MICHAEL DELGADO Portfolio Works

PORTFOLIO WORKS MICHAEL DELGADO

66 East 120th Street APT #1 New York, NY 10035 917 - 482 - 7983 (United States) 212 - 348 - 6546 (United States) +593 - 993122401 (Ecuador) delgadomichael90@yahoo.com @mikejd90

MICHAEL DELGADO

CURRICULUM VITAE

As I begin to shape my professional practice I realize that real life design is a collaborative effort and this is necessary to create a more responsible result for society. Moreover, the importance of sharing a common vision with other people becomes empowering. The product of design is functional but the result of a vision embodies a larger spectrum. I want to challenge myself into this path as I continue to discipline mind towards a more productive environment. Throughout my career, I wish to explore and experiment with methods of production as a means to study the social aspects of architecture and to bridge the gap of conscious design and the built environment.

SKILLS PROFESSIONAL AutoCAD Rhinoceros + Vray Grasshopper 3DS Max Sketch Up Pro Model Making Hand Sketching Google Earth

Photoshop Illustrator InDesign Acrobat Word Power Point Excel

PERSONAL

LANGUAGES

Critical Thinking Problem Solving Optimistic / Motivated Communicational Team Worker Taking Initiatives

English Spanish

EDUCATION

EXTRACURRICULAR // ACHIEVEMENTS

Bachelor of Architecture New York City, USA (5yrs) City College of New York (Spitzer School of Architecture) Class of 2015

04.17 - 06.17

RETHINK THE CITY : New Approaches to Global and Local Urban Challenges Delft University of Technology (Delft, Netherlands) Certificate of achievement for the online course about cities of the global south.

High school Diploma New York City, USA (4yrs) Manhattan Center for Science and Math Class of 2008

01.17

REPENSANDO LAS CIUDADES AWARD : Revista DOMUS / Escribe Arquitectura (Guayaquil, Ecuador) 1st national competition of rethinking the cities. Awarded second place for the category of Social Housing, Theory and Culture.

10.16

HABITAT III PARTICIPANT : United Nations Conference on Housing and Sustainable Urban Development (Quito, Ecuador) Participant in most of the conferences and events of the bi-decennial global event.

10.15

BAMBOO SEMINAR - Central University of Ecuador (Quito, Ecuador) Participation in conferences and construction workshops about bamboo material.

09.15

INTERIOR DESIGNER - Poutin Fries Restaurant (Otavalo, Ecuador) Worked as one of the lead designers throughout the; conceptual and schematic design and design development phases for the project.

ANDEAN COSMOVION WORKSHOP - Community of Cotama (Otavalo, Ecuador) Participation in workshops related to ancestral rituals of the Kichwa community of Otavalo.

07.15

DESIGNER - David Lema House (Cotacachi, Ecuador) Formed part of the design team throughout the; conceptual and schematic design phases for the project.

MUD BRICK CONSTRUCTION WORKSHOP : Alborde Architects (Ibarra, Ecuador) Worked in the restoration process of a mud brick home. Learned how to produce mud bricks and repair wall infills.

06.15

TRAINEE - Community of San Clemente (Ibarra, Ecuador) Participation in a collective work effort with the community of San Clemente to construct a home made out of mud brick for a family. Assisted in the production of initial AutoCAD drawings and sketches.

SPITZER TRAVEL FELLOWSHIP RECIPIENT : Bernard and Anne Spitzer School of Architecture (New York City, USA) Awarded the travel grant to pursue my personal interests in Kichwa vernacular architecture.

INTERESTS

DRAFTER - DS&F Architects (New York City, USA) Responsible for producing drawing and construction documents for designs of flagship jewelry stores owned by Tiffany & Co.

Wood Working Furniture Design Graphic Design Logo Design

WORK EXPERIENCE 10.17 - Ongoing

DESIGNER - Pilar House (Otavalo, Ecuador) Working as one of the lead designers.

02.17 - Ongoing

DESIGNER - Marta and Cristian House (Otavalo, Ecuador) Worked as one of the lead designers throughout the; conceptual and schematic design and design development phases for the project. Held several meetings with the clients to meet their requirements. Produced drawing documents for permitting in the local building department.

