doreen lau design portfolio

Doreen Lau | Re si d e n t i a l | Re t a il | Co r p o r a te | E x h ib itio n | H o s p ita lity | R e c re a tio n a l | Il l u st ra t i o n s | Ph o to g r a p h y | B r a n d in g

I n te r io r

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V i s u al De s i gn e r

1 AIR BNB Residential Interior Degree Latter Works

2 MOVEMENTS Exhibition Interior Degree Latter Works

3 HUMANISING Recreational Public Community Degree Final Works

4 THE HOME Residential Interior Degree Former Works

5 AA FILES Corporate Interior Degree Former Works

6 OTHER WORKS Retail and Recreational Interior Degree and Diploma Works

7 ILLUSTRATIONS

8 PHOTOGRAPHS

I believe that designers should be multidisciplinary in different aspects. Design is not parallel but rather diverging. I aim towards this belief, and to master different skills in different aspects for different identity.

AIR BNB

1

03 | Doreen Lau

Airbnb is a meeting point that connects between the local and foreigners, where the travellers seek authetic accommodations with hosts who offer unique places to stay; where guests get to experience the true localised home.

The aim of Airbnb is to connect people and foster a borderless relationship from different countries through living in a localised home.

With the site located in a shophouse, my concept is an idea of homesharing living in the olden days of Singapore, with the inspiration of the past accessories through its form and materiality and reuse them into a modern and contemporary taste. It becomes an eclectic mixture of moments, textures and experiences.

Where the modern and the heritage can unite and illustrate how the past elements are still capable of making a contemporary design today.

Portfolio | 04

AIR BNB | Site Analysis

Panoramic view of the stretch of shophouses that the site is located at.

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Landed properties

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Site Location

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71 Carpmael Road, 429806

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05 | Doreen Lau

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• Modern style shophouse floor) D U N M A(double N R O A D • Features thin concrete fins on facade that acts as air vents • Modern materials like concrete & bricks • Simplied design, minimal ornamentations

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Plastered Wall

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AIR BNB | Development

PUBLIC

Perspectival plan view.

PRIVATE

Portfolio | 06

AIR BNB | CAD Drawing

DRAWING NO.

DRAWN BY

DATE

SCALE

NOTES

SCALE 1:100 on A3

KEY PLAN

DRAWING TITLE

- ALL DIMENSIONS ARE IN MILLIMETERS AND ARE FINISHED DIMENSIONS. - CONTRACTORS MUST CHECK AND VERIFY ALL DIMENSIONS ON SITE, AND TO NOTIFY THE ARCHITECT/DESIGNER OF ANY DISCREPANCIES PRIOR COMMENCEMENT OF ANY WORKS. - FABRICATIONS OF WORKS ARE TO BE APPROVED BY THE ARCHITECT/DESIGNER.

1 LOCATION

AS SHOWN

KP PROJECT TITLE

4 FEBRUARY 2016

SCALE 1:50 on A3 WOOD PLANKS FLOOR (WET)

STACKED STONE WALL

WHITE GLOSS LAMINATE

CERAMIC TILE

WOOD PLANKS FLOOR (DRY)

CONCRETE COUNTER TOP

CONCRETE FLOOR

MATERIALS LEGEND

REF. DRAWING: KEY PLAN, NOT TO SCALE

THIS DRAWING IS COPYRIGHT RESERVED.

DOREEN LAU

2

- ALL DIMENSIONS ARE IN MILLIMETERS AND ARE FINISHED DIMENSIONS. - CONTRACTORS MUST CHECK AND VERIFY ALL DIMENSIONS ON SITE, AND TO NOTIFY THE ARCHITECT/DESIGNER OF ANY DISCREPANCIES PRIOR COMMENCEMENT OF ANY WORKS. - FABRICATIONS OF WORKS ARE TO BE APPROVED BY THE ARCHITECT/DESIGNER.

