduction- to possibly achieve a carbon neutral environment by 2050, our only chance before climate change becomes irreversible.

ACADEMIC | PRATT SPRING STUDIO | 2021

02 | dshah.arch@gmail.com

Testing material recipes with resin, wax, plaster, pigments; where their densities, solubility & reactions under varied temperatures gave rise to textures I later extracted to define moments and new 3-D geometry.

ACADEMIC | PRATT SPRING STUDIO | 2021

The increase in atmospheric carbon dioxide is central to global warming and climate crisis. Yet could the element of this compound; sequestered, contained and transformed, produce new mediums for climate resilience?

The Carbon Cycle is vital to life on Earth. Yet, humans, by burning fossil fuels, have disturbed the natural balance of the carbon cycle and led to climate change and global warming. As architects, eliminating the embodied carbon of building structure, substructure, and enclosures which accounts for 11% of global GHG emissions is of paramount importance.

Graphical representation of increasing carbon in the atmosphere in New York City.

03 | dshah.arch@gmail.com

“We captured the carbon at the ventilation tower on Governors island and transformed the captured carbon into a new self-decomposing material. This prototype of capturing the carbon at its source of emission, for a 50 thousand mile vehicular tunnel, later multiplied over the entire Interstate Highway System that has led us to achieve a carbon neutral environment.”

“Rather than to forget that we have resolved carbon concentration in the atmosphere, we see a memorial on Governors Island. We decided to relate house 14 at Nolan park to the vertical monumentality of this unacknowledged edifice.”

ACADEMIC | PRATT SPRING STUDIO | 2021

Governors Island serves as a landmark of past carbon use, and its ventilation tower is where the story of the carbon began.

Nolan Park

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An illustration of carbon emissions from the ventilation tower over Huge L. carey Tunnel, imagined to be spreading and merging with surrounding atmosphere and flowing river water.

ACADEMIC | PRATT SPRING STUDIO | 2021

The chunk model of house 14 to define spaces over the narrative of monuments and memorials. The model arrangement helped interpret filleted corners and arched spaces. I questioned the flatness of floor plates, and started connecting levels with heavy staircases, established a relationship between solid masses and void spaces, the thickness and thinness of materiality.

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The visitors on Governors Island proceed through outdoor landscape design into Building 14, its a procession and a remembering. A ceremonial route that carves the ground, marking its locus as a source of by following the same path through the outdoor carvings underground into a dark dungeon.

ACADEMIC | PRATT SPRING STUDIO | 2021

While some areas need people to budge beneath the beams, others are open to the sky. There would be spaces with stark light when the sun is overhead, coupled with dark corners.

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ACADEMIC | PRATT SPRING STUDIO | 2021

+2.4 FT

As the movement descends, we start experiencing narrower vent-like spaces. The cut plan explains how the moments have been created where the ground can be approached from within, it allows us to fully apprecia

07 | dshah.arch@gmail.com

-5.6 FT

-10.6 FT

ese outdoor elements continue in the interior of the house. To further enhance the idea of this vent and soil, ate the depth of the intervention.

Our project is a memory for what’s lost because of the impact of carbon dioxide emissions, the loss we never accounted for or acknowledged in the past. We converted this ephemeral gas into solid carbon, to grieve for this loss, and to avoid further demise. In this moment in future, are we responsible for remembering the kind of ecological issues our pior modes of development had created? The project has a janus faced quality , like Governors Island itself-- we may ask on this basis, does the memorial look back at the problem and does it point to a different type of ecological future?

We are immersed all around the concrete, one of the most widely used building materials. With this material created from carbon captured at the site, we remind people of impacts of human intervention in the past but also acknowledge the potential that future holds.

ACADEMIC | PRATT SPRING STUDIO | 2021

08 | dshah.arch@gmail.com

The perspective section here draws back to the idea of vertical ventilation building that goes deep, below grade.

Continuous stairway spirals around different spatial qualities of a memorial.

These spaces aim at evoking a cold feeling by being in a narrow space buried a few feets below in the ground. Carbon and the ground perhaps, literally create a cooling system, a damp cold breath from the ground, we don't need air conditioners any more. We cool the air with underground labyrinths.

ACADEMIC | PRATT SPRING STUDIO | 2021

Pratt Fall Studio Instructors : Erich Schoenenberger, Olivia Vien Studio Experts: Oliver Schaper (Gensler), Signe Nielsen (MNLA) Site : Governors Island, New York City Recorded Presentation : YouTube Type : Research, Material Experimentation, Architectural Design.

Keywords : Crater, Experience Living, Mines, Marketplace, New Lifestyle - 2050, Striations, Carbon Storage, Material Urbanism, Prototype, Ecology, Equity, Apocalypse.

Endorsement: Design Dissertation

09 | dshah.arch@gmail.com

02

ANTHRO(POST)SCENE [Re-living the memory]

PREMISE: “It is the year 2050 and it’s been an eventful 30 years and a marker for the change in our cultural trajectory. We realised our flaws and we sought amends. The process of carbon capture further opened up opportunities for us to experiment with this element. As an essential step to utilise the captured carbon, it was stored deep under the ground as deposits.

Over the years, the sediments formed by accumulation of captured carbon transformed into multiple layers of carbon material. The island is now a block of carbon material, a platform for innovation in the way we construct and design habitats. All this has led to a ruined state of material to be used as futuristic living.”

ACADEMIC | PRATT FALL STUDIO | 2021

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ACADEMIC | PRATT FALL STUDIO | 2021

lvl -01 Carbon canopies, Farming on mounds, Sunbathing devices, energy producing cycles Objective: New Lifestyle on Display Duration: 12 months

PERSONAL E ALCOVE GEOTHERMA

STUDIOS / LA MAZE

CO-WORKING

lvl -02 co-working spaces, Objective: Working o lifestyle Duration: 1 year

CARBON COD

CARBON IMP CAFETERIA

lvl -03 Viewing energy and f Objective: Exhibiting store energy, and foo vertical wall

MARKETPLA

CARBON & FO

PUBLIC AREN Lift From lvl 06 to lvl 01 Transition in quality of spaces Objective: Advocating Pace of Climate Change Duration: 12 Secs “Why are we doing this”

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ALL ABOUT C

WINE BY CAR

EXHIBITION

AL FISSURES

ABS

G SPACES

on off-the-grid

DE

PRINT

food wall the cells that od produced on the

ACE

OSSILS

NA

CLIMATE

RBON

Exploring the depths of the stored carbon and using it as a material, spaces are carved out to create new living environments. Deposition forms layers and thus creates textures. As a result we obtain patterns of striations and porous accumulation at places taken up as opportunities and design foci. The strategy to excavate and form the crater was in forms of circular rings where the layers of the carbon material are evident with an element that adds to the aesthetics of the memorial idea.

In the process of excavation, mounds were developed with the spoil, used to aid the temperature control for habitation beneath, for community farming, and to define new circulation on the site.

Mounds also are opportunities to connect energy generating functions around the crater visually and by circulation as well.

Using the carbon as regenerative material and a host to energy, it is an opportunity to create a sustainable structure that provides for the user and takes care of itself by becoming a powerhouse. Simply, movement too would contribute as a resource.

ACADEMIC | PRATT FALL STUDIO | 2021

Level 01

Level 02

The project addresses the thought of independent living where the systems of the house are powered by it’s building materials. In order to make this functional, a mixed use aspect is associated with the scheme, which also creates a demand for further use of the system of carbon.

