Portfolio 2025

PORTFOLIO David Lawless Architect Rathbeale House, Swords, Co. Dublin College Work Working Abroad DTA Architects Own Work & Competitions AOF Architects

Brief: Community Housing.

Site: Brownfield site flanked by a Neo-Gothic church, modernist school and 1950s two storey dwellings.

Solution: Conceptually there was a desire to strike a balance between the banality of the three and two story red brick buildings to the north and the neo-gothic style of the Black Church.

An idea about gable ended houses spurred a drawing which mirrors the rhythm of crenulations of the Black Church. The pitched roofs also conveys a residential attitude similar to its neighbours to the north.

Billboard Facade The complex must participate in city life and avoid isolating itself as special or architectural. The complex needs to be consumed by the city. Around Dublin we often see a gable wall adorned with a billboard. These expansive spaces are prime commercial real estate and often are in prime urban locations.

The facades myriad of posters is in constant flux. Rotating from Summer blockbusters to the Christmas Oscar season. The facade also borrows from the graphic design of the zeitgeist, thus keeping it fashionable.

These A0 type posters we see around the city wholly promote cinema, theatre, music performances, pantomime and exhibitions.

This cultural promotion is to be encouraged.

a

c

Lighting Schedule

The posters selected were promotions and events taking place in Dublin during March/April 2014.

a) b) c)

7600,4700mm 3100,4700mm 1200,2000mm

b

Brief: Study of two entrances.

Site: Trinity College, Dublin.

Status: Exhibited at Describing Architecture 2014.

Entrance Lodge 1759 Theodore Jacobsen Regent House College Green, Trinity College, Dublin.

Entrance Lodge 1975 ABK Architects Arts Block Nassau Street, Trinity College, Dublin.

Thesis: Attract foreign direct investment into Waterford.

Site: South Quay, Waterford City, Ireland.

Solution: The project, a hotel, is concerned with the importance of first the impressions of Waterford to potential investors. The Thesis aims to create an experience which is conducive to making deals. Many small businesses seeking investment operate out of ad-hoc premises. It is vital to create a place in Waterford where investors can be courted and deals brokered.

Building Diagram: 1. Route terminates at hotel 2. Public market, car to underground.

3. Ascension to hotel, confrontation of the stairs.

4. Vertical circulation on fire cores 5. Ballroom and meeting rooms 6. W/C 7. Dining room 8. Lecture theatres 9. Service block 10. Bedrooms 11. Main boardroom and roof bar 12. Lantern

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City Block Axo: 1. Pedestrian entrance 2. George’s Street 3. John Roberts square 4. Barron Strand Street

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2 4

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Under the Stairs. Market.

Grand Staircase. Theatre.

Detail of City Facade: 1. Pre-cast concrete panel 2. Steel structure 3. Chrome cladding 4. Elevator bank and circulation 5. Hotel Sign 4

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5

2

1

Fundamentals Inspired by the 2014 Biennale, Fundamentals, I have categorised the fundamental elements of the hotel.

Guest room, ninth floor: 1. Corridor 2. Balcony 3. W/C

It is appropriate to view each element in isolation as the user experience is sequential through them.

The study is comprised of a description, generic drawing, and an atmospheric depiction of that element in film.

1

Room This is the destination. When we arrive here we want the feel isolated from the pubic elements of the hotel. Its a haven.

3

The Graduate dir. Mike Nichols 1967.

The protagonist, awkward in the public areas of the hotel, has finally arrived to the room with his partner. He makes sure to baricade himself into the room with the ‘do not disturb’ sign.

2

1:50 Facade Model The thesis is encapsulated in the 1:50 facade model. The question always came back to how does this building make you feel?

The logic of the facade is driven by the rule that every bedroom has a bay window. Within the accommodation there are room variations however this is never explicitly manifested on the facade.

There is a crucial anonymity the occupier of these rooms gains when in their repetitive bay.

“Yet high over the city our line of yellow windows must have contributed their share of human secrecy to the casual watcher in the darkening streets, and I was him too, looking up and wondering.

I was within and without, simultaneously enchanted and repelled by the inexhaustible variety of life.”

The Great Gatsby F. Scott Fitzgerald

Internship: Monadnock Architects, Rotterdam.

Tasks: My main work flow was 3D modelling and testing design proposals, once a design was settled on I rendered the model in Artlantis and finalised the image in Photoshop. Along with computer drawings I was intensely involved with physical model making. I constructed these in a variety of ways from foam-card composites to intricate laser cut models.

Hotel: I have included here images I produced for a paper project the firm was asked to participate in. I worked on the scheme from concept to realisation. The project was presented to AIR (architectuurcentrum van Rotterdam).

The model, (bottom left) was an existing project in the office which I was asked to produce a retrospective model of. The model was laser cut in a local studio. It was the first model to be made using this technology in the office and I was tasked with its construction.

“

David is a precise craftsman, which he demonstrated in the production of numerous three dimensional computer models, and presentation images.

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“

David has good communication skills and he enjoys partaking in critical discussion.

He was eager to take on jobs, and would quickly understand what work was necessary, acting as a good team player in our design office.

“

-Job Floris,Partner, MONADNOCK Architects

Internship: Casper Mueller Kneer Architects, London.

Mathematics Gallery: I was hired in the summer of 2014 to work on a proposal for a new Mathematics Gallery within London’s Science Gallery.

It was an invited competition of six firms which included amongst others, Zaha Hadid architects and Carmody Groarke. I was with the project since inception and saw it through to the finished proposal. I primarily did the 3D drawings for the scheme along with a 1:50 model.

“

David is very reliable, and able to work both independently as well as in a team. He is selfmotivated and brings a lot of positive energy with him.

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He is hard working, loyal, and very professional, and his skill set has contributed greatly to the project.

“

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-Olaf Kneer, Director, Casper Mueller Kneer Architects

Brief: Conversion of Office to Screening Room.

Client: IFCO. Irish Film Classification Office Blackhall Lane, Smithfield Dublin.

Solution: The client sought to convert their boardroom to a small screening room with cinema standard projection, sound and comfort.

The project wraps the room with an acoustic curtain which conceals all technical items resulting in a minimal room which draws all attention to the screen. The project involved a diverse range of consultants from Acoustic, and M&E to cinema specialists.

Role: Project Architect as part of DTA Architects.

Above: Axo diagram Right: Series of 3d visualisations undertaken to study different lighting options.

Technology:

Kris Scenix series SX surround speaker mounted by its front flange onto 15mm Gyproc soundbloc maintaing a 10mm gap between rear of speaker and plasterboard box out. Speaker mounted in landscape format.

E

C

The room required a big increase in specifications to function as a screening room.

2 NO. Layers 15mm Gyproc Soundbloc with joints staggered. Tapered edge outer board joints taped with Gyproc Paper Tape and filled using Gyproc Jointing Material. Double layer Soundbloc to be fixed back to Gyproc I Stud 92 | 90 verticals at 600 centers with 100mm Mineral wool quilt (12kg/m3) fitted between the studs. I studs to be installed into Gypframe 90 C 90 base and head channels fixed at 600 CTS to the structural floor and ceiling with a 5mm resiliant strip placed below the base channel and above the head channel. All installed to Gyproc Recommendations.

D

7390

NEW INDEPENDENT WALL LINING SYSTEM TO BE INSTALLED TO FORM A MINIMUM 300mm CAVITY BETWEEN THE EXISTING WALL FACE AND THE BACK OF THE NEW SOUNDBLOC BOARDING. WALL LINING SYSTEM TO BE INSTALLED PRIOR TO THE NEW FLOATING FLOOR AND NEW CEILING SYSTEMS. THE INDEPENDENT WALL LININGS AND SHAFTWALLS SHOULD BE SEALED BY APPLYING A CONTINUOUS BEAD OF NON-SETTING MASTIC (GYPROC SEALANT OR SIMILAR) TO THE PERIMETER OF THE FRAMING ON BOTH SIDES BEFORE INSTALLATION OF THE PLASTERBOARD.

INDIVIDUAL STEPS (GOING AND RISE) TO BE FORMED IN 18mm PLYWOOD. RISER TO BE RECESSED BACK BY 20mm TO ALLOW FOR A LIGHTING CASING TO BE FITTED AGAINST THE PLYWOOD RISER. CASING TO BE FACED IN A BLACK PAINTED PERFORATED ALUMINUM PANEL WITH A POLYCARBONATE DIFFUSER BONDED BEHIND.

628

633

FORM CURVED REAR CORNERS AS SHOWN IN THE FABRIC LINING ZONE COMPRISING PROPRIETARY SCORED PLASTERBOARD BACKING FORMED TO REQUIRED RADIUS AND SUPPORTED ON A 32 X 50mm TIMBER BATTEN FRAME PLASTERBOARD TO BE PAINTED MATT BLACK AND FABRIC LINING TO MATCH THE ADJACENT 'WALLSORBA' PANELS TO BE ADHERED TO THE PLASTERBOARD BACKING

EQ

1080

300

SHAFTWALL BUILD-UP INSIDE LINE OF EXISTING GLAZING TO COMPRISE2 NO. LAYERS 15mm GYPROC SOUNDBLOC WITH JOINTS STAGGERED. TAPERED EDGE OUTER BOARD JOINTS TAPED WITH GYPROC PAPER TAPE AND FILLED USING GYPROC JOINTING MATERIAL. DOUBLE LAYER SOUNDBLOC TO BE FIXED BACK TO GYPROC I STUD 146mm GYPFRAME TABBED I STUDS (146 TI 90) at 600mm cts. WITH 19mm GYPROC COREBOARD BETWEEN THE STUDS SECURED BY GYPFRAME G102 RETAINING CHANNEL. FIT 100mm MINERAL WOOL QUILT (> 12kg/m3) BETWEEN THE STUDS. I STUDS TO BE INSTALLED INTO GYPFRAME 146 PC 90 BASE AND HEAD CHANNELS FIXED AT 600 CTS. TO THE STRUCTURAL FLOOR AND CEILING WITH A 5mm RESILIENT STRIP PLACED BELOW THE BASE CHANNEL AND ABOVE THE HEAD CHANNEL. ALSO FIT 100mm MINERAL WOOL QUILT (> 12kg/m3) INTO THE CAVITY BETWEEN THE GLAZING AND THE SHAFTWALL. THIS LAYER OF QUILT TO BE SECURED BACK TO THE COREBOARD USING SELF-ADHESIVE PINS FIXED TO THE BACK OF THE BOARD WITH THE QUILT PUSHED INTO THE PINS AND THE PINS BENT DOWN TO SECURE.

