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MUSIC - FASHION & BEAUTY - LIFESTYLE

2021 ISSUE 3

+ HOLLY HUMBERSTONE - CHLOE LILAC - UPSAHL - GIRLI

Picture of me when I was only 19!

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Growth.

A very special and warm welcome to all of you. Hope you are keeping well. It is crazy to think that already we are coming to close of 2021, and what a surreal year it has been for sure, especially as the world has slowly returned to some sort of normality in these strange times that we are living in. With this edition of DARKUS we really wanted to take the opportunity to reflect on these past 12 months within the creative world, and through all the incredible conversations I had with various people over these past number of months, when asked about to describe their lived experiences of this year, a common theme started to appear - 2021 was a year of reflection and growth. If you look at the music industry for example, you do not have to venture too far to see the range of incredible artists and bands who have taken the opportunity to push their personal growth whether that be with their songwriting, or using music as a way to empower their voices as people. Speaking of empowerment, as this is something DARKUS will forever be honoured to celebrate, in this edition we also wanted to take the opportunity to highlight some of the incredible trailblazers who have really brought such a positive impact to us all whether that be through music, fashion or other creative adventures. With each person featured in this edition of DARKUS, they all have their own definition of what growth means to them, which encourages the rest of us to reflect and consider what that would like for us if someone had asked us to describe what that journey would look like for us. So let’s take this journey together, as we celebrate the people we have become today! With love, Thushara x X x

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Contents MUSIC

The Return Of Live Music 01 Girl Power Playlist: Ones to watch 21 Kat Von D tells us why she is doing it for love! 25 Amy Duncan talks us through new album ‘Cocoon’ & Scottish music scene 29 Beth Macari: Northern Soul 33 Chloe Lilac: How Covid changed the direction of her music 35 Oasis: Live at Knebworth 1996 39 Forester: Music is choosing us 41 GIRLI: The art of not giving a fuck 43 UPSAHL: Lady Jesus 51 L Devine: EP’s, Growth & Empowering Moments 53 Grace Gaustad: Talking Lady Gaga and metaphorical black boxes 61 Holiday Ghosts: The story behind ‘North Street Air’ 63 Holly Humberstone: Reflecting on my personal growth 65 Parcels: Genre-defying 19 track masterpiece 69 Jasmine Thompson: It’s not just music, it’s therapeutic 71 Tally Spear: Exploring the darkness and the light 75 The Rise of Mercury KX 79 Millie Manders & The Shutup: It’s all about those butterfly vibes 83 Pip Millett: Manchester’s rising star 87 Newton Faulkner: Flashes of Light 89 Walk The Moon: Cincinnati Rock Band Reveals Insights Behind Album ‘Heights’ 91 Will & The People: Staying true to our word 93 Echo & The Bunnymen: In conversation with Will Sergeant 97 Tai Verdes: Just Making Things. That What Artists Do. 99

FASHION & BEAUTY

Ellie Goldstein: Breaking Stereotypes 101 How sustainable is your wardrobe? 103

Lone Design Club’s Latest Independent Designers 105 Zoobie By Lola: Teen TikTok sensation launches clothing line 107 Hit & Run: No Wastage. No Censorship. No Excuses. 111 Paria: The future of cycling apparel 117 Depop: Keeping clothing circulating 119 Speaking of Style 121 Baby It’s Cold Outside 123 LFW SS2022 hair looks with Maria Kovacs 125 The Best Christmas Makeup According to Each Star Sign 129

LIFESTYLE

Innside Newcastle: Relaxation & Bliss For The Modern Day Traveller 133 Sabrina Bartlett: Escapism at its purest and finest 141 In the frame: Adrian Fisk 145 Salomé Robert-Murphy: We Regret The Chances We Didn’t Take 149 Temple: Through The Eyes of Anna Willems 153 Darryl Mundoma: Authenticity, Motivation and Faith 155 Paradise of the North: Faroe Islands & Greenland 157 A sad goodbye to Rag Dolly & Eve Valentine 163 Jane Hilton’s Drag Queen Cowboys 167 God’s Own Junkyard: A wonderland of creativity 169 NFL London: A Triumphant Return For UK Fans, If Not For The US Teams 175 The Magic Of Harry Potter 179 Let’s get Knude 183 Nice One Manchester: Featuring Native Manchester, Dulcie Street Warehouse & Escape To Freight Island 185 Philip Colbert: I Became An Artist When I Became A Lobster 191 Virgin Red Room: The Perfect A-List Experience 193 VOOM Nutrition: the tastiest post workout treat 199

Photo Credits | Livy Dukes

Louis Dunford - Lafayette 9th November 2021

The Return Of Live Music

While the Covid-19 pandemic may continue to be an issue we should all obereve mindfully, it brought some much welcome joy to see that after countless months of uncertainty that live music had finally returned. Read on to see just some of the incredible shows our team of writers and live music photographers have had the pleasure of documenting as the power of live music makes a most welcome return.

Photo Credits | Joe Clarke

Joy Crookes play at the Manchester Academy Sunday 14th November 2021 Article | Courtney Davies 03

“I feel like you’re going to hate me with the next one” - Joy Crookes admits to the crowd at Manchester Academy when she announced her song London Mine. Hearing the name of the mancunians rival city filled the room with people booing. I Don’t Mind, the first song on Joy’s debut album Skin, kicked off the concert on the 14th of November. Fans sang along with the song showing the singer their support. However, they clearly weren’t loud enough during the second song because Joy stopped her band and asked the crowd “Manny what’s f ****** going on, I need the energy up”, and restarted Trouble. When Joy moved onto what she called ‘the heartbreak section’, the set changed from pink to blue. To Lose Someone shifted the atmosphere from the dancing of Wild Jasmine to swaying in the crowd. “One, two, three” – Joy counts the crowd in during Don’t Let Me Down to sing the chorus with her whilst playing along on her guitar. But the crowd

didn’t sing loud enough for her because she told the audience: “You can do so much better than that.” She first brought the instrument on stage to sing Poison. After singing the song that titled her album, Skin she was met with cheers from the crowd which only got louder when Joy waved her arms in the air. “This may or may not be my last song” Joy jokes to the crowd before she plays Feet Don’t Fail Me Now and walks off the stage with her band. The audience start chanting ‘one more song’ and banging their feet on the floor, until Joy walks back on again towards the piano. She sings Theek Ache whilst solo on stage playing the piano, before her band comes back on for the final songs of the show. Joy ends the set with When You Were Mine and the crowd made the most of it being her final song by singing and dancing along.

