Graduation 2012

/ Graduation 2012 Kolding School of Design

/ Graduation 2012 Kolding School of Design

Sophie Christine Haack Andersen Pia Vierø Bennedsen Steven Schultz Bussey Louise From Ari Marteinsson Henriette Olsesen Karl Mc Ilquham Schmidt Ida Buchardi Christian Duus Soffia Einarsdottir Sara Hardy Graversen Agnete Bach Hentze Alina Moat Anne Grønlund Pedersen Thomas Dambo Stine Bjerregaard Julie Flyvholm Cramer Camilla Boman Jensen Rikke Juhl Karlsen Pernille Møller Tom Kristensen Anne Danelund Laursen Sabina Pedersen Sophus Vinther Pedersen

Department of Communication Design Graphic Design

Interaction Design

Illustration

08 / 10 / 12 / 14 / 16 / 18 / 20 / 22 / 24 / 26 / 28 / 32 / 34 / 36 / 38 / 40 / 42 / 44 / 46 / 48 / 52 / 54 / 56 / 58 / 60 / 62 / 64 / 66 / 68 /

Hektor Stokholm Lone Aabrink

Portrait index

72 / 74 / 76 /

Nikolaj Weitze Severin 70 /

Simon Andersen

Foreword

04 /

/ Content

Carina Sveistrup Mikkelsen Louise Ravnløkke Randi Samsonsen Ann Højgaard Slot Luciana Maria Wraae Daniel Kirk Horsbøl Andersen Anna Borg Maja Lindstrøm Hansen Line Sander Johansen Bruno Kleist Niviaq Binzer Niklas Kunz Anna Katharina Thomsen Lea Zaar Østergaard Anne Danielsen Brian Frandsen Christian Troels Hansen Carl Emil Jacobsen Daniel Kowal-Andersen Søren August Vallø Jacobsen Michael Ubbesen Jakobsen Michael Svane Knap Victoria Kusk Allan Sejer Madsen Mathias Mølgaard-Jensen Jonas Birkebæk Poulsen Su Yu Tobias Tøstesen Jeppe S. Vestergaard

Fashion

Industrial Design

Portrait index Colophon / Thanks to

86 / 88 / 90 / 92 / 94 / 96 / 98 / 100 / 104 / 106 / 108 / 110 / 112 / 114 / 116 / 118 / 120 / 122 / 124 / 126 / 128 / 130 / 132 / 134 / 136 / 138 / 140 / 142 / 144 / 146 / 148 / 150 / 152 / 152 / 158 /

Lærke Ellegaard

Textile

84 /

Marie Louise Udby Blicher

Department of Product Design

82 /

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/ Foreword

/ Kolding School of Design Foreword

And this is just the beginning.

Five years is how long it takes to train a designer. Here at the school, we only join the first stage of the designer’s long professional journey; a first stage where each designer acquires professional strength, individual aesthetics, empathy, and the ambition to challenge the familiar and the recognised rules. Each designer now holds a professional and personal baggage containing sensory perception and knowledge, experiment and application, research and art, individual effort and group performance. In short: They hold the strength to move the world. Please welcome them.

The first stage of the journey ends festively with a graduation, an exhibition, and a Master of Design degree. Of course, not every day of the past five years has been joyful. This is the way it must be when we want to support as well as challenge the talents of each of our students.

It begins with the selection process. The students are our main resource; without them there will be no school, so we select them with care. We look for something we haven’t seen before. We look for the germ of surprise. They must possess potential and talent for using their minds as well as their hands; and they must be enthusiastic about design.

They must have determination, attitude, and a curious mind.

They must be innovative and have the courage to move themselves and the world; and they must have professional and human talent.

Our task as a school is to challenge and develop the natural resource in each of them.

We don’t provide the answer – we find it together. This can be trying at times with ups and downs throughout the five years.

Still, when I look at the endresult, it has been well worth it; and more: I’m excited!

On behalf of Kolding School of Design, I congratulate Class of 2012 and all of you who will benefit from “our” talen­ ted, wild, committed, funny, strategically thinking – and so much more – designers.

Elsebeth Gerner Nielsen Rector, Kolding School of Design

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2012 is a good year for Kolding School of Design; a good year in many ways but most evidently so when looking at this year’s graduates. Turn the pages of this graduation catalogue and sense how each graduate and each project radiates professional power, diversity and originality. I’m excited and I hope you will be too when you reach the final page.

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/ Department

of Communication Design

/ Department of Communication Design Intro

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The Department of Communication Design focuses on broad grounding in the design discipline as well as specific professional specialisations within the fields of graphic design, illustration and interaction design. There is a firm belief in the power of storytelling and the magic to be found in everyday life, and we transform these into analogue, digital, sensory and spatial experiences where functionality and aesthetics merge in the most exquisite manner. We create beautiful experiences and intelligent interaction. Our designers create the communication of the future applying letters, images, drawings, video, animation, sounds, codes, shapes, objects, space, processes, and action.

Communication designers design communication between and for people in local as well as global contexts. This makes social, ethical, moral, and human aspects an integral part of the education at the department.

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/ Graphic

Design

/ Department of Communication Design Graphic Design

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Graphic design creates the required contexts, and tells the good story in such a way that it will be noticed, absorbed and remembered. Material as well as immaterial contacts between the user and the communicator are designed, and development, planning and production of communication are approached from a theoretical practical angle.

The output includes publications, identity design, typography, layout, branding, film, animation, and script design.

/ Simon Andersen

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About

Education

Experience

I would describe myself as a curious, open and helpful person. I always take clients and myself very seriously, even though my approach to projects is often a bit naive and humorous.

I strive to get away from the computer from time to time, and I love to work in the field between 2D and 3D. I believe that my work benefits from the tactile universe of hands-on prototyping.

I like to let projects be research-driven and am more occupied by overall concepts and ideas as the starting point rather than technology and whether the project is intended for print, animation, web, etc. I believe that incubation and intuition hold a great, almost indescribable value in design. I can engage myself in varied projects, and I believe that how you do it is more important than what you do. My master’s is made in collaboration with interaction designer Christian Duus,(page 34). ‘The Meaning of a life project’ is a research driven project with the focus to understand values and life choices.

We have worked with people in peculiar situations, and we have challenged traditional design research. The outcome of the project is communicated in a way that will lead people to reflect and evaluate on their life.

2011 MA Graphic Design,

2011 Five months stay in

2010 Nicaragua – the prize

Kolding School of Design, Denmark.

2010 BA Communication Design, Kolding School of Design, Denmark.

Managua, Nicaragua doing locally based projects.

2011 Vox pop video research. Stupid Studio – Cyklisternes By (City of Cyclists).

2011 Company collaboration. Stupid Studio – con amor project for Greenpeace DK: “We are Mearsk”.

2010 Internship, TV2 national broadcasting station.

2001- Freelance sound engineer. Ave, The Spy In The Mes, The Kissaway Trail, Phono Festival, a.o.

2007- Various graphic assignments; logos, identities, concepts, etc.

Other

for FSC Design Award.

Making prototypes and visiting forests.

2010 Formland. Presentation of FSC Design Award 2009.

2010 Workshop with University of Fine Arts (study trip), Damascus, Syria.

2009 FSC Design Award.

Winner.

2009 DMY exhibition.

Hand-folded Dodeca lamps.

2008 Creative Circle Awards. Shortlisting in YCCA.

/ Department of Communication Design Graphic Design

/ heysimonmail@gmail.com www.cargocollective.com/heysimon

/ Portrait page 76 +45 2820 7720

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1 / The vagabond Søren Slip‘n Vind.

In collaboration we are drawing his life story using chalk on the road.

2 / A graphic expression of a conversation with a man that is only able to communicate with his eyes.

3 / Visualisation of the final concept. ‘The meaning of life’ tool kit.

4 / Winner of FSC Design Award 2009.

“Use a square sheet of wood, cut it out and use all the parts in the final design”.

5 / Hand-folded lamps exhibited at DMY Berlin. I have always been fascinated by origami.

This technique is developed to avoid seams.

6 / Recording of a music video for “The Kissaway Trail”. You come a long way with 100 lamps, 8 office chairs and a roll of black plastic bags.

/ Sophie Christine Haack Andersen

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About

Education

Experience

As a communication designer my most important task is to ask questions and influence people and their views. In order to push the boundaries of your field, it is important to be inquisitive, curious and critical towards it and the world around you. I find inspiration and challenge in everyday life and different ways of using communication and products, for instance in public space where people interact with the city and each other. The research phase of my projects is important to me as it gives my concepts and products an edge that translates to the end product. My main fields of interest are development of concepts, corporate identity, exhibition design, signage, book design, and interaction design. Dennis Design Center, by the art group Bureau Detours, showcases how design, craftsmanship and urban studies transform into useable designs inspired by local demand and site specific issues. My Master’s project is a guide that communicates how Dennis Design Center is built, how it functions, and what it leaves behind.

2012- Dieter Roth Academy.

2012 MA Graphic design,

2011- Dennis Design Center,

Kolding School of Design, DK. 2010 BA Communication, Kolding School of Design, DK. 2006 Aalborg Business College, GHX, DK. 2005 Krabbesholm Folk School, DK.

part of Bureau Detours, DK. 2011 Bibi Wearhouse, concept and design – part of Bureau Detours.

Bibi Chemnitz, DK. 2011 Pop Up Kiosk, concept and design, part of Bureau Detours.

Bruuns Bazaar, DK. 2011 Drengestreger – Ole Lund Kirkegaard og hans verden, exhibition. Identity – w.

Ari Marteinsson.

Koldinghus, DK. 2011 Central Saint Martins, BA Product Design Exhibition 11. Identity and posters – w.

Ari Marteinsson, UK. 2011 Atosho Aps, visual identity, DK. 2010 Internship, Rasmus Koch Studio, DK. 2009 Radikal Filosofi, book series, design, Philosophia, DK.

2009

Kolding School of Design, Graduation Exhibition 09. Cocuration, part of Platform6000. Trapholt, DK. 2007 Krabbesholm Folk School, teaching and workshops, DK.

/ Department of Communication Design Graphic Design

/ Portrait page 76 +45 2323 7336

/ sophiehaack@gmail.com www.sophiehaack.com

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1 / Vestfirzkir Fuglar, posters, Iceland.

2 / Vestfirzkir Fuglar, posters, Iceland.

3 / Vestfirzkir Fuglar, posters, Iceland.

4 / Font, internship at RK Studio, Denmark.

5 / “Pop-Up Kiosk�, Bruuns Bazaar, Denmark

6 / Dennis Design Center, platform project.

Visual identity and graphic materials, Copenhagen, Denmark.

/ Pia Vierø Bennedsen

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About

Education

Experience

Other

To me a modern designer is a “Jack-of-all-trades” that works in the in-betweens of established disciplines. I strive to combine graphic design, illustration, art, interaction design, concept development and an anthropologic research approach in my work as a graphic designer. I am intrigued by modern day culture and Zeitgeist. I find that new cultural patterns, technologies, isms and fashions always point back to our historical and cultural background; nothing new should be seen as an isolated event but as a part of an ever-changing organic movement. I seek to engage with the visual, historical, and cultural material in each of my projects capturing and portraying the unique qualities of each project, whether it be an icecream wrapper or a complete rebrand of a fashion company. The book “In Any Given Form” is a portrait of a tantalising aspect of online anonymity.

My Master’s project utilises anonymity in order to make people describe and share their innermost thoughts and memories.

2012 MA Graphic Design,

2011 Internship with

2011- Visual identity for

Kolding School of Design, Denmark.

2010 BA Communication Design, Kolding School of Design, Denmark.

2007 Kompetencehuset Aarhus, Drawing and Design, Denmark.

2007 Kompetencehuset Aarhus, Adds and Graphic Design, Denmark.

Studio Oeding, Illustration and Graphic Design.

2011 Internship with KOREFE, Concept and Graphic Design.

2007- Freelancing.

Basque Design Center.

2011 Representative for

Ehinger Kraftrad at Copenhagen Fashion Week.

2010 Design Camp 2010, Kolding School of Design.

/ Department of Communication Design Graphic Design

/ Portrait page 76 +45 2155 5508

/ vieroe@gmail.com

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1 / Master Project.

“In Any Given Form” evolves around the lack of inhibition people display when choosing to be anonymous online.

2 / Master’s Project.

“In Any Given Form” evolves around the benign disinhibition people experience when choosing to be anonymous online.

3 / Workspace from Master’s project.

4 / Göttinger Litteraturherbst.

Illustrations and layout for all printed material for a German Book Festival. Done while interning at Studio Oeding.

5 / Philosophy books.

The covers are visual interpretations of the philosophies of modern thinkers.

6 / Bachelor Project.

“Det Sønderjyske Kaffebord” is a book portaying a lost social and culinary tradition of the south of Jutland.

/ Steven Schultz Bussey

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About

Education

Experience

I mainly work with motion graphics and digital media doing anything from music videos to 2D and simple 3D animation in typography to info-graphics and character animation. My work involves graphic modes of expression, layout and kinetic typography and my primary tools are Illustrator, Photoshop and especially After Effects for video and animation. At my regular job I work closely with illustrators. I also work freelance as an art director and motion graphic artist. This involves 2D animation, sketching animation storyboards, style frames and implementing printed matters into digital versions as well as concepts and campaigns. Together with my present employer I have developed a digital campaign for the 50th anniversary of James Bond. I have created a mobile app which allows the target audience to interact with and become absorbed in the world of James Bond.

2012 MA Graphic Design,

2012 Junior designer,

Kolding School of Design, Denmark.

2010 BA, The School for Visual Communication Haderslev, Denmark.

2005 Market Economist -07 Advisor, International Business College Kolding.

EmpireDesign, London, United Kingdom.

2011 Internship, digital designer, HeyDay Aarhus, Denmark.

2009 Internship, BunchDe -10 BunchDe sign, London, United Kingdom.

/ Department of Communication Design Graphic Design

/ info@stevebuss.net www.stevebuss.net

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/ Portrait page 76 +45 2980 7008 +44 78673 03054

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1 / One of the fifty “Villain� icons who have defined the films and thus the essence of the James Bond series.

2 / Besides enabling an exploration of the characters, the mobile app will provide a sense of the cars.

3 / For the Bond50 project I used mega maps in my research to create an overview of 50 years of film history.

4 / Using a viral campaign, the icons will enable the target audience to explore the films and their content further.

5 / Dom Perignon champagne will be distributed among people of the press to hype the 50th anniversary.

/ Louise From

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About

Education

Other

I am a multidisciplinary designer and I work in various creative areas such as art direction, graphic design, illustration, photography, animation and motion design doing both personal and commissioned works. I usually start with an idea and then go on to work on the concept and realisation all the way to the final touches. I like to break down the conventional client-supplier confines in order to explore the process as a shared experience as I find that together we can gain from each other’s strengths and achieve amazing results. I strive to create visual spheres that tear down imaginary walls and remain as special moments to be remembered. My Master’s project explores the relationship between sound and image in music videos. I hope to dissolve the existing distinction between sound and image, and in the end formulate a model where the audio and the visual operate on an equal level.

2012 MA Graphic Design,

2012 Music video for Iki,

Kolding School of Design, Denmark.

2010 BA Communication Design, Kolding School of Design, Denmark.

2007 Krabbesholm Folk School, Graphic Design, Denmark.

collaboration with Stine Hvid.

2011 Illustrations for the web magazine KOLLAPS. 2011 Campaign posters for WorldWaterRelief.org.

2011 Music video for Rob Longstaff.

2011 Logo design for SOUND OF. 2011 Poster and flyer design for Sound Of Summer, Sound Of event.

2011 Trailer Park Festival Merchandise pop-up shop; concept, execution and web shop 2011 Graphics for Copenhagen commune campaign video “Thank You For Not Driving”.

2011 Exhibition of illustrations at TANK, art shop in Aarhus.

2011 Online flyer for Idoart exhibiton.

2011 Exhibitor illustrations for Idoart exhibiton.

2011 Logo design Word to

Word.

Part-time employed

by ArtRebels 2011 Blogger for idoart.dk 2011 Video for TEKO graduation show during Fashion Week, collaboration with Femmes Regionales.

2010 Intern at ArtRebels.

2010 Exhibition at Nybyggerne art exhibition, Aarhus Ridehus.

2009 Graphic identity for Bogforum 2009, 1st prize.

2009 Freelance graphic designer at Kube Management 2011

/ Department of Communication Design Graphic Design

/ Portrait page 76 +45 2751 6336

/ louisefrom@gmail.com www.louisefrom.com

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1 / Still from MA musicvideo project.

2 / Still from MA musicvideo project.

3 / Still from MA musicvideo project.

4 / Poster for Bogforum, 2009.

1st prize winner.

5 / Illustration.

/ Ari Marteinsson

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24

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About

Education

I have conducted most of my work under the name Lodret, a communication design duo consisting of Sophie Haack and myself. We have done, among other things, communication design and concept work for several Bureau Detours projects and conceptual graphic design for the exhibition Questioning Print. We have also created the Norbergfestival logo and a visual identity for the CSM BA Product Design Exhibition 2011. Lately, I have devoted more time to my own artistic practice as is evident in my Master’s project. For the project I chose a concept that had intrigued me for a while, randomness, and researched it from the metalayer and down.

On the basis of this I conducted a series of experiments to explore randomness and improve my understanding of the concept. Lastly, I presented the most important studies, framed in a gallery setting. The final project itself is a framing and an exhibition of my process of working with the concept of randomness.

