250214 DPAA Program Book - Cinderella

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VERDI’S AIDA

CINDERELLA

NEAL GITTLEMAN’S 30TH SEASON

THREE ART FORMS. ONE FREQUENCY.

Winter 2024 / Spring 2025

December

The Nutcracker

December 13, 14, 15, 20, 21 & 22

Handel’s Messiah

December 18

The Nutcracker: Sensory Friendly

December 20

January

The Motortown All-Stars

January 4

Beethoven’s Emperor Concerto

January 10 & 11

Country Hits: Songs from Nashville

January 25

The Music of Tony Bennett

January 31 & February 1

February

Three Tenors, Encore!

February 2

Cinderella February 14, 15 & 16

Magic Carpet Concerts: BUGS!!

February 25, 26, 27

Hollywood Hits

February 22

March

Twist & Shout: The Music of the Beatles

March 8

Requiem March 14 & 15

Dayton Philharmonic Youth Orchestra: It’s a World of Dance

March 16

Dayton Philharmonic Junior Strings & Youth Strings Spring Concert

March 23

April

Verdi’s Aida April 4 & 6

Beethoven

April 13

Dear Friends From the Leadership

Asthe winter season unfolds, we’re reminded of how much the arts ground and uplift us. In times of uncertainty and change, music, dance, and storytelling performances offer us chances to reflect, to dream, to connect, and to feel deeply together.

At the Dayton Performing Arts Alliance, we believe the arts are not just entertainment; they’re a vital thread in the fabric of our community. They remind us of our shared humanity, spark joy in the everyday, and provide solace in moments of challenge.

Our upcoming winter performances celebrate the power of the arts to illuminate the human experience, with stories that resonate across time and melodies that linger long after the curtain falls. Whether you find

yourself moved by the grace of a ballet, the drama of an opera, or the soaring beauty of an orchestral piece, we hope you leave feeling enriched and renewed.

Now, more than ever, we need the arts— and DPAA needs you. Your presence, enthusiasm, and support fuel everything we do.

Thank you for being part of this journey. We look forward to sharing more magical moments with you this winter season.

With warmth and gratitude,

Company Dancer Belle Urben wows in Coppélia

First Timers’ Guide

Is this your first time at a DPAA event? If so, welcome! To ensure your visit is meaningful and enjoyable, we offer the following resources.

Box Office

The Dayton Performing Arts Alliance proudly partners with Dayton Live for its box office services. Contact the box office at (937) 228-3630 or visit the office in the Schuster Wintergarden.

Restrooms / Family Restrooms

Restrooms are available on each level of the Schuster Center and Victoria Theatre.

Accessibility

DPAA is committed to providing easy access to the arts. If you have accessibility needs or questions, please contact the box office.

Audio description is available upon request for patrons who have vision loss. Describers provide a live, objective, descriptive delivery of the visual elements of a performance in between the dialogue and/or music via a small receiver. Requests must be received two weeks prior to an event and are subject to the availability of the Describer. Please call the box office to make arrangements.

Assistive listening devices are available for all performances. Check out a device from the guest services kiosk or from a house manager in the lobby.

DPAA provides sign language interpretation upon request for performances at the Schuster Center and Victoria Theatre. Requests for sign language interpretation must be received two weeks prior to the event and are subject to the availability of the Interpreter. Please call the Box Office to make arrangements.

Age Recommendation

Our events are recommended for age 6 and up.

Military Appreciation and Discount Programs

In addition to our standard military discount, DPAA offers a Military Appreciation Program for active-duty military members, retired veterans with ID cards, and WPAFB government civilian employees in the region. Each household may

receive four free tickets annually. Contact the box office to redeem.

Group Sales

Bring a group of 10 or more; share a one-of-akind experience; and save up to 30% on tickets! Contact our Engagement & Patron Services Manager, Kate LaFollette, at (937) 535-5443.

Local Dining

Make it a night on the town! We recommend the following dining options: Blind Bob’s, Figlio Wood Fired Pizza, Jay’s Seafood, Joui, Lily’s, Manna Uptown, Meadowlark Restaurant, Mudlick Tap House, Salar Restaurant and Lounge, Spaghetti Warehouse, Table 33, The Caroline, and Troll Pub at the Wheelhouse.

Lost and Found / Security

In the event you lose an item at a performance or require assistance from the security team, call (937) 637-7366. For the safety of those in the audience, behind the scenes, and on stage, everyone who enters the performance space is required to pass through metal detectors.