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Photo Credits | Compliments of DFR Visuals 2021

Glass Animals L Pinch me, I must be in Dreamland… O2 Victoria Warehouse, Manchester - Thursday 11th November 2021 Article | Sophie Walker 05

surrounded by fans wearing as many pineapples as humanly possible and the set’s Windows 98 screens and neon lights felt familiar and made me feel at home. The album I framed an entire year of my life around had been brought to life in front of my eyes, wow. Following the infamous pineapple being placed on stage, which lit up a GA sign and got one of the biggest cheers of the night, the Windows screen started to load and count down from 1 minute, which I’m not going to lie, made my heart RACE. Those feelings of anxiety quickly went when the band promptly opened the show with their latest single I Don’t Wanna Talk (I Just Wanna Dance), and trust me, we danced. Frontman Dave Bayley’s energy is infectious on stage and completely transports you to another world, to Dreamland. Next, Life Itself ’s distinctive drumbeat began to play, and from that moment we really felt like we were at a Glass Animals gig. The How To Be a Human Being opener is well-loved, a natural opening song and very much a set staple. Lyrics ‘She said I look fat, but I look fantastic’ are sung back to Dave with a ferocity that feels like they hit close to home for a few too many people in the room. Following fan favourite Tangerine came a surprise… Black Mambo began to play, but it sounded different, and after the first chorus, we understood why. The band slowly stopped playing Black Mambo and instead began to blend it into Hot Sugar. This was a combination that I didn’t know I needed, and it was nice to experience a Zaba-Dreamland hybrid. The woofs of The Other Side of Paradise packed a punch, especially when combined with bold lighting changes and Dave’s unrivalled passion in their delivery. The Other Side of Paradise is a song that feels different live. There’s something about it, an extra level of pure, unbridled fury that comes with it. The bridge especially turns into an emotional spiral before the songs climax. It is a moment I have rarely seen matched by other bands.

Live: After what feels like forever Glass Animals are back in the UK, and they’re back with a pop, R&B and indie-rock fused bang. Following an enforced hiatus after drummer Joe Seaward was involved in a serious cycling accident, the band returned with their single Tokyo Drifting in 2019 and have not stopped since. Their third studio album, Dreamland, was released in 2020, climbing as high as second in the UK album charts in the midst of the COVID-19 pandemic. Now, as restrictions have lifted, the Oxford boys are taking the world by storm on their Dreamland tour and the next stop was O2 Victoria Warehouse in Manchester. Waiting for the show to start I genuinely felt like I was in a dream. I’ve been waiting to see Glass Animals for years, they’re my favourite band, and I couldn’t quite fathom that I was finally seeing them live. Pineapples and the nostalgia aesthetic are now synonymous with Glass Animals, so being

Energetic songs kept coming in quick succession. Cane Shuga’s rare appearance on the setlist was welcomed with open arms by the crowd who matched the energy of the song, even challenging Dave’s energy. Two more then followed as a juxtaposition - Your Love (Deja Vu)’s pop-synth flute riffs vs Take a Slice’s deeper, more aggressive bass enter the ring. I must say that I loved hearing tracks from the band’s 3 album discography alongside each other, the difference in sound didn’t lead to a disconnect at all, if anything, they sound like they’re meant to be played together. Glass Animals’ songs tend to build up throughout before an enthralling and emotional end and, in true Glass Animals fashion, the show almost felt like it followed that method too. Around me I could feel a change in atmosphere when Youth began to play. Teamed up with Dave’s home videos playing on the screen behind him, lyrics of childhood gave me goosebumps. You could tell that this song meant a lot to everyone, we felt those lyrics. The way that everyone unites in singing “FLYYYY” as the chorus opens is truly special and something that every fan deserves to experience. After the emotional gut-punch of Youth, we had our pineapples at the ready. It isn’t a Glass Animals gig without Pork Soda and the iconic refrain of “pineapples are in my head” being chanted by both the band and crowd. It’s a ridiculous line but it means so much to the Glass Animals fandom that it really doesn’t matter how absurd it sounds. Everyone in the room is in the moment and all eyes are fixated on the pineapple that Dave now has in his grasp. Pork Soda is a fitting end to a phenomenal set and even as it came to a close, I still couldn’t believe what I was experiencing, it hadn’t set in. After the emotional gut-punch of Youth, we had our pineapples at the ready. It isn’t a Glass Animals gig without Pork Soda and the iconic refrain 06

of “pineapples are in my head” being chanted by both the band and crowd. It’s a ridiculous line but it means so much to the Glass Animals fandom that it really doesn’t matter how absurd it sounds. Everyone in the room is in the moment and all eyes are fixated on the pineapple that Dave now has in his grasp. Pork Soda is a fitting end to a phenomenal set and even as it came to a close, I still couldn’t believe what I was experiencing, it hadn’t set in. The boys put in a good act pretending that the gig was over and left the stage, but no one was fooled. After about a minute, the Windows screen posed the obvious question of ‘This will install Glass Animals Encore 2.0 service pack. Do you wish to continue?’ Of course, this was met with screams as everyone knew exactly what was coming with the encore. And let’s just say that it was worth giving yourself a sore throat for. Trap-inspired single Tokyo Drifting was the encore’s opener. It felt symbolic that this, the band’s first single following the hiatus that left us all uncertain whether the band would ever come back, was the opening song of their encore. The fans’ fever for Glass Animals never disappeared on their break, and it was heavier than ever as this song began to play. I’ve been a Wavey Davey enthusiast for some time, and he was truly on fire. I don’t think I’ve ever felt like I was in the right place at any other moment in my life as much as I knew I was then. The heavily anticipated Heat Waves closed the show, the band’s biggest hit to date which has pretty much been constantly in the charts since release and has seen multiple waves (no pun intended) of success after featuring on FIFA 21 and then going viral on TikTok. This felt different to the other songs, every single person in that venue knew every word. It was a testament to the stature that the band currently has in the music world. Heat Waves is universally renowned and it deserves all of the popularity it has received, it is the song that has propelled Glass Animals into the spotlight that they belong in. The band’s love for their fans was shown during the many pauses within songs in the set, many of which lasted longer than intended because of how loud the cheering was from fans, moments of genuine emotion and appreciation. Victoria Warehouse is a big venue, and with looks of disbelief, you could tell that Dave was bursting with pride at how far himself and his friends from school had come. After finally seeing Glass Animals on this tour, it’s absolutely no wonder why they’ve been nominated for Best New Act at the Grammys. It was more than a gig, it was an experience and it felt as authentically Glass Animals as it could’ve been. The band have been around for a while, but following the hiatus and then the pandemic, Dreamland feels like the rebirth of Glass Animals – and it’s exciting to have them back.