2012 MA Graphic Design,

Kolding School of Design, Denmark.

2012 Dieter Roth Academy, under Professor Aðalheiður Sigríður Eysteinsdóttir, Akureyri, Iceland.

2010 BA Communication Design, Kolding School of Design, Denmark.

2007 The Scandinavian Design College, Graphic Design, Denmark.

Experience 2012 Dennis Design Center,

platform project.

Visual identity and graphic materials, part of Bureau Detours, Milan, Italy.

2011 Untitled, four print pieces. For the exhibition Questioning Print, in collaboration with Sophie Haack, Kemistry Gallery, London, United Kingdom.

2011 Drengestreger – Ole Lund Kirkegaard og hans verden, exhibition. Identity, posters and signage, in collaboration with Sophie Haack, Koldinghus Museum, Kolding, Denmark.

2011 Central Saint Martins BA Product Design Exhibition 2011.

Visual identity and posters, in collaboration with Sophie Haack, London, United Kingdom .

2010 Graphic design intern

at design bureau 1508, Copenhagen, Denmark.

2009 Kolding School of Design Graduation Exhibition 2009.

Co-curation and carpet design, part of Platform6000, Trapholt Museum, Kolding, Denmark.

/ Department of Communication Design Graphic Design

/ Portrait page 76 +45 2117 9310

/ a@lodret.com www.marteinsson.net www.lodret.com

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1 / Studies from the exhibition “Dance First. Think Later.” at Institut for (X), Aarhus, May 2012.

2 / Studies from the exhibition “Dance First. Think Later.” at Institut for (X), Aarhus, May 2012.

3 / Studies from the exhibition “Dance First. Think Later.” at Institut for (X), Aarhus, May 2012.

4 / Studies from the exhibition “Dance First. Think Later.” at Institut for (X), Aarhus, May 2012.

5 / Information block from the exhibition “Dance First.

Think Later.” at Institut for (X), Aarhus, May 2012.

/ Henriette Olesen

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About

Education

Experience

I enjoy working on graphic design projects that involve a good story. The projects can vary from serious projects, concerning serious and perhaps tabooed subjects, to fun, crazy and abstract projects. I am a big fan of simplicity, but my work also represents a wild artistic side.

I prefer to work with strong colours to enhance a text, a statement, or a visual image. I like to play with composition and contrast between text and image. I am particularly inspired by geometrical forms and by transforming forms into text. When working with text alone, I like to focus on text that has a strong message and choose a strong typography. I also like working with the linguistic aspects of a text in order to make the message of the project stand out. I enjoy the element of surprise and working in ways that might not be typical.

2012 MA Graphic Design,

2009 Internship, Cross-

Kolding School of Design, Denmark.

2006 Multimedia Aarhus Tech, Denmark.

2005 Skolen for Kunst og Design, Denmark.

2004 Designinstituttet, Norway.

Mind.

/ Department of Communication Design Graphic Design

/ Portrait page 76 +45 2279 3102

/ olesen_8@yahoo.dk

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1 / My process of working on a visual campaign for the mental illness OCD, Obsessive Compulsive Disorder.

2 / One of the final poster out of 16.

3 / A project on typography where I have worked with geometrical forms to show some of the basic rules of typography.

4 / The anorexic girl is made in the form of a stick. There’s a text containing facts about the disease.

/ Karl McIlquham Schmidt

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About

Education

Experience

I mainly work with branding, campaigns, visual identity, layout, and font design. I use both print and digital solutions. My strengths lie between concept and execution, idea and relevance. That is why my solutions are essential, realistic and at the same time innovative. The concept always comes first, and it is necessary to have a good knowledge of the client, task, and audience.

I develop the concept using methods that range from structured and computer-based to being more expressive and analogue. I strive to always challenge myself, be thorough and attentive to detail, while I retain the overview.

My Master’s project is about branding the Association Retro. Retro is a socioeconomic enterprise that aims to innovate volunteer culture in Denmark while making a difference among the world’s poorest. Solely by volunteerism the association runs two cafés. The purpose of the branding is to focus on a dynamic identity that allows the association to apply it to future projects and the more humanitarian parts of the association.

At the same time it should be possible for the volunteers to use the branding in their daily tasks.

2012 MA Graphic Design,

2012 Graphic designer

Kolding School of Design, Denmark.

2010 BA Communication Design, Kolding School of Design, Denmark.

2006 KTS Julius Thomsens Gade, graphic classes, Denmark.

2005 The Art School in Holbæk, Denmark.

for the Copenhagen based food association KBHFF. 2007 Freelance graphic -12 designer for various clients.

2011 Bilgrav Bilgrav design, internship, graphic designer.

2010 SHFT, internship, graphic designer.

2007 Graphic designer for -08 the student association ELSA. 2005 Board Member of -08 Kunstig.org.

/ Department of Communication Design Graphic Design

/ Portrait page 77 +45 6088 5038

/ mail@karlmcilquham.dk www.karlmcilquham.dk

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1 / Master’s project 2012. Development of a logo.

From the association Retro to Union. Emphasising the association’s slogan: “Helping should be fun.”

2 / Master’s project 2012. Social enterprise branding.

The branding consists of a visual identity that clearly distinguishes between corporate and brand ambassador.

3 / Typographical entries (2009).

A book about typography and basic typographic rules with corresponding illustrations.

4 / Reptile Youth (2010) Bachelor’s project. Mechandise for the band Reptile Youth (formerly Reptile and Retard) in the form of mask, poster and T-shirt.

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/ Interaction

Design

/ Department of Communication Design Interaction Design

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Interaction design, the third branch of Communication Design, designs the dialogue between people, objects, systems, media, and space with the incorporation of technology as a fascinating new design material for experimentation. The point of departure is the individual and its sensory experiences along with other experiences and needs. The individual is at the centre of an interdisciplinary approach to designing the interactions, experiences, and dialogues of present, everyday life as well as the future, in the form of concepts, services, software, user interfaces, objects, furniture, robots, and spatial concepts.

/ Ida Burchardi

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About

Education

Experience

Other

My passion is designing for people. The projects I have been most proud of are the ones that challenge our habits and make us think and act differently. I always strive to identify myself with the user because user-driven innovation for me is the key to creating relevant design. My main fields of interest are social innovation, service design and user-driven research. I find great inspiration in politics and nature and I believe that truly innovative, intelligent and sustainable design must be adaptable with our society and our eco-system. I do not believe in designing without regularly consulting the real world.

I believe that good design can make the world a better place, but in order to make it happen, we must keep hold of our naivety and curiosity and never stop exploring. To do so is my biggest ambition.

2012 MA Interaction De-

2011 Internship, Recom-

2011 DesignCamp 2011,

sign, Kolding School of Design, Denmark.

2012 Progressiv Meningsdanner (progressive opinion former), the Danish centre-left think tank Cevea.

2010 BA Interaction Design, Kolding School of Design, Denmark.

2006 Kunst & Design Art School, Aarhus, Denmark.

2005 Humanistic basic studies, Roskilde University, Denmark.

mended, Aarhus.

2010- Founder and chair-

man of the association Danske Modeller (Danish Models, DaMO).

Kolding School of Design.

2010 Keep Moving!, part of the Danish Pavilion, EXPO 2010.

2009 Keep Moving!, Shanghai Creative Industry Week.

2008 Winner of GN ReSound Award (DKK 10,000) for the project ReSound Your Life.

2008 TørklædeXperimentet, a Danish documentary about integration.

2007 Feature in Politiken: “Profession: Fotomodel” (“Profession: Photo Model”).

/ Department of Communication Design Interaction Design

/ Portrait page 77 +45 4248 8660

/ wink@idaburchardi.dk www.idaburchardi.dk

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1 / 20-year-old Cecilie has 86 dresses in her wardrobe.

2 / A sketch of a cartoon about moving towards a more conscious way of consuming fashion.

3 / Ten bloggers grab attention and show their styling skills by only wearing their old clothes for seven days.

4 / Project for “Clean City, Aarhus�.

5 / Keep Moving! in Shanghai.

6 / Danske Modeller (Danish Models) at Copenhagen Fashion Week 2012.

/ Christian Duus

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About

Education

Experience

Other

I am a nice guy with a great interest in people and the world. I am good at research and thrive with fieldwork as well as with the processing of information. Generating ideas is a strong side of mine, and I am able to grasp both the complexities and the details. I love telling stories, both through design, film and by interacting with other people. I care more for people and thought-through concepts than technology.

I work comfortably with various media, but I especially enjoy working with video. My Master’s project, is made in collaboration with graphic designer Simon Andersen (page 12). ‘The Meaning of a life project’ is a research driven project with the focus to understand values and life choices. We have worked with people in peculiar situations, and we have challenged traditional design research. The outcome of the project is communicated in a way that will lead people to reflect and evaluate on their life.

2012 MA Interaction De-

2011- Freelance filmmaker

2012 Part of publication

sign, Kolding School of Design, Denmark.

2009 BA Interaction Design, Kolding School of Design, Denmark.

2004 Preschool, Vejle School for Art and Design, Denmark.

2003 Folk school, Danish Study Center Vietnam.

at design-people, vimeo.com/designpeople.com.

2010- Freelance graphic design, etrans, RUC, Funsport Vejle, Via University College Horsens.

2010 Collaboration with Danish Broadcasting Cooperation.

2009 Internship, Luxembourg.

“Guidebook to a female interaction strategy” (by designpeople).

2011 CPHPIX, trailer competition. Winner of main award and audience award, in collaboration with Soffia Einardottir.

2010 Danida’s World Image Scholarship (DKK 50,000) to produce a 12-minute documentary in Vietnam (“The Boy with Nine Lives”).

2009 Part of the publication “The Electric Car Project”, etrans.

2008 Part of the publication “Reinventing Nokianess”.

/ Department of Communication Design Interaction Design

/ Portrait page 77 +45 2218 0666

/ cdchrduus@gmail.com www.mrduus.com

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1 / Medals from the meaning of life project, made as presents to each interview person.

2 / Photo from field research ‘Till death do us part’.

3 / Final concept visualisation; A meaning of life tool kit.

4 / Screen shot from the trailer “PixTributes Punk”; winner of main and audiance award.

5 / Filming for the documentary “The Boy with Nine Lives” in Vietnam.

Part of Danida’s World Image 2010.

/ Soffia Einarsdottir

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About

Education

Experience

Other

My work is conceptual and interdisciplinary within the fields of cinematic, interaction, fashion, and visual art. I specialise in unifying body and experience and I work by instinct, exploration and examination. I prefer expressing myself through materials, images and visuals, both 2D on paper, 3D in space or on body, and 4D through time and interaction. In the design solution my main focus is always on how to create just the right viewer and user experience.

“If my work is theater, contrivance, voyeurism, darkness, anger, love, it is all these things and more, it’s me, for better or worse – the marriage of the body to the spirit, the eye of the flesh to the glass eye of the camera.” Joel-Peter Witkin.

“The skin we’re in, being human” is a a portrait series exploring the extraordinary in being incomplete, showcasing my skills within character design, conceptual fashion and art direction.

2012 MA Interaction De-

2010 Company Collabo-

2011 Winner of CPH PIX

sign, Kolding School of Design, Denmark.

2009 BA Interaction Design, Kolding School of Design, Denmark.

2006 Aarhus Art Academy, Denmark.

ration with Simon Rasmussen.

2009 Design Assistant at Islæt.

trailer competition, Jury.

2011 Winner of CPH PIX trailer competition, Audience with Christian Duus.

2009 Winner of Buster international children’s film festival prize competition with Michel Riis.

/ Department of Communication Design Interaction Design

/ Portrait page 77 +45 2257 2757

/ soffia@soffia.dk www.soffia.dk

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1 / Behind the scenes; photo shoot of second costume for the graduation project “The skin we’re in, being human”.

2 / One of three costumes from the graduation project: “The skin we’re in, being human”.

3 / Collaboration with stylist Simon Rasmussen. Photographer: Henrik Bülow. Model: Mathias Lauridsen.

Published Fall/ Winter 2010 issue of DANSK magazine.

4 / Still picture from “One man III materials”, fashion/art film collaboration with fashion designer Mark Tan.

5 / Still picture from art movie “Friction” fall 2011. Model: Pauline Richard.

/ Sara Hardy Graversen

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40

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About

Education

Experience

Being a service designer makes me an explorer of the world. Always interested in learning more about other cultures and new ways of understanding society, my great curiosity has been a natural motivation for working with interactions between people. With a passion for trying to improve the lives of others, I like to include the users in the process, making the concepts relevant and relatable for the people involved.

The goal of my projects is to extract the essence of a given situation, identify the points of opportunity, turn them into a tangible concept, and pass on the insights to others. To me, integrity, better relations, and design for happiness are key ingredients of good service design. By facilitating user-friendly systems for sharing, my Master’s project will nudge neighbours to use each other and at the same time encourage social networks. These networks can have a big impact on our experience of happiness and can be a vital factor in designing city life for the future.

2012 MA Interaction De-

2010 Intern at STBY, -11 London, United King-

sign, Kolding School of Design, Denmark.

2011 Exchange student at Srishti School of Art, Design and Technology, Bangalore, India.

2009 Five-week workshop at Tongji University, Shanghai, China.

2006 Kunst & Design Art -07 School, Denmark.

dom. User research, concept development and information architecture.

2011 Hostess at Meyer’s -12 Madhus, Renowned ‘activity house’ by chef Claus Meyer, Denmark.

2008 Employee at -10 Ungdomsskolen Nord, an after-school activity centre.

2010 Part of Interior Decorating Team Hardy & Pedersen, Denmark.

Other 2008 Winner of the GN

ReSound Award (DKK 10,000) for the project ReSound Your Life.

/ Department of Communication Design Interaction Design

/ Portrait page 77 +45 2720 0716

/ sara@sarahardy.com www.sarahardy.com

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1 / “Min opgang er ikke som de andre - hvad med din?” Check out more about these lolcats at www.

MinOpgang.dk.

2 / Ambassador for ‘Min Opgang’ (my stairwell) handing out sweets to her neighbours, creating positive focus on what ‘being neighbours’ also can be.

3 / Ambassadors having a ‘Free Hotdogs’ party for their neighbours (Still from concept film).

4 / Ambassador for ‘Min Opgang’ proudly shows off her stairwell in order to inspire others to do the same.

5 / Sticker to tag stairwells which are part of the movement ‘Min Opgang’.

/ Agnete Bach Hentze

42

1 /

About

Education

Experience

I make animation and short films. They can be cheeky animations or mash ups for kids. Or they can involve complex, stigmatised, grown-up dilemmas, like the addiction to child pornography or whether the use of torture is acceptable in order to protect a society. The projects are based on a huge amount of research. I put all the small pieces together and add storytelling and aesthetics in an effort to create a new and deeper understanding of the subject. My Master’s project is a short film entitled ‘The State of Exception’. It is a film about the fear of terror and how this fear has changed our view on torture. When a society is under attack by a strange and unpredictable enemy, it is put in a state of fear, a state of exception.

During this state, normal rules no longer apply; the exception dictates its own.

2012 MA Interaction De-

2011 Internship, Kaspen/

sign, Kolding School of Design, Denmark.

2010 BA Communication Design, Kolding School of Design, Denmark.

2009 Five-week bike project in Shanghai, China.

2007 The Scandinavian Design College, Denmark.

Jung v. Matt, Prague, Czech Republic.

2011 Internship, DR Ramasjang web, Aarhus, Denmark.

2010 Internship, Super16, Copenhagen, Denmark.

2010 Presentation movie for Expo 2010.

2009 Internship, DR Ramasjang web, Aarhus, Denmark.

/ Department of Communication Design Interaction Design

/ Portrait page 77 +45 6127 4120

/ agnetehentze@hotmail.com www.agnetehentze.dk

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1 / Master’s project: a short film about the fear of terror and how this fear has changed our view on torture.

2 / Bachelor’s project; an alternative commercial for the website “bryd cirklen.dk”. The site provides help to people who are struggling with a sexual attraction to children.

3 / Bachelor’s project; an alternative commercial for the website “bryd cirklen.dk”. The site provides help to people who are struggling with a sexual attraction to children.

4 / The key elements in the process of the Master’s project have been inspiration pictures and flow writing to structure my thoughts.

/ Alina Moat

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44

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About

Education

Experience

Other

As an interaction designer I like to combine skills from many fields as I believe building knowledge together encourages empathy with our environments and creates better products, services and solutions. As designers we have a big social responsibility to positively influence our futures. My Master’s project, “PifPaf”, is a system that teaches 12 year-olds programming by engaging their brains in analytical, disciplined and abstract processes. As this kind of thinking is very difficult to grasp for teenagers, the system combines coding concepts with rich animated metaphors and storytelling in space.

Through this physical play with cards, bodystorming and film prototyping, learning to code becomes learning to do magic – a difficult but extremely exciting task.

2012 MA Interaction De-

2007- Associate Lecturer.

2011 Work experience

sign, Kolding School of Design, Denmark.

2010 MA Fashion & the Environment (Distinction), London College of Fashion, University of the Arts, United Kingdom.

2007 PG Cert Creative Pattern Cutting for the Fashion Industry (Distinction), London College of Fashion, University of Arts, United Kingdom.

2006 BA (Hons) 1st Class Fashion Studies P.T., London College of Fashion, University of the Arts, United Kingdom.

Fashion Tutor for London College of Fashion, London, United Kingdom.

- NTF, Ljubljana, Slovenia - Istanbul Moda Academy, Turkey.

