Deadline Hollywood - Contenders International - 01/09/21

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international JANUARY 9, 2021 | SPECIAL ISSUE


F O R Y O U R C O BEST INTERNATIONAL ALEC UTGOFF in

“Profoundly cinematic... exerts its own hypnotic power.” – Anna Smith, DEADLINE

“Małgorzata Szumowska hits a career high in this alluring, atmospheric tale.“ – Guy Lodge, VARIETY

“A magical film... A tour-de-force... of brilliant cinematography.” – Deborah Young, THE HOLLYWOOD REPORTER

“A hypnotic viewing experience that awakens all senses through our eyes.” – Carlos Aguilar, THE PLAYLIST LAVA FILMS And MATCH FACTORY PROdUCTIOnS In COPROdUCTIOn wITH KInO ŚwIAT MAZOVIA wARSAw FILM FUnd dI-FACTORY BAYERISCHER RUndFUnK In COOPERATIOn wITH ARTE FILM wITH THE SUPPORT OF/ CO-FInAnCEd BY POLISH FILM InSTITUTE FILM - Und MEdIEnSTIFTUnG nRw dEUTSCHER FILMFÖRFERFOndS MEdIEnBOARd BERLIn BRAndEnBURG GERMAn-POLISH FILM FUnd CInECOPRO AwARd FEATURInG ALEC UTGOFF MAJA OSTASZEwSKA AGATA KULESZA wEROnIKA ROSATI KATARZYnA FIGURA ŁUKASZ SIMLAT AndRZEJ CHYRA KRZYSZTOF CZECZOT CInEMATOGRAPHY MICHAŁ EnGLERT PSC EdITInG JAROSŁAw KAMIŃSKI PSM AGATA CIERnIAK PROdUCTIOn dESIGn JAGnA JAnICKA CASTInG MAGdALEnA SZwARCBART SOUnd KACPER HABISIAK MPSE MARCIn KASIŃSKI MPSE MARCIn JACHYRA COSTUME dESIGn KATARZYnA LEwIŃSKA MAKE UP wALdEMAR POKROMSKI GERMAn LInE PROdUCER STEFAAn SCHIEdER PROdUCTIOn MAnAGER dAGMARA BAGnECKA CO-PROdUCERS AnnA SPISZ TOMASZ KARCZEwSKI MARCIn PIASECKI JĘdRZEJ SABLIŃSKI RAFAŁ GOLIS COMMISSIOnInG EdITORS CARLOS GESTEnHAUER (BR) CORnELIA ACKERS (BR) MOnIKA LOBKOwICZ (BR/ARTE) BIRGIT KÄMPER (ARTE) PROdUCERS AGnIESZKA wASIAK MARIUSZ wŁOdARSKI VIOLA FÜGEn MICHAEL wEBER MAŁGORZATA SZUMOwSKA MICHAŁ EnGLERT wRITTEn BY MICHAŁ EnGLERT & MAŁGORZATA SZUMOwSKA dIRECTEd BY MAŁGORZATA SZUMOwSKA CO-dIRECTEd BY MICHAŁ EnGLERT


N S I D E R A T I O N FEATURE FILM - POLAND

A film by MAŁGORZATA SZUMOWSKA & MICHAŁ ENGLERT




international

SAMUEL GOLDWYN FILMS 8:04am - 8:34am

Another Round

Mads Mikkelsen (Actor) Thomas Vinterberg (Co-Writer/Director)

The Auschwitz Report

OFFICIAL SUBMISSION - SLOVAKIA

Peter Bebjak (Director) Noel Czuczor (Actor)

Dear Comrades!

Andrei Konchalovsky (Writer/Director/Producer)

Night of the Kings

Philippe Lacôte (Writer/Director)

101 STUDIOS 8:57am – 9:12am

Dara of Jasenovac

Michael Berenbaum (Executive Producer)

XYZ FILMS 9:12am – 9:27am

Jallikattu

NEON 8:34am - 8:57am

OFFICIAL SUBMISSION - DENMARK

OFFICIAL SUBMISSION - RUSSIA OFFICIAL SUBMISSION - IVORY COAST OFFICIAL SUBMISSION - SERBIA

OFFICIAL SUBMISSION - INDIA

Nate Bolotin (Executive Producer) Lijo Jose Pellissery (Director) Prashant Pillai (Music Director/Composer)

MORNING BREAK- 10 MINUTES

COHEN MEDIA GROUP 9:40am – 10:11am

Christos Nikou (Director)