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Leve

el 03

Level 04 The studio spaces in top tiers integrate with the bottom ones to open up as a marketplace and recreational area . Creating experiences with varied time frames is what the crater offers. Visitors can experience living in the crater for a year, produce their own food and energy, and explore the material when the island isn’t open for public access for 6 months, then share the produce and experience with visitors in the other half of the year. From 12 seconds to 12 months, you have a carbon memory to take back as a souvenir.

The crater lives on the principles of a retreat where carbon is your energy, pick your timeline and be part of the process.

The journey begins from crater being an exhibit in itself with it functionally being a machine, a micro climate lab. The craters envision communal life, where people have the opportunity to communicate amidst their centrally facing green spaces and gather at the core for communal activities. The porosity in the material allows the ground water to gather and form a pool in the basin of the crater, used as a landscape asset.

Level 05

Anticipated Future Layout ACADEMIC | PRATT FALL STUDIO | 2021

Type : International Design Competition Host : VOLUME ZERO | Rank : FIRST Jury : EFFEKT, Denmark | Penda Architecture, China | People’s Architecture Office, USA | ADND, India Site : Mumbai, India Contribution : Team Lead, Concept Development, Designing Narrative, Modules & Timeline, Main Render.

Keywords : Housing, Community, Modular, Additive Architecture, Structural Columns, Highway.

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03

ADD TO CART

Being a part of an imperative topic of debate in Mumbai, the coastal road construction, and its adverse effects on the ecology and ever residing coastal koli-communities led to promoting social housing and community development through its design.

“Add to cart” is a modern solution for micro-housing that allows a house to grow within a given space. It is designed in a way that it can be multiplied, deducted & customised as per the different stages of a man’s life and his lifestyle choices.

FUTURE EXPANSION

COMMUNITY SPACE

8 UNITS PER FLOOR CAN HOUSE 48 FAMILIES (MIN) RANGING FROM 1 PERSON TO 4 PEOPLE

COMMUNITY HOUSING | INTERNATIONAL COMPETITION| 2019

Mumbai, a megacity, is home to many traditional communities. Some communities bear the brunt of urban sprawl & migration and are on a verge of extinction. One such is the closely knitted Koli community of fishermen, entitled as the original inhabitants of Mumbai, that are suffering an economical, social and cultural loss today. The proposed Coastal road development along the water banks will hugely affect the profession of this community, eventually leading them to migrate from their original habitation. Our concept of micro-housing shall retain and uplift this community, making it viable even through rapid urbanization.

1-2% of the city land is occupied by supporting structural systems that act as dead spaces, hence these structural systems can be constructed in such a way that they can host these communities.

The housing takes place along the proposed infrastructure of the coastal road, while it saves green lands from undue rehabilitation of the fishermen. It also brings them closer to their profession and proposes a waterfront development program. This is the city supporting the fishermen’s concerns, fishermen supporting the city’s concerns inturn.

COMMUNITY SPACES FOR CULTIVATION

FLOATING SPACES AS MARKET & CULTURAL SCENES 14 | dshah.arch@gmail.com

Existing structural column of the bridge

Each module bought can be added & subtracted as per the individual/ family requirements to form a 350sq.ft home Further both the modules of 350 sq.ft can also become one home.

4 modules bought as per requirement attached to form a living space.

Roof of these modules will be used as terrace spaces by the family for gardening etc.

Each module bought shall be attached to the existing structural member, left over floor area can be used as open/terrace spaces 350 sq.ft floor plate area comprises of 4 modules Circulation passages along with vertical movement (lift & staircase) encompassing the exisitng column

Central Column’s fabricated with angled structural members, such that the modules are attached as the individual/family space requirement grows

Floating community space that functions as per the high & low tide & can be expanded as per the community space requirement & usability

COMMUNITY HOUSING | INTERNATIONAL COMPETITION| 2019

a. 01 Kitchen b. 01 Study + dining c. 01 Living + sleeping d. 01 Bathing & dressing e. 01 Study + sleeping Area : 350 sq.ft.

4

a. 01 Kitchen b. 02 Sleeping c. 02 Bathing & dressing d. 01 Study e. 01 Terrace Area : 350 sq.ft.

a. 01 Kitchen + dining b. 01 Bathing & dressing c. 01 Study + sleeping d. 04 Terraces

4

4

Area : 175 sq.ft.

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5

32

3

a. 01 Kitchen + dini b. 01 Bathing c. 01 Living + sleepi d. 01 Bedroom e. 01 Terrace Area : 260 sq.ft.

5

6

1

OPENS OPENS

1

OPENS

OPENS

Ground Level

OPENS

OPENS

Mezzanine Level

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2

21

25

29

OPENS

Age

4

3

OPENS

1 THE FA MI LY OF FOUR

T H E LO NE WO LF

T H E RO O M M AT ES

LEGEND: The Koli family, Residents of our site V, a migrant Rentee of the Koli family

P & A, Kids of T & V

T, a migrant Rentee on another site

P & A, growing up

Room-mates of T

V’s Parents

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T & V’s Pets

On mezzanine On ground Terraces Terraces on mezzanine V’s income T’s income

T H E NE WLY

ing

a. 01 Kitchen b. 01 Study, dining, living c. 01 Bedroom d. 01 Bathing & dressing e. 01 Study + sleeping Area : 350 sq.ft.

ing

a. 01 Kitchen b. 01 Study, dining, living c. 01 Bedroom d. 02 Bathing & dressing e. 02 Study + sleeping Area : 350 sq.ft.

a. 01 Kitchen b. 01 Dining c. 01 Living d. 02 Bathing e. 01 Dressing f. 02 Bedroom

g. 02 Study b. 02 Terraces

Ground Level

Mezzanine Level

Area : 525 sq.ft.

5 5

33

2 WED

2

6

4

55

39

33

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3 T H E OVERW HEL MED FA MI LY

T H E B I G FA M I LY

Module study by using furniture located in typical housing to create most efficient area usage and combined with number of users to create different typologies of housing units

COMMUNITY HOUSING | INTERNATIONAL COMPETITION| 2019

Site : New Delhi, India Type : Research, Experience Center, Advanced Technology Contribution : Researcher On Exhibits, 3d Modeling, Part Of Concept Development, Part Of Layout Design, Part Of Renderings, Final Presentation, Site Study, Complete Branding of the Project (Logo, Theme, Collateral Design) Architectural Design Team : Ar. Abhinav Prasoon, Ar. Reena Gaikwad Technology Partners: Custom Technologies Inc., Mumbai.

Keywords : Mythology, Yugas, Women Empowerment, Experiential Design, AR, VR, Holographic Projections.

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SARVA MANGALA PEETHAM

Sarva Mangala Peetham is a 50,000 sq.ft. technologically advanced experience center designed to encourage women empowerment, presently under construction in North India. It walks the audience around the ancient Indian mythology of Yugas - the four ages of life around the World. Through the Yugas are 21 varied installations telling stories about significant works of women that set the course of Indian history. SMP is a rehabilitation project worked out around many challenges of the existing structure.

“There is no chance of welfare of the world unless the condition of women is improved. It is not possible for a bird to fly on one wing.”