08.16 - 11.16

07.16 - 09.16

08.15

01.15 - 06.15

Stage Design Typography Cartography Infographics

Photography Audiovisual Installations

CONTENTS

01

02

03

04

COMPACT HOUSING SAN RAFAEL

POUTIN FRIES

KAMANA SAPI

KILLA FILM

05

06

07

08

THE S-CURVE

TIME TO MINGLE

CIRCLE LOUNGE

CONSTRUCTION WORKSHOPS

P8

P28

P18

P36

P22

P48

P24

P50

2016 / Competiton / Social Housing - Ecuador Autocad / Rhino / Photoshop / Illustrator Collaborator : Miguel Marmol

COMPACT HOUSING SAN RAFAEL

“... THE INDIGENOUS HOUSEHOLD IS A SPACE OF TWO: THAT OF WHICH IS TO SLEEP AND TO LIVE; THAT OF WHICH IS TO STORE AND TO OFFER...”

01

RENDERING. Produced using photography, 3D modeling, rendering and photoshop. View of the main entry of the household.

2 SPACES

STORE

SLEEP

OFFER

LIVE

S T O R E

G U A R D A R

O F F E R

TRADITIONAL SPACES

CENTRAL ARTICULATOR

9

TRADITIONAL KICHWA HOUSING

O F R E C E R

ACTIVITIES CONVERGE ON CENTER

The idea of housing in the cultural context of Imbabura, Ecuador parts from the research and analysis of the traditional dwelling of the Kichwa Otavalo. Taking into consideration the tradition and customs of the region, these features respond to the territory, climate, activities and customs and help project a basic / generic unit that can be modified depending on the productive needs of the family. Social housing is not only a shelter but also a dynamic space that provides opportunities for the development of the family.

The uncontrollable and informal rural development in the northern Sierra has led to an irresponsible housing growth, which is the current situation of San Rafael in Otavalo. This sector has had an inadequate architectural transformation; showing a deplorable image and disintegration with their natural environment and creating a concept of housing that is completely distorted and out of context. This contrast not only damages its economy but also to the development of its socio-cultural population.

COMPACT HOUSING

TRADITIONAL SPACES

CENTRAL SEPARATION

ADDITION OF CENTRAL ARTICULATOR

COMPACT HOUSING

POSSIBLE ADDITIONS

LAGO SAN PABLO / IMBAKUCHA

OTAVALO

INADEQUATE ARCHITECTURAL DEVELOPMENT MAPPING

QUITO

SECTOR WITH UNCONTROLLED DEVELOPMENT

PRODUCTIVE CENTERS WITH LOCALLY RESOURCED PRODUCTS

NETWORK OF COOPERATIVE AND PRODUCTIVE COMMUNTIES

QUITO OTAVALO

LOTS MAIN ROADS SECONDARY ROAD

1,000m

PRODUCTION CENTERS

CENTERS CONNECTING ROADS

2,000m

11

The intention is to create housing as a socio-economic catalyst for the development of families, which can foster a new dynamic of coexistence and production within the household. In addition this will generate an integral and an organizational network where local resources are taken advantage of in the best the manner.

This organization will help promote sensitivity in relationship to its natural environmental.

PROGRAMMATIC MODULES

STRUCTURAL SPACE

STORE SLEEP

OFFER LIVE

KITCHEN

BEDROOM

MODULE STRUCTURE

CENTRAL GATHERING SPACE

CIRCULATION

SOCIAL AREA

BATHROOM STORAGE PRODUCTION WORKSHOP

FLEXIBLE PROGRA MMATIC VARIABLES BASE MODULE

VARIABLE 1

VARIABLE 2

VARIABLE 3

VARIABLE 4

VARIABLE 5

PRODUCTION CENTER

CIRCULATION

CIRCULATION

CIRCULATION

ARTICULATION CENTER

HOUSING UNIT

HOUSING SET

HOUSING BLOCK

CIRCULATION

CIRCULATION

This will be achieved through an appropriate architectural response, enabling the development of new economic alternatives for families, and while allowing us to establish a new rural organization, thus obtaining an improvement and proper use of the land.Traditional activities such as the minga will be organized to foster a well-integrated and cooperative community, while promoting a model for an ever changing, touristy and productive landscape.

