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ARCHITECTURE PORTFOLIO

DEEP VARMA Academic Work Work Experience

DEEP VARMA deep.varma.140895@gmail.com +91 87 58 50 3609

About me

Education

Exploring the possibilities of designing spaces that go beyond the physical built environment of architecture is my key interest. For me Architecture is just a foundation step towards art and design. A person with passion for Traveling, Exploring, meeting new people and experiencing different journeys i have always thrived on building experiences that involve and enhance all of our senses.

B.Arch - IDEA, Indus University

My passion for gaming keeps me on a competitive edge that makes me strategically question my every move while designing. Being a strategic planner along with thinking on my feet is what creates my intuitive designs that are backed up with possibilities on all sides.

Languages I Know

Hobbies

HSC

- Delhi Public School Bopal, Ahmedabad

SSC

- Delhi Public School Bopal, Ahmedabad

English Hindi Gujarati Punjabi

Work Experience

Software Skills

A. Construction: 1. Building a Model based on the concept of tensegrity using Bamboo and Cables in Bali, Indonesia B. Measured drawings and documentation of the following: 1. Vernacular techniques, Himachal Pradesh Documented a vernacular architecture in Naddi and Bal village. 2. Ludiya village, Kutch, Gujarat Documented a cluster of houses in the village. 3. Jaipur, Documented six water structures and developed the understanding of collection and treatment of water without the use of modern technology. C. Workshops 1. Material exploration - Explored materials such as plaster of paris and acrylic. Made models using the same materials. 2. Photography - Understood the basic concepts of using a DSLR camera. Made photographs of Birds, Animals and objects. 3. Bamboo Construction - Constructed a Bamboo shed for sitting area by understanding and using Bamboo Joineries. 4. Architecture Photography - taking the photography skills to another level. Composing and capturing photos that express a builtâ€™s form and shape and emotions. 5. Narratives - Read various works of literature, summarized them and further created our own story using keywords form the piece of literature given.

Currently Curious in Architecture of Fiction and Entertainment Parametric Architecture Cinematography Literature

Work Experience 2017 June 2018 January 2019 March 2020 February

to to to to

2017 December 2018 December 2020 January 2020 July

- - - -

Intern at banduksmithstudio, Architecture Designer at Varsha Design Consultant, Architecture Studio Interior and Product Designer at andteak, FurnitureStudio Internship at Hariom Conbuildd LLP, Hariom Infrastructure

C O N T E N T S

STUDIO I

STUDIO II

STUDIO III

STUDIO IV

STUDIO V-VI

STUDIO VIII-IX

THESIS

WORK EXP.

WORKSHOPS

nd is the beginning, and beginning is the endâ€? - Deep Ravi Varma

site plan 1/200 saini house, deesa 20.07.2017

banduksmithstudio

design@banduksmithstudio.in

C O N T E N T S

STUDIO I

Studio House My Learnings Crafting Spaces

: Understanding how to carve out spaces in a chunk of mass by introducing Vertical and Horizontal Planes.

Nature of Spaces

: Understanding the Nature of Spaces such as Public Spaces, Semi-Public Spaces and Private Spaces and the functions they host.

Designing a Studio House. A Studio that confines basic functional spaces. Further keeping in mind the Public and Private Nature of the spaces. The Studio House is a module that can be repeated in all directions of a tower. Deriving its language from Neoplasticism, consisting of white divided by vertical and horizontal solid black lines. The in-between spaces are then filled with three primary colors; This technique was developed by an Artist, Piet Mondrian.

Nature of Spaces

Part to Whole Isometric View

Level Plates

The Tower

STUDIO II

Artistâ€™s House My Learnings Functions and Spaces

: Understanding different functions and how different quality of spaces are required to house each one.

The User

: Understanding the User, their routine patterns and spaces they inhabit throughtout their routine and thus prioritizing and positioning them accordingly.

The Task at hand was to design a residence for an Artist. Being a Self-Employed person an Artistâ€™s daily routine patterns of using spaces in the house are very different to that of any mundane person. Open Spaces are strategically composed to open towards the rich outdoor Nature.

