240202 DPAA Program Book - Three Tenors Encore

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VERDI’S AIDA

CINDERELLA

NEAL GITTLEMAN’S 30TH SEASON

THREE ART FORMS. ONE FREQUENCY.

Winter 2024 / Spring 2025

December

The Nutcracker

December 13, 14, 15, 20, 21 & 22

Handel’s Messiah

December 18

The Nutcracker: Sensory Friendly

December 20

January

The Motortown All-Stars

January 4

Beethoven’s Emperor Concerto

January 10 & 11

Country Hits: Songs from Nashville

January 25

The Music of Tony Bennett

January 31 & February 1

February

Three Tenors, Encore!

February 2

Cinderella February 14, 15 & 16

Magic Carpet Concerts: BUGS!!

February 25, 26, 27

Hollywood Hits

February 22

March

Twist & Shout: The Music of the Beatles

March 8

Requiem March 14 & 15

Dayton Philharmonic Youth Orchestra: It’s a World of Dance

March 16

Dayton Philharmonic Junior Strings & Youth Strings Spring Concert

March 23

April

Verdi’s Aida April 4 & 6

Beethoven

April 13

Dear Friends From the Leadership

Asthe winter season unfolds, we’re reminded of how much the arts ground and uplift us. In times of uncertainty and change, music, dance, and storytelling performances offer us chances to reflect, to dream, to connect, and to feel deeply together.

At the Dayton Performing Arts Alliance, we believe the arts are not just entertainment; they’re a vital thread in the fabric of our community. They remind us of our shared humanity, spark joy in the everyday, and provide solace in moments of challenge.

Our upcoming winter performances celebrate the power of the arts to illuminate the human experience, with stories that resonate across time and melodies that linger long after the curtain falls. Whether you find

yourself moved by the grace of a ballet, the drama of an opera, or the soaring beauty of an orchestral piece, we hope you leave feeling enriched and renewed.

Now, more than ever, we need the arts— and DPAA needs you. Your presence, enthusiasm, and support fuel everything we do.

Thank you for being part of this journey. We look forward to sharing more magical moments with you this winter season.

With warmth and gratitude,

Company Dancer Belle Urben wows in Coppélia

First Timers’ Guide

Is this your first time at a DPAA event? If so, welcome! To ensure your visit is meaningful and enjoyable, we offer the following resources.

Box Office

The Dayton Performing Arts Alliance proudly partners with Dayton Live for its box office services. Contact the box office at (937) 228-3630 or visit the office in the Schuster Wintergarden.

Restrooms / Family Restrooms

Restrooms are available on each level of the Schuster Center and Victoria Theatre.

Accessibility

DPAA is committed to providing easy access to the arts. If you have accessibility needs or questions, please contact the box office.

Audio description is available upon request for patrons who have vision loss. Describers provide a live, objective, descriptive delivery of the visual elements of a performance in between the dialogue and/or music via a small receiver. Requests must be received two weeks prior to an event and are subject to the availability of the Describer. Please call the box office to make arrangements.

Assistive listening devices are available for all performances. Check out a device from the guest services kiosk or from a house manager in the lobby.

DPAA provides sign language interpretation upon request for performances at the Schuster Center and Victoria Theatre. Requests for sign language interpretation must be received two weeks prior to the event and are subject to the availability of the Interpreter. Please call the Box Office to make arrangements.

Age Recommendation

Our events are recommended for age 6 and up.

Military Appreciation and Discount Programs

In addition to our standard military discount, DPAA offers a Military Appreciation Program for active-duty military members, retired veterans with ID cards, and WPAFB government civilian employees in the region. Each household may

receive four free tickets annually. Contact the box office to redeem.

Group Sales

Bring a group of 10 or more; share a one-of-akind experience; and save up to 30% on tickets! Contact our Engagement & Patron Services Manager, Kate LaFollette, at (937) 535-5443.

Local Dining

Make it a night on the town! We recommend the following dining options: Blind Bob’s, Figlio Wood Fired Pizza, Jay’s Seafood, Joui, Lily’s, Manna Uptown, Meadowlark Restaurant, Mudlick Tap House, Salar Restaurant and Lounge, Spaghetti Warehouse, Table 33, The Caroline, and Troll Pub at the Wheelhouse.