2012 Five short films commissioned by the Center for Sustainable Fashion (CSF), London, United Kingdom.

2011 Design & Development of Cut x 1, a smart device application for fashion draping.

2011 Design of the Thomas Tallis School uniform, London, United Kingdom.

2010 Left to be Found (LTBF), Masters Project for MA Fashion & the Environment, London, UK.

(unpaid) at Etrans, Kolding School of Design, Denmark.

2011 Design Camp 2011, Kolding School of Design.

2010 Design Camp 2010, Kolding School of Design.

/ Department of Communication Design Interaction Design

/ mail@shift-p.info www.shift-p.info www.learningx1.wordpress.com

/ Portrait page 77 +45 5026 2294

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1 / Elements of PifPaf.

2 / Prototyping with the Object Cards.

3 / Learning from Animations.

4 / Making Real Prototypes.

5 / Prototyping with the Body.

/ Anne Grønlund Pedersen

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46

2 /

About

Education

Experience

Other

My primary interest is the inclusion of design thinking in public administration. Design can improve services and processes and create human-centered and aesthetic solutions. My Master’s project focuses on integrating design thinking in the process of evaluation. It studies a broad spectre of design research methods, visualisation tools, and aesthetic ways of communicating. It also investigates the fields of both design and evaluation. By experimenting with design-evaluation probes I have gained knowledge of how visual methods can bring new elements to the data collection in the evaluation process. In addition, design tools have shown their ability to support the inclusion of participants in a prospective and visual process thereby making evaluation a catalyst for user-involved development. Based on this research, my Master’s project combines the two disciplines through the design of a workshop for stakeholders in the field of evaluation.

2012 MA Interaction De-

2012 Freelance design

2010 ‘Keep Moving!’ ex-

sign, Kolding School of Design, Denmark.

2010 Graphic facilitation course, Bigger Picture, Kolding, Denmark.

2010 User driven innovation course, Kolding School of Design, Denmark.

2010 BA Communication Design, Kolding School of Design, Denmark.

researcher and 3D visualiser at Mondays, Denmark.

2011 Research/Service Design intern at Designit, Aarhus, Denmark.

2010 Collaboration with Vejen Municipality, Denmark.

hibited at EXPO 2010, The Danish Pavilion, China.

2009 ‘Keep Moving!’ exhibited at Shanghai Creative Industry Week, China.

2009 ‘ON Robot’ exhibited at Robot Festival ‘RoboDays’, DTU, Denmark.

2008 ‘Resound Your Life’ exhibited at GN Resound Headquarter, Denmark.

2007 Award, 1st prize winner of Resound competition, GN Resound, Denmark.

/ Department of Communication Design Interaction Design

/ gronlundpedersen@gmail.com www.annegroenlund.com

/ Portrait page 78 +45 2246 9559

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1 / Design can contribute new methods for evaluation within user inclusion, collection of data, and reporting.

2 / Evaluation probes is an experiment with the utilisation of new data collection methods for evaluation.

3 / Ideation and prototyping for evaluation add a new and prospective dimension to the results.

4 / Using visual methods for evaluation adds a new motivation factor and new aspects to the dialogue.

/ Thomas Dambo

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48

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About

Education

Experience

Other

I try to involve people in projects concentrated around sustainability, having fun, being creative and cradle to cradle thinking. I do graphic design, video, sculpture, architecture, hip hop music, social marketing and networking. I believe action speaks, and I love to have action around me. My Master’s project Happy City Birds involves people, organisations and industry in building street art from thrown-away materials. I build things like birdhouses and flowerboxes that help create a better environment for insects and birds in cities.

Birds are a good place to start because they are often the only wild animals living in bigger cities. See more here and you are welcome to join: Youtube.com/HappyCityBirds or Facebook.com/ HappyCityBirds.

2012 MA Interaction De-

2012 DR MAMA, Social -10 Media and Video

2012- Street art, paste up,

sign, Kolding School of Design, Denmark.

2006 Music and arts, Odder Folk School, Denmark.

2004 Media design and graphics (two first years), Odense Technical School, Denmark.

2002 Fireman/Smoke diver, Contingency Corps Næstved, Denmark.

2000 Odense Katedral School, Denmark.

1997 Carpenter (basic mod- ule), Odense Technical School, Denmark.

Production.

2012 Skanderborg Festival, -07 coordinator of visual/ graffiti team.

2010 Target Records, Social Media and Graphics.

2009 Internship, Music All Management, social media and video production Various social media workshops.

2009 Various graphic assignments.

2009 Bike shop assistant, Kjeld’s Bikes (family business).

wood sculptures, stickers and performance.

1995 30 music videos and various viral/ YouTube videos.

1995 15 CD covers, album artworks, merchan dise, stage banners, and more.

1995 300 concerts performing rap and human beat box.

1995 Writing/recording 100 hip hop tracks.

1995 Playing with hundreds of profiles/pages/accounts/groups on Facebook and YouTube.

/ Department of Communication Design Interaction Design

/ mrdambo@Gmail.com www.youtube.com/ThomasDambo www.facebook.com/ThomasDambo

/ Info page 78 +45 2636 4263

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1 / Birdhouses from workshop at Christiania.

2 / Logo for project for Happy City Birds.

3 / Broken Skateboard Birdhouse.

4 / Happy City Birds Totem - Odense.

5 / My little pony birdhouse - made of trash.

6 / Classic Lebaneese Birdhouses Beirut

50

/ Illustration

/ Department of Communication Design Illustration

51

Here, the unique story is designed by means of personal imagery, inclusive storytelling, the touching presentation, and the vibrant stroke. The story of the plot is illustrated through drawings in books, animations on the Internet, patterns on the walls, photos displayed in the street scene, games on the mobile phone, or films in the cinema, and they acquire that additional dimension and perspective which adds relevance and meaning to the message. People’s curiosity is roused, and associations enhance their comprehension and experience.

/ Stine Bjerregaard

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1 /

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About

Education

Experience

Other

I work in various creative areas such as art direction, graphic design, set design, and illustration. Still, my main focus is on animation, motion graphics, stop motion, and cinematography.

I have always wanted to tell stories using imagery, and in my films the focus is equally on the story as well as the visual expression.

I recently cofounded the production company HALVTOTAL with director Jonas Hjort.

In HALVTOTAL our creations are based on a quirky and playful universe. Our next project is producing animations for AOK´s annual award show. In August 2012, we begin shooting a short film in collaboration with the Danish Film Institute. My Master’s project “The girl who to wanted die” is a short film directed at children and adults both, about losing someone you love and how difficult it is to let go.

2012 MA Illustration, Kold-

2012 Short film in col-

2010 Exhibition at Shft 2008 Exhibition at Silke-

ing School of Design, Denmark.

2010 BA Communication Design, Kolding School of Design, Denmark.

2006 Krabbesholm Folk School.

laboration with Filmværkstedet.

2012 Logo and visual identity for Kunst:art.

2011 Animations for AOK. -12 2011 Graphics for Trail-

erpark Festival the Documentary.

2011 Animation intro to Trailerpark Festival the Documentary.

2010 Music video for the Danish band ATOI. 2010 Posters for Papercut

by Artrebels.

2010 Internship, ArtRebels.

2010 Poster for Kras Theater.

borg Museum with Artist Rikke Karlsen.

/ Department of Communication Design Illustration

/ halvtotal@live.dk kristine.bjerregaard@gmail.com

/ Portrait page 78 +45 3167 8122

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1 / Master’s project.

Still foto from “The Girl Who Wanted To Die”.

2 / Master’s project.

Still foto from “The Girl Who Wanted To Die”.

3 / Master’s project.

Still foto from “The Girl Who Wanted To Die”.

4 / Master’s project.

Still foto from “The Girl Who Wanted To Die”.

5 / Still foto from animation film “Hvad vejer en skygge”.

6 / Still foto from animation film “Hvad vejer en skygge”.

/ Julie Flyvholm Cramer

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2 /

56

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About

Education

Experience

I am a visual designer working with a variety of media including illustrations, visual identity, animations, motions design and photography.

I embrace the possibilities of visual communication and enjoy the meeting of interdisciplinary collaborations. I work in the interplay between playfulness, creativity, and seriousness. I have a penchant for the three-dimensional universe, where I value the analogue style and a personal expression. My Master’s project focuses on the waiting room at Bispebjerg psychiatric hospital where I have worked with redesigning the atmosphere of the waiting room. The concept of designing atmosphere is a relatively new phenomenon in the design area and it defines working on creating a mood, a feeling, and an experience for the receiver. My focus is on the visual and interactive problems of the waiting room, and I have worked visually and conceptually with redesigning the room’s physical environment.

2012 MA Illustration, Kold-

2011 Business cooperation,

ing School of Design, Denmark.

2010 BA Communication Design, Kolding School of Design, Denmark.

2007 Skolen for Billedkunst (The School for Visual Arts), Denmark.

2010

Shift.

Internship, ArtRebels.

/ Department of Communication Design Illustration

/ flyvholm.cramer@gmail.com

/ Info page 78 +45 2737 9875

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1 / 3D model of the waiting room.

2 / Different frames with pictures of the staff resembling a family collage. The images add a personal touch to the waiting room.

3 / Plants with the patients’ names to visualise each patient in the psychiatric ward.

4 / The elements of nature create a sensuous and calming experience for patients and relatives.

5 / A table with coffee and cookies to welcome future patients and relatives in the waiting room and create a homely atmosphere.

/ Camilla Boman Jensen

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2 /

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About

Education

I work with 2D and 3D illustration as well as animation with a special passion for the handmade, the poetic and meaningful, and with a sense of detail and thoroughness. Most often, I work with a handmade approach. I think the tactility of the initial real objects triggers a unique connection, understanding or attraction between you and the product, even if the product ends up being a printed photo or screen image. I enjoy drawing life around me; it gives me the possibility to capture the small, everyday peculiarities and provides inspiration for characters and animation movements. My favourite techniques/materials/ tools at the moment are: Pencil, ink, paper shapes, wood cut “pencil rub print” and paper maché.

2012

A Illustration, KoldM ing School of Design, Denmark.

2010 BA Communication Design, Kolding School of Design, Denmark.

2011 HAW-Hamburg, Faculty of Illustration, Germany, internship.

2010 University of Damascus, Faculty of Fine Arts, Syria, exchange.

2007 Skolen for Kreativ Udvikling (The School for Creative Development), Copenhagen, Denmark.

2000 Kunsthøjskolen Thorstedlund, art folk school, Frederikssund, Denmark.

2000 Svendborg Kunstskole, art school, Denmark.

Experience

Other

2012 Animation promoting children’s model agency “little-people”, Aarhus.

2011 T-shirt-illustrations for Ella Skov.dk.

2010 Internship, Mareng deluxe Motiongraphics, Copenhagen.

Designs used by “Ramasjang”, Nepenthes, Nelson Garden and bObles.

2010 Illustrations for “Musen siger muh” by Lotte Salling, published by Dafolo.

2009 Internship, Midt Marketing, Herning.

Illustrations printed in Zizzi Magazine, spring 2010.

2006 Freelance illustrator, -03 Langeland Library, chil- dren’s department.

Children’s guide “Rudkøbing rundt med Rotten Ruth”, published 2003.

2012 Exhibitions: -00 HAW-Hamburg.

Bryghuset Plejecenter.

Svendborg.

Langelands Bibliotek.

Nordea Landet Tåsinge.

Galleri 10.

Svendborg.

/ Department of Communication Design Illustration

/ camillabomanjensen@gmail.com www.camillabomanjensen.blogspot.com cargocollective.com/camillabomanjensen

/ Portrait page 78 +45 2216 3853

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1 / Fragments of the Master’s project.

2 / Master’s project: Poster Series in collaboration with the campaign ‘En af Os’.

3 / Pencil illustration for book inspired by my exchange in Hamburg, Germany.

4 / Preparing paper maché puppet for animation during internship in Copenhagen.

5 / Detail of one of the 3D illustrations from my Bachelor’s project: “Seven Tools for the Busy Man” carried out in levitating paper constructions.

6 / Paper maché characters for animation made during internship in Copenhagen.

/ Rikke Juhl Karlsen

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About

Education

Experience

As an illustrator I work with all kinds of objects and materials. I do both analogue and digital work and I find both design, art, and handcraft very exciting and inspiring. I enjoy working with contrasts and creating something special from things that traditionally diverge. My work is often very colourful and tactile. As an illustrator my goal is to convey a story or a statement in a visual way. My Master’s project is a work of collaboration between fashion and illustration, made in collaboration with Maja Linstrøm Hansen. The main subject of our project is children’s play. We have used the concept of play both as our subject and as our primary method. We have divided Play into five categories. The five categories are: role-play, rule games, construction/experimenting with materials, physical playing, and gathering or collecting things. Based on these categories we have developed a collection that is playful both in terms of expression and process.

2012 MA Illustration, Kold-

2011 Internship, Megan

2011 Design Award Bilbao,

ing School of Design, Denmark.

2010 BA Communication Design, Kolding School of Design, Denmark.

2005 Aarhus Art Academy, -07 Denmark.

2004 Vejle Art School, -05 Denmark.

2002 Den Fri Ungdomsud- - 04 dannelse, Denmark.

Whitmarsh, Artist, Los Angeles.

Other

visual communication.

2009 Bogforum, visual identity.

2009 Silkeborg Amts Gymnasium (high school), group exhibition.

2008 Frederikshavns Art Museum, group exhibition.

2007 Musikhuset Aarhus, group exhibition.

/ Department of Communication Design Illustration

/ Portrait page 78 +45 2293 6225

/ rikkejuhlkarlsen@gmail.com www.karlsenlindstroem.tumblr.com

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3 /

1 / Master’s Project, “The Haute Couture Illustration Project”.

2 / Master’s Project, “The Haute Couture Illustration Project”, Sketch.

3 / 100 drawings made with sharpie pens, 30x43.

4 / 100 drawings made with sharpie pens, 30x43.

/ Pernille Møller

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About During my studies, I have specialised in the creation of visual storytelling, scenography, installation and drawing illustration art.

I love telling stories visually and to work with various techniques and media to create visual artwork and design. I seek to surprise and challenge the viewer in quirky and interesting ways.

My interests are storytelling, illustration art, scenography, installation, graphic design, book binding and print design. My Master’s project, “The Spectacle of Wonder”, explores the visual narrative and wondrous allure of “illusion”, or the “illusive”, and how it can be applied to evoke emotion and intrigue in visual storytelling and illustration. “The Spectacle of Wonder” is a visual universe to be utilised in the promotion material of the deceptive stage act of a magician.

Education

Experience

2012 MA Illustration, Kold-

2012 CMYK kld. Gallery,

ing School of Design, Denmark.

2009 BA Communication Design, Kolding School of Design, Denmark.

2005 KTS, Denmark, flexible modules, book binding, digital textile print & DTP courses.

2005 Krabbesholm Folk School, Denmark, course in graphic design.

sales assistant, Copenhagen.

2010 Femmes Regionales, internship, Copenhagen.

2009 Helle Mardahl Studio, internship, Copenhagen.

/ Department of Communication Design Illustration

/ Portrait page 78 +45 2044 8902

/ studio@pernillemoeller.dk www.pernillemoeller.dk

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1 / Master’s project: “The Spectacle of Wonder”.

2 / Master’s project: “The Spectacle of Wonder”.

3 / Master’s project: “The Spectacle of Wonder”.

4 / Master’s project: “The Spectacle of Wonder” Process.

5 / Semester project: “Kirstin”, illustrations for old folk songs.

6 / Bachelor project: “Being Alice”.

/ Tom Kristensen

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1 /

64

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About

Education

Experience

Other

I am a dedicated draughtsman and illustrator with a soft spot for the world of comics. I have always drawn and will continue to do so. I enjoy illustrating children’s books as well as horror books and all the wonderful things in between.

The challenge of creating the right atmosphere and mood for a story is a key motivator for me in the process of a project. I have worked on various illustration projects such as comics, books, magazines, pins, logos, folders, portraits, street art, etchings, tattoos, presentation material, web pages, games, posters, banners, and T-shirts. My Master’s project is about using the new technology to create an original comic book reading experience. The comics on the digital market today are merely comics for print formatted to the new media. But this comic is being built for tablets!

2012 MA Illustration, Kold-

2012 Illustrations: Urban

2012- Comics: Made Flesh,

ing School of Design, Denmark.

2009 BA Communication Design, Kolding School of Design, Denmark.

Cthulhu - Nightmare Cities, Harksens Productions, Grufulde mørke, Harksens Productions, Vilfred og verdens værste vikinger, Dafolo.

2011 Illustrations: Bedre møder med cooperative learning, Fagter og grimasser, Dafolo.

2011 Comics: Murder of Magpies - Octopulp Magazine #2, The Fate of Theodor Wormwood – Octopulp Magazine #1, Innsmouth - Nyarlathotep magazine #3.

2010 Illustrations: En god samling, Dafolo.

2010 Internship, Gimle Studio, Copenhagen.

work in progress, Deadboy - work in progress.

2012 MoCCA comics festival, New York.

2011 Street art workshop commissioned by Viborg Municipality.

Comics exhibition, gallery = løgn, Copenhagen.

Comics exhibition, Pakhuset, Viborg.

Concept Art masterclass, The Animation Workshop.

Storytelling master class, Robert Mckee, London.

Cofounder of the comics collective Octopulp.

Open workshop artist residency, Viborg.