Terrace Level Plan

First Floor Plan

Ground Floor Plan

Overall Isometric View

Section at First Floor Level

Section at Ground Floor Level

STUDIO III Kindergarten My Learnings Modulation and Repetition

: Deriving a self evolving module that repeats it self as it transcends into a conjunction and formulates function.

Scale and Standards

: Understanding how the scale and standards change when designing for a particular assemblage.

Kindergarten, a place where new journeys begin and minds are shaped. A place where an individual who is highly volatile in terms of mind and body is molded for the coming future.

The design started keeping in mind the honeycomb structure that induces a bond of togetherness and how a system of individuals come together and work collectively for the greater good. An easy free flowing circulation is also kept in mind to minimalize restrictions on a childâ€™s mind. From the very campus as a whole to each and every fenestration designed to achieve maximum visual and aural connections, this is done to make sure that the user is neither restricted nor insulated at any point of time to maximize individual as well as peer to peer learning.

3 3

First Floor Plan

Terrace Level Plan

LEGEND

1 2 3 4 5 6 7

2 7

3 3

Ground Floor Plan

Section through Classroom - Passage

- Administration - Staff Room - Classroom - Audio Visual Room - Multipurpose Hall - Jungle Gym - Toilet

Overall Isometric View

Section at Ground Floor Level

Section through Multi-Purpose Hall; Double Height

Section at First Floor Level

STUDIO IV

Re-Source Housing My Learnings Community Spaces

: Understanding how the nature and scale of spaces changes from Individual - Cluster - Community.

Resource : Deriving the amount of water required for all the daily Management (water) chores and further optimizing the use of Portable and Grey Water as well as Utilizing Black Water.

In an attempt to create a housing community that works together as one single unit in managing a particular resource, in this case water. A program for low cost housing community was set up. The structures are designed in such a way that it collects rainwater, harvests it and further optimise its use.

The Site

Anhilwad Patan The Sahastralinga Talav

Site - Context

The Site has a strong historic context of Rani - Ki - Vav and The Sahastralinga Talav. The ya re nationally renowned water structures built for the purpose of storing treating water and further using it for daily use and drinking. The daily needs around site are met by bore-wells that decreases the water table of the whole region. This community focuses on Rainwater Harvesting and further optimal use and utilization of water by treating and recycling and reusing both Grey and Black Water. Rani-Ki-Vav

Water Interventions below Ground Level

Cluster : First Floor Plan

Cluster : Terrace Level Plan

Cluster : Ground Floor Plan

Cluster : Below Ground Level

section through water tanks of two different clusters their internal connection and its connection with Individual water tank

section through water tanks of two different clusters and their connections to the community water tank

section through community water tank, cluster water and Individual water tank; Overall Connections

Section through plinths and individual water tank

STUDIO V-VI

PRE-CON Precast Concrete Institution My Learnings Material and Details

: Understanding different material properties and further developing joineries and details to support the overall form as well as intricate details whose marriage completes a Built Form.

Construction Sequence

: Understanding the Construction Sequence from scratch. Hence generating a set of working drawings needed to construct the Built Form.

In an urge to design an institute that would home the development of a particular material, in this case, it being Precast Concrete. The Institute itself is a dominating structure made of precast concrete modules that are assembles using its uniques joineries and methodology

The program is about how the institute works in the development and understanding of the material. Not so formal in its character yet a discipline that governs the relationship between the architects and the artisans and sometimes even students.

Creating a skeleton. Deriving Hierarchy. Positioning and Potential Mapping.

The play of mass and void. Scaling Modules. Different ways of Repetition.

Creating a Journey a way of flowing through spaces. Marking the Points of Entry

Bringing in activities that induce the need of different quality of spaces and hence controlling the same using the infill walls and fenestrations within.