Questions?

For additional ticket questions or information, contact our Engagement & Patron Services Manager, Kate LaFollette at (937) 535-5443.

Artistic Directors

Neal Gittleman

Artistic Director, Philharmonic

The 2024–2025 season is my 30th on the DPO podium, following founder Paul Katz, Charles Wendelken-Wilson, and Isaiah Jackson. Next year Keitaro Harada takes over. Until then, I’ll be surrounded by fabulous musicians and fabulous music. Favorite pieces by favorite composers. A world premiere and a U.S. premiere. A ballet I’ve conducted more than a hundred times (The Nutcracker) and one I’ve never conducted before (Cinderella). One of my favorite operas (Amahl and the Night Visitors). And my first-ever concert of country music! But what keeps popping into my head again and again as I think about this last year as your conductor? Song titles by my favorite band, The Beatles: “The Long and Winding Road,” “Come Together,” “We Can Work It Out.” And again and again, these lines: “And in the end, the love you take is equal to the love you make.” Except for me, it’s “… equal to the music you make.” And of course, “P.S. I Love You!”

Kathleen Clawson,

Artistic Director, Opera; Dr. Ron Anderson and Robb Sloan-Anderson Chair

Kathleen Clawson begins her fifth season as Dayton Opera Artistic Director and Dr. Ron Anderson and Robb Sloan-Anderson Chair. Clawson began directing for the Opera in 2009 and has directed 19 productions since, including serving as dramaturg and stage director for the world premiere of Finding Wright

An acclaimed opera director, she directed The Santa Fe Opera’s world premiere of Shoes for the Santo Niño (2011) and was stage director and dramaturg for their world premiere of UnShakeable (2016).

A mezzo-soprano, Clawson’s credits include soloist with the Dayton Philharmonic, productions with The Santa Fe Opera and Dallas Opera, recording de Falla’s “El Amor Brujo” for Maria Benitez’ Teatro Flamenco tour, and singing “Mother Abbess” in Debby Boone’s international tour of The Sound of Music.

Brandon Ragland

Artistic Director, Ballet; Sponsored by Dr. Troy Tyner and Dr. Ingrid Brown

Brandon Ragland has more than a decade of professional experience as a dancer, choreographer, and educator. He trained in Birmingham, AL, and has a bachelor’s degree in Dance-Arts Administration from Butler University. After graduation, Ragland danced with Alabama Ballet, followed by Louisville Ballet in 2010, spending 13 years as a leading artist. A respected choreographer, Ragland choreographed works for Louisville Ballet, Alabama Ballet, Ballet Arkansas, AROVA Contemporary Ballet, Next Generation Ballet, Sedona Chamber Ballet, and The Perla Ballet. In 2017, Ragland was honored to perform with the Black Iris Project at the Kennedy Center in Washington, D.C., as part of the Kennedy Center’s Dance Across America Program. He has received numerous awards, including “Best Artist” in Louisville Magazine and The Lift a Life Foundation’s “Emerging Leader in the Arts Award” from The Fund for the Arts.

Keitaro Harada

Music and Artistic Director Designate, Philharmonic; Sponsored by Barbara O’Hara

Named Music and Artistic Director Designate for Dayton Philharmonic for the 2024–25 season, Keitaro Harada will begin a five-year tenure as Music and Artistic Director with the 2025–26 season. As Music and Artistic Director of the Savannah Philharmonic since the 2020–21 season, Harada has transformed the orchestra and energized its audiences throughout the community with his imaginative programs and charismatic presence.

Harada is a recipient of the 2023 Sir Georg Solti Conducting Award. In 2024, he was named Permanent Conductor of the Tokyo Symphony Orchestra and Principal Guest Conductor and Artistic Partner for the Aichi Chamber Orchestra. Harada was Associate Conductor for four years at the Cincinnati Symphony and Pops, where he regularly assisted Music Director Louis Langrée and collaborated with James Conlon and Juanjo Mena at the orchestra’s annual May Festival.

