Contemporary Art
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Contacts
Damian Hackett Henry Mulholland 0422 811 034 0424 487 738
Fiona Hayward Crispin Gutteridge 0417 957 590 0411 883 052
Eliza Burton
03 9865 6333 Administration and
Megan Mac Sweeney 03 9865 6333
Bidding enquires,
Eliza Burton 03 9865 6333
Brett Whiteley (1939 – 1992)
Lipstick, 1981
lithographinthreecolours,collageandnailpolish
107.0x75.5cm
116.0x84.5cm(frame)
edition:49/50
signed,numberedandinscribedwithtitle: 49/50lipstickbrettwhiteley
Starting bid: $26,000
ESTIMATE: $30,000 – 40,000
Provenance
Privatecollection,UnitedKingdom PhillipsdePury&Company,London,19March2010,lot209
Privatecollection,Sydney
Exhibited
BrettWhiteley:TheCompleteGraphics1961–1982,ArtGalleryof WesternAustralia,Perth,1983(anotherexample)
BrettWhiteley–RecentGraphics,PhilipBaconGalleries,Brisbane,22 July–August1983(illus.inexhibitioncatalogue,anotherexample)
BrettWhiteley:ReviewofPrints1976–1983,ChapmanGallery, Canberra,13November–7December1983(anotherexample)
Baldessin/WhiteleyParallelVisions,TheIanPotterCentre,National GalleryofVictoria,Melbourne,31August2018–28January2019 (anotherexample)
Literature
Mandy,R.,BrettWhiteley:TheCompleteGraphics,1961–1982, ArtGalleryofWesternAustralia,Perth,1983,cat.67,p.44 (illus.,anotherexample)
BrettWhiteleyTheGraphics1961–1992,DeutscherFineArt, Melbourne,1995,cat.62,pp.69(illus.,anotherexample),113 Grishin,S.,etal.,Baldessin/WhiteleyParallelVisions,NationalGallery ofVictoria,Melbourne,2018,p.162(illus.,anotherexample) Sutherland,K.,BrettWhiteley:CatalogueRaisonné,Schwartz Publishing,Melbourne,2020,cat.117P,vol.5,p.138(illus.,another example),vol.7,p.832
Related Works
OtherexamplesofthisprintareheldinthecollectionsoftheNational GalleryofVictoria,MelbourneandtheQueenslandArtGallery| GalleryofModernArt,Brisbane
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Petrina Hicks born 1972
Lauren and Monk, 2022
from the ‘Mythologies’ series pigment print
100.0 x 100.0 cm
103.0 x 103.0 cm (frame)
edition: AP 1/2 aside from an edition of 8 signed on gallery label verso: P. Hicks
Starting bid: $6,000
ESTIMATE: $8,000 – 10,000
Provenance
Michael Reid Galleries, Sydney (label attached verso)
Exhibited
Mythologies, Rifugio Digitale, Florence, 20 July – 3 September 2023, cat. 14 (another example)
Mythologies, Perth Council House Gallery, Perth, 16 August – 27 September 2024, cat. 4 (illus. in exhibition catalogue, another example)
Related Work
Bird’s eye, 2018, pigment print, 120.0 x 120.0 cm, in the collection of the National Gallery of Victoria, Melbourne
Bill Henson born 1955
Untitled, 2011 – 2012
archival inkjet pigment print
127.0 x 180.0 cm
135.0 x 185.5 cm (frame) edition: 1/5
signed, dated, inscribed with title lower right below image: UNTITLED 2011/12 Bill Henson inscribed and numbered lower left below image: LS SH31 N36.C. 1/5
Starting bid: $15,000
ESTIMATE: $25,000 – 35,000
Provenance
Roslyn Oxley9 Gallery, Sydney (label attached verso) Private collection, Sydney, acquired from the above in September 2012
Estate of the above
Exhibited
Bill Henson, Roslyn Oxley9 Gallery, Sydney, 20 September – 13 October 2012, cat. 5 (another example)
Australian Art, NGA Contemporary, Canberra, 15 March – 11 November 2015 (another example)
Bill Henson, National Gallery of Victoria, Melbourne, 10 March – 23 August 2017 (another example)
Literature