Foundation

Column

Tie Beam

Inclined Member

Site and Context

Roof Member

Roof Wood Panels

Glass Infill

Plinth and Walls

Precast Concrete Spanning Member Notch for Second or Crossing Spanning Member to sit Notch for Spanning Member to sit on the Inclined Member

Precast Concrete Inclined Member 50mm x 50mm Solid Wood Section Bolted on Inclined Member 50mm x 50mm Solid Wood Section between Two Inclined Member Precast Column Cap500mm x 500mm (Outer to Outer Dimension) 300mm x 100mm Notch for the Inclined Member to sit on the Column Cap 300mm x 300mm Precast Column

24mm Double Glazed Unit Toughened Glass Wooden Window Frame

10mm Skirting of 25mm Thick Kota Stone

40mm Dry Mortar Bed 600mm Plinth

Backfill of River Sand

300mm x 300mm Notch for the Precast Concrete Column to sit 100mm x 100mm Notch or Key for Column to sit 100mm Plain Cement Concrete Natural Earth

Sectional

Wooden Planks with Water Proofing Layer

24mm DGU Toughened 50mm x 50mm Solid Wood Section bolted on Precast Concrete Wall Infill Precast Concrete U Section for Rain Water Channel Mild Steel Section Bolted on Infill Wall

Precast Concrete Wall Infill

2,5mm Diameter Drip Edge

100mm x 200mm Notch of Key for Precast Concrete Foundation to sit

Details

STUDIO VIII - IX Urban Insert My Learnings Urban Context

: Studying and further developing an understanding of all the built and natural features along with social and environmental factors of a designated area.

Urban Insert

: Observing and Inferencing from the Urban Context leading to a Proposal born out of the very area of study. The Proposal being a reflection of understanding the Urban Context.

Understanding the topography,climate and the cultural aspects and further intervene a project within the walled city by understanding its grains, generating activity maps, tourists movements and to relate to the overall context of the city

Site

Base Map with Site Demarcation LEGEND COMMERCIAL PRIVATE AREA OFFICES RETAIL RESIDENTIAL FORMAL INFORMAL MIXED USED HOUSE+HOTEL HOUSE+SHOP RELIGIOUS BUILDING SCHOOLS INDUSTRIAL BUILDINGS/WAREHOUSE INSTITUTIONS HOSPITAL PUBLIC AMENITIES PUBLIC BUILDING LANDMARKS WATERBODIES PUBLIC OPEN SPACE BUILDING UNDER CONSTRUCTION

LEGEND PARKING COMMUNITY OPEN SPACE CLUSTER OPEN SPACE HISTORIC OPEN SPACE OPEN MARKET/HAWKERS

LEGEND PRIMARY STREET SECONDARY STREET TERTIARY STREET INTERSECTIONS

GOL NADI

Gol Nadi Cricket Ground

Nala

Hathi Nohra

Mahavir Temple

MEHRANGARH FORT

Nala

MEHRANGARH FORT

Neher Rd

Sagar Gulab

girls Raj

school

Mahal Miyon

ki gali

UMAID CHOWK

Rd i Gate Nagor

RAAS HOTEL

1) 2)

TURJI KA JHALARA

NO OF STREETS - 540 NO OF INTERSECTIONS -365

TURJI KA JHALARA

GULABSAGAR LAKE

Ganesh Temple

MAHILA BAUG KA JHALARA

SITE : JODHPUR

STUDIO - 8

BUILDING USE MAP

FACULTY NAME:- MANAN SINGAL

GHANTAGHAR

SITE : JODHPUR

STUDIO - 8

OPEN SPACE USAGE

03.1

150M

0 10M

50M

GHANTAGHAR

0 10M

150M

Street Connections

50M

150M

N C:\sem 8\BASE PLAN\IDEA - LOGO-PNG2.png D:\Indus logo\IDEA - LOGO-PNG2.png

Building Use

BATCH 2014

50M

STUDIO - 8

FACULTY NAME:- MANAN SINGAL

BATCH 2014

0 10M

E:\map plan\Screen Shot 2018-03-04 at 12.45.45 PM.png

SITE : JODHPUR

STREETS AND INTERSECTIONS

Open Space Usage

Program Interdependency

Weaving Studio

W ov

Wooden Blocks Carving

ics

Dye Room

Library

d fa

dye s

ks loc

bric

ode

Exhibition Space

Admin

Parameters

dyed and dried fabrics block printed fabric

Drying Zone Scanned with CamScanner

Block Printing Studio

Program NART- Native Arts - Fabric Arts The program is a Human Library that Teaches, makes and develops, and exhibits native arts of Jodhpur particularly related to Fabrics and namely Extra-Weft Weaving and Block Printing