Dayton Ballet Company Dancers

Dayton

Artists-In-Residence

Connor Barak Claire Bergman Nicolas Bierwagen Erin Blair Harrison Broadbent
Tomasin Corrente Emma Duncan
Alyssa Eyster Hailey Flanagan Jasmine Getz
Katy Gilliam Isaac Jones
Patrick Lennon
Tarique Logan Kyan Park
Lukas Pringle Francisco Rivera Belle Urben Catherine Voorhees
Jalen Williams
Opera
Gabrielle Flannery
Isabel Randall Carl Rosenthal
Randell McGee Clara Passmore

Dayton Ballet Studio Company

Xochitl Atienza Sara Beth Austin
Daniela Bennetti Analiese Capponi
Amber Huggett
Ryan Norman Elizabeth Sabol

Cinderella

February 14–16, 2025 • Schuster Center

ARTISTS

Brandon Ragland, choreographer

Dayton Ballet

Dayton Ballet Studio Company

Dayton Ballet School

Sergei Prokofiev, composer

Neal Gittleman, conductor

Dayton Philharmonic Orchestra

Act I

Cinderella (February 14 & 16) ........................................................................................................... Erin Blair (February 15) Hailey Flanagan

Anastasia Tremaine Belle Urben

Drizella Tremaine ...................................................................................................... Katy Gilliam

Lady Tremaine ..................................................................................... Rachel Cahayla-Wynne

Fairy Godmother ....................................................................................... Catherine Voorhees

Dance Master (February 14 & 16) Francisco Rivera (February 15) ............................................................................................... Harrison Broadbent

Violinist (February 14 & 16) Connor Barak (February 15) .................................................................................................................. Kyan Park

Dresser ..................................................................................................................... Tarique Logan

Spring Fairy ............................................................................................................. Alyssa Eyster

Summer Fairy Jasmine Getz

Autumn Fairy Emma Duncan

Winter Fairy ..................................................................................................... Tomasin Corrente

Fairy Pages ........................ Aimee Besl, Elaine Gottesman, Amy Grennek, Ava Kitchen

Mice ....................................... Kate Briggs, Greta Kline, Madeline Susco, Zoey Thompson - INTERMISSION -

The Dayton Ballet Studio Company’s Inaugural Season is generously supported by The Eleanor and John Kautz Fund of the Dayton Foundation.

Act II

Prince Charming

(February 14 & 16) .................................................................................................. Lukas Pringle (February 15) Patrick Lennon

Master of Ceremonies

(February 14 & 16) ............................................................................................ Francisco Rivera (February 15) Harrison Broadbent

Ballroom Gentlemen

(February 14 & 16) ........... Harrison Broadbent, Isaac Jones, Kyan Park, Jalen Williams (February 15) Connor Barak, Nicolas Bierwagen, Tarique Logan, Francisco Rivera

Ballroom Ladies

Xochitl Atienza, Sara Beth Austin, Daniela Bennetti, ................................................................... Analiese Capponi, Ryan Norman, Elizabeth Sabol

Cinderella’s Friends ........................................................ Tomasin Corrente, Emma Duncan, Alyssa Eyster, Jasmine Getz

- INTERMISSION -

Act III

PRODUCTION/ARTISTIC STAFF

Rachel Cahayla-Wynne, rehearsal director & Studio Company manager

Megan Forney, Dayton Ballet School Education Manager & Dayton Ballet School Ensemble Co-Director

Gabrielle Sharp, Dayton Ballet School Ensemble Co-Director

Synopsis

Act I

Scenery by Dayton Ballet

Lowell Mathwich, costume designer

Molly Tiede, lighting designer

Megh Jennings-Posner, production stage manager

Kelly DeLisle, resident stage manager

Lyn Baudendistel, costume coordinator

Cinderella, a lovely orphan, is busy with the daily chores of taking care the house in which she grew up. She has watched her beloved home become someone else’s following the death of her mother and the remarriage of her father to a self-serving woman with two awful daughters. Upon her father’s death, Cinderella has become nothing more than a maid. Her two stepsisters are very demanding and taunt her constantly. Life is miserable for poor Cinderella.

One day, Cinderella’s stepmother comes into the kitchen and announces that they have been invited to the Prince’s ball, all except for Cinderella. The Stepmother arranges for a Dance Master and a Dress Maker to come prepare them for the event. Cinderella is left alone to reminisce about happier days when her mother was alive.

Soon, an old beggar woman appears and begs for alms. Cinderella gives her a small piece of bread and the old woman thanks the kind girl. Cinderella is so very kind that even the small mice that live in the kitchen are her friends; they comfort her.