PROFESSIONAL | EXPERIENCE CENTRE |RWAMP STUDIO | 2018

Fire Exit

Fire Exit J

J

J

9 8

11

Fire Exit

J 10

12

F

J

7

Fire Exit

14

H

13

H

J

E

6

Fire Exit

Fire Exit

15 I 17

H

4

5

E

16 B

3 18

Fire Exit

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Main Exit

19 A 20

1 C

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21 J

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VIEW EXPLAINING MOVEMENT, INSTALLATIONS AND 4 YUGAS LEGEND 1. Arundhati 2. Gargi 3. Taramati 4. Anusuya 5. Ahalya 6. Sharmishta 7. Renuka

8. Sita 9 Savitri 10. Sukanya 11. Shakuntala 12. Madalasa 13. Amba 14. Draupadi

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15. Yashodhara 16. Mahaprajapati Gautami 17. Akka Mahadevi 18. Panna Dai 19. Ubhayabharati 20. Ahalyabai Holkar 21. Rani Lakshmibai

ON SITE STUDY - VISUALIZING THE UPCOMING INSTALLATIONS

PROFESSIONAL | EXPERIENCE CENTRE |RWAMP STUDIO | 2018

The entrance of the museum opens into the reception area. A monolith serves as the reception counter. The columns form a pair of vedic architecture pillars designed with fiber mouldings. The visitor gets a peek of the chakra meditation space from the reception. Stone seatings are provided in the reception area.

Column designed intricately into a vedic pillar with fiber moulds Visitors get a peek of the meditation chakra from the reception lobby The reception counter is a monolith.

Stone Flooring 18 | dshah.arch@gmail.com

EXHIBIT 01. ARUNDHATI

The exhibit is a illustration of the icy mountaintops, depicting the Satya Yuga.

The screen projects a view of the glaciers in a night sky, showing galaxies and constellations.

Fiber moulding used to create a tall monolith structure on the column.

Fiber moulding used on partition wall to create cave interiors.

Stone flooring to imitate textures of the cave. Snow and glacier formation on the floor made of cement with added texture and paint.

Panels which creates the visual impact of a cave by projecting views of glacial mountains and night sky showing the milky way and constellations.

PROFESSIONAL | EXPERIENCE CENTRE |RWAMP STUDIO | 2018

EXHIBIT 14. DRAUPADI

The scene of Draupadi’s Vastraharan is shown on the screen such that the saree comes from the virtual screen and is seen being collected into a heap of saree placed near the screen.

Facade designed into the interiors of the palace.

Pedestal made of MS frame structure with metal sheeting for the placement of mannequins Virtual representation of the saree showing the vastraharan of Draupadi

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EXHIBIT 21. RANI LAXMIBAI

This installation of the Kali Yuga talks about the valour of Rani Lakshmi Bai. The wall beyond is turned into an screen projecting war scenes. A horse, with the mannequin of Jhansi rani sits in the center of the installation.

Screen projecting the war.

A mannequin of the rani of Jhansi on horse Barricades illustrated as the fort walls, giving the viewer an experience of watching the war.

VR glasses camouflaged under viewing telescopes, letting viewers view the war in action.

PROFESSIONAL | EXPERIENCE CENTRE |RWAMP STUDIO | 2018

Team : Abhinav Prasoon, Madhur Gupta Site : Mumbai, India Rights: RWAMP Studio LLP Type : Experience Center Keywords : Museum, Educational, Global Warming, Interactive Installations

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05

ISRO | SCIENCE EXHIBITION CENTRE

Along with imparting knowledge about the outer space and contributions of ISRO, our objective was to educate children and adults alike about global warming and what we can do as a community to counter the same.

PROFESSIONAL | EXPERIENCE CENTRE |RWAMP STUDIO | 2018

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PROFESSIONAL | EXPERIENCE CENTRE |RWAMP STUDIO | 2018

Interactive wall- experiencing sounscape of different planets Curved surface for motion graphic eg- falling meteor in space Depicting space with miniature of ISRO satellites Sphere giving information of the satellites ISRO Time line

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All of ISRO’s equipments have the three horizontal lines of ‘Vibhuti’ and ‘Kumkum’, similar to the one seen on Lord Shiva’s forehead; making it a symbol of significance.

This symbol is abstracted into three concentric elliptical facades, with a central red sphere; installing data of ‘outer space’ within the defined space.

PROFESSIONAL | EXPERIENCE CENTRE |RWAMP STUDIO | 2018

Studio Instructor : Beatrice Galilee (The World Around) Site : Governors Island, New York City Type : Exhibition, Curation Keywords : Climate Emergency, Sustainability, Science & Art, Pedagogy, Anthropocene, 2050 Endorsement: To Future It Now portfolio Exhibition Goal : By designing an end to end sustainable exhibition, we proposes to talk about climate change in respect of time-space quality, the possibility of what the future could hold. This Climate Emergency Biennale at Governors Island in New York aims at inviting thinkers and practitioners who work largely in the field of climate, science, art and architecture, to push forward sustainable methods of living and construction to minimize carbon footprint in building designs.

The brief of the exhibition is to visualise how life can be a few decades ahead when we would have achieved carbon neutrality, and eliminated the constant need for search of climate solutions. With the help of participants and guest speakers, the exhibition aims at starting a dialouge within these communtites of artists and scientists to start visualizing a healthier future.

The exhibition at the same time aims at educating common people about the climate reality through immersive, multi-sensory experiences at these pavilions. The goal is to make everyone aware of where we stand on the environmental front without overwhelming them with the reality. The biennale wants the visitors to leave with some sense of hope about an optimistic future but also with awareness of the urgency and burden of individual responsibility.

Time Travel Tomorrow Guerilla Science

Produces food and drinking water for visitors.

Produces energy and mushrooms for pavilions.

Promotes mushroom as a food, and food grown on biotope through innovative engagement strategies.

Life’s On The Edge

Nature Saves Nature V8 Architects Waiwai Studio

Fabricates mycelium from mushrooms and graphene from captured carbon.

Fabricates mycelium products like chairs, benches, shades, packaging material, partition boards etc.

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Studio Folder Liam Young Sissel Marie Tonn

Circle of Sustainability

Fabricating Future Ezio Blasseti Achim Menges Grimshaw

Believe It’s True Team Lab

Narrates the stories of sustainability, thus completing the circle.

Uses conserved electricity and graphene for storing data, constructing reflective surfaces for projections, actual projections etc.

06

TO FUTURE IT NOW

Carbon Emergency Curatorial Statement: ‘To Future It Now’ is a proposal for a climate biennale that would speak about the diminishing natural resources on Earth, how increasing use of fossil fuels is directly proportional to the rise in sea levels, the need to achieve carbon neutrality, and the urgency to achieve it now. The biennale would address questions like, how long and far can we propose pragmatic solutions for climate change, how could water as a rising element be used as a fuel to replace the need for burning non-renewables, how far can living species adapt to change, and what is the end game of civilization.

5. Time Travel Tomorrow 2. Nature Saves Nature

3. Believe It’s True

4. Fabricating Future 1. Life’s On The Edge

ACADEMIC | PRATT SUMMER COURSE | 2021

Data Visualisation and Research Agency

Narrative

Studio Folder, Italy Focused on present scenario of land excavations for fossil fuels and it’s impact on climate and people through the example of Kiruna.

Narrative

Liam Young, Australia

Architect, Film Director, Author

Focused on the future of urban densification and need to surrender the land for ground replenishment through the example of Planet City.

Sissel Marie Tonn,

Artist, Arts & Community Organizer, Non-institutional Teaching

Experience

Netherlands Focused on impacts of land excavation in the future years through her ‘Intimate Earthquake Archive’s’ multi sensory experience.

CLIM

SCIE

ARCHIT

Team Lab, US, UK, China,

Artists, Architects, Programmers, Engineers, Animators, Mathematicians

Experience

Australia, South Korea, Singapore

Focused on exploring relationship between humans and nature through art, science and technology and thus creating an immersive experience.

