Member Magazine - 2013 Issue #2

CURRENT + UPCOMING EXHIBITS

MEMBER MAGAZINE SPONSORED BY

Experiencenter: I See the Rhythm Opening May 4 Storm: Paintings by April Gornik Watershed: 100 Years of Photography Along the Great Miami River Riverbank: Exploring Our River-Centered Development Through May 5 Andy Warhol: Athletes The Art of Sport: Highlights from the Collection of The Dayton Art Institute June 22 through September 1

PRIME TIME PARTY RENTAL SERIES Studio 54 Andy Warhol Disco Party, July 19 Renaissance Ball, November 15

ARTS NIGHT OUT Joe Castillo: Sandstory, October 24 Robert Whittman - Art Detective!, November 21 Spontaneous Fantasia, December 5

SUMMER 2013

FROM THE DIRECTORS

We are confident that most everyone is aware we have galleries full of paintings, sculptures and decorative objects inside The Dayton Art Institute – 50 galleries to be exact, as we counted for the new gallery map we just published. But we sometimes wonder how many of our guests realize what those galleries hold. When was the last time you perused the permanent collection, just for the fun of it?

It’s human nature … we are drawn to the new. We seek out the latest movie, the video that is going viral on YouTube, the restaurant that just opened and exhibitions that are only on view for a limited time. There’s nothing wrong with that, but one of the joys of our first year at The DAI has been spending a lot more time in the Berry Wing of European Art, The Dicke Wing of American Art and the Patterson-Kettering Wing of Asian Art. And so we were wondering … how much do you know about our permanent collection? We’ve learned some great stories about how our treasures came to us, as well as how meaningful they are to curators from all over the world who have visited or requested them for exhibitions and scholarship they are pursuing. And of course, there are fantastic new interpretations and explorations of 50 of the most revered works in our collection in the recently unveiled project, What Is A Masterpiece?.

We are having great conversations about how to shake things up to help you see familiar works in new contexts. And you are in for a real treat this summer, when The Art of Sport: Highlights from the Collection of The Dayton Art Institute opens. We have been watching as new Curator of Collections and Exhibitions, Aimee Marcereau DeGalan, delves into our storage areas to ferret out interesting and unusual pieces that speak to something as ingrained in us as our love of the new – our desire to compete and to excel. Sports – the great American obsession, when we are compelled to pit ourselves against an opponent, a set of rules and a scoring system.

In looking at thumbnail images of artworks Aimee has selected, we have been exclaiming, “I didn’t know we had anything like that!” And, we have been remembering some of the paintings that were on view long ago, pieces we had nearly forgotten since they have been in storage. Ah, but that is the fate of objects in museums – like most of our sister institutions, only about three percent of our collection is on view. What fun to see some

Directors’ Message of the rest, especially when it is part of a story … a tale we can all relate to, whether our tastes run to baseball, archery, chess or ... well, what’s your favorite?

We are truly excited that our next turn in the special exhibition wing will focus on pieces from our own collection. But, in the meanwhile, next time you have a little time – especially now that we are open in the evenings until 8 p.m., Tuesday through Friday – come in and spend some time in the galleries.You never know what story you might find.

Best regards,

Michael R. Roediger Executive Director

Jane A. Black Associate Director

BOARD OF TRUSTEES OFFICERS

TRUSTEES

Linda Lombard, Chairman Community Volunteer

Tracy Bieser Community Volunteer

Bear Monita, Vice Chairman Partner, LWC Incorporated

Edward J. Blake CEO, MV Commercial Group, CFO, Miller-Valentine Group

Richard “Rip” Hale, Treasurer Managing Director, Wealth Management Smith Barney

Thomas A. Compton Chairman, Precision Strip, Inc.

Katherine M. Thornburg, Secretary Community Volunteer James F. Dicke, II * Chairman Emeritus Chairman/CEO, Crown Equipment Corp. *Denotes Ex-officio

Robert Connelly President, Henny Penny Corporation Dawn M. Conway Senior VP, Global Content Licensing, Cision US, Inc. Deborah Feldman CEO/President, Dayton Children’s Medical Center

Neil Freund Senior Partner, Freund, Freeze & Arnold

Fred Manchur CEO, Kettering Health Network

The Honorable Gary Leitzell Mayor, City of Dayton

Alan C. Greenwell Partner, Ernst & Young

Amos L. Otis President & CEO, SoBran, Inc.

