Preview Spring 2022 | Deutscher Kunstverlag

Spring 2022

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deutscherkunstverlag.de

Dear Friends of Deutscher Kunstverlag, Dear Readers, Our jubilee year has passed, but it is still very much alive in two publications that we present to you in this preview: the catalogue for the exhibition of the winners of our art competition, and our publishing history in the form of a bibliophilic journey through time with one hundred books over one hundred years. You also find exciting catalogues, for instance, on “Water in Art Nouveau” and on Nolde’s painting style, artist monographs on Leo von König and Joseph Mader, among others, and a large number of publications on prints, drawing, and photography. I would particularly like to call your attention to the history of hand drawings in the twentieth century based on the holdings of the Museum Pfalzgalerie in Kaiserslautern.

Wishing you many a stimulating insight while browsing through our program!

Katja Richter Editorial Director

OUR PARTNERS Akademie der Künste, Berlin Alte Pinakothek Munich Arnulf Rainer Museum, Baden Bayerische Staatsgemäldesammlungen, Munich Bayerisches Landesamt für Denkmalpflege, Munich Bayerisches Nationalmuseum, Munich Bundesamt für Bauwesen und Raumordnung (BBR) Dehio Vereinigung e.V., Wiesbaden Deutsches Dokumentationszentrum für Kunstgeschichte – Bildarchiv Foto Marburg Doerner Institut, Bayerische Staatsgemäldesammlungen, Munich GRASSI Museum für Angewandte Kunst, Leipzig Grisebach GmbH, Berlin Hans Purrmann Archiv, Munich Hans Purrmann Stiftung, Munich Forschungsstelle Informelle Kunst Hochschule München Institut für Architekturtheorie und Baugeschichte, Leopold-Franzens-Universität Innsbruck Institut für Kunstgeschichte, Bauforschung und Denkmalpflege, Technische Universität, Vienna Klassik Stiftung Weimar Kunsthalle Mannheim Kunsthistorisches Institut der Universität Bonn Max-Planck-Institut – Kunsthistorisches Institut in Florenz, Florence Kunstmuseum Basel Kunstmuseum Bonn Kunstmuseum Kloster Unser Lieben Frauen Magdeburg Kunstmuseum Stuttgart Kunstsammlungen Chemnitz Kunstsammlungen und Museen Augsburg Landesstelle für die nichtstaatlichen Museen in Bayern, Munich Leibniz-Institut für Geschichte und Kultur des östlichen Europa (GWZO), Leipzig Liebermann-Villa Wannsee, Berlin Liebieghaus Skulpturensammlung, Frankfurt am Main Institut für Kunstgeschichte – Ludwig-Maximilians-Universität, Munich LVR-LandesMuseum Bonn LWL-Museum für Kunst und Kultur, Münster Martin von Wagner Museum der Universität Würzburg Mozartfest Würzburg Münchner Stadtmuseum Museum für Gegenwartskunst Siegen Museum Pfalzgalerie Kaiserslautern Museum Villa Stuck, Munich Museum Wiesbaden Noldes Maltechnik – Forschungsverbund Rosa-Luxemburg-Stiftung Berlin Staatliche Graphische Sammlung, Munich Staatliche Kunsthalle Karlsruhe Staatliche Kunstsammlungen Dresden Staatliche Museen zu Berlin – Stiftung Preußischer Kulturbesitz Staatliche Schlösser, Gärten und Kunstsammlungen Mecklenburg-Vorpommern, Staatliches Museum Schwerin Staatsgalerie Stuttgart Stadtmuseum Berlin Städel Museum, Frankfurt am Main Stiftung Museum Kunstpalast, Düsseldorf Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg, Potsdam Stiftung Ada und Emil Nolde, Seebüll Tiroler Landesmuseum, Innsbruck Vereinigung der Landesdenkmalpfleger, Wiesbaden Zentralinstitut für Kunstgeschichte, Munich

CONTENTS

ART Wasser im Jugendstil 7 Emil Noldes Malweise 9 Der Maler Leo von König 1871 – 1944 10 Sachlichkeiten, Sichtbarkeiten 11 Informelle Kunst 13 The Multicultural Modernism of Winold Reiss 14 Sven Hoppler 14 Glanzvolle Glückwünsche 15 VENEDIG. La Serenissima 17 Passepartoutnotizen 18 Zart, brillant, lebendig 19 Vom Zauber der Handbewegung 21 Emil Orlik 23 Max Liebermann Schwarz-Weiß 24 Berliner Schlachtenkupfer 25 Schraffuren 26 Zoltán Kemény 26 200 Jahre Frauenbad 27 Kunst und Buch 28 100 Jahre – 100 Bücher 29 Auschwitz. Bild und Hinterbild 30 Lu Guang 31 India Tecton 32 Ich bin ein Plastiker 33 Kontinuität und Innovation 33 Wielandgut Oßmannstedt 34 Nietzsche-Archiv 34 Herzogin Anna Amalia Bibliothek 35 Star oder Loser? 36 Der Raub der kleinen Dinge 37 Nadeln 37

BACKLIST Selected titles 39

100 Jahre

Dive into the story here

Anniversary publication— the history of a publishing house reduced to the most essential: the book

2021. 212 pages 105 color illustrations 19.0 × 12.0 cm HC € 15.00 [D] ISBN 978-3-422-98816-3 See also page 29

Now online!

The website on the history of Deutscher Kunstverlag geschichte.deutscherkunstverlag.de

All lectures now on our YouTube Channel!

Lecture Series on the Occasion of the Anniversary Together for Art. On the role of art book publishers in the past, present and future.

With Christoph Martin Vogtherr, Georg Skalecki, Anne Thurmann-Jajes, Frank Fehrenbach, Karin Leonhard, Christian Gries, Andrea von Hülsen-Esch, Wolfgang Augustyn

Competition for students of the University of the Arts in Berlin

2021. 78 pages 50 color illustrations 29.7 × 21.0 cm SC € 12.00 [D] ISBN 978-3-422-98803-3 See also page 28

Artistic positions for the art prize of the Deutscher Kunstverlag on the occasion of its 100 year anniversary Artists: Meo Wulf, Max-Friedemann Altenburg, D’Andrade, Elisa Jule Braun, Elke Burkert, Wen-Ling Chung, Nika Grigorian, Domenik Alexander Krischke, vendedores de humo, Anna Slobodnik

6

DEUTSCHER KUNSTVERLAG

Peter Forster (Ed.)

Wasser im Jugendstil Heilsbringer und Todesschlund Pages Ills.

Format

448 550 color mainly 30.0 × 24.0 cm

HC

978-3-422-98845-3 Ger

GERMAN MAY 2022

ca. € 54.00 $ 62.99 £ 49.00

DEUTSCHER KUNSTVERLAG

2022: The official “Year of Water” Water: THE topic of Art Nouveau

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Water: metaphor for a healing element or symbol of a destructive primal force? In the works of Art Nouveau, rushing waves, fish, jellyfish, and mussels or creatures from mythological stories give rise to a space for the imagination that fulfills people’s desires and dreams on the one hand and makes one shudder as a mysterious parallel world on the other. Water as

Exhibition Museum Wiesbaden May 13th to October 23rd, 2022

a place of longing is presented by means of 250 works: Japonesque-like works, the dazzling ceramics of a Émile Gallé, and somber mythological paintings like that of the German artist Fidus visualize the idea of a total work of art with incredible diversity. Light is thus shed on the topic of "water in Art Nouveau" from an international, regional, and interdisciplinary perspec-

tive for instance with a view to literature, music, or historical contexts.

Texts by Ingeborg Becker, Véronique Dumas, Hubertus Kohle, Thomas Moser, Adrian Renner, Frank Thielmann, Christina Uslular-Thiele et al.

8

DEUTSCHER KUNSTVERLAG

Stiftung Seebüll Ada und Emil Nolde, Doerner Institut Bayerische Staatsgemäldesammlungen, Munich, Hamburger Kunsthalle (Eds.)

Emil Noldes Malweise „Eine Farbe verlangt die andere“ Pages Ills.

Format

240 250 color 30.0 × 24.0 cm

HC

978-3-422-98719-7 Ger

GERMAN MARCH 2022

First comprehensive and interdisciplinary research on the painting technique of the Expressionist Emil Nolde

DEUTSCHER KUNSTVERLAG

€ 38.00 $ 43.99 £ 34.50

Hitherto unique analysis of Nolde’s archival and studio estate from the perspective of art technology Interdisciplinary team of authors from the institutions involved in the project

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The painting technique and artist’s materials of the renowned Expressionist Emil Nolde (1867–1956) have been examined for the first time by an interdisciplinary team of restorers, art historians, and scientists. The research included an evaluation of Nolde’s studio estate and his text sources from the perspective of art technology, as well as detailed

Exhibitions Hamburger Kunsthalle October 16th to March 18th, 2022; Pinakothek der Moderne, München March, 2022 to February, 2023; Nolde Stiftung Seebüll From summer 2022

microscopic, imaging, and material-analysis examinations of his paintings. Known as a master of coloring, the choice of canvas, primer, and paint, as well as diverse application techniques are essential to the effect of his pictures. The impressive spectrum of Nolde’s working methods and his struggle to arrive at artistic solutions are explained clearly based

on 44 works from all the phases of his long career.

Nolde Stiftung Seebüll; Doerner Institut, BStGS, Munich; Hamburger Kunsthalle; University of Hamburg, HfBK Dresden

Ingrid von der Dollen

Der Maler Leo von König 1871–1944 Ein Zeitbild im Spiegel seiner Porträts Pages Ills.

Format

192 42 b/w, 102 color 24.5 × 20.0 cm

SC

978-3-422-98770-8 Ger

€ 34.00 $ 39.99 £ 31.00

DEUTSCHER KUNSTVERLAG

GERMAN FEBRUARY 2022

Leo von König as a portraitist, “Berliner Secession,” art in the interplay between society and politics Portraits, painting, and proximity to power Gaps in the research on Leo von König’s oeuvre

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The great portraitist Leo von König (1871–1944) was surrounded by a circle of personalities who were also connected with one another as representatives of their era. A perusal of their correspondence, journals, memoirs, and autobiographies thus produces a dense network of information and insights that form a mosaic of those decisive years. The painter

always cultivated a close exchange with his social surroundings; indeed his attentiveness was a driving force for the portrait painting that established his fame. When persecution and war negatively impacted his ability to obtain commissions, he turned in particular to his companions, for instance Ernst Barlach or Reinhold Schneider.