GROUND FLOOR PLAN 13

1

2 0.70

1.40

0.70

3 1.80

A

1.00

0.70

BEDROOM

0.70

0.70

0.70

A

0.90

2.80

4

BATHROOM

PATIO 2.10

N+0.40

B

KITCHEN

B

0.20 GATHERING SPACE 2.80

LIVING SPACE

2.80

STORAGE

9.20

N±0.00

C

0.20 0.70

A

1.40 PATIO

BEDROOM

2.80

C

OPTIONAL WALL

A1

WORKSHOP

0.70

D

D

0.20 0.30 0.30

9.20

1

2

ENTRY

3

4

FACADE DETAIL

PRESENT

SECTION A-A1

FUTURE

15

CLAY TILES

WOODEN ROOF STRUCTURE

STRUCTURAL MODULE

BAHAREQUE WALL MODULE

TOTORA MODULE DOOR & WINDOWS

17 RENDERING. Produced using photography, 3D modeling, rendering and photoshop. View of the interior space from the bedroom.

2016 / Interior Design / Poutin Fries Restaurant - Ecuador Hand Sketch / Autocad / Photoshop / Illustrator Collaborator : Miguel Marmol

POUTIN FRIES

02

RENDERING. Produced using photography, 3D modeling, rendering and photoshop. This view is from Kyrgyzstan looking towards the Torugart Pass to China.

19

CIRCULATION

SERVICE

BAR STOOLS

CIRCULATION

BLACKBOARD

TABLE STOOLS

TABLE STOOLS

Orignally a small storefront, the owner of Poutin Fries restaurant wanted to expand its local business. Due to a small budget and limited square footage, the client asked that we maintain the storefront and use OSB plywood sheets that he had lying around. Since his intention was to build the design on his own, a simple and functional space was created to cater to its major young demographic consumer.

SEATING

WAITING

SERVICE

TABLE / BAR STOOLS 1

CEILING HANGER 1 (4mm rod)

2

3

4

2

OSB PANEL (100 x 60 x 1.1 cm)

3

L BRACKET CORNER IRON (10 x 1-1/4 in)

4

3 IN. BULGE HEAD SCREW (#10 x 3 in)

21

2016 - 2017 / Graphic Design / Kamana Sapi (NGO) - Ecuador Hand Sketch / Autocad / Photoshop / Illustrator

KAMANA SAPI

Leaf

Stem

Seed

amana api

In the native Kichwa tongue, Kamana Sapi means to take care of your roots. This collective is a young organization that works with in the on going process of culture in their environment. An identity logo was needed for the the organization to begin developing their projects. The initials of the organization was used as a starting point and eventually the idea of; a seed that is nurtured for proper growth, became the essence of the logo.

03

23

RIMARIPASHUN

1er Encuentro Presenta

10 DIC 2016 KINTI WASI 17:00

PROYECCIÓN “Allpamanta, Kawsaymanta, Katarishun” (Por La Tierra, Por La Vida, Levantémonos) Director: Alberto Muenala PREMIO APORTE AL LENGUAJE CINEMATOGRÁFICO DE LOS PUEBLOS INDÍGENAS

IV FESTIVAL DEL CUSCO 1992

SELECCIÓN OFICIAL Festival de Documentales

Yamagata Japón 1993

DIÁLOGO CON Cineasta Kichwa Alberto Muenala

amana api

POSTER DESIGN

2016 / Graphic Design / Corporation Rupai - Ecuador Autocad / Photoshop / Illustrator

KILLA FILM In this project I was asked to help create a visual presentation for the dossier of the independent film, KILLA. This document was used for marketing purposes for promoting the film in theatres and other public spaces. The idea of the project was to dig into the essence of the film and grab key elements to create visuals for the document. Keeping in mind that the dossier was going to be used for negotiational purposes, it had to maintain an unobstrusive and yet attractive visual.

La tierra se está muriendo lentamente, estamos envenenando su sangre. Los hombres ya no tienen paz interior, la modernidad los ha llevado a la soledad, al individualismo, a la ambición material y a la muerte lenta.

DOSSIER KILLA

ASHA HAWARI Logline KILLA es la lucha por la tierra, la corrupción de la élite dominante y la mágia de los pueblos; visto desde el sentir kichwa.