Phil Herrington President & CEO DPL, Inc.

Erin Paulson Director of Strategic Marketing, TriComB2B

Derek Maddox Associate Board President, Deputy Director for Operations SAIC

Pamela P. Houk Community Volunteer

Sally A. Struthers, Ph.D. Interim Chair, Academic Foundations Professor, Art Department, Sinclair Community College

Sharon Howard Ohio Arts Council Board Representative Julie Liss-Katz Director, Public Affairs, Premier Health Partners Bill Lukens Chairman & CEO, Stillwater Technologies, Inc.

EX-OFFICIO Judy Dodge Montgomery County Commissioner

Robert Nevin Endowment Committee Chairman, Retired President, Reynolds & Reynolds, Automotive Group Michael T. Schneider, CWS Leadership Dayton Senior Vice President, Key Private Bank

Marjie Holcomb Docent Chairman, Community Volunteer

Art Changes Lives Live it

JUNE 22 – SEPTEMBER 1

On view this summer is a group of 10 canvases by Andy Warhol, entitled the Athletes Series, commissioned in 1977

by Richard Weisman, a banker and friend of Warhol’s.

Art collector Richard Weisman pictured with Andy Warhol and a detail of his Muhammad Ali canvas.

Weisman was a fan of both the arts and sports and had often noted that although both were popular leisure-time activities, they rarely crossed paths in any way. Weisman and Warhol agreed that Weisman would select the athletes himself, because, as he noted, Andy “didn’t know the difference between a football and a golf ball.” The process began with Warhol photographing his subjects. In some cases, he traveled to photograph them in their homes. In other cases, they met him in his New York studio, usually with Weisman.

Some of the athletes, such as pitcher Tom Seaver and hockey player Rod Gilbert, were honored to be immortalized by Warhol, while others were puzzled by his eccentricities. Wiesman recalled, for example, that Jack Nicklaus became frustrated by Warhol referring to his golf club as a “stick.” In fact, this subject matter was a departure from those that Warhol naturally gravitated to, as well as from the social circles from which most of his commissions came.

Christopher Makos, a photographer and close friend of Warhol’s, remarked of the series, “The Richard project was more macho (than most). Andy thought the sports stars were cute, so handsome – he just hoped they would have lunch with him the next day.”

The series features some of the most famous athletes of the day, including, in addition to those mentioned above, boxer Muhammad Ali, football’s O.J. Simpson, ice skater Dorothy Hamill, basketball’s Kareem Abdul-Jabbar, tennis player Chris Evert, jockey Willie Shoemaker, and soccer star Pelé. While not among Warhol’s best-known work, this series presents a fascinating digression from his usual society portraits. At the same time, it marks the period in which top athletes first became viewed as sports stars, and began to inhabit the world of celebrity.

THE ART OF SPORT: HIGHLIGHTS FROM THE COLLECTION OF THE DAYTON ART INSTITUTE JUNE 22 – SEPTEMBER 1

The theme of sports is ubiquitous in art and has occupied artists from cultures all over the world from ancient times to the present. This exhibition, presented in conjunction with Andy Warhol: Athletes, features more than 80 examples of how that theme is manifest in some of The Dayton Art Institute’s finest treasures. Arranged thematically in four categories outlined below, the objects on display will represent a wide-range of media, including painting, sculpture, photography and mixed media. The exhibition is sure to delight sports and art lovers of all ages.

Games of Physical Prowess contains many examples in which agility, strength, and physical skill are required for the contest. For example, the Mesoamerican ballgame was a sport with ritual associations played since 1400 BCE by the pre-Columbian peoples of Ancient Mexico and Central America. The rules and manner in which the Mesoamerican ballgame was played varied among contemporary sites and evolved through time. The DAI houses several outstanding examples representing both the players and some of their equipment, including a ballgame yoke worn around the players’ waist to protect them from the hard, solid rubber ball used in play.

