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Editors/ArtDirection: Avue Darien-Gordon - Vicky Kear Advertising/Marketing: James Collier Website Creation: Voice Group Fromt Cover Artwork: Cusses Edition Mix: Cusses All Rights Reserved. Reproduction in whole or in part of this publication is strictly forbidden without the prior written authorisation of the featured artists or publisher. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any forms or by any means, electronic, mechanical, photocopying, recording or otherwise, without written permission. Views expressed in the magazines content, venues and so forth belong to the contributors and do not necessarily reflect the views of the publisher. The contents are believed correct at the time of printing. The publisher cannot accept responsibility for any errors, omissions or for changes in details. Registered company No.6102552 - ISSN: 1752-6833

jr.k2.willbarras.suiko.PageTsou.Chia-hua.Chiang. RyanTrecartin.ClemensBehr.DanzigBaldaev. D C C o m i c s . S u p r e m e . Va n e s s a Ve a s l e y. Te r r y R i c h a r d s o n . l e g w o r k s t u d i o . c u s s e s . o l e k . F r a n c i e n K r i e g . d u s t e r. s e l b y & p h a r r e l . s w i f t y. m w m . a b s o l u t . k r i n k . s t a n l e y d o n w o o d . d u s t e r. k i l i anen g.hell ofreak s. isseymiyake.kutmah.fredlammers. stylesavage.alexfakso.weichlbauerortis. j e r e m y m e y e r. t r o n l e g a c y . f r i e n d s o f t y p e . t h e h u n d r e a d x g a r f i e l d . i r i n a v i n n i k . o h w o w.

â€œReality leaves a lot to the imagination.â€? ~ John Lennon

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JR Wrinkles of the City

FRA

JR is a photographer who works on the borders of art and activism. To him the streets are one big art gallery and the city is the playground for gigantic shows. Since 2001, from Paris to Los Angeles via Montfermeil-Clichysous-Bois in France or Jerusalem, JR has presented many of his giant pasted photos in illicit street shows. JR began photography in 2000 and started by photographing graffiti artists in action, then decided to invest himself the walls of his city, Paris.

R a i s e Consciousness In 2004, he workedon his 28 millimeters series, for which the first chapter was called Portrait of a generation even made the New York Times cover. The giant portraits of young people from the Paris suburbs were then shown in their very own towns and then brought back, to raise consciousness, to the center of Paris on European House of Photography Art Center and on the Paris City Hall.

â€œFace to face on Both sidesâ€? After that in 2007 he added a second chapter to the series :Â 28 millimeters Face2Face, Israelis and Palestinians - Portrait of twin brothers. JR made portraits of Israelis and Palestinians who had the same job to show them literally face to face on both sides of the separation / security wall in Israel and then in several Palestinian and Israeli towns.

Then from 2007 JR initiates his project Women Are Heroes that is displayed from 2008. By photographing women in Sierra Leone, Liberia,

JR pays tribute to their dignity in these conflict areas and shares their stories. southern Sudan or Kenya

He exhibits their portraits in their home country and in spectacular exhibitions in several other cities around the world. The project leads then JR in Brazil where he pursued to project to the scale of an entire favela, Cambodia and India. Women Are Heroes has also been the subject of a film made by JR, selected at Cannes Film Festival for the Critics’ Week in association with the Official Selection.

Since then, JR has started a new series of works The Wrinkles of the City, imprinting the cities’ memories through the testimony of their elder inhabitants. Each pasted portraits is like a layer, thick of paper and glue, which is superimposed on the facades. The superimposition of the portraits and their wrinkles shows the city’s creases, highlights

traces of history, sometimes in a painful way for a city that also looses certain aspect of its own youth.. READ MORE WATCH VIDEO

“I’m coming back to see if the art world is ready for me now.” ~ Duster

Badlambs & Sons Barbershop. Curated by Page Tsou, Chia-hua, Chiang. In Londonâ€™s smallest barbershop

After drawing three thousand front head portraits, Page started to be intrigued by the idea of using rear heads as visual focal points. The rear head view, signaling a reverse of subjective view, mirrors the double-ended thinking as the exhibition theme. On one hand, The And puns on the “end” as the perspectives of the barbers and the perceptual objectification of the subject. On the other, by replacing the “End” with the linking word, “And” , Tsou invites the viewers to think outside the narrative frames of the subjective view and contemplate on what is presented and what is not presented in defining truth.