IDEA Intuitive Designs and Enquiring Architecture

LEVEL I

LEVEL II

LEVEL III

OVERALL

Concept Sketch

Responding to street edge

Plaza - Extention of public open space

Shared walls A courtyard on the corner

A direct connection street to courtyard

Overall

Second Floor

First Floor

Floor Plates

Ground Floor

Wall Sectional Model

B C D

F F

F H B

A B C D E F G H

12mm 12mm 05mm 04mm 50mm 6mm 25mm 6mm

thick SHS - 200 x 200mm thick RHS - 100 x 200mm thick L angle - 60 x 60mm thick L angle - 55 x 55mm stone wall infill thick C section - 63 x 32mm stone flooring thick T section - 24 x 31mm

Isometric View

A Manual to R.E.A.D Architecture in Literature

My Learnings Architecture and Beyond

: Core idea was to pick a topic that goes beyond the physical built part of architecture.

Labyrinth : Taking a Labyrinth in the form of textual space as a case study and further developing a Designed - Research Thesis in the form of a Labyrinth.

Studio X

â€œThe end is the beginning, and the beginning is the endâ€?

This is a Design Thesis, developing an understanding of a textual space and further creating a textual labyrinth, the Thesis.

Site:

The size of a page is the required frame of space. The constraints of the dimensions of the page are the parameter to keep in mind while designing the textual spaces. Program: A Manual to READ architecture in Fiction/Literature. Concept: Singularity of Experiencing a space; a labyrinth. Material Palette: Typography A. The main text containing the elements and gestures are in Helvetica B. The supporting elements of the story arc are in Dante C. Citation and references being the supplementary to the main text are also in Dante D. The footnotes are in Bookman Old Style. Design Decisions: 1.

The Thesis is a Labyrinth comprising of several fragmented labyrinths. The Thesis has its own Method of Study and an orthographic nature to mediate this labyrinth in the form of textual spaces. These textual spaces are the frames of spaces where the activities reside. Chapters, all are parts of the overall field but an overall field itself. Each chapter is designed as a Labyrinth but this time of a non orthographic nature. Rather the chapters reside within the textual spaces and frames of spaces that are fragmentary in nature. This fragmentary approach of the spaces makes the reader go back and forth several times in the Labyrinth. The struggle and motion of turning of frames creates the frames per second motion and defines the Labyrinth. The Creation of field, the field being the totality and the totality being different at different points within the textual spaces of the Thesis. The initial textual spaces are the ones taken up from the book House of Leaves, further the textual spaces of the Thesis itself are also decoded in a similar manner. The diagrammatic representation of the contents of the labyrinth is not just an interpretation but more of a singular experience of the reader of House of Leaves. This is the point where depth is introduced in the frame of space. Overcoming the constraints of a Two Dimensional frame of space, a page, depth is being added through the use of a portal and to achieve this portal design principles like mirroring and constant change in the orientation of text and illustrations are used, this also brings out the textual deformation which is a direct inference of the case study: House of Leaves Each chapter has a set of supplementary material, a tertiary space that actually acts as the primary one as in the loop of creation comes first. This supplements the creation of the Thesis and also gives the origin to the illustrations and narratives of the space. The Thesis has its own set of annexures, supplementary material that guides and governs the design of the Thesis. 8

lautxet a fo gnidnatsrednu na gnipoleved ,sisehT ngiseD a si sihT .sisehT eht ,htnirybal lautxet a gnitaerc rehtruf dna ecaps