Lost and Found / Security

In the event you lose an item at a performance or require assistance from the security team, call (937) 637-7366. For the safety of those in the audience, behind the scenes, and on stage, everyone who enters the performance space is required to pass through metal detectors.

Questions?

For additional ticket questions or information, contact our Engagement & Patron Services Manager, Kate LaFollette at (937) 535-5443.

Artistic Directors

Neal Gittleman

Artistic Director, Philharmonic

The 2024–2025 season is my 30th on the DPO podium, following founder Paul Katz, Charles Wendelken-Wilson, and Isaiah Jackson. Next year Keitaro Harada takes over. Until then, I’ll be surrounded by fabulous musicians and fabulous music. Favorite pieces by favorite composers. A world premiere and a U.S. premiere. A ballet I’ve conducted more than a hundred times (The Nutcracker) and one I’ve never conducted before (Cinderella). One of my favorite operas (Amahl and the Night Visitors). And my first-ever concert of country music! But what keeps popping into my head again and again as I think about this last year as your conductor? Song titles by my favorite band, The Beatles: “The Long and Winding Road,” “Come Together,” “We Can Work It Out.” And again and again, these lines: “And in the end, the love you take is equal to the love you make.” Except for me, it’s “… equal to the music you make.” And of course, “P.S. I Love You!”

Kathleen Clawson,

Artistic Director, Opera; Dr. Ron Anderson and Robb Sloan-Anderson Chair

Kathleen Clawson begins her fifth season as Dayton Opera Artistic Director and Dr. Ron Anderson and Robb Sloan-Anderson Chair. Clawson began directing for the Opera in 2009 and has directed 19 productions since, including serving as dramaturg and stage director for the world premiere of Finding Wright

An acclaimed opera director, she directed The Santa Fe Opera’s world premiere of Shoes for the Santo Niño (2011) and was stage director and dramaturg for their world premiere of UnShakeable (2016).

A mezzo-soprano, Clawson’s credits include soloist with the Dayton Philharmonic, productions with The Santa Fe Opera and Dallas Opera, recording de Falla’s “El Amor Brujo” for Maria Benitez’ Teatro Flamenco tour, and singing “Mother Abbess” in Debby Boone’s international tour of The Sound of Music.

Brandon Ragland

Artistic Director, Ballet; Sponsored by Dr. Troy Tyner and Dr. Ingrid Brown

Brandon Ragland has more than a decade of professional experience as a dancer, choreographer, and educator. He trained in Birmingham, AL, and has a bachelor’s degree in Dance-Arts Administration from Butler University. After graduation, Ragland danced with Alabama Ballet, followed by Louisville Ballet in 2010, spending 13 years as a leading artist. A respected choreographer, Ragland choreographed works for Louisville Ballet, Alabama Ballet, Ballet Arkansas, AROVA Contemporary Ballet, Next Generation Ballet, Sedona Chamber Ballet, and The Perla Ballet. In 2017, Ragland was honored to perform with the Black Iris Project at the Kennedy Center in Washington, D.C., as part of the Kennedy Center’s Dance Across America Program. He has received numerous awards, including “Best Artist” in Louisville Magazine and The Lift a Life Foundation’s “Emerging Leader in the Arts Award” from The Fund for the Arts.

Keitaro Harada

Music and Artistic Director Designate, Philharmonic; Sponsored by Barbara O’Hara

Named Music and Artistic Director Designate for Dayton Philharmonic for the 2024–25 season, Keitaro Harada will begin a five-year tenure as Music and Artistic Director with the 2025–26 season. As Music and Artistic Director of the Savannah Philharmonic since the 2020–21 season, Harada has transformed the orchestra and energized its audiences throughout the community with his imaginative programs and charismatic presence.