Apples OFFICIAL SUBMISSION - GREECE

Persian Lessons OFFICIAL SUBMISSION - BELARUS

El Olvido que Seremos OFFICIAL SUBMISSION - COLOMBIA

Vadim Perelman (Director) Ilya Stewart (Producer) Javier Cámara (Actor) Fernando Trueba (Director)

KINO LORBER 10:11am – 10:21am

Never Gonna Snow Again OFFICIAL SUBMISSION - POLAND

Michał Englert (Co-Director/Cinematographer) Małgorzata Szumowska (Director)

OUTSIDER PICTURES 10:22am – 10:31am

Kill It and Leave This Town

Mariusz Wilczynski (Writer/Director)

FYC - BEST ANIMATED FEATURE

LUNCH BREAK- 30 MINUTES

FILM MOVEMENT 11:03am – 11:19am

My Little Sister OFFICIAL SUBMISSION - SWITZERLAND

Stéphanie Chuat (Writer/Director) Nina Hoss (Actor) Véronique Reymond (Writer/Director)

SCHEDULE AND PRESENTERS SUBJECT TO CHANGE


international

SHUDDER 11:19am – 11:44am

Impetigore

Joko Anwar (Writer/Director)

OFFICIAL SUBMISSION - INDONESIA

La Llorona

Jayro Bustamante (Co-Writer/Director)

OFFICIAL SUBMISSION - GUATEMALA

GRAVITAS VENTURES 11:44am – 11:58am

The Mole Agent

GREENWICH ENTERTAINMENT 11:59am – 12:13pm

Preparations to Be Together for an Unknown Period of Time

HELSINKI-FILMI 12:14pm – 12:29pm

Tove

Maite Alberdi (Writer/Director)

OFFICIAL SUBMISSION - CHILE

Lili Horvát (Writer/Director)

OFFICIAL SUBMISSION - HUNGARY

OFFICIAL SUBMISSION - FINLAND

Zaida Bergroth (Director) Alma Pöysti (Actor)

AFTERNOON BREAK- 10 MINUTES

MAGNOLIA PICTURES 12:41pm – 1:02pm

Collective OFFICIAL SUBMISSION - ROMANIA

Alexander Nanau (Director/Producer/Cinematographer)

OFFICIAL SUBMISSION - FRANCE

Filippo Meneghetti (Director/Co-Writer) Barbara Sukowa (Actor)

MUBI 1:02pm – 1:17pm

Beginning

Dea Kulumbegashvili (Co-Writer/Director)

NETFLIX 1:18pm – 1:41pm

The Life Ahead

Sophia Loren (Actor) Edoardo Ponti (Director)

I’m No Longer Here

Fernando Frías de la Parra (Writer/Director)

Two of Us

OFFICIAL SUBMISSION - GEORGIA

FOREIGN LANGUAGE CATEGORY (GOLDEN GLOBES)

OFFICIAL SUBMISSION - MEXICO

PA R T N E R S


WELCOME TO

CONTENDERS INTERNATIONAL

Deadline’s new addition to the Contenders event series offers a look at the best international films of 2020 BY NA N C Y TA RTAG L I O N E

Meet the moderators

The Deadline staffers who’ll be guiding you through this year’s Contenders International

YO U R E M C E E JOE UTICHI EDITOR, AWARDSLINE Joe oversees Deadline’s print magazine for the Oscar and Emmy

JANUARY IS CONTENDERS MONTH

Hoss, Andrei Konchalovsky, Philippe

seasons, as well as its special

here at Deadline and we couldn’t

Lacôte, Mads Mikkelsen, Thomas

“Disruptors” edition for the Cannes

be more excited to kick off the New

Vinterberg, Javier Cámara, Fernando

Film Festival. He has been with

Year with our inaugural edition of

Trueba, Alexander Nanau and many,

Deadline since 2012 and serves as

Contenders International. This

many more.

emcee for Deadline’s Contenders

event will showcase 22 titles from 15

Countries represented include

events. Prior to joining, his work

studios, streamers and distributors

Serbia, Greece, Colombia, Belarus,

regularly appeared in his native UK,

with presentations including clips and

Switzerland, Chile, Hungary, Finland,

for outlets including The Sunday

filmmaker/talent Q&As. In all, 20 of the

Poland, Romania, France, Georgia,

Times and The Guardian. He has

films are official submissions to the

Russia, Ivory Coast, Italy, Mexico,

also worked extensively in film

Best International Film category at the

Denmark, Slovakia, Indonesia,

and television, producing EPK and

93rd Academy Awards.

