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ROBERT RAUSCHENBERG de sarthe gallery


ROBERT RAUSCHENBERG

de sarthe gallery


About Robert Rauschenberg American artist, Robert Rauschenberg (1925-2008), was admitted to the Kansas City Art Institute in 1947. He furthered his academic art training at the Académie Julian in Paris the following year. In 1948, he went to Black Mountain College in North Carolina where Josef Albers taught him. Throughout his career, Robert Rauschenberg revolted against Abstract Expressionism that was deeply rooted in the postwar American art scene. Robert Rauschenberg’s works imbued a new sensibility in art – to embrace the existing state of American pop culture. While Rauschenberg agreed with the goals of the New York School group (comprising Jackson Pollock, Willem de Kooning, Robert Motherwell, etc.), which was to liberate American art from the influence of the European avant-garde, he was also concerned with bridging the gap between the notion of high art with the general audience, a similar research as Marcel Duchamp’s with Fountain (1917). Upon settling in New York in 1953, Rauschenberg used found materials and applied/appropriated them on his black paintings as a way to question the gap between art objects and everyday objects. By 1955, Rauschenberg began to create hybrid works called Combines, engendering an art form that is considered simultaneously sculptural and pictorial, due to the use of trash and found objects on a canvas surface. Rauschenberg then transitioned to the use of silkscreen printing and transfer drawings from books, magazines and photographs onto the canvas.


He was awarded the Golden Lion Grand Prize at the 1964 Venice Biennale for his continuous research into a new pictorial representation in painting. It is the first time an American artist received this award. In addition to the American economic and military dominance, the American cultural influence trailblazed across Europe as a result of his recognition at the Venice Biennale. By the 1990s, Rauschenberg began to adopt modern and environmentally friendly technology as new ways to push the limits of incorporating photographic images in his works. In the 1970s, the artist opened his permanent studio space on Captiva Island, Florida, which was transformed into an artist residency by the Robert Rauschenberg Foundation in 2012. Robert Rauschenberg has had numerous exhibitions at the following locations: Solomon R. Guggenheim Museum, New York (1997); Museum Ludwig, Cologne (1998); Centre Pompidou, Paris (2007); Guggenheim Museum, Bilbao (1998-99, 2010); Metropolitan Museum of Art (1999); Peggy Guggenheim Collection, Venice (2009); Moderna Museet, Stockholm (2007), Villa e Collezione, Varese (2010-2011); Hamburger Banhof, Museum fĂźr Gegenwart, Berlin (2012); Livingstone Gallery, The Hague (2014); University of Wisconsin-Milwaukee Art History Gallery, Milwaukee (2015); Seattle Art Museum, Seattle (2015). Tate Modern and MoMA will each organize a Rauschenberg retrospective show in December 2016 and May 2017 respectively.


ARTWORKS


Bryce Baby 1968 Solvent transfer, oil and pencil on paper 57.5 x 75.7 cm Provenance: Galerie Ileana Sonnabend, Paris Leo Castelli, New York McCrory Corporation, Pennsylvania Private Collection, Los Angeles Exhibitions: Galerie Ileana Sonnabend, Paris, Robert Rauschenberg: Drawings, October-November 1968 Waddington Custot Galleries, London, Pop Imagery, 2 October–2 November 2013, catalogue no. 16, repr. in color


Stretch [Anagrams (A Pun)] 1998 Vegetable dye transfer on polylaminate 124.5 x 155 cm Provenance: The artist Pace Wildenstein, New York Private Collection Literature: Waddington Galleries, London, Paintings, Sculpture and Works on Paper, 2004, no. 40, repr. in color p. 87.


Page 10, Paragraph 3 (Short Stories) 2001 Pigment transfer on polylaminate 217.2 x 154.9 cm Provenance: The artist Pace Wildenstein, New York Private collection Exhibitions: Gallery of Fine Art, Edison Community College, Fort Myers, Florida, Robert Rauschenberg, 28 March 28 April 2002 Waddington Galleries, London, Robert Rauschenberg: Short Stories, 6 June - 6 July 2002, catalog no. 2, repr. in color Royal Academy of Arts, London, Summer Exhibition 2003, 2 June - 10 August 2003, catalogue no. 62 (repr. in color in Royal Academy Illustrated 2003, p. 35)


Roundabout (Scenarios) 2005 Pigment transfer on polylaminate 217.2 x 306.1 cm overall (two panels) Provenance: Acquired from the artist Pace Wildenstein, New York Private collection Exhibitions: Waddington Galleries, London, Robert Rauschenberg: Scenarios 2005–2006, 1–25 November 2006, catalogue pamphlet no. 3, repr. in color Literature: Calvin Tomkins, Off the Wall: A Portrait of Robert Rauschenberg, Picador, New York, 2005, pp. 278, 280–82, 288–89. Pace Wildenstein, New York/Waddington Galleries, London, Rauschenberg: Scenarios and the Ancient Incident, 2006, no. 17 (repr. in color).


Tenant (Scenarios) 2005 Pigment transfer on polylaminate 217.2 x 306.1 cm overall (two panels) Provenance: Acquired from the artist Pace Wildenstein, New York Waddington Galleries, London Private collection, USA Exhibitions: Waddington Galleries, London, Robert Rauschenberg: Scenarios 2005–2006, 1–25 November 2006, catalogue pamphlet no. 2 (repr. in color) Literature: Calvin Tomkins, Off the Wall: A Portrait of Robert Rauschenberg, Picador, New York, 2005, pp. 278, 280–82, 288–89. Pace Wildenstein, New York/Waddington Galleries, London, Rauschenberg: Scenarios and the Ancient Incident, 2006, no. 9 (repr. in color).


Rehab (Scenarios) 2005 Pigment transfer on polylaminate 217.2 x 306.1 cm overall (two panels) Provenance: Acquired from the artist Pace Wildenstein, New York Private collection Exhibitions: Waddington Galleries, London, Robert Rauschenberg: Scenarios 2005–2006, 1–25 November 2006, catalogue pamphlet no. 1, repr. In color Literature: Calvin Tomkins, Off the Wall: A Portrait of Robert Rauschenberg, Picador, New York, 2005, pp. 278, 280–282, 288–289. Pace Wildenstein, New York/Waddington Galleries, London, Rauschenberg: Scenarios and the Ancient Incident, 2006, plate no. 5, repr. in color.


BIOGRAPHY


SOLO EXHIBITIONS 1951

Betty Parsons Gallery, New York, Paintings by Bob Rauschenberg

1953

Galleria dell’Obelisco, Rome, Bob Rauschenberg: Scatole e Feticci Personali Stable Gallery, New York, Rauschenberg: Paintings and Sculpture; Cy Twombly: Paintings and Drawings

1954

Egan Gallery, New York, Joyeux Noël by Rauschenberg

1958

Leo Castelli, New York, Robert Rauschenberg

1959

Galleria la Tartaruga, Rome, Rauschenberg

1960

Leo Castelli, New York, Robert Rauschenberg Galerie 22, Düsseldorf, Rauschenberg, Twombly: Zwei amerikanische Maler Leo Castelli, New York, Drawings for Dante’s ‘Inferno’

1961

Galerie Daniel Cordier, Paris, Robert Rauschenberg Galleria dell’Ariete, Milan, Rauschenberg Leo Castelli, New York, Rauschenberg

1962

Dwan Gallery, Los Angeles, Robert Rauschenberg

1963

Galerie Ileana Sonnabend, Paris, Rauschenberg: Première Exposition (Oeuvres 1954–1961), Feb. 1–16, and Rauschenberg: Seconde Exposition (Oeuvres 1962–1963) Beaumont-May Gallery, Hopkins Center, Dartmouth College, Hanover, N.H., Robert Rauschenberg: Visiting Artist Jewish Museum, New York, Robert Rauschenberg Leo Castelli, New York, Rauschenberg

1964

Whitechapel Art Gallery, London, Robert Rauschenberg: Paintings, Drawings and Combines, 1949– 1964 Galerie Ileana Sonnabend, Paris, Rauschenberg Museum Haus Lange, Krefeld, Germany, Robert Rauschenberg Galerie Ileana Sonnabend, Paris, Untitled 1953–1954 and Thirty-Four Dante Drawings

1965

Amerika Haus, Berlin, Robert Rauschenberg: Bilder, Zeichnungen, Lithos Contemporary Arts Museum, Houston, Robert Rauschenberg Dwan Gallery, Los Angeles, Rauschenberg at Dwan Walker Art Center, Minneapolis, Robert Rauschenberg, Paintings 1953–1964 Leo Castelli, New York, Robert Rauschenberg: Oracle

1967

Leo Castelli, New York, Robert Rauschenberg: Revolvers Gemini G.E.L., Los Angeles, Booster and 7 Studies Douglas Gallery, Vancouver, Booster and 7 Studies


1968

1969

1970

Whitney Museum of American Art, New York, Robert Rauschenberg: Print Stedelijk Museum, Amsterdam, Robert Rauschenberg Peale Galleries, Pennsylvania Academy of the Fine Arts, Philadelphia, Robert Rauschenberg Gemini G.E.L., Los Angeles, Reels (B + C) Galerie Gérald Cramer, Geneva, Rauschenberg: XXXIV Drawings for Dante’s Inferno Galerie Ileana Sonnabend, Paris, Rauschenberg: 25 Dessins 1968 Leo Castelli, New York, White Paintings 1951 Museum of Modern Art, New York, Rauschenberg: Soundings Fort Worth Art Center, Robert Rauschenberg: Selections Museum Boymans-Van Beuningen, Rotterdam, Drawings Ace Gallery, Los Angeles, Robert Rauschenberg: Carnal Clocks Leo Castelli, New York, Carnal Clocks Douglas Gallery, Vancouver, Carnal Clocks Leo Castelli, New York, Stoned Moon Series Gemini G.E.L., Los Angeles, Stoned Moon Series Newport Harbor Art Museum, Newport Beach, California, Robert Rauschenberg in Black and White: Paintings 1962–63, Lithographs 1962–67 Museum Haus Lange, Krefeld, Germany, Stoned Moon Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Rauschenberg: Graphic Art Dayton’s Gallery 12, Minneapolis, Rauschenberg Currents La Jolla Art Museum, San Diego, Stoned Moon Lithographs by Robert Rauschenberg New York Cultural Center, Currents and Stoned Moon Series Kunstverein Hannover, Hanover, Germany, Robert Rauschenberg Fort Worth Art Center, Robert Rauschenberg: “Stoned Moon” Lithographs Fendrick Gallery, Washington, D.C., Robert Rauschenberg: Stoned Moon Series Visual Arts Gallery, School of Visual Arts, New York, Robert Rauschenberg: New Works

1971

Galerie Ileana Sonnabend, Paris, Currents Leo Castelli, New York, Cardboards, and Castelli Graphics, New York, Cardbirds Gemini G.E.L., Los Angeles, Cardbird Series

1972

Galerie Ileana Sonnabend, Paris, Cardboards Castelli Graphics, New York, Tares Leo Castelli and Castelli Graphics, New York, Made in Tampa: Prints + Clay Pieces

1973

Mitchell Gallery, Southern Illinois University, Carbondale, Robert Rauschenberg: Prints Leo Castelli, New York, Venetian Series Ace Gallery, Venice, Calif., White Paintings, 1951 Mayor Gallery, London, Robert Rauschenberg: Combine Drawings Galerie Ileana Sonnabend, Paris, Early Egyptian Series Centre culturel américain, Paris, Robert Rauschenberg: Stoned Moon Project, 1969


1974

Musée d’Art et d’Industrie, Saint Étienne, France, Rauschenberg Library Gallery, University of South Florida, Tampa, Rauschenberg at Graphicstudio Galerie Sonnabend, Geneva, Robert Rauschenberg Gemini G.E.L., Los Angeles, Pages and Fuses Leo Castelli, New York, Robert Rauschenberg and Cy Twombly Castelli Graphics, New York, Pages and Fuses Israel Museum, Jerusalem, Robert Rauschenberg in Israel Current Editions, Seattle, Pages and Fuses Jared Sable Gallery, Toronto, Tablet Series Ace Gallery, Venice, Calif., Hoarfrosts Los Angeles County Museum of Art, Robert Rauschenberg’s Pages and Fuses Museum Haus Lange, Krefeld, Germany, Robert Rauschenberg: Steinerner Mond Leo Castelli and Sonnabend Gallery, New York, Hoarfrosts Castelli Graphics, New York, Hoarfrost Editions Gemini G.E.L., Los Angeles, Hoarfrost Editions John Berggruen Gallery, San Francisco, Hoarfrost Editions from Gemini G.E.L.

1975

Margo Leavin Gallery, Los Angeles, Rauschenberg: Hoarfrost Editions from Gemini G.E.L. Dayton’s Gallery 12, Minneapolis, Robert Rauschenberg: Hoarfrost Series Visual Arts Gallery, School of Visual Arts, New York, Robert Rauschenberg: Drawings Ace Gallery, Vancouver, Rauschenberg: Hoarfrost Ace Gallery, Venice, Calif., Hoarfrosts Art Association, Newport, R.I., Hoarfrost Series Gemini G.E.L., Los Angeles, Bones and Unions Museo d’Arte Moderna Ca’ Pesaro, Venice, Robert Rauschenberg Visual Arts Museum, School of Visual Arts, New York, Robert Rauschenberg: Twenty-Six Years of Printmaking Leo Castelli, New York, Bones and Unions—Ahmedabad, India 1975

1976

Galerie H. M., Brussels, Rauschenberg: Hoarfrost Leo Castelli, New York, Rauschenberg: Jammers Hirshhorn Museum and Sculpture Garden, Washington, D.C., Robert Rauschenberg: Stoned Moon Series Ace Gallery, Los Angeles, and Ace Gallery, Venice, Calif., Rauschenberg: Jammers Ace Gallery, Vancouver, Rauschenberg: Jammers Alberta College of Art Gallery, Calgary, Robert Rauschenberg: Glass Handle National Collection of Fine Arts, Smithsonian Institution, Washington, D.C., Robert Rauschenberg Margo Leavin Gallery, Los Angeles, Rauschenberg at Gemini: 1967–1976, Introducing the Horsefeathers Thirteen Series

1977

Museo Diego Aragona Pignatelli Cortes, Naples, Rauschenberg, viaggio nel dispendio Leo Castelli, New York, Spreads and Scales Gemini G.E.L., Los Angeles, Romances Fort Worth Art Museum, Whistle Stop Jacksonville Museum of Contemporary Art, Florida, Jim and Bob: The Florida Connection Janie C. Lee Gallery, Houston, Rauschenberg Hoarfrosts, Jammers, Spreads and Scales Neue Galerie am Landesmuseum Joanneum, Graz, Austria, Robert Rauschenberg: Collagen, Grafiken, Multiples aus der Sammlung Rischner Ace Gallery, Venice, Calif., New Paintings: Spreads and Scales


1978

Muzeum Narodwe w Warszawie, Warsaw, Rauschenberg Galerie Ileana Sonnabend, Paris, Spreads and Scales Mayor Gallery, London, Robert Rauschenberg: An Exhibition of Recent Work Surrey Art Gallery, British Columbia, Robert Rauschenberg: Stoned Moon Series and Robert Rauschenberg: Works from the Vancouver Art Gallery Vancouver Art Gallery, Robert Rauschenberg: Works from Captiva Gemini G.E.L., Los Angeles, Publicons

1979

Sonnabend Gallery, New York, Two New Works by Robert Rauschenberg Richard Gray Gallery, Chicago, Rauschenberg: New Works Akron Art Institute, Ohio, Robert Rauschenberg: Spreads and Scales Ace Gallery, Venice, Calif., Spreads and Scale Richard Hines Gallery, Seattle, Spreads and Scales Portland Center for the Visual Arts, Oreg., Robert Rauschenberg: New Work Castelli Graphics, New York, Rauschenberg and Robbe-Grillet/Rauschenberg and Voznesensky Kunsthalle Tübingen, Germany, Robert Rauschenberg: Das zeichnerische Werk, 1949–1979 Center for Music, Drama and Art, Lake Placid, N.Y., Hiccups Musée de Toulon, France, Rauschenberg Multiples, New York, Rauschenberg Sonnabend Gallery, New York, Slides Palm Springs Desert Museum, Calif., Robert Rauschenberg: Publicons Gemini G.E.L., Los Angeles, Rookery Mounds Castelli Graphics, New York, Robert Rauschenberg: Rookery Mounds Lithographs and Etchings from Glacial Decoy Institute of Contemporary Art, Virginia Museum, Richmond, Rauschenberg: Prints/Multiples

1980

Gallery of Fine Art, Edison Community College, Fort Myers, Fla., Rauschenberg University Gallery of Fine Art, Ohio State University, Columbus, Rauschenberg Visual Arts Museum, School of Visual Arts, New York, Variable Editions Staatliche Kunsthalle, Berlin, Rauschenberg: Werke 1950–1980 Galerie Ileana Sonnabend, Paris, Robert Rauschenberg: A Portfolio of Twelve Photographs Leo Castelli, New York, Spreads and Scales Photographers’ Gallery, Sanibel Island, Fla., Photos In + Out City Limits: Ft. Myers, Florida Ace Gallery, Los Angeles, Three of the Cloisters Series Anniston Museum of Natural History, Ala., Rauschenberg: A Retrospective of Lithographs, Paintings and Drawings from Castelli Graphics, New York Ace Gallery, Venice, Calif., Rauschenberg: Paintings Cranbrook Academy of Art, Bloomfield Hills, Mich., Robert Rauschenberg: Recent Work Thomas Babeor Gallery, San Diego, Hoarfrosts, Bones and Publicons Fendrick Gallery, Washington, D.C., Robert Rauschenberg: New Editions Baltimore Museum of Art, Robert Rauschenberg: 1970–1980 Magnuson Lee Gallery, Boston, Robert Rauschenberg: Lithographs, Etchings and Photographs Ace Gallery, Vancouver, Robert Rauschenberg: Cloister Series B. R. Kornblatt Gallery, Baltimore, Robert Rauschenberg Multiples Galleriet, Lund, Sweden, Rookery Mounds and More


1981

1982

1983

New Gallery of Contemporary Art, Cleveland, Ohio, Robert Rauschenberg: Recent Works: Spreads, Drawings, Etchings, Photographs Gallery Gemini, Palm Beach, Fla., Robert Rauschenberg: Recent Paintings Galerie Watari, Tokyo, Robert Rauschenberg: A Portfolio of Twelve Photographs Clara Hatton Gallery and Lory Student Center Gallery, Colorado State University, Fort Collins, Rauschenberg in the Rockies Sable-Castelli Gallery, Toronto, Robert Rauschenberg Sonnabend Gallery, New York, Rauschenberg at Sonnabend: Photems Centre Georges Pompidou, Musée National d’Art Moderne, Paris, Rauschenberg Photographe Styria Studio, New York, Arcanum I–XIII Gemini G.E.L., Los Angeles, American Pewter with Burroughs Institute of Contemporary Art, Boston, Photems Mayor Gallery, London, Robert Rauschenberg: Drawings Gibbes Art Gallery, Charleston, S.C., Photos In + Out City Limits: Charleston Magnuson Lee Gallery, Boston, Photos In + Out City Limits: Boston Grimaldis Gallery, Baltimore, Photos In + Out City Limits: Baltimore Rosamund Felsen Gallery, Los Angeles, Photos In + Out City Limits: Los Angeles Sonnabend Gallery, New York, Photos In + Out City Limits: New York C. Photographers’ Gallery, Sanibel Island, Fla., Photos In + Out City Limits: 6 Cities’ 40 Gallery of Fine Art, Edison Community College, Fort Myers, Fla., The First Footage of the 1/4 Mile or 2 Furlong Piece Gloria Luria Gallery, Bay Harbor Islands, Fla., Robert Rauschenberg: Photems Hara Museum of Contemporary Art, Tokyo, Rauschenberg Print Exhibition Castelli Graphics, New York, Robert Rauschenberg: The Razorback Bunch I–VII Galleriet, Lund, Sweden, Arcanum I–XIII Long Beach Museum of Art, Calif., Prints by Robert Rauschenberg Flow Ace Gallery, Paris, Robert Rauschenberg: Sculpture Van Straaten Gallery, Chicago, Rauschenberg: Paintings and Works on Paper Gemini G.E.L., Los Angeles, 7 Characters Museum of Modern Art, New York, Rauschenberg in China Malmö Konstmuseum, Sweden, Selections from ‘In + Out City Limits: New York C.’ Flow Ace Gallery, Los Angeles, Robert Rauschenberg: A Selection of Work from the Last Decade Gallery of Fine Arts, Daytona Beach Community College, Fla., Robert Rauschenberg: Photographer Art Center, Jingxian, People’s Republic of China, Robert Rauschenberg: 7 Characters, Unique Collages 1 4 t h I n t e r n a t i o n a l F e s t i v a l o f P h o t o g r a p h y, A r l e s , F r a n c e , A b b a y e M o n t m a j o u r, R o b e r t Rauschenberg: La Chine sur 33 metres (100 Feet Long China Picture) Gallery of Fine Art, Edison Community College, Fort Myers, Fla., The Second Footage of the 1/4 Mile or 2 Furlong Piece Galleria di Franca Mancini, Pesaro, Italy, Rauschenberg/Performance: 1954–1979 Gemini G.E.L., Los Angeles, Studies for Chinese Summerhall Douglas Elliott Gallery, San Francisco, Rauschenberg Photos Castelli Graphics, New York, Rauschenberg: Photogravures Maryland Institute, College of Art and G. H. Dalsheimer Gallery, Baltimore, Images of China Marianne Friedland Gallery, Toronto, Important Works by Robert Rauschenberg Australian National Gallery, Canberra, Robert Rauschenberg


1984

Gallery of the Port Arthur Public Library, Tex., The Robert Rauschenberg Exhibition Galerie Beyeler, Basel, Rauschenberg Heland Thordén Wetterling Galleries, Stockholm, Robert Rauschenberg Center for the Fine Arts, Miami, The 1st 400 Feet or More than 1/2 a Furlong of the 1/4 Mile or 2 Furlong Piece Fondation Maeght, Saint-Paul-de-Vence, France, Robert Rauschenberg: Peintures récentes Allen Street Gallery, Dallas, Robert Rauschenberg: Photem Series I Gallery of Fine Art, Edison Community College, Fort Myers, Fla., Robert Rauschenberg: Salvage Series Sonnabend Gallery, New York, Robert Rauschenberg: New Works Fay Gold Gallery, Atlanta, Rauschenberg and Dine Castelli Graphics, New York, Sling-Shots Lit

1985

Fundación Juan March, Madrid, Rauschenberg B. R. Kornblatt Gallery, Washington, D.C., Sling-Shots Lit Gemini G.E.L., Los Angeles, Sling-Shots Lit John and Mable Ringling Museum of Art, Sarasota, Fla., Robert Rauschenberg: Works from the Salvage Series Museo Rufino Tamayo Arte Contemporáneo Internacional, Mexico City, Rauschenberg Overseas Culture Interchange: ROCI MEXICO Museo Nacional de Bellas Artes, Santiago, Rauschenberg Overseas Culture Interchange: ROCI CHILE Museo de Arte Contemporáneo de Caracas, Rauschenberg Overseas Culture Interchange: ROCI VENEZUELA Musée Temporaire, Fondation Daniel Templon, Fréjus, France, Robert Rauschenberg: Recent Works National Art Museum of China, Beijing, Rauschenberg Overseas Culture Interchange: ROCI CHINA Tibet Exhibition Hall, Lhasa, Rauschenberg Overseas Culture Interchange: ROCI TIBET Contemporary Arts Museum, Houston, Robert Rauschenberg, Work from Four Series: A Sesquicentennial Exhibition

1986

Contemporary Arts Museum, Houston, Robert Rauschenberg: Photographs 1949–1984 Espace Niçois d’Art et de Culture, Nice, Robert Rauschenberg: Peindre, photographier Gallery of Fine Art, Edison Community College, Fort Myers, Fla., Rauschenberg: Newest Continuation of the 1/4 Mile or 2 Furlong Piece Gagosian Gallery, New York, Rauschenberg: The White and the Black Paintings 1949–1952 Visual Arts Museum, School of Visual Arts, New York, Rauschenberg Photos and Photems Acquavella Contemporary Art, New York, Robert Rauschenberg: Drawings 1958–1968 Leo Castelli, New York, Rauschenberg: Gluts Setagaya Museum of Art, Tokyo, Rauschenberg Overseas Culture Interchange: ROCI JAPAN, Interlink Festival, Akasaka, Japan, Sogetsu Gallery, Rauschenberg: Hiccups

1987

Metropolitan Museum of Art, New York, Selections from Rauschenberg’s 1/4 Mile or 2 Furlong Piece Heland Thordén Wetterling Galleries, Stockholm, Rauschenberg: Paintings on Copper and Stainless Steel, 1985/86 Galerie Kaj Forsblom, Helsinki, Robert Rauschenberg: Viimeaikaisia maalauksia, grafiikkaa Recent Works


1987

BlumHelman Gallery, New York, Robert Rauschenberg: Works on Paper: 1970–1983 Barbara Mann Performing Arts Hall Wall, Edison Community College, Fort Myers, Fla., Robert Rauschenberg: Gluts Galerie Denise René Hans Mayer, Düsseldorf, Robert Rauschenberg: Neue Arbeiten Galleria Lucio Amelio, Naples, Rauschenberg: Neapolitan Glut Gemini G.E.L., Los Angeles, Tibetan Keys and Locks Castelli Graphics, New York, Tibetan Keys and Locks BlumHelman Gallery, Santa Monica, Calif., Robert Rauschenberg: The Gluts Texas Gallery, Houston, Summer Gluts Waddington Galleries, London, Robert Rauschenberg: Gluts Blue Sky Gallery, Portland, Oreg., Robert Rauschenberg

1988

BlumHelman Gallery, New York, Robert Rauschenberg: The Glut Series Pace/MacGill, New York, Robert Rauschenberg: New Pictures Museo Nacional de Bellas Artes, Castillo de la Real Fuerza, and Casa de las Américas Galería Haydée Santamaría, Havana, Rauschenberg Overseas Culture Interchange: ROCI CUBA Galerie Alfred Kren, Cologne, Robert Rauschenberg: Currents 1970 M. Knoedler, New York, Rauschenberg: New Drawings from the Passes Series Galerie Isy Brachot, Brussels, Robert Rauschenberg: Gluts Galerie Jamileh Weber, Zurich, Robert Rauschenberg: Paintings and Gluts BMW Pavilion, Berlin, Robert Rauschenberg: Art Car und neue Objekte Heland Wetterling Gallery, Göteborg, Sweden, Robert Rauschenberg: Skupturer and Målningar M. Knoedler, New York, Robert Rauschenberg: Shiners, Gluts, Urban Bourbons

1989

Universal Limited Art Editions, New York, Soviet/American Array C e n t r a l H o u s e o f A r t i s t s , Tr e t y a k o v G a l l e r y, M o s c o w, R a u s c h e n b e r g O v e r s e a s C u l t u r e Interchange: ROCI USSR Gemini G.E.L., Los Angeles, Samarkand Stitches Fabian Carlsson Gallery, London, Robert Rauschenberg Castelli Graphics, New York, Rauschenberg: Samarkand Stitches Akira Ikeda Gallery, Tokyo, Robert Rauschenberg: New Paintings Ace Contemporary Exhibitions, Los Angeles, Rauschenberg: A Selection of Paintings and Sculpture Akira Ikeda Gallery, Nagoya, Frank Stella, Robert Rauschenberg Heland Wetterling Gallery, Stockholm, Rauschenberg Heland Wetterling Gallery, Göteborg, Robert Rauschenberg Fred Hoffman Gallery, Santa Monica, Calif., and Manny Silverman Gallery, Los Angeles, Robert Rauschenberg, The Gemini Works: 1967–1988 Hirshhorn Museum and Sculpture Garden, Washington, D.C., Robert Rauschenberg Lithographs: Selections from the “Stoned Moon Series” M. Knoedler, New York, Robert Rauschenberg: Works Meadows Museum, Southern Methodist University, Dallas, A Tribute to Rauschenberg: Works from Dallas Collections Galerie Jamileh Weber, Zurich, Robert Rauschenberg San Jose Museum of Art, Calif., Jasper Johns and Robert Rauschenberg: Selections from the Anderson Collection

