dreamscape no. 3, hyperstasis (2019)

dreamscape no. 3 hyperstasis for symphony orchestra

derek douglas carter 2019

Š derek douglas carter 2019

this piece was made possible with the generous support of Dr. T.Y. and Mrs. Mary Huang

premiered by the University of Louisville Symphony Orchestra Jan. 2020

ii.

program note: Stillness reveals the secrets of eternity.1 The happiness of the bee and the dolphin is to exist. For man it is to know that and to wonder at it.2 We do not exploit our dolphins for profit.3 Only by observing the laws of nature can mankind avoid costly blunders in its exploitation . Any harm we inflict on nature will eventually return to haunt us.4 This is a reality we have to face. It takes time because the habitual response to that is very deep. It goes back to our earliest responses as babies.5 To make a prairie it takes a clover and one bee, One clover, and a bee, And revery. The revery alone will do, If bees are few.6 Hygge offers space for both reverie and relatedness. The heat of an open fire draws us close. Its shadow gives us a place to hide and softens our gaze.7 We have to talk about liberating minds as well as liberating society.8 1.

2. Jacques-Yves Cousteau 3. Fidel Castro 4. 习近平 5. Pauline Oliveros 6. Emily Dickinson 7. Louisa Thomsen Brits 8. Angela Davis

iii.

instrumentation: 2 flutes (I. picc dbl) 2 oboes 2 clarinets in bâ™­ 4 horns in f 3 trumpets in bâ™­ 2 tenor trombones 1 bass trombone 2 percussion I. sand blocks, snare drum (w/brushes) II. bass drum

strings

duration: ca. 7 minutes transposed score

iv.

to Dr. T.Y. Huang and Mrs. Mary Huang

transposed score

derek douglas carter (2019)

dreamscape no. 3 hyperstasis

13 Slowly, q = 52

° 3 ∑ &4

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Flute II

3 &4 ∑

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Oboes

3 &4 ∑

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Clarinets in Bb

3 ∑ ¢& 4

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° 3 ∑ &4

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3 &4 ∑

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3 &4 ∑

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3 &4 ∑

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? 43 ∑

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? 43 ∑

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?3 ¢ 4 ∑

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˙™

‘

‘

‘

‘

‘

‘

‘

˙™

˙™

Piccolo Flute I

I & II

Piccolo

Ó

3

‰ j j Œ Œ œ œ œ œ œ œ œ™ >

∑

Ó

‰ j œ >

Horns in F III & IV

I Trumpets in Bb II & III

Tenor Trombones

Bass Trombone

Percussion I: Sand Blocks Snare Drum

sand blocks: slowly

° / 43 ˙ ™

4

8

˙™

˙™

˙™

p

˙™

˙™

f dry

Percussion II: Bass Drum

3 ¢/ 4 ∑

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>j ‰œ

Ó

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∑

∑

Ó

>j ‰œ p

13

1st desk: on the bridge, no pitch

Slowly, q = 52

Violin I

Violin II

° 3 ∑ &4

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3 &4 ∑

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1st desk: div.

Viola

B 43 # ˙˙ ™™

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Violoncello

? 43 ∑

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Double Bass

?3 ¢ 4 ∑

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Y™

Y™

∑ ˙˙ ™™

Y™

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Y™

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3

Ó

‰ j Œ Œ j œ œ œ œ œ œ œ™ > ∑

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∑

∑

∑

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‰ j œ > ∑

2

17

Picc.

Fl. II

3 ° & œ œ œ œj œ œ ™ Œ Œ Ó

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&

∑

3

‰ j j œ œ œ œ œ œ œ™ > ∑

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22 Œ Œ Ó

‰ j j Œ Œ œ œ œ œ œ œ œ™ >

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∑

To Fl.

3

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div.

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+ Œ #˙ -

+ #˙™ -

III. & IV.

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p

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∑ p

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p Tpt.

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II. muted: straight

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˙ p

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Tbn.

B. Tbn.

S.B.

°/

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f

B. D.

¢/

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22

° &

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muted: Vln. II

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p

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p

∑ #œ ˙ ™

tutti, div.

Vla.

B <#> ˙˙ ™™

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3

3

Œ Œ Ó j œ œ œ œ œ œ™

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3

3

‰ j Œ ‰ j ‰ j j j j œ œ œ œ œ œ œ™ œ œ œ œ œ œ œ™ œ œ œ œ œ œ œ™ > > > p p ∑

∑

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3

30

28

Picc.