RYAN TRECARITH “W Magazine Spread” LOS ANGELES

KILIAN ENG “Various Works” SWEDEN, STOCKHOLM VIEW MORE

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Olek

I am crocheting a sculpture for my body, the readymade. The “cover” completely redefines my movement and my identity – sexual, personal and cultural. Then I take the end of the twine and by ripping it apart, I start remaking it. When the “new” suit of armor is ready I am being exposed as an object. Then I put this handcrocheted wearable sculpture onto my body and take the end of the cord and undo the ‘cover’ again and again. The artwork is destroyed as it is created, and created out of its own destruction. READ MORE

KLINGATRON â€œVenomâ€? GLASGOW, UK

Glasgow born Klingatron began to teach himself how to create stencils as an art form in his final year of Art College around five years ago. It was the answer he was looking for as a young illustration student in order for him to find a way of working that gave him satisfaction he hungered for to capture detail in his art thus making him stand out with which was at the time a very basic knowledge and skill. He initially started to create stencils due to a continuous frustration with his style of work, which he felt would not stand up against the creations of his influences at the time.

There is only one difference between a madman and me. I am not mad. ~ Salvador Dali

G-Shock Baby G Pink

Starbucks New Logo DropsCompanyName “Last change was in 1992, when company went public” WATCH VIDEO

GER German artist Clemens Behr uses the simplest materials to create complex ephemeral architectures, which fill gallery spaces with origami-like structures. Working with recycled materials and basic geometric forms, Behr dreams up installations that result in subtle confusions between 2D painting and 3D objects. Not content with the confines of gallery spaces, Behr has taken his work into the public sphere, building peculiar appendages in metro cars and erecting detailed miniature cities on street corners. At their best, his installations are feats of optical trickery, disorienting architectures reminiscent of German expressionist film sets. At their worst, they look like a creative kid ran amok with a bunch of moving boxes and a vat of paint. Behr belongs to a crop of artists, who take inspiration from childlike forms of expression, a naive, innocent aesthetic befitting a generation of Peter Pans... VIEW MORE

Project Avalanche First pictures of the project Avalanche. In a retail in Dortmund / Germany I built up this Installation over 7 weeks. The avalanche had different states and shapes. Some of them can be seen here. The Installation was built on two floors conected through a staircase. One room with mirrors and another with sound-reactive projections...

Credits Installation by Clemens Behr Director Sandra Birkner Kamera Martn Demmer Editing Edi Szekely Model Tanja FaĂ&#x;bender Hair & Make up Lisa Binz Music Lorn, Bretagne

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Friends of Type features original typographic design and lettering â€“ fresh visual content â€“ practically every day, by the four primary contributors. Posts are meant to log ideas, express ourselves, and inspire each other and our readers. The last week of every month we feature a guest designer, someone we admire and think will elevate our work and the site through their contribution. This is a sketchbook, an archive, a dialogue. The posts are sketches and ideas on visualized language; a collaborative habit born out of the realtime interactions that made us friends in the first place. READ MORE

G-Shock 6900

USA Ken Keirns is a Northern California artist who grew up in Flint, Michigan. After spending nearly a decade in Chicago, Ken moved out West in late 2007 to paint full-time and complain about the lack of snow. While his primary focus has been working with oil paint, he has been known to deliver the odd sculpture, toy prototype or mixed media piece. His recurrent subject matter revolves around cranially endowed women and monkeys interlaced with personal experiences, dreams, and the occasional bad pun. Kenâ€™s education was in graphic design. He only took a few formal painting classes -- he is mostly selftaught through research and trial & error. READ MORE

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G-Shock Green

SAC MAGIQUE “Waste Not” FRANCE

This unique archive documents Russian criminalsâ€™ tattoos and their coded meanings. Included in the collection are more than three thousand tattoo drawings made by Danzig Baldaev during his time as a prison guard between 1948 and 1986. Tattoos were his gateway into a secret world in which he acted as ethnographer, recording the rituals of a closed society. The icons and tribal languages he documented are artful, distasteful, sexually explicit and provocative, reflecting as they do the lives and traditions of convicts.