1990

Lorence/Monk Gallery, New York, Rauschenberg Prints Textile Arts International, Minneapolis, Fabric: A Chosen Medium, Robert Rauschenberg and Lucas Samaras


1990

Lang and O’Hara, New York, Robert Rauschenberg: Paintings 1962–1980 Projects Room, Scott Hanson Gallery, New York, Robert Rauschenberg: China Mix Neue Berliner Galerie, Altes Museum, Berlin, Rauschenberg Overseas Culture Interchange: ROCI BERLIN Castelli Graphics, New York, Rauschenberg: Currents ’70 Galerie Alfred Kren, Cologne, Robert Rauschenberg: American Pewter with Burroughs, 1981 Balai Seni Lukis Negara (National Art Gallery), Kuala Lumpur, Rauschenberg Overseas Culture Interchange: ROCI MALAYSIA M. Knoedler, New York, Robert Rauschenberg: Works on Paper National Gallery of Art, Washington, D.C., Rauschenberg Overseas Culture Interchange: ROCI MOSCOW Galerie Fabien Boulakia, Paris, Rauschenberg F o n d a t i o n Vi n c e n t Va n G o g h , P a l a i s d e L u p p é , A r l e s , F r a n c e , R o y L i c h t e n s t e i n , R o b e r t Rauschenberg: 38 Oeuvres gravées de 1965 à 1989 Gemini G.E.L., Los Angeles, Borealis Shares Scott Hanson Gallery, Santa Monica, Calif., Robert Rauschenberg: Paintings 1962–1970 Feigen, Chicago, Robert Rauschenberg: Gluts Galerie Baudoin Lebon, Paris, Robert Rauschenberg Polaroids Whitney Museum of American Art, New York, Robert Rauschenberg: The Silkscreen Paintings, 1962–64

1991

Ducson Gallery, Seoul, Robert Rauschenberg, Frank Stella M. Knoedler, New York, Robert Rauschenberg: New Works Pace/MacGill, New York, Robert Rauschenberg B. R. Kornblatt Gallery, Washington, D.C., Robert Rauschenberg: Recent Paintings and Prints Le Marié Tranier Gallery, Washington, D.C., Wax Fire Works and Other ROCI Editions National Gallery of Art, Washington, D.C., Rauschenberg Overseas Culture Interchange Galerie Jamileh Weber, Zurich, Robert Rauschenberg Corcoran Gallery of Art, Washington, D.C., Robert Rauschenberg: The Early 1950s BlumHelman Gallery, Santa Monica, Calif., Robert Rauschenberg: The Phantom Series City Gallery of Contemporary Art, Raleigh, Robert Rauschenberg 1974–1991: Animals and Other Themes Texas Gallery, Houston, Robert Rauschenberg: Night Shade Paintings Nicholas Roerich Museum, New York, Robert Rauschenberg: Tibetan Locks and Keys Leo Castelli, 578 Broadway, and Leo Castelli, New York, Robert Rauschenberg: Print Survey in Themes, 1952–1992 Galleria d’arte il Gabbiano, Rome, Robert Rauschenberg: Dipinti recenti

1992

M. Knoedler, New York, Rauschenberg at Knoedler: Night Shades and New Gluts Gemini G.E.L., Los Angeles, Robert Rauschenberg: Illegal Tender L.A. Gemini G.E.L. at Joni Moisant Weyl, New York, Robert Rauschenberg: Illegal Tender L.A. Galerie Alfred Kren, Cologne, Robert Rauschenbergs Werkszyklen “Borealis” und “Night Shades” Platt Gallery, University of Judaism, Los Angeles, Rauschenberg Galerie Thaddaeus Ropac, Salzburg, Robert Rauschenberg: Bilder und neue Arbeiten auf Papier Tampa Museum of Art, Study for Chinese Summerhall Leo Castelli, 578 Broadway, New York, Rauschenberg: Prints and Editions, 1962–1992 Galerie Alfred Kren, Cologne, Robert Rauschenberg: Skulpturen aus den achtziger Jahren

1993

Galería Cobo y Alexander, Madrid, Robert Rauschenberg: Photems/Fotografías Galerie Jamileh Weber, Zurich, Robert Rauschenberg/Darryl Pottorf


1993

Gallery of Fine Art, Edison Community College, Fort Myers, Fla., Rauschenberg M. Knoedler, New York, Rauschenberg: Bicycloids, Urban Bourbons + Eco-Echo Gemini G.E.L., Los Angeles, Double Feature Hiroshima City Museum of Contemporary Art, The Second Hiroshima Art Prize: Robert Rauschenberg

1994

Art Gallery, Williams Center for the Arts, Lafayette College, Easton, Pa., Breaking Boundaries: Robert Rauschenberg Prints from the Robert and Jane Meyerhoff Collection Leo Castelli, 420 West Broadway and 65 Thompson Street, New York, Rauschenberg: Scores (Off Kilter Keys) Mandarin Oriental Fine Arts, Hong Kong, Rauschenberg: Day Lights and Night Sights Archer M. Huntington Art Gallery, University of Texas, Austin, Head On: Image and Text in the Prints of Robert Rauschenberg Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Robert Rauschenberg Galerie Jamileh Weber, Basel, Robert Rauschenberg: Off Kilter Keys National Museum of Art, Osaka, Jasper Johns and Robert Rauschenberg Mary Ryan Gallery, New York, Robert Rauschenberg: Stoned Moon Bayerische Staatsgemäldesammlungen, Munich, Rauschenberg Room Knoedler and Company, New York, Robert Rauschenberg: Shales Gemini G.E.L. at Joni Moisant Weyl, New York, Robert Rauschenberg: Booster and 7 Studies Museo de Bellas Artes, Santander, Spain, Robert Rauschenberg

1995

Texas Gallery, Houston, Robert Rauschenberg Galerie Templon, Paris, Robert Rauschenberg: Shales Series Galerie Beyeler, Basel, Robert Rauschenberg: Night Shades and Urban Bourbons Leo Castelli, 578 Broadway, New York, Robert Rauschenberg: Tribute 21 Gagosian Gallery, New York, Rauschenberg: The Venus Motif Milleventi, Turin, Robert Rauschenberg 13 Vanak Street, Tehran, Robert Rauschenberg: An Exhibition of Signed Posters Buckminster Fuller Institute, Santa Barbara, Calif., Tribute 21 Galerie Jamileh Weber, Zurich, Robert Rauschenberg: Quake in Paradise—A Labyrinth Morgan Gallery, Kansas City, Mo., Robert Rauschenberg: Tribute 21 Morris Museum of Art, Augusta, Ga., Robert Rauschenberg: Major Printed Works, 1962–1995 G r a p h i c s t u d i o , I n s t i t u t e f o r R e s e a r c h i n A r t , U n i v e r s i t y o f S o u t h F l o r i d a , Ta m p a , R o b e r t Rauschenberg: Two Decades at Graphicstudio Gagosian Gallery, 136 Wooster Street, Vydocks and Doubleluck, and 65 Thompson Street, Reefs, New York, Robert Rauschenberg: New Paintings Modern Art Museum of Fort Worth, Robert Rauschenberg: Sculpture

1996

Sonnabend Gallery, New York, Rauschenberg: Carnal Clocks, Cardboards, Jammers Robert Hull Fleming Museum, University of Vermont, Burlington, The Print and Beyond: Robert Rauschenberg Editions 1970–1995 Visual Arts Gallery, Adirondack Community College, Queensbury, N.Y., Robert Rasuchenberg: Chow Bag Series Jim Kempner Fine Art, New York, Robert Rauschenberg: Prints 60s, 70s, 80s Gemini G.E.L., Los Angeles, Robert Rauschenberg: Speculations Gemini G.E.L. at Joni Moisant Weyl, New York, Robert Rauschenberg: Speculations Monastero Mechitarista dell’Isola di San Lazzaro degli Armeni, Venice, Robert Rauschenberg


1996

PaceWildenstein, New York, Robert Rauschenberg: Anagrams Galerie Jamileh Weber, Zurich, Robert Rauschenberg: Anagrams Exhibit A Gallery, Savannah College of Art and Design, Ga., Icons of the Century: Centurions, Robert Rauschenberg Philharmonic Center for the Arts, Naples, Fla., Winter Works: Rauschenberg and Pottorf

1997

Gallerie Taksu, Kuala Lumpur, Robert Rauschenberg: New Works Tampa Museum of Art, Donald Saff/Robert Rauschenberg: In Collaboration Czech Museum of Fine Arts, Prague, Robert Rauschenberg: Tribute 21 Gallery of Art, University of Missouri, Kansas City, Robert Rauschenberg: Through the Lens Aktionsforum Praterinsel, Munich, Robert Rauschenberg: Haywire, Technologische Hauptwerke aus den sechziger Jahren Michael Solway Gallery (formerly Carl Solway Gallery), Cincinnati, Ohio, Robert Rauschenberg: Tribute 21 Gemini G.E.L. at Joni Moisant Weyl, New York, Robert Rauschenberg: Speculations Galerie Jamileh Weber, Zurich, Quattro Mani—A Collaboration (Robert Rauschenberg and Darryl Pottorf) PaceWildensteinMacGill, New York, Robert Rauschenberg: Photographs PaceWildenstein, New York, Robert Rauschenberg: Arcadian Retreats Solomon R. Guggenheim Museum, New York, Robert Rauschenberg: A Retrospective Gemini G.E.L. at Joni Moisant Weyl, New York, Rauschenberg Art For Change Bernard Jacobson Gallery, London, Robert Rauschenberg: Shales Dranoff Fine Art, New York, Robert Rauschenberg: Paintings, Drawings, Sculpture and Prints Bobbie Greenfield Gallery, Santa Monica, Calif., Robert Rauschenberg: Ground Rules Jim Kempner Fine Art, New York, Robert Rauschenberg: Prints and Drawings and Objects

1998

Windows on Fifty-seventh Street, Art Students League, New York, Robert Rauschenberg: RoadShow (Anagram), 1996 Galleria Lawrence Rubin, Milan, Robert Rauschenberg: Anagrams (A Pun) Texas Gallery, Houston, Robert Rauschenberg (Anagrams) Galerie Wild, Frankfurt, Robert Rauschenberg: Bilder, Objekte und Graphiken von 1976–1994 National Gallery of Modern Art, New Delhi, Robert Rauschenberg: Tribute 21 PaceWildensteinMacGill, New York, Robert Rauschenberg: Postcard Pictures 1952 Museum of the Gulf Coast, Port Arthur, Tex., Robert Rauschenberg: Tribute 21 Gemini G.E.L. at Joni Moisant Weyl, New York, Robert Rauschenberg L.A. Uncovered and Darryl Pottorf and Robert Rauschenberg: Quattro Mani Tyler Art Gallery, Oswego State University, Syracuse, Robert Rauschenberg: Chow Bag Series Museu d’Art Espanyol Contemporani, Palma, Spain, Robert Rauschenberg: Obra gráfica 1967– 1979

1999

Orange County Museum of Art, Newport Beach, Calif., Rauschenberg in Transparency Leo Castelli, New York, Robert Rauschenberg: Arcadian Survey 1997 PaceWildenstein, New York, Rauschenberg: Anagrams (A Pun) Galleria Lawrence Rubin, Milan, Robert Rauschenberg: Fotografie 1949–1985 Butler Institute of American Art, Youngstown, Ohio, Robert Rauschenberg/Darryl Pottorf Piazza del Plebiscito, Naples, Rauschenberg a Napoli: Tribute 21 San Francisco Museum of Modern Art, Robert Rauschenberg Samuel P. Harn Museum of Art, Gainesville, Fla., Robert Rauschenberg: The Chinese Summerhall Series


1999

2000

2001

2002

2003

Massachusetts Museum of Contemporary Art, North Adams, Robert Rauschenberg: The 1/4 Mile or 2 Furlong Piece Museum of Modern Art, New York, Robert Rauschenberg, Early Combines Museum of Fine Arts, St. Petersburg, Fla., Robert Rauschenberg and James Rosenquist: Images from Everywhere, News from Nowhere Galerie Jamileh Weber, Zurich, Robert Rauschenberg: Works from the Early Seventies and Eighties Eckert Fine Art, Naples, Fla., Robert Rauschenberg: Ruminations Gallery of Fine Art, Edison Community College, Fort Myers, Fla., Robert Rauschenberg: Recent Work Whitney Museum of American Art, New York, Robert Rauschenberg: Synapsis Shuffle Bobbie Greenfield Gallery, Santa Monica, Calif., Robert Rauschenberg: Ruminations Evansville Museum of Arts and Science, Ind., Robert Rauschenberg and Darryl Pottorf Gemini G.E.L. at Joni Moisant Weyl, New York, Robert Rauschenberg: Marrakitch and Darryl Pottorf and Robert Rauschenberg: Quattro Mani/Marrakech PaceWildenstein, New York, Robert Rauschenberg: Apogamy Pods Eckert Fine Art Naples, Fla., Robert Rauschenberg: Marrakitch and Darryl Pottorf/Robert Rauschenberg: Quattro Mani/Marrakech The Ralls Collection, Washington, D.C., Robert Rauschenberg and Darryl Pottorf Baltimore Museum of Art, Robert Rauschenberg Combines: Painting and Sculpture Kultur Etxea, Gallarta, Spain, Relaciones: Diálogos con Rauschenberg Texas Gallery, Houston, Robert Rauschenberg: Short Stories Versicherungskammer Bayern, Munich, Rauschenberg: Posters Galerie Jamileh Weber, Zurich, Robert Rauschenberg: Short Stories and Ruminations—A New Series of Nine Limited Edition Prints J o e l a n d L i l a H a r n e t t P r i n t S t u d y C e n t e r, U n i v e r s i t y o f R i c h m o n d M u s e u m s , Va . , R o b e r t Rauschenberg: From the “Speculations” Series York Quay Gallery, Harbourfront Centre, Toronto, “In + Out City Limits” Selection Buren II, Stockholm, Robert Rauschenberg: L.A. Uncovered–Screen Prints 1998 Eckert Fine Art, Naples, Fla., Robert Rauschenberg: Beamers Pace/MacGill, New York, Robert Rauschenberg Gallery of Fine Art, Edison Community College, Fort Myers, Fla., Rauschenberg: Short Stories Museum of Fine Arts, Boston, Robert Rauschenberg: Recent Work Waddington Galleries, London, Robert Rauschenberg: Short Stories Fondation Dina Vierny, Musée Maillol, Paris, Robert Rauschenberg San Francisco Museum of Modern Art, Robert Rauschenberg at SFMOMA San Francisco LGBT Community Center, Robert Rauschenberg: From the Collection of Terry Van Brunt Henry Art Gallery, Faye G. Allen Center for the Visual Arts, University of Washington, Seattle, Rauschenberg, Booster Galerie Jamileh Weber, Zurich, Robert Rauschenberg: Japanese Recreational Clayworks S i m m o n s Vi s u a l A r t s C e n t e r a n d P r e s i d e n t s G a l l e r y, B r e n a u U n i v e r s i t y, G a i n e s v i l l e , G a . , Rauschenberg Reprise and Quattro Mani: The Collaborative Work of Robert Rauschenberg and Darryl Pottorf Jim Kempner Fine Art, New York, Robert Rauschenberg: Prints and Unique Work PaceWildenstein, New York, Short Stories by Robert Rauschenberg Museum Works Gallery, Aspen, Robert Rauschenberg


2004

Eckert Fine Art, Naples, Fla., Lichtenstein: Chinese Landscapes and Rauschenberg: 7 Chinese Characters Jonathan Edwards College, Yale University, New Haven, Conn., Robert Rauschenberg: Gifts to Terry Van Brunt Vanderbilt University Fine Arts Gallery, Nashville, Robert Rauschenberg: An American Iconoclast Elizabeth Leach Gallery, Portland, Oreg., Robert Rauschenberg Wadsworth Atheneum, Hartford, Conn., Robert Rauschenberg: Current Scenarios Palazzo dei Diamanti, Ferrara, Rauschenberg Centre des Arts, Enghien-les-Bains, France, Robert Rauschenberg: Tribute 21 Gagosian Gallery, Madison Avenue, New York, Robert Rauschenberg Rule Gallery, Denver, Robert Rauschenberg: Selected Prints, 1990–2001 Eckert Fine Art, Naples, Fla., Robert Rauschenberg: Urban Bourbon and Borealis John Berggruen Gallery, San Francisco, Robert Rauschenberg: Paintings, Screenprints and Lithographs Kennedy Museum of Art, Ohio University, Athens, Robert Rauschenberg: Scent and Pull WP Gallery, Philadelphia, in collaboration with Gemini G.E.L., Robert Rauschenberg/Susan Rothenberg Bernard Jacobson Gallery, Clifford Street, London, Robert Rauschenberg: 2K+ Bernard Jacobson Gallery, Cork Street, London, Robert Rauschenberg: ROCI/USA University Art Gallery, California State University, Hayward, Robert Rauschenberg, Artist-Citizen: Posters for a Better World Trinity Gallery, Atlanta, Rauschenberg

2005

Bob Rauschenberg Gallery, Edison Community College, Fort Myers, Fla., Rauschenberg’s A Quake in Paradise (Labyrinth) Godt-Cleary Projects, Las Vegas, Robert Rauschenberg: Art and Life PaceWildenstein, New York, Robert Rauschenberg: Scenarios Neuberger Museum of Art, Purchase College, State University of New York, Robert Rauschenberg: Selections from the Permanent Collection Eckert Fine Art Naples, Fla., Robert Rauschenberg and Darryl Pottorf Miami Art Museum, Robert Rauschenberg Los Angeles County Museum of Art, Rauschenberg: Posters Institut Valencia d’Art Modern, Robert Rauschenberg Locks Gallery, Philadelphia, Robert Rauschenberg Galleri Faurschou, Copenhagen, Robert Rauschenberg: Works from the 1960s Thomas Segal Gallery, Baltimore, Robert Rauschenberg: Early Prints Paul and Lulu Hilliard University Art Museum, University of Louisiana, Lafayette, Robert Rauschenberg: Scenarios and Short Stories Musée d’Art moderne et d’Art contemporain, Nice, Robert Rauschenberg, On and Off the Wall: Works from the 80s and the 90s Guild Hall, East Hampton, N.Y., Robert Rauschenberg: Hoarfrosts William Griffin Gallery, Santa Monica, Calif., Robert Rauschenberg: Late Paintings Galerie Terminus, Munich, Robert Rauschenberg: Masterworks Meyerovich Gallery, San Francisco, Robert Rauschenberg: Eightieth Birthday Exhibition The Ralls Collection, Washington, D.C., Robert Rauschenberg: Works on Paper Metropolitan Museum of Art, New York, Robert Rauschenberg: Combines


2006

Jim Kempner Fine Art, New York, Robert Rauschenberg: Five Decades of Prints Craig F. Starr Associates, New York, Robert Rauschenberg: Silkscreen Paintings Iris and B. Gerald Cantor Center for Visual Arts, Stanford University, Calif., Art from Life: Prints by Robert Rauschenberg from the Marmor Foundation and the Fearer Family Collection Galerie Jamileh Weber, Zurich, Robert Rauschenberg: Spread and Scale Galleri Faurschou, Copenhagen, Robert Rauschenberg: Scenarios PaceWildenstein, New York, Robert Rauschenberg: Scenarios and the Ancient Incident Waddington Galleries, London, Robert Rauschenberg: Scenarios 2005–2006 Museo Thyssen-Bornemisza, Madrid, Rauschenberg: Express Leslie Sacks Contemporary, Santa Monica, Calif., Robert Rauschenberg: 28 Shirtboards Gallery Hyundai, Seoul, Robert Rauschenberg

2007

Bob Rauschenberg Gallery, Edison Community College, Fort Myers, Fla., Rauschenberg: Scenarios Gadsden Arts Center, Quincy, Fla., Robert Rauschenberg: America Mix Flanders Contemporary Art, Minneapolis, Rauschenberg Jonathan O’Hara Gallery, New York, Robert Rauschenberg: Transfer Drawings from the 1960s Texas Gallery, Houston, Robert Rauschenberg: Scenarios The Menil Collection, Houston, Robert Rauschenberg: Cardboards and Related Galerie Michael Schultz, Berlin, Robert Rauschenberg: Selected Works 1974–1999 Galerie Jamileh Weber, Zurich, Robert Rauschenberg: Scenarios and Runts B l a c k M o u n t a i n C o l l e g e M u s e u m a n d A r t s C e n t e r, A s h e v i l l e , N . C . , S i g n s o f L i f e : R o b e r t Rauschenberg Posters National Gallery of Australia, Canberra, Robert Rauschenberg: 1967–1978 Craig F. Starr Associates, New York, Accident: Rauschenberg’s Printmaking Breakthrough, 1962–65 Michael C. Carlos Museum, Emory University, Atlanta, Robert Rauschenberg’s Currents: Features and Surface Series Museu de Arte Contemporânea de Serralves, Porto, Portugal, Robert Rauschenberg: Travelling ’70– ’76 Faurschou Beijing, 798 Art District, Robert Rauschenberg: Three Decades Gemini G. E. L. at Joni Moisant Weyl, New York, Rauschenberg Abroad: Marrakech, Samarkand and Tibet

2008

Galería La Caja Negra, Madrid, Robert Rauschenberg: Gráfica 1976–2000 PaceWildenstein, New York, Rauschenberg: Runts Alice C. Sabatini Gallery, Topeka and Shawnee County Public Library, Kan., Dante’s Inferno: Interpretations by Edward Navone and Robert Rauschenberg J a c o b s o n H o w a r d G a l l e r y, N e w Yo r k , L a s t Tu r n – Yo u r Tu r n : R o b e r t R a u s c h e n b e r g a n d t h e Environmental Crisis William Griffin Gallery, Santa Monica, Calif., Robert Rauschenberg: Scenarios LA Contemporary, Los Angeles, Samarkand Stitches Galleria Mucciaccia, Rome, Robert Rauschenberg Galerie Jamileh Weber, Zurich, Robert Rauschenberg: Gluts and Darryl Pottorf: Paintings Grand Rapids Art Museum, Mich., Robert Rauschenberg—Environmental Art Contemporary Art Museum, University of South Florida, Tampa, Rauschenberg: USF Meyerovich Gallery, San Francisco, Robert Rauschenberg: New Acquisitions Long Beach Museum of Art, Calif., Robert Rauschenberg in the Collection of the Long Beach Museum of Art Greenfield Sacks Gallery, Santa Monica, Calif., Robert Rauschenberg: The Lotus Series Blue Sky Gallery, Portland, Oreg., Robert Rauschenberg: The Lotus Series Kunsthalle Rostock, Germany, Close Encounter—Robert Rauschenberg—SEO


2008

Wetterling Gallery, Stockholm, Robert Rauschenberg: The Lotus Series Thordén Wetterling Gallery, Göteborg, Robert Rauschenberg: The Lotus Series DaFeng, Beijing, in collaboration with Universal Limited Art Editions (ULAE), Robert Rauschenberg: The Lotus Series Minneapolis Institute of Arts, Robert Rauschenberg: Prints/Editions 1962–78 Larissa Goldston Gallery, New York, Robert Rauschenberg: The Lotus Series Gemini G.E.L. at Joni Moisant Weyl, New York, A Tribute to Robert Rauschenberg, Part One: Prints Center for Visual Communication, Miami, Robert Rauschenberg in Series: A 30 Year Retrospective Haggerty Museum of Art, Marquette University, Milwaukee, Whatever is There is a Truth: Robert Rauschenberg’s Prints

2009

Galleria In Arco, Turin, Robert Rauschenberg: Gli anni centrali (’70 e ’80) Robischon Gallery, Denver, Robert Rauschenberg: The Lotus Series Visconti Fine Art, Ljubljana, Robert Rauschenberg: The Lotus Series Karl and Helen Burger Gallery, Kean University, Union, N.J., Past Pop: Robert Rauschenberg and James Rosenquist Graphics Hiram Butler Gallery, Houston, Robert Rauschenberg: The Lotus Series Craig F. Starr Gallery, New York, To Ileana, From Bob: R ausche nberg Drawi ngs from the Sonnabend Collection Galerie Bastian, Berlin, Robert Rauschenberg Hommage Galerie Jamileh Weber, Zurich, A Tribute to Robert Rauschenberg and Darryl Pottorf: Uncaged Peggy Guggenheim Collection, Venice, Robert Rauschenberg: Gluts Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, Au Courant: Robert Rauschenberg’s Currents William Shearburn Gallery, St. Louis, Mo., Robert Rauschenberg Palais des Nations, United Nations Office, Geneva, Let the World In: A Commemorative Exhibition of the Works of Robert Rauschenberg Madison Museum of Contemporary Art, Robert Rauschenberg: Stoned Moon Series Ace Gallery, Los Angeles, Robert Rauschenberg: Jammers Museum Tinguely, Basel, Robert Rauschenberg—Jean Tinguely: Collaborations Hara Museum of Contemporary Art, Tokyo, STOPGAP—Homage to Rauschenberg: Selections from the Hara Museum Collection L e o C a s t e l l i A r t G a l l e r y, B r e n a u U n i v e r s i t y, G a i n e s v i l l e , G a . , R o b e r t R a u s c h e n b e r g : I n Remembrance Instituto Tomie Ohtake, São Paulo, Robert Rauschenberg

2010

Armory Center for the Arts, Pasadena, Rauschenberg at Gemini Cincinnati Art Museum, Ohio, Robert Rauschenberg: Star Quarters Galerie Franke, Stuttgart, Robert Rauschenberg: 45 Originalplakate Galleri Faurschou, Copenhagen, Robert Rauschenberg: Runts Gagosian Gallery, West Twenty-first Street, New York, Robert Rauschenberg Miami Art Museum, Focus Gallery: Robert Rauschenberg

2011

Patty and Jay Baker Naples Museum of Art, Fla., Works by Robert Rauschenberg from the Dr. John B. and Frances C. Fenning Collection White Box, New York, Robert Rauschenberg and Ushio Shinohara: Reconstructing an Encounter Knoedler Project Space, New York, Rauschenberg x 4 Fondazione Arnaldo Pomodoro, Milan, L’Inferno di Dante: Dalí e Rauschenberg Joel Oppenheimer, Wrigley Building, Chicago, Robert Rauschenberg: Stoned Moon Series Aberson Exhibits, Tulsa, Okla., Rauschenberg


2011

Inverleith House, Royal Botanic Garden, Edinburgh, Robert Rauschenberg: Botanical Vaudeville Seventeen Gallery, London, Open Score by Robert Rauschenberg Hiram Butler Gallery, Houston, Robert Rauschenberg: Selected Prints 1962–2008 Jim Kempner Fine Art, New York, Robert Rauschenberg: Rock, Paper, Scissors (Fabric, Cardboard, Plexi, etc.) Gagosian Gallery, Paris, Robert Rauschenberg Fred Jones Jr. Museum of Art, University of Oklahoma, Norman, Robert Rauschenberg: Prints from Universal Limited Art Editions, 1962–2008 Stellan Holm Gallery, New York, Robert Rauschenberg: Transfer Drawings 1958–1969

2012

Leslie Sacks Contemporary, Santa Monica, Calif., Robert Rauschenberg: Five Decades of Printmaking Grand Rapids Art Museum, Mich., Rauschenberg in Context and Rauschenberg at Gemini Grand Rapids Art Museum, Mich., Rauschenberg: Synapsis Shuffle Brooke Alexander, New York, Robert Rauschenberg: Untitled Craig F. Starr Gallery, New York, Robert Rauschenberg: North African Collages and Scatole Personali c. 1952 Gagosian Gallery, Davies Street, London, Robert Rauschenberg: Early Photographs Freedman Gallery, Albright College, Reading, Pa., Robert Rauschenberg’s Opal Gospel Hamburger Bahnhof, Museum für Gegenwart, Berlin, Robert Rauschenberg and 9 Evenings: Theatre & Engineering