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@GLASSANIMALS

Photo Credits | Storm Walker

Easy Life Live: Genre-Blurring Highs From One Of The Best Live Bands

Article | Matthew Codd

Leicester band Easy Life are touring the UK on their biggest headline tour to date. 2021 has been a year to remember for the five-piece, having released their debut album, life’s a beach, back in May to rave reviews. The band have capitalised on this by embarking on two UK tours since its release as well as hugely popular sets at every festival they attended. There is no stopping Easy Life, you can tell they are on top of the world when you see them live. Their energy and excitement as soon as they emerge on stage is infectious. This was Easy Life’s second time in Sheffield this year, having travelled up north to perform an intimate gig at The Leadmill in July. The difference in their performance levels even in just a 4-month span was amazing. I’m not sure if it was just the energy of a *much* larger crowd but everything about this time felt bigger and better. The band opened the bumper 25-song set with their debut single, and first hit, Pockets. The set almost played out like a timeline of the band, it felt like

you were seeing their evolution in front of your eyes. Every song sounded like it was made to fit its spot. They are accompanied on stage by a small brass section that emphasise the ingenuity and creativity of the band. They don’t look, or feel, out of place. The band rolled through more crowd favourites like Sunday and peanut butter, both staples of any live performance from the band, before the next big moment of the night. Nice Guys had been noticeably absent from recent tours, but it returned for this run to a raucous reception. The band do an exceptional job live of building up to these moments using the plethora of songs in their arsenal. It’s just after the half-way mark of the show where the band really kick things up a notch though, starting with both parts of the Temporary Love EP. Part 1 & Part 2 were played back-to-back and for what is essentially a slow ballad in Temporary Love Part 2, the excitement of the crowd, belting every word with Murray, was special to be a part of.

The energy was an ever-present from that point as the band began to reel off hit after hit. First, Sangria, complete with a recording of Arlo Parks singing her verse, followed by Frank. Before embarking on the tour, Easy Life asked fans if they had any requests. An overwhelming amount of people requested Frank and I’m so glad they did as the band delivered a truly stunning rendition of the track. It’s clear that this song in particular resonates with the fanbase. It was a beautiful moment for all involved and even made my girlfriend cry. The audacity of the band to follow this tender moment up with the madness of skeletons shows supreme confidence and awareness. They used the emotion in the room from Frank to send the whole crowd into a frenzy of limbs, topped off by Murray leaping into the crowd and having his shoe stolen for a brief second, his “only pair for the entire tour” he revealed after the song had finished. The quintet rounded out the set with the high-tempo living strange, the deep-cut from 2018 Slow Motion, and the brilliantly bizarre ocean view before leaving to rapturous applause from all in attendance. After a few

moments off stage and chants of “Easy, Easy” from the crowd, Murray and co. returned for their encore. Opening with a message to myself, a mental health track preaching selfcare and individuality, it was clear neither the band nor the fans were ready to leave yet, as drummer Olly leapt into the crowd. They transitioned into their biggest single to date, nightmares. Of course, everybody lost their minds when the opening sample started playing. It is usually the last song on their setlist and is worthy of such a coveted spot. Not on this tour though. The band ended this exhibition with music to walk home to, a disorienting tale of a walk home from a night out and a genius way to end the night. With this tour, Easy Life have cemented their place as a must-see act when they are in your town. The energy of both the band and the crowd makes for an unforgettable evening. It is clear the band know they have a devoted fanbase and are incredibly grateful for them, they have a relationship with their fans that very few other bands can match. This is obvious when they are in a room full of them. Murray and the rest of the band clearly love everyone of them (besides maybe the guy who tried to take his shoe), and we love them back.

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Photo Credits | Callum Robinson

SQUID:

Brighton Band Bring The Magic Of Bright Green Field To Newcastle Article | Thushara Chandrasiri 11

If you have been keeping your ear to the ground on the hunt for new music you will no doubt have had the pleasure of discovering the music of Bristol based band, SQUID who have had an extremely productive year including the release of their debut album Bright Green Field followed by their EP, Near The Westway back in August 2021. If that was not cool enough, their music even attracted the attention of music legend Jools Holland who even invited the guys to be guests on one of his shows. As a SQUID fan myself with a lot of admiration for lead vocalist Ollie Judge and the guys, my smile was even more beaming when I heard that they would be coming to Newcastle as part of their UK headline tour, especially as with the halt on live music due to the pandemic, after months of vibing off their incredible album, I would finally be able to see them live in front of me for the first time ever. The 27th October 2021 was a busy night in Newcastle for different shows, with the likes of Paloma Faith playing only just round the corner, plus a few more other shows taking place across the city too - however hand on heart with #sorrynotsorry energy flowing through me, I was proud to be stood here in the basement of Newcastle University student union ready to see one of my new favourite bands of 2021 come onto stage. The atmosphere in the room was one of excitement, groups of friends chatting away telling each other about some of the things they love about SQUID and the usual rhetoric which comes with any curious music fan ‘I wonder if they will play…..’. Meanwhile in the background the support band are doing a sterling job warming up the crowd, as I notice a few head bops and toe tapping from some of the people around me. With the lights down and the adrenaline at excessive levels (especially for me), the introduction begins as one by one, all five members take to the stage, with our main man Ollie Judge taking centre stage in front of the drums. Already I feel that this is going to be a special show, because from my experience at least I have not really had many opportunities where the lead vocalist is also the drummer. With all members present, the band waste no time in pleasing their fans as they go straight into Sludge, a classic of a track which they released back in 2021. The drums, the riffs of Laurie, Anton and Louis, and Arthur adding some creative genius with percussion and keys. Add the vocals and oh my day’s mind blown! I am loving it, and it

does take long until the crowd are jumping up and down, with some even creating a fin mosh pit as they feed off the energy of our hosts for the night. Understandably with this being the first times SQUID fans are able to hear the debut album live, you cannot blame the fans eager to hear the body of work which represents Bright Green Field, and thankfully the band wasted no time keeping the audience in suspense as they played G.S.K. If you have listened to the album version you will know that it has quite of groovy build up to it, so I was intrigued even my self to see how this would work on stage, but oh my days, SQUID took it to another level, and had kept people captivated. One of my favourites from the live set was Boy Racer. I just love the almost poetic narrative with the lyrics and when you couple that together with the 5 chaps from Bristol working their magic with their instruments being the talented devils they are, it just gives the song an even more extra level of beauty. Other songs on the night which brought out a lot of delight included Peel St and Narrator. With the night almost coming to a close, it was about time for Olly, Laurie, Anton and Arthur to break our hearts and leave us, but not without respecting the customary part of any live show - the all important encore. Usually when it comes to this part of the night people tend to leave early, but due to the band successfully making the fans love them even more these lads and lasses weren’t going anywhere without one final slice of Squid on their Monday night. Based on all the happy faces I see around me, I can confidently say that this Newcastle crowd have well and truly embraced Squid, which you could tell the band themselves were almost appreciative of as they put their heart and their soul to ensure they left their fans with a good first impression! As for me, as a still relatively newish Squid fan, I was in my element, and makes me even more excited about what the next chapter has in store for a band who are well and truly on their way to being out of the biggest breakthrough bands of 2021 and beyond. So next time you go to a Squid show in the region, and you see someone holding up a sign in the crowd saying SQUID WE LOVE YOU, don’t worry that’s just me! Until then, ciao for my friends!

