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CONTENTS 11 EDITORIAL 12
TENZSEATER
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KASA INTERIORS
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STAFF Publisher Joanne Beedles Senior Editorial Researcher Isobella Lichfield Digital Publisher Richard Stockton Client Account Manager - design et al Ryan Boocock Client Account Manager - design et al Simon Donnelly Publishing Manager - Luxe Christopher Aitken Client Account Manager - Luxe Lynn Colecliffe Client Account Manager - Luxe Jessica Howarth Editorial Manager Natalie Cowley Design Awards Manager Glenn Hughes Awards Coordinator Rachel Clarke Graphic Designer Matthew Milner Public Relations Consultant Catherine Lyne Accounts Anthony Taylor
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This year promises to be a very exciting year from a design perspective as we have witnessed not only an increase in applications for The International Design & Architecture Awards but also designers competing from a wider geographical base, all corners of the globe in fact, which has made for a more diverse mix of design ideas and interpretation and in my opinion an interesting mix.
projects projects as you will have noticed that we share an issue this month with Hotel et al, a title which will be launched next month as a bi-monthly publication and distributed with design et al.
Over the next couple of issues, we will be selecting a number of shortlisted schemes to share with you ahead of this year’s allimportant competition a little later in the year. This issue we have chosen just a small selection of
Exciting times ahead!
This month is just a little taster really of Hotel et al, which will be launched officially 29 June at The International Hotel & Property Awards in Capri.
Until next issue, Joanne
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TIMELESS ELEGANCE, CHARACTER AND LUXURY IN CHRISTCHURCH, NEW ZEALAND PROSSER RESIDENCE TRENZSEATER
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Located in Christchurch, New Zealand, this new architectural build is set on a prestigious, stream boundary site and required a full interior design package. Renowned for the interior design of some of the most premium residential properties in New Zealand, Trenzseater were commissioned to complete this. The architecture was designed to a high specification and Trenzseater were briefed to ensure the interiors complemented the architecture without compromise. The brief was to present something that was new and exciting, something that was unexpected and had not been seen before. The designers were tasked with trying to bring intriguing layers of texture and design to all elements of the interior whilst creating a space that was useable, not too precious and could easily be lived in by the clients.
“Trenzseater have
delivered an interior which is inspiring, layered with intriguing textures and materials, sophisticated finishes and details offering the client something personal and curate.”
The interior design project included some architectural elements with a marble entrance wall being installed. The designers were also to incorporate design elements in the kitchens and bathrooms, door hardware, lighting, flooring, window furnishings, wallcoverings and the furniture and interior furnishings. For Trenzseater one of the key aspect of this project was collaborating with the client to ensure all elements of the design and architecture worked cohesively in harmony, whilst also pushing the boundaries of the design to offer something unique and unexpected. Trenzseater’s Prosser Residence has been shortlisted for The Global Interior Design Scheme in The International Design & Architecture Awards 2018. Speaking about the awards Ben Lews, Founder of Trenzseater said “they offer a vehicle to celebrate great design whilst collaborating interior design and architecture. It is this design which makes the world an inspiring place”. Trenzseater have delivered an interior which is inspiring, layered with intriguing textures and materials, sophisticated finishes and details offering the client something personal and curate. The designers achieved this through the use of natural stone in the flooring, bathrooms and kitchen, brushed brass tapware and door hardware, oak parquet flooring and the use of dark chocolate American oak timbers in the joinery, doors and furniture. All the furniture on the project was made in New Zealand by Trenzseater including the unique parquetry tables. Trenzseater used a lot of natural seagrass wallpapers from Ralph Lauren with metallic backgrounds along with flocked
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velvet and glass beading wallpapers. The use of natural materials, products and finishes compliments the architecture and also balances the location of the site. Talking about the design, Ben explained “The interior was intentionally designed to be timeless, we used a neutral colour palette accented with strong natural browns & blacks as well as classic camel accents, we also popped various areas with fresh emerald green which visually gave vibrancy to the interior”, he continued “To achieve our classic interior palette we used a lot of natural materials which gives longevity and prominence along with authenticity to the design”. All spaces feature bespoke designed furniture pieces, finished in luxurious velvets, flocked velvets, fine wools, and antiqued leather, complemented with the timber and high gloss tables which were finished with an extensive use of European rugs, mirrors, and accessories. The use of beautiful exquisite chandeliers in various rooms is prominent, along with accent table and floor lamps. “We used some exquisite Jonathan Browning crystal pendant lighting which have brass accents running through them, one particular space we used these was over the Master Ensuite bath which looked spectacular”, said Ben. With all their projects Trenzseater ensure there is a sophisticated balance of layers to give interest, detail, and timeless elegance. They believe it’s the details which offer refinement, personality, balance, character, and luxury. This design works as it is balanced, layered and textured, offering an interior which can easily be relatable but offers inspiration and interest at the same time. Ben told design et al “Interior Design is our passion, it is our creative excellence that clients recognise and demand our distinctive, instantly recognizable quintessential style.” The clients of this project have been delighted with the all aspects of the interior, “it has given them the inspiration and vibrancy they wanted yet giving it a classic ambiance. They have also subsequently had many comments from industry professionals on how the design has been put together and how unique it is. We look forward working on future projects with the clients” Ben concluded. The Prosser Residence is now, undoubtedly, an elegant and sophisticated home, which will never be out of style.