The portraits painted at this time go

beyond any conventions and communicate a panorama of this harrowing epoch.

Ingrid von der Dollen, art historian and renowned expert in painting from circa 1900 to the mid-20th century

Maximilian Mader (Ed.), Felix Billeter, Angelika Grepmair-Müller

Sachlichkeiten, Sichtbarkeiten

Joseph Mader (1905–1983) – ein Maler der verlorenen Generation Pages Ills.

Format

200 150 color 24.0 × 17.0 cm

HC

978-3-422-98637-4 Ger

GERMAN MARCH 2022

DEUTSCHER KUNSTVERLAG

€ 24.90 $ 28.99 £ 22.50

Rediscovery of a forgotten artist of the 20th century Published on the occasion of an exhibition at the Museum Penzberg in the spring of 2022

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The painter and graphic artist Joseph Mader (1905–1983), who was shaped by his encounter with the works of Max Beckmann around 1928, was just beginning his career in 1933 and was thus confronted with the question of adapting or distancing himself.

His isolation made him into an artist of the “lost generation,” who never had the chance to position himself

in the art market prior to the “Third Reich.” Mader continued his artistic career amidst the political discussions surrounding the art of the postwar era as a figurative painter. He juxtaposed a love of “what is visible,” the mysterious harmony of creation, with Beckmann’s hard-hitting view of the “objectivity” of the world. Mader’s life and work are an appeal to reassess

this generation’s evaluations of art and society.

Felix Billeter, art historian; Angelika Grepmair-Müller, art historian, both Munich

12 DEUTSCHER KUNSTVERLAG

Anne-Kathrin Hinz, Christoph Zuschlag (Eds.)

Informelle Kunst Begriffe, Kontexte, Rezeptionen Informelle Kunst 1 Pages Ills.

Format

144 13 b/w, 15 color 24.0 × 17.0 cm

SC

978-3-422-98861-3 Ger

€ 39.00 $ 44.99 £ 34.00 DEUTSCHER KUNSTVERLAG

GERMAN JUNE 2022

Informel, art in Germany in the 1950s New series of publications, current research, source texts in translation

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Informel was the central artistic innovation in the art of the 1950s and still remains influential today. The Research Center for Art Informel, which is dedicated to intensifying the rather sparse research in this area in recent years, has been part of the Department of Art History of the University of Bonn since 2019. A series of publications by the research center starting in 2022 documents its projects and will provide an innovative contribution to research on Art Informel from a glob-

al and transdisciplinary perspective.

Current research contributions—in the form of both collections of essays and monographs—will thus primarily be published, along with important foreign-language source texts on Art Informel redacted in German translation.

Volume 1 Informelle Kunst: Begriffe, Kontexte, Rezeptionen Volume 2 Michel Tapié: Un art autre.

Eine andere Kunst. Faksimile und deutsche Erstübersetzung

Volume 3 Zeugnis – Zweifel – Zeichen.

Zeitgeschichte in der abstrakten Malerei in Deutschland nach 1945 Anne-Kathrin Hinz, research assistant at the university of Bonn; Christoph Zuschlag, head of the Forschungsstelle zur Informellen Kunst, university of Bonn

Rediscovery of the artist and designer Winold Reiss Essential study material for scholars and anyone interested in Modern Art in a European-American context

DEUTSCHER KUNSTVERLAG

Over 250 illustrations of portraits, murals, graphic design and interiors by the artist

Frank Mehring (Ed.)

The Multicultural Modernism of Winold Reiss (1886–1953) (Trans)National Approaches to His Work Pages Ills.

Format

320 320 color 28.0 × 21.0 cm

HC

978-3-422-98052-5 En

€ 48.00 $ 55.99 £ 41.50

ENGLISH NOVEMBER 2021

In a first, this anthology presents essays by art historians and cultural scientists from both sides of the Atlantic to rediscover, analyze and contextualize the rich and largely unknown art of Winold Reiss, opening up a new, previously untapped archive of multicultural Modernism. The German-American artist, who was born in Karlsruhe in 1886 and arrived in New York in 1913, defies instant categorization. With his dual background in fine arts and applied arts he set out to bridge the gulf between “high” and

“low” art, introducing a bold use of color to the American art scene and to interior design. In his portraits Reiss captured the multi-ethnic diversity of the US. His specific blend of cultural otherness, primitivism, and depictions of ethnicity challenged the conventions of the time.

Frank Mehring, Professor of American Studies, Radboud University, Nijmegen, The Netherlands

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First comprehensive publication on the work of the Swiss painter Sven Hoppler Contemporary Realism Traditional iconographies, reconsidered

Paul Gathof (Ed.)

Sven Hoppler Pages Ills.

Format

70 32 color 28.0 × 21.5 cm

SC

978-3-422-98824-8 Ger

GERMAN NOVEMBER 2021

€ 18.00 $ 20.99 £ 16.50

The painter Sven Hoppler, who was born in Basel in 1995, has chosen a strikingly precise form of presentation.

In his glaze paintings, he takes up picture types and gestures from the history of art with the aid of contemporary motifs. The paintings take up traditional iconographies, but surprise on second viewing with alienations or ironic refractions. In his works, Hoppler occupies himself with questions relating to the social, religious, (pop)cultural, and political. This first catalogue on Hoppler’s oeuvre presents works created in the last few years, also

including the triptych Unbemerkte Berufung, which is presented in detail as a foldout page. Text contributions by the art historians Mark Gisbourne and Beat Wyss provide insights into Hoppler’s work thus far.

Sven Hoppler, 2016–2020 Studies of Fine Arts at the Alanus University of Arts and Social Sciences, Alfter near Bonn; 2017/18 DAAD scholarship for particularly committed international students; 2018/19 Germany scholarship

Frank Matthias Kammel, Bayerisches Nationalmuseum (Ed.)

Glanzvolle Glückwünsche Geburtstagsgaben für Prinzregent Luitpold Pages Ills.

Format

272 284 color 29.0 × 23.0 cm

SC

978-3-422-98766-1 Ger

€ 33.00 $ 37.99 £ 28.50

DEUTSCHER KUNSTVERLAG

GERMAN NOVEMBER 2021

First in-depth examination of the genre of official birthday presents Connection between findings connected with art technology and the interpretation of the history of art and culture Exhibition Bayerisches Nationalmuseum, Munich September 23rd, 2021 to March 27th, 2022 Institutions, associations, and company boards presented magnificent birthday presents to Prince Regent Luitpold of Bavaria (1821–1912), one of the most well-known representatives of the House of Wittelsbach, on the occasion of his round birthdays in 1891, 1901, and 1911. As highquality handcrafted works, they combine artistic techniques from goldsmithing to cut

leather to watercolor painting. Their stylistic spectrum ranges from variants of historicism to Art Nouveau. These treasures, which are part of the holdings of the Bayerisches Nationalmuseum, shed light on the vital cultural development during the span of time around 1900, also known as the “Prinzregentenzeit,” or Regency period, and the magnificent celebrations of the

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birthday of a prince shortly before the end of the monarchy in Germany.

Frank Matthias Kammel, Bayerisches Nationalmuseum, Munich, with contributions by Sibylle Appuhn-Radtke, Annette Schommers, Katharina Weigand et al.

16 DEUTSCHER KUNSTVERLAG

Kurt Zeitler, Staatliche Graphische Sammlung München (Ed.)

VENEDIG. La Serenissima Zeichnung und Druckgraphik aus vier Jahrhunderten Pages Ills.

Format

352 258 color 30.0 × 24.0 cm

HC

978-3-422-98697-8 Ger

€ 58.00 $ 66.99 £ 52.50 DEUTSCHER KUNSTVERLAG

GERMAN FEBRUARY 2022

Works of Venetian drawing and graphic prints – exclusive, exquisite, and in a new light Exhibition Staatliche Graphische Sammlung Munich February 3rd to May 8th, 2022 Venice is largely regarded as the city of painting. Closely intertwinen with this, significant masterpieces in the art of drawing and graphic prints were created from the 15th century up to the end of La Serenissima, in 1797. The catalogue accompanying the exhibition of the same name is dedicated exclusively to such works. In the laboratory of ideas of trailblazing Venetian

artists, drawings lead from Bellini to Lorenzo Lotto, Tintoretto, and Veronese, and to Guardi and Fontebasso. Titian drew enthralling compositions for woodcuts and copperplate engravings, and Tiepolo’s oeuvre culminates in enigmatic etchings of gripping profundity. Etched works by Marieschi and Canaletto shape our poetic notions of the

17

atmosphere and living conditions particular to this incomparable city in mezzo al mare.

Kurt Zeitler, Staatliche Graphische Sammlung Munich, with contributions by Maria Aresin and Ilka Mestemacher

Peter Assmann (Ed.),

Passepartoutnotizen Unbekannte italienische Zeichnungen aus eigenem Bestand Pages Ills.

Format

352 160 color 28.0 × 32.0 cm

SC

978-3-422-98802-6 Ger

€ 42.00 $ 48.99 £ 38.00

DEUTSCHER KUNSTVERLAG

GERMAN PUBLISHED

First presentation of hitherto unknown artworks by Italian artists of the sixteenth to eighteenth century from the collection of the state museums in Tyrol Exclusive insights into the practice of the forming of expert opinion

18

The treasure trove of art that is presented in this volume for the first time lay dormant and unknown in the depot of the state museums of Tyrol for nearly 200 years. More wellknown collections of graphic prints generally store such works mounted in passe-partouts, on which there are occasionally brief, at times cryptic-seeming annotations, in which art

experts jotted down their proposed attributions. For the still unexplored holdings in Innsbruck, such a scholarly discourse, which was often conducted on passe-partouts over decades, was initiated quasi in time lapse. This publication brings together annotations jotted down by experts on the passepartouts of the drawings, which are presented here for the first time. This

thus offers fresh insights into the practice of the forming of expert opinion.

Compiled by Ralf Bormann, Texts by Ralf Bormann, Heiko Damm Exhibition Tiroler Landesmuseen, Innsbruck November 1st, 2021 to January 9th, 2022

Elisabeth Hipp, Alte Pinakothek (Ed.)

Zart, brillant, lebendig

Pastelle des 18. Jahrhunderts in den Bayerischen Staatsgemäldesammlungen Pages Ills.

