DAVID LUDWIG ___
PANGÆA FOR PIANO AND STRINGS ___
(2017)
DAVID LUDWIG
PANGÆA ___
FOR PIANO AND STRINGS (2017)
I. PANTHALASSA: THE ANCIENT SEA................ 5 II. PANGAEA: THE ANCIENT EARTH..................31 INSTRUMENTATION Violin I Violin II Viola Cello Bass Solo Piano
Commissioned by the Bravo! Vail Music Festival Anne-Marie McDermott, Artistic Director
duration ca. 22”
score revision date June 2017 DAVID LUDWIG MUSIC www.davidludwigmusic.com
Commissioned by the Bravo! Vail Music Festival , Anne-Marie McDermott, Artistic Director
PANGÆA
DAVID LUDWIG (2017)
FOR PIANO AND STRINGS
I. PANTHALASSA: THE ANCIENT SEA timings approximate, all parts asynchronous
13”
Inchoate
1.
13”
21”
pp sempre
(8”)
Vln I
2,3.
(slow gliss over 5”)
gl
pp
poco
poco
1.
(8”)
(8”)
(slow gliss over 5”)
poco
p
pp sempre
(8”)
Vln II
2,3.
slow gliss over 5”
(8”)
gl
pp
poco
poco
1.
(8”)
slow gliss over 5”
pp
(8”)
slow gliss over 5”
poco
p
U
f espr
Vla
(quarter tone sharp)
2,3.
pp
(quarter tone sharp)
ca. q=60 1. (change bow as necessary, random rhythmic groupings)
p
Vcl
ca. q=60 2,3. (change bow as necessary, random rhythmic groupings)
p
Cb
Inchoate
U
come in after 2” begin slowly, quickly accel
U
p
sempre
pp sempre
Piano
13”
*
(continue)
superball mallet
play both figures in short groups, pausing a few seconds in between
13”
** x x x x x
21”
as fast as possible, pitches in any order
f
* Drag superball mallet up and down against lowest strings, just above those being played. The ball of the mallet should rub against the string to create "wooooooh" sound. ** Strike superball mallet against inner soundboard in random rhythmic groupings © 2017 of the Anthropocene by the composer All Rights Reserved: BMI, New York Unauthorized reproduction is illegal
6
(one solo vln 1 holds)
5
Vln I
gli altri fade out over 4” after vla solo begins
(first vln 2 holds)
Vln II
(gli altri fade out over 4” after vla solo begins)
ca. q=84
Vla
Vc.
3
not in sync, changing approximately with viola 1 part
p shadow
Cb
3
fade out
fade out
Pno.
3
U
put mallet down and sit
Vln I
11
gl
gl
U
3
U
p as before
Vc.
Pno.
f come sopra
Vla
Cb
Vln II
“shadow” viola line by playing about a sixteenth note after
poco f accomp
3
(LH ends)
n
U
17 Vln I
A
(qq=ca. 84)
enter one by one in immediate succession asynchronous, smooth accel to pattern tutti
p
Vln II
enter one by one in immediate succession (first vln 2 enters immediately after vln 1) asynchronous, smooth accel to pattern tutti
3
p sub
Vla
Vc.
Cb
Pno.
approximately with vla, shadowing line
p
3
Vla
pp
as fast as possible; free slurs
pp 5
Poco rit f
slowing
slowing
Vln II
20 Vln I
f
6
f espr
7
4 4
4 4
4 4
4 4
4 4
f molto espr
poco f sub
6
change patterns approximately with viola
A (qq=ca. 84) p
pp
enter one by one in immediate succession (first vcl enters immediately after vln 2) asynchronous, smooth accel to pattern
5
as fast as possible; free slurs
f
Vc.
Cb
Pno.
6
slowing
7
7
as fast as possible; free slurs
4 4
Poco rit
p
4 4
molto 4 4
8
Vln I
4 4 4 4
Vln II
q=84 Maestoso
23
f espr
ff
f accomp
f espr
f accomp
as fast as possible; free slurs
44
Vla
poco f accomp
as fast as possible; free slurs
44
Vc.
poco f accomp
pizz
q=84 Maestoso
f
44
26 Vln I
ff
f
f always let ring
44
Pno.
4 4
Cb
f accomp
Vln II
f pesante
ff
f
ff
f
Vc.