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Photo Credits | Adam Kennedy

Ella Eyre Brings Party Vibe Riverside Newcastle Article | Adam Kennedy 13

R&B sensation Ella Eyre ushers in the weekend on Tyneside as her UK headline tour pulls into the Riverside in Newcastle on 22nd October 2021. The chart-topping superstar is currently touring in support of her EP, ‘Quarter Life Crisis’ which was released last summer. Like many artists, Eyre had to postpone her original tour due to COVID and is currently making up for the lost time. Even though this is a club show, the artist brings in tow a full production, with stage risers, impressive lighting and a full band featuring two backing vocalists. And what can we say; Ella’s fans are out in force this evening in Newcastle. Following a fantastic opening set from singer/songwriter Bow Anderson, Ella Eyre kicks off the proceedings with her floor filler “Answerphone”. The infectious melody of the aforementioned number is uplifting and is the perfect foil to get the crowd moving. Not that Ella’s fans require much encouragement.

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‘Feline’. Subsequently, “L.O.V.(e)” is the first track to feature from the artist’s latest EP. Eyre plays all but one song from the four-track release - that being “Careless”. There is certainly a party atmosphere inside the Riverside Newcastle which is catalysed by Ella’s engaging persona and incredible voice. Of course, Ella Eyre has performed and written with some of the biggest names in the music industry. And during this evening’s show, some of the highlights include Ella’s euphoric collaboration with Rudimental via “Waiting All Night”, “Business” originally recorded with Becky Hill and “Came Here for Love” with Sigala. The latter of which closes out the main set. But Eyre isn’t done just quite yet, and a two-song encore including her take on the Jermaine Stewart’s 80s classic “We Don’t Have To Take Our Clothes Off ” rounds out the proceedings to great effect. Whilst fans eagerly await Ella Eyre’s anticipated sophomore album, we are sure that based upon the strength of tonight’s show, and the quality of the songs released since her 2015 debut, it will most certainly be worth the wait.

Photo Credits | Storm Walker

Yungblud: Occupy The UK Tour 2021 12th October 2021 - O2 Academy Newcastle Article | Tiarna Iddon 15

The O2 Academy, Newcastle , was packed out on Tuesday 12th October for the one and only, Yungblud (Dom Harrison). From the moment I arrived at the venue, the atmosphere was indescribable. Everyone was so excited to see him perform and many fans had even camped overnight to make sure that they got barrier. He had two support acts, the first one was a band from Liverpool called ‘Stone’. They certainly brought a lot of energy and the crowd were going wild along with them. Yungblud definitely made a perfect choice picking this band to support him. Next up was Canadian singer, songwriter Lauren Isenberg aka ‘renforshort’.Her music was more calmer than the first support act but this gave the audience a chance to prepare for what was about to arise. I will for sure be checking out her music further. After ‘renforshort’ had finished there was only a short 20 minute wait till Yungblud was due to enter stage. The venue was plummeted into darkness and a giant black curtain was hiding the stage. The venue exploded into deafening screams and there were chants of ‘Yungblud, Yungblud Yungblud’. At around 9.20pm a pair of giant red lips appeared on the black hanging curtain, in a Rocky Horror Show-esque manner, asking the crowd four questions where every question was answered with loud roars from the audience. Then the famous quote ‘make some f ***king noise’ was said, the curtain fell, and then he entered the stage in a red boiler suit and matching red creepers ,with a massive grin on his face. He opened his set with ‘Strawberry Lipstick’, an instant hit with the crowd. Everyone was screaming the lyrics at the top of their lungs. From the very start, his energy was just something else. Running back and forth from one side of the stage to the other, he definitely sent his crowd into a frenzy. He was certainly ready to break the stage and no one could stop him. The night consisted of a lot of tracks from his latest album ‘Weird’ as well as a few off his other album ‘21st century liability’. Having released his latest album at a strange time for everyone, the audiences excitement and joy was just incredible. Being able to finally see his newest songs live was amazing. A few songs into his set, he left the stage and then re-entered in his iconic

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outfit. His black crop Cramps t-shirt with mesh, his leather skirt and his trade mark pink socks. Throughout his set, the whole crowd were singing every word back to him and you could see by his reactions that he was in total shock and couldn’t believe what he was witnessing. If there’s one rule at a Yungblud show, it’s that you can be who ever you want to be, you can love whoever you want to and you can identify however you want to identify. Rather than it being an artist and their fans, i’d have to say its more a family and a home than just a fanbase. There was so much love in the venue on the night. Even though there was probably around 4,000 people, it felt very intimate. One song of the night that felt very special to me was ‘Mars’. This song has become one of the most meaningful tracks to him and his fanbase due to the story behind it. Everyone joined together ,no matter how they identified. Dom always has so much interaction with his audience. Whether its hand gestures, waves, yelling for mosh pits, commanding everyone to put their arms up and jump or just having conversations. He pulled out all the stops and in one of his favourite places ‘the North’. As the night came to an end, he left stage with everyone screaming and chanting for one more song. He bounced back onto stage wearing his jumper and skirt , singing ‘god save me, but don’t drown me’, The whole crowd were going mental and none stop jumping, the floor felt like it was about to cave in. He then went into his old , trustworthy closing song ‘Machine Gun (F**k The NRA). Its been his closing song for a few years now and it is always ends the show with a bang. Dom was demanding mosh pits, chanting ‘wider,wider,wider’ in his distinctive Doncaster accent. He then started the chant ‘F**k Covid’ to end the night. There’s no time for winding down or calming down until the very end. Yungblud is definitely someone who never stops with all of his energy but is filled with so much love . He creates a safe place and community for everyone at his live shows and I believe that’s why everyone adores him. I certainly will be going to see him again, even though I did unwillingly get taken into a few mosh-pits. 16