Radford, R., Collection highlights: National Gallery of Australia, NGA Press, Canberra, 2014, p. 177 (illus., another example) McDonald, J., ‘Bill Henson at the National Gallery of Victoria: a survey of a modern master’, The Sydney Morning Herald, Sydney, 26 May 2017 (illus., another example), https://www.smh.com.au/ entertainment/art–and–design/bill–henson–at–the–national–gallery–of–victoria–a–survey–of–a–modern–master–20170523–gwb4rz.html [accessed May 2025]
Related Work
Other editions of this work are held in the collections of the National Gallery of Victoria, Melbourne and the National Gallery of Australia, Canberra
Tim Maguire born 1958
Untitled 20011022, 2001
oil on canvas
120.0 x 120.0 cm
125.0 x 125.0 cm (frame) inscribed with title verso: 20011022
Starting bid: $10,000
ESTIMATE: $25,000 – 35,000
Provenance
Vivienne Sharpe Fine Art, Sydney Private collection, Sydney, acquired from the above Sotheby’s, Sydney, 7 May 2007, lot 99 Private collection, Melbourne
On view Melbourne
Bid
Now
Dale Frank born 1959
The Unattended Funeral where you should be glad what’s in my head stays in my head, 2007
varnish on canvas
200.0 x 300.0 cm
signed and dated twice verso: Dale Frank / 2007 / Dale Frank 2007
Starting bid: $35,000
ESTIMATE: $50,000 – 70,000
Provenance
Roslyn Oxley9 Gallery, Sydney
Private collection, Sydney, acquired from the above in September 2007
Estate of the above
Exhibited
Dale Frank, Sore Throat, Roslyn Oxley9 Gallery, Sydney, 28 August –22 September 2007, cat. 1
Andrew Browne born 1960
Funereal painting, 2005
oil on linen
81.5 x 101.5 cm
83.0 x 103.5 cm (frame)
signed and dated verso: ANDREW BROWNE 2005
Starting bid: $2,000
ESTIMATE: $4,000 – 6,000
Provenance
Kaliman Gallery, Sydney (label attached verso, as ‘Untitled’)
Private collection, Melbourne, acquired from the above
On view Melbourne
Bid Now
Andy Warhol (American, 1928 – 1987)
Vote McGovern, 1972
screenprint on Arches 88 paper
106.5 x 106.5 cm
124.5 x 124.5 cm (frame)
edition: 14/250
signed and numbered in ballpoint verso : 14/250 Andy Warhol published by Gemini G.E.L., Los Angeles, with chop mark lower right bears stamp verso: © Copyright 1972 Andy Warhol inscribed with workshop number in pencil verso: AW72 5046
Starting bid: $20,000
ESTIMATE: $25,000 – 35,000
Provenance
Private collection
Sotheby’s, London, 2 December 2004, lot 402
Private collection, Sydney
Exhibited
The Artist as Social Critic, National Gallery of Australia, Canberra, 10 May – 19 October 1986 (another example)
Committed to Print, Museum of Modern Art, New York, 31 January –19 April 1988 (another example)
Opening Exhibition, Andy Warhol Museum, Pittsburgh, opened 13 May 1994 (another example)
Andy Warhol: Social Observer, Pennsylvania Academy of the Fine Arts, Philadelphia, 17 June – September 2000, and touring, cat. 40 (another example)
MoMA2000, Open Ends: Minimalism and After, Museum of Modern Art, New York, 28 September 2000 – 4 March 2001 (another example)
Century City: Art and Culture in the Modern Metropolis, Tate Modern, London, 1 February – 29 April 2001 (another example)
Best Impressions: 35 Years of Prints and Sculpture from Gemini
G.E.L., National Gallery of Art, Washington, D.C., 4 November 2001 –21 January 2002 (another example)
Sinister Pop, Whitney Museum of American Art, New York, 15 November 2012 – 31 March 2013 (another example)
America Is Hard to See, Whitney Museum of American Art, New York, 1 May – 27 September 2015 (another example)