Guatemala and India.

production notes and serving as

While international markets have

Due to the pandemic, today’s

a unit publicist. He is a member

been a profit center for the studios

event (which will be followed on

of BAFTA and has sat on multiple

for many years, local films have

Sunday by the inaugural Contenders

juries for the BAFTA Film Awards.

begun to take on greater importance

Documentary) will be presented

outside festivals and indeed their

virtually, beginning at 8AM PT.

home countries. That was particularly

We thank our participants for

YO U R M O D E RATO RS PETE HAMMOND AWARDS COLUMNIST/ CHIEF FILM CRITIC

the case in 2019 with South Korea’s

taking the time to speak with our team

Parasite which then went on to become

and share their thoughts, and we also

the first foreign-language film to win

greatly appreciate their efforts to do

Pete, widely considered to be one

the Best Picture Oscar, doing so in

so in English. Also be sure to check out

of the preeminent awards analysts

February 2020.

the fun and insightful responses each

for both film and television, has

provided to two questions: What is your

for the past seven years been

we at Deadline are pleased to shine a

favorite place in the world and why?

Deadline’s Awards Columnist,

spotlight on worthy movies that don’t

And what are your hopes for 2021?

covering what is seemingly now

always get the attention they deserve,

While so many of us have been

Indeed, talent abounds abroad and

the year-round Oscar and Emmy

as well as providing filmmakers with

stuck at home for months, we

seasons. He is also Deadline’s

a chance to discuss their work and

hope you’ll enjoy this globetrotting

Chief Film Critic, having previously

inspirations in front of a dedicated,

adventure. We intend to make

reviewed films for MovieLine,

discerning audience.

Contenders International an annual

Boxoffice magazine, Backstage,

Among the high-profile names

part of our long-running Contenders

Hollywood.com and Maxim. In

involved in Contenders International

franchise, hopefully as an in-person

addition to writing, Pete is also host

are Sophia Loren, Edoardo Ponti, Nina

event in the future.

of the year-round KCET Cinema


F O R

Y O U R

C O N S I D E R A T I O N

BEST INTERNATIONAL FEATURE FILM - POLAND ALEC UTGOFF IN

“Małgorzata Szumowska hits a career high in this alluring, atmospheric tale.“

“Profoundly cinematic... exerts its own hypnotic power.”

– Guy Lodge, VARIETY

– Anna Smith, DEADLINE

A film by MAŁGORZATA SZUMOWSKA & MICHAŁ ENGLERT LAVA FILMS AND MATCH FACTORY PRODUCTIONS IN COPRODUCTION WITH KINO ŚWIAT MAZOVIA WARSAW FILM FUND DI-FACTORY BAYERISCHER RUNDFUNK IN COOPERATION WITH ARTE FILM WITH THE SUPPORT OF / CO-FINANCED BY POLISH FILM INSTITUTE FILM - UND MEDIENSTIFTUNG NRW DEUTSCHER FILMFÖRFERFONDS MEDIENBOARD BERLIN BRANDENBURG GERMAN-POLISH FILM FUND CINECOPRO AWARD FEATURING ALEC UTGOFF MAJA OSTASZEWSKA AGATA KULESZA WERONIKA ROSATI KATARZYNA FIGURA ŁUKASZ SIMLAT ANDRZEJ CHYRA KRZYSZTOF CZECZOT CINEMATOGRAPHY MICHAŁ ENGLERT PSC EDITING JAROSŁAW KAMIŃSKI PSM AGATA CIERNIAK PRODUCTION DESIGN JAGNA JANICKA CASTING MAGDALENA SZWARCBART SOUND KACPER HABISIAK MPSE MARCIN KASIŃSKI MPSE MARCIN JACHYRA COSTUME DESIGN KATARZYNA LEWIŃSKA MAKE UP WALDEMAR POKROMSKI GERMAN LINE PRODUCER STEFAAN SCHIEDER PRODUCTION MANAGER DAGMARA BAGNECKA CO-PRODUCERS ANNA SPISZ TOMASZ KARCZEWSKI MARCIN PIASECKI JĘDRZEJ SABLIŃSKI RAFAŁ GOLIS COMMISSIONING EDITORS CARLOS GESTENHAUER (BR) CORNELIA ACKERS (BR) MONIKA LOBKOWICZ (BR/ARTE) BIRGIT KÄMPER (ARTE) PRODUCERS AGNIESZKA WASIAK MARIUSZ WŁODARSKI VIOLA FÜGEN MICHAEL WEBER MAŁGORZATA SZUMOWSKA MICHAŁ ENGLERT WRITTEN BY MICHAŁ ENGLERT & MAŁGORZATA SZUMOWSKA DIRECTED BY MAŁGORZATA SZUMOWSKA CO-DIRECTED BY MICHAŁ ENGLERT