TRENZSEAT ER INTERIOR DESIGN SERVICE CHRISTCHURCH | 121 Blenheim Road, Riccarton, Christchurch 8041, New Zealand | +64 3 343 0876 AUCKLAND | 80 Parnell Road, Parnell, Auckland 1052, New Zealand | +64 9 303 4151 INTERNATIONAL ENQUIRIES | benlewis@trenzseater.com www.trenzseater.com
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MODERN AND IMPRESSIVE INTERIOR ABBOTTS WOOD – KASA INTERIORS
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“The developer created a property that maximised the beauty of the 56-acre woodland position, by installing large windows and vast amounts of light.”
This project involved the interior design of a luxurious bespoke built residential home of 15,000 sq. ft. set within a secluded woodland setting in Berkshire. The overseas purchaser of this luxurious property, had requested their chosen developer to select an interior designer on their behalf. The brief was “a modern and impressive interior, to reflect the opulent property and its surroundings, combined with practicality and durability to cope with high volumes of family visitors”. Kasa Interiors presented its vision for a mix of formal and relaxed reception rooms, together with 6 bedrooms, home cinema and games room via mood boards and 3D CGI’s which were delivered to the overseas client. Kasa Interiors own research into the clients’ background, secured the project in their favour. The project was completed at the end of July 2017, when the clients were due to move into it as their summer family residence for a mere 6-8 weeks in early August. The developer created a property that maximised the beauty of the 56-acre woodland position, by installing large windows and vast amounts of light. At the same time, they preserved the surrounding woodland, views, and dense lush landscapes. The occupants were able to appreciate the beautiful scenery from curved, floor to ceiling windows uninhibited by window dressings. The entire project from architectural design through to the dressing, kept the environment, its trees, lush landscapes, and its inhabitants in mind. The interior doors were made to specification with the artistic circular feature being key to reflect the curved interior walls and curved rear windows. The Drawing room was so vast that the options to buy a “readymade” suite, were minimal. In order to achieve the opulent appearance, quality of fabric, appropriate colour for the scheme and most importantly 4m long, they were designed by Kasa and handmade by their upholsterer. Sourcing art for curved walls, was challenging. Nothing was the correct length, width or would lay flat 26 design et al
against the curve. An artist who sculptures unique pieces in metal, was commissioned to create two pieces to adorn the dining room walls, with the combined design effort made by him and Kasa Interiors. Kasa Interiors believe that their design concept was particularly successful as the property offers flexibility. This luxurious home can be used in many ways depending on whether the occupants have family staying over, who want to relax and instantly feel at home, or friends that they want to entertain with style or even clients who they want to impress. Kasa Interiors believe that it’s not just a home, it’s a dining venue, a home office, and a statement of success. The designers received outstanding feedback from the clients, the family have found it to be practical, comfortable, and homely. With various family members arriving regularly, there is always a room appropriately dressed, with places to relax in and instantly feel at home. Friends visiting have passed comment on its stylish, modern, unique features delivered in wall coverings, art, and accessories. For entertaining, the client has been able to host many formal/corporate dinners allowing the property to emulate his success. Kasa Interiors have thus far been successful in the UK, predominantly across London and the home counties. The diverse designs, creative minds and imagination of two very focused and talented ladies, has so far been restricted. Having recently been shortlisted for the International Design & Architecture Awards 2018 with this project, Kathy Hayward, Partner at Kasa Interiors told design et al “The International Design and Architecture Awards is a much respected and hugely honourable award worldwide. We feel that if Kasa Interiors as a small company who is passionate about design is worthy of this recognition but more importantly, would give us the platform to spread our wings and tender credibly for work internationally, allowing more clients and developers to enjoy our vision”.
Kasa Interiors info@kasainteriors.com www.kasainteriors.com 01344 440157 design et al 27
A BEDROOM BEYOND IMAGINATION THE MASTER BEDROOM – LAURA STEIN INTERIORS
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“ With the intension of adding some soul, character and
passion into the interior of their home, they called upon the expertise of Laura Stein Interiors to bring the home to life and make it truly comfortable for their family.”