NOTES

MP

REF. DRAWING: KEY PLAN, NOT TO SCALE

DG-P01

CONCRETE FLOOR

KEY PLAN

MATERIALS LEGEND

WOOD PLANKS FLOOR (DRY)

CONCRETE COUNTER TOP

WHITE GLOSS LAMINATE

CERAMIC TILE

WOOD PLANKS FLOOR (WET)

STACKED STONE WALL

REGIONAL MATERIAL PLAN 2

71 CARPMAEL ROAD, SINGAPORE 429806

SCALE 1:50 on A3

REGIONAL MATERIAL PLAN 1

PROPOSED DESIGN DEVELOPMENT FOR AIRBNB HOME SHOPHOUSE (CHOICE PROJECT)

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AS SHOWN

SCALE

THIS DRAWING IS COPYRIGHT RESERVED.

4 FEBRUARY 2016

DATE - ALL DIMENSIONS ARE IN MILLIMETERS AND ARE FINISHED DIMENSIONS. SHOPHOUSE (CHOICE PROJECT) - CONTRACTORS MUST CHECK AND VERIFY ALL DIMENSIONS ON SITE, AND TO NOTIFY THE ARCHITECT/DESIGNER OF ANY DISCREPANCIES PRIOR COMMENCEMENT OF ANY WORKS. - FABRICATIONS OF WORKS ARE TO BE APPROVED BY THE ARCHITECT/DESIGNER.

NOTES

DRAWN BY AS SHOWN

SCALE

DOREEN LAU

4 FEBRUARY 2016

DATE

DRAWING NO.

DRAWN BY

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DOREEN LAU

DRAWING TITLE

DRAWING NO.

REGIONAL MATERIAL PLAN 2

DG-P06

71 CARPMAEL ROAD, SINGAPORE 429806

DRAWING TITLE

LOCATION REGIONAL MATERIAL PLAN 1

PROJECT TITLE 71 CARPMAEL ROAD, SINGAPORE 429806

LOCATION

PROPOSED DESIGN DEVELOPMENT FOR AIRBNB HOME

PROJECT TITLE

THIS DRAWING IS COPYRIGHT RESERVED.

PROPOSED DESIGN DEVELOPMENT FOR AIRBNB HOME SHOPHOUSE (CHOICE PROJECT)

07 | Doreen Lau

First Level Floor Plan (Not To Scale)

First Level Material Plan (Not To Scale)

AIR BNB | CAD Drawing

Elevation (Not To Scale)

SE A

SECTIONAL ELEVATION A SCALE 1:75 on A3

Elevation (Not To Scale)

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SECTIONAL ELEVATION D SCALE 1:75 on A3

SECTIONAL ELEVATION B SCALE 1:50 on A3

PROJECT TITLE

LOCATION

DRAWING TITLE

DRAWING NO.

DRAWN BY

DATE

SCALE

NOTES

PROPOSED DESIGN DEVELOPMENT FOR AIRBNB HOME SHOPHOUSE (CHOICE PROJECT)

71 CARPMAEL ROAD, SINGAPORE 429806

SECTIONAL ELEVATION A & B

DG-E01

DOREEN LAU

4 FEBRUARY 2016

AS SHOWN

- ALL DIMENSIONS ARE IN MILLIMETERS AND ARE FINISHED DIMENSIONS. - CONTRACTORS MUST CHECK AND VERIFY ALL DIMENSIONS ON SITE, AND TO NOTIFY THE ARCHITECT/DESIGNER OF ANY DISCREPANCIES PRIOR COMMENC - FABRICATIONS OF WORKS ARE TO BE APPROVED BY THE ARCHITECT/DESIGNER. THIS DRAWING IS COPYRIGHT RESERVED.

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LOCATION 71 CARPMAEL ROAD, SINGAPORE 429806

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DRAWING TITLE

DRAWING NO.