2013

2014

2015

Elizabeth Leach Gallery, Portland, Oreg., Robert Rauschenberg: Multiples Gagosian Gallery, Britannia Street, London, Jammers Cole Art Center, College of Fine Arts, Stephen F. Austin State University, Nacogdoches, Tex., Robert Rauschenberg: Four Decades of Work on Paper Galería Cayón, Madrid, Doble mirada a España: las fotografías españolas de Josef Albers y Robert Rauschenberg Pace/MacGill Gallery, New York, Robert Rauschenberg and Photography Hiram Butler Gallery, Houston, Robert Rauschenberg: Traces suspectes en surface Long Beach Museum of Art, Calif., Rauschenberg: Cardbirds and Currents Locks Gallery, Philadelphia, Robert Rauschenberg Livingstone Gallery, The Hague, Rauschenberg: Fifty Years after Venice Craig F. Starr Gallery, New York, Robert Rauschenberg: The Fulton Street Studio, 1953–54 Gemini G.E.L. at Joni Moisant Weyl, New York, Robert Rauschenberg: Hoarfrost Editions 1974 North Dakota Museum of Art, Grand Forks, Robert Rauschenberg: Four Decades of Work on Paper Leo Castelli, New York, Robert Rauschenberg: A Visual Lexicon Bob Rauschenberg Gallery, Florida SouthWestern State College, Fort Myers, Fla., Rauschenberg: China/America Mix Gagosian Gallery, Beverly Hills, Robert Rauschenberg: Works on Metal Museum of Fine Arts, St. Petersburg, Fla., Robert Rauschenberg and James Rosenquist: Images from Everywhere, Prints and Photographs Iris and B. Gerald Cantor Center for Visual Arts, Stanford University, Calif., Loose in Some Real Tropics: Robert Rauschenberg’s “Stoned Moon” Projects, 1969–70 Museo Thyssen-Bornemisza, Madrid, Gilt (1983) by Robert Rauschenberg University of Wisconsin-Milwaukee Art History Gallery, Global Matters: Rauschenberg Print Media 1968–1975 Orange County Museum of Art, Newport Beach, Calif., Selections: Robert Rauschenberg Cleveland Museum of Art, Gloria: Robert Rauschenberg and Rachel Harrison Seattle Art Museum, Robert Rauschenberg: Art and Life in Real Time


GROUP EXHIBITION 1951

Museum of Modern Art, New York, Abstraction in Photography 60 East Ninth Street, New York, Today’s Self-Styled School of New York [Ninth Street Show]

1952

Betty Parsons Gallery, New York, Group Exhibition

1953

Stable Gallery, New York, 2nd Annual Exhibition of Painting and Sculpture

1954

Stable Gallery, New York, 3rd Annual Exhibition of Painting and Sculpture Tanager Gallery, New York, Group Exhibition

1955

Stable Gallery, New York, 4th Annual Exhibition of Painting and Sculpture Stable Gallery, New York, U.S. Painting: Some Recent Directions Poindexter Gallery, New York, Drawings, Watercolors and Small Oils

1957

Jewish Museum, New York, Artists of the New York School: Second Generation Leo Castelli Gallery, New York, New Work: Bluhm, Budd, Dzubas, Johns, Leslie, Louis, Marisol, Ortman, Rauschenberg, Savelli Zabriskie Gallery, New York, Collage in America

1958

Contemporary Arts Museum, Houston, Collage International: From Picasso to the Present Festival of Two Worlds, Spoleto, Italy, Palazzo Collicola, Prima selezione di giovani artisti italiani e americani Leo Castelli Gallery, New York, Group Exhibition: Bluhm, Brach, Dzubas, Johns, Marisol, Rauschenberg, Schueler Dallas Museum for Contemporary Arts, Laughter in Art Carnegie Institute, Pittsburgh, Pittsburgh Bicentennial International Exhibition of Contemporary Painting and Sculpture Alan Gallery, New York, Beyond Painting

1959

Time-Life Reception Center, New York, Art and the Found Object Corcoran Gallery of Art, Washington, D.C., 26th Biennial Exhibition of Contemporary American Paintings College of Fine and Applied Arts, University of Illinois, Urbana, Contemporary American Painting and Sculpture Leo Castelli Gallery, New York, Three: Norman Bluhm, Jean Dubuffet, and Robert Rauschenberg Kassel, Documenta II: Kunst nach 1945 (Art after 1945) Museu de Arte Moderna, São Paulo, 5th São Paulo Biennial Musée d’Art Moderne de la Ville de Paris, First Paris Biennial: Manifestation biennale et internationale des jeunes artistes Leo Castelli Gallery, New York, Opening of the New Gallery: Bluhm, Brach, Daphnis, Johns, Koln, Rauschenberg, Sander, Scarpetta, Stella, Twombly Leo Castelli Gallery, New York, Work in Three Dimensions Contemporary Arts Association of Houston, Out of the Ordinary: The Audience as Subject Galerie Daniel Cordier, Paris, Exposition internationale du surréalisme: 1959–1960 Stable Gallery, New York, School of New York: Some Younger Artists Museum of Modern Art, New York, Sixteen Americans Reuben Gallery, New York, Below Zero


1960

Art Institute of Chicago, Society for Contemporary Art 20th Annual Exhibition Leo Castelli Gallery, New York, Summary 1959–1960 Martha Jackson Gallery, New York, New Media—New Forms One: Junk Culture as Tradition D’Arcy Galleries, New York, International Surrealist Exhibition

1961

Art Institute of Chicago, 64th American Exhibition of Paintings and Sculpture Des Moines Art Center, Iowa, Six Decades of American Painting of the Twentieth Century Stedelijk Museum, Amsterdam, Bewogen beweging Galleria Brera, Milan, Anti-procès 3 Festival of Two Worlds, Spoleto, Italy, Palazzo Ancaiani, Disegni americani moderni (Modern American drawings) Galerie Würthle, Vienna, Amerikanische Maler der Gegenwart (Contemporary American painters) Galerie Rive Droite, Paris, Le Nouveau Réalisme à Paris et à New York Museum of Modern Art, New York, The Art of Assemblage Solomon R. Guggenheim Museum, New York, American Abstract Expressionists and Imagists Carnegie Institute, Pittsburgh, Pittsburgh International Exhibition of Contemporary Painting and Sculpture Whitney Museum of American Art, New York, Annual Exhibition: Contemporary American Painting

1962

Museo de Bellas Artes, Caracas, Abstract Drawings and Watercolors: USA Moderna Museet, Stockholm, 4 Amerikanare: Jasper Johns, Alfred Leslie, Robert Rauschenberg, Richard Stankiewicz, Seattle World’s Fair, Art since 1950, American and International Musée d’Art Moderne de la Ville de Paris, 18th Salon de mai Leo Castelli Gallery, New York, Drawings Stedelijk Museum, Amsterdam, Dylaby (Dynamisch Labyrint) Milwaukee Art Center, Art: USA: Now National Museum of Modern Art, Tokyo, 3rd International Biennial Exhibition of Prints in Tokyo Sidney Janis Gallery, New York, The New Realists Dwan Gallery, Los Angeles, My Country ’Tis of Thee Whitney Museum of American Art, New York, Annual Exhibition: Contemporary Sculpture and Drawings

1963

Allen Memorial Art Museum, Oberlin College, Ohio, Three Young Americans Thibaut Gallery, New York, According to the Letter Corcoran Gallery of Art, Washington, D.C., 28th Biennial Exhibition of Contemporary American Painting Allan Stone Gallery, New York, Exhibition for the Benefit of the Foundation for Contemporary Performance Arts Solomon R. Guggenheim Museum, New York, Six Painters and the Object Washington Gallery of Modern Art, Washington, D.C., The Popular Image Exhibition Stedelijk Museum, Amsterdam, Schrift en beeld Moderna Galerija Ljubljana, Yugoslavia, 5th International Exhibition of Graphic Art Oakland Art Museum, Pop Art USA Institute of Contemporary Arts, London, The Popular Image Munson-Williams-Proctor Institute, Utica, N.Y., New Directions in American Painting Jewish Museum, New York, Black and White


1964

Ferus Gallery, Los Angeles, A View of NY Painting Including Major Works by Jasper Johns, Robert Rauschenberg, Andy Warhol, Ellsworth Kelly, Frank Stella, Roy Lichtenstein, and Larry Poons Wadsworth Atheneum, Hartford, Conn., Black, White and Grey Fine Arts Gallery, University of British Columbia, Vancouver, Art Becomes Reality Dwan Gallery, Los Angeles, Boxes Wollman Hall, New School Art Center, New York, The American Conscience: An Exhibition of Contemporary Paintings Tate Gallery, London, 54–64: Painting and Sculpture of a Decade New York World’s Fair, Flushing Meadows, New York Betty Parsons Gallery, New York, The World’s Fair Artists Institute of Contemporary Art, Boston, The Biennale Eight 32nd Venice Biennale Gemeentemuseum, The Hague, Nieuwe Realisten Whitney Museum of American Art, New York, Between the Fairs: Twenty-five Years of American Art, 1939–1964 Kassel, Documenta III Solomon R. Guggenheim Museum, New York, American Drawings Rose Art Museum, Brandeis University, Waltham, Mass., The Painter and the Photograph Sidney Janis Gallery, New York, Three Generations

1965

Worcester Art Museum, Mass., The New American Realism Corcoran Gallery of Art, Washington, D.C., 29th Biennial Exhibition of Contemporary American Painting Metropolitan Museum of Art, New York, Three Centuries of American Painting Moderna Galerija Ljubljana, Yugoslavia, 6th International Exhibition of Graphic Art Philadelphia Museum of Art, Artists of 1¢ Life Art Galleries, University of California, Los Angeles, Virginia Dwan Collection Whitney Museum of American Art, New York, Annual Exhibition: Contemporary American Painting Moderna Museet, Stockholm, Den inre och den yttre rymden: En utställning rörande en universell konst

1966

Solomon R. Guggenheim Museum, New York, The Photographic Image Cordier and Ekstrom, New York, Hommage à Caissa Carroll Reece Museum, East Tennessee State University, Johnson City, Black Mountain College Museum of Modern Art, New York, The Object Transformed Art Institute of Chicago, 68th American Exhibition Whitney Museum of American Art, New York, Art of the United States: 1670–1966 National Museum of Modern Art, Tokyo, Two Decades of American Painting Nelson Gallery-Atkins Museum, Kansas City, Mo., Sound Light Silence: Art That Performs Museum of Modern Art, New York, Art in the Mirror

1967

Leo Castelli, New York, Ten Years, Feb. 4–26. Exh. cat. with statements by William C. Agee, Lawrence Alloway, Irving Blum, Otto Hahn, Thomas B. Hess, Ellen H. Johnson, Max Kozloff, Philip Leider, Annette Michelson, Pierre Restany, Barbara Rose, Robert Rosenblum, William S. Rubin, Alan Solomon, Leo Steinberg, Calvin Tomkins, and Yoshiaki Tono, and poems by John Cage and William Seitz. Finch College Museum of Art, New York, Art in Process: The Visual Development of a Collage Los Angeles County Museum of Art, American Sculpture of the Sixties


1967

Expo ’67, Montreal, United States Pavilion, American Painting Now Moderna Galerija Ljubljana, Yugoslavia, 7th International Exhibition of Graphic Art Jewish Museum, New York, Large Scale American Paintings Palazzo Grassi, Venice, Campo Vitale Museu de Arte Moderna, São Paulo, 9th São Paulo Biennial, Environment U.S.A.: 1957–1967 Wollman Hall, New School Art Center, New York, Protest and Hope: An Exhibition of Contemporary American Art Stedelijk van Abbemuseum, Eindhoven, Netherlands, Kompas 3: Schilderkunst na 1945 uit New York (Paintings after 1945 in New York)

1968

Dayton’s Gallery 12, Minneapolis, Contemporary Graphics Published by Universal Limited Art Editions Museum of Modern Art, New York, Dada, Surrealism, and Their Heritage Institute of Contemporary Arts, London, The Obsessive Image: 1960–1968 Fondation Maeght, Saint-Paul-de-Vence, France, L’Art vivant 1965–68 Wallraf-Richartz-Museum, Cologne, Sammlung Hahn: Zeitgenössische Kunst (Hahn collection: contemporary art) Kassel, Documenta 4 Museum of Modern Art, New York, The Machine as Seen at the End of the Mechanical Age

1969

Vancouver Art Gallery, New York Thirteen Art Gallery, University of California, Irvine, New York: The Second Breakthrough, 1959–1964 Galleria Civica d’Arte Moderna, Turin, New-Dada e Pop Art Newyorkesi Dayton’s Gallery 12, Minneapolis, Castelli at Dayton’s Moderna Galerija Ljubljana, Yugoslavia, 8th International Exhibition of Graphic Art Hayward Gallery, London, Pop Art Metropolitan Museum of Art, New York, Prints by Five New York Painters Metropolitan Museum of Art, New York, New York Painting and Sculpture: 1940–1970 Pasadena Art Museum, Painting in New York: 1944–1969

1970

Sidney Janis Gallery, New York, String and Rope Expo Museum of Fine Arts, Osaka, Expo ’70, American Pavilion Virginia Museum of Fine Arts, Richmond, American Painting 1970 Princeton University Art Museum, N.J., American Art since 1960 Fondation Maeght, Saint-Paul-de-Vence, France, L’Art vivant aux États-Unis Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Against Order: Chance and Art

1971

Contemporary Arts Center, Cincinnati, Ohio, Duchamp, Johns, Rauschenberg, Cage Philadelphia Museum of Art, Multiples: The First Decade Palais des Beaux-Arts, Brussels, Métamorphose de l’objet: Art et anti-art 1910–1970 Kunsthalle Nürnberg, Nuremberg, 2nd Nürnberg Biennial: Was die Schönheit sei, das weiß ich nicht: Künstler—Theorie—Werk Museum of Modern Art, New York, Technics and Creativity: Gemini G.E.L. Los Angeles County Museum of Art, Art and Technology Walker Art Center, Minneapolis, Works for New Spaces Moderna Galerija Ljubljana, Yugoslavia, 9th International Exhibition of Graphic Art Museum of Contemporary Art, Chicago, White on White: The White Monochrome in the Twentieth Century


1972

Art Institute of Chicago, 70th American Exhibition Philadelphia Museum of Art, American Art since 1945

1973

Whitney Museum of American Art, New York, Biennial Exhibition: Contemporary American Art New York Cultural Center, 3D into 2D: Drawing for Sculpture Des Moines Art Center, Iowa, Twenty-five Years of American Painting, 1948–1973 Art Gallery of Western Australia, Perth, Modern Prints 1947–1972 Moderna Galerija Ljubljana, Yugoslavia, 10th Biennial of Graphic Art Musée Galliera, Paris, Aspects de l’Art Actuel Wadsworth Atheneum, Hartford, Conn., Prints from the Untitled Press, Captiva, Florida Moderna Museet, Stockholm, New York Collection for Stockholm Parcheggio, Villa Borghese, Rome, Contemporanea

1974

Art Museum of South Texas, Corpus Christi, Eight Artists Art Institute of Chicago, Idea and Image in Recent Art Whitney Museum of American Art, New York, American Pop Art Whitney Museum of American Art, downtown branch, New York, Clay Museum of Modern Art, New York, Works from Change Inc. Dallas Museum of Fine Arts, Poets of the Cities: New York and San Francisco, 1950–1965

1975

Moderna Galerija Ljubljana, Yugoslavia, 11th International Biennial of Graphic Art Museum of Modern Art, New York, Printsequence Visual Arts Museum, School of Visual Arts, New York, Formative Years: Early Works by Prominent New York Artists

1976

New Gallery of Contemporary Art, Cleveland, Ohio, American Pop Art and the Culture of the Sixties Museum of Modern Art, New York, Drawing Now Solomon R. Guggenheim Museum, New York, Twentieth Century American Drawing: Three AvantGarde Generations Fort Worth Art Museum, The Great American Rodeo Albright-Knox Art Gallery, Buffalo, Heritage and Horizon: American Painting 1776–1976 Whitney Museum of American Art, New York, Two Hundred Years of American Sculpture Fendrick Gallery, Washington, D.C., Prints from Untitled Press Brooklyn Museum, New York, Thirty Years of American Printmaking Renwick Gallery, National Collection of Fine Arts, Smithsonian Institution, Washington, D.C., The Object as Poet

1977

New Orleans Museum of Art, Five from Louisiana Fundación Juan March, Madrid, Arte USA Newport Art Museum, R.I., Two Decades of Exploration: Homage to Leo Castelli on the Occasion of His Twentieth Anniversary Kunsthaus, Zurich, Malerei und Photographie im Dialog von 1840 bis heute Moderna Galerija Ljubljana, Yugoslavia, International Biennial of Graphic Art Centre Georges Pompidou, Musée National d’Art Moderne, Paris, Paris—New York New York State Museum, Albany, New York: The State of Art Philadelphia College of Art, Artists’ Sets and Costumes University of Michigan Museum of Art, Ann Arbor, Works from the Collection of Dorothy and Herbert Vogel Andrew Crispo Gallery, New York, Twelve Americans: Masters of Collage


1978

U n i v e r s i t y G a l l e r y, U n i v e r s i t y o f M a s s a c h u s e t t s , A m h e r s t , S e t s f o r C u n n i n g h a m : J o h n s , Rauschenberg, Warhol San Francisco Museum of Modern Art, Aesthetics of Graffiti Brooklyn Museum, New York, Graphicstudio U.S.F.: An Experiment in Art and Education American Academy and Institute of Arts and Letters, New York, Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards Museum of Modern Art, New York, Artists and Writers Whitney Museum of American Art, New York, Art about Art Museum of Modern Art, New York, Mirrors and Windows: American Photography since 1960 Aarhus Kunstmuseum, Denmark, America America Neuberger Museum of Art, State University of New York, Purchase, The Sense of the Self: From SelfPortrait to Autobiography Albright-Knox Art Gallery, Buffalo, American Painting of the 1970s

1979

Corcoran Gallery of Art, Washington, D.C., 36th Biennial Exhibition of Contemporary American Painting: Willem de Kooning, Jasper Johns, Ellsworth Kelly, Roy Lichtenstein, Robert Rauschenberg Everson Museum of Art, Syracuse, A Century of Ceramics in the United States 1878–1978 Moderna Galerija Ljubljana, Yugoslavia, International Biennial of Graphic Art Centre Georges Pompidou, Musée National d’Art Moderne, Paris, Autour de Merce Cunningham Denver Art Museum, Poets and Painters

1980

Fine Arts Gallery, University of South Florida, Tampa, Five in Florida Museum of Modern Art, New York, Printed Art: A View of Two Decades Grand Palais, Paris, 91st Exposition Société des artistes independants Amelie A. Wallace Gallery, State University of New York, College at Old Westbury, Fabric into Art Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., The Fifties: Aspects of Painting in New York DeCordova Museum, Lincoln, Mass., Photography: Recent Directions Detroit Institute of Arts, Cliché-Verre: Hand-Drawn, Light-Printed National Gallery of Art, Washington, D.C., The Morton G. Neumann Family Collection: Selected Works Mary and Leigh Block Gallery, Northwestern University, Evanston, Ill., Collaborations Brooklyn Museum, New York, American Drawing in Black and White: 1970–1980 Walker Art Center, Minneapolis, Artist and Printer: Six American Print Studios

1981

National Gallery of Art, Washington, D.C., Contemporary American Prints and Drawings 1940–1980 University of Colorado Art Galleries, Boulder, Mapped Art: Charts, Routes, Regions Aldrich Museum of Contemporary Art, Ridgefield, Conn., New Dimensions in Drawing: 1950–1980 Rheinhallen, Cologne, Westkunst: Zeitgenössische Kunst seit 1939 (Contemporary art since 1939) Moderna Galerija Ljubljana, Yugoslavia, 14th International Biennial of Graphic Art Museum of Modern Art, New York, Words and Pictures Middlesbrough Art Gallery, U.K., 5th Cleveland International Drawing Biennial Akron Art Museum, Ohio, The Image in American Painting and Sculpture 1950–1980 Neuberger Museum of Art, State University of New York, Purchase, Soundings Städtische Kunsthalle, Düsseldorf, Schwarz (Black) Haus der Kunst, Munich, Amerikanische Malerei: 1930–1980 Contemporary Arts Museum, Houston, Events: Artists in Collaboration

1982

Nationalgalerie, Berlin, Joseph Beuys, Robert Rauschenberg, Cy Twombly, Andy Warhol: Sammlung Marx, March 2–April 12. Traveled to Städtisches Museum Abteiberg, Mönchengladbach, Germany Moderna Museet, Stockholm, Fotografier av Robert Frank, Robert Rauschenberg, Andy Warhol


1982

Stedelijk Museum, Amsterdam, ’60–’80 Attitudes/Concepts/Images: A Selection from Twenty Years of Visual Arts/Een krenze vit twintig jaar beeldende kunst Baxter Art Gallery, California Institute of Technology, Pasadena, Of No Particular Theme: Laurie B r o w n , N a n c y B u c h a n a n , W o o d s D a v y, B r i a n F o r r e s t , To m H o l l a n d , B r u c e H o u s t o n , R o b e r t Rauschenberg, Raymond Saunders Fendrick Gallery, Washington, D.C., The Twenty-Fifth Anniversary of Universal Limited Art Editions Sarah Campbell Blaffer Gallery, University of Houston, New American Paperworks John Michael Kohler Arts Center, Sheboygan, Wis., The Alternative Image Solomon R. Guggenheim Museum, New York, The New York School: Four Decades, Guggenheim Museum Collection and Major Loans Contemporary Arts Museum, Houston, The Americans: The Collage National Air and Space Museum, Smithsonian Institution, Washington, D.C. San Francisco Museum of Modern Art, Resource/Reservoir: Collage and Assemblage Edith C. Blum Art Institute, Avery Center for the Arts, Bard College, Annandale-on-Hudson, N.Y.,The Rebounding Surface: A Study of Reflections in the Work of Nineteen Contemporary Artists Whitney Museum of American Art, downtown branch, New York, Universal Limited Art Editions: A Tribute to Tatyana Grosman, Selections from the Permanent Collections Australian National Gallery, Canberra, Paperwork Pratt Manhattan Center Gallery, New York, Artists’ Protest Contemporary Arts Museum, Houston, In Our Time: Houston’s Contemporary Arts Museum, 1948– 1982 John Hansard Gallery, University of Southampton, U.K., Painter as Photographer Fine Arts Museum of Long Island, Hempstead, N.Y., The New Explosion: Paper Art Institute of Contemporary Art, Boston, Art and Dance: Images from the Modern Dialogue 1890–1980 National Air and Space Museum, Smithsonian Institution, Washington, D.C., The Artist and the Space Shuttle

1983

Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Connections: Bridges/ Ladders/Ramps/Staircases/Tunnels Museum of Modern Art, New York, Big Pictures by Contemporary Photographers Moderna Galerija Ljubljana, Yugoslavia, 15th International Biennial of Graphic Art Whitney Museum of American Art, downtown branch, New York, The Comic Art Show: Cartoons in Painting and Popular Culture Tampa Museum, Photography in America: 1910–1983 National Museum of Art, Osaka, Modern Nude Paintings 1880–1980 Margo Leavin Gallery, Los Angeles, Art for a Nuclear Weapons Freeze Allentown Art Museum, Pa., Art of the Comic Strip Temporary Contemporary, Museum of Contemporary Art, Los Angeles, The First Show: Painting and Sculpture from Eight Collections 1940–1980 John Michael Kohler Arts Center, Sheboygan, Wis., The Alternative Image II: Photography on Nonconventional Supports

1984

Center for the Fine Arts, Miami, In Quest of Excellence: Civic Pride, Patronage, Connoisseurship Institute for Art and Urban Resources, P.S.1, Long Island City, New York, Salvaged: Altered Everyday Object Merian-Park, Basel, Skulptur im 20. Jahrhundert Hirshhorn Museum and Sculpture Garden, Washington, D.C., Artistic Collaboration in the Twentieth Century 41st Venice Biennale


1984

Philippe Bonnafont Gallery, San Francisco, The Artist and the Theater Museum of Contemporary Art, Los Angeles, Automobile and Culture Museum of Fine Arts, Boston, Ten Painters and Sculptors Draw Contemporary Arts Center, Cincinnati, Ohio, Disarming Images: Art for Nuclear Disarmament Whitney Museum of American Art, New York, BLAM! The Explosion of Pop, Minimalism and Performance, 1958–1964 National Gallery of Art, Washington, D.C., Gemini G.E.L.: Art and Collaboration

1985

Princeton University Art Museum, N.J., Selections from the Ileana and Michael Sonnabend Collection: Works from the 1950s and 1960s Museum of Contemporary Art, Los Angeles, The Panza Collection Art Gallery of New South Wales, Sydney, Pop Art 1955–1970 Kunsthalle Tübingen, 7000 Eichen (7000 Oaks) Aldrich Museum of Contemporary Art, Ridgefield, Conn., The Classic Tradition in Recent Painting and Sculpture Moderna Galerija Ljubljana, Yugoslavia, 16th International Biennial of Graphic Art Museum Haus Lange and Museum Haus Esters, Krefeld, Germany, Dreißig Jahre durch die Kunst Aldrich Museum of Contemporary Art, Ridgefield, Conn., A Second Talent: Painters and Sculptors Who Are also Photographers Frankfurter Kunstverein, Frankfurt, Vom Zeichnen: Aspekte der Zeichnung 1960–1985 Solomon R. Guggenheim Museum, New York, Transformations in Sculpture: Four Decades of American and European Art

1986

National Museum of American History, Washington, D.C., Hollywood: Legend and Reality National Gallery of Art, Washington, D.C., Seven American Masters Städtische Galerie im Lenbachhaus, Munich, Beuys zu Ehren Haus der Kunst, Munich, The Automobile in Art 1886–1986 Queens Museum, Flushing, New York, Television’s Impact on Contemporary Art Sogetsu Art Museum, Toyko, Contemporary Art Exhibition to Commemorate Sogetsu 60th Anniversary Museum of Contemporary Art, Los Angeles, Individuals: A Selected History of Contemporary Art, 1945–1986 Museum of Fine Arts, Santa Fe, Poetics of Space: Contemporary Photographic Works

1987

John and Mable Ringling Museum of Art, Sarasota, Fla., This Is Not a Photograph: Twenty Years of Large-Scale Photography, 1966–1986 University Art Museum, University of California, Berkeley, Made in U.S.A.: An Americanization in Modern Art, the 50s and the 60s Edith C. Blum Art Institute, Avery Center for the Arts, Bard College, Annandale-on-Hudson, N.Y.,The Arts at Black Mountain College, 1933–1957 Los Angeles County Museum of Art, Avant-Garde in the Eighties Chicago International Art Exposition, Carl Solway Gallery, Chicago, A Tribute to John Cage The Menil Collection, Houston, The Menil Collection Institute of Contemporary Arts, London, Comic Iconoclasm Centro Cultural/Arte Contemporáneo, Mexico City, Leo Castelli y sus artistas: XXX años de promoción del arte contemporaneo Butler Institute of American Art, Youngstown, Ohio, Leo Castelli: A Tribute Exhibition Minnesota Museum of Art, St. Paul, The International Art Show for the End of World Hunger New York State Museum, Albany, Diamonds Are Forever: Artists and Writers on Baseball Everson Museum of Art, Syracuse, Digital Visions: Computers and Art Moderna Museet, Stockholm, Implosion: Ett postmodernt perspektiv (A Postmodern Perspective)


1987

Sarah Campbell Blaffer Gallery, University of Houston, Images on Stone: Two Centuries of Artists’ Lithographs Centro de Arte Reina Sofía, Madrid, Colección Sonnabend

