In the Making Tour Proposal

in the making Tour Proposal

designmuseum.org

The Design Museum Touring Programme This programme was set up in 2002 with the aim of bringing design exhibitions to audiences around the UK and internationally.

Since then, the museum has toured more than 120 exhibitions to 100 venues in 27 countries worldwide.

The Design Museum’s touring exhibitions range in size from 150 to 1000 square metres and cover all areas of design – architecture, fashion, furniture, graphics, product and more.

Contents 6 Exhibition overview 12 About Barber and Osgerby 14 Exhibitions details 17 Terms and conditions 18 Contact

About the Design Museum The Design Museum is the world’s leading museum devoted to architecture and design. Its work encompasses all elements of design, including fashion, product and graphic design. Since it opened its doors in 1989, the museum has displayed everything from an AK-47 to high heels designed by Christian Louboutin.

It has staged over 100 exhibitions, welcomed over five million visitors and showcased the work of some of the world’s most celebrated designers and architects including Paul Smith, Zaha Hadid, Jonathan Ive, Miuccia Prada, Frank Gehry, Eileen Gray and Dieter Rams. On 24 November 2016, the Design Museum relocated to Kensington, West London. Architect John Pawson converted the interior of a 1960s modernist building to create a new home for the Design Museum, giving it three times more space in which to show a wider range of exhibitions and significantly extend its learning programme.

EUROPEAN MUSEUM OF THE YEAR 2018 In May 2018, the Design Museum was awarded the title of European Museum of the Year and commended by the panel for its effort in developing ‘an important democratic and multilayered intercultural dialogue, with a significant social impact in the community.’

The Design Museum, London

‘It speaks directly to my seven-year old self, and I expect a million others too, of every age.

‘All that makes this an exhibition which showcases Barber & Osgerby’s skills as designers better than any retrospective.

Their zeal for making, and understanding of process and material is what enables them to explore and create things of outstanding value and utilitarianism on the one hand, and serene beauty on the other.’

The Telegraph

‘The idea makes for a very curious but wonderfully engaging exhibition of half finished objects, some of which, in their incomplete state, look seductively sculptural, abstract, occasionally deceptive and counterintuitive and occasionally, utterly beautiful.

“This is a design show of rare modesty, almost the opposite of a monographic exhibition. Instead it is a pure celebration of making and the designers’ pure pleasure in process shines through.’

Financial Times EXHIBITION VIEW, WAREHOUSE421, ABU DHABI, 2017-18

‘We have always been fascinated by the making process as it is an integral part of our work. We have curated an exhibition that will provide a platform to capture and reveal a frozen moment in the manufacturing process and unveil an everyday object in its unfinished state. Often the object is as beautiful, if not more so, than the finished product!’

Edward Barber and Jay Osgerby

Exhibition overview Curated for the Design Museum by Edward Barber and Jay Osgerby, In the Making captures objects mid-manufacture and puts the aesthetic of the unfinished centre stage. Varying from the £2 coin to a tennis ball, a surprising range of objects have been chosen by Barber and Osgerby to be exhibited in an unfinished state, celebrating the intriguing beauty of the making process and revealing the unexpected quality that everyday objects have before assuming their final, recognisable form.

The show gives a glimpse of the designers’ ongoing dialogue with manufacturing that is so distinctive to their practice. Throughout their careers, Edward and Jay have had a technical curiosity and fascination with the making process. The partially-made objects give an insight into the design thinking that has driven this duo to such acclaimed success, including designing the London 2012 Olympic Torch, which went on to be awarded the Design Museum’s Design of the Year 2012. Their multidisciplinary approach challenges the boundaries of industrial design, architecture and art.

There is an option for tour venues to work with Edward Barber and Jay Osgerby to curate locally manufactured exhibits for their venue.

Glass Marble

EXHIBITION OVERVIEW | 6

7 | EXHIBITION OVERVIEW

1. Thonet Chair, model no. 214 2. Olympic torch 3-5. Exhibition views, Warehouse421, Abu Dhabi, 2017-18

EXHIBITION OVERVIEW | 8

‘In The Making offers an insight – albeit a carefully curated one – into the realm of manufacturing, hopefully helping to inspire a new generation of designers to take up the torch.

‘What do we learn from this handsome little show? Mostly, I think, despite being asked to admire an ugly lump of aluminium destined to become a MacBook Pro, that it is the old processes and materials that still hold the greatest allure.’

Evening Standard

EXHIBITION VIEW, WAREHOUSE421 ABU DHABI, 2017-18

About Barber & Osgerby Internationally acclaimed designers Edward Barber and Jay Osgerby founded their London-based studio in 1996. Their diverse body of work spans industrial design, furniture, lighting and site-specific installations as well as limited edition pieces and public commissions such as the London 2012 Olympic Torch and a ÂŁ2 coin designed for the Royal Mint. They are currently working with many manufactures including Knoll, Vitra, B&B Italia, Cappellini, Venini and Flos. Their work is held in permanent museum collections around the world including the V&A and the Design Museum in London, the Metropolitan Museum of Art, New York and the Art Institute of Chicago. In 2001, Barber and Osgerby established architecture and interior design practice Universal Design Studio and in 2012 they founded Map, specialising in research and strategy-led design.

In 2013 they were awarded an OBE for their services to the design industry.

Edward Barber and Jay Osgerby

ABOUT | 12

Exhibition details Curators Edward Barber and Jay Osgerby are a duo of internationally acclaimed designers whose eponymous studio has been based in London since 1996 Margaret Cubbage is an independent curator and worked at the Design Museum from 2008 to 2018 Exhibition Design Universal Design Studio Graphic Design Build Venues Design Museum, London 22 January – 4 May 2014 Irish Design at Dublin Castle 29 December 2014 – 17 March 2015 The Wilson, Cheltenham 11 July – 20 September 2015 Warehouse421, Abu Dhabi 9 November 2017 – 11 February 2018 Tour Availability from summer 2019 Space 200 – 400 square metres

Book

EXHIBITION DETAILS | 14

LOREM IPSUM DOLOR SIT AMET, CONSECTETUR ADIPISCING.

EXHIBITION VIEW, WAREHOUSE421, ABU DHABI, 2017-18

Terms and conditions

Contact

Hire fee, on request, includes:

To find out more about this exhibition and other tours available from 2019 onwards, please contact:

– Curation and exhibition concept – Tour management by Design Museum staff – Exhibits – Images and films – Exhibition text in English – 2D and 3D design concept – Selected display kit Costs payable by the venue: – Hire fee, in instalments – Exhibition and graphic design adaptation – Share of transport and crating costs – Storage of empty crates – Nail-to-nail insurance – All costs relating to exhibition production – Installation and de-installation costs – Marketing

Charlotte Bulté Senior Touring Manager charlotte.bulte@designmuseum.org 00 44 (0) 20 3862 5883 Caroline Grewar Head of Exhibitions caroline.grewar@designmuseum.org 00 44 (0) 20 3862 5890 designmuseum.org/exhibitions/touring-exhibitions

PICTURE CREDITS Every reasonable attempt has been made to identify owners of copyright. Errors and omissions notified to the museum will be corrected in subsequent editions.

Cover image, © Warehouse 421; p.2, © Gravity Road; pp. 3-10, © Warehouse 421; p. 11, © Barber & Osgerby; pp. 13-16, © Warehouse 421 Cover image: French Horn and Tripton Chair

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