R 633

FLOOR FINISH GENERALLY TO COMPRISE CARPET TILE TRETFORD CORD CARPET BY WATERFORD CARPETS LTD. OR SIMILAR USE CLASS HEAVY CONTRACT, SIZE 500 x 500mm COLOUR/ PATTERN TO LATER SPEC. ON UNDERLAY PRIMER ON UNDERLAY ADHESIVE ON CRUMB RUBBER UNDERLAY, CLASS TO BS 5808, MIN THICKNESS 5mm

5990

50

560 2885

CENTER LINE

CL

B

E

EXISTING BLOCKWORK INFILL WALLING

PROJECTOR (DASHED OVERHEAD) TO CINETECH SPEC. TO BE SUPPORTED ON A PLATFORM SUSPENDED FROM THE ISOLATING HANGER SYSTEM DESCRIBED HEREWITH. BULKHEAD PANELS BELOW THE PROJECTOR TO BE REMOVABLE TO ALLOW FOR MAINTENANCE ACCESS. EXACT DETAILS TO BE AGREED, REFER ALSO TO CEILING PLAN

SEATING ZONE

5045

N

ALLOW FOR OPAQUE FILM TO BE APPLIED TO THE INSIDE FACE OF THE EXISTING GLASS AND ALLOW ALSO FOR A LIGHT ALUMINUM FRAME FIXED INTO THE EXISTING GLAZING MULLIONS TO TAKE A SPRAY PAINTED MDF PANEL TO CONCEAL THE ACOUSTIC WALL VOID BEHIND THE GLAZING THE ABOVE SHAFTWALL BUILD UP TO ALSO BE INSTALLED TO GLAZED WALL AT ENTRANCE VOID AS SHOWN

2985

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04

1260

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03

02

A

W

FABRIC LINING FACE TO FABRIC LINING FACE

LINE OF SCREEN (BY OTHERS) 40mm OFF THE PLASTERBOARD. FINAL FRAME (BY OTHERS) COVERS SIDES TOP AND BASE OF SCREEN 200mm SIDES AND 300mm TOP AND BASE, TOP AND BASE MASKING FRAME MOVES BEHIND THIS COVER.

STEP 01

1260

ALLOW FOR AN INDEPENDENT TIMBER STUD WALL TO FORM SCREEN SUB-FRAME COMPRISING 120 X 45mm STUDS AT 450mm CTS WITH SOLID BLOCKING TO FORM SPEAKER CASES (REFER ALSO TO SCREEN ELEVATION DRAWING) SPEAKER CASES AND FIRST FIX CABLING ARE FITTED INTO THE WALL

BY OTHERS PRIOR TO PLASTERBOARD LINING BY CONTRACTOR TO ENCLOSE THE SPEAKER CASES. PLASTERBOARD TO BE FULLY PAINTED IN 2 COATS MATT BLACK EMULSION ON GYPROC PRIMER COAT. SCREEN INSTALLATION INCLUDING FRAME ASSEMBLY, MASKING MECHANISM AND SPEAKERS BY CLIENT APPOINTED SUB-CONTRACTOR.

NEW FLOATING ACOUSTIC FLOOR TO AWN SPEC. AND TO COMPRISESANDWICH LAYER COMPRISING 18MM T&G BOARDING ON 2 NO. LAYERS 15mm GYPROC SOUNDBLOC PLASTERBOARD ON 18mm T&G BOARDING ON VIBRATION ISOLATING BATTENING SYSTEM (CDM-LAT OR SIMILAR) TO PROVIDE 150mm CAVITY. LAY 50mm MINERAL WOOL QUILT (>12 kg/m3) IN THE CAVITY. INSTALL CDM PERIMETER ISOLATION STRIPS AROUND THE PERIMETER TO DE-COUPLE THE FLOATING FLOOR FROM THE ADJACENT NEW WALL LININGS. AWN CONSULTANTS TO ADVISE ON THE PERFORMANCE REQUIREMENTS INCL. BATTEN STIFFNESS TO TAKE IMPOSED LOADS AND NATURAL FREQUENCY OR SOUND INSULATION CRITERIA.

B

1260

EQ

THE NEW WALL LINING SYSTEM GENERALLY TO COMPRISE 2 NO. LAYERS 15mm GYPROC SOUNDBLOC WITH JOINTS STAGGERED. TAPERED EDGE OUTER BOARD JOINTS TAPED WITH GYPROC PAPER TAPE AND FILLED USING GYPROC JOINTING MATERIAL. DOUBLE LAYER SOUNDBLOC TO BE FIXED BACK TO GYPROC I STUD 92 I 90 VERTICALS AT 600 CTS. WITH 100mm MINERAL WOOL QUILT (> 12kg/m3) FITTED BETWEEN THE STUDS. I STUDS TO BE INSTALLED INTO GYPFRAME 90 C 90 BASE AND HEAD CHANNELS FIXED AT 600 CTS. TO THE STRUCTURAL FLOOR AND CEILING WITH A 5mm RESILIENT STRIP PLACED BELOW THE BASE CHANNEL AND ABOVE THE HEAD CHANNEL.

A special projector was required due to the short distance from lense to screen along with top of the range speakers concealed behind all four walls.

1260

633

Specialist wall build ups, along with a high performance door set were required to provide a room that was acoustically capable of keeping the sound contained in the room which was part of a larger working office.

1260

340

1260

EXISTING GLAZED CURTAIN WALL TO EXTERIOR

SCREENING ROOM

FORM NEW STRUCTURAL DOOR OPE INSIDE THE EXISTING (AMENDED) OPE AS SHOWN IN DOUBLE 125 X 50mm TIMBER STUD TO SIDE RAILS AND HEAD. FIT NEW PROPRIETARY ACOUSTIC DOORSET COMPLETE INTO NEW TIMBER STRUCTURAL OPE COMPRISING 'HUET' ISA-DX 49 OR SIMILAR REINFORCED ACOUSTIC FIRE RATED DOORSET. (DOOR TO GIVE MIN 45 dB Rw) INCLUDING HINGES AND IRONMONGERY. FRAME TO BE 125 X 68mm HARDWOOD WITH TRIPLE ACOUSTIC JOINT. DOOR LEAF TO BE SOLID CORE 80mm THICK. DOOR FRAME TO BE SEALED TO THE TIMBER SUB-FRAME ALL ROUND WITH A DOUBLE BEAD OF NON SETTING MASTIC. PLASTERBOARD REVEALS ON ROOM SIDE TO BE KEPT BACK 5mm FROM THE FACE OF THE FRAME AND THE GAP SEALED ALL ROUND FRAME WITH A BEAD OF NON-SETTING MASTIC. FINISHED REVEAL LINING INTERNALLY TO COMPRISE PAINTED ALUMINUM PLATE TO SIDES AND HEAD OF OPE. PANEL ON NORTH SIDE TO HAVE AN INTEGRAL SWITCH PLATE FOR LIGHTING CONTROLS. PANEL ON SOUTH SIDE TO HAVE TRIGGER BUTTON FOR AUTOMATIC SWING DOOR SYSTEM

Kris Scenix series SX surround speaker mounted by its front flange onto 15mm Gyproc soundbloc maintaing a 10mm gap between rear of speaker and plasterboard box out. Speaker mounted in portrait format.

50

1260

STEP 01

1260 03

02

NEW SEATING ZONE CONTRACTOR TO ALLOW FOR ATTENDEES TO SUPPLY AND FIT 15 NO. SEATS IN 3 ROWS OF 5 NO. SEATS AS SHOWN SEATING TO BE FLEX RANGE BY FIGUERAS SEATING MODEL 6036 OR SIMILAR APPROVED. UPHOLSTERED OPTION, FABRIC AND COLOUR TO LATER SPEC.

1310

04

6390

ALLOW ALSO FOR NEW REVEAL LININGS ON HALL SIDE COMPRISING PAINTED ALUMINUM PANEL TO SIDES AND HEAD ON PLYWOOD LINING ON NEW TIMBER STUD PANEL FIXED BACK TO THE EXISTING WALL. FORM A SHADOW GAP BETWEEN NEW REVEAL LINING AND WALL FACE USING AN ALUMINUM CHANNEL SECTION AND MAKE GOOD EXISTING WALL FINISH IN TO NEW CHANNEL TRIM

STEPPED SEATING PLATFORM TO BE INSTALLED ABOVE THE NEW ACOUSTIC FLOOR AND TO COMPRISE 100 X 50mm SOFTWOOD FRAMEWORK AT 400mm CTS. BOLTED AND BRACED WITH 2 NO. LAYERS 18mm PLYWOOD DECKINGTO GIVE AN OVERALL DECKING THICKNESS OF 36mm (DECK THICKNESS AND FIXING ARRANGEMENT FOR SEATING TO BE APPROVED

BY THE SEATING SUPPLIER)

SCREEN FACE TO FABRIC LINING FACE

1080

400

400

R 633

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633

NOTE: NEW DOORS TO SCREENING ROOM AND COMMS ROOM TO HAVE SECURITY CONTROLLED ACCESS BY FOB SYSTEM. REFER TO M&E SPECIFICATION

860

ALLOW FOR BUILDING IN EXISTING STRUCTURAL OPE AS SHOWN IN 100 X 50 TIMBER STUD WITH PLASTERBOARD LINING TO HALL SIDE AND SKIM COAT FINISH TO RUN IN FLUSH WITH THE ADJACENT EXISTING WALL FACE. ALLOW FOR NEW PAINT FINISH IN COLOUR TO LATER SPEC. EXISTING HEAD TO BE BOXED DOWN AS SHOWN ON CROSS SECTION C-C

EQ

FORM CURVED REAR CORNERS AS SHOWN IN THE FABRIC LINING ZONE COMPRISING PROPRIETARY SCORED PLASTERBOARD BACKING FORMED TO REQUIRED RADIUS AND SUPPORTED ON A 32 X 50mm TIMBER BATTEN FRAME PLASTERBOARD TO BE PAINTED MATT BLACK AND FABRIC LINING TO MATCH THE ADJACENT 'WALLSORBA' PANELS TO BE ADHERED TO THE PLASTERBOARD BACKING

EQ

INDEPENDENT WALL LINING TO BE INSTALLED AROUND THE EXISTING CONCRETE COLUMN AND TO BE SUPPORTED OFF THE MAIN SHAFT WALLS ON EACH SIDE (I.E. LINING TO BE INDEPENDENT OF THE COLUMN) LINING LOCALLY HERE TO PROVIDE MIN 150mm CAVITY WITH 100mm MINERAL WOOL QUILT IN THE CAVITY.

1214

REFER TO M&E SPEC FOR COMMS ROOM FIT OUT. CONTRACTOR TO ALLOW FOR SUPPLY AND FIT OF NEW 1 HR. FIRE RATED FRAME AND DOOR SET COMPLETE INCLUDING HINGES, IRONMONGERY AND SECURITY FOB ACCESS LOCKING SYSTEM ALLOW FOR MAKING GOOD AS REQUIRED AROUND EXISTING STRUCTURAL OPE

PROPOSED STRUCTURAL OPE

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1260

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1260

628

633

ND 01 1780

COMMS ROOM

790

EXISTING STRUCTURAL OPE

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VOID TO ENTRANCE BELOW ALLOW FOR SUPPLY AND FIT OF AN AUTOMATIC SWING DOOR SYSTEM TO BE SLIMDRIVE EMD-F BY GEZE AUTOMATIC DOOR SYSTEMS OR SIMILAR APPROVED (FOR DOOR LEAF WEIGHT UP TO 230 kg) TRIGGER HALL SIDE TO BE LOCATED ADJACENT TO THE COMMS ROOM DOOR AS SHOWN, TRIGGER BUTTON ROOM SIDE TO BE LOCATED ON THE DEEP DOOR REVEAL SCREEN SIDE (SWITCH CONTROL FOR LIGHTING ETC. TO BE LOCATED ON THE OPPOSITE REVEAL ROOM SIDE) REFER ALSO TO THE M&E DRAWINGS AND SPEC.

PROPOSED FLOOR PLAN AT FIRST FLOOR LEVEL LIFT

+10.625 SSL

HALL/ CIRCULATION

GENERAL NOTE: Over all number of surround speakers is 4 no.

2 no. on rear wall mounted in portrait format.

1 no. on each side wall mounted in landscape format.