Harada is a recipient of the 2023 Sir Georg Solti Conducting Award. In 2024, he was named Permanent Conductor of the Tokyo Symphony Orchestra and Principal Guest Conductor and Artistic Partner for the Aichi Chamber Orchestra. Harada was Associate Conductor for four years at the Cincinnati Symphony and Pops, where he regularly assisted Music Director Louis Langrée and collaborated with James Conlon and Juanjo Mena at the orchestra’s annual May Festival.

Dayton Ballet Company Dancers

Dayton

Artists-In-Residence

Connor Barak Claire Bergman Nicolas Bierwagen Erin Blair Harrison Broadbent
Tomasin Corrente Emma Duncan
Alyssa Eyster Hailey Flanagan Jasmine Getz
Katy Gilliam Isaac Jones
Patrick Lennon
Tarique Logan Kyan Park
Lukas Pringle Francisco Rivera Belle Urben Catherine Voorhees
Jalen Williams
Opera
Gabrielle Flannery
Isabel Randall Carl Rosenthal
Randell McGee Clara Passmore

Dayton Ballet Studio Company

Xochitl Atienza Sara Beth Austin
Daniela Bennetti Analiese Capponi
Amber Huggett
Ryan Norman Elizabeth Sabol

Three Tenors, Encore!

February 2, 2025 • Schuster Center

Kathleen Clawson, Dayton Opera Artistic Director

ARTISTS

Moisés Salazar, tenor

Robert Stahley, tenor

Matthew White, tenor

Howard Watkins, piano

PROGRAM

Francesco Cilea

Giacomo Puccini

Franz Lehár

Giacomo Meyerbeer

Francesco Paolo Tosti

Salvatore Cardillo

Ernesto De Curtis

Pablo Sorozábal

Ruggero Leoncavallo

Giacomo Puccini

Giuseppe Verdi

Gioachino Rossini

“É la solita storia del pastore” from L’arlesiana

Moisés Salazar

“Recondita armonia” from Tosca

Matthew White

“Dein ist mein ganzes Herz” from Das Land des Lächelns

Robert Stahley

“Ô paradis” from L’Africaine

Matthew White

“Ideale”

Moisés Salazar

“Core ‘ngrato”

Robert Stahley

“Torna a Surriento”

Matthew White

“No puede ser” from La tabernera del puerto

Moisés Salazar

“Vesti la giubba” from Pagliacci

Robert Stahley

“E lucevan le stelle” from Tosca

Matthew White

“La donna è mobile” from Rigoletto

Moisés Salazar

“La danza”

Tutti

Agustín Lara

Georges Bizet

Pietro Mascagni

Gaetano Donizetti

Giacomo Puccini

Medley:

Leonard Bernstein

“Granada”

Moisés Salazar

“La fleur que tu m’avais jetée” from Carmen

Robert Stahley

“Addio alla madre” from Cavalleria rusticana

Matthew White

“Una furtiva lagrima” from L’elisir d’amore

Moisés Salazar

“Nessun dorma” from Turandot

Robert Stahley

“Maria” & “Tonight” from West Side Story Quirino Mendoza y Cortés “Cielito Lindo”

Medley:

Sigmund Romberg

“Serenade” from The Student Prince Frederic Weatherly “Danny Boy”

Sammy Cahn & “Be My Love”

Nicholas Brodszky

Medley:

Ruggero Leoncavallo

Rudolf Sieczyński

Eduardo di Capua

“Mattinata”

“Wien, du Stadt meiner Träume”

“O sole mio”

About the Artists

Matthew White

Tenor

In the 2024–2025 season, American tenor Matthew White, whom The New York Times said has an “attractive, healthy voice” and the Houston Chronicle exclaimed “… makes an undeniably attractive romantic lead,” will sing the title role in a new production of Verdi’s Don Carlo with the Royal Danish Opera, Prince Vassily in a new production by Simon McBurney of Mussorgsky’s Khovanshchina, conducted by Esa-Pekka Salonen at the Salzburg Easter Festival, and sing his

first performances as Mario Cavaradossi in Tosca with Cincinnati Opera and the New Mexico Philharmonic. Concert highlights include performances of Aaron Zigman’s Émigré with the Deutsches Symphonie-Orchester Berlin and Hong Kong Philharmonic, a gala with Gulfshore Opera.