Situated in a lovely neighbourhood in Toronto, a beautiful, sought after area, the owners purchased this home for its location and size, but they knew something was missing. There was little architectural detail, and not much to be desired in any of the rooms. Most of their existing furniture was old, worn out and tired looking and this just wouldn’t do for their new, upgraded lifestyle. With the intension of adding some soul, character and passion into the interior of their home, they called upon the expertise of Laura Stein Interiors to bring the home to life and make it truly comfortable for their family. The first priority was to focus on the bedrooms, primarily the principal bedroom. With drab, worn carpet, empty walls, and dated furniture, an overhaul was in order. The owners wanted a room that was contemporary and updated, but still had a classic feel. They had one antique chest of drawers that had been in the family that they wanted to keep, but they also wanted to add something edgy and unexpected. And of course, as the master bedroom, the room had to feel cosy and comfortable. To give the room a sense of stature and elegance Laura Stein Interiors added panel moulding throughout. Next, the paint colour was updated to a soft creamy white, and luxurious carpet was layered in. The custom bench at the end of the bed inspired the colour palette of grey, cream, and dusty lavender, offset by hints of gold. The lines of the bench are clean but classic and the fabric gives a nod towards the contemporary look the owners were dreaming of. The bubble chandelier, seemingly floating above, punctuates the space. Laura Stein, Owner of the interior design firm stated “one of my favourite elements in the room is the Muriel Cloud Chandelier by Oly. The resin bubbles cast a gold and lavender glow that picks up the colours throughout the rest of the room.” The bed and night tables were custom made for the room, as well as the chaise in the opposite corner. On entering the bedroom, the soft linen drapery, anchored by the homeowner’s chest of drawers, keeps the room feeling comfortable and not too formal. The perfect place for busy parents to relax at the end of the day. “This design is about the balance of contemporary and traditional 34 design et al
styles. By playing one off against the other it creates a dynamic and interesting space that is full of opposites yet feels in perfect harmony”, Laura explained. The Master Bedroom has recently been shortlisted in The International Design & Architecture Awards 2018 to be held in London in September. Speaking about the awards, Laura said “The International Design & Architecture awards play a very important role in the international design community. They are an excellent way for designers to gain international exposure and provide support for their work. The awards also provide an opportunity for the public to see a collection of some of the world’s best designers and most beautiful homes all in one place”. One of the favourite parts of the project for the team at Laura Stein Interiors is the reading nook with the custom chaise and glass and brass bell table. “The view to the garden outside is spectacular, and the sunlight filters in through the drapery beautifully. The lines of the chaise are so elegant, and the table gives the vignette a perfect punch”, explains Laura. Throughout the rest of the home there is also a play between contemporary and traditional styling, with a focus on comfortable yet elegant family living. When discussing where Laura’s inspiration came from, she explained “The inspiration comes from the many beautiful homes in Europe that do this so well.” Room by room this house is being brought to life by adding architectural details, layering in luxurious textures and finishes, and giving a personality to each space. Almost all the furniture in the space was custom made by local crafts people, along with the pillows and drapery. “The clients love their bedroom and told us it was beyond what they imagined it could be.” Laura concluded. This master bedroom has been truly lifted. Homing sophisticated, modern furnishing, custom made for the owners, while keeping the antique chest of drawers at the heart of the room. It is no surprise Laura Stein Interiors have successfully transformed this once dull space into a relaxing haven, a dream come true.
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HARMONIOUS HOME BY THE HARBOUR VAUCLUSE RESIDENCE – PALAZZO DISEGNO
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“Furniture and accessories were selected and custom
designed first through luxury Italian Maisons – Fendi Casa, Versace Home, Roberto Cavalli Home and Bentley Home.”
A modern residential renovation where the meaning of luxury bespoke craftsmanship reign supreme for ultimate international property desire. The existing five bedroom house was originally designed for its gunbarrel views of Sydney harbour, Sydney Opera House, and the Harbour Bridge.
Italian Maisons – Fendi Casa, Versace Home, Roberto Cavalli Home and Bentley Home. Artwork and accessories were also preselected and famous contemporary local artists commissioned. This allowed the client to understand their end use and function of each individual space.
The client brief was to renovate a tired home into something fit to impress any property connoisseur worldwide. The concept was to be modern with consideration of Feng-Shui and low maintenance due to the owner’s international portfolio.
Within the building, the uniqueness of the design is not only the respect it gives to the outside environment and locational views, but also use of all surfaces. All interior walls are leather wrapped, onyx and brass detailed, marble clad or wallpapered in Armani Casa wall coverings. Details and material junctions were of utmost importance include the 5mm shadow lines in the brass aspects where wall finishes change throughout and the manufacture of the mitred junctions where brass trims interlap. Stitched ‘Razza’ leathers and luxurious velvet padded wall coverings from Roberto Cavalli Home flow through the bedrooms, all offset by strategically positioned lighting. Subsidiary spaces such as the study, powder room and shoe closet in the main entry foyer are concealed with hidden doors and finger pulls through continuous shadow lines, removal of architraves and uninterrupted wallpaper installation.
Known for exclusively providing bespoke design within Australia and overseas, Palazzo Disegno were called upon to complete this renovation project. Palazzo Disegno specialise in flipping the client’s thought process when creating an interior and the designers worked to ensure the design was suitable for not only the young client but for their relatives and global business hosting requirements too. The shell of the house was to remain, with the internal spaces reversed and extended – master bedrooms moved from the ground level to a new, single level “suite” on the top floor, study and powder rooms were reconfigured along with bathroom layouts and interior services relocated. The rest of the interior design was built around admiration and respect for the furnishings selected. The material joins were of utmost importance. The builder had to ensure all materials such as natural stone slab sizes and custom angled brass details had no visible joins. The joiner and upholsterer were key to the interior building’s success. This was offset against the hand crafted and customized furniture made in Italy. Furniture and accessories were selected and custom designed first through luxury 42 design et al
Feature joinery in the entry is off-set 10 mm to sit atop the continuous sensor lighting under the entry stairs and televisions are set into purpose-built mitred onyx clad walls with depths exact to ensure flush alignments. Wardrobes in the master bedroom are wrapped around all walls and concealed behind padded leather, soft timber and brass detail finger pulls for opening. An important part of the design brief was to ensure the interiors, as stunning as they were required to be, did not distract from the natural beauty of the Sydney harbour
view. The execution is considered by the client nothing short of perfection with the soft colour scheme and accents of timeless colour that sit harmoniously against the harbour. The success of the interior design is in the attention to detail and perfection in all installations and executions. The reason the client chose Palazzo Disegno to execute the design detailing was to ensure all facets of the interior building, exterior landscaping, furniture, and accessories fused to have a continuity and progressive flow. This included furniture being custom sized to the millimetre with set outs for wall coverings, lighting, and decorations perfectly aligned and symmetrical. The final result: A home and interior encompassing everything a luxury modern lifestyle desires not only in Sydney, Australia but worldwide. Palazzo Disegno have been shortlisted with Vaucluse Residence in the International Design & Architecture Awards 2018. “The design awards allow designers throughout the world to come together, whether it be remotely or physically, and join in past, current and future design concepts, trends and acknowledgment as designers and influencers within the industry. These design thoughts and processes filter to consumers on various scales, changing how functionally and aesthetically people live within their environments”, Madeline Welsh, Senior Interior Architect and Designer at Palazzo Disegno told design et al. She continued, “This project epitomises our company design mantra – “detail will always reign supreme” and through our key luxury Italian furnishing partners, we have been able to realise the objective for the client and turn this property into an internationally high level luxury residence.”