FINAL CONSTRUCTION SET-18.07.2016 REVISION

DATE

NOTES

REVISION

A

DL

27.05.2016

RECESSED SPEAKERS

F

B

DL

01.06.2016

SET OUT OF STUD VERTICLES ON LONG SIDE WALLS

G

C

DL

16.07.2016

EXTENSION IN LENGTH OF STEPS

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D

J

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DATE

NOTES

DRG NO:

1409-IFCO-C-403-REV C

PROJECT:

IFCO SCREENING ROOM

DRAWING:

PROPOSED FLOOR PLAN

THIS DRAWING TO BE READ IN CONJUNCTION WITH RELEVANT CONSULTANTS' DRAWINGS - NOTIFY ARCHITECTS OF ANY DISCREPANCIES - CHECK DIMENSIONS ON SITE - DO NOT SCALE - USE FIGURED DIMENSIONS ONLY -

SCALE:

1:20@A1

JOB NO:

1409

SERIES:

CONSTRUCTION

DATE:

12.05.16

DRAWN:

PH

CHECKED:

DT

12-14 COLLEGE GREEN. DUBLIN 2 T. 353 (0) 1 6777742 INFO@DTA.IE WWW.DTA.IE

COPYRIGHT RESERVED FOR DEREK TYNAN ASSOCIATES LTD. | T/A DTA ARCHITECTS

Kris Scenix series SX surround speaker mounted by its front flange onto 15mm Gyproc soundbloc maintaing a 10mm gap between rear of speaker and plasterboard box out. Speaker mounted in landscape format.

2ND L E V E L EXISTING CONCRETE FLOOR SLAB

250

EXISTING SOIL / WASTE WATER PIPE 150MM DIAMETER

15 350

PROJECTOR TO CINETECH SPEC. TO BE SUPPORTED ON A PLATFORM SUSPENDED FROM THE ISOLATING HANGER SYSTEM DESCRIBED HEREWITH. BULKHEAD PANELS BELOW THE PROJECTOR TO BE REMOVABLE TO ALLOW FOR MAINTENANCE ACCESS. EXACT DETAILS TO BE AGREED, REFER ALSO TO CEILING PLAN

710

ALIGN JOINT

SCREEN INSTALLATION INCLUDING FRAME ASSEMBLY, MASKING MECHANISM AND SPEAKERS BY CLIENT APPOINTED SUB-CONTRACTOR.

NEW MASS BARRIER SUSPENDED CEILING TO COMPRISEMETAL FRAME SUSPENSION SYSTEM INCORPORATING PROPRIETARY VIBRATION ISOLATING HANGERS TO GIVE MIN. 300mm VOID BELOW THE UNDERSIDE OF THE SLAB. SPRING HANGERS SHOULD ACHIEVE A NATURAL FREQUENCY OF NO GREATER THAN 8 Hz. SYSTEM TO BE CDM-PHR SPRING ISOLATING HANGERS OR SIMILAR BOLTED TO THE CONCRETE SOFFIT AND WITH M6 THREADED ROD SECURED AT THE HANGER AND DROPPING TO SUPPORT 'C' SECTION CHANNEL CLIPS WHICH IN TURN SUPPORT THE METAL FRAME CEILING SYSTEM, GYPFRAME MF 7 PRIMARY SUPPORT CHANNELS 15 X 45 mm WITH GYPFRAME MF 5 CEILING SECTIONS 80 X 26mm AT 400 CTS. MF CEILING FRAMEWORK TO SUPPORT 2 NO. LAYERS 15mm GYPROC SOUNDBLOC. 100mm MINERAL WOOL QUILT (> 12kg/m3) TO BE INSTALLED ABOVE THE PLASTERBOARD.

300

LOWER 'FINISHED' CEILING TO BE SUPPORTED OFF THE SUSPENSION SYSTEM DESCRIBED ABOVE AND TO COMPRISE 1 NO. LAYER 12.5MM GYPROC ARTECO RIGITONE BOARD (JOINTLESS CEILING SYSTEM) BOARD TYPE TO BE RIGITONE 8/ 18.

SURFACE TO BE PRIMED USING GYPROC DRYWALL PRIMER AND TO HAVE MATT EMULSION PAINT FINISH IN 2 COATS, RAL COLOUR 9005 MATT, (PAINT TO BE APPLIED BY PAINT ROLLER ONLY) BOARDS TO BE INSTALLED ONTO THE CASOLINE MF GRID SYSTEM, MF 7 PRIMARY SUPPORT CHANNELS AT 1000mm CTS. ON 'C' SECTION CHANNEL CLIPS AS ABOVE. WITH MF5 CEILING SECTIONS AT RIGHT ANGLES TO THE U/SIDE OF THE PRIMARY GRID AT NOMINALLY 330mm CTS. BOARDS TO BE JOINTED USING A HIGH PERFORMANCE GYPROC JOINTING SYSTEM AS SET OUT IN THE GYPROC CEILINGS INSTALLATION GUIDE FOR RIGITONE BOARDS INSTALL INSULATION ON THE UPPER SIDE OF THE RIGITONE BOARD TO COMPRISE 50mm MINERAL WOOL SLAB WITH DENSITY OF 48kg/m3.

Screening Room IFCO

ALL MECHANICAL DUCTWORK, VENTILATION UNITS AND PLANT TO BE LOCATED IN THE CEILING VOID ABOVE THE FINISHED CEILING (I.E. NO EQUIPMENT ABOVE THE MASS BARRIER ACOUSTIC CEILING) AND TO BE SUPPORTED OFF THE CDM-PHR SPRING ISOLATING HANGERS AND M6 THREADED ROD SYSTEM

710

3739

PANEL SYSTEM TO INCORPORATE WALLSORBA PANELS AND BLANK TIMBER FRAME PANELS. SEE DIAGRAM 1 DRW. NO. 408.

BOTH BLANK AND ABSORPTIVE PANELS TO BE FINISHED IN SOUNDSORBA CARA: PITLOCHRY FABRIC PANELS TO BE NOMINALLY 710mm x 1260mm.

'WALLSORBA' SHADOW JOINT PANEL SYSTEM COMPRISING 25mm THICK ABSORPTIVE WALL PANELS INSTALLED USING UPVC SPLIT BATTEN FIXING SYSTEM OR SIMILAR APPROVED (BATTENS CONTACT SPRAY ADHESIVE FIXED TO BACKING SURFACE USING 'GLUESORBA' SPRAY CAN ADHESIVE) PANELS TO ACHIEVE MINIMUM ABSORPTION COEFFICIENTS TO AWN SPEC. AND APPROVAL

ALLOW FOR AN INDEPENDENT TIMBER STUD WALL TO FORM SCREEN SUB-FRAME COMPRISING 120 X 45mm STUDS AT 450mm CTS WITH SOLID BLOCKING TO FORM SPEAKER CASES (REFER ALSO TO SCREEN ELEVATION DRAWING) SPEAKER CASES AND FIRST FIX CABLING ARE FITTED INTO THE WALL

BY OTHERS PRIOR TO PLASTERBOARD LINING BY CONTRACTOR TO ENCLOSE THE SPEAKER CASES. PLASTERBOARD TO BE FULLY PAINTED IN 2 COATS MATT BLACK EMULSION ON GYPROC PRIMER COAT. DOUBLE UP ACOUSTIC FLOOR SUPPORTS UNDER THE SCREEN SUB-FRAME/ WALL AND WALL TO BE SECURELY TIED BACK AT THE HEAD TO THE ACOUSTIC WALL.

3210

2860

INSTALL PERIMETER LIGHTING AT SIDE AND REAR WALL/ CEILING JUNCTION COMPRISING 'R10 -F' LED DRYWALL PROFILE MOUNTED ON A PERIMETER BATTEN AND THE MF PERIMETER CHANNEL REFER ALSO TO REFLECTED CEILING PLAN, DETAIL DRG. AND M&E SPEC.

THE PLASTERBOARD IN THE SUSPENDED CEILING SHOULD BE KEPT BACK FROM THE FLANKING WALLS BY 5 TO 10mm AND THE RESULTANT GAP SHOULD BE SEALED AIRTIGHT USING A THICK BEAD OF NON-SETTING MASTIC. NO PART OF THE PLASTERBOARD SUSPENDED CEILING ASSEMBLY BELOW THE VIBRATION ISOLATING HANGERS SHOULD TOUCH ANY PART OF THE WALL LININGS/ SHAFTWALL

710

STEPPED SEATING PLATFORM TO BE INSTALLED ABOVE THE NEW ACOUSTIC FLOOR AND TO COMPRISE 100 X 50mm SOFTWOOD FRAMEWORK AT 400mm CTS. BOLTED AND BRACED WITH 2 NO. LAYERS 18mm PLYWOOD DECKINGTO GIVE AN OVERALL DECKING THICKNESS OF 36mm (DECK THICKNESS AND FIXING ARRANGEMENT FOR SEATING TO BE APPROVED

BY THE SEATING SUPPLIER) ALLOW FOR 100mm MINERAL WOOL QUILT (> 12kg/m3) TO BE INSTALLED INTO THE VOID BELOW THE PLATFORM.

ND 01

2135

SHAFTWALL BUILD-UP INSIDE LINE OF EXISTING GLAZING TO COMPRISE2 NO. LAYERS 15mm GYPROC SOUNDBLOC WITH JOINTS STAGGERED. TAPERED EDGE OUTER BOARD JOINTS TAPED WITH GYPROC PAPER TAPE AND FILLED USING GYPROC JOINTING MATERIAL. DOUBLE LAYER SOUNDBLOC TO BE FIXED BACK TO GYPROC I STUD 146mm GYPFRAME TABBED I STUDS (146 TI 90) at 600mm cts. WITH 19mm GYPROC COREBOARD BETWEEN THE STUDS SECURED BY GYPFRAME G102 RETAINING CHANNEL. FIT 100mm MINERAL WOOL QUILT (> 12kg/m3) BETWEEN THE STUDS. I STUDS TO BE INSTALLED INTO GYPFRAME 146 PC 90 BASE AND HEAD CHANNELS FIXED AT 600 CTS. TO THE STRUCTURAL FLOOR AND CEILING WITH A 5mm RESILIENT STRIP PLACED BELOW THE BASE CHANNEL AND ABOVE THE HEAD CHANNEL. ALSO FIT 100mm MINERAL WOOL QUILT (> 12kg/m3) INTO THE CAVITY BETWEEN THE GLAZING AND THE SHAFTWALL. THIS LAYER OF QUILT TO BE SECURED BACK TO THE COREBOARD USING SELF-ADHESIVE PINS FIXED TO THE BACK OF THE BOARD WITH THE QUILT PUSHED INTO THE PINS AND THE PINS BENT DOWN TO SECURE. ALLOW FOR OPAQUE FILM TO BE APPLIED TO THE INSIDE FACE OF THE EXISTING GLASS AND ALLOW ALSO FOR A LIGHT ALUMINUM FRAME FIXED INTO THE EXISTING GLAZING MULLIONS TO TAKE A SPRAY PAINTED MDF PANEL TO CONCEAL THE ACOUSTIC WALL VOID BEHIND THE GLAZING

EXISTING CONCRETE BEAM AND SOIL / WASTE WATER PIPE 150MM DIAMETER.

837

DUCT OUTLET GRILL

490

EXISTING CONCRETE BEAM INDEPENDENT WALL LINING TO BE INSTALLED BEHIND THE BEAM TO BE SUPPORTED OFF THE CONCRETE SOFFIT AT THE HEAD AND OFF THE TOP CHANNEL OF THE NEW SHAFTWALL AT THE BASE (I.E. LINING TO BE INDEPENDENT OF THE BEAM) LINING LOCALLY HERE TO PROVIDE MIN 100mm CAVITY WITH 50mm MINERAL WOOL QUILT IN THE CAVITY.