PEO

Educators

Workshop

Guerilla Science, US, UK Focused on connecting people who believe ‘science is not for them’ with science through practical training workshops and live performances.

CLIMATE

emergency b i e n n a l e

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ENCE

TECTURE

Architect, Educator

Sustainable Architecture Firm

Waiwai, UAE, Japan Focused on replacing concrete with Subkah, a wetland formed in UAE, and making it compatible for world use and weight bearing, in order to largely reduce CO2 emissions.

Material- Local

MATE

V8 Architects, Netherlands Focused on building a biotope with an intense sensory experience uniting water, enery and food; further focusing on growing of mushrooms and it’s use as a sustainable material.

Material- Universal

Focused on new materialGraphene, a carbon composite, and it’s methods of fabrication, use and the potential to revolutionize the building material industry.

Material- Universal

Ezio Blasseti, Greece

Sustainable Architecture Firm

OPLE

Focused on new materialGraphene, a carbon composite, and it’s methods of fabrication, use and the potential to revolutionize the building material industry.

Material- Local

Achim Menges, US, UK

Architect in Computational Design, Researcher, Educator

Focused on implementation of leading edge technology for long term sustainable future with the focus on leaving net zero carbon footprint.

Sustainability

Grimshaw, US, UK, UAE, France, Australia

Sustainable Architecture Firm

Participants To Future It Now

ACADEMIC | PRATT SUMMER COURSE | 2021

Studio Instructors : Umesh Pachigar Site : Odisha, India Type : Research, Architectural Design, Structural Detail.

Keywords : Social Upliftment, Craftsmen, Craft Training, Bamboo Construction, Cultural Exchange, Global Reach.

Endorsement: Design Dissertation

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07

RAISING SPIRITS OF ODISHA

This centre for craftsmen uses architecture as a catalyst for social upliftment and enrichment of vanishing cultural values. The proposal encourages the idea of home close to work and also preserving the cultural heritage that has been residing there for decades. Such art forms have been and will always be an identity of Odisha and its people. This preposition promises to fulfill and meet the short comings faced by the artist colony, moreover improving their state of living and occupation drastically.

ACADEMIC| UNDERGRADUATE THESIS | 2018

“But, when the work was finished, the craftsman kept wishing that there were someone to ponder the plan of so great a work, to love its beauty, and to wonder at its vastness.” -Giovanni Mirandola

SWOT ANALYSIS COLLAGE FROM MY VISIT TO ODISHA The diagram explains how strengths, constraints and opportunities form different faces along any axis, and are important in defining the program and designing.

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ACADEMIC| UNDERGRADUATE THESIS | 2018

VISITORS TAKE THESE STEPS TO WITNESS ‘PATTACHITRA’ PAINTINGS

HARMONIOUS SOUND OF BELL METALS AND STONE FLOORING CREATING THE AURA OF TEMPLES OF ODISHA 27 | dshah.arch@gmail.com

Screens to accelerate micro-climate Workshop Areas

Paper Mache Masks decorated at the entrance since the are considered auspicious Rock carved sculptures

Bell Metal art recreating the temple emotion Historic Pattachitra Paintings Visitors participating in painting, guided by the craftsmen

Spotlight created to celebrate the craftsmen

Jute, Cane, Coconut shells & Bamboo Products One huge saree draped to showcase handloom sector

AXONOMETRIC OF EXHIBITION BLOCK EXPLAINING THE CONCEPT OF ‘BACKSTAGE’ ACADEMIC| UNDERGRADUATE THESIS | 2018

RESTAURANT’S TRUSSES AND BUILT IN-SITU SEATS FOR ETHNIC CONNECT

RECEPTION AREA CELEBRATING THE CRAFT OF BELL METALS

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SECTION THROUGH THE DORMITORY

DETAIL @ F

DETAIL @ G

ACADEMIC| UNDERGRADUATE THESIS | 2018

Type : International Design Competition Host : VOLUME ZERO | Rank : 13th, Honourable Mention Jury : a+r Architekten GmbH, Germany | HIBINOSEKKEI, Japan | Jun Sekino, Thailand | Paulo Afonso, Portugal| Hoang Thuc Hao, 1+1>2, Vietnam | TAM Associati, Italy Contribution: Team Lead, Concept Development, Designing Modules, 3D Modeling, Main Render.

Keywords : Housing, Community, Modular, Additive Architecture, Need Basis, Structural Columns, Highway.

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08

KNOWLEDGE HAAT

The ‘Haat’ is the heart of the community, the market is the core of any settlement, the school runs as a learning and working space and then transforms into workshop, market and exhibition spaces post school hours making it an ideal ‘Knowledge Haat’. Here, knowledge is shared in a not-so-traditional fashion as kids and adults come together in the vibrant outdoor spcae, share the classroom module, and spend the day in an environment crafted by local artisans.

INSTITUTIONAL BUILDING | INTERNATIONAL COMPETITION | 2018

CLASSES ON, WALLS CLOSED

ONE CLASS ON BREAK, CRAFTSMEN USING INTERACTIVE SPACES TO WORK

COMMUNITY HOLDING MEETINGS WHILE THEIR CHILDREN PLAY NEARBY

OPEN EXHIBITION OF CRAFTS AND STUDENT WORK USING EXISTING FURNITURE

EXPERIENCE BASED EXHIBITION USING MIXED CONFIGURATION OF SLIDING WALLS

EVENING HAAT BEING USED AS EXHIBITION SPACES AND INDOOR MARKET

ADAPTIVE MODULE 30 | dshah.arch@gmail.com

01 02

03 04 05 06

07

01.

02.

03.

04.

05.

06.

07.

GREEN ROOF PERGOLA ROOF IN BAMBOO ROOF TILES IN TERRACOTTA RAFTERS IN WOOD POLYCARBONATE SHEETS FRAMEWORK IN WOOD SITE WITH CIRCULATION

DIAGRAM SHOWING CIRCULATION AND ROOF SYSTEMS Education has consistently proven to be the fundamental aspect of future development, but in a country with 67% rural population, the present development of the community becomes primary. In scenarios like these, a school can not only be an educational hub but a community core.

The design works best as an ideal co-working space for the school and the community artisans to work in unison.

Sanitation, Food and Medication being the necessities unavailable, the design celebrates a public toilet and medication facility in-turn luring the community towards the school.

Traditional arts are predominant here, the school encourages these and helps augment its future. The modular design of the classroom can be adopted anywhere invariably and can be incremented X and Y easily. The module is concepted such that it can shape-shift into larger spaces for various activities.

Understanding that education is invariable of age, the program is keenly designed, independent of the grade depending on the subject adding to the flexibility. The school is programed such that the learning processes in the familiar open environment breaking the norm of a 4-walled classroom, also incu cating habits of nursery development and recycling.

INSTITUTIONAL BUILDING | INTERNATIONAL COMPETITION | 2018

STREET DURING MORNING - SCHOOL

PROMOTING ART AM

STREET DURING EVENING - ‘HAAT’

LIBRARY WITH LADDER

31 | dshah.arch@gmail.com

MONGST THE YOUTH

COLOURING ON WALLS WITH NICHES TO CLIMB ON

RS AS CURIOUS POINTS

INTERACTION IN RECESSED SEATING OUTDOORS

PERSPECTIVE SECTION INSTITUTIONAL BUILDING | INTERNATIONAL COMPETITION | 2018

Team : David Marcozzi, Gene Bauer, Stephen Parsons Site : Baltimore, Maryland Rights: Ci Design Inc., Reveal Real Estate Management Type : Mixed-Use Development, Multifamily Housing Keywords : Infill Project, Historic Facade, Site Documentation, Renovation, Multifamily Units, Loft Units, Rooftop Amenities

32 | dshah.arch@gmail.com

09

100 ST. PAUL STREET

100 St. Paul is a project based in downtown Baltimore catering to renovation of two buildings with heritage facades at the cross section of E Fayette St and St. Paul St. Project scope includes an infill addition amidst these facades, and design options explore contemporay and modern approaches in order to uplift the historic beauty of the existing.