Photo Credits | Ellisha Iddon

Tom Grennan: Alexandra Palace - 30th September 2021 Article | Sal Fasone 17

This is it! This is the night we have all been waiting for. Tom Grennan’s show at a packed Alexandra Palace in North London was the show we needed. To celebrate the release of his #1 album “Evering Road” we were there to witness the magnificence of his stunning performance at the iconic venue, a milestone for Tom Grennan which is definitely going to take him onto his next step of his career. The stage his simple but engaging, his energy is enough to make his crowd know that this is going to be a night to remember. The performance, which started with ‘If Only’, ‘Royal Highness’, and ‘Something Better’, a solid foundation for a night of entertainment is created. By track four – ‘Sober’ – the crowd is wild and sings every word, a moment we’re lucky to witness. 10,000 people singing every song from the Bedford singer and then he continues with “Never Be A Right Time”. “Thanks for being part of this family,” he addresses his fans “Thanks for the last 18 months” and he introduces his friend Ella Henderson to play “Let’s Go Home Together”, a special collaboration for the singer. “When Ella hit me up and played me this song and then asked me to join her on it, I was absolutely buzzin’ he commented and she didn’t deny her excitement either “This song has always been so special to me that I kept going back to it. Tom and I have been friends for years, I love his voice and I’m so happy we got to do this together.” It was definitely a moment to experience. Iconic was his cover of Calvin Harris’ ‘By Your Side’, and ‘Found What I’ve Been Looking For’ as well as a snippet of Rufus and Chaka Khan’s ‘Ain’t Nobody’. We can’t wait to see what the future holds for Tom Grennan and his amazing career.

WWW.TOMGRENNANMUSIC.COM

@TOM.GRENNAN

Photo Credits | Sam Wall

Paloma Faith: Newcastle City Hall - 27th September 2021 Article | Sam Wall 19

I want you to pretend this is your last night on earth! Paloma exclaimed to her jubilant fans. This may have been a seated show but it had all the energy of a standing concert with everyone shoulder to shoulder bobbing up and down to their hearts content. She started the show solo dressed in full Paloma style. Elegant and eye catching, before the curtain dropped to reveal her fabulous band. She took the stage in her stride, bouncing between band members and strutting her moves up and down with her powerful vocals commanding that all eyes were on her. You’d have never guessed that she was recovering from laryngitis or had child a few month ago by the way she was on stage. Her pitch perfect vocals and trademark warble helped her fans shake off the stress and anxiety of the pandemic and made everyone relax as she made her way through the setlist of new songs off the new album ‘Infinite things’, a cover of Chaka Khan’s ‘I’m Every Woman’ and established favourites finishing with ‘only love can hurt like this’ This was a wonderful show to warm the hearts of everyone in attendance. It gave them the chance to let their hair down in a relaxed environment, she had the audience in the palm of her hand and showed everyone that normality is almost back just in time for her arena shows next year

WWW.PALOMAFAITH.COM

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Ones To Watch Article | Margot Macleod & Tiarna Iddon

With this edition of DARKUS being primarily focused on celebrating women in music, our team of writers give you an overview of just some of the incredible up and coming female artists to look out for who are already creating a great vibe in 2021.

‘IMYG’ - ELODIE GERVAISE French-Australian singer songwriter Elodie Gervaise brings an awry yet amusing synth sound to her new single IMYG. Accompanied by French lyrics, you find yourself strung along with every word despite only picking up a few words from high school French. Gervaise has a whole plethora of experience that could fill up the Catacombs of Paris. Having been in bands such as Galaxy Girls and Candy Lucid, she also became a familiar face in the Australian scene and decided to move to Paris to find her feet amongst her French roots and pick up inspiration of the ever mysterious European scene. The first few beats of ’IMYG’ can only thrust your imagination into the sticky floor of a European night club. Danced into over years of ravers, rockers, head bangers, lost art students and now you.Alone in your room dreaming of a post covid trip to Paris to catch the night life first hand. My favourite part of this track is the less clean cut synth that you would be used to hearing. This gives the track a slight feeling of earnestness and longing, which is only enriched by the low-key yet clear vocal. I also think being someone who doesn’t understand French adds to the longingness of the track, as though you’re not sure where you’re going but somehow you know it will work out. The irreverent beat offers a hint of camp-ness, which could definitely be heard bobbing along the catwalk amongst a Jean Paul Gaultier collection.In the final lines of ‘IMYG’ we hear Gervaise say “And now I’m ready, and you know why” offers closure to the previous uncertainty. Giving a sense of knowing that brings the track to a perfect ending. @ELODIEGERVAISE

@ELODIEGERVAISEMUSIC

‘SUGAR BABY’ - EDEN RAIN The Leeds born, London Based Newcomer ‘Eden Rain’ has just released her razor sharp new single ‘Sugar Baby’. Produced by Benji Gibson, Eden sings about the sugar baby dating dynamic in a unique way. Eden states “ Sugar Baby was written after listening to a friends experience of being a sugar baby and dating for money, It’s an eye opening world that I observed for a while”. If you’re a fan of Girl In Red, Billie Eilish or Beabadoobee, then 21 year old, Eden, will be your next obsession. She produces what she calls ‘sad bitch songs’. Eden has an undoubtedly distinctive voice which makes her music very unique, also her song being about the sugar baby dating dynamic makes her unique as well because many artists these days only sing about relatable situations such as heartbreaks and relationships. Although it may not be a relatable song for many, I know for sure that many people will still listen and sing along as if they’re in that situation too. Eden played with the phrase ‘f **k bitches get money’ and turned it into something where the women are in control especially in the sugar baby situation, the women are perceived as being ‘fu**ed up’ but her friend saw herself as taking control of her own life and the situation she was in. Eden wanted that to come across in the verses, where as the chorus is her saying “yes girl! Get that money! F**k the patriarchy!”. This single is different to her previous ones. ‘Sugar Baby’ has more of an upbeat, confident rhythm whereas her previous ones are more heartfelt and have a slower rhythm.

@EDENINTHERAIN ‘THINK OF ME’ - LEXMO “Think of me” opens with a somber guitar as LexMo details her past relationship. With talk of Highschool romance and the intensified feelings of love we feel as teenagers coming through in an almost isolated vocal over an understated guitar loop, you can feel the nostalgia yearning through your phone.The fiercely honest songwriter goes on to poetically list the less poetic aspects of a difficult relationship, “ Did you do all the things that I used to? / Sitting in the shower drinking some eighty proof/burning it all just to get through/ I’m so helpless I still love you” Further articulating perfectly the whirlwind of anguish that you find yourself in when pursuing something that is draining you, physically and emotionally. LexMo also manages to touch on the female experience in a toxic relationship, “I hope you think of me/when youre falling fast asleep/I hope you see what you did to me/I gave you everything” She again intelligibly describes the feelings of doubting your importance in a relationship, coupled with also believing that the other person doesn’t put in the same effort. It’s a never ending toxic cycle that becomes so hard to walk away from. “Think of Me” finishes with the repetition of “I gave you everything” each time the phrase is sung, it fades further away into the end of the song. Ambiguously reiterating the lasting impact of the relationship.