1988

Helander Gallery, Palm Beach, Fla., Five Floridians Museum Ludwig, Cologne, Übrigens sterben immer die anderen: Marcel Duchamp und die Avantgarde seit 1950 Museum of Modern Art, New York, Committed to Print Galerie Kaj Forsblom, Helsinki, Celebrating Leo Castelli and Pop Art: Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, Andy Warhol University Center Gallery, Adelphi University, Garden City, N.Y., The Artist and the Choreographer: Sets and Studies for the Dance Solomon R. Guggenheim Museum, New York, Aspects of Collage, Assemblage and the Found Object in Twentieth-Century Art McNay Art Museum, San Antonio, The McNay and the Texas Artist Berlinische Galerie, Berlin, Stationen der Moderne Sarah Lawrence College Art Gallery, Bronxville, N.Y., Process and Print Musée Saint Pierre Art Contemporain, Lyon, La Couleur seule: L’Expérience du monochrome Fundación Juan March, Madrid, Colección Leo Castelli Birmingham Museum of Art, Ala., Looking South: A Different Dixie National Gallery of Art, Washington, D.C., Twentieth-Century Art: Selections for the Tenth Anniversary of the East Building Whitney Museum of American Art, downtown branch, New York, Identity: Representations of the Self

1989

Edith C. Blum Art Institute, Avery Center for the Arts, Bard College, Annandale-on-Hudson, N.Y.,Sequence (con)Sequence: (sub)Version of Photography in the 80s University of South Florida Contemporary Art Museum, Tampa, Made in Florida Whitney Museum of American Art, Stamford, Conn., The “Junk” Aesthetic: Assemblage of the 1950s and Early 1960s The Menil Collection, Houston, Works on Paper by Jasper Johns, Robert Rauschenberg, and Larry Rivers Walker Art Center, Minneapolis, First Impressions Duson Gallery, Seoul, Five Great American Artists: Warhol, Lichtenstein, Rauschenberg, Rosenquist, Stella Nelson-Atkins Museum of Art, Kansas City, Mo., Art by Chance: Fortuitous Impressions Wiener Secession, Wittgenstein: Das Spiel des Unsagbaren/The Play of the Unsayable City Gallery of Contemporary Art, Raleigh, N.C., Black and White since 1960 Center for the Arts, Vero Beach, Fla., Under Pressure: Western Printmaking from the Fifteenth Century to the Present Whitney Museum of American Art, New York, Image World: Art and Media Culture Centre Georges Pompidou, Musée National d’Art Moderne, Paris, Donations Daniel Cordier: le regard d’un amateur Villa Stuck, Munich, Anni und Josef Albers: Eine Retrospektive

1990

Franklin Furnace Archive, New York, Contemporary Illustrated Books: Word and Image, 1967–1988 International Center of Photography Midtown, New York, The Indomitable Spirit Wexner Center for the Arts, Ohio State University, Columbus, Art in Europe and America: The 1950s and 1960s Scott Hanson Gallery, New York, Token Gestures: A Painting Show Centro Cultural/Arte Contemporáneo, Mexico City, Octavio Paz: Los privilegios de la vista


1990

Modus Vivendi, Zurich, Pools Graphische Sammlung Albertina, Vienna, Amerikanische Zeichnungen in den achtziger Jahren Musée Russe, Leningrad, Le Territoire de l’art, 1910–1990 Milwaukee Art Museum, Word as Image: American Art 1960–1990 Casino Knokke, Knokke-Heist, Belgium, Leo Castelli’s Artists: USA 1970–1990 Hofstra University Museum, Hempstead, N.Y., The Transparent Thread: Asian Philosophy in Recent American Art Museum of Modern Art, New York, High and Low: Modern Art and Popular Culture Katonah Museum of Art, N.Y., The Technological Muse National Museum of Contemporary Art, Seoul Art Festival Texas Gallery, Houston, Art That Happens to Be Photography Galleria d’arte il Gabbiano, Rome, Realtà e visione

1991

Sidney Janis Gallery, New York, Who Framed Modern Art? Or the Quantitative Life of Roger Rabbit Centro Cultural/Arte Contemporáneo, Mexico City, El sueño de Egipto (La influencia del arte egipcio en el arte contemporáneo) Columbus Museum of Art, Ohio, Setting the Stage: Contemporary Artists Design for the Performing Arts Tate Gallery, London, Pop Prints: Aspects of Printmaking in Britain and the U.S.A., 1959–1982 Whitney Museum of American Art, New York, Biennial Exhibition 65 Thompson St., New York, Master Drawings 1520–1990 Galerie Georg Nothelfer, Berlin, Die Würde und der Mut: “L’Art moral” Guild Hall, East Hampton, N.Y., Aspects of Collage Museum of Modern Art, New York, Seven Master Printmakers: Innovations in the 1980s Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Interactions: Collaborations in the Visual and Performing Arts, May 22–July 7. Exh. cat. with essay by Judith Tannenbaum. Whitney Museum of American Art, downtown branch, New York, Constructing American Identity Fondation Daniel Templon, Musée Temporaire, Fréjus, France, La Sculpture contemporaine: Après 1970 Setagaya Art Museum, Tokyo, Beyond the Frame: American Art 1960–1990 Neue Pinakothek, Staatsgalerie Moderner Kunst, Munich, Kunst als Grenzbeschreitung: John Cage und die Moderne Guild Hall, East Hampton, N.Y., A View from the Sixties: Selections from the Leo Castelli Collection and the Michael and Ileana Sonnabend Collection Graphicstudio Gallery, University of South Florida, Tampa, Opening Exhibition Royal Academy of Arts, London, Pop Art Tampa Museum of Art, Graphicstudio/U.S.F.: Collaborations in Contemporary Art National Gallery of Art, Washington, D.C., Graphicstudio: Contemporary Art from the Collaborative Workshop at the University of South Florida Emily Davis Gallery, University of Akron, Ohio, The Encompassing Eye: Photography as Drawing

1992

Stephen Solovy Fine Art, Chicago, Drawings for the Stage Lingotto, Turin, Arte Americana 1930–1970 (American Art 1930–1970) Museum of Art, Fort Lauderdale, Stars in Florida Baltimore Museum of Art, Marking the Decades: Prints 1960–1990 Franklin Parrasch Gallery, New York, The Endowed Chair Arts Club of Chicago, Seventy-Fifth Anniversary Exhibition James Corcoran Gallery, Santa Monica, 1958 Yokohama Museum of Art, Japan, Innovation in Collaborative Printmaking: Kenneth Tyler 1963–1992 Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Territorium Artis Photokina, Cologne, Selections 6: Works from the Polaroid Collection


1992

Newport Harbor Art Museum, Newport Beach, Calif., Both Art and Life: Gemini G.E.L. at Twenty-five Wadsworth Atheneum, Hartford, Conn., The Spirit of Genius Fernbank Museum of Natural History, Atlanta, Picturing Paradise: Art and the Rainforests Museo Nacional Centro de Arte Reina Sofía, Madrid, Repetición/Transformación Brooks Museum of Art, Memphis, Pop on Paper Museum of Contemporary Art, Los Angeles, Hand-Painted Pop: American Art in Transition, 1955–1962

1993

Sarah Campbell Blaffer Gallery, University of Houston, Darkness and Light: Twentieth-Century Works from Texas Collections Guggenheim Museum SoHo, New York, “Four Rooms” and a “House Ball”: Pop and the Everyday Object San Francisco Museum of Modern Art, The Anderson Collection Gift of American Pop Art Castello di Rivoli, Turin, Un’avventura internazionale: Torino e le arti 1950–1970 Corcoran Gallery of Art, Washington, D.C., Late Modern Drawings, 1960s–1970s National Arts Club, New York, Art and Environment Martin-Gropius-Bau, Berlin, American Art in the Twentieth Century: Painting and Sculpture 1913–1993 Michael C. Carlos Museum, Emory University, Atlanta, Serial Explorations: An Exhibition of Contemporary Art Guggenheim Museum SoHo, New York, Singular Dimensions in Painting 45th Venice Biennale, Palazzo Grassi, Il suono rapido delle cose: Cage and Company Whitney Museum of American Art, New York, Abject Art: Repulsion and Desire in American Art 20th International Biennial of Graphic Art, International Centre of Graphic Art, Ljubljana, Slovenia, The Exhibition of the Grand Prize Winners from 1955 to 1991 Taejon International Exposition, Korea, United States Pavilion, Renewing Our Earth: The Artistic Vision Kunsthalle Wien, Vienna, Die Sprache der Kunst Museum of Contemporary Art, Los Angeles, Rolywholyover A Circus Murray and Isabella Rayburn Foundation, New York, Roma—New York 1948–1964, An Art Exploration Musée d’Art Contemporain, Bordeaux, Peinture: emblèmes et références Betty Rymer Gallery, School of the Art Institute of Chicago, Whose Broad Stripes and Bright Stars: Death, Reverence, and the Struggle for Equality in America

1994

Museum of Art, Fort Lauderdale, Pop Art: The 1960s and Beyond Denver Art Museum, Experimental Vision: The Evolution of the Photogram since 1919 Cleveland Center for Contemporary Art, Ohio, Outside the Frame: Performance and the Object Newton Arts Center, Newtonville, Mass., After the ‘Accident’: The Unpredictable Print Museum of Contemporary Art, Chicago, Under Development: Dreaming the MCA’s Collection American Academy in Rome, American Art in Italian Private Collections City Art Centre, Edinburgh, Worlds in a Box National Gallery of Art, Washington, D.C., Gemini G.E.L.: Recent Prints and Sculpture Museum of Fine Arts, Museum of New Mexico, Santa Fe, Forecast: Shifts in Direction, Aug. 27–Oct. 23. Exh. cat. with essay by Van Deren Coke. Graphicstudio, Tampa, Portraits: Selections From Twenty-five Years of Graphicstudio Works Nassau County Museum of Art, Roslyn Harbor, N.Y., Art after Art 22nd São Paulo Biennial Museum of Modern Art, New York, A Century of Artists Books Institute of Contemporary Art, Boston, Elvis + Marilyn: 2 x Immortal Scottsdale Center for the Arts, Ariz., Neo-Dada: Redefining Art, 1958–62 Walker Art Center, Minneapolis, Duchamp’s Leg Centre Georges Pompidou, Musée National d’Art Moderne, Paris, Hors limites: L’art et la vie 1952– 1994


1995

Glassell School of Art, Museum of Fine Arts, Houston, Images from Space Minneapolis Institute of Arts, Made in America: Ten Centuries of American Art Art Institute of Chicago, Large and Small: Prints from Universal Limited Art Editions Museum of Fine Arts, Boston, Degrees of Abstraction: Morris Louis to Mapplethorpe Zimmerli Art Museum, Rutgers University, New Brunswick, N.J., Printmaking in America: Collaborative Prints and Presses, 1960–1990 46th Venice Biennale, Palazzo Grassi, Identità e alterità: Figure del corpo 1895–1995 Ludwig Museum im Deutschherrenhaus, Städtische Museen Koblenz, Germany, Klangskulpturen— Augenmusik, Museum of Fine Arts, Houston, Art Works: The PaineWebber Collection of Contemporary Masters Palais des Nations, Geneva, Dialogues of Peace/Dialogues de paix Black Mountain College Museum and Arts Center, Asheville Art Museum, N.C., Remembering Black Mountain College Whitney Museum of American Art, New York, Beat Culture and the New America: 1950–1965 Contemporary Arts Center, Cincinnati, Ohio, It’s Only Rock and Roll: Rock and Roll Currents in Contemporary Art Galleria d’arte il Gabbiano, Rome, W il cinema: Hommage to the First 100 Years of Cinema, Nov. 30, 1995–Jan. 31, 1996. Exh. cat. (in English and Italian) with texts by Fiamma Arditi, Guido Rebecchini, and Enzo Siciliano. Musée d’Art Moderne de la Ville de Paris, Passions privées: Collections particulières d’art moderne et contemporain en France

1996

65 Thompson St., New York, Max’s Kansas City’s Thirtieth Anniversary Reunion Wadsworth Atheneum, Hartford, Conn., Acquiring Art in the 90s: The Inside Story Solomon R. Guggenheim Museum, New York, Abstraction in the Twentieth Century: Total Risk, Freedom, Discipline National Gallery of Art, Washington, D.C., The Robert and Jane Meyerhoff Collection: 1945 to 1995 Centre Georges Pompidou, Musée National d’Art Moderne, Paris, L’Informe: Mode d’emploi Kunsthalle Wien, Vienna, Wunschmaschine—Welterfindung: Eine Geschichte der Technikvisionen seit dem 18.Jahrhundert Museum of Modern Art, New York, Thinking Print: Books to Billboards, 1980–95 Philadelphia Museum of Art, Metamorphoses: Photography in the Electronic Age Musée d’Art Moderne et d’Art Contemporain, Nice, Chimériques polymères Padiglione d’Arte Contemporanea, Milan, Omaggio a Leo Castelli: Da Rauschenberg a Warhol, da Flavin a Judd. 20 artisti a New York negli anni sessanta Los Angeles County Museum of Art, Ports of Entry: William S. Burroughs and the Arts Whitney Museum of American Art, New York, Views from Abroad: European Perspectives on American Art Two/Die Entdeckung des anderen: Ein europäischer Blick auf die amerikanische Kunst 2 Centre Georges Pompidou, Musée National d’Art Moderne, Paris, Face à l’histoire: 1933–1996

1997

Murray Feldman Gallery, Pacific Design Center, Los Angeles, Gemini G.E.L.: Celebrating Thirty Years Staatsgalerie Stuttgart, Germany, Magie der Zahl in der Kunst des 20. Jahrhunderts (The Magic of Numbers in 20th Century Art) Stifel Fine Arts Center, Oglebay Institute, Wheeling, W.Va., Portraits of the Artists: Andy Warhol and His Contemporaries at Leo Castelli Gallery Mary Ryan Gallery, New York, Civil Progress: Images of Black America Corcoran Gallery of Art, Washington, D.C., Proof Positive: Forty Years of Contemporary American Printmaking at ULAE, 1957–1997 Hillwood Art Museum, C. W. Post Campus, Long Island University, Brookville, N.Y., Today’s Printmaker: Artist and Wordsmith


1997

Concept Art Gallery, Pittsburgh, A Celebration of Contemporary Graphic Art by Twenty-Five Renowned Artists Long Beach Museum of Art, Calif., Roadmaps: Structure, Process and the Collection Martin-Gropius-Bau, Berlin, The Epoch of Modernism: Art in the 20th Century Contemporary Arts Museum, Houston, Finders/Keepers Museum of Modern Art, New York, Objects of Desire: The Modern Still Life Hirshhorn Museum and Sculpture Garden, Washington, D.C., The Hirshhorn Collects: Recent Acquisitions 1992–1996 Solomon R. Guggenheim Museum, New York, From Dürer to Rauschenberg: A Quintessence of Drawing, Masterworks from the Albertina and the Guggenheim 22nd International Biennial of Graphic Art, Ljubljana Los Angeles County Museum of Art, Drawing on the Rocks: Two Hundred Years of Lithography Philadelphia Museum of Art, Prized Impressions: Gifts from the Print Center of Philadelphia Galleria d’Arte Moderna e Contemporanea, Palazzo Forti, Verona, Dadaismo, Dadaismi: Da Duchamp a Warhol Fogg Art Museum, Harvard University Art Museums, Cambridge, Mass., About Face: Artists’ Portraits in Photography Haus der Kunst, Munich, Deep Storage: Arsenale der Erinnerung (Arsenal of Memory) University Art Museum, California State University, Long Beach, The Great American Pop Art Store: Multiples of the Sixties Museum of Modern Art, New York, From Henri de Toulouse-Lautrec to Andy Warhol: Exploring Techniques Stanford University Museum of Art, Calif., Great Impressions: Selections from the Marmor Foundation and the Collection of Drs. Katherine and Judd Marmor Museum of Contemporary Art, Los Angeles, Timepieces: Selected Highlights from the Permanent Collection, 1945–1975 C and M Arts, New York, American Works, 1945–1975 Exit Art/The First World, New York, Portable Visions Andersen Window Gallery, Walker Art Center, Minneapolis, Art of the 1960s: Media is the Message San Jose Museum of Art, Calif., Alternating Currents: American Art in the Age of Technology, Selections from the Permanent Collection of the Whitney Museum of American Art Guggenheim Museum, Bilbao, The Guggenheim Museums and the Art of this Century Seattle Art Museum, Leonardo Lives: The Codex Leicester and Leonardo da Vinci’s Legacy of Art and Science Leo Castelli Gallery, 420 West Broadway, New York, The Artists of the Castelli Gallery 1957–1997: Forty Years of Exploration and Innovation, Part One National Museum of Art, Osaka, Gravity: Axis of Contemporary Art Puck Building, New York, The Art of Healing: A Collection in Support of the Excluded Whitney Museum of American Art, New York, The Warhol Look: Glamour, Style, Fashion Musée d’Art Moderne et d’Art Contemporain, Nice, De Klein à Warhol: Face-à-face France/États-Unis Morris Museum of Art, Augusta, Ga., Fifth Anniversary: Celebrating Southern Art Exit Art, New York, Public Notice Contemporary Arts Center, New Orleans, The Prophecy of Pop! Arthur M. Sackler Museum, Harvard University Art Museums, Cambridge, Mass., Drawing is Another Kind of Language: Recent American Drawings from a New York Private Collection


1998

Forum for Contemporary Art, St. Louis, Mo., Action/Performance and Photograph. Seattle Art Museum, Kind of Abstract New York Public Library, A Secret Location on the Lower East Side: Adventures in Writing, 1960–1980 Museum of Contemporary Art, Los Angeles, Out of Actions: Between Performance and the Object, 1949–1979 Yale University Art Gallery, New Haven, Conn., Then and Now and Later: Art since 1945 at Yale Stendhal Gallery, New York, Group exhibition Moderna Museet, Stockholm, Dialogues: International Art from the Collection Museum of American Art, Pennsylvania Academy of the Fine Arts, Philadelphia, Pop Abstraction Nassau County Museum of Art, Roslyn Harbor, N.Y., Special Exhibition from the Permanent Collection Cheney Cowles Museum, Spokane, Wash., Soup to Nuts: Pop Art and Its Legacy Sarasota Visual Art Center, Fla., Hand-Rolled in Tampa: The Innovative Art of Graphicstudio Galleria Lawrence Rubin, Milan, Group Show: Diebenkorn, Hodgkin, McClelland, Rauschenberg, Stella, Sultan, Winters National Museum of American Art, Smithsonian Institution, Washington, D.C., Posters American Style Mitchell-Innes and Nash, New York, Master Drawings of the Twentieth Century World Health Organization Headquarters, Geneva, The Edge of Awareness Ubu Gallery, New York, The ’60s in the Seventies Gemini G.E.L. at Joni Moisant Weyl, New York, Big Things: Selections from Gallery Artists Museum of Fine Arts, Boston, PhotoImage: Printmaking 60s to 90s Gagosian Gallery, New York, Summer Group Show Galerie Thaddaeus Ropac, Salzburg, Ensemble Moderne: The Still Life in Modern Art University Art Museum, California State University, Long Beach, Graphic Abstraction in America: A View from the First Century Centre de la Gravure et de l’Image imprimée de la Communauté française de Belgique, La Louvière, Belgium, Un siècle de collage en Belgique (A century of collage in Belgium) Solomon R. Guggenheim Museum, New York, Rendezvous: Masterpieces from the Centre Georges Pompidou and the Guggenheim Museums High Museum of Art, Atlanta, Pop Art: Selections from the Museum of Modern Art Acquavella Galleries, New York, XIX and XX Century Master Paintings and Sculptures Paula Cooper Gallery, New York, Amnesty International Benefit Drawing Show

1999

Boulder Museum of Contemporary Art, Colo., Sans Titre: Works from the Collection of Peggy Scott and David Teplitzky Museum of Art and Archaeology, University of Missouri, Columbia, Icons of Pop Philharmonic Center for the Arts, Naples, Fla., Twentieth-Century American Drawings Fundació Antoni Tàpies, Barcelona, Merce Cunningham Heckscher Museum of Art, Huntington, N.Y., Shaping a Generation: The Art and Artists of Betty Parsons Alyce de Roulet Williamson Gallery, Art Center College of Design, Pasadena, Influences: 1960–1974, Selections from the Contemporary Collection of the Norton Simon Museum Cynthia Broan Gallery, New York, Heroines and Heroes: An Idiosyncratic Anthology of International Art (1943–1999) Museum of Modern Art, New York, Pop Impressions Europe/USA: Prints and Multiples from the Museum of Modern Art Galerie Georg Nothelfer, Berlin, Parallel: Künstler im Kontext Winston Wächter Fine Art, Seattle, Pop Museum of Contemporary Art, Chicago, Decades in Dialogue: Perspectives on the MCA Collection Virginia Museum of Fine Arts, Richmond, Highlights of Late 20th-Century Art from the Sydney and Frances Lewis Collection Seattle Art Museum, The Virginia and Bagley Wright Collection of Modern Art


1999

Gemini G.E.L. at Joni Moisant Weyl, New York, Reliefs and Other Wall Works Chiostro del Bramante, Rome, I Love Pop: Europa-USA anni ’60, Mitologie del quotidiano PaineWebber Art Gallery, New York, Comfort Zone: Furniture by Artists Judson Memorial Church, New York, No Limits: A Celebration of Freedom and Art Zachęta National Gallery of Art, Warsaw, Współczesna grafika amerykańska z kolekcji Torstena Lilji (American graphics from the Torsten Lilja Collection) Drawing Center, New York, Drawn from Artists’ Collections National Academy of Design and School of Fine Arts, New York, Men without Women: Paul Cadmus as Curator Marcel Sitcoske Gallery, San Francisco, Re: Rauschenberg Museum van Hedendaagse Kunst Antwerpen, Antwerp, Trouble Spot: Painting Friends of Photography, Ansel Adams Center, San Francisco, Innovation/Imagination: Fifty Years of Polaroid Photography Miami Art Museum, New Acquisitions: Dream Collection . . . Part Five James Kelly Contemporary, Santa Fe, Prints from the 1990s: Universal Limited Art Editions American Academy of Arts and Letters, New York, Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards White-Meyer Galleries, Meridian International Center, Washington, D.C., Outward Bound: American Art at the Brink of the Twenty-first Century Charles Cowles Gallery, New York, Altered States Montclair Art Museum, N.J., Waxing Poetic: Encaustic Art in America Whitney Museum of American Art, Stamford, Conn., Zero-G: When Gravity Becomes Form Arken Museum of Modern Art, Ishøj, Denmark, Amerikanske mesterværker fra Lilja samlingen: Rauschenberg, Lichtenstein, Rosenquist (American masterpieces from the Lilja collection) Fundação de Serralves, Porto, Circa 1968 Nassau County Museum of Art, Roslyn Harbor, N.Y., Contemporary American Masters: The 1960s P a c e W i l d e n s t e i n M a c G i l l , N e w Yo r k , B i g P i c t u r e s , L i t t l e P i c t u r e s : C a l l a h a n , C l o s e , H e n l e , Rauschenberg/Weil, Schad, Sudek Norton Simon Museum, Pasadena, Made in America: Contemporary Paintings and Sculpture from the Norton Simon Museum Artrain USA, Artistry of Space: Works from the NASA Art Collection Museum of Modern Art, New York, Fame after Photography Wadsworth Atheneum, Hartford, Conn., Here’s Looking at You: Portraits from the Collection Walker Art Center, Minneapolis, Art in Our Time: 1950 to the Present Rose Art Museum, Brandeis University, Waltham, Mass., Alchemies of the Sixties: Art from the Brandeis University Collection and Friends of the Rose Cleveland Center for Contemporary Art, Ohio, Pop Impact!: From Johns to Warhol, Selections from the Whitney Museum of American Art Norwood Gallery, Austin, Drawings Whitney Museum of American Art, New York, The American Century: Art and Culture 1900–2000, Part II, 1950–2000 Musée d’Art Moderne et d’Art Contemporain, Nice, Pop Art: Sélection de la collection Lilja Thomas Segal Gallery, Baltimore, Focus: Photographs by Painters, Sculptors, and a Filmmaker University of Lethbridge Art Gallery, Alberta, ABCs of Pop Art: America, Britain, Canada, Major Artists and Their Legacy Cornell Fine Arts Museum, Winter Park, Fla., Kenneth Tyler: Thirty Years of American Prints Galerie Jamileh Weber, Zurich, 25th Anniversary Jamileh Weber Gallery Mary Ryan Gallery, New York, Party! A Festive Look at Celebration in the 20th Century Museum of Contemporary Art, Los Angeles, Panza: The Legacy of a Collector Bruce Museum of Arts and Science, Greenwich, Conn., The Art of Time


2000

Art Museum, Florida International University, Miami, Modernism and Abstraction: Treasures from the Smithsonian’s Museum of American Art Mitaka City Gallery of Art, Tokyo, Hommage à Van Gogh: Art contemporain pour Vincent Van Gogh Weatherspoon Art Museum, University of North Carolina, Greensboro, Pop from the Permanent Princeton University Art Museum, N.J., Transfer: Large format Prints of the 1960s and 1970s Tokyo Metropolitan Art Museum, Les 100 Sourires de Monna Lisa (The 100 smiles of Mona Lisa) Knoedler and Company, New York, Pasted Pictures: Collage and Abstraction in the Twentieth Century Capitol, 22nd Floor Gallery, Tallahassee, International View: Selections from the Collection of the USF Contemporary Art Museum Castello di Rivoli, Museo d’Arte Contemporanea, Quotidiana: Immagini della vita di ogni giorno nell’arte del XX secolo (The Conitinuity of the Everday in 20th Century Art) Galerie Lutz and Thalmann, Zurich, Robert Rauschenberg, Donald Sultan, Andy Warhol: Photographs and Paintings National Gallery of Art, Washington, D.C., Twentieth-Century American Art: The Ebsworth Collection Museum of Modern Art, New York, Walker Evans and Company, March 16–Aug. 22. Traveled to J. Paul Getty Museum, Los Angeles (as Walker Evans and Company: Works from the Museum of Modern Art) Also Museum of Modern Art, War, March 16–Aug. 22; The Marriage of Reason and Squalor, March 30–Sept. 19; How Simple Can You Get?, New York Salon, and Seeing Double Museum of Contemporary Art, Chicago, Age of Influence: Reflections in the Mirror of American Culture Fondation Beyeler, Riehen, Switzerland, Farbe zu Licht (Color to light) Stefan Stux Gallery, New York, In Black and White: Photography Main Library Auditorium, Miami-Dade Public Library, Miami, Cultivated Under the Sun: Selections from the Miami-Dade Public Library System Art Collection Seattle Art Museum, Language Let Loose John and Mable Ringling Museum of Art, Sarasota, Fla., Sarasota Biennial Museum Folkwang, Essen, Bauhaus: Dessau—Chicago—New York Knoedler and Company, New York, September Selections University of South Florida Contemporary Art Museum, Tampa, USF Collects Yale University Art Gallery, New Haven, Conn., The Persistence of Photography in American Portraiture Museum of Art, DeLand, Fla., I Know what I Like: Selections from Collections Austin Museum of Art, The New Frontier: Art and Television, 1960–65 Haus der Kunst, Munich, Dinge in der Kunst des XX. Jahrhunderts Bernard Jacobson Gallery, London, Outlook: American Show Detroit Institute of Arts, Pop Art: Prints and Multiples from the DIA Collection Tokyo Metropolitan Museum of Photography, American Perspectives: Photographs from the Polaroid Collection Rooseum Center for Contemporary Art, Malmö, Sweden, Century of Innocence: The History of the White Monochrome Cleveland Museum of Art, Ohio, From Rembrandt to Rauschenberg: Recently Acquired Prints Baltimore Museum of Art, Power, Politics and Style: Art for the Presidents Joseph Helman Gallery, New York, 1950s: The New York School Museum of Modern Art, New York, Pop and After Albright-Knox Art Gallery, Buffalo, Rembrandt to Rauschenberg: The Norton Print Collection Galerie Jamileh Weber, Zurich, New Works Legion of Honor, Fine Arts Museums of San Francisco, An American Focus: The Anderson Graphic Arts Collection San Francisco Museum of Modern Art, Celebrating Modern Art: The Anderson Collection


2000

Tate Modern, London, Masquerade, Part of Performing Bodies, four evenings of film and video projections. Ewing Gallery of Art and Architecture, University of Tennessee, Knoxville, The Best of the Ewing: Selections from the Permanent Collection Wadsworth Atheneum, Hartford, Conn., Snap! Photography from the Collections AXA Gallery, New York, Hard Pressed: 600 Years of Prints and Process Whitney Museum of American Art, New York, Pollock to Today: Highlights from the Permanent Collection Academy Art Museum, Easton, Md., Collaboration on the Eastern Shore: Saff Tech Arts with Robert Rauschenberg, Nancy Graves, Roy Lichtenstein, and James Turrell United Nations Visitors’ Lobby, New York, For a Better World: Posters from the United Nations 1945 to Present