Games of Skill and Chance represents competitions in which mental dexterity is the key component of victory. This category includes chess, billiards, and cards. The earliest reference to card games dates from 9th century China, from a documented game between the daughter of Emperor Yizong of Tang with members of the family of the princess’ husband.

As card games exist in many forms in multiple countries, the cards themselves are equally diverse and their designs run from the ordinary to the exquisite.

Man and Beast will include, among other subjects, hunting, a theme that appears across multiple media and time periods within the museum’s collection. Hunting appears on ancient reliefs and is represented by deities, including the Greek God Adonis, who was known for his hunting skills. As hunting moved from a subsistence activity to a social one, two trends emerged; one was that of the specialist hunter with special training and equipment, the other was the emergence of hunting as ‘sport’ for those of an upper social class. These trends are reflected in the objects on view in this category.

Man versus Nature includes many pastimes, such as fishing, sailing, and mountain climbing, in which the common factor that unites these activities is a direct encounter with nature.

The pursuit, capture and release, or capture for food, of fish is not commonly categorized as a form of hunting, and is dependent on the characteristics of the body of water the fish inhabits. Similarly, wind and the earth’s terrain impact the activities of sailing and mountain climbing.

SPECIAL MEMBERS ONLY PREVIEW EVENT!

THURSDAY, JUNE 20, FREE TO MEMBERS

My Time with Andy Warhol: Commissioning Warhol’s Athlete Series, Moderated discussion with collector Richard Weisman and Aimee Marcereau DeGalan, Curator of Collections and Exhibitions

5:00 – 6:00 p.m.: Book signing and meet & greet with the collector. Cash bar and snacks available for purchase.

6:00 – 7:00 p.m.: Moderated Lecture in the NCR Renaissance Auditorium

Member Magazine is printed on Anthem®, 100 lb. gloss text and 70 lb. matte text, from NewPage. Manufactured in North America.

Special Exhibition

ANDY WARHOL: ATHLETES

EXHIBITION SPONSORS Benefactor Sponsor Premier Health Partners Patron Sponsor Macy’s The James A. and Mary Miller Philanthropic Fund Supporting Sponsors Miller-Valentine Group Dr. Stephen Levitt

ADMISSION Museum Members: Free Adults: $12 Seniors (60+): $9 Students (18+ w/ID): $9 Active Military: $9 Groups (10 or more): $9 Youth (ages 7-17): $6 Children (6 & under): Free Prices include admission to the exhibition and the museum’s permanent collection. A $1 per transaction Historic Preservation Fee will be added to all ticket sales.

For related programs or more information, visit daytonartinstitute.org/sports.

EXHIBITION PREVIEWS Jefferson Patterson Society Reception & Preview Wednesday, June 19 6:00 – 8:00 p.m.

Member Preview Days Thursday, June 20 and Friday, June 21

Live it at the Museum

2X2 EXHIBITION MAY 18 – JULY 14 NORTH & SOUTH GALLERIES, LOWER LEVEL

What do a portrait of a flower by contemporary American photographer Robert Mapplethorpe (19461989) and a drawing of bathers by early 20th century painter Reginald Marsh (1898-1954) have in common?

Similarly, what connects works by color-field painters Kenneth Noland (1924-2010) and Gene Davis (19201985), other than their affiliation with that group? By contrast, what makes them unique? This inaugural installation in a planned series of exhibitions drawn from the permanent collection, in which two works are presented side by side, endeavors to answer these questions with the aim of developing a deeper understanding of the works in question and fostering new points of connection in which to see the works in the future.

Both Robert Mapplethorpe and Reginald Marsh are indelibly associated with New York City. Their respective lives and careers are redolent of the history of that city at critical moments in its art and cultural history, and yet their subject matter, at least on the surface, does not appear to intersect.

As a tastemaker and provocateur, Mapplethorpe produced a bevy of images that simultaneously challenge and

ANDY WARHOL: MARILYN SERIES JUNE 18 – SEPTEMBER 1 NORTH GALLERY, LOWER LEVEL

Shown in conjunction with the exhibition Andy Warhol: Athletes, this print series, featuring the likeness of the actress Marilyn Monroe, highlights Warhol’s penchant for producing work in serial editions. It also connects loosely to the theme of sports, considering Monroe’s relationship with famed baseball player Joe DiMaggio.