NEW INDEPENDENT WALL LINING SYSTEM TO BE INSTALLED TO FORM A MINIMUM 300mm CAVITY BETWEEN THE EXISTING WALL FACE AND THE BACK OF THE NEW SOUNDBLOC BOARDING. WALL LINING SYSTEM TO BE INSTALLED PRIOR TO THE NEW FLOATING FLOOR AND NEW CEILING SYSTEMS. THE INDEPENDENT WALL LININGS AND SHAFTWALLS SHOULD BE SEALED BY APPLYING A CONTINUOUS BEAD OF NON-SETTING MASTIC (GYPROC SEALANT OR SIMILAR) TO THE PERIMETER OF THE FRAMING ON BOTH SIDES BEFORE INSTALLATION OF THE PLASTERBOARD.

710

NEW FLOATING ACOUSTIC FLOOR TO AWN SPEC. AND TO COMPRISESANDWICH LAYER COMPRISING 18MM T&G BOARDING ON 2 NO. LAYERS 15mm GYPROC SOUNDBLOC PLASTERBOARD ON 18mm T&G BOARDING ON VIBRATION ISOLATING BATTENING SYSTEM (CDM-LAT OR SIMILAR) TO PROVIDE 150mm CAVITY. LAY 50mm MINERAL WOOL QUILT (>12 kg/m3) IN THE CAVITY. INSTALL CDM PERIMETER ISOLATION STRIPS AROUND THE PERIMETER TO DE-COUPLE THE FLOATING FLOOR FROM THE ADJACENT NEW WALL LININGS. AWN CONSULTANTS TO ADVISE ON THE PERFORMANCE REQUIREMENTS INCL. BATTEN STIFFNESS TO TAKE IMPOSED LOADS AND NATURAL FREQUENCY OR SOUND INSULATION CRITERIA.

5

THE NEW WALL LINING SYSTEM GENERALLY TO COMPRISE 2 NO. LAYERS 15mm GYPROC SOUNDBLOC WITH JOINTS STAGGERED. TAPERED EDGE OUTER BOARD JOINTS TAPED WITH GYPROC PAPER TAPE AND FILLED USING GYPROC JOINTING MATERIAL. DOUBLE LAYER SOUNDBLOC TO BE FIXED BACK TO GYPROC I STUD 92 I 90 VERTICALS AT 600 CTS. WITH 100mm MINERAL WOOL QUILT (> 12kg/m3) FITTED BETWEEN THE STUDS. I STUDS TO BE INSTALLED INTO GYPFRAME 90 C 90 BASE AND HEAD CHANNELS FIXED AT 600 CTS. TO THE STRUCTURAL FLOOR AND CEILING WITH A 5mm RESILIENT STRIP PLACED BELOW THE BASE CHANNEL AND ABOVE THE HEAD CHANNEL.

1ST LEVEL

ND 01

150

EXISTING CONCRETE FLOOR SLAB

SECTION B-B

INTERNAL ELEVATION OF ND 01

EXTERNAL ELEVATION OF ND 01

FIT NEW PROPRIETARY ACOUSTIC DOORSET COMPLETE INTO NEW TIMBER STRUCTURAL OPE COMPRISING 'HUET' ISA-DX 49 OR SIMILAR REINFORCED ACOUSTIC FIRE RATED DOORSET. (DOOR TO GIVE MIN 45 dB Rw) INCLUDING HINGES AND IRONMONGERY. FRAME TO BE 125 X 68mm HARDWOOD WITH TRIPLE ACOUSTIC JOINT. DOOR LEAF TO BE SOLID CORE 80mm THICK. INTERNALLY DOOR LEAF TO HAVE AN APPLIED FABRIC FINISH: SOUNDSORBA CARA: PITLOCHRY TO MATCH INTERNAL FABRIC PANELING. FOOT OF DOOR TO HAVE APPLIED ALUMINIUM KICK PLATE. EXTERNALLY DOOR LEAF TO HAVE AN APPLIED FABRIC FINISH: SOUNDSORBA CARA: PITLOCHRY TO MATCH INTERNAL FABRIC PANELING. FOOT OF DOOR TO HAVE APPLIED ALUMINIUM KICK PLATE. DOOR FRAME TO BE SEALED TO THE TIMBER SUB-FRAME ALL ROUND WITH A DOUBLE BEAD OF NON SETTING MASTIC. PLASTERBOARD REVEALS ON ROOM SIDE TO BE KEPT BACK 5mm FROM THE FACE OF THE FRAME AND THE GAP SEALED ALL ROUND FRAME WITH A BEAD OF NON-SETTING MASTIC. FINISHED REVEAL LINING INTERNALLY TO COMPRISE A PAINTED ALUMINUM PLATE TO SIDES AND HEAD OF OPE. PANEL ON NORTH SIDE TO HAVE AN INTEGRAL SWITCH PLATE FOR LIGHTING CONTROLS.

ALLOW FOR A SIGNAGE PANEL IN THE BOXED DOWN ZONE ABOVE THE DOOR ON THE HALL SIDE TO COMPRISE A BLACK PAINTED ALUMINUM PANEL 1275mm WIDE X 400mm HIGH WITH LETTERS CUT FROM PANEL AS SHOWN. PANEL TO BE BACKED BY AN OPAL POLYCARBONATE DIFFUSER WITH A LIGHT FITTING MOUNTED IN THE STUDWORK VOID BEHIND. EXACT DETAIL TO BE AGREED PRIOR TO MANUFACTURE AND INSTALLATION.

NOTE: NEW DOORS TO SCREENING ROOM AND COMMS ROOM TO HAVE SECURITY CONTROLLED ACCESS BY FOB SYSTEM. REFER TO M&E SPECIFICATION

Above: Mechanical diagram Right: Sample of Construction drawings

FINAL CONSTRUCTION SET-18.07.2016 REVISION

DATE

NOTES

REVISION

A

DL

20.05.2016

RECESSED SPEAKERS / DOOR FINISHES

F

B

DL

23.06.2016

BOX OUT AROUND DISCOVERED PIPES AND BEAMS

G

C D E

H

DATE

SCALE:

NOTES

DRG NO:

1409-IFCO-C-405-B

PROJECT:

IFCO SCREENING ROOM

DRAWING:

SECTION B - B

J K

THIS DRAWING TO BE READ IN CONJUNCTION WITH RELEVANT CONSULTANTS' DRAWINGS - NOTIFY ARCHITECTS OF ANY DISCREPANCIES - CHECK DIMENSIONS ON SITE - DO NOT SCALE - USE FIGURED DIMENSIONS ONLY -

JOB NO:

1:20@A1 1409

SERIES:

CONSTRUCTION

DATE:

12.05.16

DRAWN:

PH

CHECKED:

DT

COPYRIGHT RESERVED FOR DEREK TYNAN ASSOCIATES LTD. | T/A DTA ARCHITECTS

12-14 COLLEGE GREEN. DUBLIN 2 T. 353 (0) 1 6777742 INFO@DTA.IE WWW.DTA.IE

Before: Boardroom.

After: Screening Room: 15 seats.

Brief: Student Accommodation, North Circular Road.

Status: Complete.

Role: Graduate Architect as part of DTA Architects.

Responsibilities included development of full 3D model from initial capacity studies through to detailed planning model.

Responsible for drawing floorplans and set out of apartments.

Brief: Apart-hotel, Mark Street, Dublin.

Status: Under Construction.

Role: Graduate Architect as part of DTA Architects.

Responsibilities included development of full 3D model from initial capacity studies through to planning model. Responsible for drawing floor plans / elevations.

Developed further 3D models as part of a further information request from the local authority along with assisting project architect in addressing RFI and the projects re-design.

Initial Application

Above: Full 3D model of RFI project and context Overleaf: Set of revised elevations.

Adapted design as to RFI

TRINITY COLLEGE

PEARSE STREET

PROPOSED ELEVATION TO MARK STREET

HYDE COURT APARTMENT COMPLEX WITH GROUND FLOOR RESIDENTIAL / RETAIL / COMMERCIAL

TOWNSEND STREET

GEORGE'S COURT OFFICE DEVELOPMENT TOWARD GLOUCESTER STREET SOUTH

NOTES

CLAY BRICK FAÇADE:

BRONZE ANODISED ALUMINIUM PANEL FAÇADE SYSTEM:

CLAY BRICKWORK , LIGHT BROWN / RED COLOUR TO LATER DETAIL SELECTION , STRETCHER BOND WITH WHITE / LIGHT GREY MORTAR .

WITH FAIR-FACED CONCRETE BANDING .

ANODISED ALUMINIUM FRAMED DOUBLE GLAZED WINDOW SYSTEM , WINDOWS RECESSED NOMINAL 250MM WITH BLACK ANODISED FRAME AND HEADPANEL . REVEALS TO BE BLACK ANODIZED FIN AND CHAMFERED BRONZE ANODISED PANEL IN LIGHT BRONZE COLOUR ANOLOK 541. FAIR FACED CONCRETE BAND TO CAP SYSTEM .

6.

STAINLESS STEEL GATES & RAILS.

2.

FAIR-FACED CONCRETE BANDING FORMING INTRICATE EXTERNAL BENCH SEATING & INTERNAL COFFEE COUNTER .

7.

3.

EMERGENCY EXIT DOOR FROM STAIRWELL (DOOR RECESSED SO NOT TO OBSTRUCT STREET).

FULL HEIGHT GLAZING TO GROUND FLOOR RECEPTION & COFFEE AREA. BLACK ANODISED FRAMED WINDOW / SIGNAGE ZONE INCORPORATING VENTILATION LOUVRES ABOVE SIGNAGE TO LATER DETAIL.

8.

4.

ACCESS TO ESB SUBSTATION BLACK ANODISED ALUMINIUM DOOR & FAÇADE PANELS TO MATCH FAÇADE.

VERTICAL WINDOW TO STAIRCORE 'A' BLACK ANODISED FRAMED WINDOW WITH HORIZONTAL FLOOR BREAKS .

9.

SETBACK AT UPPER LEVEL STAIRCORE 'B' TO INTEGRATE / ALIGN WITH HYDE COURT APARTMENTS .

1.

FAIR-FACED CONCRETE:

BLACK ANODISED ALUMINIUM PANEL FAÇADE SYSTEM :

INTRICATE ELEMENTS WITHIN FAÇADE TO PROVIDE CAPPING DELINEATION / SEPARATION OF MATERIALS & FORM FEATURE ITEMS SUCH AS THE ENTRANCE CANOPY.

ANODISED ALUMINIUM FRAMED DOUBLE GLAZED WINDOW SYSTEM , WINDOWS FLUSH WITH MATCHING ANODISED ALUMINIUM REVEAL , HEAD & CILL ALL IN LIGHT BLACK COLOUR ANOLOK 54B. FAIR FACED CONCRETE BAND TO CAP SYSTEM .

5.

FAIR-FACED CONCRETE ENTRANCE CANOPY WITH CONCRETE BENCH & COUNTER .

NEW LANDSCAPING & PLANTING REFER TO LANDSCAPE PLAN 1505-MKS-PL-300 .

10.

OUTLINE OF PROPOSED TRINITY BUSINESS SCHOOL [ IN CONSTRUCTION ] - 29.62M LEVEL

15.

BUILDING FACADE BEHIND .

11.

FULL HEIGHT GLAZED WINDOW TO RAILWAY ELEVATION BLACK ANODISED FRAME WITH SLIDING SCREEN & SINGLE LEAF DOOR ACCESS TO EXTERNAL COURTYARD AREA.

12.