NANCY TARTAGLIONE INTERNATIONAL BOX OFFICE EDITOR/ SENIOR CONTRIBUTOR

of films prior to their theatrical

JAKE KANTER INTERNATIONAL TV EDITOR

release and interviews filmmakers. He

Jake joined Deadline in 2019 from

previously held producing positions at

Business Insider, where he was the

Nancy joined Deadline in 2011. She

Entertainment Tonight, Extra, Access

UK Executive Editor, overseeing

covers the global film, television and

Hollywood, The Arsenio Hall Show, The

a 60-strong London bureau and

media business, with a particular focus

Martin Short Show and AMC Network,

serving tens of millions of readers

on international box office and China;

and is the recipient of five Emmy

every month. He also wrote about

as well as various festivals and awards

nominations for writing.

media and tech, breaking scoops

shows. Based in Europe for more than

on companies including Facebook,

25 years, Nancy is the former Editor-

TOM GRATER INTERNATIONAL FILM REPORTER

Amazon and the BBC. Prior to his time

in-Chief of Hollywood Wiretap, and for

at Business Insider, he spent six years

10 years was French Correspondent/

Tom joined Deadline in 2019 as part

at Broadcast, where he rose from

Contributing Editor at ScreenDaily.com

of its expanding international team,

reporter to news editor and launched

and Screen International. She has also

covering the film (and TV) business

the popular Talking TV podcast. Jake

worked for The New York Times as a

from his base in London. He is a

is also chair of the Broadcasting Press

freelance editor for its DealBook blog.

regular at film markets and festivals

Guild, a 45-year-old association of the

Earlier in her career, Nancy was the

around the world, including Cannes,

UK’s top media journalists.

European Media Correspondent for

Series, where he screens a selection

Inside.com and co-hosted Canal Plus’

Berlin, AFM, Toronto and Venice. Tom

film program Bazar. Nancy also spent

spending five years there and rising

DINO-RAY RAMOS ASSOCIATE EDITOR/REPORTER

to Senior Reporter across the UK

Dino-Ray joined Deadline in 2017 and

Variety in Paris and Los Angeles. Prior

trade’s print and online operations.

writes about inclusion and diversity

to that, she worked in the Paris office

He has also worked in events and as

issues in the industry, genre film and

of 60 Minutes, and spent two years

a freelance journalist for UK national

television, as well as covering a wide

in the Features department of the

newspapers, and regularly appears on

range of pop culture and media. Based

International Herald Tribune. She lives

the radio as a pundit on a variety of

in Los Angeles, he also covers events

in the south of France.

film-related topics.

and awards shows such as the Oscars,

was previously at Screen International,

four years as a reporter and editor for

MATT GROBAR ASSISTANT EDITOR, AWARDSLINE

the TCA press tour. Additionally, he

ANDREAS WISEMAN INTERNATIONAL EDITOR

co-hosts the New Hollywood Podcast

Andreas joined Deadline in 2018

Matt contributes to the coverage and

with Deadline’s Amanda N’Duka, which

covering the international and U.S. film

editing of all AwardsLine magazines

champions people of color, women,

industries, and is a regular fixture at

throughout the year, focusing on artist

members of the LGBTQ community

major festivals and markets, including

interviews revolving around awards

and other underrepresented voices

Cannes, Berlin, Venice, Toronto and

season and its big nights, including the

in film and television. A Texas native,

AFM. He is based in London but

Oscars, Emmys and Golden Globes.

Dino-Ray worked as film and TV

makes regular forays to Los Angeles.

Matt also manages the Production

reporter for the Oakland Tribune

Andreas spent eight years covering the

Value video series, which spotlights

and San Francisco Chronicle before

film industry at Screen International

the premier craft talent working in film

relocating to Los Angeles. Prior to

and held posts there including Chief

and TV. He is part of Deadline’s festival

Deadline, he was chief film critic at

Reporter, News Editor and Deputy

studio team at the likes of Sundance,

the Tracking Board and has written for

Editor. He has broken hundreds of

Tribeca and Toronto. He previously

Vogue, Entertainment Tonight, Bustle,

stories and has written extensively on

worked at UTA, 8th Day Pictures and

Paste Magazine, Queerty and NBC

harassment and diversity. He has also

Infinity Management International.