Like other paintings by Warhol that feature Monroe’s likeness, this print series is based on a 1953 publicity still for the movie Niagara. By duplicating a photograph known to millions, Warhol undermined the uniqueness and authenticity char-

adhere to classical aesthetic standards, including the delicate flower still life series which includes The Dayton Art Institute’s photograph, Calla Lily.

Following Mapplethorpe’s highly stylized studies of gender, race and sexuality that he explored in earlier photographic series, his floral still lifes similarly encouraged sexual interpretations with their provocative shapes and undulating forms. These innuendos surface more readily in the fleshy drawing of New York City Bathers by Reginald Marsh, a subject the artist returned to numerous times throughout his career.

Washington, D.C., is known for many things, but launching an art movement is not one of them. However, the federal city was a cradle for a group of artists who produced colorful, abstract works of geometric forms. Kenneth Noland and Gene Davis were active members of this group, which one art critic dubbed “color field” painters.

Noland’s geometric forms, which included circles, stripes, chevrons and diamonds, held vibrant washes of color stained into the canvas. Similarly, Gene Davis’ canvases of vertical stripes were equally vibrant and created with tradition-breaking techniques. Along

Calla Lily, 1984 Robert Mapplethorpe (American, 1946 – 1989) Gelatin silver print 20 x 16 inches (50.8 x 40.6 cm) Museum purchase with funds provided by the James F. Dicke Family, 2002.23

with Morris Louis and Helen Frankenthaler, these artists invented a new kind of American abstraction based on the primacy of color, and what it could express, without necessarily representing anything.

A second series of 2x2 pairings will open July 20 and be on view through October 6. Watch our website for further updates.

acteristic of traditional portraiture.

Instead he presented Monroe as an infinitely reproducible image.

Rather than deriving his work from subjective personal feelings or idealist visions for abstraction, Warhol embraced popular culture and commercial processes. He set up his own print-publishing company called Factory Additions, issuing portfolios of his signature themes. For Marilyn, he created 10 highly variable portraits. The Dayton Art Institute owns six of these prints, exploiting the possibilities in screenprinting for shifting colors and off-register effects. By celebrating the seemingly impervious veneer of glamour and fame, but acknowledging its darker inner complexity, these prints reveal Warhol’s subtle grasp of American culture.

Andy Warhol (American, 1928 – 1987) MARILYN (From the portfolio: Marilyn), 1967 Screenprint in colors on paper, edition 109/250 36 x 36 inches (91.4 x 91.4 cm) Museum purchase, 1968.60.5

ATTENTION AREA GLASS COLLECTORS

Do you collect museumquality glass? The Dayton Art Institute would like to know, as we are looking for glass submissions for an exhibition next summer featuring work from Dayton area collectors. Of particular interest are pieces from the Studio Glass Movement, including work by Harvey Littleton, Dominick Labino, Harvey Leafgreen, Dale Chihuly, Marvin Lipofsky and Fritz Dreisbach, among others. For consideration, please submit photographs to Aimee Marcereau DeGalan, Curator of Collections and Exhibitions, at amdegalan@daytonart.org, or call 937-223-5277.

Dale Chihuly, American, born 1941, OLIVE MACCHIA WITH CADMIUM YELLOW LIP WRAP, 1992 Blown glass and gold leaf 19 x 31 x 29 inches (48.3 x 78.7 x 73.7 cm). Museum purchase with funds provided by the James F. Dicke Family, 1992.2

Art Changes Lives Live it

DVAC AT DAI: MUSEUM PARTNERS WITH DAYTON VISUAL ARTS CENTER FOR THREE EXHIBITIONS The Dayton Art Institute is continuing its collaboration with the Dayton Visual Arts Center (DVAC) to present the work of regional artists at the museum. This spring and summer, two exhibitions will be featured in our new Leo Bistro, with a third one in Gallery 209, just off the museum’s Great Hall.