2001

Bruce Museum of Arts and Science, Greenwich, Conn., Space 2001: To the Moon and Beyond Blanton Museum of Art, University of Texas, Austin, Rembrandt to Rauschenberg: Building the Collection Texas Gallery, Houston, Pop and Post-Pop (On Paper) Armory Center for the Arts, Pasadena, Contemporary Art and the Cosmos Solomon R. Guggenheim Museum, New York, The Global Guggenheim: Selections from the Extended Collection Museum of Contemporary Art, Los Angeles, California Plaza, A Room of Their Own: From Rothko to Rauschenberg Lawrence Rubin Greenberg Van Doren Fine Art, New York, Drawing and Painting Centre Georges Pompidou, Musée National d’Art Moderne, Paris, Les Années Pop: 1956–1968(The Pop years) Philadelphia Art Alliance, Artistic Alternatives: The Art of Keith Haring, David Hockney, Jasper Johns, Robert Rauschenberg and Andy Warhol Whitechapel Art Gallery, London, The Whitechapel Centenary San Francisco Museum of Modern Art, Points of Departure: Connecting with Contemporary Art Virginia Museum of Fine Arts, Richmond, Print Matters: New Works and Modern Treasures John Berggruen Gallery, San Francisco, 20th Century Perspectives Museum of Fine Arts, Houston, Art at Mid-Century: Spotlight on the Collection of the Museum of Fine Arts, Houston Joslyn Art Museum, Omaha, Neb., An American Anthem: 300 Years of Painting from the Butler Institute of American Art Gagosian Gallery, Madison Avenue, New York, Pop Art: The John and Kimiko Powers Collection Villa Menafoglio Litta Panza, Varese, L’Arte della bicicletta: Da Duchamp a Rauschenberg Huntsville Museum of Art, Ala., Sizable Art: Large Scale Works from the Collection Miami Art Museum, Selections from the Permanent Collection and New Acquisitions PaceWildenstein, New York, Summer in the City Brooklyn Museum, New York, Digital: Printmaking Now Musée d’Art Contemporain, Marseille, Économie de moyens (Economy of means) Neubau der Kreissparkasse Rottweil, Germany, 3 x Pop Art: Roy Lichtenstein, Robert Rauschenberg, Andy Warhol Galleri Faurschou, Copenhagen, Galleri Faurschou: 1986–2001 Zimmerli Art Museum, Rutgers University, New Brunswick, N.J., From Whistler to Warhol: A Century of American Printmaking Kunsthallen Brandts Klædefabrik, Odense, Denmark, Patterns: Between Object and Arabesque Rose Art Museum, Brandeis University, Waltham, Mass., A Defining Generation: Then and Now, 1961 and 2001


2001

Museum of Fine Arts, Houston, Contemporary Art and Photography: Spotlight on the Collection of the Museum of Fine Arts, Houston Legion of Honor, Fine Arts Museums of San Francisco, Artists’ Books in the Modern Era 1870–2000: The Reva and David Logan Collection of Illustrated Books Los Angeles County Museum of Art, Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collections Suzanne H. Arnold Art Gallery, Lebanon Valley College, Annville, Pa., From Pop to “Op”: American Art in the 1960s Museo del Corso, Rome, La Gloria di New York: Artisti americani dalla collezione Ludwig (Glory of New York: American Artists from the Ludwig Collection) National Gallery of Art, Washington, D.C., Best Impressions: Thirty-five Years of Prints and Sculpture from Gemini G.E.L. Appleton Museum of Art, Ocala, Fla., Homage to Van Gogh Brooke Alexander Editions, New York, Letters, Signs and Symbols Walker Art Center, Minneapolis, American Tableaux: Selections from the Collection of Walker Art Center Artemis Greenberg Van Doren Gallery, New York, All America National Gallery of Art, Washington, D.C., A Century of Drawing: Works on Paper from Degas to LeWitt Pavel Zoubok Gallery, New York, Rupture and Revision: Collage in America Cranbrook Art Museum, Bloomfield Hills, Mich., Three Decades of Contemporary Art: The Dr. John and Rose M. Shuey Collection

2002

Marlborough Gallery, New York, Prints from the 50s, 60s and 70s: de Kooning to Warhol Selby Gallery, Ringling School of Art and Design, Sarasota, Fla., REAL(ist) Men Von Liebig Art Center, Naples, Fla., America’s Leading Pop Artists, Selections from the University of South Florida Contemporary Art Museum Gallery of Fine Art, Edison Community College, Fort Myers, Fla., Voltwerks: The Fine Art of Electricity Charles H. Wright Museum of African American History, Detroit, In the Spirit of Martin: The Living Legacy of Dr. Martin Luther King, Jr. El Paso Museum of Art, Tex., Burning Desires: Acquisitions, 1997–2001 Academy Art Museum, Easton, Md., Contemporary Masters: Rauschenberg, Dine, Pearlstein, Chia, and Rosenquist Museum of Contemporary Art Kiasma, Helsinki, Popcorn and Politics: Activists of Art Walker Art Center, Minneapolis, Walk Around Time: Selections from the Permanent Collection Yale University Art Gallery, New Haven, Conn., The Synthetic Century—Collage from Cubism to Postmodernism, Selections from the Collection Meridian International Center, Washington, D.C., True Colors: Meditations on the American Spirit Bobbie Greenfield Gallery, Santa Monica, The Art of Healing II Palazzo Reale, Milan, New York Renaissance: Masterworks from the Whitney Museum of American Art Waddington Galleries, London, United Kingdom/United States UBS PaineWebber Art Gallery, New York, A Century on Paper: Prints by Art Students League Artists 1901–2001 Museum of Contemporary Art of Georgia, Atlanta, Artists of the Heath Gallery, 1965–1998 Minneapolis Institute of Arts, From Frankenthaler to Freud: Master Contemporary Prints from the Permanent Collection Cheekwood Museum of Art, Nashville, Permanent Ink: Prints from the Permanent Collection Nassau County Museum of Art, Roslyn Harbor, N.Y., Long Island Collects: An Exhibition Celebrating Art from Long Island Collections Centro Cultural de Belém, Lisbon, Malevich e o cinema (Malevich and film), May 17–Aug. 18.


2002

Traveled to Fundación la Caixa, Madrid (as Malevich y el cine) Bob Rauschenberg Gallery, Edison Community College, Fort Myers, Fla., Merce Cunningham Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, N.Y., From Pop to Now: Selections from the Sonnabend Collection Museum of Modern Art, Queens, New York, To Be Looked At: Painting and Sculpture from the Collection Neues Museum Weserburg, Bremen, Kunst nach Kunst (Art after art) Museum für Moderne Kunst, Frankfurt, The Museum, the Collection, the Director and His Loves Museum of Contemporary Art, Los Angeles, California Plaza, Conversations Aspen Art Museum, Colo., In Edition: Prints from the Anderson Ranch Arts Center and O’Brien Graphics Addison Gallery of American Art, Phillips Academy, Andover, Mass., Trisha Brown: Dance and Art in Dialogue, 1961–2001 Everson Museum of Art, Syracuse, N.Y., Some Assembly Required: Collage Culture in Post-War America Andy Warhol Museum, Pittsburgh, Americanisms: Shaping Art and Culture in the 1950s National Gallery of Australia, Canberra, The Big Americans: Albers, Frankenthaler, Hockney, Johns, Lichtenstein, Motherwell, Rauschenberg, and Stella at Tyler’s Studios. Wadsworth Atheneum, Hartford, Conn., Structures of Difference New York Studio School of Drawing, Painting and Sculpture, Watercolor Barbara Mathes Gallery, New York, Collage: Abstract Expressionist and Pop Whitney Museum of American Art, New York, An American Legacy, a Gift to New York Museo Nacional Centro de Arte Reina Sofía, Madrid, Black Mountain College: Una aventura americana Paula Cooper Gallery, New York, ArtWorks for Merce Miami Art Museum, Miami Currents: Linking Collection and Community Museum of Contemporary Art, Chicago, Life Death Love Hate Pleasure Pain: Selected Works from the Museum of Contemporary Art Chicago Collection Paula Cooper Gallery, New York, Paintings from the 1960s Edward Thorp Gallery, New York, Aviary Modern Art Museum of Fort Worth, 110 Years: The Permanent Collection of the Modern Art Museum of Fort Worth

2003

Western Illinois University Art Gallery, Macomb, The George and Renee Mavigliano Collection of American Art Colby College Museum of Art, Waterville, Maine, Contemporary Prints and Photographs from the Bruce Brown Collection San Francisco Museum of Modern Art, Treasures of Modern Art: The Legacy of Phyllis Wattis at SFMOMA Des Moines Art Center, Iowa, Magic Markers: Objects of Transformation Toledo Museum of Art, Ohio, Splendid Pages: The Molly and Walter Bareiss Collection of Modern Illustrated Books Gemini G.E.L. at Joni Moisant Weyl, New York, When We Were Young: Masterworks from the Unforgettable Years, 1967–1974 Fraenkel Gallery, San Francisco, Not Exactly Photographs Vendsyssel Kunstmuseum, Hjørring, Denmark, Passion: Birthe og Niels Rokkedals samling(Birthe and Niels Rokkedal collection) Princeton University Art Museum, N.J., The New Vulgarians: New York Pop Acquavella Galleries, New York, 20th Century Sculpture Barbara Mathes Gallery, New York, Heaven and Hell NTT InterCommunication Center, Tokyo, E.A.T.—The Story of Experiments in Art and Technology


2003

Art Gallery of South Australia, Adelaide, Journey to Now: John Kaldor Art Projects and Collection, April 18–July 6 Akira Ikeda Gallery, Berlin, 11 Fisher Landau Center for Art, Long Island City, New York, Painting and Sculpture Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, Trace Evidence D i c k i n s o n R o u n d e l l , N e w Yo r k , A f t e r s h o c k : T h e L e g a c y o f t h e R e a d y m a d e i n P o s t - Wa r a n d Contemporary American Art Guggenheim Hermitage Museum, Venetian, Las Vegas, American Pop Icons Arario Gallery, Cheonan, Korea, Pop Thru Out Mary Ryan Gallery, New York, I Love New York 50th Venice Biennale: Dreams and Conflicts: The Dictatorship of the Viewer, Museo Correr,Pittura/ Painting: From Rauschenberg to Murakami, 1964–2003 Clark Fine Art, Southampton, N.Y., Original Work by Robert Rauschenberg, Darryl Pottorf, and Larry Rivers Erie Art Museum, Pa., Modern Masters: Works from the Collection of Mellon Financial Corporation Museum of Fine Arts, St. Petersburg, Fla., Collector’s Vision II: Contemporary Art from Tampa Bay Collections Columbia Museum of Art, S.C., The Ochs Collection Fondazione Morra, Castel Sant’Elmo, Naples, Living Theatre: Labyrinths of the Imaginary Museum of Contemporary Art, Los Angeles, California Plaza, Mid-Century Masterworks from the Collection Boise Art Museum, Idaho, American Art: The Wilfred Davis Fletcher Collection Emily Lowe Gallery, Hofstra University Museum, Hempstead, N.Y., A Celebration: The Hofstra Museum at Forty/Works on Paper Bruce Museum of Arts and Science, Greenwich, Conn., JFK and Art NRW-Forum Kultur und Wirtschaft, Düsseldorf, Auto-Nom-Mobile: Das Automobil in der zeitgenössischen Kunst Janice Mason Art Museum, Cadiz, Ky., The Wier Show: Contemporary Art from the Private Collection of Pat and Dick Wier Baltimore Museum of Art, Work Ethic Museum of Fine Arts, Houston, The Passionate Adventure of the Real: Collage, Assemblage and the Object in 20th Century Art Cleveland Museum of Art, Ohio, Drawing Modern: Works from the Agnes Gund Collection Wolfram Völcker Fine Art, Berlin, Black and White: Baselitz, Johns, Mansen, Polke, Rauschenberg, Richter, Sandback, Trockel, Le Va Galerie Beyeler, Basel, The Spirit of White Tate Liverpool, Art, Lies and Videotape: Exposing Performance Miami Art Museum, Between Art and Life: From Joseph Cornell to Gabriel Orozco Eckert Fine Art, Naples, Fla., This Pop’s for You! Museum moderner Kunst Stiftung Ludwig, Vienna, X-Screen: Film Installations and Actions in the 1960s and 1970s Städtische Galerie, Karlsruhe, Temporal Values: von Minimal zu Video

2004

Portland Center for the Performing Arts, Oreg., Robert Rauschenberg, John Cage, and Merce Cunningham Williams College Museum of Art, Williamstown, Mass., Mostly Photography: Art since 1980 from the Collection Kunsthalle Bielefeld, Germany, Das große Fressen: von Pop bis heute (The big feast: from Pop to today) Longboat Key Center for the Arts, Ringling College of Art and Design, Fla., Quintessential Contemporary


2004

Proposition Gallery, New York, Open Proposition: Artists for the Bill of Rights Dorsky Gallery, Long Island City, N.Y., Watercolor Worlds Guggenheim Museum, Bilbao, Pop Art Neue Nationalgalerie, Berlin, Das MoMA in Berlin: Meisterwerke aus dem Museum of Modern Art, New York Vancouver Art Gallery, Determined Pursuit: Highlights from the Longstaffe Collection Solomon R. Guggenheim Museum, New York, Singular Forms (Sometimes Repeated): Art from 1951 to the Present San Francisco Museum of Modern Art, Pop! From San Francisco Collections Albertina, Vienna, Pop Art and Minimalismus: The Serial Attitude ACA Galleries, New York, A Black Mountain Assemblage Harry Ransom Center, University of Texas, Austin, Collaborative Spirit: Prints, Presses, and Deluxe Artists’ Books Oklahoma City Museum of Art, ULAE: The Print Show Napa Valley Museum, Yountville, Calif., A Rare Glimpse: Modern American Art from Private Napa Valley Collections Mint Museum Randolph, Charlotte, N.C., Revelation: A Fresh Look at Contemporary Collections ARoS Aarhus Kunstmuseum, Denmark, Pop Classics Katonah Museum of Art, N.Y., Behind Closed Doors Museu d’Art Contemporani de Barcelona, Art i utopia: L’acció restringida (Art and Utopia: Action Restricted) Solomon R. Guggenheim Museum, New York, Speaking with Hands: Photographs from the Buhl Collection Everhart Museum, Scranton, Pa., Four Decades of Printmaking: 1960–2000, Selections from the Maslow Collection San Francisco Museum of Modern Art, Matisse and Beyond: The Painting and Sculpture Collection and Between Art and Life: The Contemporary Painting and Sculpture Collection Heckscher Museum of Art, Huntington, N.Y., Highlights of the 1970s: A Decade of Change and Transition John and Mable Ringling Museum of Art, Sarasota, Fla., Ink! Contemporary Prints from Graphicstudio Andrea Rosen Gallery, New York, Four-Ply Queens Museum of Art, New York, Subway Series: The New York Mets and Our National Pastime Nikolaj Copenhagen Contemporary Art Center, Copenhagen, Max’s Kansas City Cooper-Hewitt, National Design Museum, New York, Design ≠ Art: Functional Objects from Donald Judd to Rachel Whiteread Norrköpings Konstmuseum, Norrköping, Sweden, Teknologi för Livet: Om Experiments in Art and Technology Centre Georges Pompidou, Musée National d’Art Moderne, Paris, Sons et lumières: Une histoire du son dans l’art du XX siècle Galerie Thaddaeus Ropac, Salzburg, Intuition/(Im)precision National Air and Space Museum, Smithsonian Institution, Washington, D.C., Generous Friends: Building an Art Collection for the National Air and Space Museum Contemporary Arts Museum, Houston, Perspectives@25: A Quarter Century of New Art in Houston Tampa Museum of Art, TMA@25: The Collection Sammlung Essl, Klosterneuburg, Austria, Visions of America: Contemporary Art from the Essl Collection and the Sonnabend Collection, New York Wadsworth Atheneum, Hartford, Conn., Contemporary Art: Floor to Ceiling, Wall to Wall Norton Simon Museum, Pasadena, Lost but Found: Assemblage, Collage and Sculpture, 1920–2002 Gagosian Gallery, Madison Avenue, New York, What’s Modern? National Museum of Modern Art, Kyoto, Traces: Body and Idea in Contemporary Art Rosenbaum Contemporary, Boca Raton, Fla., Pop Art


2004

Orlando Museum of Art, Creating a Legacy: Twenty Years of Acquisition Trust Delegation of the European Commission, Washington, D.C., Olympic Truce: Pieces of Peace

2005

Suraci Gallery, Marywood University, Scranton, Pa., Johns, Lichtenstein, Rauschenberg, Stella, Warhol: Selection of Prints from the Maslow Collection Gagosian Gallery, Britannia Street, London, Imageless Icons: Abstract Thoughts Museum of Modern Art, New York, Contemporary Voices: Works from the UBS Art Collection Museum of Contemporary Art, Los Angeles, California Plaza, Into the Unknown: Abstraction from the Collection, 1940–1960 Woodward Gallery, New York, Spring Sculpture Larissa Goldston Gallery, New York, Portraits on Paper New York State Museum, Albany, Extra Ordinary: The Everyday Object in American Art, Selections from the Whitney Museum of American Art Hiroshima City Museum of Contemporary Art, Toward the Future: Through the Eyes of the Artists Awarded the Hiroshima Art Prize Noyes Museum of Art, Oceanville, N.J., The Collector’s View Pavel Zoubok Gallery, New York, Collage: Signs and Surfaces Black Mountain College Museum and Arts Center, Asheville, N.C., Asheville Collects Black Mountain College Hamburger Bahnhof, Museum für Gegenwart, Berlin, Do It Yourself: Positionen von den sechziger Jahren bis heute, Sammlung Marx im Hamburger Bahnhof Pennsylvania Academy of the Fine Arts, Philadelphia, Light, Line and Color: American Works on Paper (1765–2005) Nagasaki Prefectural Art Museum, Japan, Picturing America: Selections from the Whitney Museum of American Art Museum of Fine Arts, Houston, Acquisitions of the Last Five Years: Selections of Modern and Contemporary Art Ackland Art Museum, University of North Carolina, Chapel Hill, Three Sides to a Sheet of Paper: How Prints Communicate, Represent and Transform Dallas Museum of Art, Dialogues: Duchamp, Cornell, Johns, Rauschenberg Print Center, Philadelphia, Ninety Years: Nurturing the New Bernard Jacobson Gallery, London, Rauschenberg, Rosenquist, Lichtenstein Museum of Modern Art, New York, Between Representation and Abstraction Harn Museum of Art, Mary Ann Harn Cofrin Pavilion, Gainesville, Fla., American Matrix: Contemporary Directions for the Harn Museum Collection, Part I Galerie Emmanuel Perrotin, Paris, Empreinte moi Wexner Center for the Arts, Ohio State University, Columbus, Part Object Part Sculpture Andrea Rosen Gallery, New York, Looking at Words: The Formal Use of Text in Modern and Contemporary Works on Paper Arnolfini, Bristol, Starting at Zero: Black Mountain College 1933–57 Bendheim Gallery, Greenwich Arts Council, Conn., Gemini G.E.L.—Forty Years of Printmaking Scuderie del Quirinale, Rome, Burri. Gli artisti e la materia 1945–2004 Fundació Joan Miró, Barcelona, Mestres del collage: de Picasso a Rauschenberg (Masters of collage: from Picasso to Rauschenberg) Smart Museum of Art, University of Chicago, Collecting for the Cause: Activist Art in the 1960s and ’70s

2006

Woodbury Art Museum, Utah Valley State College, Orem, Pop Art Art Gallery, Florida Gulf Coast University, Fort Myers, On the Edge: Artists Interpret the American Coastline Larissa Goldston Gallery, New York, Red, Yellow, Blue


2006

Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, N.Y., Presses, Pop, and Pomade: American Prints since the Sixties Berman Museum of Art, Ursinus College, Collegeville, Pa., The Phenomenon of Pop Art: Selections from the Permanent Collection Vancouver Art Gallery, Seventy-five Years of Collecting: British Masters, Group of Seven and Pop Icons Polk Museum of Art, Lakeland, Fla., Pop Art 1956–2006: The First Fifty Years Leo Castelli Gallery, New York, The Mediated Gesture: Jasper Johns, Robert Longo, Robert Morris, Bruce Nauman, Robert Rauschenberg, Richard Tuttle Weatherspoon Art Museum, University of North Carolina, Greensboro, American Art: Selections from the Permanent Collection 1960–Present Istituto Veneto di Scienze, Lettere ed Arti, Palazzo Cavalli Franchetti, Venice, Pontus Hulten: Artisti da una collezione Anita Shapolsky Gallery, New York, Paper Works by Abstract Masters Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, N.Y., Twice Drawn, Part I Renate Schröder Galerie, Mönchengladbach, Germany, Classic Pop Guggenheim Museum, Bilbao, Homage to Chillida Asheville Art Museum, N.C., Black Mountain College: Its Time and Place List Visual Arts Center, Massachusetts Institute of Technology, Cambridge, 9 Evenings Reconsidered: Art, Theatre, and Engineering, 1966 Adler and Company, San Francisco, ULAE: Prints from the Collection 1957–2006 Baltimore Museum of Art, Select Views: Drawings from the Benesch Collection Mary Ann Harn Cofrin Pavilion, Harn Museum of Art, Gainesville, Fla., American Matrix: Contemporary Directions for the Harn Museum Collection, Part II The Menil Collection, Houston, Chance Encounters: The Formation of the de Menils’ African Collection Allentown Art Museum, Pa., Pop Goes the Press: Prints from the Permanent Collection, 1960–1990 Paul Kasmin Gallery, New York, The Name of this Show is Not Gay Art Now Miami Art Museum, Big Juicy Paintings (and More): Highlights from the Permanent Collection Guild Hall, East Hampton, N.Y., Guild Hall Collects: In Celebration of Our 75th Anniversary Hudson River Museum, Yonkers, N.Y., Got Cow? Cattle in American Art, 1820–2000 Whitney Museum of American Art, New York, Full House: Views of the Whitney’s Collection at Seventyfive Firehouse Gallery, Burlington, Vt., Human=Nature Meyerovich Gallery, San Francisco, Contemporary American Masters Kunstsammlung Nordrhein-Westfalen, K20 Grabbeplatz, Düsseldorf, 20 Jahre K20: Kunst des 20. Jahrhunderts (Twenty years of K20: Art of the twentieth century) Grimaldi Forum, Monte Carlo, New York, New York: Fifty Years of Art, Architecture, Photography, Film and Video Kunstmuseum Bonn and Kunst- und Ausstellungshalle, Bonn, Germany, The Guggenheim Collection Glenstone, Potomac, Md., The Inaugural Exhibition Deitch Projects, New York, Songs for Sale: Big American Paintings by Robert Rauschenberg, David Salle, and Michael Bevilacqua Peter Freeman, New York, Nothing and Everything Haus der Kunst, Munich, Black Paintings Cranbrook Art Museum, Bloomfield Hills, Mich., Artists at Work: Instruction Drawings of Gilbert and Lila Silverman Museum of Art, Washington State University, Pullman, Art and Context: The ’50s and ’60s Bobbie Greenfield Gallery, Santa Monica, Cardboard Kunsthalle Bremen, Germany, 1952: Nach dem Ende—vor dem Anfang (After the end, before the beginning) Suraci Gallery, Marywood University, Scranton, Pa., Statements and Symbols: Selected Paintings and Prints from the Maslow Collection


2006

Los Angeles County Museum of Art, Magritte and Contemporary Art: The Treachery of Images Dallas Museum of Art, Fast Forward: Contemporary Collections for the Dallas Museum of Art(first part) Max Lang Gallery, New York, Living With Pop Paula Cooper Gallery, New York, Posters: Exhibition and Sale to Benefit the Foundation for Contemporary Arts Washington County M useum of Fine Arts, Hagerstown, Md., The Sixties, Seventies and Eighties: From the Permanent Collection Wadsworth Atheneum, Hartford, Conn., Picasso to Pop: Aspects of Modern Art

2007

University of South Florida Contemporary Art Museum, Tampa, Trisha Brown: Drawing on Land and Air Museum of Modern Art, New York, Artistic Collaborations: Fifty Years at Universal Limited Art Editions Rose Art Museum, Brandeis University, Waltham, Mass., Works from the Permanent Collection Museum of Contemporary Art, North Miami, Merce Cunningham: Dancing on the Cutting Edge Norrköpings Konstmuseum, Norrköping, Sweden, Rock ’n’ Roll Vol. 1 Gulf Coast Museum of Art, Largo, Fla., An Adventure in the Arts: The Permanent Collection of the Guild Hall Museum, East Hampton, New York National Art Museum of China, Beijing, Art in America: 300 Years of Innovation MoMA PS1, Long Island City, New York, Not for Sale Gemini G.E.L. at Joni Moisant Weyl, New York, A Grand Opening: Selections from Forty Years of Gemini G.E.L. Editions N a s s a u C o u n t y M u s e u m o f A r t , R o s l y n H a r b o r, N . Y. , R e m b r a n d t t o R o s e n q u i s t : M a s t e r s o f Printmaking Museum für Gegenwartskunst Siegen, Germany, Tanzen, Sehen (Dancing, seeing) Museum of Fine Arts, St. Petersburg, Fla., On the Road: Photographs Across America Institut Valencià d'Art Modern, Valencia, El Pop en la colección gráfica del MBA Minneapolis Institute of Arts, The 1960s: Prints and Editions Ludwig Forum für Internationale Kunst, Aachen, Germany, Stichwort Gegenwart: Zwölf Kapitel der Sammlung Ludwig (Codeword present: Twelve chapters of the Ludwig Collection) Princeton University Art Museum, N.J., Pop Art at Princeton: Permanent and Promised, March 24– Aug. 12 Leo Castelli Gallery, New York, The Wandering Eye: Works on Paper from the 60s and 70s Arlington Museum of Art, Tex., Ulterior Motifs No. 10: A Celebratory Art Extravaganza Seattle Art Museum, SAM at Seventy-five: Building a Collection for Seattle Zimmer Children’s Museum, Los Angeles, Show and Tell: The Art of Harmony, an International Art Exhibit The Menil Collection, Houston, The David Whitney Bequest Michele and Donald D’Amour Museum of Fine Arts, Springfield, Mass., Seldom Seen: Contemporary Art from the Permanent Collection Woodward Gallery, New York, When Art Worlds Collide: The ’60s Fisher Landau Center for Art, Long Island City, New York, Paper Whitney Museum of American Art, New York, Summer of Love: Art of the Psychedelic Era Museum Frieder Burda, Baden-Baden, Germany, Warhol, Lichtenstein, Rauschenberg, Twombly, Kiefer: Aus der Sammlung Marx Galerie Beyeler, Basel, Poetry in Motion Phantom Galleries LA, Los Angeles, High and Dry, Smoke and Fog New York Public Library for the Performing Arts, Invention: Merce Cunningham and Collaborators PaceWildenstein, 545 West Twenty-second Street, New York, Salvaged University Art Museum, California State University, Long Beach, Grand Gestures: The Gordon F. Hampton Collection


2007

Whitney Museum of American Art, New York, Modernisms Amy Simon Fine Art, Westport, Conn., American Idols Sprengel Museum, Hanover, Germany, Nouveau Réalisme: Revolution des Alltäglichen (Revolution of the ordinary) Prins Eugens Waldemarsudde, Stockholm, I Love Pop Art Gagosian Gallery, London, Pop Art Is . . . National Portrait Gallery, London, Pop Art Portraits San Jose Museum of Art, Calif. De-Natured: Works from the Anderson Collection and the Anderson Graphic Collection, Museo di Capodimonte, Naples, Omaggio a Capodimonte: Da Caravaggio a Picasso Scuderie Papali al Quirinale, Rome, Pop Art! 1956–1968 Richard L. Feigen and Company, New York, Drawing in Space Mildred Lane Kemper Art Museum, Washington University, St. Louis, Mo., Beauty and the Blonde: An Exploration of American Art and Popular Culture Galleria d’arte il Gabbiano, Rome, Ieri—Oggi: 40 anni del Gabbiano (Yesterday—Today: Forty Years of Gabbiano)