In effect, the tattoos formed a service record of a criminal’s transgressions. Skulls denoted a criminal authority. A cat represented a thief. On a woman, a tattoo of a penis was the kitemark of a prostitute. Crosses on knuckles denoted the number of times the wearer had been to prison, and a shoulder insignia marked solitary confinement, while a swastika represented not a fondness for fascism but a refusal to accept the rules of prison society. A criminal with no tattoos was devoid of status, but to have a tattoo when you hadn’t earned it - bearing the skull sign of a criminal authority, for example - often resulted in the tattoo being forcibly removed with a scalpel by fellow prisoners. And “grins” (depicting communist leaders in obscene or comical positions) were a way for criminal to put two fingers up at the authorities.

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A career is wonderful, but you canâ€™t curl up with it on a cold night. ~ Marilyn Monroe

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TRON:

Kubrick figures from Medicom Toy READ MORE

The Hundreds Garfield READ MORE

Terry Richardson

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“The Fascination For The Human Body Started When She Became Aware Of The Strangeness Of Her Own Body When She Took A Shower. She Took A Good Look At Herself And Thought ‘What A Strange Object Is This!” In the studio of Francien Krieg a glass is displayed with bird skulls and a small fetus in a jar. It is noticeable that transience of nature intrigues her. In the work of Krieg the theme of transience concentrates on the naked body of elderly women. Krieg paints the naked woman unpolished and realistic, as a pure human being. The beauty of imperfection becomes clear in her raw, poetic art and has the capacity to touch the observer. Krieg always painted human beings. At first she was intrigued by the form of the human body, but gradually her fascination with the texture and the colors of the human skin increased which is expressed in her realistic style. She tried once to show the inner side of human beings, but that did not appeal her. ‘I think the inside is bloody and nasty, while the outside is interesting for me. The wrinkles and varicose veins of the elderly are to most people an illustration of imperfection, but to me they depict beauty. According to me, a smooth, polished skin is less interesting then an aged skin. Painting the unpolished, aged skin is a way to express the inside.’ READ MORE

Fade

Dream Wiomen

Is it a bird? Is it a plane? It’s 75 years of DC Comics soaring through the sky at 1000mph! Good vs. Evil, the hero and the villain with double identities and superhuman powers, battling it out for justice and the sake of the humanity: the story-line that has captured the imaginations of generations for almost a century. In 1934 Major Malcolm Wheeler-Nicholson founded DC Comics, a publishing house that would go on to produce some of the world’s most adored characters, from Batman and Superman to Wonder Woman and Spirit. To celebrate DC’s 75th birthday, Taschen have published the ultimate XL edition of DC comic book history, written by superhero in his own right, Paul Levitz. The epic book features in excess of 2,000 images including original covers, illustrations, photographs, film stills and collectibles, reproduced for your viewing pleasure using the latest technologies. Something of an authority, Levitz worked with DC for thirty-eight years, as well as editing and publishing The Comic Reader, editing the Batman titles and writing over 300 other stories. As well as stunning imagery, the volume maps the journey of DC with year-by-year timelines folding out to nearly four feet, biographies of heros and heroines and essays by Levitz. The Art of Modern Mythmaking by Paul Levitz, published by Taschen, TM & © 2010 DC Comics.

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75 Years of DC Comics

Flash Comics No. 30. Cover art, E. E. Hibbard, June 1942

Batman No. 205. Cover Art, Irv Novick, September 1968. Comics.