MAURY WYCKOFF: MAJESTY REVEALED Through May 30 in Leo Bistro

Maury Wycoff, ENGLEWOOD DAM IN THE MIST, Digital Print

Water has been a recurring theme in Maury Wycoff ’s life and work. As Chief Building Official for Montgomery County, he has spent a good portion of his life observing and assessing the built environment. As he methodically documents our surroundings, he has become attuned to visual rhythms and nuances. He has often returned to his work sites with a different camera to capture

the scene with his artist’s eye. As one of 10 Ohio inspectors working with FEMA as a Flood Plain Administrator, he visited Mississippi six weeks after Hurricane Katrina.

REINVENTION PORTRAITS Photographs and moving images by Julia Reichert & Steven Bognar and the Reinvention Collaborative On view this summer in Gallery 209

Kyle Wilkinson, BARBARA GAVIDA AND FAMILY, 2012, Digital Print

The faces of Dayton come in every hue and texture. From porches and sidewalks, these photographs capture one summer in our city. This exhibition is part of “Reinvention Stories,” a transmedia collaboration between Dayton filmmakers Julia Reichert & Steven Bognar and WYSO 91.3, the Miami Valley’s public radio station.

MY TATTERED JERSEY-COVERED HEART Sports Heroes by Brent Naughton On view this summer in Leo Bistro Brent Naughton’s childhood goal was to play for the Reds at Riverfront Stadium, but when, he says, his talent peaked in high school, harsh reality set in. He took to capturing players’ likenesses artistically instead.

Naughton captures the nostalgia for players like Mickey Mantle, Jim Brown or Roberto Clemente. Playing-card sized to life sized, Brent Naughton, BABE RUTH, 2011 his acrylic and Acrylic and Pencil colored pencil renderings appeal to those who can recite the starting lineup of their favorite team, as well as to fans of pop portraiture.

These three exhibitions are curated by Eva Buttacavoli, executive director of the Dayton Visual Arts Center, an organization that supports artists in the community. For more about DVAC, go to www.daytonvisualarts.org.

UPCOMING ART TREK TRIPS! Our Art Trek travel program has a number of exciting trips planned for the remainder of 2013.

All of the details aren’t finalized yet, but here’s a sneak peek at what we have in the works: A trip to Frank Lloyd Wright’s Fallingwater, Washington, D.C. and Richmond, Virginia June 27–July 1 A midwestern trip to Kansas City and the Crystal Bridges Museum in Bentonville, Arkansas September 6–8

2013 YECK WINNERS ANNOUNCED Congratulations to the 2013 award recipients for our annual Yeck College Fellowship: Aaryn Combs, Wright State University; James Kidd, Wright State University; Chloe McEldowney, University of Dayton; Abigail Maurer, University of Dayton.

Museum guests are able to view the work of these four college students in our Lower Level Galleries through August.

Working in conjunction with the Yeck College Fellowship, the Yeck High School Scholarship

A trip to Indianapolis and Chicago December 6–8 Day trips to Cincinnati and Columbus Visit www.daytonartinstitute.org/arttrek, for updates and more information. While you’re there, be sure to sign up for email updates about Art Trek and other programs at The DAI. To join the Art Trek mailing list, please contact the Art Trek office at 937-223-5277 ext. 237 or email arttrek@daytonart.org.

Frank Lloyd Wright’s masterpiece, Fallingwater

program allows 12 high school art students to be taught and mentored by the Yeck College Fellows.

Congratulations to our 2013 Yeck High School Scholarship recipients:

Monika Schilling, Dayton Christian High School Edward Steffani, Dayton Christian High School Ashleigh Stewart, Archbishop Alter High School Stephanie Yao, Beavercreek High School

Kristen Brady, Dayton Christian High School Alexa Counts, Russia Local High School Alissa Deal, Dayton Christian High School Juan Erazo, Wayne High School Chelsea Everson, Waynesville High School Samantha Gray, Waynesville High School Katie Loch, Kettering Fairmont High School Hailey Maruca, Dayton Christian High School

Applications for the 2014 Yeck College Fellowship will be accepted through June 30, 2013. Call Mary Beth Whitley at 937-223-5277, ext. 335 or email mwhitley@daytonart.org for more information. To learn more about these programs and the Dorothy and Bill Yeck Education Endowment, visit www.daytonartinstitute.org/yeck.