KAYPI LLUKSHIRKA Elenco

FICHA TÉCNICA Ficha Tecnica

04

SAYRI Sherman Cabascango

ALICIA Marcela Camacho

FUNCIONARIO Carlos Guerrón

TAITA Mario Tuntaquimba

CANGAMASHI Alejandro Cabascango

CASHIGUANO Carlos Marcillo

Título Original : KILLA Título en Español : LUNA Guión, Dirección : Alberto Muenala Casa Productoras : Corporacion Rupai, Runacinema Director de Fotografía : Guillermo Ruíz Director de Sonido : Andrés Parada Directora de Arte : Daniela Sánchez Montaje : Frida Muenala y Tato León Colorización : Gustavo Bernal Tipo de Obra Cinematográfico : Largometraje Ficción País de Nacionalidad : Ecuador Género : Tragedia Duración : 00:1:01:00 Formato : HD Año de Producción : 2016

25

One of the key elements of the film was a pendant which had profound significance.

KILLA means moon in the native Kichwa tongue hence I decided to merge these ideas to create an icon of which became the logo for the film.

WEB DESIGN

27

2014 / Fourth Year / Undergraduate / Prof. Martin Stigsgaard Hand Sketch / Model Making / Autocad / Rhino / Photoshop / Illustrator

THE S-CURVE

05

RENDERING. Produced using photography, 3D modeling, rendering and photoshop. This view is from Kyrgyzstan looking towards the Torugart Pass to China.

TORUGART PASS

CHINA Tian Shian Mt. Range

KYRGYZSTAN

CHINA

Creating a filter. ing

Park

The ancient silk road showing the general location of the pass.

G TO

n

ectio

Insp

TAN

YZS

RG O KY

GOIN

A

CHIN

n

ectio

Insp

GT

GOIN

ing

Park

Torugart Pass torwards China viewing Tian Shian.

Chip Board model that mimics the site’s rough terrain. Made by laser cutting a parametric

S CURVE TRAFFIC FILTER

29

KYRGYZSTAN

Since 800 A.D. empires and kingdoms have used the Silk Road to trade goods between China, Eastern Europe, and Middle Eastern Countries. Today, a portion of the road intersects on the Torugart Pass allowing cargo trucks, cars and tourist to enter at the Kyrgyzstan border check point. The Torugart Pass site surrounds the Tian Shian mountain range terrain where extreme climatic weather is constant. Because of the ultimate snowfall in the winter and mudslides during the rainy season, the check point is closed certain hours of the day which accumulates heavy traffic. Hence the idea of a new Kyrgyzstan Border Crossing Center will organize traffic, reuse energy, and secure private to public amenities.

A FILTER THROUGH KYRGYZSTAN BORDER CROSSING CENTER The Kyrgyzstan Border Crossing: S-Curve’s site controls incoming traffic from both Kyrgyzstan and China. Each vehicle waiting area provides parking spaces for services and security booths letting qualified vehicles pass the custom examination check point. S-Curve serves as a means to regulate traffic flow of vehicles entering China from Kyrgyzstan. The S Curve form of the building acts as a spatial and traffic filter allowing for a more organized program and designating spaces for China and Kyrgzstan facilities. Due to the strong continental weather of the site, high precipitation is a norm, therefore creating an opportunity for the building’s roof to act as a water collector mechanism, directing rain water into a bio swale filtering system that allows for the reuse of the water for water utilities.

RTION

M

ROOF

OR

RO AD

EXTRUDE

SUBTRACT SPATIAL FUNCTIONS

REPROPORTION VOLUME PROGRAM

ROOF WATER COLLECTION SYSTEM

31

CHINA PUBLIC

1

Mini Visa Center Detention Staff Housing Animal Shelter

2

Lobby Lab Room Material Room Offices

3

Offices Waiting area Visa Center Custom Hall

PRIVATE

2

4

1 3 KYRGYZSTAN

Cafe

4 View Area

ROOF

THIRD FLOOR

Kyrgyzstan Border Crossing S-Curve’s roof collects rain water that generates a grey water system to reuse water on site year around.

SECOND FLOOR

GROUND PLAN

SCALE:

10’ 0’

30’ 20’

The building will be able to store at least 1/2 of perspiration during the winter and spring.

This will allow at least 1/4 of clean reusable water.

BIO SWALE FILTRATION SYSTEM WATER STORAGE WATER PUMP

Steel Structure Mass

Large Span Girders

PHYSICAL MODEL. Hand cut chip board 1/32 scale site model, with initial structural mass model constructed out of chip board slithers and bass wood sticks.

Cross Bracing Lateral Support

C-Channel Web Joists

Metallic Roof Skin

33

Metal Roof 3” Insulation Metal Decking I-Beam Girder @ 20’ D.O. 1/4” Gyp. Ceiling Low E Glazing Cross Bracing @ 10’ D.O. The south facing solar wall will collect heat to ventilate during the harsh winters.