This year, evian速 and MIYAKE DESIGN STUDIO signed a pure bottle, glowing with both optimism and freshness. Sprung from ISSEY MIYAKE, the innovative pleated clothes of the designer, an imaginary shimmering flower decorates the most essential source of life, symbol of youth, the natural mineral water evian速. Thanks to this new design, evian速 and MIYAKE DESIGN STUDIO turn the end of the year tables into a flower field, full of poetry and humor. This bottle will exist in two versions, one of them sold exclusively at ISSEY MIYAKE shops. WATCH VIDEO READ MORE

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G-Shock Baby G White

We cannot control the evil tongues of others; but a good life enables us to disregard them. ~ Cato the Elder

TheLegwork TheoryofRisk Created by Legwork Studio, What We Learned is an awesome video that summarizes the experiences of this past year and where the agency shows us their knowledge to help out live peacefully with succes in our job and our life. They used graphics, animations typographic to create an impressive and cool infographic ! We also hope you made amazing successes in 2010 and hope you the best for 2011. Video after the jump.

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USA

CUSSES

is a weirdo rock three piece band consisting of a conjoint, raw, forceful drummer, named Brian Lackey. With an insane vocal box named Angel Bond, and a gargantuan wave of guitar known as Bryan Harder. With a new lease on the vast world of music.

The three set out to put a burn rather than a mark in endless music community. They hope to become a home grown affair for the Savannah borough and then anyone else that follows. The band looks forward to thrive in the live front so please join them in a defiant release of optimism. READ MORE

WATCH - Stopover Sessions: Memorial

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IRINA VINNIK “Sketchbook Work” SAINT PETERSBURG, RUSSIA READ MORE

To celebrate the launch of the edding art series retractable permanent markers and highlighters we are offering you the chance to win some signed and numbered limited edition screen prints. The artwork has been designed by three of the art series featured artists alfa, stika & jimi crayon alongside a legendary guest artist. Each artist will provide 50 signed and numbered screen prints â€“ making a total of 200 prizes to be won. CLICK TO ENTER

USA

“Coming from a strict family” It was at the age of 12 that I began noticing names on the trains that ran past my block. The same block where they showed me and Seen painting the wall in Style Wars. Names like Skull 2, Bandit, Dean and E5 etc. It wasn’t long after, me and a friend of mine went about 7 blocks uptown to the train yard, just to peep it out. We got caught by a cop, of course it was day time. What did we know? We were only 12. Coming from a strict family it kind of put a dampner on things, but not for long. Two years later I started doing my first 2 tone panel pieces and then it was on...Then throughout the years, I started to meet people like Henry Chalfant and later Martha Cooper. Henry had introduced me to Dolores Neuman (RIP), who taught me about the fine arts. The Metropolitian Museum of Art purchased a painting of mine and

one in Kallamazoo Michigan, then off to Christies on Park Ave. Then a few gallery shows... It didn’t take long for everyone to claim that they were graffiti artists but they’d never even painted on trains. So they would one day sell a painting for $5000 and be broke by the end of the week and get desperate and start selling for whatever they can get. So the Art Collectors started to worry if graffiti was worth investing in. Dolores explained to me how I was only 22 and that the average artists selling through the galleries are 40 and up. So I said fine and came to California and painted because of the love of the art not the money. For sure I didn’t see any of it so, as a job to pay the little bills, I became a well known tattoo artist in Hollywood and now so many have jumped on that band wagon. In my prime, I’m coming back to see if the art world is ready for me now.”

Will Barras

“Will Barras’ composition and fluid lines provide poignant detail in liquid abstraction. The subject matter is readily familiar, but captured in a manner that seems to jar time and space with psychedelic abstraction. It is his way of expressing the emotional movements of this labour. It is therapy and pleasure and necessity. Often Will arrives for an opening a week early and creates all the work on site. He’s frequently articulated that the work comes out easier on the road and in semi alien environments. The speed at which he can work is amazing, but the results that come when he stops to breath might blow down the door of those three little pigs. READ MORE

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Digital Colour Pigment Print 300gsm heritage White Cartridge Edition of 20 Signed & Numbered 220mm WIDE X 500 MM HIGH Fits in an IKEA “Ribba” FRAME

SWIFTY ENAMEL

JET INK

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“Two Soups And A Honeybun” Kutmah