As the stepsisters and their mother leave for the ball, Cinderella tires and falls asleep. The mysterious beggar woman reappears and reveals herself as Cinderella’s Fairy Godmother. She transforms the kitchen and changes the mice into attendants. She also summons the Fairies of the Four Seasons to bring gifts to Cinderella to reward her for her kindness. Cinderella will go to the ball after all! As she prepares to go to the ball, the Fairy Godmother warns Cinderella that she must leave the ball before the clock strikes midnight or the magic gifts will fade away.

Act II

The ball has begun, and Courtiers move about in formal dances. Cinderella’s stepmother and stepsisters arrive. They are all anxious to meet the Prince. During the evening, mysterious music is heard and an enchanting woman appears. She looks as though she is floating on air. Everyone is in awe of her, especially the Prince. Who is this mystery woman? It’s Cinderella, of course. As the evening progresses, the sisters put on a display of poor manners. Their antics do not intrude on the love-struck Prince and Cinderella, who spend the evening together dancing unaware of anyone else in the room. Cinderella is so caught up with the beauty and excitement of the evening that she loses track of time and forgets the Fairy Godmother’s warning. All of a sudden, the clock strikes twelve! The attendants hurry Cinderella back to her carriage, but on the way she loses one of her slippers.

Act III

The Prince is distraught. He has found one slipper and knows that it must belong to the beautiful girl with whom he danced at the ball. To find her, he decides to search the countryside for the girl of his dreams.

Back in the kitchen, Cinderella awakens. Was it all a dream? For comfort, she goes to the picture of her mother and discovers one slipper. She is convinced that she was actually in the palace and in the arms of the Prince. Cinderella overhears her stepmother and stepsisters talking about the Prince and his search for the mysterious ball guest. He will be coming to their house! Cinderella’s stepmother orders Cinderella to get busy and prepare the house for the Prince’s visit.

The Prince appears and both sisters try on the slipper. Angry that the slipper does not fit either of her daughters, the Stepmother demands to try on the slipper herself. As everyone is trying to help her fit into the shoe, the matching slipper falls out from Cinderella’s apron.

The Prince recognizes Cinderella as the beautiful girl at the ball. Cinderella’s Fairy Godmother appears and reunites the lovers who live happily ever after.

About the Artists

Sergei Prokofiev Composer

Sergei Prokofiev (1891–1953) was a 20th-century Russian (and Soviet) composer who wrote in a wide range of musical genres, including symphonies, concerti, film music, operas, ballets, and program pieces.

Source: Britannica

Lowell Mathwich Costume Designer

Called “one of the most innovative costumers in ballet today,” Lowell A. Mathwich’s costume designs have run the gamut from classical tutus to baseball uniforms; from Victorian period evening wear in Christmas Carol: The Ballet to wrestling uniforms and unitards resembling corsets and turn of the century bathing suits.

Mathwich’s extensive body of work encompasses costumes for over 95 ballet productions including works for such choreographers as Dermot Burke,

Christopher Fleming, Luis Fuente, Alan Hineline, Christian Holder, Bebe Miller, Gregory Robinson, and for several of George Balanchine’s works in the Dayton Ballet repertoire. In addition, Mathwich has worked as Costume Designer for Dayton Opera and Dayton Contemporary Dance Company, and has designed numerous productions for the Human Race Theatre Company.

Prior to his career in costume design, Mathwich enjoyed a 15-year career as a dancer. For ten of those years, he performed with Dayton Ballet, where he was featured in many principal roles.

Mathwich is a proud member of IATSE, Theatrical Wardrobe Union, Local #886.

Molly Tiede is a professional Lighting Designer, Associate Lighting Designer, Project Manager, and Technical Director specialized in theater, opera, immersive design, new works, and corporate events.

Regional design credits include; Boston Lyric Opera, Virginia Opera, Dayton Ballet and Opera, Indiana Repertory

Molly Tiede Lighting Designer

Theatre, Colorado University in Boulder, Paramount Theater in NJ, Hettenhausen Center for the Arts in Saint Louis, and The Rose Wagner Theater in Salt Lake City. Associate and Assistant Credits include; Broadway (Walter Kerr), West End London (Vaudeville Theater), The Vineyard Theater, Roundabout Theater, Signature Theater, Labyrinth Theater Company, Gotham Chamber Opera Regional credits include; George Street Playhouse, Indiana Repertory Theatre, Cleveland Play House, Boston Lyric Opera, Alley Theater, Tectonic Theater Project, The Old Globe in San Diego, The Santa Fe Opera, Berkshire Theater Group, Opera Colorado, and Two River Theater.