We are committed to providing the most highly anticipated and utterly exceptional luxury design experiences for our clientele and projects
370 George Street, Waterloo, 2017 Sydney, NSW, Australia T: (02) 9319 0600 M: 0473 059 777 riccardo.g@palazzodisegno.com.au palazzodisegno.com.au
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URBAN LUXURY LIVING URBAN SOUL PROJECT THE STRETCHED APARTMENT
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“In a never-ending
effort to augment a London property, the project focused in doubling the size of this two-floor apartment in Camden.”
This 95 square metre apartment takes over the second and third floor of a three-storey building at Regent’s Park, London. The main objective of the design was the extension of every floor and the radical re-planning of the whole apartment.
are important because a sense of global collaboration in the name of design is born. Specifically, the International Hotel & Property Awards’ way of voting is unique and as a result, winning is essential for every subscriber.”
In a never-ending effort to augment a London property, the project focused in doubling the size of this two-floor apartment in Camden. The initial state of it was a one bedroom with a small living room and kitchen, and one bedroom with a bathroom on the upper floor. Following the process of filling for an extension, the result is a two-bedroom apartment, with ensuite bathrooms on the second floor, and a large living room, with a kitchen and dining area.
The project is characterised by diversity and flexibility. While the functions are divided per floor (the public spaces with the living room and the kitchen on the first floor and the private ones with the two en-suite bedrooms on the second floor), there is the possibility of consolidating them conceivably and practically. Specifically, on the first floor the unification exists on the horizontal axis due to flooring materials, while the division exists on the vertical with the metal partition. The second floor, although is defined as the sleeping area, each room is independent and autonomous due to the en-suite bedrooms.
Having a new, larger shell, the second floor of the building is now a unified space, accommodating the living room, kitchen and common water closet. Respectively, the third floor is also rearranged to offer two bedrooms with their own en-suite water closet. On the second floor, the concept of continuity is applied, with uninterrupted light flowing across it. This linearity is also emphasised by the continuity of materials; the crafted stone extends from the living room floor all the way to the kitchen bench and through the window to create a floating exterior bench. The only interruption of this linearity occurs at the frame, where the glass and metal divider move along the ceiling rails, to offer space flexibility with the three possible positions: closed, partly closed, open. There is also a linear connection between the two floors, where the metal structural elements run on the vertical axis along the staircase, while additionally forming the railing and the entrance hall furnishing. The material choice, consisting of oak, stone, silestone, grey lacquer, black and golden metal elements, wall textures combined with the clean lines of hidden lighting and specific point and linear lamps, complete a composition where all the elements coexist in balance. Anastasios Georgantzis, Director of Urban Soul Project commented “Our favourite aspect of the project is the materiality that defines the contemporary details and features, along with the spatial arrangement that develops on the idea of the linearity.” The Stretched Apartment has recently been shortlisted in the Global Commercial Property category of the International Hotel & Property Awards 2018. Speaking about the Awards, Anastasios said “The awards
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The building’s facade was designed with reference to the residential complex in which it belongs as well as to the interior design of the apartment. The materials are transported from the interior to the exterior with respect to the existing elements of the urban environment. This leads to the fact that the building functions not only as one body with common characteristics, but also as a unit harmonised with the residential complex. As far as the technical and construction elements are concerned, worth mentioning is the metallic construction of the staircase with vertical elements to be static and aesthetic data. The aesthetic piece comes to complete with the furniture of the entrance which is suspended from these metallic elements. In addition, the metal partition of the kitchen is characterised by complexity of construction, both schematic and functional, as it presents diversity in the way it can be used. Last but not least, the kitchen and living room floors are a stone manufactured and transported from Italy especially for the project. Talking about the project, Anastasios told design et al “A general discipline that is developed in most of our projects and helps the space feel unique, is that almost all the furnishings are custom designed, using some basic materials throughout it, in order for cohesiveness to be achieved’, he continued “The project contains all the residency and design needs, such as urban luxury living and contemporary update, without compromising our design principles.”
Urban Soul Project is an architecture studio based in Thessaloniki created in 2009. With a portfolio of projects ranging in scale, type, program, location and budget, the studio engages a wide spectrum of design issues. Its projects include residential, retail, offices and hospitality spaces such as hotels, cafes and restaurants. The studio is comprised of a team of architects, interior designers, civil engineers and project managers. The studio culture features practices rooted in craftsmanship and the hands on culture of a workshop, as close collaboration with the contractors is enhanced. For Urban Soul Project, the world of materials can be itself inspiring and provocative when it comes to innovative ideas about how things can come together.
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I am excited to bring to you this issue - a little preview of our latest title HOTEL ET AL. This preview is just a taster the first issue of HOTEL ET AL will be launched at The International Hotel & Property Awards 2018, 29 June Capri.