2008

McClain Gallery, Houston, Texas Made Museum of Contemporary Art, Los Angeles, Collecting Collections: Highlights from the Permanent Collection of the Museum of Contemporary Art, Los Angeles The Menil Collection, Houston, How Artists Draw: Toward the Menil Drawing Institute and Study Center Broad Contemporary Art Museum, Los Angeles County Museum of Art, inaugural exhibition Nassau County Museum of Art, Roslyn Harbor, N.Y., Pop and Op Princeton University Art Museum, N.J., An Educated Eye: Princeton University Art Museum Collections Museum of Modern Art, New York, Color Chart: Reinventing Color, 1950 to Today Gavin Brown’s Enterprise at Passerby, New York, Depreciation and Devastation Carnegie Art Museum, Oxnard, Calif., Photos and Phantasy: Selections from the Frederick R. Weisman Art Foundation Life is Art Foundation (originally Kirsha Kaechele Projects), New Orleans, Allons á Lafayette Michele Mosko Fine Art, Denver, The Body Is Art Texas Gallery, Houston, Sculpture Grey Art Gallery, New York University, New York Cool: Painting and Sculpture from the NYU Art Collection Tampere Art Museum, Finland, Time for Pop John and Mable Ringling Museum of Art, Sarasota, Fla., Ringling Retro: Modern and Contemporary Works of Art from the Permanent Collection Fondation Beyeler, Riehen, Switzerland, Fernand Léger: Paris—New York Whitney Museum of American Art, New York, “Progress” Sonoma Valley Museum of Art, Calif., From Abstract Expressionism to Pop Art: Johns, Rauschenberg and the Aesthetic of Indifference Museum of Modern Art, New York, Pipe, Glass, Bottle of Rum: The Art of Appropriation The Menil Collection, Houston, Imaginary Spaces: Selections from the Menil Collection Zimmerli Art Museum, Rutgers University, New Brunswick, N.J., Pop Art and After: Prints and Popular Culture Mary Boone Gallery, New York, View: Fourteen/Hooking Up Hickory Museum of Art, N.C., The Spirit of Black Mountain College Fundación/Colección Jumex, Ecatepec, Mexico, An Unruly History of the Readymade Ackland Art Museum, University of North Carolina, Chapel Hill, Circa 1958: Breaking Ground in American Art Victoria and Albert Museum, London, Cold War Modern: Design 1945–1970


2008

Armand Bartos Fine Art, New York, SIGN/AGE, Part One: Signs Signs Everywhere a Sign Ueno Royal Museum, Tokyo, Art of Our Time: Twenty Years of the Praemium Imperiale National Art Museum of China, Beijing, Moving Horizons—The UBS Art Collection: 1960s to the Present Day Cinémathèque Française, Paris, Dennis Hopper and the New Hollywood Metropolitan Museum of Art, New York, The Philippe de Montebello Years: Curators Celebrate Three Decades of Acquisitions Center for the Arts of Bonita Springs, Fla., NASA/Art: Fifty Years of Exploration Modern Art Museum of Fort Worth, The Collection and Then Some San Francisco Museum of Modern Art, The Art of Participation: 1950 to Now Cohan and Leslie, New York, Photographic Works: To Benefit the Foundation for Contemporary Arts

2009

Heckscher Museum of Art, Huntington, N.Y., Robert Rauschenberg and His Contemporaries: Recent Prints from Universal Limited Art Editions W h i t n e y M u s e u m o f A m e r i c a n A r t , N e w Yo r k , A r t i s t s M a k i n g P h o t o g r a p h s : C h a m b e r l a i n , Rauschenberg, Ruscha, Samaras, Warhol Greenfield Sacks Gallery, Santa Monica, Universal Limited Art Editions: Then and Now Gagosian Gallery, West Twenty-fourth Street, New York, Manzoni: A Retrospective Solomon R. Guggenheim Museum, New York, The Third Mind: American Artists Contemplate Asia, 1860–1989 Musée National des Beaux-Arts du Québec, Quebec City, Ingres et les Modernes, Feb. 5–May 31. Traveled to Musée Ingres, Montauban, France Galerie Jamileh Weber, Zurich, Works on Paper: Georg Baselitz, Brice Marden, Sigmar Polke, Robert Rauschenberg, Richard Serra Los Angeles County Museum of Art, BMW Art Cars Armand Bartos Fine Art, New York, 1968–69: Forty Years Later Weatherspoon Art Museum, University of North Carolina, Greensboro, Cool, Collected and in Context Glenstone, Potomac, Md., If We Could Imagine Leo Castelli Gallery, New York, Electricity Museum of Modern Art, New York, Paper: Pressed, Stained, Slashed, Folded Institut d’Art Contemporain, Villeurbanne, France, 9 Evenings: Art, Theatre and Engineering, de 2009 à 1966 Galerie Beyeler, Basel, Amerika 2009 Museum of Modern Art, New York, Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection National Gallery of Australia, Canberra, Soft Sculpture Philadelphia Museum of Art, A Director’s Vision: The Legacy of Anne d’Harnoncourt Gagosian Gallery, Madison Avenue, New York, Go Figure San Francisco Museum of Modern Art, Between Art and Life: The Contemporary Painting and Sculpture Collection Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti and Scuola Grande Confraternita di San Teodoro, Venice, Glasstress Seattle Art Museum, Target Practice: Painting Under Attack: 1948–78 Columbia Museum of Art, S.C., JJ/RR Jasper Johns/Robert Rauschenberg: 20th Century Masters in the Collection The Menil Collection, Houston, Body in Fragments Hamburger Bahnhof, Museum für Gegenwart, Berlin, Die Kunst ist super! Ikon Contemporary Art, Santa Monica, Assembled Realities and Small Treasures Jacobson Howard Gallery, New York, Circa 1959 National Gallery of Art, Washington, D.C., The Robert and Jane Meyerhoff Collection: Selected Works Museu d’Art Contemporani de Barcelona, The Anarchy of Silence: John Cage and Experimental Art


2009

Hara Museum of Contemporary Art, Tokyo, Stopgap—Homage to Rauschenberg: Selections from the Hara Museum Collection Institute of Modern Art, Brisbane, Australia, Mirror Mirror: Then and Now MoMA PS1, Long Island City, New York, 1969 Rose Art Museum, Brandeis University, Waltham, Mass., The Rose at Brandeis: Works from the Collection Jepson Center for the Arts, Telfair Museums, Savannah, Ga., Kirk Varnedoe Collection San Francisco Museum of Modern Art, Seventy-Five Years of Looking Forward: The Anniversary Show Moderna Museet, Malmö, Sweden, Spectacular Times: The 60s—The Moderna Museet Collection

2010

Whitney Museum of American Art, New York, Collecting Biennials Gagosian Gallery, Britannia Street, London, Crash: Homage to JG Ballard Kunstsammlung Nordrhein-Westfalen, K21 Ständehaus, Düsseldorf, Silent Revolution: Eine Neue Sammlungspräsentation (A new collection exhibition) Solomon R. Guggenheim Museum, New York, Haunted: Contemporary Photography/Video/Performance Irish Museum of Modern Art, Dublin, Vertical Thoughts: Morton Feldman and the Visual Arts Pace Gallery, 545 West Twenty-second Street, New York, Pastiche Acquavella Galleries, New York, Robert and Ethel Scull: Portrait of a Collection Museum of Modern and Contemporary Art, Rijeka, Croatia, Splendid Pop Gibbes Museum of Art, Charleston, S.C., Modern Masters from the Ferguson Collection University Galleries, College of Fine Arts, Illinois State University, Normal, Selections from the Permanent Collection Friedman Benda Gallery, New York, Other than Beauty Musée d’Art Moderne et d’Art Contemporain, Nice, Human Museo Nacional Centro de Arte Reina Sofía, Madrid, New Realisms: 1957–1962, Object Strategies Between Readymade and Spectacle Tampa Museum of Art, The Moon Museum San Francisco Museum of Modern Art, Calder to Warhol: Introducing the Fisher Collection Polk Museum of Art, Lakeland, Fla., Modern Masters Museum of Modern Art, New York, Contemporary Art from the Collection Museum moderner Kunst, Stiftung Ludwig, Vienna, Malerei: Prozess und Expansion, von den 1950er Jahren bis heute (Painting: Process and Expansion, from the 1950s to the Present Day) Irish Museum of Modern Art, Dublin, Post-War American Art: The Novak/O’Doherty Collection Loretta Howard Gallery, New York, Artists at Max’s Kansas City, 1965–1974: Hetero-holics and Some Women Too Pace Gallery, 534 West Twenty-fifth Street, Fifty Years at Pace: The Abstract Expressionist and Pop Art Years Olyvia Fine Art, London, Sold Out: American Pop Art from the 1970s and 1980s Arts Abu Dhabi Gallery, Saadiyat Island, RSTW from the Private Collection of Larry Gagosian Mint Museum Uptown, Charlotte, N.C., New Visions: Contemporary Masterworks from the Bank of America Collection Museum of Modern Art, New York, Abstract Expressionist New York, McNay Art Museum, San Antonio, Calder to Rauschenberg: Gifts of Jeanne and Irving Mathews National Art Museum of China, Beijing, American Printmaking Now National Portrait Gallery, Smithsonian Institution, Washington, D.C., Hide/Seek: Difference and Desire in American Portraiture Institut Valencià d’Art Modern, Valencia, Obra sobre papel en la colección IVAM (Works on Paper in the IVAM Collection) Museum of Modern Art, New York, On Line: Drawing Through the Twentieth Century Austin Museum of Art, Advancing Tradition: Twenty Years of Printmaking at Flatbed Press Museo Nactional Centro de Arte Reina Sofía, Madrid, Atlas: How to Carry the World on One’s Back?


2011

Orlando Museum of Art, Currents in Contemporary Art: Process and Materials, Jan. 1, 2011–June 30, 2013. Columbus Museum of Art, Ohio, Shared Intelligence: American Painting and the Photograph Portland Art Museum, Oreg., Riches of a City: Portland Collects Weatherspoon Art Museum, University of North Carolina, Greensboro, Weatherspoon Art Museum: Seventy Years of Collecting Fisher Landau Center for Art, Long Island City, New York, Unforgettable: Selections from the Emily Fisher Landau Collection Jack Rutberg Fine Arts, Los Angeles, Some Assembly Required: Assemblage and Collage Luxembourg and Dayan, New York, Unpainted Paintings The Ralls Collection, Washington, D.C., Twenty Years, Twenty Artists Gagosian Gallery, Hong Kong, Figures in a Landscape Kunsthalle Wien, Vienna, Weltraum: Die Kunst und ein Traum (Space: About a Dream) Brevard Art Museum, Melbourne, Fla., Elements of Nature: Selections from the Frederick R. Weisman Art Foundation Newark Public Library, N.J., A Lifetime of Giving: The William J. Dane Fine Print Collection Hiram Butler Gallery, Houston, Universal Limited Art Edition Baltimore Avenue, Kansas City, Mo., America: Now and Here Bernard Jacobson Gallery, New York, Twenty-one Americans Mennello Museum of American Art, Orlando, FLA.ART: Art by Florida Artists from the Permanent and Private Collections Jule Collins Smith Museum of Fine Art, Auburn University, Ala., Form, Line, and Color: Selected Works of Abstraction in the Permanent Collection Gagosian Gallery, Rome, Made in Italy Peggy Guggenheim Collection, Venice, Ileana Sonnabend: Un ritratto italino (An Italian Portrait) Museum Tinguely, Basel, Car Fetish: I Drive, Therefore I Am Kupferstichkabinett, Berlin, Neue Realitäten: FotoGrafik von Warhol bis Havekost (New Realities: PhotoGraphik from Warhol to Havekost) Schweinfurth Memorial Art Center, Auburn, N.Y., New York Prints of Mind: Prints from Universal Limited Art Editions National Art Museum, Deoksugung Palace, Seoul, The American Art: Masterpieces of Everyday Life from the Whitney Museum of American Art Black Mountain College Museum and Arts Center, Asheville, N.C., Jack Tworkov: The Accident of Choice, The Artist at Black Mountain College 1952 Pace/MacGill Gallery, New York, Wanna See My Portfolio? A and D Gallery, London, Pop Art: The Portfolios Grey Art Gallery, New York University, Fluxus at NYU: Before and Beyond De Kabinetten van de Vleeshal, Middelburg, Netherlands, In Deed: Certificates of Authenticity in Art Loretta Howard Gallery, New York, Black Mountain College and Its Legacy Elgiz Museum of Contemporary Art, Istanbul, Elgiz 10 Istanbul Vancouver Art Gallery, An Autobiography of Our Collection Norton Simon Museum, Pasadena, Proof: The Rise of Printmaking in Southern California McMaster Gallery, University of South Carolina, Columbia, Castelli’s Cabinet High Museum of Art, Atlanta, Fast Forward: Modern Moments 1913>>2013 Mennello Museum of American Art, Orlando, Eight from Florida Rose Art Museum, Brandeis University, Waltham, Mass., Art at the Origin: The Early 1960s Pace Gallery, 545 West Twenty-second Street, New York, Burning, Bright: A Short History of the Light Bulb Gagosian Gallery, Madison Avenue, New York, The Private Collection of Robert Rauschenberg Guild Hall, East Hampton, N.Y., Selections from the Permanent Collection: Highlighting the Pop Art Movement


2011

Museu d’Art Contemporani de Barcelona, Volume! Works from the Collections of “la Caixa” Foundation and MACBA Arthur Ross Gallery, University of Pennsylvania, Philadelphia, Double Take: Series, Multiples, and Prints from the University of Pennsylvania Collection Solomon R. Guggenheim Museum, New York, Pop Objects and Icons from the Guggenheim Collection Centre Georges Pompidou, Musée National d’Art Moderne, Paris, Danser sa vie: art et danse de 1900 à nos jours Museum of Contemporary Art, Los Angeles, MOCA Permanent Collection Masterworks 1945–1975

2012

Galerie Jamileh Weber, Zurich, Gallery Artists Museum moderner Kunst, Stiftung Ludwig, Vienna, Pop and the Sixties Carl Solway Gallery, Cincinnati, Ohio, John Cage :-) A Centennial Celebration (With Friends) Sheldon Museum of Art, Lincoln, Neb., Partners and Adversaries: The Art of Collaboration Palazzo delle Esposizioni, Rome, Il Guggenheim: L’Avanguardia americana, 1945–1980(Guggenheim Collection: The American Avant-Garde 1945–1980) Islip Art Museum, East Islip, N.Y., Prints Please: Selections from Universal Limited Art Editions (ULAE) Pace Gallery, 534 West Twenty-fifth Street, New York, Happenings: New York, 1958–1963 Museum of Modern Art, New York, Print/Out Walker Art Center, Minneapolis, Lifelike Museion, Bolzano, Italy, Art = Life = Art. Dada > Fluxus Gagosian Gallery, Hong Kong, Sculpture Martin-Gropius-Bau, Berlin, Art and Press: Kunst. Wahrheit. Wirklichkeit (Art. Truth. Reality.) Akademie der Künste, Berlin, John Cage und . . . Bildender Künstler—Einflüsse, Anregungen(John Cage and . . . Visual Artist—Influences, Impulses) Hiram Butler Gallery, Houston, Prints Bruce Museum of Arts and Science, Greenwich, Conn., Marking a Century: Recent and Promised Gifts to the Bruce Museum Museum of Contemporary Art, Chicago, Phantom Limb: Approaches to Painting Today Mathildehöhe Darmstadt, A House Full of Music: Strategien in Musik und Kunst (Strategies in Music and Art) Musée Granet, Aix-en-Provence, Masterpieces of the Museum Frieder Burda Moderna Museet, Stockholm, Explosion! Måleri som Handling (Painting as Action) Solomon R. Guggenheim Museum, New York, Art of Another Kind: International Abstraction and the Guggenheim, 1949–1960 Gagosian Gallery, Los Angeles, The Floor Show: Gravity and Materials Städel Museum, Frankfurt, Malerei in Fotografie: Strategien der Aneignung (Painting in Photography: Strategies of Appropriation) Fondazione Prada, Ca’ Corner della Regina, Venice, The Small Utopia: Ars Multiplicata Hirshhorn Museum and Sculpture Garden, Washington, D.C., Dark Matters: Selections from the Collection Great Eastern Street Car Park, London, Art Drive! The BMW Art Car Collection 1975–2010 The Menil Collection, Houston, Silence J. Paul Getty Museum, Getty Villa, Malibu, The Last Days of Pompeii: Decadence, Apocalypse, Resurrection Museo Nacional Centro de Arte Reina Sofía, Madrid, Specters of Artaud: Language and the Arts in the 1950s National Gallery of Art, Washington, D.C., Shock of the News Museo d’Arte Moderna di Bologna, Cara domani: Opere dalla Collezione Ernesto Esposito Robert Rauschenberg Foundation Project Space, New York, We the People Museum of Contemporary Art, Los Angeles, Destroy the Picture: Painting the Void, 1949–1962 Skirball Cultural Center, Los Angeles, Decades of Dissent: Democracy in Action, 1960–1980 Vitra Design Museum, Weil am Rhein, Germany, Pop Art Design


2012

Polk Museum of Art, Lakeland, Fla., PMoA Collects Philadelphia Museum of Art, Dancing Around the Bride: Cage, Cunningham, Johns, Rauschenberg, and Duchamp Collection Lambert, Avignon, Mirages d’Orient, Grenades et Figues de Barbarie: Chassé-croisé en Méditerranée (Oriental Mirages, Pomegranates and Prickly Pears: Mediterranean Comings and Goings)

2013

Art Institute of Chicago, The Artist and the Poet Freedman Art, New York, Painterly Pasted Pictures Blanton Museum of Art, University of Texas, Austin, Through the Eyes of Texas: Masterworks from Alumni Collections S t a a t s g a l e r i e S t u t t g a r t , G e r m a n y, O p u n d P o p : E x p e r i m e n t e a m e r i k a n i s c h e r K ü n s t l e r a b 1960(Experiments by American artists since 1960) W i l m e r J e n n i n g s G a l l e r y a t K e n k e l e b a , N e w Yo r k , T h e O l d B e c o m e s t h e N e w : N e w Yo r k Contemporary Native American Art Movement and the New York School Leslie Sacks Fine Art, Los Angeles, From the Collection of Leslie Sacks: Rarely Seen Works from the Gallery Archive Acquavella Galleries, New York, The Pop Object: The Still Life Tradition in Pop Art Istanbul Museum of Modern Art, Fantastic Machinery: A Selection from the Renault Art Collection Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., Over, Under, Next: Experiments in Mixed Media, 1913–Present Heckscher Museum of Art, Huntington, N.Y., Car Culture: Art and the Automobile Museo Picasso Málaga, Spain, Dennis Hopper: En el camino (On the Road) The Menil Collection, Houston, Byzantine Things in the World Albright-Knox Gallery, Buffalo, Sweet Dreams, Baby! Life of Pop, London to Warhol Ca’ Pesaro, International Gallery of Modern Art, Venice, The Sonnabend Collection Gemini G.E.L. at Joni Moisant Weyl, New York, Making Their Mark: The New York Fab Five Contemporary Jewish Museum, San Francisco, Beyond Belief: 100 Years of the Spiritual in Modern Art, Highlights from SFMOMA’s Collection National Art Center, Tokyo, American Pop Art: From the John and Kimiko Powers Collection Sean Kelly Gallery, New York, From Memory: Draw A Map of the United States Porto Alegre, Brazil, 9th Mercosul Biennial: Weather Permitting Talley Dunn Gallery, Dallas, Within and Beyond Hamburger Bahnhof, Museum für Gegenwart, Berlin, Das Ende des 20. Jahrhunderts: Es kommt noch besser, ein Dialog mit der Sammlung Marx (The End of the 20th Century: The Best Is Yet to Come, A Dialogue with the Marx Collection) Sperone Westwater, New York, Radio Waves: New York “Nouveau Réalisme” and Rauschenberg Hauser and Wirth, London, Re—View: Onnasch Collection Kunstmuseum Wolfsburg, Germany, Kunst und Textil: Stoff als Material und Idee in der Moderne von Klimt bis heute (Art and Textiles: Fabric as Material and Concept in Modern Art from Klimt to the Present) Museum of Modern Art, New York, There Will Never Be Silence: Scoring John Cage’s 4'33" Gagosian Gallery, Britannia Street, London, The Show is Over Hirshhorn Museum and Sculpture Garden, Washington, D.C., Damage Control: Art and Destruction since 1950 Malmö Konsthall, Sweden, Malmö Art Museum@Malmö Konsthall Museum of Modern Art, New York, Ileana Sonnabend: Ambassador for the New

2014

Ca’ Pesaro, International Gallery of Modern Art, Venice, Giuseppe Panza di Biumo: Dialoghi americani (American Dialogues) National Academy School, New York, The Paradox of Sculpture


2014

Museo Tamayo Arte Contemporáneo Internacional, Mexico City, Doble negativo: De la pintura al objeto Aldrich Contemporary Art Museum, Ridgefield, Conn., Standing in the Shadows of Love: The Aldrich Collection 1964–1974, Robert Indiana, Robert Morris, Ree Morton, Robert Rauschenberg, Robert Smithson National Portrait Gallery, Smithsonian Institution, Washington, D.C., Face Value: Portraiture in the Age of Abstraction Baltimore Museum of Art, On Paper: Figure Drawings from the Thomas E. Benesch Memorial Collection Faurschou Foundation, Copenhagen, Denmark, I Look at Things . . . New Orleans Museum of Art, Robert Rauschenberg and the “Five from Louisiana” Princeton University Art Museum, N.J., Rothko to Richter: Mark-Making in Abstract Painting from the Collection of Preston H. Haskell, Class of 1960 Ca’ Pesaro, International Gallery of Modern Art, Venice, From Rauschenberg to Jeff Koons: The Ileana Sonnabend Collection M. H. de Young Memorial Museum, Fine Arts Museums of San Francisco, Modernism from the National Gallery of Art: The Robert and Jane Meyerhoff Collection Fondazione Prada, Ca’ Corner della Regina, Venice, Art or Sound Museo Thyssen-Bornemisza, Madrid, Pop Art Myths Minneapolis Institute of Arts, Marks of Genius: 100 Extraordinary Drawings Whitney Museum of American Art, New York, Shaping a Collection: Five Decades of Gifts Huntington Library, Art Collections, and Botanical Gardens, San Marino, Calif., Highlights of American Drawings and Watercolors from the Huntington’s Art Collections Iris and B. Gerald Cantor Center for Visual Arts, Stanford University, Calif., Pop Art from the Anderson Collection at SFMOMA Nasher Museum of Art, Duke University, Durham, N.C., Rauschenberg: Collecting and Connecting University at Buffalo Anderson Gallery, State University of New York, Art=Text=Art: Private Languages/ Public Systems Peggy Guggenheim Collection, Venice, Azimut/h: Continuità e nuovo (Continuity and Newness) Museum Ludwig, Cologne, Ludwig Goes Pop Art Gallery of New South Wales, Sydney, Pop to Popism Museo d’Arte Contemporanea Donnaregina, Naples, Lucio Amelio: Dalla Modern Art Agency alla genesi di Terrae Motus (1965–1982), documenti, opera, una storia . . . (From the Modern Art Agency to the Genesis of Terrae Motus, Documents, Works, A Story)

2015

Paul Kasmin Gallery, New York, The New York School, 1969: Henry Geldzahler at the Metropolitan Museum of Art Museum of Contemporary Art, Jacksonville, Fla., White Fundação Arpad Szenes–Vieira da Silva Museu, Lisbon, Sonnabend: Paris—New York Morgan Library and Museum, New York, Embracing Modernism: Ten Years of Drawings Acquisitions Kunstmuseum Liechtenstein, Vaduz, Schön euch zu sehen! 160 Werke aus der Sammlung (Nice to See You! 160 Works from the Collection) Gagosian Gallery, New York, In the Sudio: Paintings (West Twenty-first Street) and In the Sudio: Photographs (Madison Avenue) Museum of Fine Arts, Houston, Selections from the Museum’s Collection: Modern and Contemporary Art Museo di Arte Contemporanea di Villa Croce, Genoa, Andy Warhol sul comò: Opere dalla collezione Rosetta Barabino (Warhol in the closet: works from the Rosetta Barabino collection) Walker Art Center, Minneapolis, International Pop Los Angeles County Museum of Art, Fifty for Fifty: Gifts on the Occasion of LACMA’s Anniversary Whitney Museum of American Art, New York, America Is Hard to See Museo di Palazzo Grimani, Venice, Frontiers Reimagined: Art That Connects Us Hamburger Bahnhof, Museum für Gegenwart, Berlin, Black Mountain: Ein interdisziplinäres Experiment 1933–1957 (Black Mountain: An Interdisciplinary Experiment 1933–1957)


PUBLIC COLLECTIONS AUSTRALIA

IRELAND

Canberra, National Gallery of Australia Sydney, Art Gallery of New South Wales

Dublin, Irish Museum of Modern Art / Áras NuaEalaíne na hÉireann

AUSTRIA

JAPAN

Vienna, Graphische Sammlung Albertina Vienna, Museum Moderner Kunst Stiftung Ludwig Wien (MUMOK)

CANADA

Hiroshima, Hiroshima City Museum of Contemporary Art Tokushima, Otsuka Art Museum Tokyo, Kawamura Memorial Museum of Art Tokyo, National Museum of Modern Art, Tokyo Tokyo, Setagaya Art Museum

Vancouver, Vancouver Art Gallery

COLOMBIA

MALAYSIA

Bogotá, Museo Botero

Kuala Lumpur, National Visual Arts Gallery (NVAG)

DENMARK

NEVERLANDS

Arhus, ARoS Aarhus Kunstmuseum Copenhagen, Faurschou Foundation Humlebæk, Louisiana Museum of Modern Art

FINLAND

Helsinki, Museum of Contemporary Art Kiasma Finnish National Gallery

FRANCE

Paris, Centre Georges Pompidou

GERMANY

Aachen, Ludwig Forum für International Art Baden-Baden, Museum Frieder Burda Cologne, Museum, Ludwig Düsseldorf, Kunstsammlung NordrheinWestfalen Essen, Museum Folkwang Essen Frankfurt, Museum für Moderne Kunst Karlsruhe, ZKM | Museum für Neue Kunst Munich, Aktionsforum Praterinsel Munich, Museum Brandhorst Stuttgart, Staatsgalerie Stuttgart

HUNGARY

Budapest, Ludwig Museum – Museum of Contemporary Art

Amsterdam, Collection de Bruin-Heijn Amsterdam, Stedelijk Museum

NEW ZEALAND

Auckland, Chartwell Trust and Collection (Auckland Art Gallery Toi o Tāmaki) PORTUGAL Porto, Museu Serralves

SOUTH KOREA

Kyungbuk, Sonje Museum of Contemporary Art

SPAIN

Barcelona, Museu d’Art Contemporani de Barcelona (MACBA) Bilbao, Guggenheim Bilbao Madrid, Museo Thyssen-Bornemisza Valencia, Institut Valencia d’Art Modern (IVAM)