Tiede is currently the Lighting Director and Associate Lighting Designer for Tectonic Theater Project’s production of Here There Are Blueberries National and International Tour. The production received rave reviews in addition to becoming New York Theatre Workshop’s most financially successful show in their history.

Megh Jennings-Posner

Production Stage Manager

Megh Jennings-Posner is an experienced Stage Manager with an extensive background in opera, ballet, and theatrical productions. With over two decades of experience, she has worked with prestigious organizations such as the Cincinnati Ballet, San Diego Opera, Cincinnati Opera, and Virginia Opera. She is delighted to return to Dayton Ballet for Cinderella.

Based in Lexington, Kentucky, Jennings-Posner currently serves as the Production Stage Manager and Program Coordinator for the University of Kentucky Opera Theatre and serves as an adjunct faculty member in the University of Kentucky’s Department of Theatre and Dance. A committed arts educator, Jennings-Posner teaches stage management and mentors young singers and stage managers through the rehearsal and performance process, fostering an environment of support and care while providing the students with realistic expectations of the world outside of academia.

Throughout her career, Jennings-Posner has worked on numerous high-profile

productions, including Jake Hegge and Gene Sheer’s Moby Dick and UK Opera Theatre’s Stars of Tomorrow Opera Gala, which was filmed by Kentucky Educational Television and nominated for a Regional Emmy Award. Her expertise extends beyond the stage, serving as the stage manager for large-scale performances such as the 57th Annual Messiah Sing-In with the National Chorale at Lincoln Center in New York City and Alltech’s Celebration of Song concerts.

Jennings-Posner holds a Master of Arts Administration from the University of Kentucky and a B.F.A. in Theater Design and Production from the University of Cincinnati’s College-Conservatory of Music. She is a proud member of the American Guild of Musical Artists. Jennings-Posner is forever grateful to Graham and Ollie for their unwavering love and support.

Dayton Ballet’s Can’t-Miss Season Finale

Pointes of View

FRI May 9 at 7:30pm SAT May 10 at 7:30pm

Enjoy a night of classical and contemporary ballet and witness the astounding talent of Dayton Ballet’s dancers. Pointes of View showcases choreography from one of the most influential choreographers of the 20th Century, George Balanchine, to up-and-coming choreographers making their mark in today’s ever-evolving ballet stages.

Dayton Philharmonic Orchestra Musicians

Kirstin Greenlaw, Acting Concertmaster1
Aurelian Oprea Associate Concertmaster2
Youjin Na, Acting Assistant Concertmaster3
Elizabeth Hofeldt
David Goist Mikhail Baranovsky Louis Proske Sean Klopfenstein John Lardinois
Philip Enzweiler* Janet George
Kara Camfield, Acting Principal4
Ann Linn Baer, Acting Assistant Principal
VIOLIN I
Scott Moore Gloria Fiore Maggie Niekamp Nick Naegele* Lynn Rohr*
Yoshiko Kunimitsu Bill Slusser Yein Jin*
Sheridan Currie, Principal5
VIOLIN II
VIOLA
OBOE AND ENGLISH HORN
Colleen Braid, Assistant Principal Karen Johnson6
Scott Schilling Lori LaMattina Mark D. Reis
Molly Castrucci8 Lucas Song9
Mark Hofeldt Nadine Monchecourt Oleg Babkov
Stephen Ullery Christopher Roberts
James Faulkner Bleda Elibal
Rebecca Andres, Principal11 Jennifer Northcut
Janet van Graas
Eileen Whalen, Principal12
Leslie Dragan Belinda Burge
Jonathan Lee, Principal Christina Coletta, Assistant Principal7
CELLO
Zoë Moskalew
Deborah Taylor, Principal10
Jon Pascolini, Assistant Principal
Donald Compton In Memoriam
FLUTE AND PICCOLO
BASS

CLARINET

TROMBONE

Robyn Dixon Costa
John Kurokawa, Principal13 Rachael Young, Principal14
Kristen Smith15
Aaron Brant, Principal16
Lotti Ropert
Todd Fitter
BASSOON
HORN
Amy Lassiter Sean Vore, Assistant Principal
Charles Pagnard, Principal17 Alan Siebert
TRUMPET
Eric Knorr
Tyler Bentley, Acting Principal18
Richard Begel
Chad Arnow19
Timothy Northcut, Principal20
Gerald Noble, Acting Principal21
Michael LaMattina, Principal22 Davi Martinelli de Lira23
Leslie Stratton, Principal24