2004 Drawing Academy at the Animation Workshop.

/ Department of Communication Design Illustration

/ tomtegner@gmail.com www.tomkristensen.wordpress.com

/ Portrait page 78 +45 2193 6236

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1 / “Made Flesh Artwork”, Master’s project.

2 / “Made Flesh Artwork”, Master’s project.

3 / “Made Flesh Artwork”, Master’s project.

4 / “Made Flesh Artwork”, Master’s project.

5 / “Made Flesh Artwork”, Master’s project.

6 / My desk.

/ Anne Danelund Laursen

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66

2 /

About

Education

Experience

When I start a new project, I usually have a clear vision in my mind of what I want to do, and then I begin to experiment. My projects are always based on and deal with my own personal questions or wonders about the human psyche and social or cultural issues. However, the media change and I try to experiment with them to find the best way to portray the issue in a simple and understandable way, whether it be in the form of a sculpture, a piece of textile, or a movie installation. It interests me to try out new media or materials and learn about their strengths as a tool of communication. My Master’s project investigates and interprets our emotion-based actions when we experience a strong feeling either of happiness, grief, or anger.

2012 MA Illustration, Kold-

2011 Moonspoon Saloon 2010 Internship, Moon-

ing School of Design, Denmark.

2010 BA Communication Design, Kolding School of Design, Denmark.

spoon Saloon.

/ Department of Communication Design Illustration

/ Portrait page 79 +45 5098 0209

/ a_danelund@hotmail.com

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1 / Process – shooting in the woods.

2 / Process – Building up the fire.

3 / Master’s project.

Grief.

4 / Master’s project.

Anger.

5 / Master’s project.

Happiness.

/ Sabina Pedersen

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About

Education

Experience

Primarily, I work with drawing and the pencil is my faithful companion. I do traditional book illustrations, comic books, and posters. I also work with woodcut print where the contact with the material, the ink, and the old techniques enable me to fully immerse myself in the process of making a picture. What makes illustration interesting for me is when I am able to achieve a balance between the figurative and the abstract, and the gap between the two provides a space for the viewer’s own interpretation or wonder.

I find it exciting to be able to add something to the story without compromising its essence.

In the making of an illustration I consciously and unconsciously seek inspiration in everything I see, and usually I work by hand and end up with a digital editing. My Master’s project is a visual interpretation of extracts from the Danish writer St. St. Blicher’s (1782-1848) short stories and poems.

2012 MA Illustration, Kold-

2010 -11

ing School of Design, Denmark.

2011 HAW Hamburg, Fakultät DMI Department Design, Germany.

2010 BA Communication Design, Kolding School of Design, Denmark.

2006 Aarhus Academy -07 of Arts, Denmark.

Internship, Lilian Brøgger Studio; digitalisation, colouring, layout.

2010 Internship, Flueknepperiet; logo design for software company, proposals for online business card.

2010 Illustrations for the children’s book Musen siger Muh published

by Dafolo 2011.

Other 2011 B Awards – Bilbao

Bizkaia concept design festival Flip Flop Future Club won in the category Visual Communication. The project is a campaign against violence made in collaboration with fellow students Rikke Juhl Karlsen and Emilie Carlsen at Kolding School of Design in 2009.

2008 Co-organiser of Fælles Studiestart at the student house in Kolding; visual identity, PR, execution.

2006 Member of the media - 08 committee of the Danish Scout Association. Working on the re-launch of spejder. dk which is a website aimed at children and young people; coordination, research, illustrations for the website.

/ Department of Communication Design Illustration

/ pedersen.sabina@gmail.com www.sabinapedersen.carbonmade.com

/ Portrait page 79 +45 2048 0284

3 /

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1 / Master’s project: Woodcut print 152 x 152 cm. Illustration for the short story “The Hosier and his Daughter”

by St. St. Blicher.

2 / Master’s project: Woodcut 152 x 152 cm. Illustration for the dialect short story “E Bindstouw” by St. St. Blicher.

3 / Master’s project: Process, tools and material.

4 / Autotypi: Semester project at Kolding School of Design.

The booklet illustrates typographic rules with halftone patterns as the theme.

5 / Illustration based on the fairy tale The three little Pigs. Illustration workshop at Kolding School of Design.

/ Sophus Vinther Pedersen

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About

Education

I seek inspiration in all visual media. I have always been drawn towards visual media and storytelling. Drawing is my main tool of visual communication. When I start a project I always start with the drawing. When I draw I have a shared “conversation” between the drawing and myself. I know a drawing is working when it feels like the drawing creates its image in front of me. Even though I work with other media, I tend to return to the basic drawing when visualising my thoughts and ideas. I like to experiment with other media, but drawing is the tool that makes me the most comfortable. I like to work with my hands and work with projects that evolve from 2D to 3D; this is an interesting transition for me. The main thing that makes me really excited as an illustrator is the possibility to use my imagination. My Master’s project is a visual representation made in jewellery of the universe of the classic sci-fi movie “Metropolis 1927” by Fritz Lang.

2012 MA Illustration,

Kolding School of Design, Denmark.

2010 BA Communication Design, Kolding School of Design, Denmark.

2010 Visual Designer at DADIU, production of the video game Catnapped for children by the student production team 4, Det Danske Akademi for Digital Interaktiv Underholdning (the National Academy of Digital Interactive Entertainment).

2006 Design-HF at - 07 Odense Fagskole an VUC Odense (preparatory school), Denmark.

2004 Skolen for Grafisk Design (The School for Graphic Design), Denmark.

2003 Fyns Tegne og -04 Maleskole (The Funen School for Drawing and Painting), Den-

mark.

Experience

Other

2012 Box covers assistance

2011 DADIU production

for Gogotoys Genius Toy Taiwan Co. 2011 Internship, Illustrator Lilian Brøgger, digital assistant on the graphic novel of Dostojevskij´s Crime and Punishment, told by Oscar K. and Illustrated by Lilian Brøgger, published by Dansklærerforeningens Forlag, 2011).

2010 Graphic work for the boarding school Euroclass.

2009 Digital image processor, Profilm a/s.

2003 Internship, Graphic -04 Artist Stefan Bannow.

won the first price at Turku Åbo 2011: Live 2011 Grand Prix for most artistic game.

/ Department of Communication Design Illustration

/ sophus_v_pedersen@dskd.dk www.sophus-vinther.tumblr.com

/ Portrait page 79 +45 2992 9628

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1 / Brooches in Sterling Silver with enamel and gold leaf approx 7.7 x 4.3cm

2 / Metropolis plaque in Sterling Silver approx 7,5 x 6 cm.

3 / (2011) An experiment in Linoleum printing with the theme of Norse mythology, approx 30 x 39.1cm.

4 / (2010) School project in Illustration, approx 25.3 x 35.5cm.

5 / (2011) Character sketches from sketchbook, approx 29 x 31cm.

/ Nikolaj Weitze Severin

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About

Education

Experience

As an illustrator I enjoy exploring the world of the imagination where fantasy blossoms and worlds and weirdos live and thrive. I seek to create immersive images which magnetise the audience using the whole palette of colours, depth, light, shadow and character. I enjoy entertaining and sparking the imagination of youngsters and people whose imagination is still running rampant. While I was flattered when a boy concluded “that I could draw everything in this world”, what really drives me is drawing that which is out of this world. This is probably why I currently have my stomping grounds in the game industry, fusing play with immersion and fantasy. As a professional I go to great lengths to solve tasks not only from an aesthetic point of view, but taking into account all aspects of the job ahead of me. With my background in games, I know that everything behind the scenes has to fit, and I truly enjoy collaborating in a diverse team.

2012 MA Illustration, Kold-

2012 Art direction & con-

ing School of Design, Denmark.

2011 DADIU, Diploma as Art Director, Denmark.

2010 BA Communication Design, Kolding School of Design, Denmark.

2007 Folk High School at Grundtvigs Højskole, Frederiksborg, Denmark.

2006 Technical School Julius Thomsensgade, Denmark, introductory course in drawing and watercolour.

cept art on codename Mindmonster.

2011 Art direction & execution on LEGO 4+ App

by Press Play.

2011 Art direction, concept art & environment art on Forced by Betadwarf.

2010 Concept art, interface design & environment art on Tentacles by Press Play.

2010 Art direction & execution on Explosive Love by Press Play.

2009 Illustrator on the educational children’s’ book Musen Siger Muh, published by Dafolo.

Other 2010 Art direction on -11 the DADIU games

Imagination and Else, Defender of Earth, where Else was added to EMU (The Danish educational web portal).

/ Department of Communication Design Illustration

/ nwseverin@gmail.com www.nwseverin.carbonmade.com www.nwseverin.blogspot.com

/ Portrait page 79 +45 2294 1197

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1 / The game world combines the abstract and the concrete, the absurd and the familiar.

2 / The abstractions of action and emotion allow for an open interpretation of what it means “to be concentrating on doing bunnysurgery.�

3 / Behind each visual choice lies a broad pre-production to ensure not only aesthetics, but also functionality, viability and narrative context.

4 / Creating a game world from things and events of emotional and memorable significance means there is a blurry line between character and environment.

5 / Spatial orientation and differentiation between the active and the passive space are essential to the player’s enjoyment.

/ Hektor Stokholm

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2 /

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About

Education

Experience

My work is manly inspired by nature, feelings and moods. This means that I work a lot with poetic storytelling using many different media.

Some of these are pencil, pen and ink, etchings, photography, animation and modelling in different materials. On the basis of my former work with furniture making I try to work with the concept of illustration in a more physical way, both in the process and also in the final product.

The ways I achieve this is by getting my hands into the media and getting them dirty. Some of the qualities I seek in this process are textuality and sensibility. For my Master’s project I have been working with visualising the ancient Danish folktales focusing on the creatures that inhabit them. These creatures have many names like ‘the invisibles’ or ‘the ones underground’, but perhaps they are most commonly known as trolls, fairies, gnomes and dwarfs.

2012 MA Illustration, Kold-

2011 Collaboration with

ing School of Design, Denmark.

2007 BA Communication Design, Kolding School of Design, Denmark.

2005 Copenhagen - 07 Technical Col- lege Denmark, school for furniture making.

2002 Training in sculpture, - 03 painting and drawing

by Erik Rytter, Denmark.

2001 Copenhagen -02 Technical College Denmark, courses in analogue photo, web design and illustration.

2000 Ny Carlsberg Glyptotek, Denmark, classical drawing by Asbjørn Jacobsen.

animation studio TinDrum on the preproduction of “Home Land”.

2010 10-Tons and Ole P, exhibition design and modelling.

/ Department of Communication Design Illustration

/ Portrait page 79 +45 5166 2246

/ hektors@hotmail.com

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1 / Master’s project.

A sculptural illustration based on the old Danish folktales. Outside.

2,1m x 2,1m x 2,1m.

2 / Master’s project.

A sculptural illustration based on the old Danish folktales. Inside space.

3 / Master’s project.

A sculptural illustration based on the old Danish folktales. Inside detail.

4 / Visualisation of Charles Mingus’ music. “The Shoes Of The Fisherman’s Wife Are Some Jive Ass Slippers”. Motion graphics / Animation.

5 / Etchings for the poem “He ran to the forest”

by Leela May Stokholm. One of nine illustrations, 28x30 cm.

6 / My work space during my Master’s project.

/ Lone Aabrink

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About

Education

Experience

As an illustration designer I work with visual storytelling. I am a trained painter and illustrator, and my work is intuitive with a spiritual aspect.

In my work, I endeavour to question old ways of thinking and inspire to illumination. I enjoy being open to all sources of input when I work: interviews, websites, stories, the dream from last night, or a nice walk in the woods. I usually work in bigger scales and strong colours using different art forms, such as video, singing, drawing and sketching, writing, photography, dancing, etc.

Entering a hospice means realising that you have entered the final stage of your life. For my Master’s project I have designed a space for a hospice that allows the emotions connected with dying to unfold, without manipulation or control. The room can be used for contemplation, to mourn or meditate, or even just to get a glimpse of the sky.

The project is completed in collaboration with the Sct. Maria Hospice Center, Vejle.

2012 MA Illustration, Kold-

2010 Internship, Oil and

ing School of Design, Denmark.

2008 Ljubljana Academy of Art, Slovenia, painting and calligraphy.

2008 BA Communication Design, Kolding School of Design, Denmark.

2007 Sydney College of the Arts, Australia, painting and printmaking.

2004 The Scandinavian -05 Design College, Denmark, stop motion, graphic design and illustration.

2002 FUU Den Fri Ung -04 domsuddannelse, Borup Folk School, Denmark, analogue photography, voice training, film. Holbæk Art Folk School, Denmark, ceramics, comics and painting. Ærø Folk School, Denmark, acting and painting.

Landscape Painter Anne Cirkola, Bornholm.

2009 Numerous solo -10 exhibitions of drawings, paintings and photog- raphy.

2008 Teaching drawing class at Horsens Art Museum.

2010 Counselling workshops on individual potential and being present in the moment.

2010 Logo and poster for Lejre Fortællefestival.

/ Department of Communication Design Illustration

/ Portrait page 79 +45 2961 2174

/ Loneaabrink@gmail.com www.feelitfoundation.com

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1 / Master’s project.

The circular space on a cloudy day; East window.

2 / Master’s project in process.

3 / Spirit, crayons on paper, a3.

4 / Man in boat, acrylics on wood, 10x20cm.

5 / Snakes, acrylics on board, 122x122cm.

/ Portrait index

12 / Simon Andersen Graphic Design heysimonmail@gmail.com www.cargocollective.com/heysimon +45 2820 7720

14 / Sophie Christine Haack Andersen Graphic Design sophiehaack@gmail.com www.sophiehaack.com +45 2323 7336

18 / Steven Schultz Bussey Graphic Design info@stevebuss.net www.stevebuss.net +45 2980 7008 +44 78673 03054

16 / Pia Vierø Bennedsen Graphic Design vieroe@gmail.com +45 2155 5508

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20 / Louise From Graphic Design louisefrom@gmail.com www.louisefrom.com +45 2751 6336

22 / Ari Marteinsson Graphic Design a@lodret.com www.marteinsson.net www.lodret.com +45 2117 9310

24 / Henriette Olesen Graphic Design olesen_8@yahoo.dk +45 2279 3102

/ Department of Communication Design

26 / Karl McIlquham Schmidt Graphic Design mail@karlmcilquham.dk www.karlmcilquham.dk +45 6088 5038

34 / Christian Duus Interaction Design cdchrduus@gmail.com www.mrduus.com +45 2218 0666

32 / Ida Burchardi Interaction Design wink@idaburchardi.dk www.idaburchardi.dk +45 4248 8660

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36 / Soffia Einarsdottir Interaction Design soffia@soffia.dk www.soffia.dk +45 2257 2757

38 / Sara Hardy Graversen Interaction Design sara@sarahardy.com www.sarahardy.com +45 2720 0716

40 / Agnete Bach Hentze Interaction Design agnetehentze@hotmail.com www.agnetehentze.dk +45 6127 4120

42 / Alina Moat Interaction Design mail@shift-p.info www.shift-p.info www.learningx1.wordpress.com +45 5026 2294

/ Portrait index

46 / Thomas Dambo Interaction Design

mrdambo@Gmail.com www.youtube.com/ThomasDambo www.facebook.com/ThomasDambo +45 2636 4263

44 / Anne Grønlund Pedersen Interaction Design / gronlundpedersen@gmail.com www.annegroenlund.com +45 2246 9559

54 / Julie Flyvholm Cramer Illustration flyvholm.cramer@gmail.com +45 2737 9875

56 / Camilla Boman Jensen Illustration camillabomanjensen@gmail.com camillabomanjensen.blogspot.com cargocollective.com/ camillabomanjensen +45 2216 3853

58 / Rikke Juhl Karlsen Illustration rikkejuhlkarlsen@gmail.com www.karlsenlindstroem.tumblr.com +45 2293 6225

60 / Pernille Møller Illustration studio@pernillemoeller.dk www.pernillemoeller.dk +45 2044 8902

62 / Tom Kristensen Illustration www.tomkristensen.wordpress.com +45 2193 6236

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52 / Stine Bjerregaard Illustration halvtotal@live.dk Kristine.bjerregaard@gmail.com +45 3167 8122

/ Department of Communication Design

64 / Anne Danelund Laursen Illustration a_danelund@hotmail.com +45 5098 0209

66 / Sabina Pedersen Illustration pedersen.sabina@gmail.com sabinapedersen.carbonmade.com +45 2048 0284

70 / Nikolaj Weitze Severin Illustration nwseverin@gmail.com www.nwseverin.carbonmade.com www.nwseverin.blogspot.com +45 2294 1197

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68 / Sophus Vinther Pedersen Illustration sophus_v_pedersen@dskd.dk www.sophus-vinther.tumblr.com +45 2992 9628

72 / Hektor Stokholm Illustration hektors@hotmail.com +45 5166 2246

74 / Lone Aabrink Illustration loneaabrink@gmail.com www.feelitfoundation.com +45 2961 2174

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/ Department

of Product Design

/ Department of Product Design Intro

At the Department of Product Design we develop products and solutions for our common future. Designers develop these while brilliantly meeting the classic requirements for design concerning shape, function, and aesthetics. However, their products and solutions also contribute by being innovative in terms of materials, ecologically desirable, and by having a wide – sometimes offbeat – target audience.

The Department of Product Design comprises the disciplines fashion, textiles, and industrial design.

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The common denominator for the specialist fields is that the solutions produced often involve a product; therefore, all of the students are very knowledgeable about materials, just as the workshops are often included as a natural part of the design process. The teaching is conducted by practicing designers as well as researchers ensuring a knowledge generating interplay between practice-based knowledge and recent design research.