Asian America.

worked in film production.

Emmys, Globes, Comic-Con and


F O R

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C O N S I D E R A T I O N

BEST INTERNATIONAL FEATURE FILM - POLAND

“Profoundly cinematic... exerts its own hypnotic power.” – Anna Smith, DEADLINE

A film by MAŁGORZATA SZUMOWSKA & MICHAŁ ENGLERT LAVA FILMS AND MATCH FACTORY PRODUCTIONS IN COPRODUCTION WITH KINO ŚWIAT MAZOVIA WARSAW FILM FUND DI-FACTORY BAYERISCHER RUNDFUNK IN COOPERATION WITH ARTE FILM WITH THE SUPPORT OF / CO-FINANCED BY POLISH FILM INSTITUTE FILM - UND MEDIENSTIFTUNG NRW DEUTSCHER FILMFÖRFERFONDS MEDIENBOARD BERLIN BRANDENBURG GERMAN-POLISH FILM FUND CINECOPRO AWARD FEATURING ALEC UTGOFF MAJA OSTASZEWSKA AGATA KULESZA WERONIKA ROSATI KATARZYNA FIGURA ŁUKASZ SIMLAT ANDRZEJ CHYRA KRZYSZTOF CZECZOT CINEMATOGRAPHY MICHAŁ ENGLERT PSC EDITING JAROSŁAW KAMIŃSKI PSM AGATA CIERNIAK PRODUCTION DESIGN JAGNA JANICKA CASTING MAGDALENA SZWARCBART SOUND KACPER HABISIAK MPSE MARCIN KASIŃSKI MPSE MARCIN JACHYRA COSTUME DESIGN KATARZYNA LEWIŃSKA MAKE UP WALDEMAR POKROMSKI GERMAN LINE PRODUCER STEFAAN SCHIEDER PRODUCTION MANAGER DAGMARA BAGNECKA CO-PRODUCERS ANNA SPISZ TOMASZ KARCZEWSKI MARCIN PIASECKI JĘDRZEJ SABLIŃSKI RAFAŁ GOLIS COMMISSIONING EDITORS CARLOS GESTENHAUER (BR) CORNELIA ACKERS (BR) MONIKA LOBKOWICZ (BR/ARTE) BIRGIT KÄMPER (ARTE) PRODUCERS AGNIESZKA WASIAK MARIUSZ WŁODARSKI VIOLA FÜGEN MICHAEL WEBER MAŁGORZATA SZUMOWSKA MICHAŁ ENGLERT WRITTEN BY MICHAŁ ENGLERT & MAŁGORZATA SZUMOWSKA DIRECTED BY MAŁGORZATA SZUMOWSKA CO-DIRECTED BY MICHAŁ ENGLERT


THE

FILMS SAMUEL GOLDWYN FILMS

Another Round In his second outing with director Thomas Vinterberg, following acclaimed 2012 drama The Hunt, Mads Mikkelsen plays Martin, a depressed high school teacher who struggles with undisciplined students, marital problems and the mundane nature of his everyday life. In concert with friends who share his challenges, Martin decides one night to undertake an experiment, to

see if his life can be improved by maintaining a constant state of inebriation. Scripted by Vinterberg and Tobias Lindholm, the official Cannes selection also stars Thomas Bo Larsen, Magnus Millang, and Lars Ranthe. The Auschwitz Report This historical drama centers on Freddy and Walter, two Slovak Jews who are sent to Auschwitz in 1942. After two years of preparation, they manage to escape

ANOTHER ROUND

DEAR COMRADES!

THE AUSCHWITZ REPORT

from the concentration camp, taking with them a report that details the horrors they’ve witnessed. Making their way back to their native country through the mountains, the pair share the document with the resistance, in hopes of saving the lives of those they left behind. Directed by Peter Bebjak, the film is anchored in a remarkable starring turn from Noel Czuczor. NEON

Dear Comrades! Directed by Andrei Konchalovsky, this Russian historical drama examines the Novocherkassk massacre of 1962, from the perspective of Lyudmilla (Yuliya Vysotskaya). The communist party activist watches as the government in her Soviet industrial town raises food prices, leading workers at a local factory to go on strike. Subsequently, a


F O R

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C O N S I D E R A T I O N

BEST INTERNATIONAL FEATURE FILM - POLAND ALEC UTGOFF IN

“A hypnotic viewing experience that awakens all senses through our eyes.” – Carlos Aguilar, THE PLAYLIST