Air Pockets

Zinc Metal Perforated Solar Wall Polish Concrete Floors 3” Insulation 1/4” Dry Wall Web Joist @ 15’ O.C Metal Decking Polish Concrete Floors

RENDERING. Produced using photography, 3D modeling, rendering and photoshop. This view is from Kyrgyzstan parking space, looking towards the customs vehicle entrance.

RENDERING. Produced using photography, 3D modeling, rendering and photoshop. This view is from China’s custom hall lobby, for people entering China from Kyrgyzstan.

35

2013 / Fourth Year / Undergraduate / Prof. Yehre Suh Model Making / Autocad / Rhino / Photoshop / Illustrator

TIME TO MINGLE

06

RENDERING. Produced using photography, 3D modeling, rendering and photoshop. This view is from the east atrium on one of the student dorm halls.

SITE THREE.

This is the situation with Kings Borough Community College (KBCC). Located on the far corner of Brooklyn’s only, Coney Island, the current site of the institution is heldback by a social barrier in which the wealthy neighborhood and the college community do not interact. However KBCC is committed to contribute to its Brooklyn community through its Center for Civic Engagement Program. Creating opportunities for students to engage with the community through educational services.

CONEY ISLAND

Commercial

Residential

KingsBorough Community College Vacant Lots B36 Bus Line B49 Bus Line

source : Alicia Crystal Melendez http://www.selfadvocatesinaction.org 1/4 Mile Radius 5 Minute Walking

37

Social class has always created barriers between people even through out the built environment, from gated communities to front row seats at an arena. When you are faced with the opportunity to break these barriers the question comes into play; how can architecture create integrated spaces that breaks this social constrcuct?

Vacant Lot Comm. Development Bus Stop Train Station Amenities

B

C

Propose 3 sites for the institution.

The intent of the project is to integrate KBCC within the neighborhood fabric by providing community programs along with student residence halls.

The community programs will differ for each site according to the site’s necessities, allowing the institution to fit into the neighborhood fabric and reach its final vision of completely assimilating into the community.

Coney Island Neighborhood

A

Brighten Beach Neighborhood

Manhattan Beach Neighborhood 1

1 1

2

6

3

2 3 5 4 5

3

4

4

2

5

Comforting United Church of Christ

Magnet School of Multicultural Humanities

Sunshine Child Care

Manhattan Beach Jewish Center

Manhattan Beach Pharmacy

1

2

1

2

Fellowship Baptist Church

Kumon of Brighten Beach

Brooklyn Public Library

Temple Beth-El Manhattan Beach

Happyland Day Care

4

3

4

3

4

Coney Recover Headquarters

Chabad Nesham Center

Buratino Day Care Center

Manhattan Beach Community Group

5

5

6

5

Seventh Day Adventist Church

1

2

Our Lady of Solace Church

3

90K > Income Bracket

1 - 2 Family House Residential Sector

The qualitites of the site are static. More over the neighborhood contains various facilites that help maintain the neighborhood. In particular the Manhaattan Beach Community Group who is charge of maintaining everything from street cleanliness to community comfortability. This organization is the foundation of the community.

How ever there are in need of a new office. KBCC will create a joint collaboration with the organization in is assistance in keeping the community in tact. Alongside with the residence hall students from the college will have the opportunity to participate in social and community services for the neighborhood.

SITE B Residence Hall Educational Center

30 - 40 % 20 - 30 % 10 - 20 % Under 18

SITE C Residence Hall Residential Apt.

Multi - Family 1 - 2 Family Typology

There are a few facilities in the neighborhood that cater to the development of youth which is necesarry in an area of significant amount of youth population. By creating an educational center KBCC will be able provide educational services to the youth from all ages.The students who are living in the residence hall will have the opportunity to partacipate in center applying there skills into a real life setting. More over the educational center will extend further outreach for eveyone interested in gaining more proffessional skills through its continueing education program.

95 - 100 % 80 - 95 % Communities of Color

39

SITE A Residence Hall Community Center

< 25 K 25 - 45 K 45 - 65 K Income Bracket

By providing apartments for the low - income community and space for community programs, KBCC would be able to create relationships with the community and neighboring church facilities through this public forum. More over the college will contain another space for the on going effort of post natural disasters for the area by working alongside with the Coney Recovers organization. Lastly the residence hall will allow for students attending the college to participate in the activities of community development in the area.