@LEX_MO

‘HOW TO KILL ME’ - KINGS “How To Kill Me” is the new single from tik tok star KINGS. With 5 million followers on the platform, she certainly has the power to build a unique audience.In her new single, KINGS captures a smooth lo fi beat which contrasts with the brutality of the songs title.With her vocals coming through slightly more isolated and layered in places, you have the chance to really hear the lyrics.

‘TIPTOEING’ - HOPE TALA Hotly tipped, West London based artist ‘Hope Tala’ has just premiered her stunning new single ‘Tiptoeing’. The track is intricately crafted, Bossa nova inspired R&B, cut produced, in collaboration with Greg Kurstin who produced Adele’s recent track ‘Easy on me’. She explains the song is about the dance we do when we’re at the threshold pf romance. Its about treading carefully when you’re not quite sure what the other person is feeling, but wanting to take a risk because you are young and life is too short. In the music video, it shows Hope and a group of girls in school giggling at the dinner table and scribbling notes in the courtyard, showing how giddy girls are when they start to fancy someone. Then about halfway through the video, Hope’s surroundings change as her romance becomes too strong and uncomfortable to ignore. ‘Tiptoeing’ certainly is free flowing and vibrant. Hope never fails to amaze us with her talent. Whenever you hear a Hope Tala song you are not only struck by a unique rhythm but also how soft, yet full her tone is. Lyrics are so important to Hope as she says “Lyrics are basically poetry with music behind them”. In this track, you can really see how relatable she has made the lyrics and how poetic they seem. Theres plenty more on the way for Hope, so I’d certainly keep a close eye. @HOPETALA

@HOPE_TALA

One part that particularly catches the listeners attention would be the ultimate girlboss move on her part. KINGS found out that her ex boyfriend and his new girlfriend broke up whilst she was in the middle of recording a song she wrote about them, so she left in her friends voicemail telling her in the song. KINGS has been writing music since she was eight years old and it took her three years to convince her parents to let her go to Nashville and explore the very special music city and what it has to offer. She said this about Nashville to Musictalks, “I knew I wanted to be where the best of the best live so I could learn and glean from gifted musicians.” And she certainly has, and not just through her success with algorithms but she has also proven herself as a songwriter also. When in conversation with Darkus when asked about what makes her smile when she thinks about her journey as an emerging female artist in 2021 she responded, “The one thing that makes me smile the most is the fact that I have truly found what it means to make things happen for yourself. I think it’s important to recognize that even with tons of help around you, life is the ultimate DIY project & hard work will always pay off. There is a special beauty in taking your career into your own hands & molding your path to look exactly how you want it to. Many people will try to credit themselves for your success when, at the end of the day, it’s up to you to make it happen & pillow your head at night knowing you’ve worked for it.” @SHEISKINGS

@SHEISKINGSMUSIC

Article | Steve Harrison

love!

Kat Von D, mother, goth style icon, entrepreneur, renowned tattooer, fashion creative and recording artist, recently spoke about all this and it’s influence and impact on her new album with Steve Harrison of Darkus Magazine. Kat Von D’s debut solo album ‘Love Made Me Do It’, 10 years in the making, is a modern contemporary homage to the synth drenched new romantic, goth pop of the 80’s like New Order, Bauhaus and Joy Division but captures a core essence of modern melodic song writing. “Yeah I’m fans of the bands that you just listed and it’s awesome and it feels like, ‘okay cool’ people are getting the point, I feel like when I listen to the sounds that we’re making now, nothing is presets we were sound designing all of the sounds people hear, so they are a little different but they don’t sound dated.” People have various musical reference points in life depending on their ages, but without a doubt the album has that modern contemporary feel to it, but is there still a sense of wearing your heart on your sleeve for those influences?

“Then at the time I was tattooing Dave Grohl and he was like “I want to play some live drums on some tracks” and so it was just kind of like this you know mish mosh of all my friends coming together and working on this music with me.”

“For sure, I mean I think you know it’s like when I got my feet wet when it comes to music with punk rock music, when I was you know 12 or 13 and then kind of involved once I discovered Iron Maiden, Metallica like I really responded so much more to metal, because I’ve been playing classical music since I was five and so the technical part of you know a guitar riff speed like I understood it, ‘that’s the scale for me’, I could appreciate it and then when I kind of discovered more post punk world, like Depeche Mode, Siouxsie and the Banshees, all that stuff is like parts that I could relate to like the music, sonically. Of course I feel like the singing, it wasn’t the screaming, it was actual vocalising, which I love having something to look up to; and then the lyric aspect of it, you know I’m an hopeless romantic at heart and I love poetry, even Slayer has some poetry too.” I found it interesting that as a hopeless romantic at heart and a lover of the language of poetry, it feels a very personal, dark and emotional album, both on the sensuous melodic content from Kat’s vocal style and wondered if this might surprise people that have not heard some of those releases from a number of years ago? “Yeah for sure, I think to one of the things that when I decided to write music you know the only singing experience that had it that time was like you know, when I was a kid in church choir, so I was by no means a singer and so I just like any other trade or skill that I’ve taken on, I just start from the beginning and try my best to master and learn it from scratch. So I ended up taking vocal lessons for two years, six days a week, two hours a day and with my vocal coach Ken Tamplin, actually learn how to sing because I don’t want to, you know be auto tuned, I want the vocals on this you know I think when you’re pairing a wall synthesiser sounds to vocals you walk a very thin line of making something sound robotic, I feel like the vocal part of it has to have that human fingerprint so you know we left the cracking in the voice of the and the fragility on some songs especially on ‘I Am Nothing’ I wanted it to sound as pathetic as I felt when I wrote it, so I think again that’s what I respond to, when I listened to the Bjork, when I listen to you know Depeche Mode or Concrete Blonde, like these are local is that really have that soul, and I’m not knocking techno music there’s some electronic stuff that I like that that has auto tune but the things that really resonate with me are it’s just that the soul to it.” When did the ideas for this album start to come together, as I understand it was recorded around 2014? 26