stniartsnoc ehT .ecaps fo emarf deriuqer eht si egap a fo ezis ehT :etiS elihw dnim ni peek ot retemarap eht era egap eht fo snoisnemid eht fo .secaps lautxet eht gningised .erutaretiL/noitciF ni erutcetihcra DAER ot launaM A :margorP .htnirybal a ;ecaps a gnicneirepxE fo ytiralugniS :tpecnoC :ettelaP lairetaM yhpargopyT acitevleH ni era serutseg dna stnemele eht gniniatnoc txet niam ehT .A etnaD ni era cra yrots eht fo stnemele gnitroppus ehT .B era txet niam eht ot yratnemelppus eht gnieb secnerefer dna noitatiC .C etnaD ni osla .elytS dlO namkooB ni era setontoof ehT .D :snoisiceD ngiseD .shtnirybal detnemgarf lareves fo gnisirpmoc htnirybaL a si sisehT ehT erutan cihpargohtro na dna ydutS fo dohteM nwo sti sah sisehT ehT lautxet esehT .secaps lautxet fo mrof eht ni htnirybal siht etaidem ot .ediser seitivitca eht erehw secaps fo semarf eht era secaps .flesti dlefi llarevo na tub dlefi llarevo eht fo strap era lla ,sretpahC non a fo emit siht tub htnirybaL a sa dengised si retpahc hcaE lautxet eht nihtiw ediser sretpahc eht rehtaR .erutan cihpargohtro sihT .erutan ni yratnemgarf era taht secaps fo semarf dna secaps dna kcab og redaer eht sekam secaps eht fo hcaorppa yratnemgarf gninrut fo noitom dna elggurts ehT .htnirybaL eht ni semit lareves htrof eht senfied dna noitom dnoces rep semarf eht setaerc semarf fo .htnirybaL gnieb ytilatot eht dna ytilatot eht gnieb dlefi eht ,dlefi fo noitaerC ehT ehT .sisehT eht fo secaps lautxet eht nihtiw stniop tnereffid ta tnereffid fo esuoH koob eht morf pu nekat seno eht era secaps lautxet laitini dedoced osla era flesti sisehT eht fo secaps lautxet eht rehtruf ,sevaeL .rennam ralimis a ni si htnirybal eht fo stnetnoc eht fo noitatneserper citammargaid ehT eht fo ecneirepxe ralugnis a fo erom tub noitaterpretni na tsuj ton decudortni si htped erehw tniop eht si sihT .sevaeL fo esuoH fo redaer owT a fo stniartsnoc eht gnimocrevO .ecaps fo emarf eht ni hguorht dedda gnieb si htped ,egap a ,ecaps fo emarf lanoisnemiD ekil selpicnirp ngised latrop siht eveihca ot dna latrop a fo esu eht snoitartsulli dna txet fo noitatneiro eht ni egnahc tnatsnoc dna gnirorrim tcerid a si hcihw noitamrofed lautxet eht tuo sgnirb osla siht ,desu era sevaeL fo esuoH :yduts esac eht fo ecnerefni ecaps yraitret a ,lairetam yratnemelppus fo tes a sah retpahc hcaE semoc noitaerc fo pool eht ni sa eno yramirp eht sa stca yllautca taht eht sevig osla dna sisehT eht fo noitaerc eht stnemelppus sihT .tsrfi .ecaps eht fo sevitarran dna snoitartsulli eht ot nigiro taht lairetam yratnemelppus ,seruxenna fo tes nwo sti sah sisehT ehT .sisehT eht fo ngised eht snrevog dna sediug 8

.5 .6

dna ,gninnigeb eht si dne ehTâ€œ â€?dne eht si gninnigeb eht

Work Experience banduksmithstudio

NOTE: The copyright for all the illustrations, drawings and documentation belong to the respective offices The projects displayed ahead involved the author as an intern at the following firm

Saini House

House in Deesa

site plan 1/200 saini house, deesa 20.07.2017

Site Plan

banduksmithstudio design@banduksmithstudio.in

Daylight - Front View

Daylight - Back View saini house, deesa 08.09.2017

banduksmithstudio design@banduksmithstudio.in saini house, deesa 08.09.2017

banduksmithstudio design@banduksmithstudio.in

Night time - Front View

Night time - Back View

Nestled behind a buffer of vegetation from the national highway, is a residence designed for a potato farmerbanduksmithstudio and his family. The protective house uses thick walls, insulated slab strategies, and smartly controlled openings to shield its inhabitants from the hot summer sun. saini house, deesa 08.09.2017