A film by MAŁGORZATA SZUMOWSKA & MICHAŁ ENGLERT LAVA FILMS AND MATCH FACTORY PRODUCTIONS IN COPRODUCTION WITH KINO ŚWIAT MAZOVIA WARSAW FILM FUND DI-FACTORY BAYERISCHER RUNDFUNK IN COOPERATION WITH ARTE FILM WITH THE SUPPORT OF / CO-FINANCED BY POLISH FILM INSTITUTE FILM - UND MEDIENSTIFTUNG NRW DEUTSCHER FILMFÖRFERFONDS MEDIENBOARD BERLIN BRANDENBURG GERMAN-POLISH FILM FUND CINECOPRO AWARD FEATURING ALEC UTGOFF MAJA OSTASZEWSKA AGATA KULESZA WERONIKA ROSATI KATARZYNA FIGURA ŁUKASZ SIMLAT ANDRZEJ CHYRA KRZYSZTOF CZECZOT CINEMATOGRAPHY MICHAŁ ENGLERT PSC EDITING JAROSŁAW KAMIŃSKI PSM AGATA CIERNIAK PRODUCTION DESIGN JAGNA JANICKA CASTING MAGDALENA SZWARCBART SOUND KACPER HABISIAK MPSE MARCIN KASIŃSKI MPSE MARCIN JACHYRA COSTUME DESIGN KATARZYNA LEWIŃSKA MAKE UP WALDEMAR POKROMSKI GERMAN LINE PRODUCER STEFAAN SCHIEDER PRODUCTION MANAGER DAGMARA BAGNECKA CO-PRODUCERS ANNA SPISZ TOMASZ KARCZEWSKI MARCIN PIASECKI JĘDRZEJ SABLIŃSKI RAFAŁ GOLIS COMMISSIONING EDITORS CARLOS GESTENHAUER (BR) CORNELIA ACKERS (BR) MONIKA LOBKOWICZ (BR/ARTE) BIRGIT KÄMPER (ARTE) PRODUCERS AGNIESZKA WASIAK MARIUSZ WŁODARSKI VIOLA FÜGEN MICHAEL WEBER MAŁGORZATA SZUMOWSKA MICHAŁ ENGLERT WRITTEN BY MICHAŁ ENGLERT & MAŁGORZATA SZUMOWSKA DIRECTED BY MAŁGORZATA SZUMOWSKA CO-DIRECTED BY MICHAŁ ENGLERT


DARA OF JASENOVAC

NIGHT OF THE KINGS

bloodbath ensues, with unarmed protesters gunned down. And it’s amidst this chaos that Lyudmilla’s personal life starts to unravel, when she learns that her daughter has disappeared. Night of the Kings A petty thief (Bakary Koné) is sent to a prison in the middle of an Ivorian forest, in this drama from Philippe Lacôte. With a red moon rising, the young man finds that the only way he’ll be able to stay alive is to compel his fellow prisoners with his abilities as a storyteller. Set in a real correctional facility in Abidjan, known as “La MACA,” the haunting tale will represent Ivory Coast at the Oscars this year. Since its debut in Venice, the film has been recognized with the Toron-

JALLIKATTU

to International Film Festival’s Amplify Voices Award, among other accolades.

features a breakout turn from Biljana Čekic. XYZ FILMS

101 STUDIOS

Dara of Jasenovac Set in former Yugoslavia, this Serbian feature centers on Dara, a girl who is sent to the infamous Jasenovac concentration camp, in the summer of 1942. Seeing several relatives die in the Holocaust, at the hands of the Croatian Ustasha regime, the courageous 12-year-old fights to ensure the survival of her younger brother—holding onto hope, at the same time, that her missing father is still alive. Directed by Peter Antonijević, and executive produced by Michael Berenbaum, the WWII drama

Jallikattu Based on the short story “Maoist” by S. Hareesh, this film examines a ritual of buffalo slaughter that goes terribly wrong. When a bull breaks loose and wreaks havoc in a remote Indian village, the police are called, but they refuse to deal with the situation. Thereafter, a group of men decide to take matters into their own hands, gathering to hunt the animal down, before it can inflict any more violence. Directed by Lijo Jose Pellissery, the acclaimed independent film premiered in Toronto in 2019.