Pno.
Vla
Cb
Vln I
30
as fast as possible-sul pont, light bow pressure; free slurs
as fast as possible-sul pont, light bow pressure; free slurs
6 8
pp
p
Vla
6 8
pp
p
Vln II
9
q=126 Ben ritmato
pizz
6 8
6 8
(pizz)
6 8
p always let ring
Vc.
pizz
p always let ring
Cb
p always let ring
Pno.
p sub
q=126 Ben ritmato
6
f legato
33 Vln I
Vln II
3
6 8
6 8
7 8
6 8
68
7 8
68
7 8
6 8
7 8
68
6
7 8 7 8
p
3
3
3
3
6 8
6 8
6 8
6 8
3
6 8
6 8
6 8
3
7 8
Vc.
Pno.
6 8
68
3
Vla
Cb
3
3
10
36 Vln I
9 8
slowing
4 4
9 8
slowing
4 4
Vln II
Vla
p
Vc.
Pno.
3
9 8
9 8
p
p
Cb
9 8
3
9 8 3
9 8
(loco)
3
3
4 4
4 4
4 4
4 4 6
44
mp
38 Vln I
as before
4 4
4 4
pp
Vln II
Vla
as before
4 4
44 arco, div
Vc.
arco
44
p
p
Cb
4 arco 4
Pno.
44
pp
pizz
4 4
pizz, unis
p as before
4 4
p sub
4 4
p as before
p
44
4 4
6
4
4
pizz
p as before
6
f
4 4
p echo, sub
3
3
11
41 Vln I
6 8
7 8
6 8
Vln II
6 8
7 8
6 8
Vla
6 8
6 8
7 8
6 8
6 8
7 8
6 8
Vc.
Cb
Pno.
3
3
3
6 8
7 8
6 8
7 8
6
f
7 8
p
44 Vln I
3
6 8
3
6 8
3
6 8
6 8
9 8
slowing
4 4
6 8
9 8
slowing
Vln II
4 4
Vla
68
9 8
Vc.
68
9 8
Cb
6 8
9 8
9 8
Pno.
6 8 68
3
3
3
3
3
9 8
3
3
4 4
4 4
4 4
6
4 4
44
47 Vln I
12
Vln II
4 4
4 4
arco
44
Vla
arco, div
44
Vc.
p
p
Cb
44 arco
6
44
p
44
Pno.
p sub
q=ca. 63
49
cellos enter one by one in immediate succession; asynchronous, match slurs to individual rhythmic groups
B
Ex. sul pont
flaut
pp Vc.
etc...
Cellos Figure: sul pont
flaut
sul pont
play pitches in figure in ordered sucession, as fast as possible. If and when figure is completed, repeat process continually until next section.
asynchronous, match slurs to individual rhytmic groups
Ex. sul pont
flaut
pp Cb
Contrabass
Pno.
etc...
Figure: sul pont
sul pont
play pitches in figure in ordered sucession, as fast as possible. If and when figure is completed, repeat process continually until next section.
q=ca. 63
B
flaut
f
in tempo
sempre
6
accel
slowing to standstill
ca. 5” fade out
13 50 Vln I
Vln II
Vla
Vc.
Cb
Pno.
,
Ex.
pp
fff sustained
(continue )
etc...
Figure:
,
fff come sopra
f
(RH only)
,
Play pitches in figure in ordered sucession, as fast as possible. When figure is complete move to next section
53 Vln I
q=126 Come sopra
Poco rit
as before
4 4
pp
as before
Vln II
Vla
4 4
4 4
pp
pizz
poco f
Cb
Pno.
Poco rit
as before
, lunga
RH and LF (in sync)
pp
f
ff
p
4 4
4 4
pizz
poco f
pizz
poco f
q=126 Come sopra 3
4 4
Vc.
f legato sub 3
4 4 p
3
3
14 56 Vln I
6 8
7 8
6 8
6 8
7 8
6 8
Vln II
Vla
Vc.
Cb
6 8
6 8
7 8
6 8
6 8
7 8
6 8
3 68
3
3
6 8
3
3
3
7 8
7 8
3
68 3
6 8
6 8
9 8
4 4
6 8
9 8
4 4
Vla
68
Vc.
68
68
6 8
Pno.