HOTEL ET AL will concentrate on the work of the designers that are shaping the future of our hotels, hotel residences, bars and restaurants on a global level. It will speak to the designers about their work and learn more about the detail involved in the schemes and offer true inspiration to us all. Unlike other titles in this sector it will not feature holiday ideas as such, though I expect it will inspire
travel, our aim by contrast is to report on the direction of hotel design, take note of designer’s thoughts, feelings and indeed, in time, convey their vision.
HOTEL ET AL will be a bi-monthly magazine, distributed with design et al. It will include the established hard back title, The World’s Most Glamourous Hotels as part of its portfolio. I very much look forward to sharing this exciting magazine with you over the coming months. Joanne
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EXCLUSIVE LUXURY
DELUXE VILLA, CROWN TOWERS PERTH – MICHAEL FIEBRICH DESIGN Hotel et al 9
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“ The hotel’s strong brand identity of sleek, contemporary
and sophisticated spaces, has been taken into consideration and the design approach harboured efficient layouts and bold, expressive interior architecture with a requisite level of luxury.”
Crown Towers Perth is an unmatched bespoke hotel situated on the banks of Perth’s Swan River. On the peaceful top floors of the hotel, the Deluxe Villa is unrivalled in its luxury. The suite includes two luxurious bedrooms, expansive lounge areas and a glamorous dining room, all with incredible panoramic views, which round out the luxurious offerings of this exclusive suite.
The detailing is designed in a way that ensures it is appropriate for large volumes and dramatically scaled spaces but rich and unexpected materials and finishes have been selected as accents to provide a fine layer of interest at a more personal scale. The clean, tailored detailing carries through not only in walls, floors and ceilings but is expressed in everything from custom carpets to fabrics.
The brief was to create Australia’s most luxurious suite. The hotel’s strong brand identity of sleek, contemporary and sophisticated spaces, has been taken into consideration and the design approach harboured efficient layouts and bold, expressive interior architecture with a requisite level of luxury.
Creating a truly unique experience, every piece of furniture and décor have been custom designed to ensure the highest level of luxury and exclusivity, and each space features custom hand-tufted carpets, designed specifically with the layout and colour palette in mind
Exclusively designed by Michael Fiebrich Design, the Deluxe Villa has been shortlisted in the International Hotel and Property Awards 2018. Speaking about the Awards, Tonya Burke, Director at Michael Fiebrich Design said “the Awards provide a platform that promotes the sharing and appreciation of our industry and our work, which is paramount to all our success and growth as designers. It makes us all better designers to see and be inspired by what our peers are achieving.” Architecturally, the suite supports this simplistic nature with dramatic features and high-end finishes that create bold graphic statements. High gloss lacquered panels with contrasting dark trims and metal accents provide clean, modern frames to inset fabric, leather, and custom-sized artwork panels to allow them to become one with the architecture. The entire architectural palette remains neutral, in addition to much of the upholstery, in order to create a dramatic backdrop to the bold colour accents and unique art program seen throughout the suite. 14 Hotel et al
Colour blocking was utilised to define their palette and the interior architecture. The chosen palette is echoed in the material selections and art program, where large graphic pieces were carefully commissioned by West Australian artists to support the Villa’s main colour focus. The idea of colour blocking was made very popular through the fashion industry, and is believed to be inspired by turn of the century artist Piet Mondrian, who valued simplicity and experimented with maximizing it while still maintaining recognisable, although abstract, geometric shapes. The materials, colours and artwork selections were greatly influenced by the textures of the Western Australia landscape but the Hotel’s prime Swan River frontage was a major inspiration for the project. This drove the master planning of guestrooms, and particularly the Suites and Villas, to ensure that sweeping views of the meandering river were a large part of the guests experience in these spaces. By framing the incredible views of the Perth skyline and winding Swan River below,
through tailored geometric architecture, and by complementing the peaceful colours of sky and river below, the views from each and every room are made even more spectacular. The interior architecture employed simple, bold geometries in floors, ceilings and panelled walls which provided clean architectural insets for bold, expressive fabric, leather, and custom-sized artwork panels. The integration of the latest technology contributed to a long list of design consultants and constant coordination of architectural details and custom furnishings. The villa features integrated user technology panels at all of the televisions, automated custom drapery and sheers, and smart lighting with local switches that speak to the in-room master control system. The Crown Hotel group wanted the villa to provide an experience for their guests beyond their expectations of luxury. Speaking about the finished project they said, “Staying true to the Crown brand image, the Michael Fiebrich Design team created the perfect blend of sophisticated, tailored interiors with modern detailing and a strong architectural approach.” The Deluxe Villa embodies a modern luxury that has something for everyone. It is elevated design, at an approachable and liveable level. Strong statements in architecture, artwork, furniture and lighting combine seamlessly together creating memorable moments and a space that is truly one-of-a-kind.
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ENERGIZING AND INDULGING THE SENSES THE FOUR SEASON PAPAGAYO – MEYER DAVIS
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“Perfectly positioned amongst lush tropical gardens, the guest is
invited in to a serene sanctuary, an unspoiled world of luxury, which beckons each guest in to the “Pura Vida” ... the Pure Life.”
The Four Seasons Resort Costa Rica is a destination oceanfront property located on Peninsula Papagayo, set amidst a tropical wilderness, epitomizing the beauty of Costa Rica. The country of Costa Rica is one of the most environmentally interesting and ecoconscious places in the world. The renovation of The Four Seasons Resort Costa Rica is a celebration of its natural surroundings, complementing the energy of the peninsula. With a perfect balance of authentic comfort and luxury, The Four Seasons Papagayo has become a magnet for guests and locals seeking an experience that energizes and indulges the senses.
admire about these Awards is they set a high bar and are truly looking for talent. They operate strictly on merit, not popularity.”