The American Dream: Pop to the Present, British Museum, London, 9 March – 18 June 2017, and touring internationally 2018 – 2021 (another example)
Andy Warhol – From A to B and Back Again, Whitney Museum of American Art, New York, 12 November 2018 – 31 March 2019 (another example)
Bid Now
Literature
Warhol, A. and Hackett, P. (ed.), The Andy Warhol Diaries, Warner Books, New York, 1989, p. 538
Feldman, F., and Schellmann, J., Andy Warhol Prints: A Catalogue Raisonné 1962 – 1987, Ronald Feldman Fine Arts, New York, third edition, 1997, cat. II.84, pp. 10 (illus., another example), 28, 76 (illus., another example), 267, 277, 278
Blazwick, I., Century City: Art and Culture in the Modern Metropolis, Tate, London, 2001, pp. 124, 125 (illus., another example), 285
Jones, J., ‘Portrait of the Week: Richard Nixon, Andy Warhol (Vote McGovern), 1972,’ The Guardian, 10 February 2001, https://www. theguardian.com/culture/2001/feb/10/art.warhol [accessed April 2025]
Powers, E., ‘Third–Party Politics: Andy Warhol’s “Vote McGovern” (1972),’ Zeitschrift für Kunstgeschichte, Berlin, 75 (3), 2012, pp. 391 – 416
Cherix, C., Print/Out: 20 Years in Print, Museum of Modern Art, New York, 2012, p. 24
Coppel, S., Daunt, C., and Tallman, S., The American Dream: pop to the present, Thames and Hudson, London, 2017, cat. 139 Wolf, R. (ed.), Translating Warhol, Bloomsbury, New York, 2024, p. 207 (illus., another example)
Related Works
Other editions of this work are held in the collections of the Museum of Modern Art, New York, the British Museum, London, the Andy Warhol Museum, Pittsburgh, the National Gallery of Art, Washington, the Brooklyn Museum, New York, the Whitney Museum of American Art, New York, the Museum of Contemporary Art, Chicago, the Museum of Fine Arts Boston, Boston, the Walker Art Centre, Minneapolis, Mildred Lane Kemper Art Museum, St Louis, and the National Gallery of Australia, Canberra
view Sydney
Annie Leibovitz American, born 1949
David Hockney, Los Angeles, 1983
archival pigment print
44.5 x 45.5 cm
73.0 x 73.5 cm (frame) edition: 9/25
signed and numbered verso: 9/25 Annie Leibovitz
Starting bid: $4,000
ESTIMATE: $5,000 – 8,000
Provenance
Private collection, London, acquired directly from the artist Phillips, London, 8 May 2013, lot 11 Private collection, Sydney
Exhibited
Annie Leibovitz: Photographs, Richard Gray Gallery, Chicago, 2 – 31 December 1983 (another example)
Related Work
David Hockney, Photographing Annie Leibovitz While She’s Photographing Me, 1983, photographic collage, 66.0 x 157.0 cm, edition of 4
On view Sydney
Bid Now
Julia Davis born 1957
Perigee, 2004
hand-blown mirrored glass
i) 19.0 x 17.0 x 9.0 cm
ii) 30.5 x 32.0 x 11.5 cm
iii) 55.0 x 40.0 x 18.5 cm
two (i & iii) signed and dated on base: Julia Davis ‘04
Starting bid: $5,000
ESTIMATE: $8,000 – 12,000 (3)
Provenance
probably Conny Deitzschold Gallery, Sydney Private collection, Sydney Estate of the above
On view Sydney
Bid Now
Ramesh Mario Nithiyendran born 1988
Fertility figure II, 2022
glazed earthenware with rubber and metal collar
128.0 x 54.0 x 40.0 cm
signed with initials in red glaze verso: RMN
Starting bid: $12,000
ESTIMATE: $15,000 – 20,000
Provenance
Sullivan+Strumpf, Sydney
Private collection, Sydney, acquired from the above in May 2022
Exhibited
Polymorphic Idols, Sullivan+Strumpf, online, opened 26 May 2022
Literature
Nithiyendran, R. M. and Minervini, G., ‘Ramesh Mario Nithiyendran: Polymorphic Idols’, Sullivan+Strumpf, Sydney, June – July 2022, pp. 48 – 49 (illus.)