DRAWN BY

DATE

SCALE

NOTES

SECTIONAL ELEVATION C & D

DG-E02

DOREEN LAU

4 FEBRUARY 2016

AS SHOWN

- ALL DIMENSIONS ARE IN MILLIMETERS AND ARE FINISHED DIMENSIONS. - CONTRACTORS MUST CHECK AND VERIFY ALL DIMENSIONS ON SITE, AND TO NOTIFY THE ARCHITECT/DESIGNER OF ANY DISCREPANCIES PRIOR COMMENCEMENT OF ANY WORKS. - FABRICATIONS OF WORKS ARE TO BE APPROVED BY THE ARCHITECT/DESIGNER.

SECTIONAL ELEVATION C

THIS DRAWING IS COPYRIGHT RESERVED.

SCALE 1:50 on A3

Details of the ventillation windows for the bedroom.

PROJECT TITLE

LOCATION

DRAWING TITLE

DRAWING NO.

DRAWN BY

DATE

SCALE

NOTES

PROPOSED DESIGN DEVELOPMENT FOR AIRBNB HOME SHOPHOUSE (CHOICE PROJECT)

71 CARPMAEL ROAD, SINGAPORE 429806

SECTIONAL ELEVATION C & D

DG-E02

DOREEN LAU

4 FEBRUARY 2016

AS SHOWN

- ALL DIMENSIONS ARE IN MILLIMETERS AND ARE FINISHED DIMENSIONS. - CONTRACTORS MUST CHECK AND VERIFY ALL DIMENSIONS ON SITE, AND TO NOTIFY THE ARCHITECT/DESIGNER OF ANY DISCREPANCIES PRIOR COMMENCEMENT OF ANY WORKS. - FABRICATIONS OF WORKS ARE TO BE APPROVED BY THE ARCHITECT/DESIGNER. THIS DRAWING IS COPYRIGHT RESERVED.

Portfolio | 08

AIR BNB | Development

Orthographic sectional projection of the public space.

Television test screen (no reception) used as a digital clock and calendar

Shoe racks (reinvamped from biscuit tin can)

Adjustable cushioned sofa, change of cushion material to more modernise material (cotton to leather)

Dining chair, change of material (plastic to metallic/ ionised)

Adjustable cushioned sofa, changed of cushioned material to more modernise material (cotton to leather)

Orthographic sectional projection of the private space.

09 | Doreen Lau

AIR BNB | Layout

View of the chilling space; an invisible boundary between other spaces, but still trigger a form of interaction between people View of dining area towards the kitchen space

View from dining area towards the living space.

Portfolio | 10

AIR BNB | Perspectives

Upon leaving the private space (bedrooms) is the immediate public space (kitchen).

Despite that transitory spaces are the metamorphosis for people to engage in an interaction, I have blurred that impression by having a straightforward transit from spaces to spaces by implementing them parallel to each other, giving no allowance for bridging between the different spaces.

11 | Doreen Lau

AIR BNB | Perspectives

Portfolio | 12

AIR BNB | Perspectives

Different perspectives of the master bedroom.

13 | Doreen Lau

Portfolio | 14

2 MOVEMENTS

THEME: Sonia Delaunay’s colours and shapes movement DURATION: Approximately 6 months SITE: Wheeler’s Yard, 28 Lor Ampas, Singapore 328781

Sonia Delaunay started out as an artist who was inspired by the post-impressionist and fauvist art, but her legacy was left specifically for her avant garde patterns that were influenced from the ‘Simultaneous Contrast’ movement. In addition, her patterns and colours were further composed into her dress designs that were fashioned to suit the female’s body and movement; where she believed that art should be applied to everyday life.

This exhibition will stimulates and inaugurates her idea of colours contrast and patterns unity by implementing the combination of primary colours and generic geometrical shapes.

To incorporate the idea of ‘everyday life’, where people are living at a slower pace of life and freedom of movement.