This enables the students to decode and translate trends and needs into unique expressions.

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/ Textile

/ Department of Product Design Textile

In the textile discipline the students work with the classic tools of the textile fields: weaving, knitting, and print. The focus is on developing new design within the design areas fashion and interior design. However, there is an increasing emphasis on transforming textile values into new contexts and technologies. Hence, digital instructional tools have gained a footing at the department and are now considered equally important as the analogue techniques.

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The textile designers are given ample opportunity to apply their competences to the creation of material surfaces other than yarn and fabric, e.g. glass, steel and concrete.

/ Marie Louise Udby Blicher

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About

Education

Experience

Other

The inspiration for my Master’s project is the old Nordic legend about the Viking shaman “the Völur”. By traveling to the underworld during trance, the shaman predicts “Ragnarok”.

I use this inspiration in developing textiles for the body. The materials range from pheasant feathers, horse hair and leather to paper, latex and plastic. The final collection consists of five accessory collars and a jewellery collection of silver rings. My passion is to tell stories through raw and dramatic textile concepts. My goal is to transform my inspiration in all parts of the design process, within illustrations, textiles and staging. Based on my textile knowledge I work with colours, textures and contrasts between materials. Furthermore, I use accessories to create shapes and jewellery for the body. In the end, I have focused on the translation of my universe for the final scenario of the photo shoot. This is done to create a strong and fascinating atmosphere that connects aspects of the whole project.

2012 MA Textile, Kolding

2012 Spinning Jewelry,

2011 Winner of the Golden

School of Design, Denmark.

2010 BA Textile, Kolding School of Design, Denmark.

2006 The Scandinavian -07 Design College, Denmark.

collaboration.

2012 Kopenhagen Fur, collaboration and workshop.

2011 Fritz Hansen, workshop.

2011 Nikoline Liv Andersen, internship.

2009 Ecco, school and company collaboration.

Fur Pin, in the accessories category, exhibited at Trapholt Art Museum and the Danish Design Centre, among others.

2010 Danida World Picture Award (DKK 50,000) to produce a 12-minute documentary in Vietnam (“The Boy with Nine Lives”).

Made in collaboration with Christian Duus.

2009 Kræftens Bekæmpelse (Danish association working to fight cancer). The project was a collection of sun-protective clothing.

/ Department of Product Design Textile

/ Portrait page 154

/ marie.blicher@gmail.com www.marieblicher.com

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1 / Master’s project.

Ring made in silver with chicken beak.

2 / Master’s project.

One of five collars and three rings from the collection.

3 / Master’s project, material sketches.

4 / Master’s project.

One of five collars and three rings from the collection.

5 / Winner of The Golden Fur Pin in the accessories category with the poncho for your car seat.

/ Lærke Ellegaard

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3 /

About

Education

Experience

I have a Bachelor’s degree in textile design specialising in print. For the past two years I have worked with interior spaces, and my Master’s project consists of a collection of materials for a modern sensory-orientated bathhouse. I am interested in what the textile designer can add to the design field in terms of space and objects such as tactility, material and colour understanding. I like to work with a holistic design view focusing on the user, functionality, and visual expression. In my earlier work I have focused on humour and transforming existing materials and the references connected to a product. My work is highly conceptual and I like to work on many things simultaneously. I am energetic and passionate about my work. One of my main skills is an inexhaustible idea depot and the ability to work across many disciplines. I am motivated by the wish to push the boundaries for what is possible within interior space and products creating unique experiences.

2012 MA Textile, Kolding

2011 Gasa GROUP, rede-

School of Design, Denmark.

2011 Willem De Kooning Art and Design Academy, the Netherlands, interior design and lifestyle design.

2009 BA Textile, Kolding School of Design, Denmark.

2005 Kawashima Textile School, Japan, textile art and design.

2002 Free Youth Education - 05 FUU, a combination of internships, school and independent projects.

signing head office entrance area. Project and budget manager and overseeing the final construction of the redesign.

2011 Collaboration with Skive Technical School, upholsterer and furniture department Three chairs exhibited at Formland Spring 2011.

2010 Internship, H&M, print designer for Young Boy and Read Divided.

2006 JetCab, Aarhus, manager (bike cab company).

/ Department of Product Design Textile

/ Portrait page 154 +45 6127 2920

/ le@himmelfabrikken.dk www.himmelfabrikken.dk

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1 / Visualisation of aroma and flower bath in the sensory orientated “The Bath House”.

2 / Sketches in concrete, glass and plastic for the material collection “The Bath House”.

3 / Wall sample in woodwork, part of the Material collection “The bath House.”

4 / Food faces is a collection of 26 conceptual art photos, created together with the photographer Benjamin Li: www. benjaminli.nl.

5 / Food faces is a collection of 26 conceptual art photos created together with the photographer Benjamin Li: www. benjaminli.nl.

/ Carina Sveistrup Mikkelsen

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1 /

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About

Education

Having a very delicate sense of materials, surfaces, shape and light is very important to me, since the very essence of the expression of the design occurs in the interaction between these. I find it fascinating to work with moods and atmospheres as well as ways whereby I can add sensuousness through my designs. Inspired by three different sound sequences, the objective of my Master’s project has been to create a sensuous collection of lamps. As a material of inspiration, sound is intangible in connection with shaping. But by using the language of shape description associated with sound, it became possible for me to transfer the connotations of the sounds into my designs. By using combinations of materials, shape and light, my motivation has been to create a collection of lamps which would add a certain sensuousness to the atmosphere of a room and thereby influence people’s perception of the room.

2012 2010

M A Textile, Kolding School of Design, Denmark.

BA Textile, Kolding School of Design, Denmark.

Experience 2011

Internship, Andtradition.

Other 2012 2012

T he Spring Exhibition Charlottenborg.

Gladsaxe Library.

/ Department of Product Design Textile

/ sveistrup.mikkelsen@gmail.com www.sveistrupmikkelsen.tumblr.com

/ Portrait page 154 +45 2763 9864

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1 / Master’s project, materival experiments with light.

2 / Master’s project, material experiments with light.

3 / Master’s project, material experiments with light.

4 / Master’s project, material experiments with light.

5 / Master’s project, material experiments with light.

/ Louise Ravnløkke

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2 /

About

Education

Experience

Other

Being a textile designer I work with a broad range of projects. Within the textile field my interest always originates with materials, colours and techniques and the emotions they evoke. In my work I am seeking the right composition that will provide a certain edge to the finished concept. In the design process it intrigues me to investigate the fine line between what is beautiful and what is repulsive, with a stroke of humour.

I love coming up with concepts and make every piece tell a part of the story. It fascinates me how aesthetics and tactility can help us tell stories that cannot be told with words. In continuation hereof I find that my textile background provides a great advantage in creating sensitive and emotional products in various fields. My Master’s project, “the.hen.run”, is based on life in a hen run. I am fascinated by the characters of hens and roosters, how they move and how they find their place in the hierarchy of the hen run.

2012 MA Textile, Kolding

2011 Collaboration,

2010 Indigo Fair, Paris,

School of Design, Denmark.

2010 BA Textile, Kolding School of Design, Denmark.

2006 School of Visual -07 Art. Art & Design Aarhus, Denmark.

2005 Skals School of Design and Crafts, Denmark.

2000 HTX Christiansbjerg - 04 (high school specialising in fashion and construction), Aarhus, Denmark.

SuTurno, Spain.

2011 Internship, Maison Raasta, Spain.

2009 Textile design, Teijin, Japan.

2009 Shoe design, Ecco, Denmark.

2009 Assistant to Isabel Berglund on the project Knitted Chimney, Copenhagen Fashion Week, Denmark.

2007 Assistant to Saeed Fadavi on a sculptural project, Harvest festival in Aarhus, Denmark.

France.

2010 Sustainable Fashion,

Issues to be addressed, publication, DK:Lab.

2010 Interview, Spot on

Textiles.

2010 WALK! Shoes for a

sustainable future, publication, DK:Lab. 2009 e_COLLECTION, exhibition, Illum Copenhagen, Denmark.

2005 Student Exhibition 05, Skals School of Design and Crafts, Denmark.

2005 Bag Design, Hendes Verden No 43.

/ Department of Product Design Textile

/ Portrait page 154 +45 2230 0244

/ post@louiseravnloekke.dk www.louiseravnloekke.dk

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1 / Photo shoot illustrating the interaction between the characters of the clothes and the materials.

2 / Photo shoot, photographer Ida Buss.

3 / “The plucked hen�

She has the lowest ranking in the hen run. All the other hens pluck her until she has no feathers.

4 / The knitted styles in the collection are created in a collaboration with knit factories in Apolda, Germany, during Apolda Knit Workshop 2012.

5 / Process: I am creating the character by hand using threads and yarns as my brush.

/ Randi Samsonsen

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1 /

About

Education

Experience

I am a knit designer. Before entering Kolding School of Design, I was studying textile art in Sweden. Because of my background, I often approach knitting as a form of art to overcome some of my own limitations concerning knitting.

This gives me the opportunity to immerse in the development of the textile which I can apply to knitwear design. In the development process it is crucial for me to use the time it takes to get to know all aspects of knitting: The form, the colours, the qualities of threads and how it all comes together with my technical and aesthetic skills as a designer. Based on selected paintings

by Danish artist Kathrine Ærtebjerg, I created a collection of knitwear for my Master’s project.

Together with Ærtebjerg I picked nine different paintings that I interpreted and analysed. From there I created my own universe which I used as the basis for my collection.

2012 MA Textile, Kolding

2011 Workshop manager

2011 Dansk Fashion &

School of Design, DK. BA Textile, Kolding School of Design, DK. 2004 Escole d’Art y Diseno de Alcoy, Spain, textile/industrial line.

2002 Stenebyskolan, HDK, -03 Sweden, textile art.

2001 Oskarshamns Folk -02 Oskarshamns Folkhögskola, Sweden, art and craft.

2010

at the Nordic Knitting Symposium.

2011 Internship, Isabel Berglund, Denmark, assistant scenographer at the dance performance STITCH

by Martin Forsberg.

2010 Internship, Guðrun & Guðrun, Faroe Islands, assistant designer at the collection A/W 2011 and developing knit swatches.

2010 Knitwear design for Ronown Incorporated, Tokyo, Japan.

2009 Cooperation with Tejin, Tokyo, Japan in sustainable polyester.

2009 Cooperation with Ecco, denmark, in sustainable footwear.

2009 Assistant, Isabel Berglund, designer, Copenhagen, Denmark

Other

Textile trend area at Bella Centre during Copenhagen Fashion Week, Copenhagen, Denmark.

2011 Premier Vision, Indigo, Paris, France.

2010 Biodegradeable water cape during COP15, Danish Design Center, Copenhagen, Denmark.

2009 “Innovating Sustainable Fashion” winner of “The Sublime Responsible” in the category Design for Environment, Biodegradeable water cape 2002 Annual art exhibition “Ólavsøkuframsýningin”, Tórshavn, Faroe Islands.

2007 Annual art exhibition -09 “Ólavsøkuframsýningin”, Tórshavn, Faroe Islands.

/ Department of Product Design Textile

/ Portrait page 154 +45 2421 3977 +29 8313 082

/ randisamsonsen@gmail.com www.randisamsonsen.tumblr.com

3 /

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4 /

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1 / Master’s project “The constant scent of sugar.”

2 / Master’s project “The constant scent of sugar.”

3 / Process pictures from my Master’s project: Knitted sketches, sketchbook, cutting in fabric.

4 / Process pictures from my Master’s project: Knitted sketches, sketchbook, cutting in fabric.

5 / Process pictures from my Master’s project: Knitted sketches, sketchbook, cutting in fabric.

/ Ann Højgaard Slot

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1 /

2 /

About

Education

Experience

Other

I am a textile designer and focus primarily on knitting both by hand and using machines.

My great and endless fascination lies in the fact that you can create stunning designs using just thread. I master most of the traditional craft techniques, which I like to challenge and apply in new ways. I have great respect and love for the craft, and I see it as my supreme task to put this into play in a contemporary context.

My Master’s project is directed towards a future collaboration with a fashion designer.

The framework is based on the first Danish translation of “Alice in Wonderland” (1964) with the original illustrations (1865), the very first movie of “Alice in Wonderland” (1903), and Tim Burton’s film version (2010). From these I select elements to be transformed into textile samples.

2012 MA Textile, Kolding

2011- BC garn, freelance

2011 Trend material CIFF. 2009 P remiere Vision,

School of Design, Denmark.

2011 BA Textile, Kolding School of Design, Denmark.

2000 N. Zahles Seminarium (college of education).

knit design.

2012 FOF Aarhus, presentation and workshop in Faroese hand-knitting.

2011 Nordic knitting symposiums: five-day workshop in handknitting.

2009 Collaboration Navia knitwear.

2009 Internship, C´arla du Nord.

2008 I nternship, Iben Høj.

2001 Kristrup School, -06 teacher.

2000 Sjælsø School, teacher.

-01

Indigo, Paris with Kolding School of Design.

2009 Fashion show “Spírar” in Tórshavn, Faroe Islands.

2008 Fashion show in Slesvig, Germany with Kolding School of Design.

/ Department of Product Design Textile

/ Portrait page 154 +45 5090 7606

/ annslot@gmail.com www.annslot.tumblr.com

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1 / Master’s project.

Inspiration taken in Alice in Wonderland.

2 / Master’s project.

Inspiration taken in Alice in Wonderland.

3 / Master’s project.

Inspiration taken in Alice in Wonderland.

4 / Master’s project.

Inspiration taken in Alice in Wonderland.

5 / Master’s project.

Inspiration taken in Alice in Wonderland.

/ Luciana Maria Alves de Oliveira Wraae

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1 /

100

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About

Education

Experience

I am a textile/print designer within fashion and interior. After years of fashion education and work experience, both in Brazil and Denmark, I now focus on apparel products for women.

Looking for inspiration can many times be time consuming and unnecessary. Very commonly, the normal and small things surrounding people in their everyday lives can provide the most beautiful inspiration if you really pay attention.

That is why I usually work with photography as my first resource to generate ideas and elements to compose my patterns. Mix of photography, digitally manipulated unusual materials, bold prints, and expressive colour charts are my trademark. The analogue methods are part of the resource to generate materials for the prints, but I am no romantic about that. Digital printing is one of my passions and allows me to be absolutely free and limitless when creating my designs.

2012 MA Textile, Kolding

2008 Jensen Women/

School of Design, Denmark.

2007 AP Degree / Apparel,TEKO, Herning, Denmark.

2002 Post Graduate Degree Fashion and Costume Design, Universidade Estacio de Sรก, Rio de Janeiro, Brazil.

2000 BA Fashion, Universidade Veiga de Almeida, Rio de Janeiro, Brazil .

VETO, assistant designer, Denmark.

2005 Internship, Fransa/ - 06 BlendShe, Denmark.

2002 TV GLOBO, Costume design department, Brazil.

2001 CD Fashion, freelance designer, Brazil.

2000 Alexandre Matos, assistant designer, Brazil.

/ Department of Product Design Textile

/ Portrait page 154 +45 28474887 +55 21 92033008

/ luciana.wraae@gmail.com www.surfacebase.com

5 /

4 /

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1 / Master’s project, natural pool print on silky organza & cotton/denim.

2 / Master’s project, snail print on transparent silky organza.

3 / Master’s project, idea generation sample with sequins.

2 / Master’s project, torn paper printed on silky velvet.

5 / Master’s project, abstract printed textiles collection, inspired by Brazilian Folklore’s divinity.

6 / “The beautiful side of trash” project: A beautiful view of trash through macro lenses, translated into decorative tiles.

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/ Fashion

/ Department of Product Design Fashion

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The fashion discipline focuses primarily on designing clothing which decodes, mirrors, and reflects the present.

The students are given time and pace for thoughts, experiments, reflections, and intuition to roam freely in the constant slipstream of trends, which also characterises fashion. Form and concept development and materials knowledge are part of the core subjects of the curriculum, and the students learn to build entire collections aimed at target groups and production facilities.

/ Daniel Kirk Horsbøl Andersen

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About

Education

Experience

As a designer I like the interplay between art and functionality. For me, function is an important consideration, especially when designing menswear, which is my passion. I work a lot with materials, and I am a hands-on kind of guy. The pencil is my best friend but I am also good with my hands. Therefore, I switch between sketching and doing experiments. For my Master’s project I have chosen to work with superheroes because I believe superheroes are an up-andcoming major trend. Just look at all the movies coming out about superheroes and people with extraordinary abilities. For this collection I have created my own superheroes who have served as my muses. This has enabled me to drag anything I wanted into my collection. Some things I have also drawn directly from the superhero costume, such as the graphic lines of the suits and the notion of a blurred line between different garments.

2012 MA Fashion, Kolding

2011 Business collabora-

School of Design, Denmark.

2010 Bezalel Academy of -11 Arts and Design, Fashion Department, Israel.

2010 BA Fashion, Kolding School of Design, Denmark.

2005 Den Eksperimen -06 terende Tekstilskole (The Experimental Textile School), Denmark.

2002 Skals School for -04 Design an Crafts, Denmark.

tion with Danish shoe company Ecco.

2011 Internship, Add Aitor Throup studio, London.

/ Department of Product Design Fashion

/ Portrait page 155 +45 2751 9950

/ d.k.h.andersen@gmail.com

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1 / Master’s project.

Me.

2 / Master’s project.

The Pigeon Avenger.

