THORNTON WILLIS A Painting Survey Six Decades: Works from 1967 - 2017
DAVID RICHARD GALLERY
ISBN: 978-1-955260-75-6
Front Cover: Installation Thornton Willis A Painting Survey Six Decades: Works from 1967 - 2017 at David Richard Gallery Title Page: Installation Thornton Willis A Painting Survey Six Decades: Works from 1967 - 2017 at David Richard Gallery Back Cover: Installation Thornton Willis A Painting Survey Six Decades: Works from 1967 - 2017 at David Richard Gallery
Thornton Willis A Painting Survey Six Decades: Works from 1967 - 2017 at David Richard Gallery September 29 - October 22, 2021 Published by: David Richard Gallery, LLC, 508 West 26th Street, New York, NY 10001 www.DavidRichardGallery.com 212-882-1705 | 505-983-9555 DavidRichardGalleries1 DavidRichardGallery Gallery Staff: David Eichholtz and Richard Barger, Managers All rights reserved by David Richard Gallery, LLC. No part of this catalogue may be reproduced in whole or part in digital or printed form of any kind whatsoever without the express written permission of David Richard Gallery, LLC. Artwork: © 1967 - 2017 - Thornton Willis Catalogue: © 2022 David Richard Gallery, LLC, New York, NY Catalogue Design: David Eichholtz and Richard Barger, David Richard Gallery, LLC, New York, NY Artwork and installation Images by Yao Zu Lu
DAVID RICHARD GALLERY
THORNTON WILLIS A Painting Survey Six Decades: Works from 1967 - 2017
Table of Contents Introduction – Page 4 Part I: Chelsea gallery presentation – Page 7 Part II: Uptown gallery presentation – Page 41 Thornton Willis Biography – Page 91 Checklist of paintings in chronological order – Page 94
Introduction:
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THORNTON WILLIS A Painting Survey Six Decades: Works from 1967 - 2017 An Exhibition with Two Concurrent Presentations at Both Gallery Locations in New York: Chelsea on West 26th Street and Uptown on East 121st Street David Richard Gallery is pleased to present a solo exhibition for New York- based artist Thornton Willis, his first exhibition with the gallery and in depth survey of his paintings spanning six decades. The presentation will include geometric and color abstractions created by Willis in New York from 1967 through 2017 with a focus on iconic examples from each of his important aesthetic series: Slats, Wedges, Zig-Zags, Triangles, Prismatics, Lattices, Cityscapes, and Steps. While mid-sized and smaller artworks are available by Willis, the focus is on the large-scale paintings, of which many have not been presented in decades. This is a rare opportunity to see such a vast and inclusive presentation of Willis’s artworks organized aesthetically and chronologically. Also, this is a scholarly opportunity to fully experience the progression and consistency in Willis’s intuitive and organic approach to using color and geometry as his visual language throughout the decades. Each painting and series reveal his passion: celebrating the act of painting, the artist’s hand, and mark making, all of which, along with his process, is fully exposed including the initial pencil marks and each addition and edit along the way. Willis’s paintings reflect himself, specifically his honesty and authenticity, both as an artist and human being. Willis is true to himself, traveling his own path and trusting his instincts. Maybe he makes a few mistakes along the way, but not apologetic as he corrects and pushes forward, delivering the goods every day.
This solo exhibition for Thornton Willis, A Painting Survey, Six Decades: Works from 1967 – 2017, is presented in two concurrent presentations at David Richard Gallery in New York City at both of the Gallery’s locations in Chelsea (at 508 West 26th Street, Suite 9E, New York, NY 10001) and Uptown (at 211 East 121 ST, New York, NY 10035). Images of the artworks, installation views, and video discussions with Willis are available for viewing at the following link https://davidrichardgallery.com/exhibit/587-thronton-willis. Simultaneously, Thornton Willis has another major survey of his artworks spanning his career and curated from his paintings in the permanent collection of the Sarah Moody Gallery of Art at the University of Alabama in Tuscaloosa, AL 35487-0270. That presentation also includes a collection of drawings on loan to the museum from Thornton Willis. The presentation is on view from March 31 to May 19, 2022. By David Eichholtz New York, March 2022
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Part I: Chelsea Gallery Presentation
Thornton Willis Lattice #2, 1986 Acrylic on canvas 78.5 x 58.5”
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Thornton Willis Red Wall, 1969 Acrylic on canvas 110 x 112”
14
Thornton Willis Full House, 1981 Acrylic on canvas 84 x 96”
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Thornton Willis Hot Shot, 1983 Acrylic on canvas 108 x 120”
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Thornton Willis Brooklyn Bridge, 1993 Acrylic on canvas 96 x 84”
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Thornton Willis Brown Zinger, 1983 Acrylic on canvas 84 x 54”
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Thornton Willis Star Pull, 2003 Oil on canvas 24 x 18”
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Thornton Willis Triple Play, 2008 Acrylic on canvas 30 x 30”
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Thornton Willis Right Intentions, 2017 Acrylic on canvas 20 x 16”
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Thornton Willis Brickyard, 2017 Acrylic on canvas 20 x 16”