design@banduksmithstudio.in

saini house, deesa 08.09.2017

banduksmithstudio design@banduksmithstudio.in

Abhishree Orchard

First Floor Plan

Ground Floor Plan

Isometric view of Site

view I

view II

Azkka

Azkka Pharmaceuticals Pvt Ltd

Identified site in an office complex

demolition of highlighted walls

masonry work introduced

Keystone - elliptical conference room

defining spaces; insertion of cupboards

introduction of furniture; office interiors

Transchem Biofilters

Model Making and Documentation

Jain Terraces

Shreyas, Sidhichakra, Shrimay

note

920 320 920 [3'-0 1/4"] [1'-0 1/2"] [3'-0 1/4"]

600 [1'-11 3/4"]

920 [3'-0 1/4"]

1209 [3'-11 1/2"]

920 320 920 [3'-0 1/4"] [1'-0 1/2"] [3'-0 1/4"]

- all dim millime - any di should archite - dimen are to not me - all dim unfinis - all cen walls a unless - all RC drawin - all leve the be on the

600 [1'-11 3/4"]

D11 A-305

D12 A-305

D11 A-305

D13 A-305

the dra proper the dra in who permis

date o 7 july 2

revis 2400 [7'-10 1/2"]

2130 [6'-11 3/4"]

2761 [9'-0 3/4"]

750 [2'-5 1/2"]

450 [1'-5 3/4"]

900 [2'-11 1/2"]

450 [1'-5 3/4"]

R1 - 0

section B

1669 [5'-5 3/4"]

scale 1:50

R1 1645 [5'-4 3/4"]

10 [1/2"]

1645 [5'-4 3/4"]

10 [1/2"]

3197 [10'-5 3/4"] 3391 [11'-1 1/2"]

drawn deep check sachin date 7 july 2 scale

1:50

Sola Sect

150 [6"]

731 [2'-4 3/4"]

450 [1'-5 3/4"]

2400 [7'-10 1/2"]

Sidd

section G scale 1:50

band

905 su rasran navran 3800 design

notes

Solar Panel M.S. section bolted to Solar Panel 40mm x 40mm M.S. SHS screwed to solar panel

9 [3'- 83 23 /4"]

10 [4 1 6 /4"]

90.0

4 [1'- 71 61 /2"]

9 [3'- 83 23 /4"]

566 10 1/4 "]

[1'-

40mm x 40mm M.S. SHS painted

45 [1'- 5 6"]

3 [1'- 74 23 /4"]

[2 ]

fixing detail scale 1:10

All the Solar panels are connected to their respective M.S. SHS at an angle of 23°

D13

9 [3'- 83 23 /4"]

ms section bolted to solar panel 45 [1'- 6 6"]

typical detail scale 1:2

40 x 40mm M.S. SHS painted 60 x 60 x 3mm M.S. plate Welding

Siddhachakra 4 [1'- 62 61 /4"]

545 [1'-9 1/2"]

60mm x 60mm M.S. SHS painted

date 4 july 2017 scale

D14 A-305

D14

fixing detail scale 1:10

solar panel roof details 60 x 60 x 3mm M.S. plate

60 x 60mm M.S. SHS painted

welding detail Scale 1:2

drawn deep checked

1:10

3 [0"]

'-8

° 45.0

R1 - 04.07.2017

45.0

D11

date of issue 4 july 2017

revisions

4 "] 94 1/4 '-1

fixing detail scale 1:10

45.0

40mm x 40mm M.S. SHS painted

48 [1'- 5 7"]

the drawings are the sole property of banduksmithstudio. the drawings may not be copied in whole or in part without prior permission of the architect.

7 '-6 66 1/ 4" ]

4 [1'- 72 61 /2"]

- all dimensions are in millimeters/feet inches. - any discrepancy on the site should be referred to the architect. - dimensions on the drawing are to be read and not measured. - all dimensions are from the unfinished surfaces. - all centerlines are through walls and column centers unless indicated. - all RCC work indicated on the drawing is for reference only. - all levels are with reference to the benchmark as established on the site.

