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Shannon Driscoll - Paper



owns Oil and Cotton along with partner Kayli House. She teaches book and paper arts with a focus on material science and the history of handcraft. She received her Bachelor of Art in Art History with a focus on American folk art from the University of North Texas and her Masters Degree from the Kilgarlin Center for the Preservation of the Cultural Record at the University of Texas at Austin, where she studied book and paper conservation in 2006. She received additional conservation training through various AIC courses and through internships and professional experience while at the North East Document Conservation Center, Andover; Walters Art Museum, Baltimore; Widner Library, Harvard College Libraries, Cambridge, the Pinos Y Serriera Archives, Vilassar de Dalt, Spain before opening a private conservation practice in Dallas.
is an Associate Visual Arts & D

He received his of Art. In 2012 Istanbul, Turkey he is well know composite mate work is focused

Brooks Oliver - Clay
is an Assistant Professor of Ceramics at the University of North Texas and a studio artist based out of Denton, TX. He recently completed a long-term residency and now serves on the Board of Directors at the Archie Bray Foundation in Helena, Montana and in 2017 was named an Emerging Artist by the National Council on Education in the Ceramic Arts. His work has recently been included in exhibitions at the San Angleo Museum of Art, Ceramics Park Mino Museum, the Dallas Museum of Art, UIlrich Museum of Art, Western Carolina University Fine Art Museum, RO2 Gallery, the LacosteKean Gallery, Northern Clay Center, The Archie Bray Foundation, the Artstream Nomadic Gallery, the Dallas Pottery Invitational, and the Penland Gallery.
Kathy J. Brown, Ph.D. - Fibers




is an Assistant Professor of Art Education at the University of North Texas and a practicing artist. Her academic interests are arts-based research, critical pedagogy, anti-racist art pedagogies, Afrofuturism, art teacher narratives and Black Visuality. Her current artmaking practice centers hand-sewn fabric assemblage pieces with West African printed fabrics.


a woodturner fr years. His work as well as sculp its own qualities and turning my