With great respect for the inherent, beautiful surroundings, a meaningful approach to design was taken into account by Meyer Davis. Four Seasons Resort Costa Rica is a celebration of the natural world, and the interiors compliment that. The design features very simply designed, bespoke, hand selected pieces made of local woods and an eclectic arrangement of furnishings that celebrate the rustic coastal Central American lifestyle. By working with local artisans and materials Meyer Davis are maintaining the costal aesthetic in a fresh and modern way with a strong emphasis on luxury and comfort. The most valuable part of the project was seeing these thoughtful ideals come together full circle.
Perfectly positioned amongst lush tropical gardens, the guest is invited in to a serene sanctuary, an unspoiled world of luxury, which beckons each guest in to the “Pura Vida” ... the Pure Life. From the moment, the guest arrives it will be an experience of unveiling discovery as they proceed through the sprawling property. Upon entrance into the open-air lobby, live edge furniture is paired with loosely slipcovered comfortable sofas that feature colourful fabrics of native motifs. Hanging above, pendants are woven in rope that mimic the handmade basketry from the markets nearby. Lush pathways wind through the property, leading the guest to the new spa, pools, and multiple dining and lounge experiences that the resort has to offer. Tucked away in the tropical landscape, the guestrooms, suites and villas have all been upgraded with advanced lighting systems, newly designed interior finishes and furniture, extending throughout the balconies which open up your own private oasis for a relaxed indoor/ outdoor living retreat.
Meyer Davis are shortlisted in the International Hotel & Property Awards 2018 with The Four Seasons Papagayo. Discussing the importance of the awards, Will Mayer, Principle of Meyer Davis told design et al, “the International Hotel and Property awards creates global recognition to design firms worldwide. Not only are the awards rewarding, but they create a platform to learn more about the work of our peers, as well as seeing our work shared within the community in which we work. What we 22 Hotel et al
The modern, clean interpretation of the rustic coastal aesthetic has a compelling and tailored freshness to it. This was created by featuring simple elements of local materials and hand-craftmanship and while maintaining a strong emphasis on luxury and comfort. The result of this unique connection in interior setting is fitting for the high-end traveller in search of an authentic experience that is exclusive to this secluded peninsula on the Northern Pacific coast.
This aesthetic came to life by collaborating with a number of local South American and Costa Rican fabricators, manufactures, suppliers and artisans which benefited the
community economically and ecologically. This gave an authentic design and integrity to the resort. Final touches in the artwork and native accents throughout the property were thoughtfully orchestrated to leave the guest with an experience which is engaging, restorative, and inspirational. Fabric Innovations, a design-driven fabric company were among the suppliers chosen for this project. Recognised as a leading supplier of linens, bedding, and custom fabrics to some of the industry’s most prestigious hotels, they provide bedding, drapery, and upholstery fabrics. Speaking to Director of Sales, Margarita Leon, she stated, “We enjoyed working with Meyer Davis on an upholstery design unique to this beautiful property.” Meyer Davis designs seamless physical experiences tailored to their client’s individuality, combining principles of great design with a clear vision for the experience they seek to create. The designers consider each new project an opportunity to bring a unique and powerful story to life. Playing with space, form, texture, and light, they develop a visual experience that seeks to compel and inspire. Meyer Davis believes that great design works on multiple levels, weaving together bold design moves and striking details to ensure that once completed, each project makes an immediate and lasting impact. This resort has been reimagined through Meyer Davis’ handcrafted approach to integrating the resort’s indoor-outdoor spaces with the peninsula’s tropical landscape offering a true taste of Costa Rica’s renowned “Pura Vida” lifestyle.
DRIVEN BY DESIGN AND FUNCTIONALITY, FABRIC INNOVATIONS OFFERS AN ARRAY OF HOSPITALITY GRADE TEXTILES SUITABLE FOR DRAPERY, UPHOLSTERY, AND BEDDING.
info@fabricinnovations.com www.fabricinnovations.com T: 305.860.5757
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HERITAGE AND HOSPITALITY IN THE HEART OF THE CITY THE ALEX HOTEL, DUBLIN – 21 SPACES
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Transforming one of Dublin’s most established hotels to a contemporary four-star property. The Alex is a 105 room hotel with full food, beverage & function room facilities. These rooms have been designed with guest experience as the core element, so they are both functionally and aesthetically pleasing. The aim is to ensure that guests enjoy a truly perfect stay, whether it’s for business or leisure. 21 Spaces were tasked with fully refurbishing and transforming a dated 1990s structure into one of Europe’s coolest hotel properties. The team created and designed every facet of the property including carpets, rugs, furniture and of course the interior design architecture.
“21 Spaces were
tasked with fully refurbishing and transforming a dated 1990s structure into one of Europe’s coolest hotel properties.”