° &

∑

∑

Flute

∑

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˙

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p

<b> ˙ ™ Fl. II

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p

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p

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mute out

˙ ™™ ˙

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j œ ‰Œ Œ œ

b˙ ™ b ˙™

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out j ‰ mute Œ Œ œ œ

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∑

p

∑

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œ œ œ œ œ ™Œ Œ J 3

b ˙ ™™ ˙

p all muted:

IV.

+ #˙™ -

œ

3

all muted:

+ & Œ #˙ -

&

> > ‰ œJ œ œ œ œJ œ œ ™ Œ ‰ œJ

3

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&

œ œ ™Œ Œ Ó

˙ Œ

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∑ œ Œ Œ

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p

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p

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Tbn.

B. Tbn.

S.B.

˙™

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To S. D.

f

B. D.

¢/

∑

>j ‰œ

Ó

>j ‰ œ

Ó

∑

p

∑

∑

>j ‰œ Ó

Ó

p

>j ‰œ Ó

>j ‰œ

p

30 Vln. I

° &

tutti, muted:

∑

∑

#˙ ™

˙™

˙™

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œ #˙

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p non. div.

Vln. II

&

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m.s.p. div.

˙™

œ

Œ

Œ

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# #pȮ ™™

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p

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B <#> ˙˙ ™™

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p

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3

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3

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3

∑

∑

Ó

‰ j j œ œ œ œœ >

3

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Œ Œ Ó

‰ j Œ ‰ j j œ œ œ œ œ œ œ™ œ > >

3

œ

Œ Œ j œ œ œ œ œ™

4

39

Fl.

° &

Fl. II

&

Ob.

&

œ

40 To Picc. ˙ œ#œ œ Œ

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j œ‰ Œ Œ

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j œ‰ Œ Œ

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Tpt.

Tbn.

B. Tbn.

S.B.

B. D.

¢/

>j œ‰

Ó

> > ‰ œj Œ ‰ œj

> > ‰ œj ‰ œj Œ Œ

Ó

p

Vln. I

Vln. II

Vla.

40

° & <#><#> Ȯ ™™

&

B

to mute off

∑

∑

<#> ˙˙ ™™

˙˙ ™™

˙˙ ™™

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>œ œ œ œ œ &‰ J J

∑ ˙˙ ™™

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Db.

?

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∑

∑

3

∑ 3

Ó

˙˙ ™™

˙˙ ™™

œ œ ™ Œ ‰ >œ œ œ œ œ œ œ ™ ‰ >œ œ œ œ œ œ œ ™ ˙ ™ J J J J

3

Vc.

˙˙ ™™

∑ 3

˙˙ ™™

>œ œ œ œ œ œ œ ™ œ œ m.s.t. œ œ™ ‰ J J J

˙

3

∑

˙˙ ™™

3

p

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∑

∑

∑

3

‰ j Œ ‰ j ‰ j j j j œ œ œ œ œ œ œ™ œ œ œ œ œ œ œ™ œ œ œ œ œ œ œ™ ˙™ > > >

∑ 3

˙

3

3

‰ j j j œ œ œ œ œ œ œ™œ œ œ œ™ >

p

5

Fl.

49 ° & ∑

62 ∑

∑

∑

∑

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∑

Piccolo

‰ œj >

Ó

Fl. II

&

∑

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Ob.

&

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j œœ # # œœ ™™ ≈ Œ J

∑

∑

j œœ b œ ™ ≈ Œ œJ ™

∑

∑

° &

open:

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

#˙ ™ ∑

˙˙ ™™ p

Hn.

open:

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

˙˙ ™™

∑

p muted: straight

&

∑

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Œ

œ œ™ ‰ Œ

˙

∑

Tpt. II. III. open

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

#˙ ™ ∑

j≈ œœ # # œœ ™ ŒŒ J ™≈

˙˙ ™™ p play muted: straight

?

˙ ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

bœ œ™ bœ œ ˙ J

˙

Œ

Œ

Tbn. play, open:

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

b˙ ™

œ œ™ J ≈Œ

∑

∑

œ # œj™ ≈ Œ

∑

∑

p

B. Tbn.

S.B.

? ¢

°/

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

b˙ ™ p

snare drum w/brushes

∑

˙™

˙™

˙™

˙™

˙™

˙™

∑

∑

solo, hypnotically

˙™

4

8

‘

‘

‘

‘

‘

‘

‘

‘

‘

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

cresc and decresc. ad lib betw een p and B. D.

Vln. I

Vln. II

Vla.