6 8
59 Vln I
Cb
Vln II
7 8
Pno.
68
3
9 8
9 8
3
3
9 8
9 8 3
3
9 8
3
3
4 4
4 4
4 4 4
4
44
6
15
62 Vln I
as before
4 4
pp
Vln II
Vla
as before
4 4
44
arco
44
Vc.
p
arco, div
pp
p
Cb
Pno.
4 arco 4
pizz
pizz unis
p
p
pizz
p
p
6 44 3
44
p sub
p sub
6 8
7 8
6 8
Vln II
6 8
7 8
6 8
Vla
Vc.
Cb
6 8
7 8
3
p
3
3
6 8
6 8
7 8
6 8
6 8
7 8
6 8
7 8
Pno.
65 Vln I
3 68 3
3
6 8
(p)
3
68
3
3
f
7 8
3
3
6 8
3
3
16
69 Vln I
9 8
4 4
9 8
4 4
9 8
Vln II
Vla
Vc.
Cb
Pno.
9 8
9 8
9 8
3
3
3
9 8
3
3
44
p
p sub
flaut
etc...
Play pitches in figure in ordered sucession, as fast as possible. If and when figure is completed, repeat process continually until next section. flaut
sul pont
as before
sul pont
pp as before
sul pont
flaut
sul pont
flaut
sul pont
pp
6
ca. 8”
p
Pno.
6
pp
Violas
4 4
Figure: sul pont
Cb
4 arco 4
Ex. sul pont
Vla
violas enter one by one in immediate succession; asynchronous, match slurs to individual rhythmic groups
72
Vc.
4 4
p
arco div
arco
4 4
f
in tempo
p
accel
slowing to standstill
fade out
Vln I
74
Vln II
Vla
Vc.
Cb
Pno.
17
fff sustained
,
p
q=126 Come sopra
4 4
Pno.
p
q=126 Come sopra
f
f
ff
4 4
6
p dolce sub
4 4
4 4
lunga ,
,
4 4
pizz
Cb
p
Vc.
4 4
pp gauzy
Vla
4 4
pp gauzy
Vln II
fff come sopra
f
77
Vln I
,
as before
3
3
18
80 Vln I
Vln II
Vla
84 Vln I
Vln II
6 8
6 8
7 8
87
7 8
6 8
6 8
6 8
6 8
7 8
6 8
6 8
7 8
6 8
3
3
6 8
9 8
9 8
9 8
7 8
6
Vla
6 8
6 8 3
Pno.
Vc.
Cb
7 8
3
3
6 8 3
6 8
Cb
Pno.
3
3
natural harmonic sul G
4 4
gl
p
natural harmonic sul G
4 4
gl
p
4 4
div, arco
3
3
9 8
9 8
3
9 8
4 4
arco
pp
9 8
3 3
p
Vc.
pizz 4 4 p
4 4
6 4 poco f 4
6
87 Vln I
gl
4 4
6 8
6 8
pp
poco f
Vln II
4 4
(ord)
gl
pp
poco f 6
Vla
4 4
unis, pizz
f
Vc.
Cb
Pno.
Vln I
90
Vln II
p
4 4
6
f legato
4 4
3
3
7 8
6 8
6 8
87
6 8
6 8
6 8
6 8
3
3
6 8
9 8
9 8
9 8
Vla
68
Vc.
6 8
7 8
6 8
9 8
68
7 8
6 8
9 8
Cb
6 8
Pno.
6 8
7 8
6
6 8
6 8 3
6 8
4 4
4 4
19
7 8
3 7 8 3
6 8
p dolce sub 3
3
6 8
3
3
3
3
9 8 9 8
94 Vln I
20
4 4
gl
gl
9 8
p
98
Vla
9 8
9 8 3
3
4 4
gl
gl
p
poco f
4 4
div, arco
p
6
f
4 4
arco
pp
pizz 4 4
p
6
4 4
poco f
4
4
6
3
C
97
Vln I
9 8
Pno.
9 8
Vc.