Art Changes Lives Live it

The annual Art Ball, presented by PNC, is just weeks away, but there’s still time to be part of it! Art is in the Air at The Dayton Art Institute’s Art Ball on Saturday, June 8, from 7:00 p.m. – 1:00 a.m.

Art Ball Chairs Lisa and Michael Sandner have selected John Safer’s sculpture Pathway as the centerpiece for the elegant evening.

“We felt that the sculpture suggests connections and possibilities, as well as having the reference to the Wright Brothers,” shares Lisa. “We are excited to highlight this amazing piece of the collection, as well as honor the past, present and future of Dayton.”

Art Ball kicks off at 7:00 p.m. with cocktails and hors d’oeuvres, followed by an elegant seated dinner in the museum galleries. Following dinner, guests enjoy live music, open bars, specialty martinis, and much more.

New for 2013 is the VIP Lounge, with early entry to the event for a private cocktail reception with high-end wine and hors d’oeuvres. In addition, guests of the VIP lounge will be treated to a one-night-only viewing of After the Bath, a pastel work by Edgar Degas that is part of The DAI’s collection but is not currently on display.

An expanded Raffle will take place this year, with a limited number of $100 tickets to be sold for 80-100 items valued at a minimum of $100. Highlights include a trip valued at more than $5,000, three pieces of jewelry valued at $1,500 each, provided by the DAI’s exclusive jeweler, James Free Jewelers, and other luxury prizes.

If you haven’t made your Art Ball reservations yet, call 937-512-0153 or visit www.daytonartinstitute.org/artball.

Tickets are $275 each, VIP upgrade is an additional $50 per person. VIP spots are limited, so order now!

ART BALL SPONSORS Presenting Sponsor PNC Benefactor Sponsors Heidelberg Distributing Company The Cornell/Nicholson Team at UBS Financial Services Patron Sponsors Furst Florist and Greenhouses Oregon Printing Pickrel, Schaeffer & Ebeling Co. LPA Prime Time Party Rental Supporting Sponsors Bonbright Distributors, Inc. Cirrus Consulting LWC, Inc.

Art Ba 201 3 THE DAYTON ART INSTITUTE - SAVE THE DATE _ JUNE 8 -

Art is in the Air

The most elegant night of the year is right around the corner. Mark your calendar for this year’s Ar t Ball at The Dayton Ar t Institute!

PRESENTING SPONSOR:

FEATURING : Valet Parking, Hors d’oeuvres, Seated Dinner in the Galleries, Specialty Martini Bar, Cigars & Liqueurs, Expanded Raffle, Music, Dancing and more. NEW FOR 2013: VIP COCKTAIL HOUR WITH EARLY ENTRY! To request a formal invitation visit : www.daytonar tinstitute.org/ar tball-invitation CHAIRS: Mr. & Mrs. Michael & Lisa Sandner CO-CHAIRS: Mr. Thomas Roehrig & Ms. Tamera Geesling

Photos: Ken Miller/Baskerville Photography

Art Changes Lives Live it

Live it at the Museum

ART BALL 2013: ART IS IN THE AIR AT THE DAYTON ART INSTITUTE

We are Celebrating The Dayton Art Institute’s 2013 Exhibitions

Three exhibitions commemorating the 100th anniversary of the 1913 flood in and around Dayton, Ohio: Storm: Paintings by April Gornik Watershed: 100 Years of Photography Along the Great Miami River Riverbank: Exploring Our River-Centered Development February 23 – May 5, 2013 Andy Warhol: Athletes The Art of Sport: Highlights from the Collection of The Dayton Art Institute June 22 – September 1, 2013 Object of Devotion: Medieval English Alabaster Sculpture from the Victoria and Albert Museum October 26, 2013 – January 5, 2014

1-877-FFA-1LAW • www.ffalaw.com Dayton, Cincinnati, Columbus & Northern Kentucky

www.daytonartinstitute.org/membership

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THE ART OF SAVING

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ISSN 1523-2522. Editor, Eric Brockman; Design, Alexis Larsen & Alexis Brown

M membermagazine 2012: Volume XXI, Issue II

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