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And He'll Be Mine

Page 1

2

1. Braw Lads O' Galla Water

3. Him That’s Far Away

Braw, braw lads on Yarrow-braes, They rove amang the blooming heather; But Yarrow braes, nor Ettrick shaws Can match the lads o' Galla Water.

O how can I be blythe and glad, Or how can I gang brisk and braw, When the bonie lad that I lo'e best Is o'er the hills and far awa!

But there is ane, a secret ane, Aboon them a' I loe him better; And I'll be his, and he'll be mine, The bonie lad o' Galla Water.

2. Craigieburn Wood Sweet fa's the eve on Craigieburn, And blythe awakes the morrow; But a' the pride o' Spring's return Can yield me nocht but sorrow. I see the flowers and spreading trees, I hear the wild birds singing; But what a weary wight can please, And Care his bosom wringing! Fain, fain would I my griefs impart, Yet dare ina for your anger; But secret love will break my heart, If I conceal it langer. If thou refuse to pity me, If thou shalt love another, When yon green leaves fade frae the tree, Around my grave they'll wither.

My father pat me frae his door, My friends they hae disown'd me a'; But I hae ane will tak my part, The bonie lad that's far awa. Ye whom sorrow never wounded, Ye who never shed a tear, Care—untroubled, joy—surrounded, Gaudy day to you is dear. Gentle night, do thou befriend me, Downy sleep, the curtain draw; Spirits kind, again attend me, Talk of him that's far awa!


3

3

4. Lament

6. The Gallant Weaver

Fate gave the word, the arrow sped, And pierc'd my darling's heart; And with him all the joys are fled Life can to me impart.

Where Cart rins rowin' to the sea, By mony a flower and spreading tree, There lives a lad, the lad for me, He is a gallant Weaver. O, I had wooers aught or nine, They gied me rings and ribbons fine; And I was fear'd my heart wad tine, And I gied it to the Weaver.

By cruel hands the sapling drops, In dust dishonour'd laid; So fell the pride of all my hopes, My age's future shade. The mother-linnet in the brake Bewails her ravish'd young; So I, for my lost darling's sake, Lament the live-day long. Death, oft I've feared thy fatal blow. Now, fond, I bare my breast; O, do thou kindly lay me low With him I love, at rest!

5. Bonie Dundee My blessin's upon thy sweet wee lippie! My blessin's upon thy e'e-brie! Thy smiles are sae like my blythe sodger lad Thou's aye the dearer, and dearer to me! But I'll big a bow'r on yon bonie banks, Whare Tay rins wimplin' by sae clear; An' I'll cleed thee in the tartan sae fine, And mak thee a man like thy daddie dear.

My daddie sign'd my tocher-band, To gie the lad that has the land, But to my heart I'll add my hand, And give it to the Weaver. While birds rejoice in leafy bowers, While bees delight in opening flowers, While corn grows green in summer showers, I love my gallant Weaver. 7. John Anderson, My Jo John Anderson, my jo, John, When we were first acquent; Your locks were like the raven, Your bonie brow was brent; But now your brow is beld, John, Your locks are like the snaw; But blessings on your frosty pow, John Anderson, my jo. John Anderson, my jo, John, We clamb the hill tegither; And mony a cantie day, John, We've had wi' ane anither: Now we maun totter down, John, And hand in hand we'll go, And sleep tegither at the foot, John Anderson, my jo.


4

for Rob Frankenbery and Marc Peloquin

Robert Burns (1759-1796) Voice

1. Braw, Braw Lads O' Galla Water h = 86

    

f





Braw,

h = 86

  



 

5

   

row

 on

Yar -

 

a -

mang

 

 

 They

 

the

bloom

-

 

 

 

rove

 

 





 

 

 

 

  



  

 

lads

braes,

 

f

  

9



braw

Piano



DENNIS M. TOBENSKI (2005)



ing

  

Copyright © 2005 Dennis M. Tobenski

  

heath - er;


13

      

5

mf

 

But

 



Yar - row

 

 

 

17

     

nor

    21

  

lads

 o'

  

   



ane,



 

 

 

 

 

se - cret



 

Can

match

the

 

 

 

Wat - er.

a

 

shaws

 

  

 

Ett - rick

  

 

  

Gal - la

25

   

  

   



 

  

 

 

braes

mf

 

ane,

  

But

there

A - boon

   

is

 them


6 29

 

a'

I

loe

  

 him

 



34

  

 3

   

 

 

 

 

be mine,

And

I'll

 

be

his,

 

 

 

The

bo

-

nie

  

 



 



  



lad

o'

f

ff

  

 

 

3



 

Gal - la

 

 

 

 

39

f

 

and he'll

bet - ter;

   

 

Wat - er.