SWEDEN

Stockholm, Moderna Museet

SWITZERLAND

Basel, Kunstmuseum Basel Zürich, Kunsthause Zürich

UNITED KINGDOM London, Tate Modern

UNITED STATES OF AMERICA

Private collection, Asia Atlanta, High Museum of Art Augusta, Morris Museum of Art Baltimore Museum of Art Bentonville AK, Crystal Bridges Museum of American Art Birmingham, Birmingham Museum of Art Bloomfield Hills MI, Cranbrook Art Museum Boston, Museum of Fine Arts Buffalo, Albright-Knox Art Gallery Chattanooga TN, Hunter Museum of Art Chicago, Art Institute of Chicago Chicago, Museum of Contemporary Art Cincinnati, Cincinnati Art Museum Cleveland, Cleveland Museum of Art Corning NY, Corning Museum of Glass Dallas, Dallas Museum of Art Des Moines, Des Moines Art Center Detroit, Detroit Institute of Arts Durham NC, Nasher Museum at Duke University East Hampton, Guild Hall of East Hampton, Inc. Fort Worth, Modern Art Museum of Fort Worth Greensboro, Weatherspoon Art Museum, University of North Carolina, Greensboro Greenwich, Bruce Museum of Arts and Science Hartford CT, Wadsworth Atheneum Museum of Art Houston, Museum Of Fine Arts, Houston Houston, The Menil Collection Ithaca, Johnson Museum of Art, Cornell University Kansas City, Kemper Museum of Contemporary Art Kansas City, Nelson-Atkins Museum of Art Lakeland FL, Polk Museum of Art Los Angeles, Los Angeles County Museum of Art (LACMA) Los Angeles, Museum of Contemporary Art (MoCA) Louisville, Speed Art Museum Miami, Pérez Art Museum Minneapolis, Minneapolis Institute of Arts Minneapolis, Walker Art Center Nashville, Cheekwood Museum of Art Niagara, Castellani Art Museum – Niagara University New Haven CT, Yale University Art Gallery New Orleans, New Orleans Museum of Art New York, Metropolitan Museum of Art New York, Museum of Modern Art (MoMA) New York, Solomon R. Guggenheim Museum New York, Whitney Museum of American Art Norfolk, Chrysler Museum Norman OK, Fred Jones Jr. Museum of Art – The University of Oklahoma Newport Beach CA, Orange County Museum Of Art Orlando, Orlando Museum of Art


Pasadena CA, Norton Simon Museum Philadelphia, Philadelphia Museum of Art Portland, Portland Art Museum Potomac MD, Glenstone Raleigh, North Carolina Museum of Art Roslyn Harbor NY, Nassau County Museum of Art San Antonio, McNay Art Museum San Diego, Museum of Contemporary Art, San Diego San Francisco, San Francisco Museum Of Modern Art San Marino CA, Huntington Library, Art Collections, and Botanical Gardens Saratosa FL, Ringling Museum Savannah, Telfair Museum of Art Jepson Center for the Arts Seattle, Seattle Art Museum St. Louis, Kemper Art Museum Toledo OH, Toledo Museum of Art Waltham, Rose Art Museum Brandeis University Washington, D.C., White House Watermill NY, Parrish Art Museum Waterville ME, Colby College Museum of Art Wichita, Wichita Art Museum Youngstown OH, Butler Institute of American Art


PUBLICATIONS Adler, Edward Jerome. “Robert Rauschenberg.” In “American Painting and the Vietnam War,” pp. 293–336. PhD diss., New York University, 1986. Auricchio, Laura. “Lifting the Veil: Robert Rauschenberg’s Thirty-Four Drawings for Dante’s Inferno and the Commercial Homoerotic Imagery of 1950s America.” In The Gay ’90s: Disciplinary and Interdisciplinary Formations in Queer Studies, edited by Thomas Foster, Carol Siegel, and Ellen E. Berry, pp. 119–54. Genders 26. New York: New York University Press, 1997. Babington, Jaklyn. Stoned Moon: Robert Rauschenberg. Brochure. Canberra: National Gallery of Australia, 2010. Bijvoet, Margaretha. “Art as Inquiry (Kunst als onderzoek): Interdisciplinary Aspects in American Art after 1965.” PhD diss., Erasmus Universiteit, Rotterdam, 1994. Bois, Yve-Alain. Robert Rauschenberg: Currents. Brochure. New York: Peter Freeman, 2011. Bolmeier, Jane. “Response and Documentation: Aesthetic Inquiry Relevant to Selected Works of Robert Rauschenberg.” EdD diss., New York University, 1984. Brendel, Maria Lydia. “Reconnecting with Rubens—Neo-Allegorists: Robert Rauschenberg, Peter Dressler, JeanLuc Godard.” In “Allegorical Truth-Telling via the Feminine Baroque: Rubens’ Material Reality, Reframing Het Pelsken,” pp. 112–40. PhD diss., McGill University, Montreal, 1999. Brown, Sienna Elizabeth. “The Lithographs of Robert Rauschenberg.” PhD diss., Emory University, Atlanta, 2010. Buchloh, Benjamin H. D. “Richter, Rauschenberg, and Photography.” In “Gerhard Richter: Painting after the Subject of History,” pp. 52–57. PhD diss., City University of New York, 1994. Cabutti, Lucio. “Il Rinascimento di Rauschenberg.” Arte (Milan), no. 133 (Sept. 1983), pp. 62–67. Calas, Nicolas. “Artists: Robert Rauschenberg.” In Calas. Art in the Age of Risk and Other Essays, pp. 169–93. New York: E. P. Dutton, 1968. Carpenter, Elizabeth. “Robert Rauschenberg.” In Joan Rothfuss and Carpenter. Bits and Pieces Put Together to Present a Semblance of a Whole: Walker Art Center Collections, pp. 479–81. Minneapolis: Walker Art Center, 2005. Cathala, Agnès. “Rauschenberg: Mimétisme et création.” PhD diss., Université de Toulouse–Le Mirail, France, 1993. Contreras, Carmen Palomero. “Aspectos indiciales en la obra de R. Rauschenberg: Reflexiones sobre la fotografía para entender su creación plástica.” PhD diss., Universidad del País Vasco, Spain, 1999. Considine, Liam Burlee. “Painted Mythologies.” In “New Realisms: Pop Art in France, 1962–1968,” pp. 53–96. PhD diss., New York University, 2012. Craft, Catherine. Robert Rauschenberg. London: Phaidon, 2013. Crow, Thomas. “Southern Boys Go to Europe: Rauschenberg, Twombly and Johns in the 1950s.” In Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collections, pp. 44–61. Exh. cat. Los Angeles County Museum of Art, 2001.


Cunningham and Rauschenberg. 2wice: Visual and Performing Arts (New York) 9, no. 1 (2006). Davidson, Susan. “Robert Rauschenberg.” In Guggenheim Museum Bilbao Collection, pp. 90–97. Madrid: FMGB Guggenheim Bilbao Museoa, 2009. Davidson, Susan, and David White, eds. Robert Rauschenberg: Photographs 1949–1962. New York: D.A.P., 2011. With essay by Nicholas Cullinan. Davis, Douglas. “Robert Rauschenberg: Technology as Nature.” In Davis. Art and the Future: A History/Prophecy of the Collaboration Between Science, Technology and Art, pp. 141–45. New York: Praeger, 1973. Dickerman, Leah. Rauschenberg: Canyon. New York: Museum of Modern Art, 2013. Doyle, Eileen R. “Art in the Mirror: Reflection in the Work of Rauschenberg, Richter, Graham and Smithson.” PhD diss., Ohio State University, Columbus, 2004. Farmer, John Alan. “Screens/Robert Rauschenberg.” In “Art into Television, 1960–1965,” pp. 64–125. PhD diss., Columbia University, New York, 1998. Feinstein, Roni. “Random Order: The First Fifteen Years of Robert Rauschenberg’s Art, 1949–1964.” PhD diss., New York University, 1990. Feinstein, Roni. “Robert Rauschenberg.” In A Life of Collecting: Victor and Sally Ganz, edited by Michael Fitzgerald, pp. 136–57. New York: Harry N. Abrams, 1998. Feinstein, Roni. “Robert Rauschenberg’s Ace of 1962: An Interpretation.” In A Fine Regard: Essays in Honor of Kirk Varnedoe, edited by Patricia G. Berman and Gertje R. Utley, pp. 234–247. Aldershot, U.K.: Ashgate, 2008. Feinstein, Roni. “Robert Rauschenberg: Engaging the Everyday.” In San Francisco Museum of Modern Art: SeventyFive Years of Looking Forward, pp. 145–51. San Francisco Museum of Modern Art, 2009. Fenton, James. “Rauschenberg: The Voracious Ego.” In Fenton. Leonardo’s Nephew: Essays on Art and Artists, pp. 216–26, 265. New York: Farrar, Straus and Giroux, 1998. Fine, Ruth E. “’Round the Clock/’Round the World: Robert Rauschenberg.” In Gemini G.E.L.: Art and Collaboration, pp. 105–24. Exh. cat. Washington, D.C.: National Gallery of Art; New York: Abbeville Press, 1984. Fineberg, Jonathan. “Robert Rauschenberg.” In Art Since 1940: Strategies of Being, pp. 176–86. Englewood Cliffs, N.J.: Prentice Hall, 1995. Folland, Thomas Frederick. “Robert Rauschenberg’s Queer Modernism: Decoration, Theatricality and Camp in the Combines, 1953–59.” PhD diss., University of California, Los Angeles, 2010. Forge, Andrew. Rauschenberg. New York: Harry N. Abrams, 1969. Offprint of text published by Abrams, 1972. Condensed version printed as Rauschenberg. New York: Harry N. Abrams for Meridian Books, 1978. Fugelso, Karl. “Robert Rauschenberg’s Inferno Illuminations.” In Postmodern Medievalisms, edited by Richard Utz and Jesse G. Swan, pp. 47–66. Studies in Medievalism 13. Rochester, N.Y.: Boydell and Brewer, 2005. Geiger, Melissa S. “Robert Rauschenberg’s ‘Oracle,’ ‘Soundings,’ and ‘Carnal Clocks’: A Socio-Historical Critique.” PhD diss., Pennsylvania State University, State College, 2005.


Gilmour, Pat. “Tyler on the West Coast 1963–1983: Robert Rauschenberg.” In Ken Tyler, Master Printer, and the American Print Renaissance, pp. 47–53. New York: Hudson Hills Press, in association with Australian National Gallery, Canberra, 1986. Goodyear, Anne Collins. “Art, Technology, and the American Space Program, 1962–1972” and “Billy Klüver and the Foundation of Experiments in Art and Technology.” In “The Relationship of Art to Science and Technology in the United States, 1957–1971: Five Case Studies,” pp. 19–79 and 164–234. PhD diss., University of Texas, Austin, 2002. Green, Jonathan. “Robert Rauschenberg: The Found Image.” In Green. American Photography: A Critical History, 1945 to the Present, pp. 130–36. New York: Harry N. Abrams, 1984. Guagliumi, Arthur Robert. “Robert Rauschenberg: Additional Dimensions.” In “Assemblage Art: Origins and Sources,” pp. 108–20, see also 150–53. EdD diss., Columbia University Teachers College, New York, 1990. Hamilton, Jaimey. “Strategies of Excess: The Postwar Assemblages of Alberto Burri, Robert Rauschenberg, and Arman.” PhD diss., Boston University, 2006. Hapgood, Susan. Neo-Dada: Redefining Art, 1958–1962. New York: Rizzoli, 1994. Harmon, Louise. “Photography and the Visual Arts/Four Strategies of Appropriation.” In “The Appropriation of Photographic Images in Works of Art: Legal and Aesthetic Issues Inherent in the Conflict Between Modernism and Postmodernism,” pp. 51–104. PhD diss., Columbia University, New York, 1998. Hickey, Dave. “Rauschenberg’s Sanity.” In Pop Art: The John and Kimiko Powers Collection, pp. 28–33. Exh. cat. New York: Gagosian Gallery, 2001. Hillman, Susanne Naima. “Robert Rauschenberg, Robert Whitman and Billy Klüver: From ‘9 Evenings’ to ‘Experiments in Art and Technology.’” PhD diss., Rutgers, State University of New Jersey, New Brunswick, 2007. Hindry, Ann, ed. “1950–1957: The Ninth Street Show: Meeting with Rauschenberg.” In Claude Berri rencontre Leo Castelli (Claude Berri Meets Leo Castelli), pp. 25–30 (in French) and pp. 85–88 (in English). Paris: Renn, 1990. Hopkins, David. “Duchamp’s Legacy: The Rauschenberg-Johns Axis.” In After Modern Art 1945–2000, pp. 37–64. Oxford: Oxford University Press, 2000. Huber, Hans Dieter. “Robert Rauschenberg: Die Hard, 1963.” In System und Wirkung: Rauschenberg—Twombly— Baruchello, Fragen der Interpretation und Bedeutung zeitgenössischer Kunst, ein systemtheoretischer Ansatz, pp. 99–126. Munich: Wilhelm Fink, 1989. Hunter, Sam. Robert Rauschenberg. New York: Rizzoli, 1999. Hunter, Sam. Robert Rauschenberg: Works, Writings, Interviews. Barcelona: Ediciones Polígrafa, 2006. Ikegami, Hiroko. The Great Migrator: Robert Rauschenberg and the Global Rise of American Art. Cambridge, Mass.: MIT Press, 2010. Ikegami, Hiroko. “ROCI East: Rauschenberg’s Encounters in China.” In East-West Interchanges in American Art: A Long and Tumultuous Relationship, edited by Lee Glazer, Amelia A. Goerlitz, and Cynthia Mill, pp. 176–89. Washington, D.C.: Smithsonian Institution Scholarly Press, 2012.


Jäger, Joachim. Das zivilisierte Bild: Robert Rauschenberg und seine Combine-Paintings der Jahre 1960 bis 1962. Klagenfurt, Austria: Ritter, 1999. Jäger, Joachim. “Rauschenberg on Stage: Die Performance des Bildes.” In Do It Yourself, pp. 17–21. Exh. cat. Berlin: Hamburger Bahnhof, Museum für Gegenwart, 2005. Jäger, Joachim. “Robert Rauschenberg ‘Pink Door.’” In Warhol, Lichtenstein, Rauschenberg, Twombly, Kiefer aus der Sammlung Marx, pp. 76–77. Exh. cat. Baden-Baden, Germany: Museum Frieder Burda, 2007. Jeffreys, David. “Robert Rauschenberg: Art, Originality and Ethics.” PhD diss., University of Essex, U.K., 2001. Johnson, Steven, ed. The New York Schools of Music and Visual Arts: John Cage, Morton Feldman, Edgard Varese, Willem de Kooning, Jasper Johns, Robert Rauschenberg. New York: Routledge, 2002. Joseph, Branden Wayne. “Experimental Art: John Cage, Robert Rauschenberg and the Neo-Avant-Garde.” PhD diss., Harvard University, Cambridge, Mass., 1999. Joseph, Branden Wayne. “Pedestrian Colors: Robert Rauschenberg’s Collection.” In Celebrating Modern Art: The Anderson Collection, pp. 53–55. Exh. cat. San Francisco Museum of Modern Art, 2000. Joseph, Branden Wayne., ed. Robert Rauschenberg. October Files 4. Cambridge, Mass.: MIT Press, 2002. Joseph, Branden Wayne.. Random Order: Robert Rauschenberg and the Neo-Avant-Garde. Cambridge, Mass.: MIT Press, 2003. Katz, Jonathan. “The Art of Code: Jasper Johns and Robert Rauschenberg.” In Significant Others: Creativity and Intimate Partnership, edited by Whitney Chadwick and Isabelle de Courtivron, pp. 188–207. London: Thames and Hudson, 1993. Katz, Jonathan. “Opposition, Inc.: The Homosexualization of Postwar American Art.” PhD diss., Northwestern University, Evanston, Ill., 1995. Kostelanetz, Richard. “Robert Rauschenberg.” In Kostelanetz. The Theatre of Mixed Means: An Introduction to Happenings, Kinetic Environments, and Other Mixed-Means Performances, pp. 78–99. New York: Dial Press, 1968. Jäger, Joachim. “Robert Rauschenberg: Painting in Four Dimensions.” In Kostelanetz. Master Minds: Portraits of Contemporary American Artists and Intellectuals, pp. 251–69, see also pp. 357–59. Toronto: Macmillan, 1969. Kotz, Mary Lynn. Rauschenberg: Art and Life. 1990. Rev. ed. New York: Harry N. Abrams, 2004. Kozloff, Max. “Robert Rauschenberg.” In Kozloff. Renderings: Critical Essays on a Century of Modern Art, pp. 212– 16. New York: Simon and Schuster, 1968. Lanchner, Carolyn. Robert Rauschenberg. New York: Museum of Modern Art, 2009. Leadingham, Jo Greenland. “A Redirection in Post-War American Poetry and Art: Charles Olson and Robert Rauschenberg.” PhD diss., University of Kentucky, Lexington, 1992. Leggio, James. “Robert Rauschenberg’s Bed and the Symbolism of the Body.” In Essays on Assemblage, edited by John Elderfield, pp. 78–117. Studies in Modern Art 2. New York: Museum of Modern Art, 1992.


Loewen, Norma. “Experiments in Art and Technology: A Descriptive History of the Organization.” PhD diss., New York University, 1975. Marchand, Bruno, ed. Robert Rauschenberg: Crítica e Obra de 1949 a 1974. Translated by Sofia Gomes and Mariana Sousa Moreira. Porto, Portugal: Colecção De Arte Contemporânea Público Serralves, 2008. Mattison, Robert Saltonstall. “Robert Rauschenberg.” In Masterworks in the Robert and Jane Meyerhoff Collection: Jasper Johns, Roy Lichtenstein, Robert Rauschenberg, Ellsworth Kelly, and Frank Stella, pp. 97–136. New York: Hudson Hills Press, 1995. Mattison, Robert Saltonstall. Robert Rauschenberg: Breaking Boundaries. New Haven, Conn.: Yale University Press, 2003. McDonagh, Don. “Robert Rauschenberg.” In The Complete Guide to Modern Dance, pp. 449–51. Garden City, N.Y.: Doubleday, 1976. Myers, David. “Robert Rauschenberg.” In School of New York: Some Younger Artists, edited by B. H. Friedman, pp. 54–59. New York: Grove Press, 1959. Mullin, Diane Alison. “Changing the Subject: Robert Rauschenberg and ‘the New American Art.’” PhD diss., Washington University, St. Louis, Mo., 1999. O’Doherty, Brian. “Robert Rauschenberg: The Sixties.” In O’Doherty. American Masters: The Voice and the Myth, pp. 188–225. New York: Random House, 1973. Pissarro, Joachim. Cézanne/Pissarro, Johns/Rauschenberg: Comparative Studies on Intersubjectivity in Modern Art. New York: Cambridge University Press, 2006. Poor, Natasha. “Dirty Art: Reconsidering the Work of Robert Rauschenberg, Bruce Conner, Jay DeFeo, and Edward Kienholz.” PhD diss., City University of New York, 2007. Prather, Marla. “Robert Rauschenberg.” In The Robert and Jane Meyerhoff Collection: 1945 to 1995, pp. 162–82. Exh. cat. Washington, D.C.: National Gallery of Art, 1996. Rauschenberg, Robert. Rauschenberg: XXXIV Drawings for Dante’s Inferno. New York: Harry N. Abrams, 1964. With commentary by Dore Ashton. Rauschenberg Research Project. San Francisco Museum of Modern Art, July 2013. Accessed Sept. 15, 2014. Rauschenberg and Sweden: Essays, Documents, Comments. Konsthistorisk tidskrift/Journal of Art History (Stockholm) 76, nos. 1–2 (2007). Robert Rauschenberg: Minutiae. New York: Sotheby’s, 2003. With essay by Calvin Tomkins. Robert Rauschenberg: Mirthday Man. Copenhagen: Faurschou, 2009. With essay by Mikael Wivel. Robert Rauschenberg Photographs. New York: Pantheon Books; London: Thames and Hudson, 1981. Robert Rauschenberg: Shigaraki. Osaka: Otsuka Ohmi Ceramics Company, 1986. In English and Japanese.


Robert Rauschenberg: The Tower. New York: Christie’s, 2011. With essay by Paul Schimmel and previously published interview with Rauschenberg by David Sylvester (1964). Rose, Barbara. Rauschenberg. English and German editions. New York: Vintage Books; Cologne: Kiepenheuer and Witsch, 1987. Rose, Bernice. “Robert Rauschenberg et la peinture.” In Robert Rauschenberg, pp. 13–32. Exh. cat. Paris: Fondation Dina Vierny-Musée Maillol, 2002. Rosenthal, Stephanie. “Robert Rauschenberg: Black Fields of Experimentation.” In Rosenthal.Black Paintings, pp. 25–33. Exh. cat. Ostfildern, Germany: Hatje Cantz, 2008. Saff, Donald J. “Robert Rauschenberg: współpraca jako sztuka i sztuka jako współpraca.” In Współczesna grafika amerykańska z kolekcji Torstena Lilji, pp. 188–95. Exh. cat. Warsaw: Galeria Sztuki Współczesnej Zachęta, 1999. Sandler, Irving. “Rauschenberg and Johns.” In The New York School: The Painters and Sculptors of the Fifties, pp. 174–95. New York: Harper and Row, 1978. Scheit, Stefanie. “Die Autonomie der choreographischen Elemente. Merce Cunningham, John Cage, Robert Rauschenberg, Jasper Johns, Charles Atlas, Nam June Paik, Stan Van Der Beek” and “‘I make order out of chaos, he makes chaos out of order.’ Trisha Brown und Robert Rauschenberg.” In Tanzen, Sehen, edited by Eva Schmidt and José Lebrero Stals, pp. 8–20 and 30–44. Exh. cat. Germany: Museum für Gegenwartskunst Siegen, 2007. Scholz, Dieter. “Robert Rauschenberg.” In Sammlung Marx im Hamburger Bahnhof, Museum für Gegenwart, Berlin, edited by Heiner Bastian, vol. 1, pp. 71–79. Munich: Schirmer/Mosel, 1996. Scholz-Wanckel, Katharina. “Robert Rauschenberg.” In Scholz-Wanckel. Pop Import: Eine selektive Abhandlung über Pop Artisten, pp. 30–40. Hamburg: Matari, 1965. 7 Characters. Exh. brochure. Los Angeles: Gemini G.E.L., 1982. Shannon, Joshua. “Black Market: Rauschenberg.” In The Disappearance of Objects: New York Art and the Rise of the Postmodern City, pp. 93–148. New Haven, Conn.: Yale University Press, 2009. Sharp, Willoughby. “Rauschenberg.” In Art: USA: Now, edited by Lee Nordness, vol. 2, pp. 428–31. Exh. cat. Milwaukee Art Center. Lucerne: C. J. Bucher, 1962. Silver, Kenneth E. “Modes of Disclosure: The Construction of Gay Identity and the Rise of Pop Art.” In HandP a i n t e d P o p : A m e r i c a n A r t i n Tr a n s i t i o n , 1 9 5 5 – 1 9 6 2, p p . 1 7 9 – 2 0 3 . E x h . c a t . L o s A n g e l e s : M u s e u m o f Contemporary Art; New York: Rizzoli, 1992. Smith, Mark Lesly. “Image and Word in the Prints of Robert Rauschenberg, 1951–1981.” PhD diss., University of Texas, Austin, 1992. Solomon, Alan. “Rauschenberg.” Photographs by Ugo Mulas. In New York: The New Art Scene, pp. 230–55. New York: Holt, Rinehart, Winston, 1967. Sparks, Esther. “Robert Rauschenberg.” In Universal Limited Art Editions: A History and Catalogue, The First Twenty-Five Years, pp. 215–37, 430–67. Exh. cat. Chicago: Art Institute of Chicago; New York: Harry N. Abrams, 1989.


Steinberg, Leo. Encounters with Rauschenberg (A Lavishly Illustrated Lecture). Chicago: University of Chicago Press, 2000. Takehana, Elise. “Burroughs/Rauschenberg: Text-Image/Image-Text.” In The Future of Text and Image: Collected Essays on Literary and Visual Conjunctures, edited by Ofra Amihay and Lauren Walsh, pp. 273–307. Newcastleupon-Tyne: Cambridge Scholars, 2012. Taki, Teizo. Robert Rauschenberg. Contemporary Great Masters 14. Tokyo: Kodansha Press, 1993. In Japanese. Tallman, Susan. “Johns and Rauschenberg.” In Tallman. The Contemporary Print from Pre-Pop to Postmodern, pp. 33–48. London: Thames and Hudson, 1996. Taylor, Brandon. “The Rauschenberg Retrospective in 1964.” In The Whitechapel Art Gallery Centenary Review, pp. 71–75. Exh. cat. London: Whitechapel Gallery, 2001. Tomkins, Calvin. Off the Wall: Robert Rauschenberg and the Art World of Our Time. Garden City, N.Y.: Doubleday, 1980. Revised and reprinted as Off the Wall: A Portrait of Robert Rauschenberg. New York: Picador, 2005. Tomkins, Calvin. “Robert Rauschenberg.” In Tomkins. The Bride and the Bachelors: The Heretical Courtship in Modern Art, pp. 189–237. New York: Viking Press, 1965. Tōno, Yoshiaki. “Robert Rauschenberg.” In After Pollock, pp. 276–95 (in Japanese). Tokyo: Bijutsu Shuppan-sha, 1984. Tunniclife, Wayne. “Robert Rauschenberg.” In John Kaldor Family Collection: Art Gallery of New South Wales, pp. 45–47. Sydney: Art Gallery of New South Wales, 2011. Tyler, Kenneth E., and Rosamund Felsen. “Two Rauschenberg Paper Projects.” In Paper: Art and Technology, edited by Paulette Long, pp. 81–86. San Francisco: World Print Council, 1979. Wainwright, Lisa Susan. “Reading Junk: Thematic Imagery in the Art of Robert Rauschenberg from 1952 to 1964.” PhD diss., University of Illinois, Champaign-Urbana, 1993. Weinard, Chad Alan. “Combining Photography: Robert Rauschenberg and the Aesthetic of Memory.” In A Fine Regard: Essays in Honor of Kirk Varnedoe, edited by Patricia G. Berman and Gertje R. Utley, pp. 214–233. Aldershot, U.K.: Ashgate, 2008. Wissmann, Jürgen. Robert Rauschenberg: Black Market. Stuttgart: Philipp Reclam, 1970. In German. Wivel, Mikael. “Rauschenberg and Co.” In Pop Art from the Lilja Collection: Rauschenberg, Lichtenstein, Rosenquist, Dine, pp. 14–25. Exh. cat. Høvikodden, Norway: Henie Onstad Art Center, 1991. Young, Joan. “Robert Rauschenberg.” In Nancy Spector. Guggenheim Museum Collection A to Z. 2nd rev. ed., pp. 282–86. New York: Guggenheim Museum, 2005. Zemter, Wolfgang. “Robert Rauschenberg: Untersuchungen zur Bildstruktur.” PhD diss., Ruhr-Universität Bochum, 1974.