“ That’s right yeah, so basically I was in love with this guy who was also in a band and who was from overseas and we had kind of like this unrequited love relationship, one day I came home to a package and it was an album that he had written for me, and it had a note on it that said ‘these are all things that are easier sung than said’, and I sat down and I listen to this album and it just really moved me! I thought what better way to respond than with another album, so I ended up living in Los Angeles I’m just so lucky to be surrounded by so many talented creative people, a lot of my friends are our musicians that I’ve I’m huge fans of, so you know it was it was pretty interesting when I announced that I was going to make music everybody kind of jumped on board and wanted to be a part of it!” “…. I teamed up with Linda Perry and we actually wrote like 22 songs together and I obviously like, half of the album, those who made the cut and you know I wrote with a few other people at the time, Danny Lohner from Nine Inch Nails, he was my neighbour so we were hanging out we love the same music, we are kindred spirits in that way and he introduced me to Peter Murphy, he had recorded this amazing beautiful demo song that was just basically piano chords with Peters vocals on it; and it just ended up becoming this duet that we ended up putting on the album and it’s one of the few songs that I didn’t write Peter wrote all the lyrics to that.” “those songs were written as landmarks in time, that’s how I felt back then yeah and I think any musician will say the same thing, it’s like you know, music is a form of processing your experiences” Almost casually reflecting on the facts of mixing in some prestigious circles, Kat went on… “Then at the time I was tattooing Dave Grohl and he was like “I want to play some live drums on some tracks” and so it was just kind of like this you know mish mosh of all my friends coming together and working on this music with me. Then I ended up looking up with Adam noble who is an amazing producer and he produced some of my favourite Placebo records! So we flew out to London and recorded everything and mixed it and then life got in the way of life, you know I was filming a TV show, going on a book tour, then launched my make up line, and I just kept putting music on this back burner and it wasn’t until last year where I said ‘hey like enough’s enough’.” “I wanted to tour and I’m like ‘what am I waiting for?’ and I sold my make up line which really freed me up to be able to really refocus on music, yeah and it was good you know because I have like a 12 year run with that I just kind of lost the magic to it anyway…… it isn’t fulfilling my heart anymore!” “Then you know we were set to go to tour in the fall and all the lockdowns happen so I was like aaahhh!!... so basically my bandmates moved into have like a little apartment bungalow in the back and they moved in and during the lockdown we just we set a schedule and we said hey every weekday from noon to five we’re going to work, you know because we thrive in that, I mean personally I thrive in structure, I thrived with deadlines and I don’t know what it’s like to be bored and so I think it would it would probably destroy me!” “so it was really good for our mental health to just like jam out everyday.! I started really working on the setlist and creating interludes and intros to songs because I don’t know if you know this but we have a contortionist in our band, yeah she’s amazing she’s

I mean she’s just a pure athlete; and so for the stage design with the show design that we wanted to do, we would be there and the moment the band go backstage and changed outfits, and then during that time Brynn would be having her moment and bending and doing pole dancing and things so we were writing music for that and all the songs we were doing, we loved them so much that two of them made it on the record, so there’s an intro and then there’s the interlude, and so we said, ‘hey, if we have the time lets remix this album to really fit what this band is bringing to the table.” Kat goes on to explain about the original mixed album “ The Adam Noble mix still you know, it has a place in my heart, it’s a different vibe than synthesisers, with some guitars and we plan on releasing that one as well later down the road I think fans will like it” Reflecting on the time those original recordings were made Kat goes on..” those songs were written as landmarks in time, that’s how I felt back then yeah and I think any musician will say the same thing, it’s like you know, music is a form of processing your experiences and you know although I’ve processed those feelings you Fast forward to now, I’m happily married I have a child and I don’t think about that guy anymore, but you know when I sing those songs, they still ring true….I know what they’re about and what I felt at the time. It’s interesting when we released ‘I Am Nothing’ which is like one of the slow jams on the record, and you know it’s basically just like coming to the realisation that I had, ‘you’re just not good enough for somebody’ and it’s alarming the response of how many people feel the same way and I mean I know that I’m not the only person that experiences heartbreak but you know I think when I look back during that time, there were songs that really paved that soundtrack and if this music makes people feel less alone I think that’s a very beautiful thing” There is no doubt of the intention to tour the album and deliver a unique experience for fans, on the theme of staging and live productions Kat explained…”we are so fucking excited to say the least” laughing excitedly she continues “ we were ready last year so it is important to us, I’ve gone to see some of my favourite brands, which I won’t say who they are but, you go and you see them and they’re just like standing at the Mic and it’s just so boring, it’s like no effort! I was like ‘man I could have stayed home and watched the TV’ You see bands like the Mars Volta or Kiss and you’re just like mind blow with the visuals that match the music. It just thrills me to look, to think about designing the storytelling aspect of visuals, so that it’s not just the music! I don’t just do music, I do everything yeah, it would be weird to not you know dive into the presentation of it all so we’re currently working with Linda Strawberry, the creative drive for The Smashing Pumpkins and a bunch of other bands, we’re actually in the middle of starting to film all the live show vignettes that will be showing over the back line and all the light sets and you know I wanted to step it up so that not every shows exactly the same, we have a few covers that were going to slip in and out and hopefully if we ever cross paths with Peter Murphy during the tour he can come in and sing that song [Protected] yeah that would be something else!” Kat Von D – ‘Love Made Me Do It’ debut album is out now!

@THEKATVOND

Amy Duncan talks us through new album ‘Cocoon’ & the Scottish music scene Article | Margot Macleod 29

Award winning Scottish folk musician Amy Duncan will release her new album “Cocoon” on November 26th via Filly Records. “Cocoon” is the follow up to her previous release “Hidden World” from which the single “The Whole Town” received radio play from BBC 6 Music and BBC Radio 2. Her unique folk electronic sound also scored in Netflix’s acclaimed “Charmed” to add to Duncan’s many accolades. We caught up with Amy to discuss her new album, the Scottish music scene and future plans. Hi Amy! It’s great to have you in Darkus - how has the past year been for you? Hi! Thanks for this, it is great to be here. The past year has been an interesting time like no other. In some ways I have loved the simplicity of everyday being similar, getting lost in my songs, walking around Arthur’s Seat and Portobello beach, taking photographs. Spending quality time with my partner and son. I feel that I am more connected to the real world around me than I was before the pandemic - I feel it has brought a lot of us closer together and made some people kinder. It has been a wake-up for our society and so desperately sad for so many people who have lost loved ones. I have experienced extreme loneliness in my life and was feeling so much for people who were struggling in lockdown on their own and for young people’s mental health. Your music features in Netflix’s remake of Charmed, how did that opportunity come about? I put my music on a site (I think it was called ‘Music Publisher’) and didn’t think much more about it, then had some people commenting on a song on my YouTube saying, ‘Are you the Amy Duncan with the song on Charmed?’ Eventually it dawned on me that I must have had a song placed. I found the episode and they had used a big part of the song ‘Natural’ throughout a funeral scene. When I went on the Music Publisher site to find out about this I found out that, unbeknownst to me, there was a box I had ticked to say I was happy for people to use my music for free. A placement like this would have brought in some much needed income at a time when I was a skint single parent.