KEYBOARD

Joshua Nemith25

* Denotes leave of absence

1 J. Ralph Corbett Chair

2 Huffy Foundation Chair

3 Sherman Standard Register Foundation Chair

4 Jesse Philips Chair

5 F. Dean Schnacke Chair

6 Grace Counts Finch Chair

7 Edward L. Kohnle Chair in Memory of Andra Lunde Padrichelli, Principal Cellist 2003–2018

8 Gilbert and Patricia Templeton Chair

9 Paul and Susanne Weaver Chair

10 Dayton Philharmonic Volunteer Association/C. David Horine Memorial Chair

11 Dayton Philharmonic Volunteer Association Chair

12 Catharine French Bieser Chair

13 Rhea Beerman Peal Chair

14 Robert and Elaine Stein Chair

15 David and Lois Gribler Chair

16 Frank M. Tait Memorial Chair

17 John W. Berry Family Chair

18 John Reger Memorial Chair

19 Bill and Wanda Lukens Chair

20 Zachary, Rachel and Natalie Denka Chair

21 Rosenthal Family Chair in Memory of Miriam Rosenthal, In Honor of Donald Donnett, Principal Timpani 1966–2023

22 Miriam Rosenthal Chair

23 Richard A. and Mary T. Whitney Chair

24 Daisy Talbott Green Chair

25 Demirjian Family Chair

Our Members Make the Magic!

Special thanks to all our DPAA Members who keep the classical arts thriving in Dayton with their annual donation.

President’s Circle DIAMOND

Anonymous

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EMERALD

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RUBY

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OVATION

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Friends FELLOW

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Jeremy Holtgrave

Charles and Karen Kronbach

Kenji and Misao Kurokawa

Ms. Joyce E. McDonald

Larry Mullins

Les and Dianne Niemi

Ms. Ellen Noble

Greg and Michele Palmer

Mr. Harold Poppe and Mr. Dale Schmidt

William C. Quinn

Ms. Carolyn J. Ray

Mr. Randy K. Ray and Dr. Cleanne Cass

Mary Yerina and Bob Redfield

Beverly and Bradley Smith

Rick and Tawnya Stover

Phyllis Strayer

Kevin and Micki Torres

Nancy and John Woeste

Dr. Roberts and Mrs. Lynn Wood

Dr. Virginia C. Wood

Carol Jean Yegerlehner

Corporate and Foundation Partners

We thank our corporate and foundation partners for their support of DPAA’s mission, programs, and artists.

IMPRESARIO

AES Ohio Foundation

The Charles D. Berry Foundation

The Kettering Family Foundation

Virginia W. Kettering Foundation

Miriam Rosenthal Foundation for the Arts

Schiewetz Foundation

Harry A. Toulmin, Jr. and Virginia B. Toulmin Fund of the Dayton Foundation

VIRTUOSO

The Berry Family Foundation

Dayton Freight

The Mary H. Kittredge Fund of The Dayton Foundation

Bill and Jackie Lockwood Fund to Support Opera

LEGATO

AES Ohio

All The Best Delicatessen

Cox First Media

Dayton Aerospace

The Eleanor and John Kautz Fund of the Dayton Foundation

Kettering Health

Marriott University of Dayton

The Shubert Foundation

The Troy Foundation

The Nick and Edna Weller Charities, Inc.

CONCERTO

10 Wilmington Place

Arts Consulting Group

Bob Ross Auto Group

Discover Classical 88.1 WDPR/89.1 WUSO/ 89.9 WDPG

iHeart Radio

Mathile Family Foundation

ARIA

The Iddings Foundation

Lockwood Family Foundation

Victory Wholesale Group and the Kantor Family

SONATA

Centerville-Washington Foundation

The Dayton Hydraulic Co.