NEW CLAY BRICK WALL WITH CONCRETE CAPPING TO BOUNDARY ENCLOSING WASTE & RECYCLING AREA - EXISTING RAILWAY COLUMNS EXPOSED .

13.

BLACK ANODISED VENTILATION LOUVRES.

14.

OPEN-JOINTED / VENTILATED BRONZE ANODISED ALUMINIUM SCREENING TO WASTE & RECYCLING AREA - MATCHING MAIN FAÇADE.

EXISTING RAILWAY SUPPORT VAULTED ARCHES STRIPPED BACK & REPAIRED WHERE NECESSARY. EXERCISE ROOM TO HAVE FULL HEIGHT GLAZED WINDOW & DOOR INSERT WITH BLACK ANODISED FRAME.

16.

TWO NUMBER PARKING SPACES ONE DESIGNATED ACCESSIBLE BAY.

17.

BAUDER EXTENSIVE GREEN ROOF SYSTEM XERO FLOR XF301 SEDUM BLANKET WITH NATIVE SPECIES OR EQUIVALENT.

18.

SET-BACK.

56655 55989

1 1

2 2

3278

4265

3278

3 3

4265

4 4

4018

5

5

7

7

22

E 20

5

5

7

7

22

E 20

23 23

24 24

18 18

7888

4018

26 26

15 15

7888

7888

4018

7888

28 28

4018

4504501200 1200

PARAPET PARAPET

+23 .150

ROOF FINISH

+26 .700 .300 +22

ROOF STR FINISH ROOF

+25 .850

ROOF STR

+24.362

+24.362

+20.750

PARAPET

+20 .750

FOURTH FFL

+16 .400 +19 .550 +19 .225

THIRD FFL

THIRD FFL

+13 .250

+16 .400

FOURTH FFL

FOURTH FFL

+16 .400

+10 .100

SECOND FFL

SECOND FFL

+10 .100

+13 .250

THIRD FFL

THIRD FFL

+13 .250

+10.152

SECOND FFL

+03 .800

UPPER GROUND FFL

+06 .950

FIRST FFL

+02 .750

MAIN GROUND FFL

+10.152

3150 3150

KITCHENS & WARDROBES

KITCHENS & WARDROBES

2948

11257

+03.104

7400

2938

5054

13860

6913

+03 .800 +00 .000

UPPER GROUND FFL

-00.400

BASEMENT FFL

+02 .750

MAIN GROUND FFL

+02.771

+06 .950 +02 .750

UPPER GROUND FFL

2948

11257

7400

2938

5054

13860

6913

+03 .800 +00 .000

BASEMENT FFL

-00.400

MAIN GROUND FFL

+02 .750

2948

2750

2750

+03.104

+02.730

3060

56378 BASEMENT FFL

PEARSE STREET

BASEMENT FFL

PROPOSED ELEVATION TO MARK STREET

PROPOSED SITE ENTRANCE TO MARK STREET

PROPOSED ELEVATION TO MARK STREET

HYDE COURT APARTMENT COMPLEX WITH GROUND FLOOR RESIDENTIAL / RETAIL / COMMERCIAL

TOWNSEND STREET

PROPOSED ELEVATION TO MARK STREET

PROPOSED SITE ENTRANCE TO MARK STREET

PROPOSED ELEVATION TO MARK STREET

HYDE COURT APARTMENT COMPLEX WITH GROUND FLOOR RESIDENTIAL / RETAIL / COMMERCIAL

TOWNSEND STREET

PROPOSED ELEVATION AA - MARK STREET - 1:200 ORIGINAL APPLICATION PROPOSAL

TOPOGRAPHICAL SURVEY RECEIVED FROM CSS LAND SURVEYS LTD: 05.06.2015 REVISED AND ADDITIONAL INFO. ADDED: 11.12.2015 AND FURTHER: 15.12.2015

REVISION

DATE

NOTES

REVISION

FOR FURTHER FAÇADE DETAIL, FENESTRATION & MATERIALITY REFER TO DRAWINGS:

A

03.11.2016

REVISED ELEVATION - TO ADDRESS DCC RFI - PL REF: 3214/16

A

B

B

1505-MKS-PL-400 (WINDOW SETOUT) & NOTES 1505-MKS-PL-401 (MATERIALITY)

C

C

D

D

CSS REF: 4949 - HORIZONTAL DATUM: ITM - VERTICAL DATUM: OSBM CLAY BRICK FAÇADE: BRONZE ANODISED ALUMINIUM PANEL FAÇADE SYSTEM: CLAY BRICKWORK , LIGHT BROWN / RED COLOUR TO LATER DETAIL SELECTION , STRETCHER BOND WITH WHITE / LIGHT GREY MORTAR .

WITH FAIR-FACED CONCRETE BANDING .

ANODISED ALUMINIUM FRAMED DOUBLE GLAZED WINDOW SYSTEM , WINDOWS RECESSED NOMINAL 250MM WITH BLACK ANODISED FRAME AND HEADPANEL . REVEALS TO BE BLACK ANODIZED FIN AND CHAMFERED BRONZE ANODISED PANEL IN LIGHT BRONZE COLOUR ANOLOK 541. FAIR FACED CONCRETE BAND TO CAP SYSTEM .

FAIR-FACED CONCRETE:

BLACK ANODISED ALUMINIUM PANEL FAÇADE SYSTEM :

INTRICATE ELEMENTS WITHIN FAÇADE TO PROVIDE CAPPING DELINEATION / SEPARATION OF MATERIALS & FORM FEATURE ITEMS SUCH AS THE ENTRANCE CANOPY.

ANODISED ALUMINIUM FRAMED DOUBLE GLAZED WINDOW SYSTEM , WINDOWS FLUSH WITH MATCHING ANODISED ALUMINIUM REVEAL , HEAD & CILL ALL IN LIGHT BLACK COLOUR ANOLOK 54B. FAIR FACED CONCRETE BAND TO CAP SYSTEM .

1.

FAIR-FACED CONCRETE ENTRANCE CANOPY WITH CONCRETE BENCH & COUNTER .

2.

FAIR-FACED CONCRETE BANDING FORMING INTRICATE EXTERNAL BENCH SEATING & INTERNAL COFFEE COUNTER .

E

6.

STAINLESS STEEL GATES & RAILS.

10.

7.

FULL HEIGHT GLAZING TO GROUND FLOOR RECEPTION & COFFEE AREA. BLACK ANODISED FRAMED WINDOW / SIGNAGE ZONE INCORPORATING VENTILATION LOUVRES ABOVE SIGNAGE TO LATER DETAIL.

11.

3.

EMERGENCY EXIT DOOR FROM STAIRWELL (DOOR RECESSED SO NOT TO OBSTRUCT STREET).

8.

4.

ACCESS TO ESB SUBSTATION BLACK ANODISED ALUMINIUM DOOR & FAÇADE PANELS TO MATCH FAÇADE.

VERTICAL WINDOW TO STAIRCORE 'A' BLACK ANODISED FRAMED WINDOW WITH HORIZONTAL FLOOR BREAKS .

9.

5.

NEW LANDSCAPING & PLANTING REFER TO LANDSCAPE PLAN 1505-MKS-PL-300 .

SETBACK AT UPPER LEVEL STAIRCORE 'B' TO INTEGRATE / ALIGN WITH HYDE COURT APARTMENTS .

OUTLINE OF PROPOSED TRINITY BUSINESS SCHOOL [ IN CONSTRUCTION ] - 29.62M LEVEL

DATE

E

NOTES

DRG NO:

1505-MKS-PL-116-A

PROJECT:

APARTHOTEL, MARK STREET, DUBLIN 2

DRAWING: PROPOSED SECTION / ELEVATION AA - ORIGINAL APP & REVISED

EXISTING RAILWAY SUPPORT VAULTED ARCHES STRIPPED BACK & REPAIRED WHERE NECESSARY. EXERCISE ROOM TO HAVE FULL HEIGHT GLAZED - NOTIFY ARCHITECTS OF ANY DISCREPANCIES - CHECK DIMENSIONS ON SITE - DO NOT SCALE - USE FIGURED DIMENSIONS ONLY FULL HEIGHT GLAZED WINDOWTHIS TO RAILWAY - IN CONJUNCTION DRAWINGELEVATION TO BE READ WITH&RELEVANT CONSULTANTS' WINDOW DOOR INSERT WITH BLACKDRAWINGS ANODISED FRAME. BLACK ANODISED FRAME WITH SLIDING SCREEN & SINGLE LEAF DOOR ACCESS 16.

TWO NUMBER PARKING SPACES TO EXTERNAL COURTYARD AREA. ONE DESIGNATED ACCESSIBLE BAY. BUILDING FACADE BEHIND .

15.

2 3278

3 4265

2

3278

12.

NEW CLAY BRICK WALL WITH CONCRETE CAPPING TO BOUNDARY ENCLOSING WASTE & RECYCLING AREA - EXISTING RAILWAY COLUMNS EXPOSED .

13.

BLACK ANODISED VENTILATION LOUVRES.

14.

OPEN-JOINTED / VENTILATED BRONZE ANODISED ALUMINIUM SCREENING TO WASTE & RECYCLING AREA - MATCHING MAIN FAÇADE.

17.

BAUDER EXTENSIVE GREEN ROOF SYSTEM XERO FLOR XF301 SEDUM BLANKET WITH NATIVE SPECIES OR EQUIVALENT.

18.

SET-BACK.

3

4265

4018

4

5

5

7

7

22

4

5

5

7

7

22

55989

E 20

23

18

E 20

23

18

4018

7888

24

15

24

15

26 7888

7888

28 4018

26

7888

4018

28

1200 450

ROOF FINISH

3150 450

PARAPET ROOF FINISH ROOF STR

ROOF STR

+24.362

FOURTH FFL

A

+24.362

+24.362

A

A

+24.362

+24.362

+23.760

3150

+16 .400

A

+24.330 NOM.

PARAPET

+20 .750

ROOF FINISH ROOF STR

+19 .550 +19 .225

+17.402

+24.330 NOM.

+20.842

PARAPET FOURTH FFL

+20 .400 .750 +16

ROOF FINISH ROOF STR

+19 .550 +19 .225

THIRD FFL

+13 .250

FOURTH FFL

+16 .400

SECOND FFL

+10 .100

THIRD FFL

+13 .250

FIRST FFL

+06 .950

SECOND FFL

+10 .100

UPPER GROUND FFL

+03 .800

MAIN GROUND FIRST FFL

+02 +06 .750 .950

+10 .100

SECOND FFL

+10 .100

SECOND FFL

+03 .800

UPPER GROUND FFL

+02 +06 .750 .950

MAIN FFL FIRSTGROUND FFL

3150

21600

3150

3150

8.

KITCHENS & WARDROBES

KITCHENS & WARDROBES

3150 400

+03.104

+02.730

3060

2948

11257

7400

2938

5054

13860

6913

2948

5054

13860

6913

2948

56378 +00 .000

+00 .000 -00.400 +03 .800

BASEMENT FFL FFL UPPER GROUND

+02 .750

MAIN GROUND FFL

+02.771

+03.104

+02.730 2948

11257

7400

2938

BASEMENT UPPER GROUND FFL

-00.400 +03 .800

MAIN GROUND FFL

+02 .750

2750

3060

2750

1050

3.

56378 BASEMENT FFL

PEARSE STREET

NO. 41 COMMERCIAL PROPERTY

PROPOSED ELEVATION TO MARK STREET

PROPOSED SITE ENTRANCE TO MARK STREET

PROPOSED ELEVATION TO MARK STREET

PROPOSED SITE ENTRANCE TO MARK STREET

PROPOSED ELEVATION TO MARK STREET

HYDE COURT APARTMENT COMPLEX WITH GROUND FLOOR RESIDENTIAL / RETAIL / COMMERCIAL

.000 TOWNSEND +00 STREET BASEMENT FFL

-00.400

400

+00 .000 -00.400

1050

400

4.