PROFESSIONAL | CI DESIGN | 2022

DESIGN OPTION 01

DESIGN PERSPECTIVE 01 33 | dshah.arch@gmail.com

DESIGN OP

PTION 02

DESIGN OPTION 03

DESIGN PERSPECTIVE 03 PROFESSIONAL | CI DESIGN | 2022

BALCONY DESIGN

34 | dshah.arch@gmail.com

ROOFTOP BAR

PROFESSIONAL | CI DESIGN | 2022

Team : David Marcozzi, Samuel Lynch, Jaime Perez Mejia Site : Baltimore, Maryland Rights: Ci Design Inc., JS O Donald LLC Type : Multifamily Housing Keywords : Senior Living, Earthy Tones, Woods, Metal Panels

35 | dshah.arch@gmail.com

8074 BALTIMORE NATIONAL PIKE ELLICOTT CITY, MARYLAND

10

BALTIMORE NATIONAL PIKE

Baltimore National Pike is a project I worked on from it’s conceptualization to making the construction drawings. Being surrounded by woods, the project is envisioned with eathy tones for 90 units and a hundered thousand square feet GBA. I have put together a visioning packge, concept package, schematic package which included grade studies, test fits, project data, elevation designs and initial units layouts; later developed in a design development package. I am currently working on the QAQC of elevations, and completing the construction drawings with the team.

PROFESSIONAL | CI DESIGN | 2023

PERSPECTIVE

CONCEPT DESIGN 12 SEPTEMBER 2023

ATAS CHOCOLATE BROWN METAL PANELS 1

METAL PANELS 2

BROWN BRICKS

CEMENTITIOUS PANEL

CEMENTITIOUS PANEL 1 WHITE BRICKS

METAL PANEL 1 ATAS - CHOCOLATE BROWN

METAL PANEL 1 UNSPECIFIED

BRICK 1|BROWN

UNIT B2.1

COR

UNIT A4

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ELE CORE

AMENITIES

BRICK 3 | WHITE

CEMENTITIOUS PANEL 1 WHITE

CEMENTITIOUS PANEL 3 BROWN

CEMENTITIOUS PANEL 1 CEMENTITIOUS PANEL 2

METAL GUARDR FOR BALCONY

CEMENTITIOUS PANEL 2

UNIT B2.1

COR

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AMENITIES AMENITIES 10/5/2023 5:08:36 PM

\\int\RedirectedBaltimore\dshah\Documents\8074 Baltimore National Pike_dshah8HMPN.rvt

CEMENTITIOUS PANEL 2 GREY

ATAS CHOCOLATE BROWN METAL PANELS 1

36 | dshah.arch@gmail.com

5

4

8074 BALTIMORE NATIONAL PIKE ELLICOTT CITY, MARYLAND

copyright (c) by Ci Design, Inc. / all rights reserved

L2

BEIGE BRICKS

CEMENTITIOUS PANEL 3

CEMENTITIOUS PANEL 3

JULIET BALCONY

6' - 8"

VINYL WINDOW

ROOF 66' - 4" A.F.F.

UNIT C2

A2

COR

UNIT B2.1

11' - 8"

NIT C1

LEVEL 5 54' - 8" A.F.F.

UNIT B3.1

A2

UNIT A2

COR

UNIT B2.1

10' - 8"

NIT A1.1

LEVEL 4 44' - 0" A.F.F.

COR

UNIT B2.1

73' - 0"

A2

UNIT A2

10' - 8"

UNIT B3.1

66' - 4"

NIT A1.1

LEVEL 3 33' - 4" A.F.F.

UNIT B3.1

A2

UNIT A2

COR

UNIT B2.1

10' - 8"

NIT A1.1

LEVEL 2 22' - 8" A.F.F.

UNIT B3.1

A2

UNIT A2

COR

UNIT B2.1

10' - 8"

NIT A1.1

12' - 0"

LEVEL 1 12' - 0" A.F.F.

BASEMENT 408' - 8" A.F.F.

FRONT ELEVATION

RAIL

METAL PANELS 2

LOADING DOOR

BEIGE BRICKS BEIGE SOLDIER COURSE

6' - 8"

VINYL WINDOW

6' - 8"

ROOF 66' - 4" A.F.F.

11' - 8"

ROOF 66' - 4" A.F.F.

1

11' - 8"

UNIT A2

A2

COR

UNIT B2.1

NIT A1.1

UNIT B3.1

UNIT A2

A2

COR

UNIT B2.1

NIT A1.1

UNIT B3.1

UNIT A2

A2

COR

UNIT B2.1

NIT A1.1

UNIT B3.1

UNIT A2

A2

COR

UNIT B2.1

NIT A1.1

UNIT B3.1

UNIT A2

A2

COR

UNIT B2.1

NIT A1.1

UNIT B3.1

UNIT A2

A2

COR

UNIT B2.1

NIT A1.1

UNIT B3.1

UNIT A2

A2

COR

UNIT B2.1

NIT A1.1

UNIT B3.1

UNIT A2

A2

COR

UNIT B2.1

LEVEL 5 54' - 8" A.F.F.

LEVEL 4 44' - 0" A.F.F. LEVEL 4 44' - 0" A.F.F. 73' - 0"

UNIT B3.1

66' - 4"

NIT A1.1

LEVEL 5 54' - 8" A.F.F.

73' - 0"

UNIT B2.1

10' - 8"

COR

10' - 8"

A2

10' - 8"

UNIT C2

SCALE: 1/8" = 1'-0"

66' - 4"

NIT C1

Section 2

REF DRAWING:1 / A101

10' - 8"

UNIT B2.1

10' - 8"

COR

10' - 8"

A2

10' - 8"

UNIT C2

10' - 8"

NIT C1

LEVEL 3 33' - 4" A.F.F.

LEVEL 2 22' - 8" A.F.F. LEVEL 2 22' - 8" A.F.F.

LEVEL 1 12' - 0" A.F.F.

12' - 0" 6’-0” 12' - 0"

LEVEL 1 12' - 0" A.F.F.

BASEMENT 406’-0” 408' - 8" A.F.F.

REAR ELEVATION 3

2

LEVEL 3 33' - 4" A.F.F.

BASEMENT 408' - 8" A.F.F.

ELEVATIONS 1

SCALE: 1/8” = 1’-0”

PROFESSIONAL | CI DESIGN | 2022

SCHEMATIC DESIGN 06 OCTOBER 2023

REF DRAWING:1 / A101 REF DRAWING:1 / A101

Section 2

SCALE: 1/8" = 1'-0"

Section 2

SCALE: 1/8" = 1'-0"

1 1 9

META

METAL PANEL 1 ATAS - CHOCOLATE BROWN

BRICK 1|BROWN

METAL PANEL 1 UNSPECIFIED

UNIT B2.1

COR

UNIT A4

UNIT C1

UNIT B2.1

COR

UNIT A4

UNIT A1.1

UNIT B3.

UNIT B2.1

COR

UNIT A4

UNIT A1.1

UNIT B3.

UNIT B2.1

COR

UNIT A4

UNIT A1.1

UNIT B3.