In the 2023–2024 season Matthew White performed Don José in Carmen with Vancouver Opera, and a series of Christmas concerts with the Dallas Opera. He also made his New York Philharmonic debut performing in Aaron Zigman’s Émigré which he reprised and recorded under the Deutsche Grammophon label with the Shanghai Symphony Orchestra.

Engagements of recent seasons included role and house debuts including Don José with Santa Fe Opera and Arizona Opera, Rodolfo in La bohème with Detroit Opera, Spoleto Festival USA, and Opera Naples, as well as the Florida Orchestra as the tenor soloist in Handel’s Messiah. White also made debuts as Roméo in Gounod’s Roméo et Juiliette with Cincinnati Opera, the Duca in Rigoletto with Edmonton Opera, Pinkerton in Puccini’s Madama Butterfly with the Princeton Festival, Lancelot in Chausson’s Le roi Arthus with Bard SummerScape, and the title role in Faust et Hélène with the Houston Symphony.

A favorite of competitions, White was awarded the Grand Prize of the Gerda Lissner International Vocal Competition, First Place in the Deborah Voigt International Vocal Competition, the Grand Prize in the Mario Lanza Vocal Competition, and is the recipient of the Alfonso Cavaliere Award.

Robert Stahley

Tenor

American dramatic tenor Robert Stahley returns to Dayton Opera having appeared as a tenor soloist in Epic Opera in 2022. Known for “bringing vociferous ring to the tenor line,” (South Florida Classical Review), he appears in the 2024–2025 season as Canio in I Pagliacci; makes his Metropolitan Opera debut singing the 1st Armed Man in The Magic Flute and covering the Messenger in Aida; and appears as The Voice of a Young Man in Die Frau ohne Schatten and the Third Jew in Salome. In the 2023–2024 season, Robert Stahley sang Canio with Glimmerglass Opera, a Wagner highlights concert as Siegmund with

Lyric Opera of Kansas City, Dick Johnson in La fanciulla del West with North Carolina Opera, and in concert, Beethoven’s Symphony No. 9 with Colorado Symphony.

Previous engagements include Erik in Der fliegende Holländer with Utah Opera, which he also covered with Lyric Opera of Chicago, Cavaradossi in Tosca with Opera Theatre of St. Louis, Froh in Das Rheingold with The Dallas Opera, Siegmund in Jonathan Dove’s reduction of Die Walküre with Opera Santa Barbara, Jupiter in Semele with Opera Santa Barbara, The Captain in John Corigliano’s The Lord of Cries with Santa Fe Opera, Melot and the Young Sailor in Tristan und Isolde with the LA Philharmonic, Leukippos in Daphne with the American Symphony Orchestra at Carnegie Hall, and Narraboth in Salome with the Bard Festival. A graduate of the Domingo-Colburn-Stein Young Artist Program at LA Opera, he performed Walther in Tannhäuser, Le Berger in Stravinsky’s Oedipus Rex, Valcour in L’Amant Anonyme, and the First Armored Man in Barrie Kosky’s Die Zauberflöte.

Previous concert engagements include Verdi’s Requiem with the Bakersfield Symphony and Quad-City Symphony, Beethoven’s Symphony No. 9 with the Dayton Philharmonic and Lynn Philharmonia, and Indianapolis Symphony singing arias from Tosca and Die Zauberflöte.

Stahley won first prize in the 2019 Wagner Society of New York Competition; was a third prize winner in the 2018 Gerda Lissner Vocal Competition; placed first in the 2017 Piccolo Vocal Competition; and was a finalist in the 2018 Mildred Miller Competition. He completed his Artist Diploma and Masters at the College Conservatory of Music.