    

 

  

 

 

 

 

 

 

 

 


7

to Chester Biscardi to 2. Craigieburn Wood

Robert Burns

Voice

     

Freely

       

q = 96

 

 Sweet

mp

Piano

      

      

8

And

  





    

    



 

Spring's



     

  

 

   

 

on

    

 

 

  

 

 

  

     



   

      

    

 

joys



 

of

 

     

 

a tempo

 

Can yield me nocht Freely

burn,

And all the

 

-

   

      

Crai- gie

    

Freely mf



  

the mor - row;

      

re - turn

fa's the eve

    

wakes

     

14

  

a-

q = 96

 

  

blythe

     

Freely

 

DENNIS M. TOBENSKI (2005)

 

    

but sor - row.

  

 



 

 



Fain,

a tempo

   



 

 


8

     

20

  



fain,

     

   

would

    

  

    

 

 



         im part,                     

 

25

       

30

   

 

your

  

    

break

 

an -

ger;

my



heart

    



   



 

griefs

     

dare

 

   

in - a

for

 

     

    



 

  

 

 

mf

    

 

it

    

   

  

  



lang - er.

will

 

 

f

   

If I con-ceal



my

    

I

  

   

 

Yet



But se - cret love

 



    

35

    



    

   

   

  





 

 


9

f

    

   

  

41

ff

    

52



    

 

 

       



grave

  

sfp

   

3

  

   

 

  



  

 

leaves

fade

frae the

mf



yon

    

green

 



     



 

   

 

 

a tempo

A - round my Freely

  

    

Freely p

If thou should



When

me,

an - oth- er

tree,

   

    

  

pit - y

    

love

    

  

 

  

to

        

If thou re - fuse

    

46

  

   

    

 

 

  

they'll with - er. a tempo

  

pp

        

 

 

 

   

   


10

to Rob Frankenberry

3. Him That's Far Awa'

Robert Burns Sprightly q - 100 f

Voice

   



O

      

5

3



 

 

how

can I

be

blythe and



rit.

   

8

hills

and far

   

door,

17

 

a

-

My friends,



 



ane

will

     

23



Ye

a tear,

Care

3            



cur -

  

   

40

3

Talk of

 

him



wound - ed,

3

 

 

    frae his



a';

  

un- troub - led, joy slower q = 86 p

   

night,

    

I

lad

that's far

  

Spi - rits

 

 

kind,



that's

far

a

-



 

a - wa.

  

Ye

     3

who

Gaud - y

Down - y

 

to you is

   sleep,

at - tend

     

nev - er

    

day

   

a - gain

hae

3

 

 

       

do thou be - friend me,

3

But

sur - round - ed

   



   

fa - ther put me

     

      

nev - er

draw,

  

3

The bo - nie

be

Is o'er the

mp



can I

best

  

 

me

part,

Gen - tle

  

tain

  

slower q = 86 p

  

f

dear.

     

lo'e

how

3                          

32

36

I

3

own'd

whom sor - row

  3      shed

they hae dis -



27

   

My

tak my tempo primo q = 100 mf

 

Or

wa!