3 / Master’s project.

Raju.

4 / Master’s project.

The Veteran.

5 / Master’s project.

The Barber.

6 / Master’s project.

Wayne.

/ Anna Borg

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About

Education

Experience

Other

My Master’s project aims to make sustainable fashion the most desirable choice. Therefore, I have focused on making attractive sustainable garments for women looking for quality and exquisite details as I believe it is possible for sustainability and high quality to go hand in hand.

For this purpose I have worked with the following sustainable parameters: All items in the collection must be recyclable and able to compost in order to have a minimal environmental impact. The collection is designed by acknowledging and using the negative spaces around the body to create light and airy silhouettes. It uses graphic and asymmetric cuts to express this. As a designer I am very interested in exploring the boundaries between nakedness and the covered body. I often use transparent materials, and in my construction process I focus on holes, openings and cuts to emphasise the light and dreamy world I am working in.

2012 MA Fashion, Kolding

2012 The Youth Fashion

2011 Trend Show, Copen-

School of Design, DK. 2010 BA Fashion, Kolding School of Design, DK. 2006 The Scandinavian -07 Design College, DK. 2005 Skals School of -06 Design an Crafts, DK.

Summit, organised by Nordic Fashion Association /NICE and KEA /Copenhagen School of Design and Technology.

2007 Assistant and seam -12 stress, Theatre Mungo Park, Kolding, DK. 2011 Concept Dress for violinist Tamsin WaleyCohen, London, UK. 2011 Dressing Assistant at MA Catwalk, Kolding School of Design, Forum Copenhagen.

2010 Internship, Ioannis Dimitrousis, London.

2010 Photo shoot assistant, Dimitris Theocharis, London, UK. 2010 Dressing Assistant, Peter Jensen Catwalk, Copenhagen, DK. 2009 Sewing Assistant for Master Student Stine Bolbroe, DK. 2009 Polyester project for Teijin Japan, DK. 2009 Shoe design for Ecco.

hagen International Fashion Fair, Bella Centre, DK. 2010 BA Catwalk, Kødbyen, Copenhagen Fashion Week, DK. 2010 Book, Sustainable Fashion – Issues to be addressed, DK:Lab. 2010 Book, WALK! Shoes for a sustainable future, DK:Lab.

/ Department of Product Design Fashion

/ annakborg@gmail.com www.anna-borg.com

/ Portrait page 155 +45 5056 9715

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1 / Graduation project.

Dress: organic cotton in light green and bamboo silk.

Belt: leather and horn

2 / Graduation project.

Necklace: made of horn. Shirt: organic cotton in natural color.

Trousers: 100% polyester.

3 / Graduation project.

Dress: 100 % polyester.

/ Maja Lindstrøm Hansen

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About

Education

Experience

Other

When working with clothing I use my background as a tailor and combine it with textile skills and handcraft focusing on colours and tactility. I work with many different kinds of inspiration, but I find it particularly interesting to use non-visual sources of inspiration and then create my own visual universe through photos, drawings and materials. My Master’s project is a work of collaboration between fashion and illustration made in collaboration witk Rikke Karlsen.

The main subject of our project is children’s play.

We have used the concept of play both as our subject and as our primary method. We have divided Play into five categories. The five categories are: role-play, rule games, construction/experimenting with materials, physical playing, and gathering or collecting things. Based on these categories we have developed a collection that is playful both in terms of expression and process.

2012 MA Fashion,

2010 Internship, Danish -11 fashion designer

2011 Trend display exhi­

Kolding School of Design, DK. 2010 BA Fashion and Textile, Kolding School of Design, DK. 2007 Tailor, Skrædderskolen Aarhus, Denmark, cutting and craft in classic dressmaking.

Trine Wackerhausen, Copenhagen.

bited during Copenhagen International Fashion Fair in Bella Center, Copenhagen.

2010 Fashion show, Copenhagen Fashion Week SS11, BA collection.

2009 COP15 exhibition, Copenhagen, Sustainable Shoes.

2009 Sun-protective clothing displayed at the campaign opening for Kræftens Bekæmpelse (Danish association working to fight cancer) at the Danish Technological Institute.

2009 Collaboration with Ecco, concept for sustainable shoes: Design for Disassembly, 2009 Collaboration with Teijin, 100 % Polyester. Material studies, design of polyester clothing and concept for recycling of polyester clothing.

/ Department of Product Design Fashion

/ maja_lindstroem@hotmail.com www.karlsenlindstroem.tumblr.com

/ Portrait page 155 +45 2670 9254

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1 / Master’s project, “The Haute Couture Illustration Project”.

2 / Master’s project, “The Haute Couture Illustration Project” sketch.

3 / Collection for an existing brand; pre-collection for Miu Miu.

4 / Amargosa Project; the atmosphere of Death Valley, California, transformed into a women’s wear collection.

/ Line Sander Johansen

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About

Education

Experience

Studying women’s wear fashion and various old textile techniques has allowed me to develop a variety of skills throughout my Master’s programme. I have worked in the cross-field of old techniques such as weaving, tufting and dyeing in the process of cutting a garment. This has got me involved in collaborations with companies like Dosa Inc. in L.A and Strange in Denmark.

My portfolio reflects a love for classic cutting as well as great periods of research and idea generation related to developing both the textiles and the garments. The research for my collections often turns itself into entire universes of objects, textiles, illustrations, videos, installations, which I have used in styling for magazines, trend materials and exhibitions. The care for human comfort and beauty, a love for textiles, the link between craftsmen and designers and zero waste, next to the ’foolishness’ or ’escape’ of fashion seem to be the poles of my work.

2012 MA Fashion, Kolding

2012 Dosa inc. Los Angeles,

2010 Diploma in Visionary

2011 Strange Collection,

School of Design, DK. Coaching.

2008 BA Fashion, Kolding

School of Design, DK. 2006 Københavns Til skærer Akademi (Copenhagen Pattern Cutter Academy), DK. 2004 Skolen for Kunst og Design (The School for Art and Design), Aarhus.

freelance designer.

company collaboration to create a simple, yet new, pre-fall/ winter collection with less to zero waste in the production 2009 Tailoring, sales -10 and production of own designs, handstitched cashmere sweaters, knitted by Strange.

2008 BVBA 32/ Ann Demeulemeester, internship.

2005 Fashion Director at -06 HE magazine, a biannual publication in Scandinavian menswear fashion, art and music.

Other

2012 L’oeil Du Vert in Los Angeles, collaboration in perfume making.

2011 Collaboration with creative director and owner of Dosa Inc. L.A, Christina Kim. 2011 Spring/Summer “11 Constellation Blush”, exhibition at Bella Center, during Copenhagen Fashion Week.

2008 Exhibition “Home is no-go” at The Loft, Antwerp.

2008 Opening of the graduate’s show in Copenhagen with the weaved zero waste collection “Switch Move”.

2007 Folklore silhouette, The National Museum of Denmark during Culture Night.

/ Department of Product Design Fashion

/ linesander@gmail.com www.creatoroflittleuniverses.blogspot.com

/ Portrait page 155 +45 5094 6307

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1 / Master’s project.

2 / Master’s project.

3 / Master’s project.

4 / Master’s project.

5 / Master’s project.

6 / Master’s project.

/ Bruno Kleist

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About

Education

Experience

I play with the line between masculinity and femininity by challenging the rules of what is considered masculine but still complying with the rules of traditional menswear. The quality and the fit of each garment are very important in order to achieve a coherent collection. It is all bound together in the importance of the details to create another level of perception. My Master’s project is inspired by the aesthetics of “The Magnificent Seven”, seven cemeteries in London. The contrast of old versus new, the decay and transformation of these cemeteries, are transformed into a menswear collection. By combining this aesthetics with classic, tailored menswear details and various textile treatments, I create my own interpretation of modern menswear.

2012 MA Fashion, Kolding

2010 Internship, JOLIBE,

School of Design, Denmark.

2011 London College of Fashion, United Kingdom, specialising in menswear.

2010 BA Fashion, Kolding School of Design, Denmark.

2007 The Scandinavian Design College, Denmark.

2006 Gamleby Folkhögskola, Sweden.

New York.

2005 Zlamp, lamp designer,

working as fitter.

/ Department of Product Design Fashion

/ Portrait page 155 +45 5054 8254

/ contact@brunokleist.com www.brunokleist.com

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1 / I have been working with various textile treatments, such as rust dyeing and mould dyeing.

2 / Creating a random pattern on the fabrics that resembles the textures and structures on the cemeteries.

3 / Master’s project, sketches.

4 / Master’s project.

5 / Master’s project, sketches.

/ Niviaq Binzer

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About

Education

Experience

Clothing as a means of communication has been a recurring theme throughout my years of study.

The starting point of my Master’s project was emotional attachment to one’s wardrobe. In my previous projects I have focused on how clothing defines a person exter nally. For my Master’s project, I decided to focus on how the body defines the clothes. Body movement and wear and tear shapes the final appearance of a garment and leaves a trail of the person wearing the clothes. For my final project I wanted to recreate some of those elements in a wearable collection.

2012 MA Fashion, Kolding

2010 Internship, MCQ,

School of Design, Denmark.

2010 BA Fashion, Kolding School of Design, Denmark.

2006 The Scandinavian -07 Design College, Denmark.

Alexander Mcqueen, London, United Kingdom.

2009 Internship, Vilsbøl de - 07 Arce, Copenhagen, Denmark.

/ Department of Product Design Fashion

/ Portrait page 155 +45 5250 4933

/ / niviaqbinzer@hotmail.com

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1 / ‘And the Wood Said Burn Me’.

Interdisciplinary project with Marta Julia Johansen, and Nanna Rosenfeldt.

2 / ‘Function’ Bachelor project.

3 / Form study concerning the difference between body and clothing.

4 / The foundation of my project. Why do we get emotionally attached to some parts of our wardrobe making us unable to throw out clothing that has lost all function.

5 / Wardrobe research.

What kind of conscious and unconscious choices do we make when choosing our clothing.

6 / Diagram of the body, what areas of the female body are private and how does our clothing represent that?

/ Niklas Kunz

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About

Education

Experience

Other

I create menswear which focuses on the masculine look by empowering the strength of the male with dark nuances. As a fashion designer I possess a strong design aesthetic represented by sleek, youthful cuts and lines creating street chic with an edge. I work with materials such as leather, wool and cotton, which I reconstruct by working with the qualities of the materials thereby creating a new material look. The topic for my Master’s project is bricolage, which is to sample different style references by putting them into new contexts and thereby creating a new set of values. In doing so, I have taken my inspiration from a picture of six guys taken during Paris Fashion Week 2011. The picture shows them wearing completely different style references which works within the group. In order to complete the collection I worked in a realm that expresses who I am as a fashion designer by interpreting what the element of bricolage.

2012 MA Fashion, Kolding

2011 Intern, design as-

2011 Fashion Finalist, the

School of Design, DK. 2008 BA (Hons) -10 Fashion and Textiles, Bournemouth Univer sity, UK. 2006 Design Technologist.

-08 HND at KEA-Design, DK. 2005 A level Marketing and -06 Media at Niels Brock H.H., DK.

sistant, Mandy Coon, New York.

2009 Intern, design assistant, Soulland, Copenhagen, DK. 2007 I ntern, design -08 assistant, Devandervar, Copenhagen, DK. 2007 Intern, design assistant, Henrik Vibskov, Copenhagen, Denmark.

2005 Intern, RIVI, Torquay, UK.

Golden Fur Pen competition / Kopenhagen Fur. 2009 Independent art -10 studies.

2009 Graduate collection, Graduates Fashion Week, London.

/ Department of Product Design Fashion

/ Portrait page 155 +45 4240 0253

/ nicklaskk@ofir.dk www.nicklaskunz.com

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1 / E xperiments with gradients of the color black.

2 / Moodboard from the Master’s collection.

3 / The muse, Cole Mohr, for Master’s collection.

4 / Leather jacket from the Master’s collection.

5 / Coat lining from the Master’s collection.

6 / A black faded shirt from the Master’s collection.

/ Anna Katharina Thomsen

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About

Education

Experience

Other

I have always been an all-round thinker and worker. I love to build and explore my own universes, which I describe through form, experiments, materials, words and my own photos.

Therefore, I let my Master’s project focus on this part of the design process and let the trend book become my media as well as my product. The fact that a small book can contain a whole universe, which is at the same time just a selection of the Zeitgeist, is very fascinating to me. Here, I have the possibility to connect fashion with different media, tell tactile stories and share my universes with others. During the work process I always shift between the micro and macro frame of mind and approach and try to include many different aspects of a given topic. Most importantly I want to be passionate about my work; otherwise it would not matter.

2012 MA Fashion, Kolding

2010- Teacher for “Sewing

2012 Youth Fashion Sum-

School of Design, Denmark.

2010 BA Fashion, Kolding School of Design, Denmark.

2008 Intermediate Diploma in Integrated Design at University of the Arts Bremen, Germany.

2006 Integrated Design majoring in Fashion Design/Experimental Design at University of the Arts Bremen, Germany.

2006 Abitur, German University Entrance Diploma.

and Design” at Ungdomsskolen Amager.

2012 Teacher for “Portfolio making” at Lornsenschule Schleswig.

2010 Internship at Moonspoon Saloon.

2008 Student job, 23.

Forum Typografi, University of the Arts Bremen.

2006 Student job, Profile Intermedia 9 – The Tower of Babel.

mit, Copenhagen.

2011 Trend exhibition at

CIFF, Copenhagen.

2010 Internship, Moon-

spoon Saloon, costumes for dance performance “Heavy Metal Parking Lot”.

2010 Fashion show, Bachelor project, Copenhagen Fashion Week.

2008 Fashion show, Folklore project, GermanDanish Culture week.

/ Department of Product Design Fashion

/ a.thomsen@gmx.com www.annathomsen.carbonmade.com

/ Portrait page 155 +45 5222 2926

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1 / “Pret-a-diner� in Berlin backyard, inspiration picture.

2 / Draping with paper-covered lace.

3 / Silk, glass, lace, wood and safety pin, material collage on the wall.

4 / Embroider yourself.

5 / All-over, inspiration picture.

/ Lea Zaar Østergaard

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About

Education

Experience

I am interested in dressing the body in shapes that gives it a complex silhouette. In my design process, I work with expression, transformation, deconstruction, and the intention of showing the way to a multitude of diversity in the visual expression for both men and women. I strive to make clothes that are not broken down by gender but have a common starting point. My Master’s project collection has no specific gender orientation; the collection is spacious and suitable for both men and women. When creating a collection that has an avant-garde, underlining conceptuality it is important to maintain recognisability in some elements of the collection.

Therefore, I have made use of shirt and suit components in order to underline the wearability and recognisability of the silhouettes. My final collection is kept in a monochromatic BLACK as an homage to the Japanese fashion revolution, and the title is WTAHTKC; wHITEtHINGSaREhARDtOkEEPcLEAN.

2012 MA Fashion, Kolding School of Design, Denmark.

2010 BA Fashion, Kolding School of Design, Denmark.

2005 The Scandinavian Design College, Denmark.

2012 Production experience, Lithuania.

2011 Barbara í gONGINI, company cooperation.

2010 Barbara í gONGINI, -11 internship.

2010 Artvangarte, showing Bachelor project.

2008 Shoe collaboration with Ecco.

/ Department of Product Design Fashion

/ Portrait page 156 +45 3027 8630

/ lea.zaar@gmail.com www.leazaar.tumblr.com www.leazaar.dk

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1 / WTAHTKC; Thank you , Karina Jønson , Janus Á Argjahøvda , Tina Kristoffersen, Barbara Í Gongini , Ole Í Gongini , headzone.dk, EZ/JØ.

2 / WTAHTKC;

3 / WTAHTKC;

4 / WTAHTKC;

.

5 / WTAHTKC;

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/ Industrial

Design

/ Department of Product Design Industrial Design

125

Industrial design focuses on design solutions which incorporate function, form, and production possibilities into one collective design solution. Industrial design students study classic design disciplines such as sketching, 3D programming and model making, but they also spend more and more of their time on overall concepts focusing on the future of the users as well as immaterial values and aspects of the products.

Hence, user studies and mapping of consumer behavioural patterns have become core subjects in the teaching.

/ Anne Danielsen

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About

Education

Experience

When I first started having an interest in industrial design I hoped to make a difference with my projects. During my studies at Kolding School of Design, my interest in social design and service design has grown. To me it is hard to distinguish interaction design and product design. I believe that it is important to be part of the environment that I am designing for; to establish myself as a resource design wise.

I am keen on using interaction design methods in my research to get the user-knowledge I require for the further process. I am widely experienced concerning a variety of methods that, in the course of time, have made me a strong team player, a good concept developer, and a convincing presenter. I hope to develop my knowledge in the field of healthcare design even more in my professional life as a designer.

In my masters project I have designed a solution that aims to eliminate medication errors at the Medical Department at Kolding Hospital, by changing the way medicine is handled by nurses from the medicine room to the patient.

2012 MA Industrial Design,

2011 GN Resound, Bal-

Kolding School of Design, Denmark.

2011 Unitec Institute of Technology, Auckland, New Zealand.

2010 BA Industrial Design, Kolding School of Design, Denmark.

2007 Krabbesholm Folk School, product design, Denmark.

2005 Herning Business School, Denmark.

lerup, Denmark.

2010 Internship, Design

Agency, 3PART, Aarhus, Denmark.

2007 Assistant, nursing -09 home for elderly,

Omme Centret, Sdr. Omme, Denmark.