400

TRINITY COLLEGE

5.

6.

2750 3150

PROPOSED TRINITY BUSINESS SCHOOL - 3012/15

7.

+02.771

3150 2750

1050

1.

3.

3150

3150

+10.152

1050

FIRST FFL

3150

THIRD FFL

+06 .950

3150

+13 .250 3150

24750

+10.152

3150

3150

3150

3150

ling height of adjacent Hyde

2825

+17.402

325 3150

3150

1200

THIRD FFL

12-14 COLLEGE GREEN. DUBLIN 2 T. 353 (0) 1 6777742 INFO@DTA.IE WWW.DTA.IE

2825

FIFTH FFL

+13 .250

NR

325

FOURTH FFL

+19 .550

DL/JM

CHECKED:

+20.842

+20.750

9. +16 .400

16.06.2016

DRAWN:

1200

SIXTH FFL

PLANNING

DATE:

+23.760

+24.362 FIFTH FFL

+22 .700

1505-MKS

SERIES:

29

10.

18. +19 .550

1:200@A1

JOB NO:

29 3041

+24.350

PARAPET

+26 .300 +25 .850

SCALE:

3041

OUTLINE OF PROPOSED TRINITY BUSINESS SCHOOL [ IN CONSTRUCTION ] - 29.62M LEVEL

+27 .150 .500 +23

GEORGE'S COURT OFFICE DEVELOPMENT TOWARD GLOUCESTER STREET SOUTH

COPYRIGHT RESERVED FOR DEREK TYNAN ASSOCIATES LTD. | T/A DTA ARCHITECTS

56655

1 1

+22 .700

GEORGE'S COURT OFFICE DEVELOPMENT TOWARD GLOUCESTER STREET SOUTH

REVISED ELEVATIONS - RFI - 03.11.2016

NOTE:

BASED ON:

OS MAP REFERENCE: 3264-06 - COPYRIGHT: ORDINANCE SURVEY IRELAND

+24 .350

-00.400

NO. 41 COMMERCIAL PROPERTY

PROPOSED ELEVATION BB - SHAW STREET - 1:200 RFI - REVISED PROPOSAL PEARSE STREET NO. 41 COMMERCIAL PROPERTY

400

+00 .000

+00 .000 -00.400

MATERIALS LEGEND

1200

+03 .800

MAIN GROUND FFL

2948

56378

SITE BOUNDARY

3150

+10 .100

FIRST FFL

3.

1050 400

1050 400

4. +02.730

3060

+06 .950

UPPER GROUND FFL

5.

6.

31502750

400

7.

+02.771

27503150

1050

1.

3.

FIRST FFL SECOND FFL

1050

FIRST FFL

+10 .100

3150 3150

+06 .950

3150 3150

8.

TRINITY COLLEGE

3150

+24.330 NOM.

ROOF FINISH ROOF STR

3150 3150

21600

+19 .550 +19 .225

+13 .250

3150 3150

24750

+20 .750

+17.402

PROPOSED TRINITY BUSINESS SCHOOL - 3012/15

st that “ The ven the ra

PARAPET

ROOF FINISH ROOF STR

3150 3150

TRINITY COLLEGE

+24.362

31502825

PROPOSED TRINITY BUSINESS SCHOOL - 3012/15

+20.842 +23.760

+17.402 +20.842

3150 3150

FIFTH FFL

+24.362

+24.330 NOM.

325

FOURTH FFL

+19 .550

A

1200

9. +16 .400

A

2825

3150 3150

SIXTH FFL

+24.362

325

FIFTH FFL

+22 .700

+24.362 +23.760

10.

18. +19 .550

A

3041

+24.350

3150 3150

+24 .350 +27 .500

A 29 29

3041

OUTLINE OF PROPOSED TRINITY BUSINESS SCHOOL [ IN CONSTRUCTION ] - 29.62M LEVEL

al organisation, rent built form pproach of the

ctures, in ings.

PROPOSED SITE ENTRANCE TO MARK STREET

ORIGINAL APPLICATION PROPOSAL

now ‘dropped

6 floors overall, in the RFI, by:

PROPOSED ELEVATION TO MARK STREET

MATERIALS LEGEND

at our meeting oor, but rather sures that:

olumes and ng volume in aintained.

NO. 41 COMMERCIAL PROPERTY

PROPOSED ELEVATION AA - MARK STREET - 1:200

1200

thority, the top orey, reducing grates with the y by the Local

PROPOSED TRINITY BUSINESS SCHOOL - 3012/15

GEORGE'S COURT OFFICE DEVELOPMENT TOWARD GLOUCESTER STREET SOUTH

PROPOSED ELEVATION BB - SHAW STREET - 1:200 RFI - REVISED PROPOSAL

PROPOSED TRINITY BUSINESS SCHOOL - 3012/15 TRINITY COLLEGE

PEARSE STREET

SITE BOUNDARY

NO. 41 COMMERCIAL PROPERTY

PROPOSED ELEVATION AA - MARK STREET - 1:200 BASED ON:

ORIGINAL APPLICATION PROPOSAL OS MAP REFERENCE: 3264-06 - COPYRIGHT: ORDINANCE SURVEY IRELAND TOPOGRAPHICAL SURVEY RECEIVED FROM CSS LAND SURVEYS LTD: 05.06.2015 REVISED AND ADDITIONAL INFO. ADDED: 11.12.2015 AND FURTHER: 15.12.2015 CSS REF:LEGEND 4949 MATERIALS

- HORIZONTAL DATUM: ITM - VERTICAL DATUM: OSBM

PROPOSED ELEVATION TO MARK STREET

REVISION

DATE

NOTES

REVISION

FOR FURTHER FAÇADE DETAIL, FENESTRATION & MATERIALITY REFER TO DRAWINGS:

A

03.11.2016

REVISED ELEVATION - TO ADDRESS DCC RFI - PL REF: 3214/16

A

B

B

1505-MKS-PL-400 (WINDOW SETOUT) & 1505-MKS-PL-401 (MATERIALITY) NOTES

C

C

D

D

E

E

CLAY BRICK FAÇADE:

BRONZE ANODISED ALUMINIUM PANEL FAÇADE SYSTEM:

CLAY BRICKWORK , LIGHT BROWN / RED COLOUR TO LATER DETAIL SELECTION , STRETCHER BOND WITH WHITE / LIGHT GREY MORTAR .

WITH FAIR-FACED CONCRETE BANDING .

ANODISED ALUMINIUM FRAMED DOUBLE GLAZED WINDOW SYSTEM , WINDOWS RECESSED NOMINAL 250MM WITH BLACK ANODISED FRAME AND HEADPANEL . REVEALS TO BE BLACK ANODIZED FIN AND CHAMFERED BRONZE ANODISED PANEL IN LIGHT BRONZE COLOUR ANOLOK 541. FAIR FACED CONCRETE BAND TO CAP SYSTEM .

FAIR-FACED CONCRETE:

BLACK ANODISED ALUMINIUM PANEL FAÇADE SYSTEM :

INTRICATE ELEMENTS WITHIN FAÇADE TO PROVIDE CAPPING DELINEATION / SEPARATION OF MATERIALS & FORM FEATURE ITEMS SUCH AS THE ENTRANCE CANOPY.

ANODISED ALUMINIUM FRAMED DOUBLE GLAZED WINDOW SYSTEM , WINDOWS FLUSH WITH MATCHING ANODISED ALUMINIUM REVEAL , HEAD & CILL ALL IN LIGHT BLACK COLOUR ANOLOK 54B. FAIR FACED CONCRETE BAND TO CAP SYSTEM .

HYDE COURT APARTMENT COMPLEX WITH GROUND FLOOR RESIDENTIAL / RETAIL / COMMERCIAL

TOWNSEND STREET

GEORGE'S COURT OFFICE DEVELOPMENT TOWARD GLOUCESTER STREET SOUTH

REVISED ELEVATIONS - RFI - 03.11.2016

NOTE:

1.

FAIR-FACED CONCRETE ENTRANCE CANOPY WITH CONCRETE BENCH & COUNTER .

6.

STAINLESS STEEL GATES & RAILS.

2.

FAIR-FACED CONCRETE BANDING FORMING INTRICATE EXTERNAL BENCH SEATING & INTERNAL COFFEE COUNTER .

7.

3.

EMERGENCY EXIT DOOR FROM STAIRWELL (DOOR RECESSED SO NOT TO OBSTRUCT STREET).

FULL HEIGHT GLAZING TO GROUND FLOOR RECEPTION & COFFEE AREA. BLACK ANODISED FRAMED WINDOW / SIGNAGE ZONE INCORPORATING VENTILATION LOUVRES ABOVE SIGNAGE TO LATER DETAIL.

8.

4.

ACCESS TO ESB SUBSTATION BLACK ANODISED ALUMINIUM DOOR & FAÇADE PANELS TO MATCH FAÇADE.

VERTICAL WINDOW TO STAIRCORE 'A' BLACK ANODISED FRAMED WINDOW WITH HORIZONTAL FLOOR BREAKS .

9.

5.

NEW LANDSCAPING & PLANTING REFER TO LANDSCAPE PLAN 1505-MKS-PL-300 .

SETBACK AT UPPER LEVEL STAIRCORE 'B' TO INTEGRATE / ALIGN WITH HYDE COURT APARTMENTS .

10.

11.

DATE

NOTES

DRG NO:

1505-MKS-PL-116-A

PROJECT:

APARTHOTEL, MARK STREET, DUBLIN 2

DRAWING: PROPOSED SECTION / ELEVATION AA - ORIGINAL APP & REVISED

15.

EXISTING RAILWAY SUPPORT VAULTED ARCHES THIS DRAWING TO BE READ IN CONJUNCTION WITH RELEVANT CONSULTANTS' DRAWINGS - NOTIFY ARCHITECTS OF ANY DISCREPANCIES - CHECK DIMENSIONS ON SITE - DO NOT SCALE - USE FIGURED DIMENSIONS ONLY STRIPPED BACK & REPAIRED WHERE NECESSARY. EXERCISE ROOM TO HAVE FULL HEIGHT GLAZED FULL HEIGHT GLAZED WINDOW TO RAILWAY ELEVATION WINDOW & DOOR INSERT WITH BLACK ANODISED FRAME. BLACK ANODISED FRAME WITH SLIDING SCREEN & SINGLE LEAF DOOR ACCESS 16.

TWO NUMBER PARKING SPACES TO EXTERNAL COURTYARD AREA. ONE DESIGNATED ACCESSIBLE BAY. BUILDING FACADE BEHIND .

12.

NEW CLAY BRICK WALL WITH CONCRETE CAPPING TO BOUNDARY ENCLOSING WASTE & RECYCLING AREA - EXISTING RAILWAY COLUMNS EXPOSED .

13.

BLACK ANODISED VENTILATION LOUVRES.

14.

OPEN-JOINTED / VENTILATED BRONZE ANODISED ALUMINIUM SCREENING TO WASTE & RECYCLING AREA - MATCHING MAIN FAÇADE.

17.

BAUDER EXTENSIVE GREEN ROOF SYSTEM XERO FLOR XF301 SEDUM BLANKET WITH NATIVE SPECIES OR EQUIVALENT.

18.

SET-BACK.