17 | Doreen Lau

Portfolio | 18

MOVEMENTS | Development

In Michel Eugene Chevreul’s 13 law of Simultaneous Contrast, it was made clear that colour is not static, but is dynamic and relative. The appearance of a colour changes according to its context, particularly in terms of hue and chroma.

When the eyes look at the overall of the model, the colour in the affected portion will appear as dissimilar as possible. In each model, there are 3 colours involved, but it appeared to have 4 colours combined and vise versa.

KEYWORDS

• Simultaneous Contrast • Rhythmic Flow • Freedom • Movement • Abstract shapes and colours

The effect of a gradient of colours overlaid on the shadows to achieve a kind of atmospheric effect.

19 | Doreen Lau

SHAPES & COLOURS

SPATIAL QUALITY

DISPLAY ARTEFACTS

INTEGRATE INTO SITE

• Zig-zags, chevrons • Not of specific geometric shapes • Red, green, blue, neutral tones and hues mixed into her desired colours

• Freedom in space = less ‘guided’ with partitions but of artworks • Visitors will decide what they want to see at their own choice

• Neutral coloured and generic furniture (dark/white/neutral) • Make her art pieces and colours to stand out on its own without additional disruption

• Her textiles inspired to be part of the exhibit accessory • Incorporating site with her philosophy of ‘colours’ that create an effect of different spaces

Colour and light study; created with coloured transparency and artificial light source in the dark room.

Initial sketch of monotonous approach and lighting concentration

MOVEMENTS | Narrative

H I S T O RY & LEARN

THIRD

FOURTH

PRACTICE & C R E AT E

SECOND

DISCOVER & INSPIRE

FIRST

OBSERVE & ABSORB

SUPPORTING DOCUMENTS

PHOTOS & SKETCHES

PATTERNS & TEXTILES

ACTUAL DRESS DESIGN

ATELIER

FABRIC MARKET

This will exhibit the history of Sonia Delaunay, specifically into the starting point of her career.

It will also document other artists / writers who had included Delaunay’s idea into their works.

This exhibits the photographs and sketches that show the people who wore her designs.

Some sketches will show the conceptual ideas of certain theme. Visitors can observe the patterns and colours combination from a different perspective.

This third section (or alternate session from supporting documents) will display her avant garde patterns creation. It will also consists of the book keeping of her patterns design. Visitors will get to interact with the textiles via the flipping panels to have a sense on the materiality of the fabrics.

This displays the actual scale and proportion of dresses on human bodies. Visitors are able to interact with the dresses through mirrors to see how they may look like in these dresses.

After a range of different studies and getting inspired through different mediums, visitors will have the opportunity to create their own unique patterns and have them printed on their ideal textiles.

Other than fabricating your own textiles, visitors can go to the smallscaled fabric stalls to purchase large quantity and artsy type of fabrics for their personal uses.

Portfolio | 20

MOVEMENTS | Site Analysis J GLOBAL INDIAN INTERNATIONAL SCHOOL

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Industrial Building

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Bus Stop Private Apartment

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28 Lor Ampas, 328781

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Religious Building

Existing functions:

Institution Commercial Building Park Connector Network

Double level space (above office, below dining)

Parking lots / loading and unloading bay

The existing materials are commonly seen in buildings to bring out the essence of ‘everyday life’.

Dining space

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Retail space

• Retail Space (to be proposed as the exhibition space) • Dining Space (to be retained and incorporate fabric market space) • Office space (to be retained and/ or proposed atelier workshops) • Outdoor dining space (to be removed temporal)

Outdoor dining

Raw Concrete Floor

Indoor (air-conditioned)

White Painted Wall

Indoor (opened)

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Wh Entrances/exits into site

Raw Red Brick Wall

Entrances/exits into interior

Glass panels

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Ventilation Skylight blocks

Dark Wood Decking

Ventilation blocks on the white painted wall at the retail space

21 | Doreen Lau

Exterior mezzanine level and side entrance

Mezzanine level, featuring the brick wall in the dining space (double volume)