2006 Teacher, kindergarten. Part of establishing a new section in The Sunbeam, VidebĂŚk, Denmark.

/ Department of Product Design Industrial Design

/ anne.danielsen@hotmail.com www.annedanielsen.com

/ Portrait page 156 +45 2277 1115

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1 / Instead of the existing medicine trolley, they now put away medicine in a drawer to avoid medication errors.

2 / The main product is an in-tray in the medicine room for division of medications for different delivery times.

3 / Sketches have helped me visualise the new design, for me as well as the nurses at the hospital.

4 / One of the products is a portable tray for handing out medicine to fewer patients at a time.

5 / The product is a result of a great focus on the good patient experience regarding medicine dispensing.

6 / During the project I have had access to ideal contact persons on the medical ward at Kolding Hospital.

/ Brian Frandsen

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About

Education

Experience

Other

For me designing is a way to experience and examine the world around me. My work always depicts my personal interpretation of life and my relations to other people, other objects and other beliefs. I make sure to leave a little piece of myself in every object or solution I create hence I believe this is the only way to create designs that people will find special and meaningful.

For my Master’s project I have worked in the cross field between industrial design and fashion developing new methods and approaches to design that can help designers create products that relate to functionality, emotions, and identity. I have worked with products and objects that we carry close to our bodies on an everyday basis. Products we take with us when we leave home. These accessories are interesting because they tell a story of where we are going and what we are going to do, but also of whom and what we are.

2012 MA Product Design,

2012 Art installation for

2012 I Salone del Mobile,

Kolding School of Design, DK. 2009 BA Industrial Design, Kolding School of Design, DK. 2008 Summer School, Tongji University, Shanghai, China.

I Salone del Mobile 2012, Milan. Made in cooperation with Ege Carpets A/S. 2011 Rapid visualiser, -12 innovation workshops facilitated by Char- lotte Larsen.

2012 Workshop facilitator, Høyer Design School.

2011 Recruitment ambas -12 sador for Kolding School of Design.

2010 Photo editing, -11 Profilm Aps. 2011 Visualisation of the core values of Kolding School of Design.

2010 Sport water bottles for Promens AS. 2010 Strategy development for Stop Aids (internship/collaboration).

2009 Internship, Deepdesign, Milan.

2009 Design of sensor prototype for Danfoss IXA. 2008 Design of test prototype for the Roblood research project.

2005 QC for Claire.dk, Hong Kong and China.

Milan, “The Tube”, with “Face to Face”.

2011 Finalist, The Golden Fur Pin 2011 Award.

2006- Head of ‘Student -10 Counsel’.

2008 1st prize winner, Shanghai International Student Exhibition (SISE).

/ Department of Product Design Industrial Design

/ Portrait page 156 +45 2045 9044

/ mail@brian-frandsen.dk www.brian-frandsen.dk

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1 / Master’s project.

Photo by Christian Tøndering.

2 / Master’s project.

Photo by Christian Tøndering.

3 / Redesign of the umbrella based on the spectacular costumes of the Peking Opera.

4 / “Face to Face” auto portrait made of floor carpet, in cooperation with Ege A/S.

5 / Concept development for my contribution to ‘The Golden Fur Pin’ competition.

6 / Implying an extra toe in the shape and referring to the traditional look of men’s shoes I created this shoe of “Classical Imperfection.”

/ Christian Troels Hansen

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About

Education

Other

I am a versatile designer who masters both conceptual and technical aspects of the design process. I have a very playful approach and always strive to give to the product some characteristic features and personality that will make it stand out from the crowd. During my education I have worked within many categories of product design, from futuristic electrical cars to pink horse stables for Lego. Working with new fields and continuing to learn are very motivating factors for me as is having fun along the way.

My Master’s project consists of a series of lamps inspired by transformation and simple geometry.

The lamps have an anonymous appearance in their closed state, but as soon as they open, a more exciting and characteristic expression is unveiled.

2012 MA Industrial Design,

2011 Bilbao Awards 1st

Kolding School of Design, Denmark.

2011 Business collaboration Lego. Concept development and model building at Lego Duplo and Lego Technic.

2011 &Tradition Copenhagen. Product development intern, lighting and furniture.

2010 UmeĂĽ Institute of Design, Transportation Design, Sweden.

2010 BA Industrial Design, Kolding School of Design, Denmark.

Price, Product category.

2011 Bilbao Awards 1st Price, Transport and Mobility category.

2010 YCCA Print (young creative circle award).

2010 Cannes Lions. Young Lions Print Bronze Medal.

2009 Copenhagen Showhow Talent Price.

/ Department of Product Design Industrial Design

/ christiantroelshansen@gmail.com

/ Portrait page 156 +45 5051 7791

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1 / A series of lamps inspired by transformation and simple geometry.

2 / The Gren Intelligent Blind Cane combines the most commonly used aids for blind people in one product.

3 / The lamps have a very anonymous closed state, but as soon as they open, a more exciting and characteristic expression is unveiled.

4 / Rhythm bike is designed for a young female musician, and her musical background inspires the curvy shape of the frame.

5 / Cargo Pal is inspired by the “Long John� bike.

The idea was to create a fun cargo/ delivery scooter for urban environments.

6 / Peugeot Lionceau (Baby Lion) is an electric car for the year 2025.

/ Carl Emil Jacobsen

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132

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About

Education

Being an industrial designer I have a huge interest in the way objects are created and the visions and thoughts behind them. My fascination for industrial design lies in the role of being a creator of beauty and function. What motivates and drives my work are my passion for materials, colours and function combined with the buildingup of concepts and moods. I consider myself an ambitious, hard-working and happy person.

I put a lot of time and effort into every project, and I work responsibly with a true dedication and passion. I value group work, and consider team work a great strength and joy. I always try to be open to new things, whether it is cutting with a diamond in granite or sociological studies of the way we live, and turn insights from this acquired knowledge into tangible design solutions. The Master’s project ‘Essentiels’ is made in collaboration with Daniel Kowal-Andersen.

2012 MA Industrial Design,

2011 Guest teacher, The

Kolding School of Design, DK. 2010 BA Industrial Design, Kolding School of Design, DK. 2009 Five-week workshop, Tonji University, Shanghai, China.

2006 Kunst & Design, Art -07 School, Aarhus, DK.

Experience

Scandinavian Design College, Randers, DK. 2010 Internship, Bosch & Fjord, Copenhagen, DK. 2007 Volunteer, Studenter -10 huset Klostret, Kold- ing, DK.

Other 2010 LED light project,

Roskilde University, DK. 2010 Bike project, World Expo2010, Shanghai, China.

2009 Exhibition of electric scooter, Bike project and Ecco-cooperation, COP15, Illum Copenhagen, DK. 2009 Bike project, Shanghai Creative Industry Week, Shanghai, China.

2008 Re-sound project, Transitioning Stigma, Ballerup, DK.

/ Department of Product Design Industrial Design

/ carlemiljacobsen@gmail.com

/ Portrait page 156 +45 3170 1698

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1 / A selection of essentials.

2 / Whisk of oak, Bronze and steel.

3 / Cast iron pan process with porcelain handle.

4 / Material selection layout.

5 / Stool of Swedish granite and oak.

6 / Creating stone handles.

/ Daniel Kowal-Andersen

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About

Education

Experience

I am a communicating and proactive designer who very much enjoys making things fall into place. These solution-oriented and industrious traits are based on an imaginative, playful and exploratory way of working with concept development and storytelling within industrial design. I am strong at fast, expressive sketching and prototyping in different materials.

I value working with design cooperatively and in an honest matter, often choosing solutions involving noble materials like wood, metals, ceramics, leathers and stone. I have a cheerful and outgoing personality, and curiosity is a big part of my nature. This adventurous and creative side is balanced by my ability for organising and displaying overview. I see myself as a very humorous and outgoing person who always finds the fun in every part of the design process.

I am an energetic designer, and my multilingual abilities and easy-going, yet dependable personality enable me to work within an empathic context with other practitioners from varying fields. The Master’s project ‘Essentiels’ is made in collaboration with Carl Emil Jacobsen.

2012 MA Industrial Design, Kolding School of Design, DK. 2007 BA Industrial -10 Design, Kolding School of Design, DK. 2006 The Scandinavian -07 Design College, Randers, DK. 2001 International Busi -04 ness Baccalaure- ate, Tietgen Business College, DK.

2010 Internship, Metro -11 farm Gmbh, Berlin and Goodmorning Technology, Copenhagen.

/ Department of Product Design Industrial Design

/ Portrait page 156 +45 2671 9838

/ denway@gmail.com

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1 / Bowls of glazed stoneware.

2 / Freshly cast bronze morter.

3 / Knife sharpening set of stone and oil container.

4 / Bronze morter and piston of oak and Norwegian Rombeporfyr.

5 / Cutting board of oiled oak and bronze. Knife of Sleipner steel, Bronze and Bornholm granite.

6 / Process and prototypes.

/ Søren August Vallø Jacobsen

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About

Education

Experience

I have an artistic approach to design where I explore different kinds of structures, tactile feelings and mathematical principles related to designing; the outcome is a design with an extraction of these explorations of qualities.

My range of work involves traditional design concept development as well as artistic pieces.

I focus particularly on creating lighting design and exhibition design with aesthetic considerations. For my Master’s project I have worked with lighting design influenced by the Italian renaissance and its theoretical approach to art and architecture; that is, its scientific and mathematical approach to aesthetic matter.

My newly gained knowledge of the emphasis on rational mathematical proportions and usage of geometry in this historic period influences me to create in that spirit and challenge the modern approach to industrial design. The lamp is a geometric abstraction of a renaissance dome combined with modern technology and production methods.

2012 MA Industrial Design,

2011 RoboCluster. Trade

Kolding School of Design, Denmark.

2009 BA Industrial Design, Kolding School of Design, Denmark.

2005 The Scandinavian Design College, product design, Denmark.

2005 Kerteminde Folk School, design and space, Denmark.

fair stand designer.

Design of podiums and eye catcher for RoboCluster trade fair stand at HI (11) The Scandinavian Industry Expo.

2011 Kolding School of Design Graduation Exhibition 2011, co-curator.

2010 Art market at YOUR MUM, exhibitor.

2010 OBOJANI DOM, volunteer. Private Apartment Exhibition.

2010 HJEM Berlin, coordinator and exhibitor.

An exhibition concept for young Danish designers in Berlin.

2009 Lumineur licht, -10 internship. Researching and developing light- ing design.

2009 Artmoney, internship.

Developing concepts for exhibitions, design and strategy.

2004 Art Hall Brandts -05 Klædefabrik, assistant.

/ Department of Product Design Industrial Design

/ Portrait page 156 +45 5054 4452

/ sorenaugust@gmail.com www.sorenaugust.dk

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1 / Concept image of the lamp in the right environment: a Renaissance church. The lamp mathematically relates to the surrounding architecture.

2 / The lamp “Glimt� is a lamp with an open form. During day-time, small colour reflectors make delicate colour shadows.

3 / Empty lamp is a geometric structure where one expects a centered light but reveals an empty construction.

4 / Working with lighting design influenced by the Italian renaissance; their theoretical, scientific and mathematical approach to aesthetic matter.

5 / The reflectionniche creates an atmosphere of a sacred place.

Inspired by sacred buildings translated into a niche with light.

/ Michael Ubbesen Jakobsen

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2 /

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3 /

About

Education

Experience

eOther

Throughout my time at Kolding School of Design I have become experienced in many different fields of design and ways of approaching different kinds of tasks. Product design, furniture and bicycle design are among the fields where I feel this experience has embodied itself in my works.

I have found strength in working with the ‘hands on approach’ regarding both objects and materials, but also when it comes to dealing with the people involved in different projects from users to experts. My interest in materials and tech­ nologies has given me a strong set of workshop skills along with a lot of experience and knowledge. This knowledge and ability to realize and prototype models is a great advantage for me in the design process and helps to ensure a strong result. My Master’s project focuses on the border between mass production and craftsmanship within the field of furniture design.

2012 MA Industrial Design,

2011 Freelance, Nooka,

2010 Final 3/run-up for

Kolding School of Design, Denmark.

2010 BA Industrial Design, Kolding School of Design, Denmark.

2007 Krabbesholm Folk School, product design, Skive, Denmark.

New York. Developing new products for Nooka’s future production line.

2011 Founder of Michael Ubbesen, Industrial Design. Working freelance for national and international clients solving product and industrial design challenges.

2008 Baubike-Bicycle -11 project, estimated availability in spring 2012.

2011 Internship, Nooka, New York. Concept and product development.

2010 Internship, Good -11 morning Technology, Copenhagen.

Research, sketching initial concepts, client meetings, developing final design solutions and visualisation 2010 Danfoss Workshop.

Developing concepts for indoor climate systems.

Junior Design position at Apple, CA. 2009 DMY Jury Selection.

2007 Top 10, Louis Poulsen.

/ Department of Product Design Industrial Design

/ Portrait page 156 +45 2617 1867

/ michaelubbesen@msn.com www.michaelubbesen.com

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1 / Master’s project; Rendering of final table design.

2 / Master’s project; Models and mock- ups.

3 / Master’s project; Development of the joint.

4 / Baubike is constructed around the geometric shape of the square and the equilateral triangle.

5 / An open-end piece above the back wheel; offers the possibility to customise the function of the bike (additional seat).

6 / Prototyping the Baubike.

/ Michael Svane Knap

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3 /

140

2 /

About

Education

Experience

Other

I am an industrial designer based in Denmark.

Before I started studying industrial design I worked as a graphic designer at a small company which I started up with some friends back in 2006. During my studies I have focused on aesthetic design within the fields of furniture, interior and toy design. My passion for interior and furniture design was one of the reasons I started studying industrial design in the first place. Throughout my years of study I have worked both personally and professionally within these fields. When I am not thinking about design, I spend time with my family. My family is very important to me and one of my biggest sources of inspiration. They provide the energy that defines my work. The aim of my Master’s project is to develop toys that create meaningful activities for children. Simultaneously, it should teach children about ethics and morality through play or through the icons it introduces.

2012 MA Industrial Design,

2011 Internship, shldesign.

2011 Cargo Pal (electric

Kolding School of Design, DK. 2010 BA Industrial Design, Kolding School of Design, DK.

Concept development, product design and furniture design.

2008 CG artist, 3d-animation.dk. Graphics for advertising and presentations.

2006 CG artist, Turntool. co. Interactive 3d for advertising and presentations.

scooter): Winner of the category Transport and Mobility at the B-awards, 2011, Bilbao.

2009 Winner of the Special Prize in the talent competition by CPHdesign: WEEK09, SHOWHOW, Copenhagen.

2008 ReSound Relief (hearing aid): Winner of the Columbus award at presentation for ReSound, 2008, Kolding.

/ Department of Product Design Industrial Design

/ Portrait page 156 +45 2177 0220

/ mail@mknap.dk www.mknap.dk

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1 / Master’s project; Stacking tree in play.

2 / Master’s project; The stacking tree combines colours, graphics, and shape to redefine a classic toy.

3 / Master’s project; Toy design with focus on positive icons and the implementation of emotional design thinking.

4 / RockingHorse; Foldable rocking horse. Get the function from a classic rocking horse combined with simple aesthetics.

5 / Master’s project; Graphic process for the stacking tree.

6 / Bachelor project; KlapKlap.

Multifunctional furniture that can be folded in ten different positions.

Playful and intuitive.

/ Victoria Kusk

2 /

142

1 /

About

Education

Experience

Other

My main interest is in lifestyle products and furniture; I love working with form and aesthetics and I think a product needs to have a soul.

In my design work I strive to ask questions and find the answers that do not immediately present themselves. In the initial phase of a project I never know what I am going to end up with, and I find this part of the process thrilling; sometimes it can feel like a wonderful treasure hunt and sometimes it feels like getting lost in a maze. However, looking back I always see an organic journey with loops and steps in all sorts of directions and a final product that I would have never been able to make without these excavations. I can sense when a design is just right and answers what I asked in the beginning.

My Master’s project is a LED lamp that will appeal to well educated, urban and design conscious women between the ages of 25 and 55.

2012 MA Industrial Design,

2010 Internship, Design By

2010 “Danish Design

Kolding School of Design, DK. 2009 The Royal Danish Academy of Fine, Arts School of Architecture, Copenhagen, DK. 2009 BA Industrial Design, Kolding School of Design, Denmark 2005 The School of Art & -06 Design, Aarhus, DK. 2001 BA French & -04 Semiotics, Aarhus University, Aarhus, DK.

Us, Copenhagen, DK.

Lovers” project during the I Salone del Mobile, with Danish Ministry of Culture, Danish Consulate of Milan and Mads Arlien-Søborg, Milan, Italy.

/ Department of Product Design Industrial Design

/ Portrait page 157 +45 2684 3604

/ hey@victoriakusk.com www.victoriakusk.com

143

3 /

4 /

5 /

1 / Inspiration for materials for my final project, from Skuespilhuset in Copenhagen.

2 / “ Zephyr” radio, bachelor project.

3 / Graphic patterns.

4 / Some sketches of my lamp design.

5 / “ Pipe”, a chair made from steel tubes.

/ Allan Sejer Madsen

1 /

2 /

144

3 /

About

Education

Experience

Other

I like to see myself as a fireball with a passion for radical innovations and perfection and the skills to get it out there. I practically grew up in my father’s workshop where he made custom automation solutions for industry productions, and I have always felt an urge to create and suggest how to make things better and more efficient.