SCALE:

1:200@A1

JOB NO:

1505-MKS

SERIES:

PLANNING

DATE:

16.06.2016

DRAWN:

DL/JM

CHECKED:

NR

12-14 COLLEGE GREEN. DUBLIN 2 T. 353 (0) 1 6777742 INFO@DTA.IE WWW.DTA.IE

COPYRIGHT RESERVED FOR DEREK TYNAN ASSOCIATES LTD. | T/A DTA ARCHITECTS

-Planning Drawing.

Brief: Pop up pavilion for 24 hours.

Site:

1

2

3

4

5

6

Car parking space measuring 4800mm x 2200mm.

Solution: The project as part of Dublin Parking Day 2013, sees a carpark space converted into a public space. The projects typology was manifested by absorbing the essence of the street; an Arcade, Architecture School and Artists collective. The scheme sees the construction of a plywood box, enclosed on all sides. Inside, an arcade dance machine.

Status: Built September 2013 Published in, RIAI.ie (Royal Institute of Irish Architects)

-Poster for event.

-Initial Proposal.

-Images Clockwise from Right: Pavilion in context, dancer on machine, prefabrication with friends, panel, decorated street front, onlookers waiting for a dance.

-Built Pavilion.

Brief: Repurposing proposal for a Modernist Bank.

Solution: Danteum Dame Street (title of project) sees Dublins tower of Babel adapted to shelter the seven deadly sins of Modern Ireland.

The project seeks to install a varied programme on each of the banks seven floors which correlate with the seven deadly sins, as listed in Dante’s journey through Purgatory in his work The Divine Comedy. Danteum Dame street will strip the bank to its two cores. The re-patronised floor areas are filled with an interior architecture and, through subtle manipulation of the envelope define seven modes of Irish sin. The construction methods and materials used are those of the Occupy Dame Street protests. The project is disciplined by the movements practical and utilitarian construction and assembly.

The material palette is therefore limited to plywood sheets and lengths of 2x4.

WRATH

(e) Phone Booths to talk to Joe. 1:Studio 2: Producers room 3:Background facilities 4:Waiting area 5:Live call validation desk

“

The project is architecturally sophisticated in the close interrelation of the narrative developed for each floor and its associated sin.

e

4

5

2

“

1

Status: Winning Entry Published in,: -The Irish Times -RIAI.ie (Royal Institute of Irish Architects)

3

Polictical and cultural criticisim aside, this project demonstrates the inherent flexibility of the bank’s architecture, and shows how with minimal means there is potential for this building to have a truly polyvalent future.

“

Central Bank, Dame Street, Dublin, Ireland.

“

Site:

Wrath sees the relocation of the Joe Duffy ‘LiveLine’ studio. The floor is comprised of two main elements. Firstly there is the studio and background services. At the centre of the plan is Joe, who sits at the head of a circular table. The studio has an irregular glazing system for acoustic reasons.

Opposite Joe is the production room. The East core contains a private room for Joe which has its own access by elevator. Secondly, a new concept for Live-line, a live call in. The concept is that the public can ascend the West tower, tell their miscarriage of justice to researchers, then the researchers consider that individual for the live show, if accepted they can proceed from the waiting rooms in the West to phone booths orientated towards Joe. Here they have the unique opportunity to relay their anger to Joe live.

-Ali Grehan, City Architect, Dublin City Council (e)

Lust

Lust is a strip club. The club is defined by a catwalk which bridges the East and West cores. It’s flanked by seating areas for groups which are bordered by a bar with individual stools to encourage single men to visit the club. It was important to accommodate for this demographic as it can be discouraging for individuals when forced to sit in group oriented seating. A bar stool allows for individuality while feeling part of a larger collective. The East core houses the dancers, the South of this core provides a theatrical dressing room space that celebrates beauty and satisfies the vanity of the girls. The North of the core is a place for the individual dancer, perhaps after a hard shift, it’s somewhere to wash alone. Surrounding the West core are private rooms for private dances, accommodating groups of up to eight. The glazing has been removed on the South-East of the plan to create a smoking terrace.

(a)

a

1

4

3

6

2

5

(a) Catwalk for strippers.

Danteum Dame Street.

Abandon all hope, ye who enter here.*

1:catwalk 2:terrace 3:VIP area 4:dressing room 5:bar 6: meditation space

Gluttony

*Dante Alighieri, The Divine Comedy.

Gluttony is an all you can eat Buffet. The Buffet needed to be maximum, high density. Its floor area is filled to capacity with tables and chairs. Once exiting the elevators from the West core, consumers are fed through aisles where they collect their cutlery and trays. Once equipped with the necessary tools to aid consumption they’re propelled forward into the buffet. The buffet offers a variety of fast food. It’s an all you can eat system, this encourages consumers to eat more than they actually want due to two illusions; value for money and beating the system. The buffet has small plates which encourages the ritual of piling as much food as possible on your limited area. The buffet is replenished by the East core which contains a kitchen and cold room.

(b)

The project seeks to install a varied programme on each of the banks seven floors which correlate with the seven deadly sins, as listed in Dante’s journey through Purgatory in his work “The Divine Comedy”. Danteum Dame Street will strip the bank to its two cores. The re-patronised floor areas are filled with an interior architecture and, through subtle manipulation of the envelope define seven modes of Irish sin.

b 5

4 1

2

The construction methods and materials used are those of the Occupy Dame Street protests. The project is disciplined by the movement’s practical and utilitarian construction and assembly. The material palette is therefore limited to plywood sheets and lengths of 2x4.

3

(b) Table for the consumption of food.

In addition to the seven re-designed floors a new stair and public outdoor room will be assembled at the entrance. This space finally gives a place for people to wait, watch and meet, while at the same time being sheltered from the Irish weather. The Outdoor room references Limbo, described as an anti-chamber before Hell. Limbo is a place where the non-believers are contained, it’s a place of loitering and discussion.

1:aisles 2:buffet bar 3:kitchen 4:cold room 5:toilets

Greed

Danteum Dame Street sees Dublin’s tower of Babel adapted to shelter the seven deadly sins of Modern Ireland.

Greed is a Bookmaker. Bookies are usually small places, with small footprints, however if you combine all of the footprints of bookies you would find on any main street in Ireland you’ll have a footprint equal to that of Central Banks Bookmakers. The East core contains staff facilities and a safe room to the North of the core. The West of the core is a large till space to place bets and occasionally reap rewards. Natural light needed to be totally eliminated from the plan, this drove the design of shutters which disguise themselves as monitor mounts and bench facilities. Surrounding the Eastern core are smoking areas, these are places of escape and reflection after a bet has gone wrong.

(c)

In Dante’s Purgatory souls that were trapped on a level of sin could ascend and be forgiven if they could manage to conquer their flaw. It is crucial that we as a society can acknowledge our demons and attempt to reform ourselves. For too long in our past have we ignored our baser instincts.

Now it is time to atone, indulge and prevail.

2

1

Creating seven spaces for Irish sin at the epicentre of the city should manage to attract the same amount of negative association as it presently does as the headquarters of Bank regulators.

(x) outdoor room assembly (y) A canopy for the Danteum (z) Limbo

3

(c) Machine that eliminates light, supports televisions and seats betters.

4

1:till 2:safe room 3:kitchenette 4:terrace

Sloth

c

David Lawless Sloth sees the establishment of a new intensive grind school for State Examinations. This new establishment seeks to feed lecture notes to procrastinating students. 600 points, six classrooms, everything here is points driven. At the epicentre of the plan is an alter supporting four photocopiers. In the East core is the staff room, to the East of that core is the notes archive which has all relevant notes for Senior and Junior certificates and an unsurpassed subscription to all “Less stress more success” publications. In the Western core are toilets and to the West of that, relaxation space, somewhere to procrastinate once you’ve finished copying those notes. The six class rooms all offer very distracting views of Dublin, the serious work gets done on the copier alter.

x

y

(d)

d

2 4

3 1

(d) Stools to swing on during class.

1:staff room 2:notes archive 3:alter 4:foyer

Wrath

Wrath sees the relocation of the Joe Duffy “LiveLine” studio. The floor is comprised of two main elements. Firstly there is the studio and background services. At the centre of the plan is Joe, who sits at the head of a circular table. The studio has an irregular glazing system for acoustic reasons. Opposite Joe is the production room. The East core contains a private room for Joe which has its own access by elevator. Secondly, a new concept for Live-line, a live call in. The concept is that the public can ascend the West tower, tell their miscarriage of justice to researchers, then the researchers consider that individual for the live show, if accepted they can proceed from the waiting rooms in the West to phone booths orientated towards Joe. Here they have the unique opportunity to relay their anger to Joe live.

(e)

e

4

5

2

1

3

(e) Phone Booths to talk to Joe. 1:studio 2: producers room 3:background facilities 4:waiting area 5:live call validation desk

Envy

Envy creates public screens which project images of the fluctuating top eight wealthiest Irish. This floor acts as a permanent temple and record keeper to the top eight wealthiest people in Ireland. The glazing is pulled right back to the centre, only protecting the projections against the harsh climate. Once visitors exit the West tower they are ushered to the right and forced in a promenade around the eight faces. The East core houses the caretaker of the screens. Their job is to maintain the slide projectors, to catalogue and archive and to develop celluloid slides of new record breakers. This is done in the darkroom in the South of the core. The eight projectors are serviced by a central spine, each projector has its own screen.

(f)

1

f

3

4

2

(f) Projector and screen as one.

1:terrace 2:darkroom 3:caretakers apartment 4:service corridor

Pride

Pride is an exhibition of Loyalist and Republican murals. Murals seen on gable walls in Belfast will be recreated on screens in the top and deadliest floor, Pride. The screens oppose each other, stare at each other. Visitors are invited to ramble through and examine the works. Each core is empty apart from its shafts.

(g)

1

(g) Screen featuring extremities of Irish Pride.

1:terrace 2:west exhibition space 3:east exhibition space

2

3 g

z

-Competition Board

Brief: Extension to historic art deco cinema.

Site: Doylestown, PA, USA. Solution: The proposal sees the construction of a brick facade with an incorporated billboard for the purpose of displaying large movie posters.

At street level there is an undercroft space.

This is an outdoor seating area for a potential cinema coffee shop or simply a space to discuss and debate a film post viewing. This new threshold is intended as an exit and avoids direct street frontage so as not to undermine the existing entrance which is to be maintained.

Brief: Competition for a Monument to the Cold War, Wisconsin, USA. Idea: The project is named ‘Prairie Sentinel’, a vernacular term used for the grain elevators that once covered the United States. The term suggests that these structures represented more to people.

This memorial recalls the form of the Prairie Sentinel to symbolise what the veterans of the Cold War were fighting for.

Externally the project maximises the buildable height so as to be visible from Interstate 94, while at the same time taking on a form that emerges from the agricultural locality so as not to appear incongruous in the landscape.

Internally is housed the memorial which consists of a plinth and a lantern. The plinth is formed from Wisconsin Sandstone and features a relief sculpture from the Parthenon of the Greek Goddess of Victory Nike, which gave its name to the Nike Hercules defense system.

Above this plinth is a rectangular lantern at the centre of which hangs the United States flag. The glass lantern allows dappled light into this chamber while also creating a myriad of reflections which symbolize the kaleidoscopic and complex nature of the Cold War. The reflections pay tribute to the countless veterans acting on behalf of the United States in a multitude of fields.