Format

136 56 b/w, 125 color 21.0 × 15.0 cm

SC

978-3-422-98900-9 Ger

€ 14.90 $ 17.99 £ 13.00

DEUTSCHER KUNSTVERLAG

GERMAN MAY 2022

A new look at the complete holdings of pastel works from the 18th century at the Bayerische Staatsgemäldesammlungen Published on the occasion of a special exhibition presented at the Alte Pinakothek in spring 2022

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Pastels from the 18th century are fascinating—due to either their closeness to nature and immediacy or the virtuosity of their execution, but always because of their opulent and fragile quality. The richly illustrated collection guidebook provides information in a compact form about all the works of this genre created between 1700 and 1800 in the Bayerische Staatsgemäldesammlungen. They include more than one dozen masterpieces by Joseph Vivien, Maurice Quentin de La Tour, Rosalba Carriera, and Jean-Étienne Liotard, as well as anonymous works. Introductory essays shed light on aspects connected with art history, the history of the collection, and art technology.

With contributions by Bernd Ebert, Ulrike Fischer, Elisabeth Hipp, Herbert W. Rott, Xavier Salmon and Andreas Schumacher

20 DEUTSCHER KUNSTVERLAG

Sören Fischer (Hrsg.)

Vom Zauber der Handbewegung – Eine Geschichte der Zeichnung im 20. und 21. Jahrhundert

Bestandskataloge der Graphischen Sammlung XVI. 304 200 color 29.5 × 24.0 cm

HC

978-3-422-98854-5 Ger

GERMAN MARCH 2022

ca. € 38.00 $ 43.99 £ 33.00

DEUTSCHER KUNSTVERLAG

Pages Ills.

Format

First-class works of German art show drawing’s spectrum of manifestations: from the sketch, sculpture drawing and overdrawing to the folded drawing up to the artist book.

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The catalogue impressively presents how young and timeless the art of drawing still is today. The book brings together roughly 140 drawings from the holdings of the Graphische Sammlung (Collection of Prints and Drawings) of the Museum Pfalzgalerie Kaiserslautern, presented by renowned authors. The arc extends from Gustav Klimt, Max Slevogt, Hans Purrmann, and Käthe Kollwitz to Rudolf Levy, Emy Roeder, and Pablo Picasso to

Karl Bohrmann, Bettina Blohm, and Malte Spohr, as well as to more recent acquisitions by Max Uhlig, Hanns Schimansky, Doris Kaiser, Barbara Hindahl, and Thomas Müller. Based on these works from the history of German art in particular, all the significant trends of the past 150 years are delineated on the highest level and, beyond the exhibition, a fundamental work on drawing is presented.

Texts by Alexander Bastek, Stephan Dahme, Karoline Feulner, Sören Fischer, Christine Follmann, Daniela Koch, Benjamin Rux

Exhibition Museum Pfalzgalerie Kaiserslautern, Graphische Sammlung March 11th to May 8th, 2022

22 DEUTSCHER KUNSTVERLAG

Peter Voss-Andreae (Ed.)

Emil Orlik

Das druckgraphische Werk Pages Ills.

Format

1200 1280 b/w, 665 color 31.0 × 25.0 cm

HC

978-3-422-98841-5 Ger

ca. € 198.00 $ 227.99 £ 180.00

GERMAN MAY 2022 DEUTSCHER KUNSTVERLAG

Four volumes in a slipcase

The first catalogue raisonné of Emil Orlik’s extensive graphic oeuvre (ca. 2,300 works) Bibliophile edition—four volumes, embossed linen cover, in a covered slipcase

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Emil Orlik (1870–1932) was a painter, graphic artist, photographer, medallion maker, and craftsman: an all-round talent. A decisive factor in his artistic development was a trip to Japan in 1900/01, during which he learned the art of woodcarving from Japanese masters. He was a member of the Secession in Vienna, and was appointed in 1904 as a professor in

Berlin, where he created designs for stage sets and costumes for Max Reinhardt. His portraits of personalities from art, theater, music, literature, film, cabaret, and politics are a kaleidoscope of the intellectual, cultural, and economic life of the Weimar Republic. Orlik’s extensive graphic oeuvre—woodcuts, etchings, and lithographs—has now been document-

ed in detail for the first time and is presented in this catalogue raisonné.

Texts by Birgit Ahrens, Peter Voss-Andreae

Lucy Wasensteiner (Ed.)

Max Liebermann Schwarz-Weiß Die Druckgrafik Pages Ills.

Format

144 100 color 28.5 × 23.0 cm

SC

978-3-422-98682-4 Ger

ca. € 28.00 $ 32.99 £ 25.50

DEUTSCHER KUNSTVERLAG

GERMAN MARCH 2022

First introductory publication on Liebermann’s graphic prints

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Exhibition Liebermann-Villa am Wannsee, Berlin March 6th to June 6th, 2022 Max Liebermann (1847–1935)—a co-founder of the Berlin Secession and President of the Akademie der Künste for many years—was one of the most important artists of his generation.

In addition to his impressive painting oeuvre, Liebermann’s graphic prints also assume an important role: over 600 motifs as etchings, lithographs, and woodcuts are found today in mu-

seum and private collections around the world. This catalogue provides an introduction to Liebermann’s graphic prints based on selected works from the collection of the Max Liebermann Society Berlin. It also presents common printmaking techniques and provides a detailed examination of the development of the graphic prints by the most significant representative of

Impressionism. The focus is thus on the history of the collecting and exhibiting of his print graphic works as well as the research on these works.

Texts by Sigrid Achenbach, Alice Cazzola, Denise Handte, Viktoria Bernadette Krieger, Andreas Schalhorn, Lucy Wasensteiner

Henriette Lavaulx-Vrécourt, Niklas Leverenz (Eds.)

Berliner Schlachtenkupfer / Berlin Battle Engravings 34 Druckplatten der Kaiser von China / 34 Copperplates for the Emperors of China 248 175 color 27.0 × 21.0 cm

SC

978-3-422-98768-5 En/Ger € 42.00 $ 48.99 £ 38.00

ENGLISH/GERMAN PUBLISHED

DEUTSCHER KUNSTVERLAG

Pages Ills.

Format

First publication of the entire collection of the thirty-seven copper plates still in existence, including picture material from the eighteenth and nineteenth century Detailed description of the motifs on the battle paintings of the plates exhibited in the Humboldt Forum

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The publication presents the entire collection of printing plates depicting battles of the Chinese emperor that are still in existence. They show scenes of Chinese military campaigns between 1755 and 1828. Of the originally eighty-eight printing plates, only thirty-seven are still known today, thirty-four of them in the Ethnological Museum in Berlin. The book tells the

history of the plates’provenance and describes the history of copperplate engraving in China. The process in which the printing plates were created and the motifs found in the pictures of battles are also explained. The magnificent copper plates, which are part of the exhibition in the Wang Shu Room of the Humboldt Forum, bear witness to the history of missionaries in China,

the military campaigns and politics of the Chinese emperor, the transnational interrelation of culture and craft, and ultimately the craft of copperplate engraving itself.

Texts by Nick Pearce, Henriette Lavaulx-Vrécourt, Niklas Leverenz, Alexey Pastukhov

Informel and surrealism Pen and ink drawings

DEUTSCHER KUNSTVERLAG

Rediscovery of an artist

Tobias Funk (Ed.)

Hans Funk Feder Zeichnung Pages Ills.

Format

120 100 color 26.0 × 21.0 cm

SC

978-3-422-98759-3 Ger

€ 24.00 $ 27.99 £ 22.00

GERMAN FEBRUARY 2022

Hans Funk (1928–2002) made a name for himself as a draftsman starting in the 1960s and 1970s. From his beginnings in Art Informel, in his large-format pen-and-ink drawings he developed an extensive and independent oeuvre that oscillates between renouncing and preserving form, between spontaneity and reflection. The artist lived and worked in Lüneberg in Lower Saxony, thus far away from big cities and their art market protagonists. The volume now being published by his son Tobias Funk presents the

development of his brilliant drawing art in eighty images. His drawing oeuvre is also described in detail in three art-historical essays.

Texts by Felix Billeter, Angelika Grepmair-Müller, and Andreas Strobel

26

Art in public space Current discussion and research New positions

Philipp Oswalt (Ed.)

Zoltán Kemény

Das Raumkunstwerk für die Städtischen Bühnen in Frankfurt am Main Pages Ills.

Format

150 105 17.0 × 24.0 cm

HC

978-3-422-98825-5 Ger

GERMAN MAY 2022

€ 24.00 $ 27.99 £ 22.00

The artist Zoltán Kemeny’s space sculpture of 1963 in the glass foyer of the Städtische Bühnen (Municipal Stages) in Frankfurt am Main shapes the face of the building. The over 100-meter-long artwork, which is visible from afar, sets a contrast to the architecture of the building with its organic dynamics and accentuated handcrafted quality. Based on new research, the book presents the artist, artwork, and genesis and reception of the work, which is beloved by the residents of Frankfurt, in texts and images. New student designs show

various options for how the presentation of the recently landmarked work can go hand in hand with a conceptual revision of the Städtische Bühnen.

Philipp Oswalt, Professor of Architecture Theory, University of Kassel

Arnulf Rainer Museum (Ed.)

200 Jahre Frauenbad

Baukultur und Kunstbetrieb in der Kurstadt Baden bei Wien / 200 Years of the Frauenbad: Building Culture and the Art Industry in the Spa Town of Baden near Vienna Pages 250 numerous Ills.

Format 29.0 × 24.0 cm SC

ENGLISH/GERMAN PUBLISHED

DEUTSCHER KUNSTVERLAG

978-3-422-98806-4 En/Ger € 39.00 $ 44.99 £ 35.50

Current research positions on Architecture of Classicism in Austria Spa architecture and World Heritage Site Important topic of the conversion and new use of architectural monuments

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The “Frauen- und Carolinenbad” bathing facility was opened in Baden near Vienna in 1821. Two hundred years after this event, which was significant from the perspective of both culture and economic and architectural history, this book documents the history of the planning and construction of the building, which has been dedicated to the painter Arnulf Rainer since

2009. The Frauenbad is one of the most important Classical buildings in Austria. Its designer, the Frenchman Charles de Moreau (1758–1840), was one of the leading architects of this epoch in Austria. The book communicates the results of new research on the architecture of this key European period between the Enlightenment, revolution, and reaction.