Moisés Salazar

Tenor

Moisés Salazar is a Mexican-American tenor born and raised in the state of California. He began his music journey performing in various venues in his family’s mariachi band, Trio Los Salazar, which is still active today. Salazar graduated with a Bachelor’s in Music from the University of Toledo in 2018. For his 2021 season, Salazar joined Opera Theater of St. Louis (OTSL) as a Gerdine Young Artist where he covered the roles of Gherardo in Gianni Schicchi and Buckley in Damien Sneed’s new work The Tongue and the Lash. Prior to OTSL, Salazar joined Palm Beach Opera (PBO) as a Benenson Young Artist where he covered the roles of Rodolfo in La bohème and Tamino in Die Zauberflöte and performed the roles of The First Priest and First Armored Man. For PBO’s “Discovery Series,” Salazar performed the role of Tebaldo in their production of I capuleti e i montecchi. His previous roles include Ferrando in Mozart’s Cosi fan tutte, Señor Alcalde in Sonenberg’s The Summer King, Lysander in Britten’s A Midsummer Nights Dream, Borsa in Verdi’s Rigoletto, and Rinuccio in Puccini’s Gianni Schicchi.

A native of Dayton, Ohio, pianist Howard Watkins regularly performs with the world’s leading musicians, both in concert and as an assistant conductor at New York’s Metropolitan Opera. He has performed throughout

America, Europe, Asia, Russia, and Israel, including with Renée Fleming, Joyce DiDonato, Lawrence Brownlee, Diana Damrau, Thomas Hampson, Kathleen Battle, Grace Bumbry, Mariusz Kwiecien, Anna Netrebko, and Matthew Polenzani in venues such as the Metropolitan Museum of Art, Spivey Hall, the Kennedy Center, the U.S. Supreme Court, Alice Tully Hall, the three stages of Carnegie Hall, Hamburg’s Elbphilharmonie, and Moscow’s Bolshoi Theater.

He has taught at the Juilliard School, Bard College Conservatory of Music, Merola Opera Program, Santa Fe Opera Apprentice Program, Yale School of Music as Visiting Presidential Fellow, Tanglewood Music Center, Aspen Music Festival, Mannes School of Music, International Vocal Arts Institute (Israel, Japan and China), IIVA in Italy, Brancaleoni Music Festival in Piobbico, Italy, Tokyo International Vocal Arts Academy (TIVAA) as a founding member and VOICExperience in Orlando, Tampa, and Savannah.

Watkins holds a doctorate in accompaniment and chamber music from the University of Michigan. He is the recipient of the University of Michigan’s Paul C. Boylan Award for contributions to the field of music, the University of Dayton National Alumni Association’s Special Achievement Award, and the 2019 recipient of the National Opera Association’s Lift Every Voice Legacy Award.

Howard Watkins
Musical Director & Piano

Dayton Philharmonic Orchestra Musicians

Kirstin Greenlaw, Acting Concertmaster1
Aurelian Oprea Associate Concertmaster2
Youjin Na, Acting Assistant Concertmaster3
Elizabeth Hofeldt
David Goist Mikhail Baranovsky Louis Proske Sean Klopfenstein John Lardinois
Philip Enzweiler* Janet George
Kara Camfield, Acting Principal4
Ann Linn Baer, Acting Assistant Principal
VIOLIN I
Scott Moore Gloria Fiore Maggie Niekamp Nick Naegele* Lynn Rohr*
Yoshiko Kunimitsu Bill Slusser Yein Jin*
Sheridan Currie, Principal5
VIOLIN II
VIOLA
OBOE AND ENGLISH HORN
Colleen Braid, Assistant Principal Karen Johnson6
Scott Schilling Lori LaMattina Mark D. Reis
Molly Castrucci8 Lucas Song9
Mark Hofeldt Nadine Monchecourt Oleg Babkov
Stephen Ullery Christopher Roberts
James Faulkner Bleda Elibal
Rebecca Andres, Principal11 Jennifer Northcut
Janet van Graas
Eileen Whalen, Principal12
Leslie Dragan Belinda Burge
Jonathan Lee, Principal Christina Coletta, Assistant Principal7
CELLO
Zoë Moskalew
Deborah Taylor, Principal10
Jon Pascolini, Assistant Principal
Donald Compton In Memoriam
FLUTE AND PICCOLO
BASS