UNIT B2.1

COR

UNIT A4

UNIT A1.1

UNIT B3.

BRICK 2 | BEIGE

ELE CORE

AMENITIES

BRICK 3 | WHITE

CEMENTITIOUS PANEL 2 GREY

CEMENTITIOUS PANEL 1 WHITE

UNIT B2.1

COR

UNIT A4

UNIT C1

UNIT B2.1

COR

UNIT A4

UNIT A1.1

UNIT B3.

UNIT B2.1 CEMENTITIOUS PANEL 3COR BROWN

UNIT A4

UNIT A1.1

UNIT B3.

UNIT B2.1

COR

UNIT A4

UNIT A1.1

UNIT B3.

UNIT B2.1

COR

UNIT A4

UNIT A1.1

UNIT B3.

ELE CORE

10/5/2023 5:08:36 PM

AMENITIES

5

37 | dshah.arch@gmail.com

4

3

8074 BALTIMORE NATIONAL PIKE ELLICOTT CITY, MARYLAND

copyright (c) by Ci Design, Inc. / all rights reserved

OWNER:

D

CEMENTITIOUS PANEL 1

CEMENTITIOUS PANEL 3

Consultant Discipline

Consultant Discipline Consultant Address Consultant Phone Consultant Website

UNIT B2.1

COR

Consultant Discipline

Consultant Discipline Consultant Address Consultant Phone Consultant Website

11' - 8"

A2

Consultant Discipline

UNIT B2.1

COR

Consultant Discipline Consultant Address Consultant Phone Consultant Website

10' - 8"

A2

UNIT A2

Consultant Discipline

Consultant Discipline

LEVEL 4 44' - 0" A.F.F.

10' - 8"

UNIT B2.1

Consultant Address Consultant Phone Consultant Website

C 73' - 0"

COR

66' - 4"

A2

UNIT A2

Consultant Discipline

Consultant Discipline

LEVEL 3 33' - 4" A.F.F.

UNIT B2.1

COR

ARCHITECTURE

PRELIMINARY FOR REVIEW ONLY THESE DOCUMENTS ARE FOR DESIGN REVIEW AND NOT INTENDED FOR BIDDING, CONSTRUCTION, OR PERMIT PURPOSES. T 410.384.4244 THEY WERE PREPARED

BY OR UNDER THE SUPERVISION OF MD BALTIMORE, CI DESIGN. STREET 1000 LANCASTER

LEVEL 2 22' - 8" A.F.F.

UNIT B2.1

COR

10' - 8"

A2

UNIT A2

PLANNING INTERIORS

Consultant Address LANDSCAPE ARCHITECTURE GRAPHICS Consultant Phone Consultant Website

10' - 8"

A2

UNIT A2

.1

ci-designinc.com

LEVEL 1 12' - 0" A.F.F. OWNER:

12' - 0"

D

Owner

SIDE (EAST) ELEVATION

BASEMENT 408' - 8" A.F.F.

Consultant Discipline

VINYL WINDOW

CEMENTITIOUS PANEL 3

Consultant Discipline

BROWN BRICKS

Consultant Address Consultant Phone Consultant Website

CEMENTITIOUS PANEL 2

Consultant Discipline

Consultant Discipline B

6' - 8"

METAL PANELS 2

BEIGE BRICKS

ROOF 66' - 4" A.F.F.

A2

COR

UNIT B2.1

Section 2

REF DRAWING:1 / A101

COR

Consultant Discipline Consultant Address Consultant Phone Consultant Website

SCALE: 1/8" = 1'-0"

UNIT B2.1

1

Consultant Discipline

LEVEL 5 54' - 8" A.F.F.

Consultant Discipline Consultant Address Consultant Phone Consultant Website

10' - 8"

A2

UNIT A2

Consultant Discipline

11' - 8"

UNIT C2

Consultant Address Consultant Phone Consultant Website

Consultant Discipline

Consultant Discipline

LEVEL 4 44' - 0" A.F.F.

UNIT B2.1

10' - 8"

73' - 0"

COR

Consultant Address Consultant Phone Consultant Website

C 66' - 4"

A2

UNIT A2

Consultant Discipline

Consultant Discipline

LEVEL 3 33' - 4" A.F.F.

COR

UNIT B2.1

Consultant Address Consultant Phone Consultant Website

10' - 8"

A2

UNIT A2

PRELIMINARY FOR REVIEW ONLY THESE DOCUMENTS ARE FOR DESIGN REVIEW AND NOT INTENDED FOR BIDDING, CONSTRUCTION, OR PERMIT PURPOSES. THEY WERE PREPARED BY OR UNDER THE SUPERVISION OF CI DESIGN.

LEVEL 2 22' - 8" A.F.F.

COR

UNIT B2.1

10' - 8"

A2

UNIT A2

MULTIFAMILY BUILDING STREET ADDRESS CITY, STATE CLIENT: Owner

CEMENTITIOUS PANEL 1

8074 BALTIMORE NAT. PIKE

ATAS CHOCOLATE BROWN METAL PANELS 1

REV

LEVEL 1 12' - 0" A.F.F.

A

DATE

DESCRIPTION

DESIGN DELIVERABLE: ISSUED FOR...

ISSUE DATE: MONTH DAY, YEAR Copyright (c) by CI Design,Inc. All Rights Reserved.

12' - 0"

DRAWN BY: Author CHECKED BY: Checker PROJECT NUMBER: P200533 SHEET TITLE:

BASEMENT 408' - 8" A.F.F.

BUILDING SECTIONS & WALL SECTIONS

SIDE (WEST) ELEVATION

A600 ELEVATIONS SHEET NUMBER:

2

1 B

74 BALTIMORE NAT. E

SCALE: 1/8” = 1’-0”

PROFESSIONAL | CI DESIGN | 2022

SCHEMATIC DESIGN 06 OCTOBER 2023

REF DRAWING:1 / A101

Section 2

SCALE: 1/8" = 1'-0"

1

AMILY BUILDING ADDRESS TATE Owner

.1

Consultant Address Consultant Phone Consultant Website

LEVEL 5 54' - 8" A.F.F.

.1

.1

Consultant Discipline

CEMENTITIOUS PANEL 2

CEMENTITIOUS PANEL 3

UNIT C2

.1

.1

VINYL WINDOW

ROOF 66' - 4" A.F.F.

.1

.1

Consultant Discipline

BEIGE BRICKS

6' - 8"

AL PANELS 2

Owner

10

PLEASE VISIT THIS LINK FOR THE TECHNICAL DRAWINGS PACKAGE

229' - 1 5/16"

CL

CL

5' - 5 1/8"

6' - 11 5/8"

36' - 8 1/8"

CL

CL

16' - 10 1/8"

11' - 1 7/8"

CL

11' - 10"

5' - 10 3/4"

5-W6

DW

DW

A4

5-W6

201

4-W6

CL

CL

CL

9' - 6 1/2"

12' - 10 1/2"

A1

3-W6S

STAIR #1

2-W6S

33' - 8 1/2"

200-2

2' - 0"

UNIT A4

200-2

1' - 9"

UNIT A1.1

3-W6S

208

206

DN

CL

A300

C1 A701

UP

A5 A311

4-W6

3-W6S DW

ELEV 1

5' - 9 1/4"

200-1

UNIT B2

11' - 0"

5' - 9 1/4"

CL

203

CL

DW

5' - 9 1/4"

5' - 9 3

REF.

4-W6

CL

CL

33' - 7 1/4"

6' - 5 3/4"

REF.

B1 A700

CORRIDOR

35' - 0"

REF.