On view Sydney Bid Now
Mitch Cairns born 1984
Morning Substitution, 2019
oil on linen
81.5 x 71.5 cm
84.0 x 73.5 cm (frame)
signed on stretcher verso: M Cairns
Starting bid: $6,500
ESTIMATE: $8,000 – 12,000
Provenance
The Commercial, Sydney (label attached verso) Private collection, Melbourne, acquired from the above in 2019 Exhibited
Waiter Waiter, The Commerical, Sydney, 15 June – 6 July 2019
On view Sydney
Bid Now
Tomislav Nikolic born 1970
Untitled, c.2014
synthetic polymer paint and marble dust on canvas
96.0 x 77.0 cm (including artist’s painted frame)
signed verso: Tomislav Nikolic
Starting bid: $6,000
ESTIMATE: $12,000 – 18,000
Provenance
Fox Jensen Gallery, Sydney Private collection, Sydney Estate of the above
Jude Rae Australia/New Zealand, born 1956
SL 308, 2013
oil on linen
76.0 x 81.0 cm
signed, dated and inscribed with title verso: J M Rae 2013 / SL 308
Starting bid: $15,000
ESTIMATE: $20,000 – 30,000
Provenance
Fox Jensen Gallery, Sydney
Private collection, Sydney, acquired from the above in June 2013 Estate of the above
On view Sydney
Bid Now
Jude Rae Australia/New Zealand, born 1956
SL 361, 2016
oil on linen
31.0 x 41.0 cm
signed, dated and inscribed with title verso: SL 361 / J M Rae / 2016
Starting bid: $7,500
ESTIMATE: $10,000 – 15,000
Provenance
Fox Jensen Gallery, Sydney
Private collection, Sydney, acquired from the above in 2016
Estate of the above
Exhibited
A Discreet Vessel, Fox Jensen McCrory, Auckland, July 2016; then
Fox Jensen Gallery, Sydney, 24 November – 23 December 2016
Ricky Swallow born 1974
Apple 2001 B/W, 2001
cast pigmented resin
9.5 x 7.5 x 7.5 cm
edition: AP 1/2 aside from an edition of 12 signed, dated and numbered on base: AP1 / R.S / 2001
Starting bid: $2,000
ESTIMATE: $5,000 – 7,000
Provenance
Darren Knight Gallery, Sydney Private collection, Sydney
Exhibited
Ricky Swallow/MATRIX 191 For those who came in late, Berkeley Art Museum, University of California, California, 22 April – 27 May 2001 (another example)
Related Work
Apple 2000, 2000, cast pigmented resin, 9.5 x 7.5 x 7.5 cm, edition of 12
On view Sydney
Bid Now
Robert Rooney (1937 – 2017)
Golden Gate, or Time’s little sheeler, 1995
synthetic polymer paint on canvas
102.0 x 198.5 cm
signed, dated and inscribed with title verso: Robert Rooney / Golden Gate or (Time’s) Little Sheeler 1995
Starting bid: $6,000
ESTIMATE: $8,000 – 12,000
Provenance
Tolarno Galleries, Melbourne
Private collection, Perth Bonhams, Sydney, 14 November 2018, lot 1 John Barnes, Melbourne
The Estate of John Barnes, Melbourne
Exhibited
That which I should have done I did not do: Paintings by Robert Rooney, Pinacotheca Gallery, Melbourne, 20 September – 7 October 1995, cat. 1
Literature
Thomas, D., ‘Melbourne Modern: The art of Robert Rooney’, Art and Australia, vol. 34, no. 4, 1997, p. 482 (illus.)