COHEN MEDIA GROUP

Apples Christos Nikou makes his directorial debut with this Greek Oscar entry. Executive produced by Cate Blanchett, under her Dirty Films banner, the timely comedic drama is set during a worldwide pandemic that causes a sudden onset of amnesia. Its protagonist is Aris (Aris Servetalis), a middleaged man who finds himself enrolled in a program, designed to help him build a new identity, amidst this crisis. Co-written by Stavros Raptis, the film is a powerful meditation on the nature of memory, and its effects on human beings. Persian Lessons Based on a novel by Wolfgang Kohlhaase, this Belarusian drama is set in a German concentration

camp in 1942. After a Belgian man named Gilles is arrested by the SS, he avoids execution by convincing the guards that he is actually Persian, rather than Jewish. His only hope of survival is to “teach” Farsi to a Nazi officer, who dreams of opening up a restaurant in Iran, though he himself can’t speak a word of the language. Directed by Vadim Perelman, from a script by Ilja Zofin, the drama stars Nahuel Pérez Biscayart, Lars Eidinger, and more. El Olvido que Seremos A Colombian writer reflects on the life and legacy of his father in this film from Fernando Trueba, based on the true story of Héctor Abad Gómez. A respected university professor, Gómez advocated tirelessly for toler-

ance and human rights in his native country, and ultimately, it was his challenge to the political establishment that resulted in his death. Scripted by David Trueba, based on a novel by Héctor Abad Faciolince, the official Cannes selection speaks to the turbulence and violence that has unfolded in Colombia over the last three decades. Javier Cámara stars. KINO LORBER

Never Gonna Snow Again In this comedic drama, Alec Utgoff stars as Zenia, a Ukranian masseur working in Warsaw for the wealthy residents of a gated community. Impressing these self-absorbed, middle class types with his skills in hypnosis and healing massage, Zenia comes to be viewed as a

APPLES

PERSIAN LESSONS

EL OLVIDO QUE SEREMOS

NEVER GONNA SNOW AGAIN



KILL IT AND LEAVE THIS TOWN

MY LITTLE SISTER

guru, and gains a cult following he never could have expected, all while processing the pain of past loss. Written and directed by Małgorzata Szumowska and Michał Englert, the film debuted in Venice in September.

IMPETIGORE

with the Annecy International Animation Film Festival’s Special Jury Award for Feature Film, among other accolades. Its voice cast includes renowned Polish filmmaker Andrzej Wajda. FILM MOVEMENT

OUTSIDER PICTURES

Kill It and Leave This Town Mariusz Wilczynski meditates on the pain of loss and the absurdity of life in this highly personal debut feature. Premiering at the Berlin International Film Festival in February, the animated horror picture centers on Mariusz (voiced by Wilczynski), a boy in ’70s Poland who loses those closest to him, and hides away in a world of memory, in avoidance of his despair. Touching, surreal and darkly humorous, Wilczynski’s pic has been recognized

My Little Sister The second narrative feature from Stéphanie Chuat and Véronique Reymond centers on Lisa, a gifted playwright from Berlin who gives up on her artistic ambitions, when she moves to Switzerland with her husband and children. When she learns that her twin brother Sven has fallen gravely ill, she returns to her native city, and is forced to reevaluate the choices she’s made. Premiering in Berlin, the emotionally affecting portrait of adult siblings is anchored in re-

markable turns from Nina Hoss and Lars Eidinger. SHUDDER

Impetigore The latest horror film from writer/director Joko Anwar became a phenomenon in his native country, claiming 14 nominations at the 2020 Indonesian Film Festival. Based on his own nightmares, the film centers on Maya (Tara Basro), a young woman trying to survive in the city, in the absence of her family. Learning that she’s set to inherit a property from them, she returns to her village with her best friend Dini (Marissa Anita), unaware of the danger that awaits her. Debuting at the Sundance Film Festival, Indonesia’s Oscar entry was released in the U.S. in July.



PREPARATIONS TO BE TOGETHER FOR AN UNKNOWN PERIOD OF TIME

LA LLORONA

THE MOLE AGENT

TOVE

La Llorona Co-written and directed by Jayro Bustamante, this horror-drama takes its name from the “Weeping Woman” of Hispanic American lore, a vengeful ghost in perpetual grief over the death of her children. The Guatemalan Oscar entry follows Enrique Monteverde (Julio Diaz), a dictator who oversaw the genocide of native Mayans in the 1980s. Decades later, the war criminal faces his own death, and becomes increasingly paranoid, as he’s haunted by ghosts from his past. A meditation on the profound horrors of oppression, the film debuted in the U.S. in August.

home, in Santiago, Chile, in this clever and touching documentary. There, the man works as a mole, with the help of cameras embedded on his person, looking into accusations of elder abuse, on behalf of a client. Written and directed by Maite Alberdi, the genre-bending film premiered last year at Sundance. Selected as Chile’s official submission for Best International Feature Film, it debuted in the U.S. in September.

love. Intent on starting a new life with her beloved, she returns to Budapest, leaving behind a stellar career in the United States. Subsequently, though, she learns that the man for whom she’s sacrificed so much has no idea who she is. Exploring the line between love and madness, and the role that projection plays in relationships, the film is written and directed by Lili Horvát.