The Alex Hotel is part of 21Spaces’ ongoing work with the O’Callaghan Hotel Group. It is a city centre boutique hotel that underwent a complete rebrand and refurbishment, with a completion date of October 2017. The project was undertaken in 13 months from concept, statutory, site to completion within a live environment floor by floor. The scheme includes six floors of guest rooms, 6 suites, an executive lounge, conference suites, a screening room, a coffee shop and bar/ restaurant. 21 Spaces brief was to design a hotel which, although surrounded by sister hotels, would have a strong individual identity and would cater as a city centre destination for both visitors and residents alike. They were tasked with defining what this identity would become, and simultaneously accommodate for a demographic shift which, due to the arrival of large multinational companies, is happening throughout Dublin city at the moment. The arrival of these companies, and the continued growth of the capital city, has resulted in a shift in typical hotel behaviour and expectations. The traditional get-away-from-it-all break is fast becoming the stay-connected-to-everything trip, with travellers expecting hotels to provide smart technology, charging points and free internet access. 21 Spaces design had to account for these requirements whilst providing greater flexibility across spaces to dine and work from. It was identified, when developing the brief, that the new Alex Hotel was to create an environment which made a positive contribution to its physical location
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and enlivened the senses of those who experience it. They saw opportunity to craft a sense of community in this pocket of the city, and establish an energetic, creative hub for visitors and neighbours alike. The key aspect of the design is the level of flexibility it provides to the end user. Its design has resulted in all day hospitality destination in the heart of an-evolving city precinct in the heart of Dublin City. It sets a benchmark for a new generation of visitors who want to both work and dine flexibly across a wide range of settings within this area. The hotel has successfully established a dialogue with the cultural and aesthetic history of its city centre location to deliver an artful space that is both intriguing and inviting. The design works so well because it has responded so accurately to the demands of its location. It has created a muchneeded node in this pocket of the city and has acknowledged the requirements of both travellers and the surrounding community alike. The Alex represents a hotel that connects people with their location and combines their personality with the character of the immediate environment. The core focus of the design was towards improving its wider environment. It was designed around meeting the demand for increased working and dining experiences for workers nearby. It presents an aesthetic that is sympathetic to the heritage of its locality. Its overall identity is generated through a combination of design cues from both local 1950s architecture and the Dublin tramlines which used to line the nearby streets over 100 years ago. 21Spaces have been shortlisted in the International Hotel & Property Awards 2018 with The Alex Hotel refurbishment project. Speaking about this, Jean Delaney, Senior Interior Architect at 21Spaces explained “The hotel and property awards are important on many levels. For us, they are a recognition of the time and passion that has been invested in a project. They create a healthy sense of competitiveness within the industry and continue to push us to our max potential. With the support from design et al, a leading design magazine, the potential PR opportunity that arise through entering are extremely beneficial, and would help us gain recognition as a leading design studio”.
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SANCTUARY IN THE CITY SHANGRI-LA HOTEL, SINGAPORE – BOND DESIGN STUDIO INC.
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“The designers took inspiration from the ‘Garden Concept’ bringing the garden inside the hotel and using this concept for the interiors in many ways.”
Set amidst 15 acres of lush greenery, Shangri-La Hotel, Singapore, is a place like no other and is where the legendary Asian hospitality of Shangri-La began. Inspired by the famed utopia in author James Hilton’s Lost Horizon, the name Shangri-La has become synonymous with paradise. Built as the first hotel of the Shangri-La group in 1971, this renovation project required a design team that would be sympathetic to the history of the hotel and the brand. Tokyo based design firm, Bond Design Studio Inc were tasked with this challenge. They started with decoding the brand background and carefully sophisticating it, keeping the history of the hotel and at the same time modernising it. This was the biggest challenge that Bond Design Studio Inc. faced within the whole project. Singapore, one of the biggest cities in Asia, with its many different cultures was the inspiration behind the design. To express this character various Asian materials have been used such as rattan from south-east Asia, black lacquer, black slate and traditional Chinese furniture. The hotel’s reimagined Tower Wing lobby, guest rooms and NAMI Restaurant and Bar are the conception of Japanese interior designer Ryoichi Niwata of Bond Design Studio and his dedicated team of craftspeople and artisans. The designers took inspiration from the ‘Garden Concept’ bringing the garden inside the hotel and using this concept for the interiors in many ways. After an eight-month rejuvenation, Shangri-La Hotel’s Tower Wing, the core of the property, emerges with a resplendent new urban resort look.
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In The Lobby Lounge, a spacious indoor garden paradise flooded with natural light welcomes guests from near and far. Potted ficus benjamina trees give the impression of walking through a park, and at the centre is a floor to ceiling basalt rock of lush tropical ferns and mosses. The central chandelier gives way to an infinity pool of sleek black stone as the focus of the space, while six sculptures of children at play are dotted about the entire lobby. At the reception area, the chandeliers have made way for a soaring installation of thousands of stylised metallic leaves. In every area of the lobby and mezzanine floors, there are contemporary pieces of furniture with sustainable materials sourced from Southeast Asia: parchment and shagreen from Thailand, rattan and wood from the Philippines. Peranakan ceramics and patterns are also found in The Lobby Lounge and accessories in the mezzanine floor, sourced from Jing De Zhen Ceramic Institute in Jiangxi province, China. Vintage pieces are sourced from international antique dealers. The garden style lobby welcomes guests and leads them the guest rooms in a superior experience. Nature brings a perfect synergy with the interior fixtures in this space. Ficus benjamina trees and the basalt rock wall occupy the lobby quietly. The black pool compliments the surrounding nature and the garden seems to further expand into the water’s reflection. On the rock wall, real plants such as Rabbit’s Foot Fern, Pilea Depressa and Ficus trees are potted as well as artificial plants, this contrasts well with the hue of white colours and stylish interiors. Greens and massive rocks add a raw touch in a powerful way and bring a sense of the familiarity. In addition artworks, made by
artists from all over Asia, such as Japan, Korea, China and Thailand, are accented well to this minimalist beautiful design. By collaborating with them, images of Singapore are expressed in a modern and artistic way and the materials and colours used within the design work together to suit Singapore city. The ‘Garden Concept’ was also the stimulus for the guestrooms but in a more modernised way compared to the lobby area. The guest rooms are luxurious but simple and this was backed up with Zen style spirits base on the Japanese mind. Each of these unique spaces has been conceived to heighten the enjoyable guest experience, by drawing on elements of the property’s location, culture and history, infusing these with the elegance of Japanese aesthetics and philosophy. For instance, each new painting above the bed for the 503 guestrooms is a unique creation. Also, each wooden console beneath the TV is a distinctive piece of sustainable timber from North America. Bond Design Studio Inc have recently been shortlisted in the International Hotel & Property Awards 2018 with this project. “This submission is a challenge for us as the awards are well known on an International level. I would like to raise the quality of interior design by having our project known and through seeing the work of our peers.” Explained Yasuko Onuma, Assistant Designer, Bond Design Studio Inc. This extensive renovation incorporating warm and welcoming interiors inspired by nature, soothing sounds and verdant surroundings has created the ultimate urban resort in Singapore. A tropical sanctuary and a world of pure contentment.