On view Melbourne
Imi Knoebel German, born 1940
Face 87 Ed, 2003 – 2016
from the ‘Face’ series
synthetic polymer paint, plastic panels mounted to Alu–Dibond
36.0 x 36.0 cm
42.0 x 42.0 cm (frame)
edition: 5 + 2AP
signed and dated verso: Imi / 2 . 16
bears inscription on label verso: IMI KNOEBEL / Face 87 Ed. / 2003/2016 / 2/5
Starting bid: $2,400
ESTIMATE: $5,000 – 7,000
Provenance
Fox Jensen Gallery, Sydney
Private collection, Sydney
Estate of the above
On view Sydney
Bid Now
Imi Knoebel German, born 1940
Face 87 Ed, 2003 – 2016
from the ‘Face’ series
synthetic polymer paint, plastic panels mounted to Alu–Dibond
36.0 x 36.0 cm
42.0 x 42.0 cm (frame)
editon: 5 + 2AP
signed and dated verso: Imi / 2 . 16
Starting bid: $2,400
ESTIMATE: $5,000 – 7,000
Provenance
Fox Jensen Gallery, Sydney Private collection, Sydney Estate of the above
On view Sydney
Bid Now
Jan Albers German, born 1971 thEkidsarEhighOnlight, 2016
bronze
38.0 x 28.5 x 19.5 cm
edition: 5/5
signed and dated verso: Jan Albers / 2017 stamped with initials and numbered at base: J A 5/5 bears Dusseldorf foundry stamp at base
Starting bid: $10,000
ESTIMATE: $15,000 – 20,000
Provenance
Fox Jensen Gallery, Sydney Private collection, Sydney, acquired from the above in September 2017
Estate of the above
Exhibited
Jan Albers: Flotation, 1301PE, Los Angeles, 11 November – 20 December 2016, cat. 5 (another example)
Summer Show, 1301PE, Los Angeles, 9 – 29 July 2017 (another example)
Art Basel, Hong Kong Convention and Exhibition Centre, Hong Kong, 29 – 31 March 2018 (another example)
On view Sydney
Bid Now
Howard Arkley (1951 – 1999)
Untitled [lines and spots], 1979
synthetic polymer paint, ink and pencil on paper
59.0 x 81.5 cm
60.5 x 82.5 cm (frame)
signed and dated lower right: Howard Arkley 79
Starting bid: $5,000
ESTIMATE: $8,000 – 10,000
Provenance
Collection of the artist
Thence by descent
Robert Arkley, Melbourne
Literature
Howard Arkley Online Catalogue Raisonné: [https://www.arkleyworks.com/blog/2009/11/13/untitled–lines–and–spots–1979–wp–attrib/] (accessed May 2025)
Related Works
Print Out, 1979, synthetic polymer paint and pencil on canvas, 90.0 x 122.0, private collection
Printout – Drawing for Decorated Tram 4, 1980, synthetic polymer paint on paper, 83.0 x 112.0 cm, collection unkown
Drawing for Decorated Tram Project, 1980, synthetic polymer paint, pencil and ink on paper, 67.7 x 96.2 cm, in the collection of the National Gallery of Australia, Canberra
On view Melbourne
Bid Now
© The Estate of Howard Arkley. Licensed by Kalli Rolfe Contemporary Art
Arik Levy Israeli born 1963
RockStone50, 2015
mirror polished stainless steel
50.0 x 16.0 x 16.0 cm edition: 3/8
signed, numbered and inscribed with abbreviated title at base: Arik Levy RS 50 03/08
Starting bid: $7,000
ESTIMATE: $10,000 – 15,000
Provenance
Fox Jensen Gallery, Sydney Private collection, Sydney, acquired from the above in February 2016 Estate of the above
Exhibited
Carbon, Fox Jensen Gallery, Sydney, February 2017 (another example)
On view Sydney
Bid Now
Noel Mc Kenna born 1956
SMH Watercolour (Nick O’Hern), 2001
watercolour and ink on paper
37.5 x 57.0 cm
62.0 x 79.5 cm (frame)
signed and dated lower right: N. McKenna 01