A. B. C. D. E. F.

Wisconsin Sandstone Plinth Painted Timber Cladding. Spacing varies depending on orientation Sloped ramp access & egress Main Entrance (North) Main Exit (South) Stepped Exit (East)

73 ft Path to Pritzker Archives Jasper Johns Three Flags 1958 Whitney Museum of American Art

B

B

B

D

B

E

F

2 C A 4

Omaha Reservation Nebraska 1877 Photo by William H Jackson

North Elevation

C

A West Elevation

A South Elevation

A East Elevation

7 400 ft

33 ft

PRAIRIE SENTINEL Monument to the Veterans of the Cold War 6

The project is named ‘Prairie Sentinel’, a vernacular term used for the Grain Elevators that once covered the United States. The term suggests that these structures represented more to people.

This memorial recalls the form of the Prairie Sentinel to symbolise what the Veterans of the Cold War were fighting for.

8

Externally the project maximises the buildable height so as to be visible from Interstate 94, while at the same time taking on a form that emerges from the agricultural locality so as not to appear incongruous in the landscape.

Internally is housed the memorial which consists of a Plinth and a Lantern. The Plinth is formed from Wisconsin Sandstone and features a relief sculpture from the Parthenon of the Greek Goddess of Victory Nike, which gave its name to the Nike Hercules defense system.

Above this Plinth is a rectangular Lantern at the center of which hangs the United States flag. The glass Lantern allows dappled light into this chamber while also creating a myriad of reflections which symbolize the kaleidoscopic and complex nature of the Cold War. The reflections pay tribute to the countless Veterans acting on behalf of the United States in a multitude of fields.

The structure sits in the middle of the site and is surrounded by native grasses grown to waist height. Through this grassland are a series of paths for access. These paths also trace patterns which tell stories associated with the core memorial themes of Diplomacy, Military, Technology and Economy.

Circular Path 1 2

Diplomatic: The United States flag.

A seminar in the landscape.

3 4

Technological: The incandescent globe in the tower loft, representing the Moon.

The orbital path known as the Trans Lunar Injection taken by crewed missions to the Moon

5 6 7 8

Military: A bell housed in the tower, to be rung on memorial day in honour of those who lost their lives in service of their country.

A radio wave maze in the landscape symbolising the NIKE HERCULES defence system.

N Site Plan

Economic: The form of the Grain Elevator itself represents the ideal of the American liberalised economy.

The silhouette of the C54 planes used in the Berlin Airlift represents the economic support provided to Europe during the Cold War

5

3

1

Perspective Section

Interior view looking South West

Exterior view looking South West

-Competition Board.

Brief: Proposal for a house on a very small site.

Idea: In early 2020 I found a small 60sqm derelict site in Blackpitts, Dublin 8, which I thought you could build a house on. Having rented in the area for several years I thought it could be an opportunity for me to build my own home. I paced the perimeter of the site and developed a feasibility in 3D which generated a 2 bed house which would be planning friendly. A friend of mine had recently built a house in the Liberties using the Rebuilding Ireland home loan so there seemed to be a financing path for such a project.

I identified the land owner with the help of a local councillor. They were initially interested in selling the land which he had recently acquired off DCC, however he got cold feet and wishes now to develop the land himself.

13 Blackpitts, Dublin 8 June 2020 1101 2020for a small house.

Proposal Blackpitts

Brief: Nixer for a small extension in Nurney, Co. Kildare.

Status: Under Construction.

Role: Architect I was approached by a private client to design a small kitchen extension to a semi-detached bungalow. I provided a full service from design development, through tender and delivery on site.

The project is due to be practically complete in early November 2021.

Brief: DCC Competition for a sculpture in Smithfield.

Idea: An idea to pay respect to the horse market of Smithfield.

Brief: Call for exhibits for the Irish Architetcure Foundation’s exhibition ‘Housing Unlocked’ Idea: p

The name of the proposal Thirty-Three Churches comes from the 33 churches identified in the Archdiocese of Dublin’s submission on the draft Dublin City Council Development Plan (2022–2028), in which these church sites were identified for potential rezoning to residential use.

The project selectes one of these churches, St. Mary’s Church of the Angels, Capuchin Friary, as a case study to demonstrate how the building envelope of the church could be altered to include housing, while still functioning as a place of worship.

o

g

l

h m

f k

n e

h j i

m

d

c

b

Isometric of Proposal a: Entry to church b: Nave c: Existing ceiling lowered and altered to remove timber coffers for light permeability d: Entry to apartments e: New spire housing lift for access to apartments above f: New statue of mother and child g: New stair to apartments above h: Deck access to apartments i: Entry floor to two-bed apartment j: Upper floor to two-bed apartment k: Entry floor to one-bed apartment l: Upper floor to one-bed apartment m: Apartment balconies looking south over the city n: New steel structure sitting on existing masonry walls o: New roof p: Fire escape and secondary stair

13

a

Housing Unlocked 2022

Thirty-Three Churches

Model: As part of the ‘Housing Unlocked’ exhibit a 1:25 model of St. Mary’s Church of the Angels with the proposed apartment scheme was made. The model is comprised of a CNC MDF underlying structure which was then clad in watercolour paper. More intricate items such as the pews and ceiling structure were laser cut, whereas all other paper elements were made by hand.The model was designed and built from May to October 2022

by David Lawless and Sophie Kelliher.

A bespoke table was made for the exhibition to display the model on. The table has coppiced hazel trestle legs which are doweled into ash planks. The table was designed and made by Michael Murphy. Photographs of the model are by Seán Casey.

Production Design: Concept art for a TV Series funded by Screen Ireland set in ancient Ireland.

Brief: Poster Design for a George Orwells 1984 Idea: A reinterpretation of the Ministry of Truth from George Orwells 1984 for the modern age.

Brief: Conceive of monument comprised of ‘One Million Bricks’.

Solution: The concept is to create a man-made hill from one million bricks, each representing an answered prayer.

W14

p 1 of 2

Pilgrim Wall And many peoples will come and say, “Come, let us go up to the mountain of the LORD, To the house of the God of Jacob; That He may teach us concerning His ways And that we may walk in His paths.”

Isaiah 2:3

90

0m

20m

The monument will be comprised of two primary materials, bricks and concrete. The brick retaining walls will taper back gradually as they ascend to take the form of a gravity retaining wall system to resist the outward thrust of the backfilled earth. Concrete caps the monument while creating a plinth at ground level. The visitor centre dissects the long run of the monument in the form of a brick vault (to be developed if nominated to stage two). Here a visitor reception desk can issue information along with any additional services and equipment to visitors. The perimeter walkway is formed from a hardwearing timber deck, as seen on hiking trails.

m

40

1.

2.

3.

4.

Identify a long and narrow plot of land.

Build a retaining wall of one million bricks on the plot of land. The long flanking walls will gradually slope down towards the south.

Fill the chasm with soil and let nature take seed. The man made mountain can now be hiked around and upon. There will be a small visitor centre taking the form of a vault spanning in the short direction between the walls.

Plant a field of wheat on top of the mound, cultivate and harvest it. This is a place of pilgrimage.

Brief: Private home in Salthill, Galway.

Role: An image I made for a home in Salthill. I include it as an example of the images I loved making at AOF.

Brief: Temporary winter installation over an existing lifeguard station in Toronto, Canada.

Idea: This proposal seeks to celebrate the purpose of the lifeguard station by transforming it into a triumphal arch.

The arch consists of a scaffolding structure clad in locally sourced recycled orange plastic sheets to match the station’s complexion.

The arch will comprise of a scaffolding structure with an external cladding of locally sourced recycled orange plastic sheets to match the stations complexion.

Proprioception is the sense of awareness we have of our bodies position in space. The three portals; triumphal, human and dog, play with this idea.

Above the arch is an inscription warning there are no lifeguards on duty, both in english and latin on opposing sides.

Designed around the dimensions of the 8x4’ recycled plastic sheets the project seeks to minimse waste, with the view that the plastic sheets can be returned to the factory for recycling after the exhibition. The scaffolding structure itself is totally reusable.

The project seeks to bring colour, joy and humour to the beach!

8’ 20.5’ 9.8’

The arch is designed to the dimensions of the recycled plastic sheets to minimise waste. The view is that the plastic sheets can be returned to the factory for reuse after the exhibition.

The scaffolding structure itself is totally reusable.

This proposal seeks to celebrate the purpose of the existing lifeguard station by extending it into a triumphal arch. A roman makeover.

2.7’

The structure is composed of three arches of varying scales; triumphal, human and dog.

Above the arch is a Latin inscription that translates the station’s warnings about no lifeguards.

ARCH FOR A LIFEGUARD

The project seeks to bring colour, joy and humour to the beach.

Lakeside Elevation. English Inscription.

2.7’ 8’ 20.5’ 1.8’ 5’ 3’ Shoreside Elevation. Latin Inscription.

.5’ 3’

4’

.5’

1’

2’

1’

8’

4’

Plan

2.7’ 8’ 20.5’ 1.8’ 8’ Gable Elevation

page i of ii

Gable Elevation

Brief: 47 houses in Enniskerry, Co. Wicklow.

Role: Architect at AOF. I had ongoing contribution from planning, through tender to construction on the delivery of 47 homes in Enniskerry, Wicklow.

Brief: 20 houses in Delgany, Wicklow.

Role: Architect at AOF. I worked as part of a small team to get planning permission on a difficult site with a complex terrain. Below is an image I made for the planning application.

Brief: Extension to period property on Brighton Square.

Role: Project Architect at AOF. I have led this refurbishment and extension since it entered the office in 2019. It has faced many issues through both planning and pandemic. It is now 20 weeks on site with Fordlin Construction.

-Progress September 2021.

-Construction Drawing

Brief: Mews House in Sandymount, Dublin.

Role: Project Architect at AOF. Below is an image I made for the second of two AOF designed houses on a Mews Lane in Sandymount.

Both had difficult paths though planning with a recent grant on the below scheme. I designed this mews and managed the project through planning.

The mews on the next page had already been designed by a colleague, however I did the tender set drawings for that mews.

-Competition Board.

Brief: Ireland House Competition, Tokyo, Japan.

Role: Having experience and enthusiasm for competitions I was keen for the office take part in the Tokyo House Competition. The competition felt real there was backing by the government, it was not another ideas competition.

I approached a project architect in the office who manages procurement and asked would there be an appetite to take the project on.

She was upbeat and together we lobbied the director to participate, he agreed and we began work on a proposal.

The project team consisted of the director (Max), project architect (Aideen) and myself.

Aideen took control of the procurement, delivery and time resourcing of the project.

I progressed the design and many iterations that brought us to our proposal.

We had bi-weekly meetings with the entire office for the early design stage to ensure input from all staff.

Brief: Conversion of a Victorian Gate Lodge into a restaurant.

Role: Project Architect at AOF. North Lodge was a project that came into the office in 2018, I was one year working in AOF and given the role of project lead after an architect had left the firm. The project sought to convert a coastal gate lodge in Portmarnock into a small restaurant. We developed the project with the client and lodged for planning.

Brief: 172 Apartments, Swords.

Role: Project Architect at AOF. In 2018 AOF won a developer held competition for the development of a scheme to planning stage for apartments on a brownfield site in Swords, North County Dublin. I was involved from day one producing the feasibility that ultimately won us the job. The project was on a complex brownfield site in the centre of Swords.

As part of a small team consisting of Max, Aideen and myself, we developed a 172 apartment scheme for the site.

AOF lead a large multidisciplinary design team comprising of engineers, fire consultants, flood consultants, ecological consultants and landscape architects.

As of November 2021 we are resubmitting with a smaller scheme of 145 units. I am leading the redesign alonside my Director.

I am coordinating a design team consisting of Engineers, Landscape architects, ecologists and M&E Consultants.

-Planning Drawing.