Glass panels separating retail space and dining space

MOVEMENTS | Spatial Division

Corrugated sheet metal with insulation

Ridge Vent (Monitor Roof)

Ventilation / skylight

• Pitched Roof • All materials and structure elements are to be retained and reused • Ceiling (roof) to be expoed but to add additional frame for fixtures and support

Ventilation grilled windows Ventilated blocks

Mezzanine level

Standard height double door

Painted matt epoxy finish

Concrete cement, semipolished

Full height door, metal sliding

Dining + Fabric Market (1st level)

Office + Atelier (2nd level)

Exhibition Space

Mild steel structure framed glass panel

Photos & Sketches

Supporting Documents

Patterns / Textiles

Actual Dresses Design

Primary flow Alternate flow Main Entrance

Portfolio | 22

The model shows the gigantic entrance of the space and greeted by the patterned textiles designed by Sonia Delaunay. Her textiles were used as part of an exhibit artefact, as well as an accessory of the space. Through this, visitors get to have a sneak preview of the exhibition and her ideas of colours and shapes. The lighting has also cast the shadows of the structure at the model (that was used to hold the hanging artefacts) at an angle. It was attempted to create a kind of ‘shadow cast shape’ onto the white curved panels.

Peak on the flipping textile panels from entrance Artwork on panel

23 | Doreen Lau

MOVEMENTS | Perspectives

The view towards the catwalk of dress designs, standing from the coloured glass panels.

Portfolio | 24

MOVEMENTS | Perspectives

Different perspectives of the 3D Model.

View from the back of the exhibition space, with the top showing the coloured glass panels (model) from the interior side and the bottom showing the rendering before the coloured panels

25 | Doreen Lau

MOVEMENTS | Perspectives

Portfolio | 26

3 HUMANISING

29 | Doreen Lau

In modernisation, void deck is a waste of space despite it can be utilised for economic purpose but in socialisation, it is vital for knowledge, contact, and stimulation.

NEW C OM M U N I T Y

P A SSIVE I N D IVIDUA LIST IC N E W E S TA TE : PUNGGOL

PUBLIC HOUSING

VOID DECK

OLD HDB VOID DECK

L O C A TI O N

REAL

DIG IT AL

E XPE R IE NC E

Community bonding has been deemed as a social issue in Singapore as it becomes a denser city, the masses are starting to be passive and this may lead to dehumanisation, especially in the new and young housing NEW HDB estate. The intimacies between neighbours are V OI D D E C K lost as people move to a new neighbourhood; they are unfamiliar with the community and the surroundings, thus the time to build up the community relationship is gradual.

Hence, I aim to relieve the neighbourliness in the selected housing estate, Punggol, by designing a prototype situation within the void deck with flexible furniture that can be manipulated according to the users’ needs ILY S E NItS Ewill S then transform andD Adesired functions.

LIFE overtime to encourage new uses by new T H O U G H T people, energising the site at all times and fit into contemporary realms. This can then be replicated into other void decks with similar study.

INTERPRET

C O N T R OL

Portfolio | 30

HUMANISING | Site Analysis

Site Location

Expressway

HDBs

Primary Road

Condos

Secondary Road

MSCP

Bus Stops

Public Parks

MRT Line

Open field

LRT Line

211A & B Punggol Walk, Punggol Ripples

Block 211A

Block 211B

Void deck • Accommodates a large variety of activities (it become a wasted space when under utilise) • Transitory space as it is the most frequent passing space • Sheltered & Shady (greater visibility) • Common ground (social communal space encourage interaction) E-deck

There are indefinite pocket of spaces, while some lead to dead corners, they still provide opportunities to different usage rather than leaving it deserted.

The pocket of spaces are determined by the differences in ceiling heights that will help to determine the ideal functions of different pocket spaces.