Starting bid: $1,500
ESTIMATE: $2,000 – 3,000
Provenance
Darren Knight Gallery, Sydney
Private collection, Melbourne
Exhibited
Noel McKenna: SMH Watercolours 1997 – 2001, Darren Knight Gallery, Sydney, 7 August – 8 September 2001 (label attached verso)
On view Melbourne
Noel Mc Kenna born 1956
Big Pheasant, Tynong North, Victoria, 2004
enamel on board
61.5 x 74.0 cm (including artist's handmade frame) signed and dated lower right: N. McKENNA 04 signed, dated and inscribed with title verso: Big Pheasant, Tynong North, Victoria / N McKenna 04
Starting bid: $9,000
ESTIMATE: $10,000 – 15,000
Provenance
Darren Knight Gallery, Sydney Private collection, Melbourne, acquired from the above in 2004
Related Work
Big Things, Australia, 2004, synthetic polymer paint on canvas, 153.0 x 183.0 cm, private collection [Wynne Prize Finalist]
On view Melbourne
Bid Now
Howard Arkley (1951 – 1999)
Untitled [cactoid composition], 1986
fibre tipped pen on paper
47.5 x 72.5 cm
49.0 x 74.0 cm (frame)
signed and dated lower right: Howard Arkley 86
Starting bid: $5,000
ESTIMATE: $8,000 – 10,000
Provenance
Collection of the artist
Thence by descent
Robert Arkley, Melbourne
Literature
Howard Arkley Online Catalogue Raisonné: [https://www.arkleyworks.com/blog/2025/05/12/untitled–cactoid–composition–1986–w–p/] (accessed May 2025)
Related Work
The Cacti Succulents, 1986, synthetic polymer paint on canvas, 150.5 x 259.7, in the collection of the Museum of Contemporary Art, Sydney
On view Melbourne
Bid Now
© The Estate of Howard Arkley. Licensed by Kalli Rolfe Contemporary Art
Ildiko Kovacs born 1962
Glide, 2002
oil on plywood
187.0 x 163.5 cm
signed, dated and inscribed with title verso: ILDIKO KOVACS / “GLIDE” / 2002
Starting bid: $15,000
ESTIMATE: $25,000 – 30,000
Provenance
Christine Abrahams Gallery, Melbourne (label attached verso)
Private collection, Melbourne, acquired from the above
Exhibited
Ildiko Kovacs, Christine Abrahams Gallery, Melbourne, 24 August –19 September 2002
Literature Cininas, J., ‘Ildiko Kovacs’, Art and Australia, vol. 40, no. 3, Autumn 2003, p. 498
On view Melbourne
Bid Now
Roger Kemp (1908 – 1987)
Untitled, 1984
synthetic polymer paint on paper on canvas
160.5 x 143.0 cm
163.0 x 146.0 cm (frame)
Starting bid: $14,000
ESTIMATE: $18,000 – 22,000
Provenance
Estate of the artist
Eastgate Gallery, Melbourne
Private collection, Melbourne, acquired from the above in 2019
Exhibited
Roger Kemp, Works from the Estate 1960 – 1987, Eastgate Gallery, Melbourne, 31 August – 26 October 2019
James Gleeson (1915 – 2008)
The judgement of Paris II, 1979
pastel, charcoal and watercolour on paper
49.0 x 69.0 cm (image)
53.5 x 72.5 cm (sheet)
77.0 x 95.0 cm (frame)
signed and dated in image lower left: Gleeson / 29.12.79
inscribed with title in margin lower left: The Judgement of Paris II signed in margin lower right: James Gleeson
Starting bid: $2,000
ESTIMATE: $3,000 – 4,000
Provenance
Watters Gallery, Sydney
Private collection, Sydney, acquired from the above in 2005
Deutscher and Hackett, Melbourne, 27 November 2015, lot 101
Private collection, Melbourne
Literature
Free, R., James Gleeson: Images from the Shadows, Craftsman House, Sydney, 1993, pp. 156 – 157, fig. 28b (illus.)