Texts by Matthias Boeckl, Christine Humpl-Mazegger, Markus Kristan, Petra Leban, Katharina Schoeller, Ulrike Scholda

Deutscher Kunstverlag (Ed.),

Kunst und Buch 1921–2021–2121 Pages Ills.

Format

78, with foldouts 50 color 29.7 × 21.0 cm

SC

978-3-422-98803-3 Ger

€ 12.00 $ 13.99 £ 11.00

DEUTSCHER KUNSTVERLAG

GERMAN PUBLISHED

“The future of books does not look good.”

Really – or just very different?

Artistic positions for the art prize of the Deutscher Kunstverlag on the occasion of its 100 year anniversary

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Exhibition Kommunale Galerie Berlin July to August 2021 In conjunction with the 100 year anniversary of the Deutscher Kunstverlag, students at the Berlin University of the Arts took part in a competition.

The aim was to examine the future of books as a print medium. The fascinating works selected—including video works, installations, and book-objects —were presented in an exhibition at municipal galleries. The catalogue documents the results, presents the artists and their works, and shows pic-

tures of the exhibition. The presentation is supplemented by a foreword by the director of the publishing house, Katja Richter, welcoming remarks by the jury member Jörg Heiser, and an essay by Ilka Backmeister-Collacott that emphasizes the importance of the print medium in the age of technology in a declaration of love to the printed book.

Artists: Meo Wulf, Max-Friedemann, Altenburg, D‘ Andrade, Elisa Jule Braun, Elke Burkert, Wen-Ling Chung, Nika Grigorian, Domenik Alexander Krischke, vendedores de humo, Anna Slobodnik Texts by Ilka Backmeister-Collacott, Jörg Heiser, Katja Richter

Deutscher Kunstverlag (Ed.),

100 Jahre – 100 Bücher Eine bibliophile Zeitreise mit dem Deutschen Kunstverlag Pages Ills.

Format

212 105 color 19.0 × 12.0 cm

HC

978-3-422-98816-3 Ger

€ 15.00 $ 17.99 £ 13.50

DEUTSCHER KUNSTVERLAG

GERMAN PUBLISHED

A unique look at books through 100 years of Deutscher Kunstverlag The history of a publishing house broken down into the most essential: the book

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In 2021, Deutscher Kunstverlag celebrates its 100th anniversary. The publishing house was established in 1921 at the behest of the Prussian State.

With its photographs of artistically significant buildings, the archive of its Staatliche Bildstelle provided the basis for marketing photos in the form of books, pictures, and postcards. Over the course of a century, innumerable high-quality, significant, beautifully illustrated, but also whimsical publica-

tions and standard works have been published. One hundred outstanding books were selected for presentation in this volume—instead of a classic commemorative publication, the publishing house has produced a stimulating bibliophile journey of discovery through the century.

Texts by Pablo Schneider, Katja Richter, Anja Weisenseel, Kathleen Herfurth, Luzie Diekmann

Frédéric Mougenot

Auschwitz. Bild und Hinterbild – Fotografien Pages Ills.

Format

88 90 color 24.0 × 17.0 cm

SC

978-3-422-98721-0 Ger

DEUTSCHER KUNSTVERLAG

GERMAN FEBRUARY 2022

Culture of remembrance Contemporary photography Art and political science

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The 75th anniversary of the liberation of Auschwitz was commemorated in 2020. While the final survivors are now rapidly disappearing, mass tourism phenomena can be perceived in Auschwitz at the same time. In light of these changes, it is important to discuss the concept of remembrance and also to ask: What do the crowds of visitors see? In 2017 and 2018, Frédéric Mougenot photographed the two extermination camps and locations in the socalled “Interessengebiet” (area of interest), which was largely forgotten after 1945. What is thus shown in the photographs is an invisible boundary that separates the culture of remembrance from gradual disappearance.

Frédéric Mougenot, freelance photographer, Zurich, Switzerland Texts by Sarah Hübscher, Barbara Welzel, Habbo Knoch

€ 28.00 $ 32.99 £ 25.50

Sandra Badelt, Robert Pledge (Eds.)

Lu Guang Black Gold and China Pages Ills.

Format

160 120 color 21.3 × 32.0 cm

SC

978-3-422-98881-1 Ger

€ 40.00 $ 46.99 £ 35.50

GERMAN DECEMBER 2021 DEUTSCHER KUNSTVERLAG

Lu Guang: the photographic conscience of China Exhibition Deutsches Bergbau-Museum Bochum December 10th, 2021 to April 17th, 2022

Socioeconomic and ecological issues in industrial China, documented in powerful photographic works

31

The Chinese photographer Lu Guang occupies himself with the socioeconomic and ecological issues connected with China’s “industrial revolution,” which call to mind the problems of Western nations in the nineteenth and twentieth century. His photographs reflect the consequences of intensive coalmining and the environmental destruction that accompanies it. They

impressively document the collateral damage that China’s emergence as an economic superpower and producer for the international demand has caused. Lu Guang also captures the social life worlds of people who live on the poverty line in these industrial landscapes in powerful pictures. The catalogue accompanying his first monographic exhibition in Germa-

ny presents roughly 100 works with which Lu Guang makes us aware that: “There is only one earth, which we share.”

Texts by Sandra Badelt with Stefan Brüggerhoff, Hu Donglin, Lu Guang, Robert Pledge

Kunststiftung K52 (Ed.), Nicolaus Schmidt

India Tecton

Gebautes Indien / Architectural Expressions in India Pages Ills.

Format

256 176 color 24.0 × 30.0 cm

HC

978-3-422-98762-3 En/Ger ca. € 42.00 $ 48.99 £ 38.00

DEUTSCHER KUNSTVERLAG

ENGLISH/GERMAN APRIL 2022

Exhibitions India International Centre, Neu-Delhi October 28th to November 12th, 2022; Galerie der Kunststiftung K52, Berlin February 16th to March 11th, 2023

Ancient and modern Indian architecture and culture concentrated in photographs

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India is a country with an ancient and extremely multilayered culture. The diversity of cultures and religions is manifested in a topography of architecture and sculptures that is difficult to survey. The photographer Nicolaus Schmidt presents this diversity in highly focused photographs. The book reveals references and kinships between artifacts from various religions and

epochs. The photographs also reflect colonial domination and international cultural relationships, as well as the extreme social contrasts. What arise are standalone artworks that simultaneously highlight the architectural characteristics of buildings and artifacts from antiquity to the modern era. India Tecton is a novel, visually powerful approach to architecture and art in India.

Texts by Nicolaus Schmidt, Rahaab Allana, Simone Bader

Goethe and sculpture — a lifelong theme in art history, poetry, and aesthetics

„Ich bin ein Plastiker“ Goethes ungeschriebene Skulpturästhetik Pages Ills.

Format

224 120 color mainly 26.0 × 21.0 cm

HC

978-3-422-98786-9 Ger

ca. € 38.00 $ 43.99 £ 34.50

GERMAN MARCH 2022

Johann Wolfgang von Goethe should be taken seriously when he calls himself a “sculptor.” He created models himself. As a designer of monuments, advisor to Schadow and Tieck, and friend of Christian Daniel Rauch, as a poet with his own sculptural ideas, and as a morphologist with a dynamic concept of form, the formation of self and responsibility for the world are his themes. This study deals for the first time with Goethe’s engagement with sculpture and also reveals his unwritten sculptural aesthetics. What do “sensual laws of art,” the unity of “lan-

guage and sculpture,” rhythm, metamorphosis, the power of education, and “organic whole” mean for him? It is shown that these keywords also interested modern sculptors like Andreu Alfaro, Joseph Beuys, Eduardo Chillida, Ewald Mataré, or Henry Moore.

DEUTSCHER KUNSTVERLAG

Christa Lichtenstern

Christa Lichtenstern, art historian, archaeologist, Germanist, various professorships in Germany and the U.S.

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Zeitgeist and continuity in art The roots of modernism Interplay between art and philosophy, the natural sciences and an expanded way of seeing

Heinz Spielmann

Kontinuität und Innovation

Bausteine für eine Ikonologie der Moderne Pages Ills.

Format

224 200 color mainly 26.0 × 21.0 cm

HC

978-3-422-98842-2 Ger

GERMAN SPRING 2022

ca. € 29.00 $ 33.99 £ 26.50

The art of the last 150 years has hitherto been regarded primarily as a result of revolutionary changes in seeing. Modernity has therefore been interrogated insufficiently with respect to its contents. This publication shows that older and extremely old resources—topics like regulation of form—take on new importance in art by living from and in the interplay between art and philosophy, the natural sciences and an expanded way of seeing. Western art is put in relation to world cultures. The examinations follow in the tradition of iconological

research, but depart from it through taking into account how the normative is relativized by the individual.

Heinz Spielmann, headed the modern department at the Hamburg Museum für Kunst und Gewerbe. Director of the Landesmuseen Schleswig-Holstein. Taught at the University of Münster. Founding director of the Bucerius Kunst Forum in Hamburg

The life of a poet in the country

DEUTSCHER KUNSTVERLAG

Provides insights into one of the most important phases in German literature Published on the occasion of the redesign of the Wieland-Museum Oßmannstedt

Klassik Stiftung Weimar (Ed.)

Wielandgut Oßmannstedt Pages Ills.

Format

112 90 color 23.0 × 15.0 cm

SC

978-3-422-98919-1 Ger

€ 14.90 $ 17.99 £ 13.00

ENGLISH AUGUST 2022

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In the spring of 1797, the writer Christoph Martin Wieland (1733—1813) purchased the Oßmannstedt estate, which he managed and lived on with his large family until April 1803. It was here that he wrote his last great novel Aristipp und einige seiner Zeitgenossen. Wieland received numerous visitors here, including Goethe, John Gottfried Herder and his wife, and Duchess Anna Amalia, who came from nearby Weimar, his early love, Sophie von La Roche, with her granddaughter Sophie Brentano, the writers Jean Paul, Heinrich von Kleist, Johann

Gottfried Seume, and many others.

The volume tells the history of the house and park of the Wieland Estate Oßmannstedt and accompanies the exhibition at the Wieland-Museum, which provides an introduction to the life and work of Christoph Martin Wieland and shows his significance for German literature.

Texts by Fanny Esterházy

In focus — the new series of the Klassik Stiftung Weimar

The Nietzsche cult has a home: the Nietzsche Archive A MUST-HAVE for Nietzsche fans and lovers of Art Nouveau Weimar beyond the classics: discover new places

Klassik Stiftung Weimar (Ed.)

Nietzsche-Archiv Pages Ills.