2700mm

31 | Doreen Lau

MSCP

5000mm

8600mm

HUMANISING | Development

C H I LD RE N

C HI L D R EN

E LD E RLY

A D U LT S

C H I LD RE N M A RK E T S Q U A RE

M A R K ET SQ U A R E

P E T S P LA Y / D A Y C A RE

G A RD E N I N MG A/RK E T F A RM I NSGQ U A RE

E LD E RLY

E LD E RLY P E T S P LA Y / D A Y C A RE

W O RK S Y/ P ESTHSOPPLA D A Y C A RE

• Transparency (virtually) to invoke curiosity (mentally) and draws an attention (physically) to the space and the activities • A space within a space • Inclusive from the outside and create a sense of being from the inside • To experience the space, curated from the activity (socially produced) • To create memory between people • Flexible and adjustable furniture for people to interaction with • Making use of ‘dead’ corners in the void decks that has an unobvious demarcation of space • Continuity of modules (moveable)

Portfolio | 32

HUMANISING | Spatial Division

Block 211A Block 211B

33 | Doreen Lau

HUMANISING | Spatial Layout CHILDR E N

MA RKET SQUARE

P E TS P L AY/ DAY CARE MARKE T SQUAR E

EL DERLY

E LDE RLY

PE T S PLA Y/ DA Y C A RE

A DULT S

G ARDE NI NG / F ARMI NG GA RDE N I N G/ F A RMI N G

W OR K SHOP S WORKSHOPS

MOVIE T H E AT R E

SH

M OV IE T HEA T R E S H AR I NG AR E A

A DU LTS

C H I LDRE N E LDE RLY E LD E R L Y C H I LDRE N

WOR KS HOPS G A R D E N I N G / M O V I E PETS P LAY/ DAY CARE FARMING THEATRE

SH AR I N G W O R K SHAR O PEA S

MOVIE T H EAMA T R ERKE T MA RKE T

S QUA RE S QUA RE

SH AR I N G AR EA

AD U L T S AD U L T S

P E/T S P L AY / PE T S PLAY DA Y C A RDEAY C AR E

AR/D E NI NG / G AR D E NIGNG FAR M I NGFAR M I NG

WPOSR K S H O P S WORKSHO

MOVIE MOVIE T H E AT R E T H E AT R E

Bird’s eye view of the 2 site in model making

Portfolio | 34

HUMANISING | Perspectives

View of market square at 211A

35 | Doreen Lau

HUMANISING | Perspectives

View of workshop space at 211A

Portfolio | 36

View of the movie theatre space from the carpark stretch View of the outdoor pets play area View of the movie theatre space from the corner towards the carpark stretch

37 | Doreen Lau

Neighbours can make use of this pets centre for their pets to run around. While others who do not own a pet can come to this place to interact with the pets and ultimately with the owner. The pets then become a medium to trigger the interactions between the neighbours.

View of the indoor pets play area View of the corridor, overlooking to the pets play area and gardeing area at 211A (rendering) View of the corridor, overlooking to the pets play area and gardeing area at 211A (model making)

Portfolio | 38

HUMANISING | Perspectives

39 | Doreen Lau

HUMANISING | Perspectives

Views of the workshop space (top) and outdoor sharing/ gardening (bottom) area at 211B Different views of the 211B space in model making

Portfolio | 40

4

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HOME CULTURE

HOME | Layout

43 | Doreen Lau

HOME | Material Collage

Home is a place where family members of different personalities and habits are held together by elements that hold a meaning. The spatial elements layout and its relationships play a major part in establishing the interactions between the members.

Charles Sanders Peirce defined the term “semiotic� as an object that holds a meaning, but also to be intepreted by the interpretant.

Portfolio | 44

HOME | Layout

REVISION

DAT

NOTES: - ALL DIMENSIONS ARE IN MILLIMETERS AND ARE FINISHED DIMENSIONS.