INTERIOR DESIGN SOLUTIONS FOR LUXURY HOSPITALITY ENVIRONMENTS
BOND DESIGN STUDIOS INC. 103 Shoto Duplex 1-15-16 Shibuya, Tokyo Japan 150-0046. Tel. +81 (0)3 6804 8188 www.bondstudio.jp
TIMELESS ELEGANCE AND SOUL THE LOWELL HOTEL – MARK PINNEY ASSOCIATES
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“Mark Pinney
Associates wanted to create a rational sequence of interrelated but individual spaces which would provide guests and visitors with a new and unique experience in this exceptional, upper east side Landmark Hotel.”
This project involved the creation of new public spaces, bar, restaurant and guest club room within the ground and basement levels of the Lowell Hotel on East 63rd Street, New York. The Lowell is a home away from home amid the tree-lined streets of one of New York’s most exclusive residential areas. Entirely redesigned by The White House’s very own interior designer, Michael Smith, these elegant interiors are a joy to return to after a day spent visiting the sights.
This layout of spaces and their interrelationship is key to the success of the project. The three existing entrances could not be altered, but otherwise the plan layout of the ground level was almost entirely reconfigured. An external roof area previously used for plant machinery was lowered, creating an external courtyard linked to the new restaurant and club room; covered by a glazed roof that opens hydraulically, allowing for year-round use.
A landmark luxury hotel in the heart of Manhattan, The Lowell rises 17-floors above an iconic residential neighborhood, a stone’s throw from the celebrated fashion houses of Madison Avenue and footsteps from Fifth Avenue and the vast oasis of Central Park. Established in 1927, The Lowell reflects the timeless elegance and soul of the Upper East Side.
Each space or room has an individual character created by both the architectural layout and detailing, and in the internal decorative finishes and furniture selected by Michael Smith. The oak panelled bar and painted panelling to the club room, both manufactured by Feau & Cie in Paris, give these spaces an individual character specific to their use. Whilst the public areas and restaurant with its vaulted ceiling, neo classical marble columns and faux lime stone walls create a theme carried through into the new lobby. Here, elements of the original hotel - the pedimented key box display, the Zuber wallpaper murals and general feel of the reception area - are both familiar and new to guests, as they move through the new area, made accessible by the removal of the fire exit stair, and giving access via a new decorative feature stair to the 1st floor, linking the Lobby with the hotel’s existing Pembroke Room restaurant.
The design brief required the reconfiguration of the basement, ground and part first floors of the existing luxury hotel. The brief was to create much needed public areas for the hotel, including a new bar, restaurant, reception lobby, and guest club room, it also required the interior character and nature of the existing hotel; known for its timeless, elegant interior and boutique feel, to be translated into these new public areas. This was to ensure that long standing and loyal guests retained their appreciation of the hotel’s atmosphere and service, whilst new guests could experience the exceptional quality of the hotel, not only in the rooms, but also in the public areas. The reconfiguration was made more complex and challenging by the fact that the works were required to take place whilst the hotel was fully operational, with three existing entrances on the 80ft frontage also being maintained. The principle challenge of the brief was to utilise space freed up by the closure of the Post House Restaurant and associated back of house areas at basement and ground floor levels. Mark Pinney Associates wanted to create a rational sequence of interrelated but individual spaces which would provide guests and visitors with a new and unique experience in this exceptional, upper east side Landmark Hotel. The new plan arrangement creates a series of ‘classically’ configured rooms and spaces, each one linked on axis to the next with framed vistas, drawing guests through from the street to the new courtyard at the rear.
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The result provides the hotel with exceptional public areas as well as a restaurant and bar which matches the luxurious standard and style of the hotel’s rooms and suites. This creates new opportunities for the hotel, raising its profile and facilities to new levels, whilst maintaining and extending its core values of exceptional quality and service to these new areas. The success of this project has seen Mark Pinney Associates shortlisted for a number of awards in the International Hotel & Property Awards 2018. Jane Heath, Associate at Mark Pinney Associates told design et al, “Design awards like this are important to recognise and reward good design, to maintain high standards, showcase new ideas, to inspire other design professionals and to educate the general public.”
Bespoke architecture and design
+44 (0)207 394 1700 markpinneyassociates.com
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