CLARINET

TROMBONE

Robyn Dixon Costa
John Kurokawa, Principal13 Rachael Young, Principal14
Kristen Smith15
Aaron Brant, Principal16
Lotti Ropert
Todd Fitter
BASSOON
HORN
Amy Lassiter Sean Vore, Assistant Principal
Charles Pagnard, Principal17 Alan Siebert
TRUMPET
Eric Knorr
Tyler Bentley, Acting Principal18
Richard Begel
Chad Arnow19
Timothy Northcut, Principal20
Gerald Noble, Acting Principal21
Michael LaMattina, Principal22 Davi Martinelli de Lira23
Leslie Stratton, Principal24

KEYBOARD

Joshua Nemith25

* Denotes leave of absence

1 J. Ralph Corbett Chair

2 Huffy Foundation Chair

3 Sherman Standard Register Foundation Chair

4 Jesse Philips Chair

5 F. Dean Schnacke Chair

6 Grace Counts Finch Chair

7 Edward L. Kohnle Chair in Memory of Andra Lunde Padrichelli, Principal Cellist 2003–2018

8 Gilbert and Patricia Templeton Chair

9 Paul and Susanne Weaver Chair

10 Dayton Philharmonic Volunteer Association/C. David Horine Memorial Chair

11 Dayton Philharmonic Volunteer Association Chair

12 Catharine French Bieser Chair

13 Rhea Beerman Peal Chair

14 Robert and Elaine Stein Chair

15 David and Lois Gribler Chair

16 Frank M. Tait Memorial Chair

17 John W. Berry Family Chair

18 John Reger Memorial Chair

19 Bill and Wanda Lukens Chair

20 Zachary, Rachel and Natalie Denka Chair

21 Rosenthal Family Chair in Memory of Miriam Rosenthal, In Honor of Donald Donnett, Principal Timpani 1966–2023

22 Miriam Rosenthal Chair

23 Richard A. and Mary T. Whitney Chair

24 Daisy Talbott Green Chair

25 Demirjian Family Chair

Our Members Make the Magic!

Special thanks to all our DPAA Members who keep the classical arts thriving in Dayton with their annual donation.

President’s Circle DIAMOND

Anonymous

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EMERALD

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RUBY

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OVATION

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Corporate and Foundation Partners

We thank our corporate and foundation partners for their support of DPAA’s mission, programs, and artists.

IMPRESARIO

AES Ohio Foundation

The Charles D. Berry Foundation

The Kettering Family Foundation

Virginia W. Kettering Foundation

Miriam Rosenthal Foundation for the Arts

Schiewetz Foundation

Harry A. Toulmin, Jr. and Virginia B. Toulmin Fund of the Dayton Foundation

VIRTUOSO

The Berry Family Foundation

Dayton Freight

The Mary H. Kittredge Fund of The Dayton Foundation

Bill and Jackie Lockwood Fund to Support Opera

LEGATO

AES Ohio

All The Best Delicatessen

Cox First Media

Dayton Aerospace

The Eleanor and John Kautz Fund of the Dayton Foundation

Kettering Health

Marriott University of Dayton

The Shubert Foundation

The Troy Foundation

The Nick and Edna Weller Charities, Inc.

CONCERTO

10 Wilmington Place

Arts Consulting Group

Bob Ross Auto Group

Discover Classical 88.1 WDPR/89.1 WUSO/ 89.9 WDPG

iHeart Radio

Mathile Family Foundation

ARIA

The Iddings Foundation

Lockwood Family Foundation

Victory Wholesale Group and the Kantor Family

SONATA

Centerville-Washington Foundation

The Dayton Hydraulic Co.

Enterprise Roofing

Heidelberg Distributing Company

Johnson Investment Counsel

The Charles F. Kettering Foundation

The Kuntz Foundation

Levin Family Foundation

LION

Nova Creative

NPS Cares Foundation

PNC

INTERMEZZO

Coolidge Wall

Harlamert Foundation

Sam Levin Foundation

Pickrel, Schaeffer, and Ebeling

OVERTURE

Barnes Dennig

Houser Asphalt and Concrete

Requarth Lumber Company

The Rubi Girls

Voss Auto Network

ADDITIONAL MAJOR SUPPORT BY:

Culture Works

Montgomery County Arts and Cultural District

National Endowment for the Arts

Ohio Arts Council

Board of Trustees and Staff

OFFICERS

Joseph Zehenny, Chair

Patricia McDonald, Vice Chair

Dr. Ed Tomme, Chair Emeritus

Tom Burkhardt, Treasurer

Timothy Riordan, Assistant Treasurer

Rev. Joshua Ward, Secretary

Rodney Veal, Assistant Secretary

BOARD OF TRUSTEES

Dr. Ron Anderson

Libby Ballengee

Dr. Zachary Beck

Ashley Bethard

Jim Butler

Christopher Coombs

Allyson Danis

Courtney Ditmer

Dr. Samuel Dorf

Deborah Gross

Col. Mary-Kathryn Haddad

Michael Howard

Xavier Johnson

Dr. G. Scott Jones

Robyn Lightcap

Patrick Martin

Peggie McQuiston

Shannon Joyce Neal

Barbara O’Hara

Todd Press

Burt Saidel

Dori Spaulding

John Tate

Rick Thie

Abbie Trittschuh

Katie Wahl

Dr. Daniel Zehringer

ARTISTIC DIRECTORS EMERITUS

Thomas Bankston, Opera

ADMINISTRATION

Patrick J. Nugent, President and CEO

Teri Warwick, Chief Financial Officer

Michael Sieveking, Vice President for Information and Analytics

Sue Martin, Accounting Manager

ARTISTIC

Kathleen Clawson, Artistic Director, Opera

Neal Gittleman, Artistic Director and Conductor, Philharmonic

Brandon Ragland, Artistic Director, Ballet

Patrick Reynolds, Associate Conductor, Philharmonic; Conductor, Philharmonic Youth Orchestra

Steven Hankle, Director, Philharmonic Chorus

Carolyn Sweezy, Manager, Philharmonic Chorus

Maureen Hickey Haitch, Conductor, Philharmonic Youth Strings

Michelle Mastin, Conductor, Philharmonic Junior Strings

Jeffrey Powell, Chorus Master, Opera Chorus

Sharon Neumeister, Company Teacher and Rehearsal Assistant

Rachel Cahayla Wynne, Rehearsal Director and Dayton Ballet Studio Company Manager

DEVELOPMENT

Bill Perry, Vice President for Philanthropy

Lynnette Ivey, Director of Institutional Giving

Allie Haines, Membership Manager

Anne O’Hara, Development Operations Manager

LEARNING

AND COMMUNITY ENGAGEMENT

Jeaunita Ìféwándé Château Olówè, Vice President for Learning and Community Engagement

Jacqueline Griffin, Learning Programs Manager

Melissa McCoy, Engagement Programs Manager

Megan Forney, Dayton Ballet School Education Manager; Co-Director of Dayton Ballet School Ensemble

Gabrielle Sharp, Co-Director of Dayton Ballet School Ensemble

Elizabeth Sabol, Ballet School Registrar

Vicky Archibald, Ballet School Receptionist

MARKETING

Brittany Laughlin, Vice President for Marketing and Audience Development

Olivia Budde, Marketing Coordinator

James Mikolajewski, Marketing and Patron Acquisition Manager

Kate LaFollette, Engagement and Patron Services Manager

OPERATIONS

Theodore Nelson, Vice President for Operations and Artistic Planning

Milena Treer, Director of Production

Tim Crommes, Company Manager

Chris Brislin, Director of Theater Operations

Sean Vore, Orchestra Personnel Manager

Lyn Baudendistel, Wardrobe Supervisor

Eric Knorr, Orchestra Librarian

Kelly DeLisle, Resident Stage Manager

Lloyd Bryant, Recording Engineer

The stagehands of IATSE Local 66

The wardrobe members of IATSE Local 886

GENEROUSLY SUPPORTED BY

HARRY A. TOULMIN JR. AND VIRGINIA B. TOULMIN FUND OF THE DAYTON FOUNDATION BILL AND JACKIE LOCKWOOD FUND TO SUPPORT OPERA THE MARY H. KITTREDGE FUND OF THE DAYTON FOUNDATION

ADDITIONAL MAJOR SUPPORT PROVIDED BY

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