Cb
9 8
Vln II
poco f
e=126=qq=63 Con moto play first time through in strict unison. second time and thereafer enter one by one in immediate succession; repeat until cue
begin pp with light bow pressure, getting very gradually louder and more "solid" sound throughout entire passage until cue
play first time through in strict unison. second time and thereafer enter one by one in immediate succession; repeat until cue
Vln II
begin pp with light bow pressure, getting very gradually louder and more "solid" sound throughout entire passage until cue
play first time through in strict unison. second time and thereafer enter one by one in immediate succession; repeat until cue
Vla
begin pp with light bow pressure, getting very gradually louder and more "solid" sound throughout entire passage until cue
Vc.
Cb
Pno.
play first time through in strict unison. second time and thereafer enter one by one in immediate succession; repeat until cue
begin pp with light bow pressure, getting very gradually louder and more "solid" sound throughout entire passage until cue
C e=126=qq=63 Con moto
6
21 99 Vln I
Vln II
Vla
Vc.
Cb
Pno.
Vla
continuous bass pulses in time with piano until cue
Pno.
Vln II
Cb
101
Vc.
Vln I
enter after first upper string cycle is complete
arco
p getting gradually louder throughout
enter 3-5” after bass
6
p
6
f espr e ben marcato
104 Vln I
22
& II
Vla
Vc.
Cb
Pno.
Vln I & II
6
sub meno f
6
106
Vc.
Pno.
6 6
Vla
Cb
f
sub meno f
ff
108 Vln I
& II
Vla
Vc.
Cb
Pno.
6
6
6
6
f
23 110 Vln I
Vln II
Vla
Vc.
Cb
Pno.
sub meno f
ff
112 Vln I
Vln II
Vla
Vc.
Cb
Pno.
6
6
6
6
6
6
f
24
114 Vln I
Vln II
Vla
Vc.
Cb
Pno.
ff
sub meno f
116 Vln I
12 8
Vln II
12 8
Vla
12 8
12 8
12 8
Vc.
Cb
Pno.
6
f
12 8 6 6
6 6
6
6
12 8 3
6
Vln I
117
12 8
div a3 1.
2, 3.
15 8
ff
12 8
Vln II
wild, wide, quarter-tone vibrato
25
15 8
ff vigoroso
12 8
Vla
15 8
ff vigoroso
12 8
Vc.
Cb
Pno.
ff vigoroso
12 8
ff
12 8
12 8 sempre
ff bold!
120
Vln I
15 8
*
chord clusters played with palm of hand
* (enter immediately after vln 1)
p
sul pont, quickly decreasing bow pressure
Vla
p
sul pont, quickly decreasing bow pressure
Vc.
* (enter immediately after vla)
p
Cb
gliss slowly upward over about 4” then cut off
Pno.
p
fff
(RH+LH)
15 8
D
Ritard poco a poco
U
12 8
7 8
U
12 8
7 8
U
12 8
7 8
U
12 8
7 8
12 8
7 8
* (enter immediately after vln 2)
15 8
unis
sul pont, quickly decreasing bow pressure
15 8
upward run of any pitches to highest note possible over about 4”- avoid specific scales and patterns sul pont, quickly decreasing bow pressure
p
Vln II
U wait for last note in strings...
Ritard poco a poco
D 12 8
poco f
fff let all sound ring
12 8
gradually clear sound
7 8 7
8
practice mute
26
122 q=42 Sospeso
Vln I
6 8
div a 3
7 8
6 8
7 8
Vla
Vc.
Cb
Pno.
6 8
7 8
87
6 8
7 8
6 8
87
6 8
7 8
q=42 Sospeso
87
Vln I
p dolciss, molto legato
6 8
6 8
128
6 8
7 8
p
7 8
1.
7 8
pizz
1.
pp tenuto
68 3.
Vla
7 8
6 8
Vc.
7 8
6 8
7 8
6 8
Cb
Pno.
guitar pick
87
7
8
6 8
3.
p always let ring
6 8
2.
pp tenuto
2.
pp
6 8
6 8
6 7 8 8
pp
7 8
div a 3
7 8
Vln II
6 8
7 8
7 8
p
practice mute
Vln II
68
6 8
134
Vln I
Vln II
Vla
Vc.
Cb
7 8
Vln II
p dolce
9 8
9 8
6 8
pp
pp
9 8
pizz
p always let ring
7 98 8
9 8
5 8
5 8
27
6 8
6 8
6 8
guitar pick
6 8
9 8
7 8
141 Vln I
7 8
p dolce
87
7 8
Pno.