1' - 9"

2-W6S 2-W6S

CL

ELECTRICAL 200-6

3-W6S

CL

DW

3-W6S

REF.

20' - 6 1/8"

13' - 4"

CL

3-W6S

8' - 10 1/2"

UNIT B1 204

UNIT B3

UNIT A1

205

207

UNIT B

209

6' - 2 3/4"

CL

22' - 5 7/8"

CL

34' - 3 3/4"

CL

11' - 1"

REF.

DW 5-W6

REF.

3-W6S

CL

12' - 9 1/2"

200-6 REF.

C1 A201 4-W6

12' - 5 3/8"

11' - 5 3/8" 11' - 6 1/2"

36' - 0"

12' - 10 3/8"

CL

4-W6

"

12' - 4 1/4"

5' - 9 3/8"

1/2

96' - 11 3/4"

11' - 6 3/4"

6' - 5 1/4"

-2

CL

CL

11' - 9 1/2"

3'

---

CL

24' - 0" 11' - 1 1/2"

3-W6S

1' - 2"

11' - 8 1/4"

3-W6S

CL

12' - 5 1/2"

°

UNIT A3

.00

202

3' - 0"

C4 A201

135

REF.

UNIT B4

REF.

A310

CL

30' - 3"

26' - 3 3/8"

A311 4-W6

4' - 6"

5-W6

CL

7' - 9 3/4"

4-W6

5' - 9"

A1

A300

10 1/4"

A310 4-W6

CL

10' - 10"

C1

A5 5-W6

CL

10' - 0"

5' - 5 1/4"

5' - 1 7/16"

14' - 4 3/4"

1' - 2"

10' - 6 1/16"

31' - 11 3/8"

CL 11' - 4"

39' - 10 9/32"

4-W6 5-W6

5' - 10 3/8"

4-W6

9' - 10"

CL 10' - 1 1/4"

A2

A1

A1

A310

A310

A312

12' - 0" CL

24' - 0 3/32"

6' - 5"

5' - 11 3/4"

CL

11' - 4" CL

33' - 7 1/2"

25' - 7 5/8"

15' - 10 7/8" CL

11' - 6" CL

26' - 7 1/32"

39' - 5" CL

CONSTRUCTION PLAN GENERAL NOTES 1. SEE SPECIFICATIONS FOR DETAILED INFORMATION. 2. SEE A201-2017 FOR GENERAL CONDITIONS OF THE CONTRACT FOR CONSTRUCTION.

38 | dshah.arch@gmail.com

3. SEE SHEET A000 FOR TYPICAL NOTES, SYMBOLS, ACCESSIBILITY MOUNTING STANDARDS, AND ABBREVIATIONS. SEE SHEET G002 FOR CODE SUMMARY INFORMATION. 4. SEE SHEET G010 FOR PARTITION TYPES AND SCHEDULES. 5. CONTRACTOR TO COORDINATE CONSTRUCTION WITH ALL TRADES PRIOR TO COMMENCEMENT OF WORK. 6. CONTRACTOR RESPONSIBLE FOR REPAIRING, PATCHING, AND REPLACING DAMAGE DUE TO CONSTRUCTION OR TO INSTALLATIONS BY TRADES. REPAIR, PATCH, AND FINISH OF EXISTING CONDITIONS DAMAGED BY NEW WORK TO MATCH ADJACENT WORK. E NATIONAL PIKE.rvt

4-W6 A2

4-W6

A312

---

5-W6

7. INTERIOR DIMENSIONS ARE TAKEN TO THE FACE OF EXISTING WALLS, NEW CONSTRUCTION, AND EQUIPMENT U.N.O. 8. EXTERIOR DIMENSIONS ARE TAKEN FROM FACE OF SHEATHING OR MASONRY U.N.O. SEE WALLS SECTIONS AND DETAILS FOR MORE INFORMATION. 9. SET DOORS 6" FROM ADJACENT PARTITIONS U.N.O. 10. CONTRACTOR TO FIELD VERIFY DIMENSIONS AND CONNECTION POINTS PRIOR TO COMMENCEMENT OF NEW CONSTRUCTION. IN CASE OF CONFLICT, CONTRACTOR TO NOTIFY THE ARCHITECT PRIOR TO PROCEEDING WITH WORK.

-

13' - 4" CL

11' - 9" CL

24' - 0" CL

11' - 6" CL

CL 58' - 1" 36' - 0"

CL

230' - 11 23/32

OVERALL PLA

CONSTRUCTION PLAN KE

ARCHITECTURE PLANNING INTER LANDSCAPE ARCHITECTURE GRAP

CL

39' - 10 1/2" 24' - 11 5/8" CL

5' - 1"

4' - 8 7/8"

7' - 8 1/8"

33' - 8 1/2" 40' - 11"

CL

CL

16' - 3 7/8"

6' - 6 1/4"

6' - 1 3/4"

CL

6' - 8 1/4" CL

12' - 5"

13' - 8"

T 410.384.42 BALTIMORE, M 1000 LANCASTER STR

5-W6 A2 A311

217

CL 5-W6

DW

CL

3-W6S

34' - 3 23/32"

A4

UNIT B3

UNIT B1

213

214

2' - 5 13/32"

6' - 5 41/64"

CL

211

22' - 6 1/16"

3-W6S 9' - 6"

UNIT A1

CL

20' - 6 1/8"

A311

REF.

B2

5-W6

DW

12' - 5 29/64"

4-W6

CL

DW

CL

REF.

9

PRELIMINARY FOR REVIEW ONLY THESE DOCUMENTS ARE FOR DE REVIEW AND NOT INTENDED FOR B CONSTRUCTION, OR PERMIT PURP THEY WERE PREPARED BY OR UND SUPERVISION OF CI DESIGN.

CL

12' - 5 3/8"

REF.

3-W6S

114' - 9 31/32"

12' - 9 3/4"

C1 A200

3-W6S

C

CL

2-W6S

2-W6S

11' - 1"

530 HILLSBOROUGH STREET, SUITE RALEIGH, NC 27603 TEL: 919.890.8809

CL

200-3 200-3

CI DESIGN INC.

6' - 5 5/8"

REF.

MECHANICAL

CL

33' - 5"

CL CL

5' - 9 3/8"

40' - 2 1/4"

REF.

11' - 6 1/2"

A311

INTERIORS

35' - 5 1/4"

A3

UNIT B2

DW CL

23' - 11"

10' - 5 3/8"

CL 1' - 9"

2-W6S

REF.

2108 SOUTH BLVD, SUITE 112 CHARLOTTE, NC 28203 TEL: 704.372.7755

CL

3-W6S

CL CL

215 SCHILLING CIR #102 HUNT VALLEY, MD 21031 TEL: 410.785.7423

7' - 5 3/8"

-9

3-W6S

215

12' - 5 3/8"

CL

CARROLL ENGINEERING INC.

VP ENGINEERING

216

29' - 11"

212

STRUCTURAL:

MEP & FIRE PROTECTION

5' - 9 1/8"

1/4 LC "

UNIT A2

2'

UNIT A2

3-W6S

200-5 DN

200-4

3/4 " 2' -8

210

MILDENBERG, BOENDER & ASSOCI

9' - 10"

/4"

200-4 STORAGE

C 2' L -8 1/4 2' " 93

2' - 0" UNIT B3.1 18' - 6 1/8"

STAIR #2

UP

CL

200-5

LANDSCAPE:

8318 FORREST STREET, SUITE 300, MD 21043 TEL: 410.997.0296

9' - 11 3/8"

CL 5' - 0 7/8" 3' - 8 5/32"

REF.