Format

112 70 color 23.0 × 15.0 cm

SC

978-3-422-98716-6 En 978-3-422-98715-9 Ger

ENGLISH FEBRUARY 2023

€ 14.90 $ 17.99 £ 13.00

Villa Silberblick where a mentally deranged Friedrich Nietzsche spent the final years of his life, was originally a middle-class home. Nietzsche’s sister Elisabeth Förster-Nietzsche not only looked after her ill brother but also exploited the cult-like admiration the philosopher enjoyed for her own ends and installed the Nietzsche Archive in the building. Initially very popular amongst Europe’s avant-garde later Elisabeth Förster-Nietzsche allowed the archive to be instrumentalized by the National Socialists before it became a taboo topic in the GDR. Fea-

turing many colored illustrations, the book relates the turbulent history of a memorial that reflects the ambivalence of modernism.

Texts by Helmut Heit, Juliane Hupka, Corinna Schubert, Sabine Walter

Klassik Stiftung Weimar (Ed.)

Herzogin Anna Amalia Bibliothek Pages Ills.

Format

160 130 color 23.0 × 15.0 cm

SC

978-3-422-98718-0 En 978-3-422-98717-3 Ger

€ 14.90 $ 17.99 £ 13.50

GERMAN APRIL 2022 DEUTSCHER KUNSTVERLAG

The historical building of the Herzogin Anna Amalia Bibliothek can be experienced anew starting in the spring of 2022 Redesigned exhibition spaces and a redesigned foyer in conjunction with the project “Cranach 2022”

35

The book tells the story of the archiving and research library from its beginnings in the sixteenth century to the present and takes readers along on a tour of its rooms of collections and knowledge: in the historical library building, the path leads from the Renaissance Hall with the exhibition Cranach’s Torrent of Images, to the Rococo Hall from 1766, and on to the book tower. Via the underground

stacks, one arrives at the study center with the central book cube, which was opened in 2005. Thematic contributions present the diverse collections: they look at manuscripts from the time before book printing as well as pamphlets of the Reformation period, the world’s biggest collection of Faust, or the socalled Ash Books, which have been restored since the fire in 2004.

Texts by Arno Barnert, Annett CariusKiehne, Andreas Christoph, Alexandra Hack, Rüdiger Haufe, Stefan Höppner, Christian Märkl, Reinhard Laube, Katja Lorenz, Christoph Schmälzle, Veronika Spinner, Claudia Streim, Ulrike Trenkmann, Erdmann v.

Wilamowitz-Moellendorff, Jürgen Weber

Karin Guggeis

Star oder Loser?

Zum Making-of von Objektkarrieren in einem ethnologischen Museum Bayerische Studien zur Museumsgeschichte 5 Pages Ills.

Format

248 58 color 26.0 × 19.5 cm

SC

978-3-422-98821-7 Ger

€ 49.90 $ 57.99 £ 45.50

DEUTSCHER KUNSTVERLAG

GERMAN JULY 2022

Stars or losers – what determines the “careers” of museum objects?

A research project on the cultural biography of ethnological objects from Africa and Oceania On dynamics related to the perception, interpretation, and appreciation of museum objects

36

Stars are not born — they are made.

This applies not only to sports or the entertainment industry, but also to museum objects. For which the art world offers multifaceted examples.

But this also pertains to items collected in ethnological museums: some of them have a career, achieve a certain fame, or even become international icons, while others spend their “life

in the museum” largely overlooked in storage. How this comes about and what factors are decisive in whether an object becomes a star or a loser is the focus of this research work. Based on well-known and unknown objects from Africa and Oceania in the collection of the Museum Fünf Kontinente in Munich, it addresses the question of their “making-of,” as well as the

dynamics related to their perception, interpretation, and appreciation.

Karin Guggeis, Ethnologist, Munich

Results of a research project on everyday items that were stolen from their Jewish owners during the National Socialist period An aid for museums in dealing with objects previously in Jewish ownership A new perspective on provenance resear

Der Raub der kleinen Dinge

Belastetes Erbe aus Privatbesitz Museums-Bausteine 22 Pages Ills.

Format

80 10 color 24.0 × 17.0 cm

SC

978-3-422-98765-4 Ger

€ 19.90 $ 22.99 £ 18.00

Restitutions of high-priced artworks have given the public the impression that items stolen from Jewish citizens during the National Socialist era were almost exclusively works of art and objects of great value. The opposite is the case: Most of the possessions seized were things used in everyday life, including furniture, or simple household goods. They ended up not only in public authorities or museums, but also in private households. How should museums deal with objects that were – allegedl – once in the possession of Jewish individuals and that

are now often offered to them by descendants of the individuals who subsequently acquired them? Are the stories that have been handed down in the family true? Can they be verified?

Should museums accept such historically charged objects at all?

DEUTSCHER KUNSTVERLAG

Landesstelle für die nichtstaatlichen Museen in Bayern (Ed.), Carolin Lange

Carolin Lange, former director of the project on provenance research, Landesstelle für die nichtstaatlichen Museen in Bayern, Munich; former board member of Arbeitskreis Provenienzforschung; Lange & Schmutz Provenienzrecherchen

GERMAN FEBRUARY 2022

37

Now in its third, updated edition

Landesstelle für die nichtstaatlichen Museen in Bayern (Ed.), Ronald Heynowski

Nadeln

Erkennen – Bestimmen – Beschreiben 3rd edition

Bestimmungsbuch Archäologie 3 Pages Ills.

Format

184 numerous 24.0 × 17.0 cm

SC

978-3-422-98738-8 Ger

GERMAN PUBLISHED

€ 19.90 $ 22.99 £ 18.00

As a central task of museums, creating an inventory depends on reliable reference works and a consistent terminology. This volume is dedicated to a group of objects that have hitherto not been placed in a concise typological schema: needles and pins, from the Upper Paleolithic to the High Middle Ages. Sewing needles and pins are indispensable to the production of clothing, and needles serve as jewelry, body ornamentation, or as metalworking tools. They can be made of bone or metal, and their designs range from simple to elaborated decorated exam-

ples. The thesaurus presents the astonishing diversity of types and forms.

It is addressed to laypeople as well as scholars and offers various depths of access for creating an inventory of them.

Ronald Heynowski, Landesamt für Archäologie Sachsen, Dresden

Total Art Nouveau!

Wasser im Jugendstil 2022. 448 pages 550 color illustrations 30.0 × 24.0 cm HC approx. € 54.00 [D] / US$ 62.99 / £ 49.00 ISBN 978-3-422-98845-3 Bröhan 100. Highlights of the Collection

The art movement, which celebrates its flowering around 1890–1910, is a nature-based style that fascinates with its beauty to this day. Water is the element of Art Nouveau, the place of longing is depicted in over 250 works in Wasser im Jugendstil. In Bröhan 100. Highlights of the Collection, the Berlin State Museum‹s collection of Art Nouveau, Art Deco and Functionalism is on display. Neues aus dem 19. Jahrhundert, Ruf des Progressiven and Radikal schön – Jugendstil und Symbolismus are volumes dealing with the holdings of the Wiesbaden Museum. They offer a cross-section of all genres between Art Nouveau and Symbolism.

2021. 264 pages 130 color illustrations 24.0 × 17.0 cm HC € 30.00 [D] / US$ 39.99 / £ 31.00 ISBN 978-3-422-98710-4 Neues aus dem 19. Jahrhundert.

Von Kühen, edlen Damen und verzauberten Landschaften Oder von der Liebe zur Kunst 2021. 192 pages 185 color illustrations 29.0 × 25.0 cm HC € 40.00 [D] / US$ 46.99 / £ 36.50 ISBN 978-3-422-98668-8

Radikal schön – Jugendstil und Symbolismus. Die Sammlung Ferdinand Wolfgang Neess 2019. 608 pages 800 color illustrations 30.0 × 24.0 cm HC € 49.95 [D] / US$ 57.99 / £ 45.50 ISBN 978-3-422-98049-5 Ruf des Progressiven. Jugendstil und Symbolismus im Museum Wiesbaden 2019. 336 pages 225 color illustrations 30.0 × 24.0 cm HC € 29.90 [D] / US$ 34.99 / £ 27.00 ISBN 978-3-422-98137-9

Manet und Astruc Künstlerfreunde Dorothee Hansen (Ed.) 2021. 320 pages. 30.0 × 24.0 cm 360 color ills.

HC 978-3-422-98760-9 Ger € 54.00 / $ 62.99 / £ 49.00

2021. 216 pages. 22.5 × 24.5 cm 186 color ills.

HC 978-3-422-98546-9 Ger/It € 42.00 / $ 48.99 / £ 38.00

Grand Tour XXL Der Reisekünstler Emel‘jan Korneev Münchner Stadtmuseum, Nico Kirchberger (Eds.), Anna Ananieva, Viktoria Cordts, Susanne Glasl, Peter Prange 2021. 224 pages. 28.0 × 24.0 cm 130 color ills.

HC 978-3-422-98667-1 Ger € 29,90 / $ 34.99 / £ 27.00

Cultural Affairs Kunst ohne Grenzen / Art Without Borders Silvia Gaetti (Ed.)

2021. 312 pages. 30.0 × 24.0 cm 315 color ills.

2021. 176 pages. 24.0 × 19.0 cm 150 color ills.

HC

978-3-422-98672-5 Ger 978-3-422-98679-4 En/Ger € 49.90 / $ 57.99/ £ 45.50

HC 978-3-422-98653-4 De/En € 29.00 / $ 33.99 / £ 25.00

Im Fokus Park an der Ilm Klassik Stiftung Weimar (Ed.)

Im Fokus Park Belvedere Klassik Stiftung Weimar (Ed.)

2021. 144 pages. 23.0 × 15.0 cm 160 color ills.

2021. 144 pages. 23.0 × 15.0 cm 160 color ills.

SC 978-3-422-98699-2 Ger € 14.90 / $ 17.99 / £13.50

SC 978-3-422-98703-6 Ger € 14.90 / $ 17.99 / £ 13.50

Die Sammlung Solly 1821–2021 Vom Bilder-„Chaos“ zur Gemäldegalerie Robert Skwirblies, Roberto Contini, Neville Rowley, Stephan Kemperdick, Katja Kleinert, Sarah Salomon (Eds.)

Bröhan 100 Highlights der Sammlung Tobias Hoffmann, Anna Grosskopf (Eds.)