9 8
7 8
6 8 6 8
6 8
p dolce
(remove practice mutes)
(remove practice mutes)
( )
n
68
n
6 8
seagull effect
Vla
5 8
pp
n
seagull effect
Vc.
Cb
Pno.
5 8
6 8
6 8
( )
pp
n
arco
seagull effect
5 8
( )
pp
n
5 6 8 8
5 8
6 8
pp sub
poco f let ring
(qq=remains ca. 42)
28
Vln I
Enter one by one, ca. 1” apart
147
U
poco f
continuous, gradual accel
ppp
Enter one by one, ca. 1” apart; start immediately after first vln 1
U
Vln II
poco f
ppp
Enter one by one, ca. 1” apart; start immediately after first vln 2
Vla
U
poco f
ppp
Enter one by one, ca. 1” apart; start immediately after first vla Vc.
Cb
Pno.
U
ppp
poco f
U
(qq=remains ca. 42)
ppp
U
ca. 8”
pp
151 Vln I
Vln II
Vla
Vc.
Cb
Pno.
U
p (second time mf)
(LH as asyncronous as possible)
Vln I
29
152
n
Vln II
n
Vla
n
Vc.
n
Cb
U
Pno.
p
(gradually lift ped)
ca. 8” poco f espr
begin slowly, quickly accel
(qq=ca. 84 Freely)
3
3
3
as fast as possible, pitches in any order
p
sempre
157
Pno.
Molto ritenuto e ritard
f
153
Pno.
ca. 6+” (any notes in contour, avoid scales)
3
3
4 4 4 4
pp
30
161
Vln I
enter one by one in immediate succession
sul pont light pressure
poco
pp
enter one by one in immediate succession
Vln II
poco
pp
enter one by one in immediate succession
Vla
poco
pp
enter one by one in immediate succession (cello begins on downbeat)
Vc.
Cb
Pno.
poco
pp
p
p
sul pont light pressure
sul pont light pressure
pp poco
as before
sul pont light pressure
Vla
as before
sul pont light pressure
Vc.
poco
pp
Cb
Pno.
hold through then fade out with string tremelos
fff sub
f
decresc poco a poco
poco f sub
U
U
poco
pp
poco
pp
as before
Vln II
U
ca 5”
as before
(wait for strings to finish)
f
164
Vln I
hold chord until last string note sounds
U
U
U
ca 5”
U
n
n
n
n
n
II. PANGÆA: THE ANCIENT EARTH 31
Vln I
q. q.=60 Passacaglia “air gliss”- light bow pressure, minimize pitch, lots of air in sound, any string
6 8
5 8
pp sempre
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 5 6 8 8 8
“air gliss”- light bow pressure, minimize pitch, lots of air in sound
6 8
Vln II
68
pp sempre
“air gliss”- light bow pressure, minimize pitch, lots of air in sound
Vla
68
pp sempre
“air gliss”- light bow pressure, minimize pitch, lots of air in sound
Vc.
Cb
68
68
Pno.
pp sempre
68
ff ben ritmato
5 8
5 8
5 8 5 8
5 8
6 58 68 8
ff pesante
6 8
5 8
6 8
68 58 68
6 8
q. q.=60 Passacaglia
9 Vln I
Vln II
5 8
ff pesante
6 8 6 8
5 8
5 8
5 8
5 8
6 8
68
6 8
6 5 6 8 8 8
p
5 8
6 8
div
f espr
Vla
Vc.
Cb
Pno.
5 8
6 8
5 8
6 8
f
5 8
68
6 5 8 8
5 8
6 68 58 8
6 5 8 8
5 8
6 68 58 8
5 8 f espr 5 8
6 8 6 8
5 8 5 8
6 8
5 8
6 8
6 5 68 8 8
32
15
Vln I
68
Vla
Vc.
5 8
6 8
5 8
6 8
5 8
f espr
p
5 8
6 8
5 8
68
58 68 58
68 58
68
58 68 58
68 58
6 8
Pno.
unis 6 58 68 58 8 f
Vln II
Cb
6 8
div 6 5 6 58 8 8 8
5 8
6 8
5 8
6 5 8 8
6 5 68 58 68 8 8
22 Vln I
5 8
Vln II
come sopra
5 8
Poco rit
6 8
5 8
6 8
Vla
58
6 8
Vc.