GRAVITAS VENTURES

The Mole Agent A private investigator hires an unassuming octogenarian to go undercover at a retirement

GREENWICH ENTERTAINMENT

Preparations to Be Together for an Unknown Period of Time Premiering in the Venice Days lineup, this Hungarian drama tells the story of Márta (Natasa Stork), an accomplished neurosurgeon in her 40s, who falls in

HELSINKI-FILMI

Tove Directed by Zaida Bergroth, this biopic tells the true story of Tove Jansson, the painter, illustrator and author behind the popular Moomin book series. Set in Helsinki in 1945, the film examines a period in Jansson’s life, in which she enjoyed a new sense of artistic and social liberation, pursuing a romantic relationship with


COLLECTIVE

TWO OF US

theatre director Vivica Bandler. Once considered a side project, the haunting set of tales she once told to children in bomb shelters takes off, cementing her place in popular culture, even as she contends with challenges in her personal life. Alma Pöysti stars, opposite Krista Kosonen. MAGNOLIA PICTURES

Collective Six years ago, a fire started at a Bucharest club, leaving 180 people injured and 27 dead. In the aftermath, a number of burn victims died in local hospitals, from wounds that shouldn’t have proven fatal. The mystery of the situation captured the attention of investigative journalists at the Romanian newspaper, Gazeta Sporturilor, and what they uncovered was massive healthcare fraud, which saw poli-

BEGINNING

ticians and tycoons profiting off of the deaths of innocents. With his timely, fourth feature, filmmaker Alexander Nanau follows the travails of this crack team, paying tribute to journalists and whistleblowers alike. Two of Us Debuting at the 2019 Toronto International Film Festival, this intimate two-hander has been selected as France’s Oscar submission, in the category of Best International Feature Film. The debut narrative feature of Filippo Meneghetti centers on Nina (Barbara Sukowa) and Madeleine (Martine Chevallier), a pair of retired neighbors who have long harbored a secret love affair. When Madeleine’s daughter begins to catch on to the relationship between the two women, the platonic

façade they’ve long maintained is challenged and their bond put to the ultimate test. Scripted by Meneghetti and Malysone Bovorasmy, the drama will premiere in the U.S. in February. MUBI

Beginning The debut feature of Dea Kulumbegashvili centers on Yana (Ia Sukhitashvili), the wife of a Jehovah’s Witness religious leader, whose small-town life is disrupted, when violent extremists firebomb a local place of worship. In the aftermath of this event, her inner discontent with life in her patriarchal community comes to light, causing friction with a husband who does not understand her. Premiering at the Toronto International Film Festival, where it claimed the FIPRESCI Prize, the drama went on to win the awards


THE LIFE AHEAD

I’M NO LONGER HERE

for Best Film and Best Screenplay in San Sebastián. NETFLIX

The Life Ahead Screen icon Sophia Loren makes a long-awaited return to features in this Italian drama, which marks her third collaboration with her son, director Edoardo Ponti. In the adaptation of Romain Gary’s beloved 1975 novel, The Life Before Us, the Oscar winner plays Madame Rosa, a Holocaust survivor and

former prostitute, who now runs a daycare for the children of “working girls.” After being robbed by a 12-year-old street kid named Momo (Ibrahima Gueye, in a breakout role), Rosa reluctantly agrees to take him into her home, developing a bond with the boy she could never have imagined. I’m No Longer Here Set in the mountains of Monterrey, this film from Fernando Frías de la Parra follows Ulises (Juan Daniel Garcia Treviño), the leader

of a street gang called “Los Terkos.” Whiling away his days at dance parties, to the sound of cumbia music, Ulises’ life is completely upended, following a confrontation with a local cartel. In the aftermath, he migrates to the U.S., attempting to assimilate to the culture in the diverse neighborhood of Jackson Heights, Queens. But when he learns of a new threat to his crew, he questions his decision to move, yearning, more than anything, to get back home.


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