2021. 136 pages. 28.0 × 22.0 cm 65 color ills.

SC

978-3-422-98663-3 Ger 978-3-422-98664-0 En € 36.00 / $ 41.99 / £ 32.50

DEUTSCHER KUNSTVERLAG

Flora ad infinitum Blühende Perlenkunst in Venedig und der Welt / Fiori di perline a Venezia e nel mondo Georg Ragnar Levi, Edvard Koinberg

Der Rimini-Altar Meisterwerk in Alabaster. Material – Restaurierung – Kunstgeschichte Stefan Roller, Harald Theiss (Eds.)

2021. 264 pages. 24.0 × 17.0 cm 130 color ills.

HC

978-3-422-98709-8 Ger 978-3-422-98710-4 En € 34.00 / $ 39.99 / £ 31.00

39

Theater im Museum für Fotografie Ein Rückblick auf die 1920er Jahre Kunstbibliothek – Staatliche Museen zu Berlin (Ed.), Justine Tutmann

Neues aus dem 19. Jahrhundert Von Kühen, edlen Damen und verzauberten Landschaften Oder von der Liebe zur Kunst Peter Forster (Ed)

Der Schmerz des Vaters?

Die trinitarische Pietà zwischen Gotik und Barock Dagmar Preising, Michael Rief, Christine Vogt (Eds.)

2021. 192 pages. 29.0 × 25.0 cm 185 color ills.

2021. 224 pages. 28.0 × 22.0 cm 60 color ills.

HC. 978-3-422-98668-8 Ger € 40.00 / $ 46.99 / £ 36.50

HC. 978-3-422-98712-8 Ger € 44.00 / $ 50.99 / £ 40.00

Kurt W. Streubel Spielarten des Abstrakten in der DDR Andrea Karle, Verena Krieger (Eds.), Anne-Kathrin Hinz, Michaela Mai

Red Glow Yugoslav Partisan Photography, 1941–1945 Davor Konjikušić

Performance on Display Zur Geschichte lebendiger Kunst im Museum Lisa Beißwanger

2021. 152 pages. 29.0 × 21.0 cm 90 color ills.

2021. 423 pages. 26.0 × 19.5 cm 570 b/w ills., 8 color ills.

HC. 978-3-422-98723-4 Ger € 35.00 / $ 40.99 / £ 32.00

HC. 978-3-422-98640-4 En € 48.00 / $ 55.99 / £ 41.50

2021. 512 pages. 24.0 × 17.0 cm 30 b/w ills., 114 color ills., 6 tables, 1 b/w map

2021. 112 pages. 24.0 × 17.0 cm 100 color ills.

SC. 978-3-422-98696-1 Ger € 19.00 / $ 21.99 / £ 17.50

E-Book 978-3-422-98648-0 En Open Access

Künstlerpaare der Moderne Hans Purrmann und Mathilde Vollmoeller-Purrmann im Diskurs Felix Billeter, Maria Leitmeyer (Eds.) 2021. 176 pages. 21.0 × 13.5 cm 50 color ills.

SC. 978-3-422-98650-3 Ger € 18.00 / $ 20.99 / £ 16.50

Künstler und Kritiker Hans Purrmann und Karl Scheffler in Briefen 1920–1951 Felix Billeter, Julie Kennedy, Anke Matelowski (Eds.) 2021. 224 pages. 21.0 × 13.5 cm 50 color ills.

SC. 978-3-422-98428-8 Ger € 18.00 / $ 20.99 / £ 16.50

SC. 978-3-422-98448-6 Ger € 79,95 / $ 91.99 / £ 72.50 E-Book 978-3-422-98698-5 Ger € 79,95 / $ 91.99 / £ 72.50

Kunstforschung, Fotografie und Kunsthandel um 1900 Gustav Ludwigs Korrespondenzen mit Wilhelm Bode, Aby Warburg und anderen Martin Gaier 2021. 224 pages. 28.0 × 21.0 cm 1 b/w ill., 52 color ills.

HC. 978-3-422-98634-3 Ger € 58.00 / $ 66.99 / £ 52.50

DEUTSCHER KUNSTVERLAG

Stille Größe Kunstideal und Wehrgedanke bei Schadow, David und Goya Godehard Janzing

Die Ästhetik der Stadt Städtebau in Bordeaux und Edinburgh 1730–1830 Alexis Joachimides

Oskar Pixis Wohnbauten der 1920er und 1930er Jahre in München Rainer Schützeichel (Ed.)

2022. 256 pages. 24.0 × 17.0 cm 90 b/w ills., 4 color ills.

2021. 248 pages. 28.0 × 21.0 cm 100 b/w ills.

2021. 120 pages. 24.0 × 17.0 cm 110 b/w ills., 30 color ills.

SC 978-3-422-07148-3 Ger € 48.00 / $ 55.99 / £ 43.50

HC 978-3-422-98247-5 Ger € 54.00 / $ 62.99 / £ 49.00

SC 978-3-422-98615-2 Ger € 32.00 / $ 36.99 / £ 29.00

Gio Ponti Valmartello al Paradiso del Cevedale.

Geschichte eines Hotels in den Alpen Silke Alber

Die Zukunft der Nachkriegsmoderne Positionen und Projekte Klaus Tragbar (Ed.)

Neue Nationalgalerie Das Museum von Mies van der Rohe Joachim Jäger, Constanze von Marlin, Martin Reichert (Eds.)

2021. 176 pages. 23.5 × 16.6 cm 100 b/w ills., 30 color ills.

SC 978-3-422-07129-2 Ger € 34.90 / $ 40.99 / £ 31.50

Deutsche Gemälde im Städel Museum 1550–1725 Almut Pollmer-Schmidt, Christiane Weber, Fabian Wolf 2021. 808 pages. 30.0 × 21.5 cm 600 color ills. (2 vol.)

HC 978-3-422-98516-2 Ger € 69.00 / $ 79.99 / £ 62.50

2021. 246 pages. 24.5 × 17.4 cm 150 color ills.

SC 978-3-422-98629-9 Ger € 39.90 / $ 45.99 / £ 36.50

Ada und Emil Nolde – Luise und Gustav Schiefler. Briefwechsel Volume 1: „Es ist immer ein Fest, wenn ein Brief von Ihnen ankommt.“ 1906–1914 Volume 2: „Möchten wir noch ein recht weites und gutes Stück Leben miteinander gehen.“ 1915–1956 Stiftung Seebüll Ada und Emil Nolde, Indina Woesthoff (Ed.), Indina Woesthoff 2022. 1280 pages. 24.0 × 16.0 cm 165 color ills.

2021. 272 pages. 30.5 × 24.0 cm 250 color ills.

HC

978-3-422-98651-0 Ger 978-3-422-98652-7 En € 48.00 / $ 55.99 / £ 43.50

Rotes Licht Jugoslawische Partisanenfotografie.

Bilder einer sozialen Bewegung, 1941–1945 Davor Konjikušić 2021. 423 pages. 26.0 × 19.5 cm 570 b/w ills., 8 color ills.

HC 978-3-422-98510-0 Ger € 48.00 / $ 55.99 / £ 43.50 E-Book 978-3-422-98639-8 Ger Open Access

HC 978-3-422-98257-4 Ger € 119.95 / $ 137.99 / £ 109.00

40

Lehrmedien der Kunstgeschichte Geschichte und Perspektiven kunsthistorischer Medienpraxis Hubert Locher, Maria Männig (Eds.) 2021. 488 pages. 24.0 × 17.0 cm 95 b/w ills., 95 color ills.

SC 978-3-422-98508-7 En/Ger € 49.90 / $ 57.99 / £ 43.50

Die Multiple Moderne / The Multiple Modernity Klaus Tragbar (Ed.) 2021. 416 pages. 24.5 × 17.4 cm 115 b/w ills., 90 color ills.

SC 978-3-422-98609-1 En/Ger € 49.90 / $ 57.99 / £ 43.50

IMAGINE MOZART | MOZART BILDER Mozartfest Würzburg (Ed.), Damian Dombrowski, Andrea Gottdang, Ulrich Konrad, Carolin Goll, Dimitra Will 2021. 200 pages. 28.0 × 21.0 cm 150 color ills.

SC 978-3-422-98641-1 Ger € 29.00 / $ 33.99 / £ 26.50

E-Book 978-3-422-98625-1 En/Ger € 49.90 / $ 57.99 / £ 43.50

»Der Arbeit die Schönheit geben« Tiepolo und seine Werkstatt in Würzburg Damian Dombrowski, Martin von Wagner Museum (Ed.), Aylin Uluçam 2020. 312 pages. 28.0 × 21.0 cm 290 color ills.

SC 978-3-422-98598-8 Ger € 39.90 / $ 45.99 / £ 36.50

James Ensor Inge Herold, Johan Holten (Eds.) 2021. 248 pages. 27.0 × 22.5 cm 260 color ills.

HC 978-3-422-98635-0 En/Ger € 38.00 / $ 43.99 / £ 33.00

Bayerische Staatsgemäldesammlungen. Neue Pinakothek. Katalog der Skulpturen – Vol. I Die Sammlung Ludwigs I. Bayerische Staatsgemäldesammlungen (Ed.), Herbert Wilhelm Rott 2021. 352 pages. 26.5 × 19.0 cm numerous color ills.

HC 978-3-422-98431-8 Ger € 52.00 / $ 59.99 / £ 47.50

Verschwiegene Kunst Die internationale Moderne in der DDR Felice Fey 2020. 368 pages. 26.0 × 19.5 cm 147 color ills.

HC 978-3-422-98433-2 Ger € 48.00 / $ 55.99 / £ 43.50

Bayerische Staatsgemäldesammlungen. Neue Pinakothek. Katalog der Skulpturen – Vol. II Adolf von Hildebrand Bayerische Staatsgemäldesammlungen (Ed.), Fabian Pius Huber, Bernhard Maaz, Franziska Kolba 2021. 224 pages. 26.5 × 19.0 cm numerous color ills.

HC 978-3-422-98432-5 Ger € 45.00 / $ 51.99 / £ 41.00

Andere Horizonte Ostdeutsche Nachkriegsmoderne im Schatten des Sozialistischen Realismus Anna-Carola Krausse 2021. 368 pages. 28.0 × 24.0 cm 300 color ills.

HC 978-3-422-07483-5 Ger € 45.00 / $ 51.99 / £ 41.00

wohnen 60 70 80 Junge Denkmäler in Deutschland Vereinigung der Landesdenkmalpfleger (Ed.) 2020. 224 pages. 28.0 × 21.0 cm 315 color ills.