Justin “Kutmah” McNulty Justin “Kutmah” McNulty was born in the UK and moved to the US when he was 12-years-old. Without advance warning nor any provoking criminal activity, on 5th May 2010, seven armed federal agents entered his house, handcuffed and detained him. With no calls allowed to family or lawyers, Kutmah was brought to a facility in downtown LA where he was interrogated regarding immigration issues. On 7th May he was flown to a New Mexico prison where he was locked down until his release (almost two months later) on 29th June. Kutmah was deported to the UK where he currently resides, and cannot legally re-enter the United States. These birds were free and that’s what I wanted. If I wasn’t able to spend all my days drawing I am not sure how I would have made it. - Kutmah For the underground community DJ, producer and visual artist Kutmah is one of the world’s most mercurial creatives. Starting his Sketchbook Sessions in 2004 at Little Temple alongside Take, Eric Coleman (Mochilla) and DJ Nobody (Low End Theory), the city’s first instrumental beats and art night paved the way for the likes of Low End Theory and Brainfeeder. It’s a cultural takeover. Whilst detained under conditions akin to a federal prison - one hour of daylight allowed per day, lights on at 4am - Kutmah sought solace in art, drawing to keep sane with only a short pencil and ID card. The frustrated, emotional and powerful results of Kutmah’s imprisonment ordeal have come to fruition with “Two Soups And A Honeybun”, the full collection of 39 drawings Kutmah created in prison.

StyleSalvage

READ MORE Style Salvage is an open discussion conducted by two friends, Steve and EJ, on how men could (and do) dress. Started back in June 2007, the blog aims to showcase emerging and established design talent alike whilst exuding a penchant for quality, tailoring and a general openness to creativity and self-expression. It features style commentary, 7 day style diaries, interviews with designers, journalists and shop owners mixed in with the occasional easy DIY project and personal style shot.

A wise man gets more use from his enemies than a fool from his friends. ~ Baltasar Gracian

The â€œNever Hideâ€? Poster I designed to celebrate the launch of the MWM X Ray Ban Wayfarers

Matt W. Moore is the founder of MWM Graphics, a Design and Illustration studio based in Portland, Maine. Matt works across disciplines, from colorful digital illustrations in his signature â€œVectorfunkâ€? style, to freeform watercolor paintings, and massive aerosol murals. MWM exhibits his artwork in galleries all around the world, and collaborates with clients in all sectors. WATCH VIDEO

JoeSzabo

In Szabo’s Hands, The Camera Is Magically There, The Light Is Always Available, The Moment Is Perceived, Seen, And Caught.”

Joe Szabo is a teacher, photographer, and author who began his photographic studies at Pratt Institute where he received an MFA degree in 1968. He taught photography at Malverne High School in Long Island from 1972-1999 and at the International Center of Photography in New York since 1978. Joseph Szabo has been photographing his teen-age students for the past twenty-five years, and has perfectly captured the ambivalence of that time of life. As a high school teacher of photography, he takes seriously their pretentions, passions, and confusions, and he knows intimately how students put on, act up, behave, and misbehave. As Cornell Capa says in his foreward, “Szabo’s camera is sharp, incisive, and young, matching his subjects. One can use many adjectives: revealing, tender, raucous, sexy, showy... in Szabo’s hands, the camera is magically there, the light is always available, the moment is perceived, seen, and caught.”

His work has been collected by many institutions including the Bibliotheque National in Paris, France, The George Eastman House Museum in Rochester, New York, and the Metropolitan Museum of Art in New York. READ mORE

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In 1978, his book on adolescence Almost Grown was published by Harmony Books and acclaimed by the American Library Association and placed on its â€œBest Books of the Yearâ€? listing...

Jones’s Beach

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In 1984, he received a Photography fellowship from the National Endowment for the Arts. His work has been exhibited at the Venice Biennial, the International Center of Photography, the Museum of Modern Art in New York, and the Brooklyn Museum among others. His work has been collected by many institutions including the Bibliotheque National in Paris, France, The George Eastman House Museum in Rochester, New York, and the Metropolitan Museum of Art in New York. READ mORE

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Few months ago we’d a numpty nearly dying on us scaling the cliffs- no safety equipment. So he inevitably loses footing and is big time about to die. Suddenly, from over the crest bursts this monkey right? He’s kitted out with little boots, a helmet, heavy duty safety jacket and some ropes bundled under his miniature elbow. Within moments the monkey reaches the struggling hiker and knots a rope around the guy, fixing the other end to the harness on his own little jacket. Then, the monkey grabs the guy’s chin, looks him dead in the eye and motions the hiker’s attention to his harness through which the end of the rope is looped. He thrice taps the harness and waggles his finger at the climber who is at this point near unconscious with fear and stunned gratitude. The monkey then unravels the rope from around the climber and fucks right back up cliff. The climber, who’d settled into a stunned sense of security, twisted to