EXHIBITION CATALOGUES Jewish Museum, New York, Robert Rauschenberg, Mar. 31–May 12, 1963. Exh. cat. with essay by Alan R. Solomon. Whitechapel Art Gallery, London, Rauschenberg: Illustrations for Dante’s Inferno, Feb. 4–Mar. 8, 1964. Exh. cat. (U.K., The Dante Drawings of Robert Rauschenberg) with texts by Dore Ashton. (Germany, Robert Rauschenberg: Dante-Illustrationen) with introduction by William S. Lieberman. Exh. cat. (Oslo, Robert Rauschenberg Illustrasjoner til Dantes Inferno) with introduction by Lieberman. Exh. cat. (Amsterdam, Robert Rauschenberg Illustraties voor Dante’s Inferno) with introduction by Lieberman. Whitechapel Art Gallery, London, Robert Rauschenberg: Paintings, Drawings and Combines, 1949–1964, Feb. 4– March 8, 1964. Exh. cat. with previously published essays by John Cage, Henry Geldzahler, and Max Kozloff. Dwan Gallery, Los Angeles, Rauschenberg at Dwan, April 13–May 8, 1965. Exh. cat. with essay by Walter Hopps. Stedelijk Museum, Amsterdam, Robert Rauschenberg, Feb. 23–April 7, 1968. Exh. cat. (Amsterdam, Robert Rauschenberg, in Dutch and English) with introduction by Andrew Forge and previously published statements by Rauschenberg. Exh. cat. (Cologne, Robert Rauschenberg: Werke 1949 bis 1968). Galerie Gérald Cramer, Geneva, Rauschenberg: XXXIV Drawings for Dante’s Inferno, June 5–Oct. 19, 1968. Exh. cat. (New York: Harry N. Abrams, 1968) with introduction by Dore Ashton. Fort Worth Art Center, Robert Rauschenberg: Selections, Jan. 5–Feb. 2, 1969. Exh. cat. with introduction by Henry T. Hopkins. Museum Haus Lange, Krefeld, Germany, Stoned Moon, Feb. 22–March 30, 1970. Exh. cat. Dayton’s Gallery 12, Minneapolis, Rauschenberg Currents, April 4–May 2, 1970. Exh. cat. with statement by Rauschenberg. Minneapolis Institute of Arts, Robert Rauschenberg: Prints 1948/1970, Aug. 6–Sept. 27, 1970. Exh. cat. with introduction by Edward A. Foster. Kunstverein Hannover, Hanover, Germany, Robert Rauschenberg, Aug. 29–Sept. 27, 1970. Exh. cat. (Hanover) with essay by William S. Lieberman, statement by Rauschenberg, previously published essays by Lawrence Alloway, John Ciardi, Douglas M. Davis, Lucy Lippard, Manfred de la Motte, Willoughby Sharp, and Paul Wember, and interview with Ken Tyler by R. Sherrill. Exh. cat. (Basel, Robert Rauschenberg: Druckgraphik) with essay by Eva Maria Krafft and statement by Rauschenberg. Mitchell Gallery, Southern Illinois University, Carbondale, Robert Rauschenberg: Prints, Jan. 7–26, 1973. Exh. cat. Musée d’Art et d’Industrie, Saint Étienne, France, Rauschenberg, Jan. 7–Feb. 7, 1974. Exh. cat. Library Gallery, University of South Florida, Tampa, Rauschenberg at Graphicstudio, Jan. 11–Feb. 15. Exh. cat. with introduction by Willard McCracken. Museum Haus Lange, Krefeld, Germany, Robert Rauschenberg: Steinerner Mond, Dec. 1, 1974–Jan. 19, 1975. Exh. cat. (Robert Rauschenberg: Stoned Moon Series) with text by Paul Wember.


Israel Museum, Jerusalem, Robert Rauschenberg in Israel, May 29–Aug. 3, 1975. Exh. cat. (1975) designed by Rauschenberg with text by Yona Fischer. Museum Haus Lange, Krefeld, Germany, Robert Rauschenberg: Steinerner Mond, Dec. 1, 1974–Jan. 19, 1975. Exh. cat. (Robert Rauschenberg: Stoned Moon Series) with text by Paul Wember. Museo d’Arte Moderna Ca’ Pesaro, Venice, Robert Rauschenberg, Sept. 6–Oct. 6, 1975. Jan. 18–March 7, 1976; Forte di Belvedere, Florence, Sept. 11–Oct. 19, 1976. Exh. cat. (Venice) with text by Guido Perocco and previously published texts by Daniel Abadie (in French) and David Bourdon (in English). Exh. cat. (Ferrara) with text by Paola Serra Zanetti and previously published texts by Abadie and Bourdon. Exh. cat. (Florence) with essay by Achille Bonito Oliva. National Collection of Fine Arts, Smithsonian Institution, Washington, D.C., Robert Rauschenberg, Oct. 30, 1976– Jan. 2, 1977. Exh. cat. with essay by Lawrence Alloway. Museo Diego Aragona Pignatelli Cortes, Naples, Rauschenberg, viaggio nel dispendio, April 21–May 15, 1977. Exh. cat. with text by Alberto Boatto. Jacksonville Museum of Contemporary Art, Florida, Jim and Bob: The Florida Connection, Oct. 20–Nov. 20. Exh. cat. Neue Galerie am Landesmuseum Joanneum, Graz, Austria, Robert Rauschenberg: Collagen, Grafiken, Multiples aus der Sammlung Rischner, Nov. 18–Dec. 8, 1977. Exh. cat. with introduction by Kurt Jungwirth and essay by Wilfried Skreiner. Muzeum Narodwe w Warszawie, Warsaw, Rauschenberg, March 3–April 30, 1978. Exh. cat. (Warsaw: American Embassy) with previously published essay by Charles F. Stuckey. Kunsthalle Tübingen, Germany, Robert Rauschenberg: Das zeichnerische Werk, 1949–1979, May 5–June 24, 1979. Traveled to Kunstmuseum Hannover mit Sammlung Sprengel, Hanover, Germany, Aug. 19–Sept. 23. Exh. cat. (Munich: R. Piper, 1979) with essays by Götz Adriani and Karin Thomas. Musée de Toulon, France, Rauschenberg, July 14–Sept. 23, 1979. Exh. cat. with introduction by Marie Claude Beaud and essay by François Bazzoli. Staatliche Kunsthalle, Berlin, Rauschenberg: Werke 1950–1980, March 23–May 4, 1980. Exh. cat. (Berlin, in English and German) with essays by Lawrence Alloway and William S. Lieberman and previously published essays by Götz Adriani and Douglas M. Davis. Exh. cat. (Louisiana Revy, Louisiana Museum of Modern Art, 21, no. 1, Sept. 1980) with essays by Øystein Hjort and Steingrim Laursen and Mikael Wivel; previously published essays by Lawrence Alloway, John Gruen, and Alan R. Solomon; and previously published interview with Rauschenberg by André Parinaud. Exh. brochure (London) with introduction by Alan Bowness. Exh. cat. (Frankfurt). Anniston Museum of Natural History, Ala., Rauschenberg: A Retrospective of Lithographs, Paintings and Drawings from Castelli Graphics, New York, June 6–Sept. 6, 1980. Exh. cat. Centre Georges Pompidou, Musée National d’Art Moderne, Paris, Rauschenberg Photographe, April 15–May 27. Exh. cat. (Paris: Photogravure Bussière Arts Graphiques) with statement by Rauschenberg and interview with Rauschenberg by Alain Sayag. Exh. cat. (Florence: Fratelli Alinari Editrice) Robert Rauschenberg fotografia.


Magnuson Lee Gallery, Boston, Photos In + Out City Limits: Boston, Oct. 30–Dec. 12, 1981. Exh. cat. (West Islip, N.Y.: ULAE, 1981) with introduction by Clifford Ackley and statement by Rauschenberg. Standard and deluxe editions. Sonnabend Gallery, New York, Photos In + Out City Limits: New York C., Jan. 9–30, 1982. Exh. cat. (West Islip, N.Y.: ULAE, 1981) with introduction by Colta Ives and statement by Rauschenberg. Standard and deluxe editions. Gemini G.E.L., Los Angeles, 7 Characters, Nov. 18–Dec. 31, 1982. Exh. cat. with introduction by Donald Saff. 14th International Festival of Photography, Arles, France, Abbaye Montmajour, Robert Rauschenberg: La Chine sur 33 metres (100 Feet Long China Picture), July 7–Aug. 6, 1983. Exh. cat. Galerie Beyeler, Basel, Rauschenberg, March 12–May, 1984. Exh. cat. with texts by Joseph Beuys, William Burroughs, David Byrne, John Cage, Teeny Duchamp, and Andrei Voznesensky and statements by Rauschenberg. Fondation Maeght, Saint-Paul-de-Vence, France, Robert Rauschenberg: Peintures récentes, May 12–June 30, 1984. Exh. cat. with introduction by Jean-Louis Prat and essay by Nan Rosenthal. Fundación Juan March, Madrid, Rauschenberg, Feb. 8–March 24. Traveled to Fundació Joan Miró, Barcelona, March 28–May 19. Exh. cat. with previously published essay by Lawrence Alloway. Museo de Arte Contemporáneo de Caracas, Rauschenberg Overseas Culture Interchange: ROCI VENEZUELA, Sept. 12–Oct. 27, 1985. Exh. brochure (Mexico, Chile, and Venezuela) with introductions by Sofía Imber and Nena Ossa, essay by José Donoso, previously published introduction by Robert R. Littman, previously published essay by Robert Hughes, previously published statement by Rauschenberg, and previously published poem by Octavio Paz. Exh. cat. (Rauschenberg) with additional essays by David Galloway and Arturo Uslar Pietri. Contemporary Arts Museum, Houston, Robert Rauschenberg, Work from Four Series: A Sesquicentennial Exhibition, Dec. 21, 1985–March 16, 1986. Exh. cat. with essays by Donald Barthelme and Linda L. Cathcart. Gagosian Gallery, New York, Rauschenberg: The White and the Black Paintings 1949–1952, April 18–May 31, 1986. Exh. cat. with introduction by Roberta Bernstein. Acquavella Contemporary Art, New York, Robert Rauschenberg: Drawings 1958–1968, Oct. 24–Dec. 6, 1986. Exh. cat. with essay by Lawrence Alloway. Setagaya Museum of Art, Tokyo, Rauschenberg Overseas Culture Interchange: ROCI JAPAN, Nov. 22–Dec. 8, 1986. Exh. cat. with essay by Donald Saff, interview with Rauschenberg by Yoshiaki Tono, previously published essay by Robert Hughes, and previously published statement by Rauschenberg. Heland Thordén Wetterling Galleries, Stockholm, Rauschenberg: Paintings on Copper and Stainless Steel, 1985/86, March 6–April 1, 1987. Exh. cat. with introduction by Bo Nilsson. Galleria Lucio Amelio, Naples, Rauschenberg: Neapolitan Glut, April 24–May 30, 1987. Exh. cat. (Rauschenberg) with interview with Rauschenberg by Michele Bonuomo. Waddington Galleries, London, Robert Rauschenberg: Gluts, Nov. 25–Dec. 23, 1987. Exh. cat. Galerie Isy Brachot, Brussels, Robert Rauschenberg: Gluts, May 18–Sept. 3, 1988. Exh. cat. with introduction and essay by Pierre Sterckx.


Akira Ikeda Gallery, Tokyo, Robert Rauschenberg: New Paintings, May 9–31, 1988. Exh. cat. Heland Wetterling Gallery, Stockholm, Rauschenberg, Sept. 5–Oct. 8. Exh. cat, 1988. (Stockholm: Painters Posters in association with Heland Wetterling Gallery, 1990) with text by Donald Saff. Deluxe edition. M. Knoedler, New York, Robert Rauschenberg: Works, Nov. 1–30, 1988. Exh. cat. Lang and O’Hara, New York, Robert Rauschenberg: Paintings 1962–1980, Feb. 1–March 3, 1990. Exh. cat. Galerie Fabien Boulakia, Paris, Rauschenberg, June 12–Sept. 22, 1990. Exh. cat. (Paris: Le Dernier Terrain Vague and Galerie Fabien Boulakia, 1990) with essays by John Cage and Michel Nuridsany; previously published essays by Daniel Abadie, Régis Durand, Catherine Millet, Severo Sarduy, and Nina Sundell; previously published interview with Rauschenberg by France Huser (1984); and previously broadcast interview with Rauschneberg by Pierre Daix (1984). Fondation Vincent Van Gogh, Palais de Luppé, Arles, France, Roy Lichtenstein, Robert Rauschenberg: 38 Oeuvres gravées de 1965 à 1989, July 7–Oct. 31, 1990. Exh. cat. with essay by Lucien Clergue. Whitney Museum of American Art, New York, Robert Rauschenberg: The Silkscreen Paintings, 1962–64, Dec. 7, 1990–March 17, 1991. Exh. cat. by Roni Feinstein with text by Calvin Tomkins. National Gallery of Art, Washington, D.C., Rauschenberg Overseas Culture Interchange, May 12–Sept. 2, 1991. Exh. cat. with introduction by Jack Cowart; essay by Rosetta Brooks; interview with Rauschenberg by Donald Saff; previously published essays by José Donoso, Roberto Fernández Retamar, and Yevgeny Yevtushenko; previously published texts by Heiner Müller and Wu Zuguang; previously published statement by Rauschenberg; and previously published poems by Laba Pingcuo and Octavio Paz. Corcoran Gallery of Art, Washington, D.C., Robert Rauschenberg: The Early 1950s, June 15–Aug. 11, 1991. Organized by the Menil Collection, Houston. Exh. cat. (Houston: The Menil Collection and Houston Fine Art Press) by Hopps. City Gallery of Contemporary Art, Raleigh, Robert Rauschenberg 1974–1991: Animals and Other Themes, Sept. 14–Oct. 27, 1991. Exh. cat. with introduction by Denise Dickens and essay by Denis Wood. Galleria d’arte il Gabbiano, Rome, Robert Rauschenberg: Dipinti recenti, Nov. 18, 1991–Jan. 15, 1992. Traveled to Appiani Arte Trentadue, Milan, Feb. 14–March 14, 1992. Exh. cat. (Robert Rauschenberg: Mostra personale) with essay by Achille Bonito Oliva (in English and Italian) and previously published interview with Rauschenberg by Barbara Rose. Galería Cobo y Alexander, Madrid, Robert Rauschenberg: Photems/Fotografías, Feb. 9–April 24, 1993. Exh. cat. (in English and Spanish) with text by Horacio Fernández. Hiroshima City Museum of Contemporary Art, The Second Hiroshima Art Prize: Robert Rauschenberg, Nov. 3, 1993–Jan. 16, 1994. Exh. cat. with essays by Marjorie Welish and Takeshi Yoshizumi, texts by Seiji Oshima and Yuso Takezawa, and statements by Shinichiro Fujita and Rauschenberg.


Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Robert Rauschenberg, May 7–July 10, 1994. Exh. cat. (Cologne: DuMont; in English and German) with texts by Hiltrud Reinhold and Armin Zweite. Museo de Bellas Artes, Santander, Spain, Robert Rauschenberg, Nov. 15, 1994–Jan. 15, 1995. Exh. cat. with essays by Fernando Francés, Artemis Olaizola, and Gabriel Rodríguez. Galerie Beyeler, Basel, Robert Rauschenberg: Night Shades and Urban Bourbons, March 18–May 13, 1995. Traveled to Ordrupgaard, Copenhagen, Oct. 14–Dec. 10. Exh. cat. (Basel) by Francis M. Naumann. Exh. cat. (Copenhagen, in Danish and English) with essay by Mikael Wivel. Morris Museum of Art, Augusta, Ga., Robert Rauschenberg: Major Printed Works, 1962–1995, Sept. 6–Oct. 22, 1995. Exh. cat. with introduction by William S. Morris III, essays by J. Richard Gruber, and text by Ann Rowson. Graphicstudio, Institute for Research in Art, University of South Florida, Tampa, Robert Rauschenberg: Two Decades at Graphicstudio, Sept. 11–Dec. 1, 1995. Exh. cat. Modern Art Museum of Fort Worth, Robert Rauschenberg: Sculpture, Oct. 22–Dec. 31. Exh. cat. with essay by Marjorie Welish, interview with Rauschenberg by Julia Brown Turrell, and conversation by Pontus Hultén and Turrell. PaceWildenstein, New York, Robert Rauschenberg: Anagrams, Sept. 19–Oct. 19, 1996. Exh. cat. with text by Bernice Rose. Exhibit A Gallery, Savannah College of Art and Design, Ga., Icons of the Century: Centurions, Robert Rauschenberg, Oct. 10–Nov. 19, 1996. Exh. cat. with introduction by Judith Van Baron and essay by Anne Swartz. Czech Museum of Fine Arts, Prague, Robert Rauschenberg: Tribute 21, Feb. 13–April 6, 1997. Exh. cat. Gallery of Art, University of Missouri, Kansas City, Robert Rauschenberg: Through the Lens, Feb. 28–April 13, 1997. Exh. cat. with essay by Richard Gruber. Aktionsforum Praterinsel, Munich, Robert Rauschenberg: Haywire, Technologische Hauptwerke aus den sechziger Jahren (Haywire, major technological works from the 1960s), March 22–May 19, 1997. Exh. cat. with essays by Catherine Craft and Billy Klüver with Julie Martin. PaceWildenstein, New York, Robert Rauschenberg: Arcadian Retreats, Sept. 19–Oct. 18. Exh. cat. with essay by Bernice Rose. Solomon R. Guggenheim Museum, New York, Robert Rauschenberg: A Retrospective, Sept. 19, 1997–Jan. 7, 1998, Guggenheim Museum SoHo, New York, Sept. 19, 1997–Jan. 4, 1998, and Guggenheim Museum at Ace Gallery, New York, Sept. 19–Nov. 9. Exh. cat. by Susan Davidson and Walter Hopps with introduction by Hopps; essays by Trisha Brown, Ruth E. Fine, Billy Klüver with Julie Martin, Rosalind Krauss, Steve Paxton, Nancy Spector, and Charles F. Stuckey; texts by Julia Blaut, Elizabeth Carpenter, Davidson, and Joan Young; chronology by Young with Davidson; and bibliography by Mary Lynn Kotz. Bernard Jacobson Gallery, London, Robert Rauschenberg: Shales, Sept. 24–Nov. 1, 1997. Exh. cat. with essay by Bryan Robertson. Galleria Lawrence Rubin, Milan, Robert Rauschenberg: Anagrams (A Pun), Jan. 29–March 7, 1998. Exh. cat. with text by Gillo Dorfles.


Gemini G.E.L. at Joni Moisant Weyl, New York, Robert Rauschenberg L.A. Uncovered and Darryl Pottorf and Robert Rauschenberg: Quattro Mani, Oct. 21–Nov. 21, 1998. Exh. cat. (Los Angeles: Gemini G.E.L., 1998). PaceWildenstein, New York, Rauschenberg: Anagrams (A Pun), March 19–April 17, 1999. Exh. cat. with statement by Rauschenberg. Galleria Lawrence Rubin, Milan, Robert Rauschenberg: Fotografie 1949–1985, April 8–May 15, 1999. Exh. cat. (in English and Italian) with essay by Yve-Alain Boi Piazza del Plebiscito, Naples, Rauschenberg a Napoli: Tribute 21, April 24–Sept. 24, 1999. Exh. cat. (in English and Italian) by Eduardo Cicelyn and Mario Codognato. Baltimore Museum of Art, Robert Rauschenberg Combines: Painting and Sculpture, Dec. 6, 2000–May 20, 2001. Exh. brochure. Exh. cat. Versicherungskammer Bayern, Munich, Rauschenberg: Posters, May 9–July 21, 2001. Exh. cat. (Munich: Prestel, 2001; in English and German) with essays by Jürgen Döring and Marc Gundel. Galerie Jamileh Weber, Zurich, Robert Rauschenberg: Short Stories and Ruminations—A New Series of Nine Limited Edition Prints, May 12–July 28, 2000. Exh. cat. with statement by Rauschenberg. Waddington Galleries, London, Robert Rauschenberg: Short Stories, June 6–July 6, 2000. Exh. cat. with text by David Batchelor. Fondation Dina Vierny, Musée Maillol, Paris, Robert Rauschenberg, June 6–Oct. 14, 2002. Exh. brochure. Exh. cat. (in English and French) with essays by Marla Prather, Bernice Rose, and Dina Vierny. Simmons Visual Arts Center and Presidents Gallery, Brenau University, Gainesville, Ga.,Rauschenberg Reprise and Quattro Mani: The Collaborative Work of Robert Rauschenberg and Darryl Pottorf, Feb. 6–March 30, 2003. Exh. cat. with essays by Mary Lynn Kotz. PaceWildenstein, New York, Short Stories by Robert Rauschenberg, April 4–May 3, 2003. Exh. cat. with statement by Rauschenberg. Palazzo dei Diamanti, Ferrara, Rauschenberg, Feb. 29–June 6, 2003. Exh. brochure with essay by Giuliano Serafini. Exh. cat. with essays by Julia Blaut and Susan Davidson and interview with Rauschenberg by Mario Codognato and Mirta d’Argenzio. Bernard Jacobson Gallery, Clifford Street, London, Robert Rauschenberg: 2K+, Oct. 14–Nov. 20, 2003. Exh. cat. Bernard Jacobson Gallery, Cork Street, London, Robert Rauschenberg: ROCI/USA, Oct. 14–Nov. 20, 2005. Exh. cat. (Vienna, 2005) with text by John Sailer. University Art Gallery, California State University, Hayward, Robert Rauschenberg, Artist-Citizen: Posters for a Better World, Oct. 28, 2004–Jan. 22, 2005. Exh. brochure with text by Lanier Graham. Exh. cat. PaceWildenstein, New York, Robert Rauschenberg: Scenarios, Jan. 14–Feb. 5, 2005. Exh. cat. with essay by Oscar Hijuelos.


Institut Valencia d’Art Modern, Robert Rauschenberg, March 17–May 15, 2005. Exh. cat. (in Catalan, English, and Spanish) with text by Rosetta Brooks. Galleri Faurschou, Copenhagen, Robert Rauschenberg: Works from the 1960s, April 7–July 2, 2005. Exh. cat. with essay by Mikael Wivel. Musée d’Art moderne et d’Art contemporain, Nice, Robert Rauschenberg, On and Off the Wall: Works from the 80s and the 90s, June 24, 2005–Jan. 8, 2006. Exh. cat. (Nice) with essays by Bruno Corá, Gilbert Perlein, and Barbara Rose. Exh. cat. (Aarhus) with introduction by Mona Jensen and essays by Rose and Mikael Wivel. Galerie Terminus, Munich, Robert Rauschenberg: Masterworks, Oct. 4–Nov. 10, 2005. Exh. cat. PaceWildenstein, New York, Robert Rauschenberg: Scenarios and the Ancient Incident, Oct. 27–Nov. 25, 2006. Exh. cat. Museo Thyssen-Bornemisza, Madrid, Rauschenberg: Express, Nov. 7, 2006–Jan. 17, 2007. Exh. cat. with essay by Barbara Rose. Gallery Hyundai, Seoul, Robert Rauschenberg, Dec. 13, 2006–Jan. 7, 2007. Exh. cat. (in English and Korean) with essay by Gerhard Charles Rump. Jonathan O’Hara Gallery, New York, Robert Rauschenberg: Transfer Drawings from the 1960s, Feb. 8–March 17, 2007. Exh. cat. with essay by Lewis Kachur. The Menil Collection, Houston, Robert Rauschenberg: Cardboards and Related Pieces, Feb. 23–May 13, 2007. Exh. brochure. Exh. cat. with introduction by Josef Helfenstein and essay by Yve-Alain Bois. Galerie Michael Schultz, Berlin, Robert Rauschenberg: Selected Works 1974–1999, April 28–June 10, 2007. Exh. cat. (in English and German) with essay by Jürgen Schilling. Museu de Arte Contemporânea de Serralves, Porto, Portugal, Robert Rauschenberg: Travelling ’70–’76, Oct. 26, 2007–March 30, 2008. Exh. cat. (Naples) with essays by d’Argenzio and Branden W. Joseph and interviews with Brice Marden and Mayo Thompson by d’Argenzio. Faurschou Beijing, 798 Art District, Robert Rauschenberg: Three Decades, Nov. 24, 2007–Jan. 26, 2008. Organized in collaboration with PaceWildenstein, New York. Exh. cat. (in Chinese and English). PaceWildenstein, New York, Rauschenberg: Runts, Jan. 11–Feb, 2008. 16. Exh. cat. with previously published statements by Rauschenberg. Jacobson Howard Gallery, New York, Last Turn–Your Turn: Robert Rauschenberg and the Environmental Crisis, March 6–April 12, 2008. Exh. cat. with essay by Robert S. Mattison. Galleria Mucciaccia, Rome, Robert Rauschenberg, April 17–June 15, 2008. Exh. cat. (in Italian) edited by Gianni Mercurio with essays by Roberta Bernabei, Sam Hunter, Gianluca Marziani, and Mercurio. Kunsthalle Rostock, Germany, Close Encounter—Robert Rauschenberg—SEO, July 26–Sept. 7, 2008. Exh. cat. (in English, German, and Korean) with texts by Gesine Borcherdt, Alexander Ludwig, Dr. Ulrich Ptak, Bernhard Schieder, and SEO.


DaFeng, Beijing, in collaboration with Universal Limited Art Editions (ULAE), Robert Rauschenberg: The Lotus Series, Sept. 6–Oct. 26, 2008. Exh. cat. with text by Li Xianting. Karl and Helen Burger Gallery, Kean University, Union, N.J., Past Pop: Robert Rauschenberg and James Rosenquist Graphics, March 31–May 7, 2009. Exh. cat. with essay by Lewis Kachur. Craig F. Starr Gallery, New York, To Ileana, From Bob: Rauschenberg Drawings from the Sonnabend Collection, April 10–May 29, 2009. Exh. cat. with essay by Annie Cohen-Solal. Peggy Guggenheim Collection, Venice, Robert Rauschenberg: Gluts, May 30–Sept. 20. Exh. cat. (English, German, Italian, and Spanish editions) by Susan Davidson and David White with essays by Davidson and Mimi Thompson and previously published essay by Trisha Brown. Museum Tinguely, Basel, Robert Rauschenberg—Jean Tinguely: Collaborations, Oct. 14, 2009–Jan. 17, 2010. Exh. cat. (in English and German) with introduction by Roland Wetzel and essays by Jean-Paul Ameline, Mari Dumett, Annja Müller-Alsbach, and Heinz Stahlhut. Instituto Tomie Ohtake, São Paulo, Robert Rauschenberg, Dec. 15, 2009–Feb. 21, 2010. Exh. cat. (in English and Portugese) with essay by Mimi Thompson. Armory Center for the Arts, Pasadena, Rauschenberg at Gemini, Jan. 17–March 21, 2010. Exh. cat. with introduction by Jay Belloli. Gagosian Gallery, West Twenty-first Street, New York, Robert Rauschenberg, Oct. 29, 2010–Jan. 15, 2011. Exh. cat. with texts by James Lawrence and John Richardson. Fondazione Arnaldo Pomodoro, Milan, L’Inferno di Dante: Dalí e Rauschenberg, April 7–July 17, 2011. Exh. cat. with text by Aldo Nove and Lorenzo Respi and contribution by Andrea Lancellotti. Inverleith House, Royal Botanic Garden, Edinburgh, Robert Rauschenberg: Botanical Vaudeville, July 27–Oct. 2, 2011. Organized in collaboration with Robert Rauschenberg Foundation and Gagosian Gallery, New York. Exh. cat. with essay by Sarah Lowndes. Gagosian Gallery, Paris, Robert Rauschenberg, Sept. 28–Nov. 12, 2011. Exh. cat. with essay by Jeff Rian. Fred Jones Jr. Museum of Art, University of Oklahoma, Norman, Robert Rauschenberg: Prints from Universal Limited Art Editions, 1962–2008, Oct. 1–Dec. 30, 2011. Exh. cat. with introduction by Mark A. White and essay by Mimi Thompson. Craig F. Starr Gallery, New York, Robert Rauschenberg: North African Collages and Scatole Personali c. 1952, June 4–Aug. 10, 2012. Exh. cat. with text by John Yau. Gagosian Gallery, Britannia Street, London, Jammers, Feb. 16–March 28, 2013. Exh. cat. with essays by David Anfam and Alexander Keefe. Galería Cayón, Madrid, Doble mirada a España: las fotografías españolas de Josef Albers y Robert Rauschenberg, June 4–July 20, 2013. Organized in collaboration with Josef and Anni Albers Foundation and Robert Rauschenberg Foundation. Exh. cat. with essay by Mimi Thompson.


Locks Gallery, Philadelphia, Robert Rauschenberg, Feb. 7–March 27, 2014. Exh. cat. with texts by Kelsey Halliday Johnson. Leo Castelli, New York, Robert Rauschenberg: A Visual Lexicon, Oct. 9–Dec. 20, 2014. Exh. cat. with essay by Mimi Thompson. Gagosian Gallery, Beverly Hills, Robert Rauschenberg: Works on Metal, Nov. 1–Dec. 13, 2014. Exh. cat. with essay by Joachim Pissarro. Cleveland Museum of Art, Gloria: Robert Rauschenberg and Rachel Harrison, July 1–Oct. 25, 2015. Exh. cat. (Rachel Harrison: G.L.O.R.I.A.) with essays by Johanna Burton and Beau Rutland and conversation by Amy Adler and Harrison.


Published on the occasion of de Sarthe Gallery exhibition:

ROBERT RAUSCHENBERG MaY 26 - July 2, 2016

香港中環雪廠街16 號西洋會所大廈 8樓 8/F Club Lusitano, 16 Ice House Street, Central Hong Kong T. 852 21678896 | F. 852 21678893 | E. hongkong@desarthe.com

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