        

   



3

  

    

glad,

bo - nie lad that

3

    

12

       

When the

   

3

brisk and braw,

3

DENNIS M. TOBENSKI (2005)

  

the



me,



3

wa!

attacca


11

to those who have lost a loved one to AIDS

4. Lament Robert Burns

DENNIS M. TOBENSKI (2005)

q = 100

      

Voice

         q = 100

   

p

      

      

gave the

    

       

   



dar -

   

ling's

heart;

 

   

      

with

3

  

  

  



  



     



  

 

  

  

  

  

 



   

row

sped,

And





pierced

 

  

  

 

 

 

  

the

joys

  

  

  

f

mp

 

are





Life

 

Copyright © 2005 Dennis M. Tobenski

 pp sub.

fled

      

      

   

f



And

  

  

my

 

  

  

 

 

 

all



  

   

ar -



       the



him

   

mf

mp

 

 



16

word,

   

  

11

      

Fate

  

  

p (r.h. throughout)

Piano

6

  

 

   



   p






12 3           

 

     



21

can to

   

me

im

    

mp

    

 

  

26

By

     

cruel

   

dust

mf

 

  



dis - hon -

our'd

      

 



   

   

 



 

    

    

    

mf

  

fu

  

 



  of







p

shade.



  

the pride

   



3

fell

   

 

ture

      

 

     

-

  

  

f

     

  

mf

   

In



mp

  

 

mp



f

My a- ge's

  

  

  

      

all my hopes,



So

 

sap - ling drops,

laid;

  

     

  



   

 

  

  



 

3



     

   

    

         



the

     

   

part.

  

 

p sub.

     

36

  

hands

      

-

  

  

31

 



 





  

     






13

   

41

mp

   

     

 



  

ff

         

  

      

  

46

her ra - vished

    

 



 

    

 

           

56

     

   



     

    

   

   

 

  

mf

       

live

day

   

 

    



     

-

     



long.

  

  

p



mf

   

p



  

Death,

   



lost



 

 

the

  

   

  

 

  



my

p

 



La - ment

 

  

 

mp

  

  

  

       

for





I,

   

  

  





wails

   

  

So

 

 

mp

mf

-

     

  

  

Be



young;

51

dar ling's sake,



brake

p

     

  



 

3          

in the

  

  

     

  

  

The mo - ther lin - net

    

p sub.



   oft

  

  

  I've

 


14

  

       

62

feared

 

    

  



   

  

  

  

   

    

         

 

   

      

    

  

    p



 

   him

   

 

 





 



at

  

low

3





     

   rest!

   

       

 



  

ppp



lay me

mf

pp

 

         

love,

 

     

mf

 

     

  

    

     

mp sub.

I



   

  

kind - ly

  

  

  

  

 

   

   

    

I bare my

  

   

    f



  

thou

   

With

   

79

   mp

    



 

        

  

     

  

  

 

Now, fond,

O, do

 

    

  

  

   

  

        

  



pp sub.

blow.

  

        breast;

 



fa - tal

  



68

74

 

thy

     

f

3



 

  

  

 

 






15

to Craig Urquhart

5. Bonie Dundee

Robert Burns

Voice

    

q. = 100







 

  





  



 

bless - in's up - on

    

 



  

 

mf soave

 

    



    

     



    

      

thy sweet wee lip pie!

 -

 

   

  

e'e



My

  

9

f

q. = 100

 

   

ff strepitoso

Piano

5

DENNIS M. TOBENSKI (2005)

   

My

      

bless

- in's up - on thy

        

      

       

     

      

       

      

    



  

 



brie!

 Thy

    smiles



     are sae like my

    

  

  

 

   

  

          

  

    

  

   

 

    

  

          

   

Copyright © 2005 Dennis M. Tobenski


16

    

   

14

blythe

sod -

ger

   

lad

   -

   

 

     



    

          ff

   

     

 

  

      



   

     

 

  

      



   





p sub.

  

me!

    

  

 

    

   

25

  

     yon

bon - ie

             

mf

  

  

        

  



p sub.

f

 

 

banks,

 

Whare

    

 

  

    

 

  

er

to

 

      

I'll

       

   

-

 

     



But

 

 

    

the dear - er and dear

    

 

          

      

aye

21

 



Thou's

                          ff

 

die,

                          

18

f più

 

big a bow'r on

    

 

     

  Tay

     rins

wimp -

            f

           


29

lin'

by

          

33

sae

 



   

   

    

mak

 

 

thee

  

39

   

 

sae

 

 



 

I'll

cleed

thee

in

 



   

 

   

   

 

 





 

 

 

 

    



 



 

ff



 

man

 

 

[do]

a tempo

 

 

suddenly slower

  

     

    

 

 

       like

   

f strepitoso

suddenly slower mf



   



 



a tempo

a

And

 



 



fine,

suddenly slower

pp

         

   



         

    

 

  

 



An'

 

suddenly slower ff

36

 



clear;

tar - tan

  



   

    

  

17

pp

p

a tempo

 

thy



dad - die a tempo

  



 pp

 

   dear.