58
6 8
58
6 8
Cb
Pno.
5 6 8 8 58
68
Poco rit
33
28 Vln I
U
U
Vln II
Vc.
U
pizz
p let ring
Cb
U
pizz
p let ring
3
Pno.
Vln I
mp
3 4
mp
43
Vla
mp
43
Vc.
mp
Cb
Pno.
43
mp
43
3
3 3 4
2 4
3 4
p
3
p
3 3 4
2 4
3 4
f
div, arco
2 4
3 4
2 4
f
mf
3
mf
3 4
42 43 42 43 mf
(pizz)
f
q=60 Maestoso
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
3 4
2 4
3 4
3 4
2 4
3 4
2 4
f sub
f sub
pp
2 4
3 4
2 4
3 4
mf
2 4
3 3 4
2 4
3 4
(div as necessary)
pp
2 4
2 4
3 4
p
3 3 4
(div as needed)
2 4
3 4
2 4
mf
2 4
2 4
3 4
3 4
3 3 4
2 43 4
2 4
2 4
2 4
p
f
3 4
3 3 4
f
E 3 4
f sub
pp
pp
42
f sub
3 4 f sub
pp
p
3 4
3 4
(loco)
2 4
U 3 4
3 4
2 4
3 4
U
34
Vln II
U
p dolce
E q=60 Maestoso 3 unis 4
U 3 4
U
Vla
U
2 4
2 4
3 4
3 3 2 4 4 4 (loco)
f cantabile (non decresc)
3
3 2 3 4 4 4 f
3
34
40 Vln I
3 3 4
2 4
3 4
3 4
2 4
3 4
3 43
2 4
3 4
mf
3
Vln II
mf
Vla
mf
43
43
3
Vc.
mf
Cb
mf
3 4
Pno.
43
3 3 4
3 4
Cb
Pno.
7 8
7 8
7 8
43
p
2 4
3 4
3 4
2 4
3 4
mp
3 4 mp
2 4
3 4
42 43
2 3 4 4
Poco a poco accel
3 43
p
2 3 4 4
43 3
Vc.
3 4
2 43 4
p
2 4
mp
2 4
3 4
mp
2 4
pp
3
p
Vla
7 8
p
Vln II
44 Vln I
mp
2 4
pp
pp
unis pp
7 8
pp
3 7 8 4 43
Poco a poco accel
p
7 8
35 48 Vln I
Vln II
q=120 Con moto
x=pizz: four fingers loosely across strings; no pitch!
Vla
Cb
Vc.
Cb
Pno.
f
q=120 Con moto
Vln I
Vla
f
52
Vln II
f
Pno.
f x=pizz: four fingers loosely across strings; no pitch!
Vc.
,
q=60 As before
3 4
3 4
poco f
poco f
arco 3 4
poco f
3 4
arco, div
poco f
3 4
pizz (ord)
2 4
3
2 4
3
f
f
2 4
3
2 4
3
f
f
2 4
3 4
3 4
3
p sub
3
p sub
3 4
3
p sub
3 4
3
2 4
2 4
2 4
2 4
2 4
p sub
43
(loco) 3 , 2 3 3 2 4 4 4 4 3 10 11 p poco f dolce 3 3 2 3 2 4 4 4 4
poco f
q=60 As before
f
p sub
36
Vln I
56
Vln II
Vla
Vc.
Cb
Pno.
2 4
f
3 4
3 4
3 4
3 4
poco f
2 4
42
42
42
43
f
f
f
3
42
poco f
poco f
43
43 f sub
Vc.
f sub
Vla
poco f
3 4
f sub
f sub
Cb
pizz 43
f sub
3
42
3
2 4
3
2 4
3
3
3
2 4
f
3 4 3 4
2 4
p sub
p sub
p sub
3
3 4
3
3
3
3
3 4
mf
Pno.
43
10
f
2 4
6
3 3 42 4 4 3
3 4
pp
3 4 3 4 3 4
43 pp
3 3 13 42 43 4
mf
pp
pp
2 4
pp
3 4
(loco)
mf
2 4
3 4
2 4
42
3 4
2 4
f
mf
f
3 4
p sub
3 4
2 4
f
mf
42
2 4
43
42
3 4
f
2 4
12 3 3 4
3 4
2 4
3
poco f
61 Vln I
Vln II
3
(loco) 2 3 4 4 f
42
3 4
3
3
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
6
2 3 4 4
11
2 4
3 4
37
65 Vln I
3 4
3
mp
Vln II
3 4
43
mp
Vla
Vc.