CL

6' - 5 1/8"

8318 FORREST STREET, SUITE 300, MD 21043 TEL: 410.997.0296

-

40' - 2 1/4"

5' - 8 29/32"

3' - 0 1/2"

CL

11' - 6"

MILDENBERG, BOENDER & ASSOCI

---

B1 A702

CL

11' - 10 1/2" 6' - 1 19/32"

4-W6 A1 A458

DW

CIVIL:

12' - 9 3/8"

REF.

5' - 4"

CL

3-W6S

JS O'DONALD LLC 5304 DORSEY HALL DRIVE ELLICOTT CITY, MD 21042

9' - 11 1/4"

3-W6S

11' - 8 5/8"

5' - 1 1/2"

208

UNIT B1.1

D

34' - 2 3/4"

5' - 8 7/8" 30' - 3"

REF.

13' - 5 3/8"

UNIT B4

4' - 3 5/8"

CL

34' - 11"

4' - 8 1/2"

CL 5-W6

26' - 5 3/8"

1' - 11 1/8"

4-W6

C4 A200

3/8"

ci-designinc.c OWNER:

CL

A1 A200

5-W6

DW

7' - 8"

3' - 9 3/4"

4-W6

4-W6

5-W6

5-W6

4-W6

B

2"

10' - 7" CL

13' - 2 3/4" CL

0"

11' - 11 1/4" CL

24' - 5 45/64"

24' - 0" CL

AN | LEVEL 02

14' - 11 3/8" CL

12' - 0 5/8" CL

27' - 11 187/256"

7' - 0 1/2"

5' - 6 3/8"

CL

39' - 5" CL

12' - 0" CL

23' - 9 5/16"

10' - 10 7/8" CL

5' - 8" CL 10' - 3 31/32"

33' - 7 7/32" CL

REF DRAWING:A1 / A200

LEVEL 2

SCALE: 1/8" = 1'-0"

A1

EY NOTES

MULTIFAMILY BUILDING 8074 BALTIMORE NATIONAL PIKE

11' - 8"

8074 BALTIMORE NATIONAL PIKE

A1 A201

PROFESSIONAL | CI DESIGN | 2022

REV

A

DATE

DESIGN

DESCRIPTION

Team : Ar. Abhinav Prasoon, Madhur Gupta Site : Karnataka, India Rights: RWAMP Studio LLC Type : Residential Cabins Keywords : Multisensory, Cabins, Backpackers, Nature Trails, Eco-sensitive.

39 | dshah.arch@gmail.com

11

JOURNEY

Journey is a camp-site for backbackers, living amongst localites, from where they trek upwards to explore vivid wildlife in Karnataka. The cabins across 22 acres of site occupies bare minimum land and gives a multisensory experience.

HOSPITALITY | RWAMP STUDIO | 2018

ILLUSTRATED DIAGRAM TO NOTE DOWN MAJOR PAUSE POINTS ON THE SITE 40 | dshah.arch@gmail.com

Experience the tops of trees where birds are usually found

You can fall asleep watching small animals play under your room

Using bamboo chimes to personify sounds of wind at the reception

Railings to be designed to add sound inducing experiences

Wood and granite to experience a temperature difference by touch

LONGITUDINAL SECTION THROUGH THE CABIN

CROSS SECTION OF THE CABIN 41 | dshah.arch@gmail.com

LONGITUDINAL ELEVATION OF THE CABIN

SIDE ELEVATION OF THE CABIN

Team : Ar. Abhinav Prasoon, Madhur Gupta Site : Karnataka, India Rights: RWAMP Studio LLC Type : Residential Cabins Keywords : Multisensory, Sustainable Materials, Vacation Homes, Landscape Design

42 | dshah.arch@gmail.com

12

FLOATING LEAVES

Due to natural contours, villas sit at a level such that roofs become the first impression on arrival. Roofs are structurally suspended so as to give the floating effect. Each unit sits over a pool and around well planned landscape. Units are accompanied by an entrance amenity space with restaurants.

HOSPITALITY | RWAMP STUDIO | 2018

CONCEPT & M

FLAT ROOF DOESNT WORK WITH THATCH

SURPLUS STRUCTURE HEIGHT TO ACHIEVE SLOPE FOR THATCH

MOST CONVEN TIONAL METHO TO ACHIEVE THA ROOF

DIAGRAMIC REPRESENTATION OF HOW D

ROOFS BEING THE FIRST IMPRESSION AFTER LOOK

SPREAD OF LEAVES ON THE SITE, M 1

2

ENTRY

SITE CONDITIONS

4

DEMANDED LINEAR PLANNIN

5

BREAKING THE MONOTONY, MERGING GREENS 43 | dshah.arch@gmail.com

LEAF INSPIRA

MASTER PLAN D

MASTER PLAN

NOD ATCH

DOME ROOFS DO NOT SUFFICE THE SLOPE REQUIREMENT EITHER

THATCH WOULDN’T WORK WITH INWARD SLOPING ROOF AS IT WILL RETAIN WATER

THATCH BEST SUITABLE FOR UNCONVENTIONAL ORGANIC, HIPPED SLOPE; ALSO ACHIEVED AT ADEQUATE HEIGHT

DIFFERENT ROOFS WORK WITH THATCH

KING AT ONLY FACADES ON THE WAY TO THE SITE

MAKING LINEARITY INTERESTING

NG BY THE CONTOURS

ATION

DEVELOPMENT

3

INVITING THE ARRIVAL’S GREEN BY ROTATING THE VILLAS

LEGEND ARRIVAL AREA

VIEW POINTS

CONTOUR FOR POOL

VILLA

LEVELED CONTOUR FOR VILLAS

POOL

CONTOUR FOR CLUB

EXISTING STRUCTURE

MASTER PLAN LAYOUT

VISUALIZING THE ENTRANCE TO THE RESTAURANT 44 | dshah.arch@gmail.com

MASTERPLAN AND LANDSCAPE DESIGN

VISUALIZING THE INTERIORS OF THE RESTAURANT

THATCH ROOF

RIDGE

RAFTERS

PURLIN

GLASS WALL TIE BEAM LINTEL/BEAM COLUMNS PLINTH

EXPLODED DIAGRAM OF STRUCTURAL SYSTEM’S STUDY 45 | dshah.arch@gmail.com

STUDY MODEL FOR UNDERSTANDING THE FORM AND SHADOWS

ON-SITE CONSTRUCTION IMAGES

LINKS TO OTHER WORKS CURATING EXHIBITION - To Future It Now

https://issuu.com/dhvanishah24/docs/shah_d_ceb_to_future_it_now

5. Time Travel Tomorrow 2. Nature Saves Nature

3. Believe It’s True

4. Fabricating Future 1. Life’s On The Edge

ALTERED ESTATES - Growing The Concourse, Singapore

https://www.youtube.com/watch?v=qiltEyZU9vQ&t=8s

VIDEO NARRATIVE https://www.youtube.com/watch?v=tZdEW5mVOMo

| dshah.arch@gmail.com

GUERILLA SCIENCE - Communicating Climate Science Through The Arts

https://issuu.com/dhvanishah24/docs/gs_portfolio_07893a67790c37

BRANDING PORTFOLIO

https://issuu.com/dhvanishah24/docs/branding_portfolio

PHOTOGRAPHY PORTFOLIO https://issuu.com/dhvanishah24/docs/portfolio_dhvani_shah_9bb

DHVANI SHAH Architectural Designer dshah.arch@gmail.com +1 (979) 335 - 5449