  

 



 


18

to Michael James Montgomery

6. The Gallant Weaver Robert Burns

DENNIS M. TOBENSKI (2005)

q = 63

Voice

           

q = 63

   

    

       

to the sea,

   

     



  





By

mo -ny_a flower

 

 

 

     

for

 

   

  

  

 

     

  

     



    

  

He

is

      

 

   

    

a gal - lant

   

Copyright © 2005 Dennis M. Tobenski

  

 

Weav



  

rins row - in'

  

 

 

 

     

 

There lives a lad,

the

    

  

   

Cart

mp

3

   

  

  

and spread - ing tree,



me,



   

11

lad

  

 

    

    

   

     

7

 

mf

Where

mf

Piano

    

 





 



 

   

 

- er.

O,

 

  

   


19

      

     

17

I

had woo - ers

aught

                  

or nine,

     

          

They

  my

  

   

       

  

    

mf

        

   

     

25

Weav er.

      

 

and rib- bons

fine;



 



    

And

     

   

   







   

  

I

gied it

to

the

 









 

 



     

To gie the lad

   

that has the

   

                      

   

29

land,

tine,

My dad - die sign'd my toch - er - band,

mf

    

  

   



wad

  

   

       

heart



      

gied me rings

          

21

And I was fear'd

     

  

                     

But

to

my

f

  heart

I'll

add

my

                                      f

                                    


20

     hand,   

 



33

And give it

mp

  

         

    

 

  

       

mp

 

 

 

   

 



 

While birds re - joice in leaf - y bowers,

 

 

 

  

      

f

 

While corn grows green

              

44

       

 

 

my gal - lant



 

flowers,

 

 

 

  

 f

  

 

  

I

love

 

ff

 

 

 

Weav - er.

 

 

showers

 

 

  

 

  

in sum - mer

f

mf

 

    

While bees de - light in open - ing

     

41

the Weav- er.

   

37

     

to

  

 

mf

      

 





   

 

mf

  

 


21

to Marc Peloquin

7. John Anderson, My Jo Robert Burns

DENNIS M. TOBENSKI (2005)

q = 70

Voice

   

q = 70

    Piano

 

  

   

 

3

Yourlocks were like

    

  

 

    

 

  

  

 

p

 



    

 

  

Copyright © 2005 Dennis M. Tobenski

3

3

   



  

 quent,

  

  

was brent.

    

   

   

   

brow

ac-

       

    

 

Your bon - ie

  

 

3

    

When we were first

       

3

therav - en,

 

   

John,

  

    

 

jo,

  

my

   

  

    

An - der-son,

    

         

    

John

p

5

9

   

  


22 13

3

       

  

But now your brow

 

is beld,

   

    17

      

3

    

21

my

  

25

       

 

 

mf

   

  

  

  

3

 

An - der - son,

  

   

 

    

   

   

      



  

     

  



  

  

   

  

   



  

snaw.

John

  

      

mp

  

as

  

  

 

    

    

pow,

 

 

3

frost - y



  

    

  

 

3

Your locks as white

   

your

 

jo.

  

     

 

 

   

John,

    

  

But bless - ings on

  

 

 

 

     

      

   

    

  mf

  

John

 




23

  

29

     

An - der -son,

 

  

      

 

3

    

   

  

 

  

  

   

 

  

 

   

mf

   

 

  John,

   

  



3       

sleep

  

 

  

 

 

3

tot - ter down,

     mf

an - ith er:

 

And

ane



3        

Now we maun

we'll go,

 

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the- gith er;

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41

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the hill

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day,

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can - tie

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37

John,

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And mo - ny a

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jo,

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24

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60

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John

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And He'll Be Mine by Dennis Tobenski - Issuu