43 mp
Cb
Pno.
3 4
Vln II
Vla
Cb
2 4
2 4
3 4
42
7 8
3 4
2 4
7 8
p
3 4
pp
2 4
p
43
pp
2 4
unis
7 8
7 8
pp
p
pp
6
q=120 Con moto subito
7 8 7 8 87
1/4 tone trill always
pp
() ( )
light pressure, sul pont e glissando sempre, ad lib 1/4 tone trill always
p
87
87
() ( )
light pressure, sul pont e glissando sempre, ad lib
87
Pno.
3
7 8
pp
p
f
Vc.
2 4
3
42
3 3 3 42 42 87 4 4 3 3 13 p 12 3 2 3 2 7 43 4 4 4 8 mp
69
Vln I
3 4 p
2 4
3
mp
2 4
f
f
pp
q=120 Con moto subito
(higher on fingerboard)
(higher on fingerboard)
f rumbling 87
(loco)
(loco)
38
Vln I
72
( ) ( ) ( )
( ) ( ) ()
Vln II
Vla
Vc.
Cb
Pno.
(no trill)
Vla
Vc.
Cb
Pno.
arco 3 4
2 4
3 4
2 4
3 4 3 4
gl
2 4
p dolce
(ord)
(no trill)
(ord)
gl
( )
q=60 Subito meno mosso
75 () Vln I Vln II
2 4
p dolce
p dolce
arco
p dolce
pizz (ord)
43
2 4
3 2 4 4 3 p 3 (loco) 3 2 4 4 (loco)
p dolce
q=60 Subito meno mosso
39
Vln I
78
2 4
Vla
Vc.
Cb
Pno.
mf
(div as needed)
3 4
2 4
3 3 4
mf
3
3
3
43
3
3
mf
3 2 4 4
3
pp sub
3 4
3 4
3 4
pp sub
Pno.
3 4
2 4
3 4
2 4
3 4
2 4
3 4
p sub
2 4
3 4
2 4
3 4
3 4
p sub
p sub
2 4
3 4
2 4
43
3
3
3 4
p sub
3
3
2 3 2 3 4 4 4 4
pp sub
Cb
p sub
2 4
3 4
f cantabile
pp sub
Vc.
2 4
(loco) (loco) 2 3 2 3 2 3 4 4 4 4 4 4
3 4
Vla
mf
42
2 4
3
2 4
mf
3
83 Vln I
Vln II
3 4
3 4
2 4
Vln II
3
,
7 8
7 8
7 8
q=120 subito
7 8
7 8
f , q=120 subito (loco) 3 87 4 p 3 7 4 8 pp sub
40
86
Vln I
pont light pressure) asynchronous (sul (finish run before end of measure, any notes)
5 8
p
pont light pressure) asynchronous (sul (finish run before end of measure, any notes)
Vln II
n
5 8
p
Vla
Vc.
Cb
Pno.
(L’istesso tempo)
asynchronous (sul pont light pressure)
(finish run before end of measure)
arco p
n
n
58
accomp
5 8
58
58
5 8 58
f espr
F (L’istesso tempo)
5 8
Pno.
p
5 8
5 8
ord
Cb
(finish run before end of measure, any notes)
F
5 8
Vc.
f
(loco)
5 8
Vla
asynchronous (sul pont light pressure)
89
Vln II
(loco)
Vln I
n
58
f espr
98 Vln I
Vln II
violin 1
Vc.
Cb
Vln II
Vla
Pno.
41
f espr
106 Vln I
Cb
3 8
5 8
3 8
5 8
pizz
83
83
3 8
p
pizz
pizz p
f
p
f
3 8
83
f
f
p
Vc.
Pno.
f espr
f accomp
Vla
5 8 5 8 5 8
5 8
5 8
42 113 5 Vln I
8
5 8
one solo vln 2
Vln II
f espr
Vla
Vc.