- CONTRACTORS MUST CHECK AND VER ALL DIMENSIONS ON SITE, AND TO NOT THE ARCHITECT/DESIGNER OF ANY DISCREPANCIES PRIOR COMMENCEME OF ANY WORKS.

- FABRICATIONS OF WORKS ARE TO BE APPROVED BY THE ARCHITECT/DESIGN

REFERENCE DRAWING

LOCATION YISHUN AVENUE 11, SINGAPORE

DESIGNER DOREEN LAU 14AAD023X BA in INTERIOR DESIGN

PROJECT TITLE

PROPOSED DESIGN DEVELOPMENT FOR HO INTERIOR LOCATED AT YISHUN AVENUE 11, ALONG YISHUN AVENUE 1, SINGAPORE

DRAWING TITLE KEY FLOOR PLAN

PROJECT CODE IDP5

DRAWN BY DL

SCALE

Floor plan (not to scale)

FP 1

DATE

SCALE 1:50

27 APRIL 2015

Concept model View of living and dining space from the corner, entrance at the master bedroom side

45 | Doreen Lau

FP-01

CHECKED BY AX/NW/WH

REVISION 1:50

FLOOR PLAN

DRAWING NO.

-

HOME | CAD Drawing

SE 1

SECTIONAL ELEVATION A SCALE 1:50

SE

SECTIONAL ELEVATION B

SE

SECTIONAL ELEVATION B

SE

SECTIONAL ELEVATION C

2

2

3

SE 3

SCALE 1:50

SCALE 1:50

SCALE 1:50

Different sectional elevations (not to scale)

SECTIONAL ELEVATION C SCALE 1:50

Portfolio | 46

View towards the kitchen space from living area

47 | Doreen Lau

View of dining and living space from the foyer

Portfolio | 48

5 AA FILES

AA FILES | Development

It is a bi-annual architectural magazine-journal, published in English language.

The content of the magazine is largely based in essays format thus it is text heavy and the design is kept formal.

The journal privileges ideas over references, an originality of argument over the reiteration of existing positions.

It mainly explore the developments in architecture, engineering, landscape and urbanism that touch on the philosophy, history related and criticism.

51 | Doreen Lau

AA FILES | CAD Drawing

NOTES: - ALL DIMENSIONS ARE IN MILLIMETERS AND ARE FINISHED DIMENSIONS. - CONTRACTORS MUST CHECK AND VERIFY ALL DIMENSIONS ON SITE, AND TO NOTIFY THE ARCHITECT/DESIGNER OF ANY DISCREPANCIES PRIOR COMMENCEMENT OF ANY WORKS. - FABRICATIONS OF WORKS ARE TO BE APPROVED BY THE ARCHITECT/DESIGNER.

SINGAPORE, SINGAPORE

DOREEN LAU 14AAD023X BA in INTERIOR DESIGN

PROPOSED DESIGN DEVELOPMENT FOR AA FILES MAGAZINE OFFICE

5TH LEVEL FLOOR PLAN

IDP3

KP-01

DL

NW/YF

1:150

FP 1

-

AA FILES: KEY FLOOR PLAN SCALE 1:100

28 JANUARY 2015

N

NOTES: - ALL DIMENSIONS ARE IN MILLIMETERS AND ARE FINISHED DIMENSIONS. - CONTRACTORS MUST CHECK AND VERIFY ALL DIMENSIONS ON SITE, AND TO NOTIFY THE ARCHITECT/DESIGNER OF ANY DISCREPANCIES PRIOR COMMENCEMENT OF ANY WORKS. - FABRICATIONS OF WORKS ARE TO BE APPROVED BY THE ARCHITECT/DESIGNER.