Realising this I instantly fell in love with design and have strengthened my fundamental understanding of functions and constructions with the innovative tools I have been exploring ever since. My Master’s project, “Kamasite, Modular Event Interior”, is a reusable and flexible building system for creating interior at medium-sized and large-sized indoor and outdoor events that offer greater projects with less effort and longer lasting investments.

2012 MA Industrial Design,

2011 Internship, Johannes

2010

Kolding School of Design, Denmark.

2010 BA Industrial Design, Kolding School of Design, Denmark.

Torpe Studios, Copenhagen.

2011 Internship, CBD, Copenhagen.

iF concept award.

/ Department of Product Design Industrial Design

/ allan.madsen@me.com www.issuu.com/AllanMadsen

/ Portrait page 157 +45 2924 3238

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1 / Kamasite - where it belongs.

2 / Alignment lamp, LED heat sink in progress.

3 / Kamasite Selected sketches from 4 different processes: Form Development; Solution Testing; Function Development; Full Scale Prototyping.

4 / The Uncut Diamond - a project made for DJ Rune RK’s 2011-2012 tour.

5 / Me - on top of the Kamasite 1:1 model skeleton setup.

6 / Evanel electrical scooter concept, model works.

/ Mathias Mølgaard-Jensen

2 /

1 /

146

3 /

Education

Experience

2012 MA Industrial Design,

2012 Production company

Department for Product Design, Kolding School of Design, DK. 2009 BA Industrial Design, Kolding School of Design, DK.

FrameByFrame Productions. Scenography and stage management.

2011 Danish national gallery/ Museum of Art, Industrial design and concept development.

2011 Industrial design, -12 studio and concept developers: “Din mor” (dinmor.org), scenography and props for commercials.

2011 Internship, Studio Whomadeid.

2011 Advertising agency Bates Y & R. Scenography and props.

2010 Internship, DEVELOPA. 2010 Internship, Studio CPH Square (Interiør design).

2009 Carl Bro Engineers, Idea development and visualisation.

/ Department of Product Design Industrial Design

/ matoriousone@gmail.com www.toomanyshrimp.wordpress.com

/ Portrait page 157 +45 25751925

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1 / Digital amp-audio visualisation concept. This digital amplifier concept visualises the sound chronologically through the amp.

2 / Process working drawing for a chair.

3 / Synthesizer.

4 / Chair – 14 mm wood veneer.

5 / Detail picture.

6 / Detail picture.

/ Jonas Birkebæk Poulsen

1 /

2 /

148

3 /

About

Education

Experience

I am an industrial designer with a broad skill set. My main areas of expertise are concept development and 3D finalising, sketching rough 3D models in 3D, and creating production-ready CAD models. I have experience with different production methods and hands-on knowledge of prototyping with 3D printing and CNC. Drawing and visualising is one of my most used methods for conceptualising and communicating the design task. I use a wide range of methods and programs to achieve the desired result in a fast and artistic manner. Based on the many different projects I have done I consider myself a great generalist designer with the ability to engage in most projects. That said, I have a distinct passion for toy design, game design, electronic design, and shape development. With my Master’s project, “The Future Loudspeaker”, I aim to explore and fill in new and emerging needs of musical events with the speaker and its role for tomorrow’s consumers at the centre.

2012 MA Industrial Design,

2011 Toy design for Gigo

Kolding School of Design, Denmark.

2010 Umeå Institute of Design, Transportation Design, Sweden.

2010 BA Industrial Design, Kolding School of Design, Denmark.

Toys, Genius Toy Taiwan Co. 2011 Internship, Menu A/S Denmark.

/ Department of Product Design Industrial Design

/ Portrait page 157 +45 2830 6694

/ jonasbp.design@gmail.com www.jonasbp.blogspot.com

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1 / The loudspeaker changes shape and “dances� to the music to communicate the feeling of the song to the user.

2 / Future loudspeaker shape development.

3 / Different shapes and colours that the loudspeaker can turn into.

4 / Toy product line designed for Gigo Toys,Genius Toy Taiwan Co.

5 / Photoshop character design sketch.

6 / Electric Peugeot concept car designed for 2025.

/ Su Yu

2 /

1 /

150

3 /

About

Education

Experience

I am from China and have lived in Denmark for five years. My purpose for coming here was to learn Danish product design. During my five years at Kolding School of Design I have been able to study different approaches to product design. I have also built up my professional profile by completing projects in many different areas.

Living between two cultures has made me a good communicator. Because of my special cultural background I have participated in different workshops filling different roles. I have done internships both in Denmark and China. All of my experiences have given me a better understanding of how production depends on context.

I am also not afraid to challenge the boundaries on both sides, but elegantly. As a production designer, my passion is to find the balance between the craftsmanship and the modern design technology. In my design studies I have worked with various materials. I am always interested in how I can apply different materials using different methods, so products can bring a better user experience.

2012 MA Industrial Design, Kolding School of Design, Denmark.

2010 BA Industrial Design, Kolding School of Design, Denmark.

2007 E xchange Student, Kolding School of Design, Denmark.

2005 Foundation Progame, -06 Academy of Arts & Design, Tsinghua University, China.

2011 Internship, Whomadeid. Clients: Louis Poulsen, Riegens, BELLINGER EYEwear, Carlsberg Breweries, and Copenhagen Airport.

2010 IDEO Design Camp Exhibition in Fredericia, Denmark.

2010 Etrans project with Kolding School of Design. Assistant in Shanghai.

2010 Cumulus Shanghai Design Conference with Kolding School of Design.

/ Department of Product Design Industrial Design

/ Portrait page 157 +45 3155 1585

/ suyu6111@gmail.com www.suyu.eu

4 /

5 /

6 /

1 / Bachelor project HUG, 2010 It offers users a cosy atmosphere.

It combines comfort and functionality together.

2 / EXPO bike Shao, 2009. Collaboration with Chinese bike company Forever. The bike was made for Shanghai EXPO 2010.

3 / ECCO workshop, 2009. We explored different techniques & materials so we can merge the beautiful presentation and the comfort experience.

4 / Master’s project, 1:10 scale model of my concept.

5 / Master’s project.

A dinning table making of the table in workshop.

6 / Master’s project, testing the bamboo plates that connect with piano hinges.

/ Tobias Tøstesen

1 /

2 /

152

3 /

About

Education

Experience

Other

A natural curiosity for exploring space and shape, materials and objects has led me to this point of finishing my Master’s degree.

Working with design has become very personal for me meaning that I always include my own personal values in the process. Honest, clean materials, functional detailing, and telling a clear story; these are keywords which have grown on me and play an important role in my work. As a designer I feel I am in a position where I have a great deal of responsibility and I try to be conscious about sustainability – not as my driver, but as a natural consideration.

In my work I often explore different aspects of design: Customer journeys; hands-on research such as cultural probes; observation; quick sketches and mock ups; using my hands, head and sense of sympathy; dynamic and giving team work. For my Master’s project I have created a food workshop with a holistic focus on the way we sense sustainability, materials and raw food; the sensuality of everyday life.

2012 MA Industrial Design,

2010 Internship, Native De-

2011 Exhibition. Larch

Kolding School of Design, Denmark.

2011 Emily Carr University, Vancouver, Canada.

2011 International Design camp, Kolding School of Design, Denmark.

2010 Design Camp, Shao Bike, Tongji University, Shanghai, China.

2010 BA Industrial Design, Kolding School of Design, Denmark.

2006 Art & Design, Sketch -07 ing School, Aarhus, Denmark.

sign, London, United Kingdom.

2007 Guide, Trapholt Art -09 Museum, Kolding, Denmark.

2008 CO-creator of Art -09 Studio “Trykkeriet”.

2005 Service assistent.

- 06 C.F. Møller Architects, Aalborg, Denmark.

Table, Display at 18 KARAT Show Room, Vancouver, Canada 2010 Exhibition. Shao Bike, EXPO 2010, Shanghai, China 2009 Publication. “Robots That Move You”, Kolding School of Design, Denmark 2009 Exhibition. ON Robot, Odense Robot Festival, Denmark 2009 Publication. “Electric Scooter”, Kolding School of Design, Denmark 2009 Exhibition. Ecco Shoe, Illum Co penhagen, Denmark 2008 Publication. “Transitioning Stigma”, GN Resound, Denmark 2007 ReSound Your Life Project, 1st Price, ReSound Competition

/ Department of Product Design Industrial Design

/ tobiastoestesen@gmail.com www.issuu.com/tobiastoestesen/ docs/portfolio

/ Portrait page 157 +45 4097 1591

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153

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6 /

1 / I have worked holistically with the negative space and how the surfaces meet to present a flexible and light construction

2 / The kitchen solution is highlighting functional details and materials in order to reinforce the understanding for how it is built

3 / Plate bag. Inspired by old traditional farm house storage

4 / Organic vegetables.

In the project I have worked with everyday sensuality to see how it can be transferred to design

5 / A holistic table solution with a physical and visual connection between table top and legs through functional rope detailing and joinery.

6 / A project realised in Shanghai with the bike producer Forever. A handmade unisex wire bike inspired by suspension bridge architecture.

/ Jeppe S. Vestergaard

1 /

2 /

154

About In the course of my studies, I have explored the broadness of my profession. I have worked with anything from expressions in furniture to the function of a milking stable. To me, research represents an essential foundation for any product, and I have included expert as well as user knowledge in my projects. I am fascinated by all aspects of the design process; however, due to my background as a sculptor, I am particularly intrigued by the process of adding shape to products. During this process I use my hands to create and work a great deal with mock ups, 1:1 models and user-involvement.

I enjoy working with different types of people and across disciplines as I believe this adds new elements to one’s projects. I love to be captivated, challenged, surprised, fascinated, inspired, baffled, touched, shocked and breathless; design enables me to feel all of this. My Master’s project, “Made of Waste”, is a bar stool intended for kitchen use. It is created together with Spekva, a company specialising in kitchen table tops.

Education

Experience

Other

2012 MA Industrial Design,

2001 Independent sculptor.

-08 2005 Establishment of

2011 Exhibited at Danish

Kolding School of Design, DK. 2009 Collaborations -10 various companies, DK. 2010 Internship, Hans Thyge & Co drawing office, DK. 2009 Aarhus School of Architecture, Department of Design, DK. 2009 BA Industrial Design, Kolding School of Design, DK. 2000 Trained forest manager, Skovskolen Nøddebo (EUD), DK. Trainee, Ulfborg state forest district, DK. Forester (six months), Norway.

workshop for sculptors.

Design Week, “Think twice”.

2010 Competition finalist, “Aarhush”.

2010 Furniture design for “Godsbanen”, Aarhus.

2010 Participation at I Saloni Milano.

/ Department of Product Design Industrial Design

/ jsvestergaard@hotmail.com

/ Portrait page 157 +45 2235 9202

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155

3 /

1 / ‘Made of Waste’.

2 / ‘Made of Waste’.

3 / Corian is usedas a discreet detail adding a delicate expression to the furniture.

4 / Through its name the logo conveys the stories and values of sustainability. Philosophy is described underneath the seat.

/ Portrait index

88 / Lærke Ellegaard Textile le@Himmelfabrikken.dk www.himmelfabrikken.dk +45 6127 2920

86 / Marie Louise Udby Blicher Textile marie.blicher@gmail.com www.marieblicher.com

92 / Louise Ravnløkke Textile post@louiseravnloekke.dk www.louiseravnloekke.dk +45 2230 0244

94 / Randi Samsonsen Textile randisamsonsen@gmail.com www.randisamsonsen.tumblr.com +45 2421 3977 +29 8313 082

156

90 / Carina Sveistrup Mikkelsen Textile sveistrup.mikkelsen@gmail.com sveistrupmikkelsen.tumblr.com +45 2763 9864v

96 / Ann Højgaard Slot Textile annslot@gmail.com www.annslot.tumblr.com +45 5090 7606

98 / Luciana Maria Alves de Oliveira Wraae Textile luciana.wraae@gmail.com www.surfacebase.com +45 28474887 +55 21 92033008

/ Department of Product Design Portrait index

106 / Anna Borg Fashion annakborg@gmail.com www.anna-borg.com +45 5056 9715

110 / Line Sander Johansen Fashion linesander@gmail.com creatoroflittleuniverses.blogspot.com +45 5094 6307

112 / Bruno Kleist Fashion contact@brunokleist.com www.brunokleist.com +45 5054 8254

114 / Niviaq Binzer Fashion niviaqbinzer@hotmail.com +45 5250 4933

116 / Niklas Kunz Fashion Nicklaskk@ofir.dk www.niklaskunz.com +45 4240 0253

108 / Maja Lindstrøm Hansen Fashion maja_lindstroem@hotmail.com www.karlsenlindstroem.tumblr.com +45 2670 9254

157

104 / Daniel Kirk Horsbøl Andersen Fashion d.k.h.andersen@gmail.com +45 2751 9950

118 / Anna Katharina Thomsen Fashion a.thomsen@gmx.com annathomsen.carbonmade.com +45 5222 2926

/ Portrait index

124 / Anne Danielsen Industrial Design anne.danielsen@hotmail.com www.annedanielsen.com +45 2277 1115

126 / Brian Frandsen Industrial Design mail@brian-frandsen.dk www.brian-frandsen.dk +45 2045 9044

128 / Christian Troels Hansen Industrial Design christiantroelshansen@gmail.com +45 5051 7791

130 / Carl Emil Jacobsen Industrial Design carlemiljacobsen@gmail.com +45 3170 1698

132 / Daniel Kowal-Andersen Industrial Design denway@gmail.com +45 2671 9838

134 / Søren August Vallø Jacobsen Industrial Design sorenaugust@gmail.com www.sorenaugust.dk +45 5054 4452

136 / Michael Ubbesen Jakobsen Industrial Design michaelubbesen@msn.com www.michaelubbesen.com +45 2617 1867

158

120 / Lea Zaar Østergaard Fashion lea.zaar@gmail.com www.leazaar.tumblr.com www.leazaar.dk +45 3027 8630

/ Department of Product Design Portrait index

140 / Victoria Kusk Industrial Design hey@victoriakusk.com www.victoriakusk.com +45 2684 3604

142 / Allan Sejer Madsen Industrial Design allan.madsen@me.com www.issuu.com/AllanMadsen +45 2924 3238

144 / Mathias Mølgaard-Jensen Industrial Design matoriousone@gmail.com www.toomanyshrimp.wordpress.com +45 25751925

146 / Jonas Birkebæk Poulsen Industrial Design jonasbp.design@gmail.com www.jonasbp.blogspot.com +45 2830 6694

148 / Su Yu Industrial Design www.suyu.eu +45 3155 1585

159

138 / Michael Svane Knap Industrial Design mail@mknap.dk www.mknap.dk +45 2177 0220

150 / Tobias Tøstesen Industrial Design tobiastoestesen@gmail.com issuu.com/tobiastoestesen/ docs/portfolio +45 4097 1591

152 / Jeppe S. Vestergaard jsvestergaard@hotmail.com +45 2235 9202

160

Department of Communication Design

Rikke Hansen Camilla Jørgensen Kirsten Bonde Sørensen

978-87-90775-36-0 87-90775-36-8 9788790775360

ISBN

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Advisor

Charter ITC Regular, Bold, Black, Black Italic

Munken Print White 15, 300g

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Munken Print White 15, 150g

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Zeuner Grafisk

Graduating students

Print

Jens Christian Hansen

Photo

Lærke Lykke Grøn-Christensen

Jan Ulrik Saksø Juhl

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Lærke Lykke Grøn-Christensen

Co-Editor

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Editor

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Designskolen Kolding

Marianne Baggesen Hilger Jan Ulrik Saksø Juhl Bo Severin Bilde Bruun Søren Grønning Iversen Rikke Hansen Arne Vollertsen Peter Stilling Sidsel Søgaard Sørensen Rebecca Ratza Greve Andersen Ditte Blohm Graduates 2012

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/ Illustration

/ Graphic design

Stine Bjerregaard Julie Flyvholm Cramer Camilla Boman Jensen Rikke Juhl Karlsen Pernille Møller Tom Kristensen Anne Danelund Laursen Sabina Pedersen Sophus Vinther Pedersen Nikolaj Weitze Severin Hektor Stokholm Lone Aabrink

Simon Andersen Sophie Christine H. Andersen Pia Vierø Bennedsen Steven Schultz Bussey Louise From Ari Marteinsson Henriette Olsesen Karl Mc Ilquham Schmidt

/ Interaction Design

Ida Buchardi Christian Duus Soffia Einarsdottir Sara Hardy Graversen Agnete Bach Hentze Alina Moat Anne Grønlund Pedersen Thomas Dambo

/ Textile

/ Industrial Design

/ Fashion

Marie Louise Udby Blicher Lærke Ellegaard Carina Sveistrup Mikkelsen Louise Ravnløkke Randi Samsonsen Ann Højgaard Slot Luciana Maria Wraae

Anne Danielsen Brian Frandsen Christian Troels Hansen Carl Emil Jacobsen Daniel Kowal-Andersen Søren August Vallø Jacobsen Michael Ubbesen Jakobsen Michael Svane Knap Victoria Kusk Allan Sejer Madsen Mathias Mølgaard-Jensen Jonas Birkebæk Poulsen Su Yu Tobias Tøstesen Jeppe S. Vestergaard

Daniel Kirk H. Andersen Anna Borg Maja Lindstrøm Hansen Line Sander Johansen Bruno Kleist Niviaq Binzer Niklas Kunz Anna Katharina Thomsen Lea Zaar Østergaard