HC 978-3-422-98154-6 Ger € 39.90 / $ 45.99 / £ 36.50

Kunst am Bau in der DDR Gesellschaftlicher Auftrag – Politische Funktion – Stadtgestalterische Aufgabe Bundesministerium des Innern, für Bau und Heimat (BMI), Bundesamt für Bauwesen und Raumordnung (Ed.), Ute Chibidziura, Constanze von Marlin 2020. 132 pages. 29.7 × 23.0 cm 118 color ills.

HC 978-3-422-98606-0 Ger € 32.00 / $ 36.99 / £ 29.00

Zeichenroman Und in der Ferne Schnee Johannes Beyerle 2021. 256 pages. 22.5 × 15.0 cm 95 color ills.

HC 978-3-422-98430-1 Ger € 39.95 / $ 45.99 / £ 36.50

2020. 160 pages. 31.0 × 24.0 cm numerous ills.

2020. 216 pages. 26.5 × 23.0 cm 80 color ills.

HC 978-3-422-98279-6 En/Ger € 24.00 / $ 27.99 / £ 21.00

HC 978-3-422-98617-6 Ger € 45.00 / $ 51.99 / £ 41.00

Passion Leidenschaft Die Kunst der großen Gefühle Landschaftsverband Westfalen-Lippe, Herrmann Arnhold (Ed.), Petra Marx, Ute Frevert, Ursula Frohne, Stephanie Eichberg, Ulrich Heinen, Klaus Niehr, Kerstin Thomas, Susanne Witzgall 2020. 304 pages. 30.0 × 24.0 cm 230 color ills.

HC 978-3-422-98423-3 Ger € 48.00 / $ 55.99 / £ 43.50

HC 978-3-422-98547-6 En/Ger € 36.00 / $ 41.99 / £ 31.50

Amish Quilts Meet Modern Art Staatl. Textil-und Industriemuseum, Karl Borromäus Murr, Tanja Kreutzer (Eds.)

2020. 316 pages. 29.7 × 23.0 cm 200 color ills.

Exquisit Kunst des 19. Jahrhunderts: Schenkung Jan und Friederike Baechle Peter Forster (Ed.)

(Wieder-)Entdecken Die Kunsthalle Mannheim 1933 bis 1945 und die Folgen Johan Holten, Kunsthalle Mannheim (Eds.), Mathias Listl

2020. 144 pages. 29.0 × 25.0 cm 140 color ills.

2020. 120 pages. 28.0 × 20.5 cm numerous ills.

HC 978-3-422-98626-8 Ger € 40.00 / $ 46.99 / £ 36.50

HC 978-3-422-98427-1 Ger € 19.50 / $ 22.99 / £ 17.50

DEUTSCHER KUNSTVERLAG

Detlef Waschkau ..New.. ..Ber.. .. – The Cities in Me Kommunale Galerie Berlin Kulturamt Charlottenburg-Wilmersdorf, Gesellschaft für Deutsch-Chinesischen kulturellen Austausch e.V. (GeKA e.V.) (Ed.), Hannelore Paflik-Huber, Dorothée Bauerle-Willert

70 Jahre Kunst am Bau in Deutschland Bundesministerium des Innern, für Bau und Heimat (BMI), Bundesamt für Bauwesen und Raumordnung (Ed.), Ute Chibidziura, Constanze von Marlin

41

Steven D. Lavine. Failure is What It‘s All About A Life Devoted to Leadership in the Arts Jörn Jacob Rohwer

Werner Schmalenbach und die Stiftung Kunstsammlung Nordrhein-Westfalen Eine Staatsgalerie im Aufbau Martje Esser

2020. 168 pages. 22.0 × 16.0 cm 34 color ills., 34 duplex

2021. 312 pages. 24.0 × 17.0 cm 80 b/w ills., 24 color ills.

HC 978-3-422-98155-3 En € 33.95 / $ 39.99 / £ 29.50

HC 978-3-422-98567-4 Ger € 42.00 / $ 48.99 / £ 38.00

Wie die Bilder ins Museum kamen Biografien von Kunstwerken aus dem Wallraf-Richartz-Museum in Köln Rainer Pabst 2021. 224 pages. 21.5 × 13.5 cm 34 b/w ills.n, 58 color ills.

SC 978-3-422-98438-7 Ger € 19.00 / $ 21.99 / £ 17.50

E-Book 978-3-422-98724-1 En € 33.95 / $ 39.99 / £ 29.50

Gegenbilder Bildparodistische Verfahren in der Frühen Neuzeit Jürgen Müller, Lea Hagedorn, Giuseppe Peterlini, Frank Schmidt (Eds.) 2021. 344 pages. 24.0 × 17.0 cm 143 b/w ills., 16 color ills.

SC 978-3-422-98239-0 Ger € 59.00 / $ 67.99 / £ 53.50

Vom Fossil zum Bild Künstlerische Darstellungen prähistorischen Lebens Dennis Janzen 2020. 288 pages, 24.0 x 17.0 cm 113 color ills.

SC. 978-3-422-98117-1 De € 49.95 / $ 57.99 / £ 45.50

Schön behaglich warm Weimarer Öfen der Goethezeit Jan Mende 2021. 160 pages. 24.0 × 17.0 cm 74 b/w ills.n, 10 color ills.

SC 978-3-422-97986-4 Ger € 19.90 / $ 22.99 / £ 18.00

Porzellan der KPM Berlin 1918−1988 Tim D. Gronert 2020. 1.216 pages, 30.0 x 24.0 cm approx. 2,000 mostly color ill.

3 vols. in slipcase HC. 978-3-422-97147-9 De € 168.00/ $ 193.99 / £ 152.50

Vorhangfall und poetische Ekstase Gian Lorenzo Berninis Cappella Paluzzi-Albertoni Gudrun Inboden 2020. 176 pages, 24.0 x 17.0 cm 1 b/w ills., 11 color ills.

HC. 978-3-422-98316-8 De € 29.00 / $ 33.99 / £ 26.50

Oltre il colore Die farbreduzierte Wandmalerei zwischen Humilitas und Observanzreformen Katherine Stahlbuhk 2021. 428 pages, 28.0 x 21.0 cm 190 b/w ills., 50 color ills.

HC. 978-3-422-98194-2 De € 78.00 / $ 89.99 / £ 71.00

IMAGE CREDITS

Cover and 20: Thomas Müller, Untitled, 2021, ballpen, paper, 29,7 × 21 cm, Museum Pfalzgalerie, Kaiserslautern, graphic collection, Inv.-Nr. 21/3021. © Thomas Müller; 6: Edmond Aman-Jean, Le Miroir Champêtre, around 1900, pastel on paper, 60,3 × 40,6 cm, Galerie Elstir, Paris, Photo: Th. Hennocque; 7: Sophie Burger-Hartmann, Leaf Nymph (business card holder with a naked woman), 1898 cast bronze, patinated, 11 × 34 × 16,5 cm, Private collection Munich, Photo: Marianne Franke, Munich; 8 above: Detail of the paint application from Birches in the Snow, 1907, Rauert Collection, Hamburger Kunsthalle, Photo: Heike Schreiber; 8 below: Painting materials and correspondence from the artist’s estate.

Photo: Dirk Dunkelberg; 9: Stereomicroscopic examination of Dance around the Golden Calf, 1910, Photo: Bayerische Staatsgemäldesammlungen, Elisabeth Greil; 10 left: Leo von König, Anna von König, 1940, private collection; 10 right: Leo von König, Julius MeierGraefe, 1935, Museum Pfalzgalerie, Kaiserslautern; 11: Draft for the Hofarkaden at the Galeriestraße in Munich, 1934, pencil, watercolor on paper, 52,5 × 377,5 cm; 12 above: Judit Reigl, Centre de Dominance, 1957, oil on canvas, 144,5 × 152,3 cm, Collection Reinhard Ernst, Wiesbaden, © VG Bild-Kunst, Nonn 2021, Foto: Courtesy of Sotheby‘s.

12 below: K. O. Götz, Jonction II, 1991, mixed technique on canvas, two parts, 200 × 520 cm, Collection Sylvia and Ulrich Ströher, Museum Küppersmühle für Moderne Kunst, Duisburg, © VG BildKunst, Bonn 2021, Foto: Olaf Bergmann, Witten 13 left: Helen Frankenthaler, Sea Level, 1976, acryl on canvas, 226 × 158 cm, Collection Reinhard Ernst, Wiesbaden, © VG Bild-Kunst, Bonn 2021/Helen Frankenthaler Foundation Inc., Foto: Borgers/Hermann; 13 right: Emilio Vedova, Contrasto ‘591, 1959, oil on canvas, 146 × 196 cm, Collection Sylvia und Ulrich Ströher, © VG Bild-Kunst, Bonn 2021/Fondazione Emilio e Annabianca Vedova, Venice, Foto: Olaf Bergmann, Witten; 15 left: Birthday present of the Council of Agriculture on the occasion of Luitpold’s 80th birthday, Munich 1901. © Bayerisches Nationalmuseum, Munich, Photo: Bastian Krack; 15 right: Birthday present of the Bavarian Chambers of Notaries on the occasion of Luitpold’s 80th birthday, box with seals embedded in metal capsules, Munich 1901. © Bayerisches Nationalmuseum, Munich, Photo: Bastian Krack; 16 above: Canaletto, Departure from the Lock at Dolo, Inv.-Nr. 1957:1269 D; 16 below: Jacopo de‘ Barbari, Pegasos, Inv.-Nr. 14800 D;