D12

A.305

banduk smith studio 905 supath tower, opp rasranjan, vijay char rasta navrangpura, ahmedabad 380009 I N D I A design@banduksmithstudio.in

7 7 [1/4"] [1/4"]

38 [1 1/2"]

19 [3/4"]

170 [6 3/4"] 113 [4 1/2"]

unit detail 1:1 mother of pearl 2

eq 129 [5"]

mother of pearl 1

plan 1:2 331 [1'-1"]

section A 1:2 331 [1'-1"]

19mm x 19mm thick wooden support system rectangular light source 2mm dia metal screw eye pins

brass beads

2mm brass rods

mother of pearl unit

notes

revisions

905 supath tower, opp rasranjan, vijay char rasta navrangpura, ahmedabad 380009 I N D I A design@banduksmithstudio.in

banduk smithstudio

A.408

mother shell light fixture

1:2

drawn deep checked sachin date 13 october 2017 scale

Khurana

for construction

eq eq 2 eq eq 2 eq 2 eq eq 2 eq 2 eq eq 2 eq 2 eq eq 2 eq 2 eq eq 2 eq 2 eq eq 2 eq 2 eq eq 2 eq

eq eq eq eq eq eq eq eq eq

eq 2 eq 2 eq 2 eq 2 eq 2 eq 2 eq 2 eq 2 eq 2 eq 2 eq 2 eq 2 eq 2 eq 2

Mother of Pearl - Light Fixture

Khurana

222 [8 3/4"]

331 [1'-1"] eq

wooden support structure

light source

eq 405 [1'-4"]

2mm brass rods layer 6 3mm thick beads layer 2 2mm brass rods layer 5

mother shell layer 2

eq 405 [1'-4"]

step 4

2mm brass rods layer 4 3mm thick beads layer 1 2mm brass rods layer 3

eq 405 [1'-4"]

step 3

mother shell layer 1

2mm brass rods layer 2

eq 405 [1'-4"]

step 2

eq 331 [1'-1"]

2mm brass rods layer 1

step 1

isometric view 1:5

note

- all dim millim - any di should archite - dimen are to not m - all dim unfinis - all cen walls unless - all RC drawin - all lev the be on the

the dr prope the dr in who permi

date o 13 oct

revi

Khura

drawn deep check sachin date 13 oct scale

1:5

mot fixtu

ban

905 su rasran navran 380 design

Mehta House

Renovation

cement slurry 115mm brick wall

130 150 [5"] [6"]

starting point

230 [9"]

notes

16mm thick white marble

1200mm x 750mm white marble

10mm vitrified tile

2475 [8'-1 1/2"]

10mm vitrified tile flooring bed laid to slope

detail 1 scale 1:5

2 4

8 9

430 [1'-5"]

text style

255 136 [10"] [5 1/4"]

245 [9 3/4"]

401 [1'-3 3/4"]

LAUFEN drop in bathtub white finish

revisions

415 [1'-4 1/4"]

1 - angular valve (hot) 2 - angular valve (cold) 3 - wash basin faucet 4 - health faucet 5 - smart control mixture 6 - shower head 7 - 5 hole bath combination 8 - water supply tap 9 - soil waste outlet 10- waste water outlet

the drawings are the sole property of banduksmithstudio. the drawings may not be copied in whole or in part without prior permission of the architect. date of issue 14 december 2017

368 131 [1'-2 1/2"] [5 1/4"]

750mm x 1200mm white marble 16mm 18mm internal plaster

LEGEND

10mm cement slurry 115mm brick wall 1258 [4'-1 1/2"]

detail 2 scale 1:5

150 335 [6"] [1'-1 1/4"]

391 [1'-3 1/2"]

section B scale 1:25

P.100

2840 [9'-3 3/4"] 818 [2'-8 1/4"]

starting point 150 [6"]

slope

2 4

slope

409 [1'-4"]

slope

25 mm 1020 [3'-4 1/4"]

860 [2'-9 3/4"]

335 150 [1'-1 1/4"] [6"]

10 mm

2170 [7'-1 1/2"]

960 [3'-1 3/4"]

bathroom layout scale 1:25

1200 [3'-11 1/4"]