   

Community

College

STREET

STREET

STREET

SITE A In the first stage the residence hall program will sit behind the community program becoming visually hidden from the street wall.

SITE B In the second stage the residence hall program begins to seep through the community program making a subtle appearance to street wall.

SITE C In the third stage both the residence hall and the community program completely share the street wall.

41

Circulation

Dorm Rooms

Comm. Center Community Unit (6x)

RA Dorm (2x) Single Dorm (18x)

UNIT COUNT

SITE A The site’s size along with the neighborhood fabric produces a limited volume for a design that caters to a limited number of students to dorm. Hence, the space lends to a more social atmosphere in which the basic utilities, like bathroom, laundry and kitchen are shared.

PHYSICAL MODEL. Initial massing idea. Produced by cutting chipboard to scale for the site and using insulation foam board painted with white acrylic paint.

RA

RA

LA

BA STUDY HALL

BA STUDY HALL

BA

Ground Floor Plan

ORIENTAL BOULEVARD

BA STUDY HALL

BA

BA

Second Floor Plan

Third Floor Plan

N

Scale:

20’ 10’

40’ 30’

SITE B A unique experience occurs in which the private dorms and the classroom units sit adjacent but their entries are on opposite directions, creating subtle social interactions between the users.

STUDY HALL

PHYSICAL MODEL. Initial massing idea. Produced by cutting chipboard to scale for the site and using insulation foam board painted with white acrylic paint.

Classroom Unit (6x)

Single Unit Dorm (8x)

Double Unit Dorm (15x)

DORM SETBACK

Second Floor Plan STUDY HALL

LA

Third / Fourth Floor Plan

Ground Floor Plan

N

Scale:

20’ 10’

40’ 30’

43

SITE C In this case the program for the college and the community are separated and flipped on every level to create a more integrated organization and social interaction.

Triple Unit Dorm (8x)

Single Unit (54x)

Double Unit (7x)

Double Unit Dorm (52x)

Fourth Floor Plan

PHYSICAL MODEL. Initial massing idea. Produced by cutting chipboard to scale for the site and using insulation foam board painted with white acrylic paint.

PHYSICAL MODEL. Detailed massing model. Produced by cutting chipboard to scale for the site and proposal. The Proposal is painted with white acrylic paint.

Third Floor Plan

Perimeter Offset

South Elevation

C

B

A

A

B

C

First Floor Plan

N

20’

Scale: 10’

Section A-A

40’ 30’

45

Third Floor Plan

N

Second Floor Plan

Fifth Floor Plan

Scale:

20’ 10’

40’ 30’

Fourth Floor Plan

SUN LIGHT

AIR FLOW

Section B - B

Section C - C

47

RENDERING. Produced using photography, 3D modeling, rendering and photoshop. This view is inside one of the double units of the residential apartments.

2012 / Second Year / Undergraduate / Prof. Imra Ostroff Autocad / Photoshop / Illustrator Collaborator : Cesar Juarez / Roger Martinez / Yanery Perez

CIRCLE LOUNGE

IRCLE OUNGE Initially we had the desire to allow our project highlight parts of the school and activate it, to make people aware of our intervention. Our project looked to create an encounter within the school but the project transformed too much more than just so. Initially it began as a floating ring, which later needed stability to even exist, which was borrowed from the column by â&#x20AC;&#x153;huggingâ&#x20AC;? it. The ring floats by bracing onto the column and itself in an exchange between structure and intervention.

The project becomes a place one finds to sit, make a call sketch, meet with a professor, etc. it became an event. It allowed for us to activate the corridor, it stopped becoming transient space and became a destination. The concept of this table top, the Circle Lounge, allows for the expansion to other columns and variations of the top in a manner that leads to split levels for seating or other accommodations of other types of table tops.

07

48.0000 48.0000 48.0000

48.0000

48.0000 48.0000

48.0000 48.0000

96.0000

96.0000

96.0000

1:1 SCALE MODEL. Produced with ¾ inch thick sheets of 4x8 plywood, cut by hand and joined with black coated screws.

49

48.0000

2015 - 2017 / Ecuador

CONSTRUCTION WORKSHOPS

MUD BRICK

BAMBOO

08

51

SUBTERRANEAN HOUSEHOLD

AMAZON HOUSEHOLD

HAVE A GOOD DAY