Cb
Pno.
one solo vla arco
58
58
5 8
5 8
one solo vln 1
Vln II
Vla
Pno.
f espr
123 Vln I
Cb
58
Vc.
one solo vcl arco
f espr
132
Vln I
Vln II
Vla
Vc.
Cb
Pno.
Vla
Vc.
Cb
Pno.
p sub
83
83
arco
f espr
5 8
5 8
5 8
5 8
5 8
f espr
f espr
f espr
f espr
f espr
f espr
f espr
f espr
f espr
f espr
f espr
5 8
3 8
p
5 8
5 8
5 8
3 8
5 8
5 8
p sub
5 8
f espr
3 8
43
5 8
3 8
5 8
tutti
f espr
Vln II
Vln I
3 8
p sub
f espr
f espr
tutti
f espr
tutti
141
tutti
44
148
Vln I
Vln II
Vla
meno f
meno f
p da lontano
meno f
meno f
p da lontano
p da lontano
meno f
f espr
meno f
meno f
meno f
meno f
meno f
Pno.
meno f
Cb
Vc.
meno f
meno f
45
155
Vln I
Vln II
Cb
p da lontano
p da lontano
7 8
7 8
7 8
7 8
7 8
7 8
7 8
7 8
7 8
ppp
ppp
p da lontano
p da lontano
7 8
Pno.
p da lontano
7 8
p da lontano
Vc.
p da lontano
Vla
p da lontano
p da lontano
p da lontano
Molto rit
87
ppp
Molto rit
7 8
7 8
7 8
G
46
163 7 Vln I
q=120 Con moto subito
8
Vln II
7 8
Vla
87
87
unis, pizz
Vc.
f
87
pizz
f
G
(loco) (loco) f sub 87
Pno.
q=69 Maestoso
166 Vln I
(q.. q.. = q)
Vla
3 8 3 8
Vln II
,
3 8
unis, ord
f espr
Vc.
3 8
6 4
6 4
6 4
f
div
div, arco
Pno.
3 8
arco
f
, 3 8
(q.. q.. = q)
ff
3 8
f sub
f sub
f sub
f sub
4
6
f sub
q=69 Maestoso poco a poco accel
6 4
f sub
f
Cb
as needed) (div
6 4
div
f
6 4
poco a poco accel
f sub
f sub
f sub
f sub
87
q=120 Con moto subito
Cb
Vla
Vc.
Pno.
f sub
p sub, ecco (non cresc)
f sub
f sub
f sub
Vln II
Vla
Vc.
f
f
p sub, ecco
f
meno f
mp
mf
mf
mf
poco a poco accel
ff
p
ff
p
ff
p
ff
p
ff
p
q=120 Più mosso
sempre ff marcatissimo
q=120 Più mosso
Rit
mf
poco a poco crescendo
f
f
mp
(non cresc)
Rit
47
mf
mp
q=84 Più mosso
p sub, ecco (non cresc)
f sub
mp
f sub
p sub, ecco (non cresc)
f sub
mp
f sub
p sub, ecco (non cresc)
Vln I
Pno.
f sub
174
Cb
f sub
Cb
poco a poco accel
Vln II
Vln I
q=84 Più mosso
170
48
downward stepwise run: any notes but avoid specific scales
Molto ritard
178
Vln I
ca. 5-8”
fff explosive
f
Vln II
6 8
f
fff explosive
Vla
6 8
6 8
fff explosive
f
Vc.
fff explosive
6 8
6 8
6 8
f
Cb
Pno.
181 6 Vln I
Vla
Vc.
Cb
Pno.
6 8 6 8 68 6 8
f
fff explosive
Molto ritard
fff con tutta forza
ca. 2” each
U
3x * xxxxx
* superball mallet: strike random lowest strings 5-7 notes per gesture; space gesture a couple of seconds apart
air gliss p
air gliss p
air gliss p
air gliss p
air gliss p
e=84 Morendo al fine
68 p dolciss
68
6 8
chord clusters played with both palms or forearms
e=84 Morendo al fine
8
Vln II
49 189 Vln I
two players
Vln II
Vla
Cb
two players
two players
Vc.
1 solo vln 2
two players
Pno.
197 Vln I
1 solo vln 1
n
Vla
Vc.
U
U
U
U
U
n 1 solo vla
n 1 solo vcl
n
Pno.
Vln II
Cb
n
U
U
pp
pp
p