1200mm x 600mm vitrified tiles 3mm groove

P.100

6 1200mm x 750mm white marble

mehta house

SB 2

875 [2'-10 1/2"]

D2 P.100

675 [2'-2 1/2"]

2 10

117 [4 1/2"]

717 [2'-4 1/4"]

117 [4 1/2"]

drawn deep checked sachin date 14 december 2017 scale

1:25, 1:5 bathroom layout

P.100

D1 P.100

225 [8 3/4"]

starting point

134 [5 1/4"]

852 [2'-9 1/2"]

2225 [7'-3 1/2"]

5,6

200 [7 3/4"]

500 [1'-7 3/4"] 640 [2'-1 1/4"] 769 [2'-6 1/4"] 900 [2'-11 1/2"] 1175 [3'-10 1/4"]

818 [2'-8 1/4"]

1311 [4'-3 3/4"]

2075 [6'-9 3/4"]

100 [4"]

1276 [4'-2 1/4"]

970 [3'-2 1/4"] 477 [1'-6 3/4"]

1889 [6'-2 1/2"]

section A scale 1:25

banduk smith studio 905 supath tower, opp rasranjan, vijay char rasta navrangpura, ahmedabad 380009 I N D I A design@banduksmithstudio.in

150 [6"]

218 [8 1/2"]

130 150 [5"] [6"]

starting point

1200mm x 750mm white marble

starting point

2443 [8'-0 1/4"]

1200mm x 750mm white marble

SB 2

the drawings are the sole property of banduksmithstudio. the drawings may not be copied in whole or in part without prior permission of the architect. date of issue 14 december 2017

SB 2

255 136 [10"] [5 1/4"]

8 9

2 4

675 [2'-2 1/2"]

875 [2'-10 1/2"]

2 10

430 [1'-5"]

revisions 1

225 [8 3/4"]

120 [4 3/4"]

2806 [9'-2 1/2"]

1636 [5'-4 1/2"]

100 [4"]

130 218 [5"] [8 1/2"]

elevation A scale 1:25

667 150 335 [2'-2 1/4"] [6"] [1'-1 1/4"] 2101 [6'-10 3/4"]

375 [1'-2 3/4"]

elevation B scale 1:25

starting point

1200mm x 750mm white marble

1680 [5'-6 1/4"] 2443 [8'-0 1/4"]

10mm transparent glass

1665 [5'-5 1/2"]

575 [1'-10 3/4"]

69 [2 3/4"]

950 [3'-1 1/2"]

SB 1

mehta house 7

SB 3

376 100 [1'-2 3/4"] [4"]

596 [1'-11 1/2"] 430 [1'-5"]

2225 [7'-3 1/2"]

LEGEND 1 - angular valve (hot) 2 - angular valve (cold) 3 - wash basin faucet 4 - health faucet 5 - smart control mixture 6 - shower head 7 - 5 hole bath combination 8 - water supply tap 9 - soil waste outlet 10- waste water outlet

2075 [6'-9 3/4"]

1200 [3'-11 1/4"]

1200mm x 750mm white marble

notes

2,4

drawn deep checked sachin date 14 december 2017 scale

1:25,

bathroom elevations

P.101

875 [2'-10 1/2"]

banduksmith studio elevation C scale 1:25

elevation D scale 1:25

905 supath tower, opp rasranjan, vijay char rasta navrangpura, ahmedabad 380009 I N D I A design@banduksmithstudio.in

Work Experience

&teak - Junior Designer - Full Time

Workshop

Bamboo Workshop

Workshop

Poetics of Bamboo; Tensegrity - Bali, Indonesia

Tensegrity is a design principle that applies when a discontinuous set of compression elements is opposed and balanced by a continuous tensile force, thereby creating an internal Pre-stress that stabilizes the entire structure.

Workshop

Narratives of Naddi and Bal, Himachal Pradesh This is a related study project that took place in Himachal Pradesh. Over 65 houses were documented that made three clusters of Naddi Village. Further, the village of Bal was also documented. The key feature of documentation is that all the drawings are free hand.

Site Plan

Roof Level plan

Second Floor Plan

Ground Floor Plan

Roof Level Plan

Ground Level Plan

Section - Joineries and Details