Kolenberg, H., and Ryan, A., James Gleeson: Drawings for Paintings, Art Gallery of New South Wales, Sydney, 2003, p. 63
Related Work
Other examples of ‘The judgement of Paris’ series are held in the collections of the National Gallery of Victoria, Melbourne and the Art Gallery of New South Wales, Sydney
On view Melbourne
Bid Now
James Gleeson (1915 – 2008)
Psychoscape V, 1980
pastel, charcoal and watercolour on paper
70.5 x 51.0 cm (image)
74.5 x 54.5 cm (sheet)
96.0 x 75.5 cm (frame)
signed and dated in image lower right: Gleeson / 7.8.80 inscribed with title in margin lower left: Psychoscape V
Starting bid: $2,000
ESTIMATE: $3,000 – 4,000
Provenance
Watters Gallery, Sydney
Private collection, Sydney, acquired from the above in 2005 Deutscher and Hackett, Melbourne, 27 November 2013, lot 102
Private collection, Melbourne
Exhibited
James Gleeson: Beyond the Phenomenal World, David Jones Art Gallery, Melbourne, 23 October – 12 November 1987, cat. 20
Related Work
Psychoscape I, 1980, pastel, charcoal and watercolour on paper, 70.5 x 51.5 cm (image), in the collection of the Art Gallery of New South Wales, Sydney
Information about online auction
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PADDINGTON NSW 2021
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See lot details to find out which gallery is displaying each work offered in the online auctions. Deutscher and Hackett have works on view at both their Melbourne and Sydney galleries. For further enquiries please call.
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Email: info@deutscherandhackett.com
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36 Gosbell Street, Paddington NSW
Phone: +61 (0)2 9287 0600
Email: info@deutscherandhackett.com
Next Online Auctions
Traditional + Modern Art
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Tuesday 3 – Tuesday 10 June, closing from 7:00pm
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Australian Indigenous Art
A Timed Online Auction
Tuesday 17 – Tuesday 24 June, closing from 7:00pm
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Copyright Credits
Lot 1 © Wendy Whiteley/Copyright Agency, 2025
Lot 2 © Petrina Hicks/Copyright Agency, 2025
Lot 3 © Bill Henson, 2025
Lot 4 © courtesy of Tim Maguire, Tim Maguire is represented by Martin Browne Contemporary, Sydney and Tolarno Galleries, Melbourne
Lot 5 © Dale Frank. Courtesy of Roslyn Oxley9, 2025
Lot 6 © courtesy of the artist, Andrew Browne is represented by Tolarno Galleries Melbourne
Lot 7 © Andy Warhol Foundation for the Visual Arts, Inc. ARS/Copyright Agency, 2025
Lot 8 © Annie Leibovitz
Lot 9 © Julia Davis/Copyright Agency 2025
Lot 10 © Ramesh Mario Nithiyendran/Copyright Agency 2025
Lot 11 © Mitch Cairns
Lot 12 © Tomislav Nikolic/Copyright Agency 2025
Lot 13 © Jude Rae. Represented by Philip Bacon Galleries, 2025
Lot 14 © Jude Rae. Represented by Philip Bacon Galleries, 2025
Lot 15 © Ricky Swallow. Courtesy Darren Knight Gallery, Sydney
Lot 16 © Estate of Robert Rooney
Lot 17 © Imi Knoebel 2025
Lot 18 © Imi Knoebel 2025
Lot 19 © Jan Albers 2025
Lot 20 © The Estate of Howard Arkley. Licensed by Kalli Rolfe Contemporary Art
Lot 21 © Arik Levy 2025
Lot 22 © Noel McKenna/Copyright Agency 2025
Lot 23 © Noel McKenna/Copyright Agency 2025
Lot 24 © The Estate of Howard Arkley. Licensed by Kalli Rolfe Contemporary Art
Lot 25 © Courtesy of Ildiko Kovacs. Ildiko Kovacs is represented by Martin Browne Contemporary, Sydney and Hugo Michell Gallery, Adelaide
Lot 26 © Estate of Roger Kemp
Lot 27 © The Estate of James Gleeson, 2025
Lot 28 © The Estate of James Gleeson, 2025
© Designed and published by Deutscher and Hackett Pty. Ltd. 2025
LIVE AUCTION | Melbourne | 27 August 2025
Rosalie Gascoigne
Beaten track, 1992
sawn wood soft drink crates on plywood, 122.0 x 110.0 cm
Sold for $1,043,182 (inc. BP), 1 December 2022, Melbourne
© Rosalie Gascoigne/Copyright Agency 2025
Melbourne enquiries
105 Commercial Rd, South Yarra, VIC Enquiries: 03 9865 6333
Sydney enquiries
36 Gosbell St, Paddington, NSW Enquiries: 02 9287 0600
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