SINGAPORE, SINGAPORE

DOREEN LAU 14AAD023X BA in INTERIOR DESIGN

PROPOSED DESIGN DEVELOPMENT FOR AA FILES MAGAZINE OFFICE

5TH LEVEL FLOOR PLAN

FP 2

Floor plans of different levels (not to scale)

AA FILES: MEZZANINE FLOOR PLAN SCALE 1:100

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IDP3

KP-01

DL

NW/YF

1:150

-

28 JANUARY 2015

Sectional Elevation (not to scale) NOTES: - ALL DIMENSIONS ARE IN MILLIMETERS AND ARE FINISHED DIMENSIONS. - CONTRACTORS MUST CHECK AND VERIFY ALL DIMENSIONS ON SITE, AND TO NOTIFY THE ARCHITECT/DESIGNER OF ANY DISCREPANCIES PRIOR COMMENCEMENT OF ANY WORKS. - FABRICATIONS OF WORKS ARE TO BE APPROVED BY THE ARCHITECT/DESIGNER.

SINGAPORE, SINGAPORE

DOREEN LAU 14AAD023X BA in INTERIOR DESIGN

PROPOSED DESIGN DEVELOPMENT FOR AA FILES MAGAZINE OFFICE

5TH LEVEL FLOOR PLAN

IDP3

KP-01

DL

NW/YF

1:150

SE 2

SECTIONAL ELEVATION B SCALE 1:50

28 JANUARY 2015

-

Portfolio | 52

AA FILES | Outcome

NOTES: - ALL DIMENSIONS ARE IN MILLIMETERS AND ARE FINISHED DIMENSIONS. - CONTRACTORS MUST CHECK AND VERIFY ALL DIMENSIONS ON SITE, AND TO NOTIFY THE ARCHITECT/DESIGNER OF ANY DISCREPANCIES PRIOR COMMENCEMENT OF ANY WORKS. - FABRICATIONS OF WORKS ARE TO BE APPROVED BY THE ARCHITECT/DESIGNER.

SINGAPORE, SINGAPORE

DOREEN LAU 14AAD023X BA in INTERIOR DESIGN

53 | Doreen Lau PROPOSED DESIGN DEVELOPMENT FOR AA FILES MAGAZINE OFFICE

AA FILES | Outcome

Portfolio | 54

OTHER WORKS

6

57 | Doreen Lau

Portfolio | 58

59 | Doreen Lau

Master suite room different perspectives Different vews of the cafe-bar area

A boutique hotel project located at Tembeling Road (Joo Chiat District). The aim of this project is to bring the past into the present.

The concept is ‘Movement’; moving with time (through a transport - bicycle).

The usage of monochromatic and vintage shades and tones brings out the ‘historical’ feel into the space.

Portfolio | 60

JETLAG | Outcome

Roof level

Third level

Second level

First level

61 | Doreen Lau

A retail and recreational project located in a combined 3 units shophouses at North Canal Road to target the night owls who seek a comfortable and proper dining space to rest and relax.

This will be a 24 hour project, for different time of the day at different operational purpose.

The first part of the concept for this project is a transition of light to dark (i.e. a space for the night, it needs to be brightly lit to keep the consumers awake). The second part refers to the five senses.

JETLAG | Outcome

Different perspectives of the first level bakery shop Material board and details of the lighting fixture

Portfolio | 62

63 | Doreen Lau

JETLAG | Outcome

Material board (left) and different perspectives of level two restaurant area Material board (left) and different perspectives of one of the lounge rooms

Portfolio | 64

7

ILLUSTRATION

Poster design about home culture.

67 | Doreen Lau

Logo process ideas for a school project

Portfolio | 68

Different housing illustrations

69 | Doreen Lau

Pauline

NG

SU

M

S/\

Raymond

The Eyeliner Squad

gsa . turbulence squad

Wedding illustration (top) Friends illustration (bottom)

Portfolio | 70

8

8

PHOTOGRAPHS

73 | Doreen Lau

Portfolio | 74

75 | Doreen Lau

Portfolio | 76

77 | Doreen Lau

Portfolio | 78

Doreen Lau 8123 7020 doreenlauliyan@gmail.com http://doreenlau.wix.com/portfolio