¢/

∑

∑

∑

∑

∑

49 ° & ∑

∑

∑

∑

∑

∑

∑

<#> ˙˙ ™™

˙˙ ™™

˙˙ ™™

˙˙ ™™

˙˙ ™™

˙˙ ™™

˙˙ ™™

™ & ˙

˙™

˙™

˙™

˙™

˙™

˙™

&

∑

62 ∑ ˙˙ ™™

œ‰ Œ Œ J

∑

∑

∑

∑

∑

˙˙ ™™

˙˙ ™™

˙˙ ™™

˙˙ ™™

˙˙ ™™

∑

∑

∑

∑

to mute off

˙˙ ™™

œœ

∑ B b b ˙˙ ™™

Œ Œ

˙˙ ™™

˙˙ ™™

˙˙ ™™

p

Vc.

Db.

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

? ¢ ˙™

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑ ˙™ p

∑

∑

œ œ ™≈ Œ J

∑

∑

Ó

‰ j #œ >

6

72

66

Picc.

° &

3

3

j œ œ œ œ œ œ™ Œ Œ

∑

‰ œj œ œ œ œj œ œ ™ Œ >

Ó

Œ

∑

∑

3

‰ œj œ œ >

Ó

j œ œ

Fl. II

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ob.

&

∑

∑

∑

∑

∑

∑

∑

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Cl.

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° &

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&

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&

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#solo œ œ #œ ‰ J

Hn.

Tpt.

?

∑

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Ϫ

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p Tbn.

?

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B. Tbn.

Vln. I

12

16

20

72

° &

∑

∑

∑

∑

∑

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&

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mute off Vln. II

Vla.

B <b> <b> ˙˙ ™™

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?

Db.

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3 ? ¢ <#> œ # œ œ œj œ # œ ™ Œ Œ

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3

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Ó

‰ j j Œ #œ œ #œ œ œ œ#œ ™ >

3

Œ

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j œ œ

7

76

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Fl. II

&

∑

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Ob.

&

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¢&

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Œ

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3

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j œ œ œ œ™ Œ

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j œ œ œ œ™ Œ

œ

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II. non dim Cl.

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I. play

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p

p

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&

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Vln. II

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?

Db.

24

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∑

? ¢ <#> œ # œ ™ Œ

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28

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3

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‰

j #œ œ >

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j Œ #œ œ œ œ ™

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3

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‰

j #œ œ #œ >

j Œ œ œ œ #œ ™

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8

85

84

Picc.

Fl. II

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∑

∑

∑

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&

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Ob.

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Cl.

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∑

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∑

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˙˙ ™™

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#˙ ™

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p

œ œ™≈ Œ J

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j≈Œ œœ œ ™ Ó f

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j œ #œ ™ ≈ Œ ∑

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f

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p

f

b˙ ™

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p

f

b˙ ™

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p

f

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non dim. p

&

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∑

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open:

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play B. Tbn.

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p

f

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B. D.

¢/

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° &

85 ∑

mute off

∑

∑

∑

∑

∑

∑

b b ˙˙ ™™

˙˙ ™™

˙˙ ™™

˙˙ ™™

˙˙ ™™

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∑

pesante

Vln. II

&

∑

≤ ≥ # œ- ˙

≤ ≥ # œ- œœ œœ

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Œ

∑

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-≤ ≥ b n œœ ˙˙

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Œ

∑

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∑

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pesante

≥ ≤ b -œ # œ œ

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Œ

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-œ≤ œ œ≥

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Œ

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pesante

Vla.

Vc.

B <b> <b> ˙˙ ™™

?

∑

b -œ≤ ˙≥ pesante

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? ¢

∑

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3 ‰ œj œ œ œ œj œ œ ™ Œ Œ >

9

98

° &

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Fl. II

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ob.

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

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∑

∑

Cl.

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∑

∑

∑

∑

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∑

∑

∑

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° &

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∑

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Picc.

Hn.

<b> ˙ ™ & Tpt.

&

∑

∑

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? ¢

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

S. D.

°/

∑

∑

∑

∑

∑

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∑

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∑

∑

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∑

B. D.

¢/

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∑

‰ œj œ Œ

∑

∑

∑

∑

∑

∑

∑

Tbn.

B. Tbn.

Œ

‰ œj Œ p

Vln. I

° &

<b> <b> ˙˙ ™™

˙˙ ™™

˙˙ ™™

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˙˙ ™™

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˙˙ ™™

˙˙ ™™

Vln. II

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Vla.

B

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Vc.

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

? ¢

∑

∑

∑

∑

∑

∑

∑

Db.

Ó

3 ‰ œj œ œ œ œj œ œ ™ Œ >

Œ

Ó

3 ‰ œj œ œ œ œj œ œ ™ Œ Œ >