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Part II: Uptown Gallery Presentation
Thornton Willis Transition II, 2009 Acrylic and oil on canvas 70 x 62”
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Thornton Willis Starstrux, 2007 Oil on canvas 80 x 68.75”
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Thornton Willis Untitled Slat, 1967 Acrylic on canvas 77 x 59”
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Thornton Willis Diptych, 1979 Acrylic on canvas 109 x 131”
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Thornton Willis Space Walk, 1988 Acrylic on canvas 115 x 90”
58
Thornton Willis Blue Sky With Lattice, 2008 Oil on canvas 61 x 34”
66
Thornton Willis Step Over, Under & Through, 2016 Acrylic on canvas 77 x 60”
68
Thornton Willis Black Bear, 1998 Acrylic on canvas 114 x 108”
72
Thornton Willis Approach Shot, 1983 Acrylic on canvas 108 x 102”
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Thornton Willis Untitled Step, 1999 Acrylic on canvas 124 x 84”
80
Thornton Willis Locomotive, 1999 Acrylic on canvas 108 x 96”
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Thornton Willis Totem #3, 2014 Oil on canvas 86 x 70”
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About Thornton Willis: “The best painting is always “open-ended”. Paintings that aim for resolution lack a dynamic. Open-ended work asks questions, and partners with the viewer to bring the experience to closure. Or it might excite another painter to respond, either for or against. This requires a deep understanding of the nature of ambiguity as a reflection of life and what imparts to all art its energy. This is what I aim for in my work.” Thornton Willis was born in Pensacola, Florida on May 25, 1936. His father, a founding minister in the Church of Christ, envisioned that his son would follow in his footsteps. Instead, Thornton decided, after the Marine Corps, to go to Auburn University and pursue a degree in architecture. It was at Auburn that Thornton became convinced that his true calling lay in the realm of pictorial image making. He transferred to and graduated in 1962 from the University of Southern Mississippi. In l966, he completed his Masters work at the University of Alabama in Tuscaloosa. There he found a mentor in expatriate New York School painter, Mel Price who was a close friend of painters Franz Kline and Willem deKooning. Price encouraged Thornton to pursue his career in New York City. They both were involved in the Civil Rights Movement and participated in the Selma to Montgomery March in l965. Thornton moved to New York in 1967 and taught at Wagner College in Staten Island. Tom Young, then Chairman of the Department of Fine Art (and later at Louisiana State University in New Orleans) became a lifelong friend and ally. Thornton began showing his work with the Henri Gallery in Washington, D.C. (the first gallery to show abstract art in that city) and later with the Bykert Gallery, The Paley and Lowe Gallery in New York, and Simmone Stern Gallery in New Orleans. In the l980’s Willis was represented in the US by the Oscarsson Hood Gallery and in Europe by Claus Nordenhake, in Sweden. The Elizabeth Harris Gallery in New York began representing him in 2001. Thornton Willis is the recipient of the John Simon Guggenheim Fellowship in Painting, The Pollock Krasner Award, The Gottlieb Award as well the National Endowment for the Arts. He has participated in gallery and museum exhibitions around the world. His artworks are represented in the permanent collection of The Museum of Modern Art, New York, The Whitney Museum of American Art, New York, the Solomon R. Guggenheim Museum, New York, and most major public and private collections. Thornton Willis has gone on record in various articles, interviews, and documentaries over the years that his work derives much of its strength from the work of the New York School of Abstract Expressionists. Twelve generations of American pioneers, farmers, and evangelists have also informed the work with a stark integrity, directness and singular pragmatic moral urgency.
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Checklist Paintings in Chronological Order
Thornton Willis Untitled Slat, 1967 Acrylic on canvas 77 x 59”
Thornton Willis Approach Shot, 1983 Acrylic on canvas 108 x 102”
Thornton Willis Red Wall, 1969 Acrylic on canvas 110 x 112”
Thornton Willis Brown Zinger, 1983 Acrylic on canvas 84 x 54”
Thornton Willis Diptych, 1979 Acrylic on canvas 109 x 131”
Thornton Willis Hot Shot, 1983 Acrylic on canvas 108 x 120”
Thornton Willis Full House, 1981 Acrylic on canvas 84 x 96”
Thornton Willis Lattice #2, 1986 Acrylic on canvas 78.5 x 58.5”
Thornton Willis Space Walk, 1988 Acrylic on canvas 115 x 90”
Thornton Willis Untitled Step, 1999 Acrylic on canvas 124 x 84”
Thornton Willis Brooklyn Bridge, 1993 Acrylic on canvas 96 x 84”
Thornton Willis Star Pull, 2003 Oil on canvas 24 x 18”
Thornton Willis Black Bear, 1998 Acrylic on canvas 114 x 108”
Thornton Willis Starstrux, 2007 Oil on canvas 80 x 68.75”
Thornton Willis Locomotive, 1999 Acrylic on canvas 108 x 96”
Thornton Willis Blue Sky With Lattice, 2008 Oil on canvas 61 x 34”
Thornton Willis Triple Play, 2008 Acrylic on canvas 30 x 30”
Thornton Willis Brickyard, 2017 Acrylic on canvas 20 x 16”
Thornton Willis Transition II, 2009 Acrylic and oil on canvas 70 x 62”
Thornton Willis Right Intentions, 2017 Acrylic on canvas 20 x 16”
Thornton Willis Totem #3, 2014 Oil on canvas 86 x 70”
Thornton Willis Step Over, Under & Through, 2016 Acrylic on canvas 77 x 60”
DAVID RICHARD GALLERY