Enterprise Roofing

Heidelberg Distributing Company

Johnson Investment Counsel

The Charles F. Kettering Foundation

The Kuntz Foundation

Levin Family Foundation

LION

Nova Creative

NPS Cares Foundation

PNC

INTERMEZZO

Coolidge Wall

Harlamert Foundation

Sam Levin Foundation

Pickrel, Schaeffer, and Ebeling

OVERTURE

Barnes Dennig

Houser Asphalt and Concrete

Requarth Lumber Company

The Rubi Girls

Voss Auto Network

ADDITIONAL MAJOR SUPPORT BY:

Culture Works

Montgomery County Arts and Cultural District

National Endowment for the Arts

Ohio Arts Council

Board of Trustees and Staff

OFFICERS

Joseph Zehenny, Chair

Patricia McDonald, Vice Chair

Dr. Ed Tomme, Chair Emeritus

Tom Burkhardt, Treasurer

Timothy Riordan, Assistant Treasurer

Rev. Joshua Ward, Secretary

Rodney Veal, Assistant Secretary

BOARD OF TRUSTEES

Dr. Ron Anderson

Libby Ballengee

Dr. Zachary Beck

Ashley Bethard

Jim Butler

Christopher Coombs

Allyson Danis

Courtney Ditmer

Dr. Samuel Dorf

Deborah Gross

Col. Mary-Kathryn Haddad

Michael Howard

Xavier Johnson

Dr. G. Scott Jones

Robyn Lightcap

Patrick Martin

Peggie McQuiston

Shannon Joyce Neal

Barbara O’Hara

Todd Press

Burt Saidel

Dori Spaulding

John Tate

Rick Thie

Abbie Trittschuh

Katie Wahl

Dr. Daniel Zehringer

ARTISTIC DIRECTORS EMERITUS

Thomas Bankston, Opera

ADMINISTRATION

Patrick J. Nugent, President and CEO

Teri Warwick, Chief Financial Officer

Michael Sieveking, Vice President for Information and Analytics

Sue Martin, Accounting Manager

ARTISTIC

Kathleen Clawson, Artistic Director, Opera

Neal Gittleman, Artistic Director and Conductor, Philharmonic

Brandon Ragland, Artistic Director, Ballet

Patrick Reynolds, Associate Conductor, Philharmonic; Conductor, Philharmonic Youth Orchestra

Steven Hankle, Director, Philharmonic Chorus

Carolyn Sweezy, Manager, Philharmonic Chorus

Maureen Hickey Haitch, Conductor, Philharmonic Youth Strings

Michelle Mastin, Conductor, Philharmonic Junior Strings

Jeffrey Powell, Chorus Master, Opera Chorus

Sharon Neumeister, Company Teacher and Rehearsal Assistant

Rachel Cahayla Wynne, Rehearsal Director and Dayton Ballet Studio Company Manager

DEVELOPMENT

Bill Perry, Vice President for Philanthropy

Lynnette Ivey, Director of Institutional Giving

Allie Haines, Membership Manager

Anne O’Hara, Development Operations Manager

LEARNING

AND COMMUNITY ENGAGEMENT

Jeaunita Ìféwándé Château Olówè, Vice President for Learning and Community Engagement

Jacqueline Griffin, Learning Programs Manager

Melissa McCoy, Engagement Programs Manager

Megan Forney, Dayton Ballet School Education Manager; Co-Director of Dayton Ballet School Ensemble

Gabrielle Sharp, Co-Director of Dayton Ballet School Ensemble

Elizabeth Sabol, Ballet School Registrar

Vicky Archibald, Ballet School Receptionist

MARKETING

Brittany Laughlin, Vice President for Marketing and Audience Development

Olivia Budde, Marketing Coordinator

James Mikolajewski, Marketing and Patron Acquisition Manager

Kate LaFollette, Engagement and Patron Services Manager

OPERATIONS

Theodore Nelson, Vice President for Operations and Artistic Planning

Milena Treer, Director of Production

Tim Crommes, Company Manager

Chris Brislin, Director of Theater Operations

Sean Vore, Orchestra Personnel Manager

Lyn Baudendistel, Wardrobe Supervisor

Eric Knorr, Orchestra Librarian

Kelly DeLisle, Resident Stage Manager

Lloyd Bryant, Recording Engineer

The stagehands of IATSE Local 66

The wardrobe members of IATSE Local 886

GENEROUSLY SUPPORTED BY

HARRY A. TOULMIN JR. AND VIRGINIA B. TOULMIN FUND OF THE DAYTON FOUNDATION BILL AND JACKIE LOCKWOOD FUND TO SUPPORT OPERA THE MARY H. KITTREDGE FUND OF THE DAYTON FOUNDATION

ADDITIONAL MAJOR SUPPORT PROVIDED BY

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