Frick Madison: The Frick Collection at the Breuer Building

THE FRICK COLLECTION AT THE BREUER BUILDING

FOREWORD BY ROXANE GAY PHOTOGRAPHED BY JOE COSCIA JR. WITH TEXTS BY XAVIER F. SALOMON AND IAN WARDROPPER

THE FRICK COLLECTION IN ASSOCIATION WITH D GILES LIMITED

THE FRICK COLLECTION AT THE BREUER BUILDING

FOREWORD BY ROXANE GAY PHOTOGRAPHED BY JOE COSCIA JR. WITH TEXTS BY XAVIER F. SALOMON AND IAN WARDROPPER

THE FRICK COLLECTION IN ASSOCIATION WITH D GILES LIMITED

FOREWORD ROXANE GAY

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FOREWORD ROXANE GAY

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THIRD-FLOOR GALLERIES

ITALY AND SPAIN, PAINTING AND SCULPTURE; INDIAN CARPETS, PORCELAIN, BRONZES, ENAMELS, AND CLOCKS

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THIRD-FLOOR GALLERIES

ITALY AND SPAIN, PAINTING AND SCULPTURE; INDIAN CARPETS, PORCELAIN, BRONZES, ENAMELS, AND CLOCKS

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The Frick Collection hang in Breuer is stunning.

A total glory.

SIMON SCHAMA, TWITTER

Now the Bellini has been isolated in a room of its own, in a gallery bare as a monastic cell. Light falls, from the same angle as in the painting, through a small Breuer window . . . It felt like a space worth a pilgrimage.

JASON FARAGO, THE NEW YORK TIMES

For those who count themselves as fans of art and architecture in equal measure, the true thrill of the space is the undeniable mash-up: Rococo paintings in a Brutalist building? You better believe it.

MADELEINE LUCKEL, ARCHITECTURAL DIGEST

At Frick Madison . . . the collection comes directly to the fore . . . serving up an altogether different kind of splendor.

MARLEY MARIUS, VOGUE

The Frick like you’ve never seen it before . . . A Warning: the three Vermeers are in a smallish chapel-like room. If you get caught in the crossfire, your heart could break. Beware.

JERRY SALTZ, INSTAGRAM

It’s a delight: intelligent, informative, elegantly lean and visually rich.

KAREN WILKIN, WALL STREET JOURNAL

Exuberant in its austerity, it [Frick Madison] proves the perfect way to see the Frick’s masterpieces as if for the first time. Perfectly lit, generously spaced, and hung at eye level against gunmetal grey walls, tey seem to glow from within.

ARIELLA BUDICK, FINANCIAL TIMES

The Marcel Breuer–designed building . . . turns out to be a magnificent context for the museum’s holdings.

Until the Frick Collection left its Gilded Age home on Fifth Avenue for temporary encampment in the Marcel Breuer landmark on Madison, we had no idea how seductive it could be for 21st-century sensibilities.

THE NEW YORKER

LINDA YABLONSKY, THE ART NEWSPAPER