17: From the circle of Lodewijk Toeput, Gondola with Lovers, Inv.-Nr. 40663 Z; 18 left: Italienisch (traditional), Suicide of Saul or Ajax, pen on paper, 154 × 151 mm, Inv.-Nr. UItal 111; 18 middle: Paolo Caliari, gen. Veronese (traditional), Verona 1527–1588 Venedig, Saint Sebastian, pen, 182 × 120 mm, Inv.Nr. Ital 406 18 right: Paolo Farinati (traditional), Verona 1524–1606 Verona, Marsyas, pen on paper, 224 × 247 mm, Inv.-Nr. Ital 154; 19 above: Joseph Vivien, Self Portrait with Fur Hat, 1730, © Bayerische Staatsgemäldesammlungen, Alte Pinakothek, Munich. Photo: Sibylle Forster; 19 below: Maurice Quentin de La Tour, Mademoiselle Ferrand Meditating on Newton, around 1752, © Bayerische Staatsgemäldesammlungen, Alte Pinakothek, Munich, permanent loan of the HypoVereinsbank Collection, Member of UniCredit, Photo: Sibylle Forster; 20: s.a.; 21 above: Max Uhlig, Untitled, 2004, Museum Pfalzgalerie, Kaiserslautern, graphic collection, Inv.-Nr. 21/3018; 21 below left: Georg Scholz, Newspaper carrier (Work violates), 1921, water colour and ink (brush), penicl, laid paper, 307 × 470 mm, Museum Pfalzgalerie Kaiserslautern, graphic collection, Inv.-Nr. 85/200.; 21 below right: Barbara Hindahl: Untitled, 2011/18, colour pencil, laid paper, 296 × 195 mm, Museum Pfalzgalerie Kaiserslautern, graphic collection, Inv.-Nr. 18/2963/3. © VG Bild-Kunst, Bonn 2021; 22: Emil Orlik, Portrait Albert Einstein, 1923, drypoint etching, 25 × 19,8 cm; 24 above: Max Liebermann, Birch path with house, 1922, etching. MaxLiebermann-Gesellschaft, Photo: Oliver Ziebe; 24 below left: Max Liebermann, Large self portrait, 1912, lithography. MaxLiebermann-Gesellschaft; 24 below right: Max Liebermann, Net patchworkers, 1894, etching. MaxLiebermann-Gesellschaft, Photo: Julia Jungfer; 25 left: Jacques-Philippe Le Bas, The battle of Oroi-jalatu, 1770, plate 3 from a series of 16 copper plates, 58 × 94,5 cm, Staatliche Museen Berlin, Ethnologisches Museum, I D 31770; 25 right: Unknown, The battle of Oroijalatu, etching, ca. 57 × 93 cm, Musée du Louvre, Paris, Collection Edmond de Rothschild; 26: Photo: Ursula Seitz, Kunstsammlung St. Gallen.

27 left: Exhibition: Arnulf Rainer. Rainer Kosmos, 2012 (look into Carolinenbad) © Arnulf Rainer; Photo: Arnulf Rainer Museum / Wolfgang Thaler; 27 middle above: Bath of Joseph and Caroline, color printing based on an illustrated journal, 24 April 1852, p. 268, © & Foto: Rollettmuseum;

27 middle below: Lottersberger-MessnerDumpelnik, Rebuilding of the Frauenbad as Arnulf Rainer-Museum, 2006–09, Südfassade, Foto: Arnulf Rainer Museum/ Rainer Mirau; 27 right: Bathing scene in the Frauenbad, illustration in occasion of the reopening of the Frauenbad in the list of arrivals 1940, © & Foto: Stadtarchiv Baden; 28 left: Domenik Alexander Krischke, The book and its core, 2021, plaster, wood, paper, electronics, 30 × 40 × 20 cm, © Domenik Alexander Krischke; 28 right: Meo Wulf, The Book 2121, 2021 Video, 2:57 min., ©Meo Wulf; 29: Photos: Nicole Schwarz; 30: © and photos: Frédéric Mougenot; 31 left: Lu Guang, Miner, Wuhai, Inner Mongolia, July 1995; 31 right: Pollution: The Ordos to Wuhai road in Inner Mongolia, July 2012, July 1995, ©Lu Guang (Contact Press Images); 32 left: Museum of Art and Architecture (Le Corbusier) # 434, Chandigarh, 2020, pigment print, 70 × 100 cm, © Nicolaus Schmidt; 32 right: Stupa, Karla Caves, 2011 , pigment print, 100 × 70 cm, © Nicolaus Schmidt; 34 – 35: all images © Klassik Stiftung Weimar; 36 right: Index sheet of a horn acquired in 1974, which shortly after was classified as a forgery, © Museum Fünf Kontinente, Munich, SM&S, index card folder Ivory Coast, Dan record; 36 left: Figure acquired in 1875, Museum Fünf Kontinente, Munich, Inv.Nr. 3684, © Marietta Weidner; 37 above: Umbrellas from Jewish ownership, around 1900 to 1920, today Museums of the City of Regensburg, inv. no. K 1942/46, © Museen der Stadt Regensburg, Foto: Michael Preischl

INDEX OF AUTHORS AND EDITORS

A Achenbach, Sigrid 24 Ahrens, Birgit 23 Alber, Silke 40 Allana, Rahaab 32 Ananieva, Anna 39 Appuhn-Radtke, Sibylle 15 Aresin, Maria 17 Arnhold, Herrmann 41 Assmann, Peter 18 B Backmeister-Collacott, Ilka 28 Badelt, Sandra 31 Bader, Simone 32 Barnert, Arno 35 Bastek, Alexander 21 Bauerle-Willert, Dorothée 41 Becker, Ingeborg 7 Beißwanger, Lisa 39 Beyerle, Johannes 41 Billeter, Felix 11, 26, 39 Boeckl, Matthias 27 Bormann, Ralf 18 Brüggerhoff, Stefan 31 C Carius-Kiehne, Annett 35 Cazzola, Alice 24 Chibidziura, Ute 41 Christoph, Andreas 35 Contini, Roberto 39 Cordts, Viktoria 39 D Dahme, Stephan 21 Damm, Heiko 18 Diekmann, Luzie 29 Dombrowski, Damian 40 Donglin, Hu 31 Dumas, Véronique 7 E Ebert, Bernd 19 Eichberg, Stephanie 41 Esser, Martje 41 Esterházy, Fanny 34 F Feulner, Karoline 21 Fey, Felice 40 Fischer, Sören 21 Fischer, Ulrike 19 Follmann, Christine 21 Forster, Peter 7, 39, 41 Frevert, Ute 41 Frohne, Ursula 41 Funk, Tobias 26 G Gaetti, Silvia 39 Gaier, Martin 39 Gathof, Paul 14 Glasl, Susanne 39 Goll, Carolin 40 Gottdang, Andrea 40 Grepmair-Müller, Angelika 11, 26 Gronert, Tim D. 41 Grosskopf, Anna 39 Guang, Lu 31 Guggeis, Karin 36 H Hack, Alexandra 35 Hagedorn, Lea 41 Handte, Denise 24 Hansen, Dorothee 39 Haufe, Rüdiger 35 Heinen, Ulrich 41 Heiser, Jörg 28 Heit, Helmut 34

Herold, Inge 40 Heynowski, Ronald 37 Hinz, Anne-Kathrin 13, 39 Hipp, Elisabeth 19 Höppner, Stefan 35 Hoffmann, Tobias 39 Holten, Johan 40, 41 Huber, Fabian Pius 40 Hübscher, Sarah 30 Humpl-Mazegger, Christine 27 Hupka, Juliane 34 I Inboden, Gudrun 41 J Jäger, Joachim 40 Janzen, Dennis 41 Janzing, Godehard 40 Joachimides, Alexis 40 K Kammel, Frank Matthias 15 Karle, Andrea 39 Kemperdick, Stephan 39 Kennedy, Julie 39 Kirchberger, Nico 39 Kleinert, Katja 39 Knoch, Habbo 30 Koch, Daniela 21 Kohle, Hubertus 7 Koinberg, Edvard 39 Kolba, Franziska 40 Konjikušić, Davor 39, 40 Konrad, Ulrich 40 Krausse, Anna-Carola 40 Kreutzer, Tanja 41 Krieger, Verena 39 Krieger, Viktoria Bernadette 24 Kristan, Markus 27 L Lange, Carolin 37 Laube, Reinhard 35 Lavaulx-Vrécourt, Henriette 25 Leban, Petra 27 Leitmeyer, Maria 39 Leverenz, Niklas 25 Levi, Georg Ragnar 39 Lichtenstern, Christa 33 Listl, Mathias 41 Locher, Hubert 40 Lorenz, Katja 35 M Maaz, Bernhard 40 Mader, Maximilian 11 Männig, Maria 40 Märkl, Christian 35 Mai, Michaela 39 Marlin, Constanze von 40, 41 Marx, Petra 41 Matelowski, Anke 39 Mehring, Frank 14 Mende, Jan 41 Mestemacher, Ilka 17 Moser, Thomas 7 Mougenot, Frédéric 3 0 Müller, Jürgen 41 Murr, Karl Borromäus 41 N Niehr, Klaus 41 O Oswalt, Philipp 26 P Pabst, Rainer 41 Paflik-Huber, Hannelore 41 Pastukhov, Alexey 25 Pearce, Nick 25

Peterlini, Giuseppe 41 Pledge, Robert 31 Pollmer-Schmidt, Almut 40 Prange, Peter 39 Preising, Dagmar 39 R Reichert, Martin 40 Renner, Adrian 7 Richter, Katja 28, 29 Rief, Michael 39 Rohwer, Jörn Jacob 41 Roller, Stefan 39 Rott, Herbert Wilhelm 19, 40 Rowley, Neville 39 Rux, Benjamin 21 S Salmon, Xavier 19 Salomon, Sarah 39 Schalhorn, Andreas 24 Schmälzle, Christoph 35 Schmidt, Frank 41 Schmidt, Nicolaus 32 Schneider, Pablo 29 Schoeller, Katharina 27 Scholda, Ulrike 27 Schommers, Annette 15 Schubert, Corinna 34 Schützeichel, Rainer 40 Schumacher, Andreas 19 Skwirblies, Robert 39 Spielmann, Heinz 33 Spinner, Veronika 35 Stahlbuhk, Katherine 41 Streim, Claudia 35 Strobel, Andreas 26 T Theiss, Harald 39 Thielmann, Frank 7 Thomas, Kerstin 41 Tragbar, Klaus 40 Trenkmann, Ulrike 35 Tutmann, Justine 39 U Uluçam, Aylin 40 Uslular-Thiele, Christina 7 V Vogt, Christine 39 von der Dollen, Ingrid 10 Voss-Andreae, Peter 23 W Walter, Sabine 34 Wasensteiner, Lucy 24 Weber, Christiane 40 Weber, Jürgen 35 Weigand, Katharina 15 Weisenseel, Anja 29 Welzel, Barbara 30 Wilamowitz-Moellendorff, Erdmann von 35 Will, Dimitra 40 Witzgall, Susanne 41 Woesthoff, Indina 40 Wolf, Fabian 40 Z Zeitler, Kurt 17 Zuschlag, Christoph 13