KEY shout obscenities at the vanishing animal. This was the apex moment. While screaming protest, the climber neglected to grasp the rockface as tightly as he should have, and fell some eighty feet into the powerful rock strewn currents beneath. Anyway, harness monkey became a curiosity. Despite specialist assistance harness monkey isn’t found. No ownership claims, nothing. Then a month later harness monkey’s back, this time having scissor kicked a crazed lobster off of a paddling toddler. Since then he’s become a local hero- and the things he’s done for climber safety awareness, I mean whew. A nearby bastard town’ve tried to copy the success formula with a mascot of their own, but we trust in the astuteness of visiting tourists to see through their transparent efforts to emulate the monkey’s status. Anyway, as if Kayak weasel could be anything like as good as a pimpernell monkey.

FRED LAMMERS “Conceptron 400” USA,

If I had only known, I would have been a locksmith. ~ Albert Einstein

FastorDie

Alex Fakso texty by Andrea Caputo english pages: 112 illustrations: 50 binding: paperback release: spring 2011

Alex Fakso, a prominent artist in the contemporary street art scene, started photographing at the age of thirteen when he got hold of a camera in order to record his own “pieces” on trains. Since then, Fakso has never stopped rubbing shoulders with the underworld, being part of the Writing movement since the early 90’s and at the same time becoming its direct narrator. Fast or Die is Alex Fakso’s latest photographic project, which came to life after four years of travelling around the world, from London to the US, and as far as Russia and Japan. Metropolitan narratives are immortalized in 60 shots: portraits of people running, taking the subway, sleeping on docks, sneaking into tunnels. Fakso follows his subjects taking part in the action, moving along with them, following them until he manages to document instants and moments of their days, thus creating snapshots that contain stories, details and sensations.

â€œcommonpeople plungedintothe undergroundchaosâ€? This time Fakso expands his view beyond graffiti and tracks a robust framework of the metropolitan scenario embracing the people who inhabit it. Here are Images of ordinary people, common people plunged into the underground chaos; Fast or Die is a powerful photo strip describing the world through the subways. A reportage of the contemporary underground. READ MORE

HELLO FREAKS “4 illustrations for La Nuit Des Champions in Lille” FRANCE, PARIS VIEW MORE

SKETCHCITY MARSEILLE ALBANE Land Bones FRANCE

About Selby

Todd Selby is a portrait, interiors, and fashion photographer and illustrator. His project The Selby offers an insider’s view of creative individuals in their personal spaces with an artist’s eye for detail. The Selby began in June 2008 as a website. Todd posted photo shoots he did of his friends in their homes. Requests quickly began coming in daily from viewers all over the world who wanted their homes to be featured on the site. The Selby’s website became so popular—that within months, top companies from around the world began asking to collaborate.

Pharrell

The multi-talented designer, producer, singer and rapper Pharrell Williams had Selby enter his home for a photo shoot at his beach-side home in Miami. Its well known that has a Williams has host toys and commissioned art pieces from artists including KAWS and Murakami and indeeed work from Keith Haring. check the results.

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OHWOW

â€œFluidity of artistic practiceâ€? OHWOW is a collaboration of people from the art/music/fashion/design/publishing worlds that seeks to offer these creative types the opportunity to expand their practices into different media and modes of production. Instead of trying to fashion artists into designers, co-founders Al Moran and Aaron Bondaroff began with the premise that artists are not inherently media-specific but simply work with what is available and what best suits the idea.

OHWOW seeks to match this fluidity of artistic practice by refusing to be tied down to a single institutional function. It acts as a hub for creative production wherein artists propose ideas and are linked instantly to a community of others with the necessary experience, skills, and resources to realize the project.

InAustria Inspired by MC Escher’s Escher’s Relativity Images By Peter Eder

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