So it was a good example of how you need to have your wits about you when releasing music or people will just rip you off. I have since educated myself about the sync licensing world and will be ready to ask for a fee next time! “Cocoon” calls back to your childhood growing up in Glasgow and Perthshire, how has your upbringing affected your music? My Mum was a renowned viola player and me and my sister were brought up playing piano and other instruments from a young age. My Dad was a musician and composer too, but he wasn’t really around so it was my Mum who worked all the hours doing extra jobs on top of her freelance work so that we could have our music lessons. My Grandpa was an organist and music teacher too, so I guess music is very much in my genes! I think being let down so badly by my Dad, who would say so many times that he would come to visit and then not turn up, really affected my confidence and selfesteem and I think this had a huge part in me feeling a need to write words and music. You have said how the pandemic transported you to how you felt as a child, how did you find going back into that mindset and how did it affect you musically? The first big change in life that I can properly remember was when we moved from Glasgow to the small town of Blairgowrie. Life changed so massively and I moved into a very unsettled phase of my life, doing badly at school and basically being a mad teenager! When the pandemic started I connected with that feeling I felt then, of wanting to get back to a time that felt safe and normal. After our move to Perthshire, I had many dreams about trying to return to that flat in Glasgow and these dreams, as well as the memories of my childhood, became mixed up with how the pandemic was making me feel and became the songs that are part of Cocoon.

What do you think of the Scottish music scene and how can it be supported?

I love that Bandcamp is an equal playing field and doesn’t have numbers of streams next to your tracks, I think that site really is all about the music.

I was recently at the Scottish Album of the Year Award ceremony where Mogwai deservedly won the album of the year! There were some interesting performers and I especially thought it was brilliant to see so much BAME female talent coming through.

Who are your musical inspirations and did anyone in particular influence “Cocoon” ?

My favourite band in Scotland is Raiments - an avant-garde collective with music I really love, but they are very much under the radar and I would love to see them get the recognition they deserve. So I wonder if there could be more opportunities for discovering under the radar musicians like them. From your own perspective, how has the music industry changed over the years? I think social media and streaming have changed the music industry massively in some ways for the better because of the potential for discovery and promotion of independent music, but I think a huge negative is the focus on numbers of likes, followers and streams. I think it is unhealthy and can create a false sense of reality, almost becoming like a popularity competition rather than about sharing music or art. I recently discovered a setting on Instagram and Facebook where you can take away the number of likes, leaving the reactions and comments. It is definitely more relaxing and stops that counting thing that can really affect self-esteem and creativity.

My early musical inspirations (and probably what inspired me to start writing songs) were Kate Bush, John Martyn, Nick Drake, Sinead O’ Connor, Joni Mitchell, James Taylor and so many more. As well as great singer-songwriters, I also have a love of great bands and artists like Laurie Anderson, King Crimson, Siouxsie and the Banshees, Pink Floyd and The Cure. Then into the 90s and beyond I have loved dancing to deep house (brought to me through my DJ sister), trance, drum & bass. I love Boards of Canada, Jon Hopkins, Arthur Russell, Steve Reich. Everything good! What are your plans for the next year? I have some UK tour dates booked for April 2022, and I have a collaboration with a friend which we’ve applied for funding for, which may or may not happen. There are a few other ideas in the pipeline which will hopefully open some doors and, other than that, I’ll just keep on keeping on! Amy Duncan releases her new album ‘Cocoon’ on Filly Records & plays a livestreamed gig at Edinburgh Voodoo Rooms this November – Amy has also announced a short UK tour for spring 2022, tickets available now via www.amyduncan.co.uk/live-shows

Beth Macari: “Northern Soul” Article | Adam Kennedy Despite the challenging circumstances surrounding the music industry during the pandemic era, North-East based songstress Beth Macari has been making waves. The versatile singer/songwriter reached the Top 10 of the UK Soul Chart with each of her last two singles. An impressive achievement to say the least. Even though the music world ground to a halt during the pandemic, Beth Macari was able to remain productive during the lockdown. “I was lucky enough to be able to work full time throughout the pandemic, which I know a lot of people were not able to do. And so, I didn’t feel that downtime. I would have been a lost soul if I hadn’t been able to work,” explains Beth. Like many artists, the Tyneside based soul singer channelled her creative energies into songwriting during the lockdown. “I wrote music out of frustration. I wanted to see my band, and I wanted to gig. So, I think it was more so the frustration of being stuck in the house that made me write songs, as opposed to having any downtime,” confirms Beth. One of the creative projects which Beth completed during the pandemic was a DIY music video for her song “I Am”. “I got my fans, family and friends and everyone to submit a little video of them holding a sign saying, ‘I Am’ and then whatever they are proud of or what they love about themselves. For example - I am strong, I am passionate, I am unique,” explains Beth. “It was so lovely receiving everyone’s videos. There were that many submissions I couldn’t even get them all to fit into the music video.” The song itself has an important and positive message behind it. “The single was a charity single, and the money raised went towards ‘If U Can Share’ the Suicide Prevention Foundation. And so, it was for that. But more than anything, to raise awareness for them,” said Beth. Earlier this year, Beth Macari released her first single of the 2021 - “Gotta Get Back”. The artist took a slightly different approach to songwriting with this track. “As a songwriter, I usually write very honest, expressive songs about whatever I’ve experienced. The people that I’ve been around, or situations I’ve seen. But with this song, I sat and wrote the lyrics with my boyfriend, which we’ve never done before,” explains Beth. “He said, why don’t you challenge yourself to write a fictional story because literally every single I’ve released, it’s been something I’ve written from the heart about what I’ve been through. My partner and I came up with a story about losing yourself.” Beth adds that: “Initially, it was a fictional story about a bit of a rubbish relationship and having to find yourself after finally having the courage to leave that person.”

where everything was ours. The single cover and music video were shot on an iPhone.” The rationale behind the pair’s DIY approach to the release was a simple one. “It was just as a bit of fun really. My producer has been my best mate for the past ten years. We can be honest with each other and say - if it fails, we’re not going to take offence. It doesn’t matter, we’re just going to have some fun,” explains Beth. That’s not to say that the artist doesn’t take things serious also. “I do overthink things when it comes to my career. My band used to say, is that going on the shelf? Because there must be a catalogue of about 45 songs, which we mixed, mastered, produced and are ready to release. And then, just before distribution, I’d say nah - let’s not release that one. I used to always overthink my music. But now I’m just like - no, accept who you are, accept your voice. If you enjoy it, that’s what matters,” proclaims Macari. Following the success of “Gotta Get Back”, Beth Macari released a new single titled “Love You More” during the summer. For her latest offering, the versatile artist switched things up somewhat. This time around, Beth released a more jazz driven, soul sound as opposed to the 90s dancefloor tones of her previous single. Having a wide musical pallet, where does Beth feel most at home? “I can’t deny that if I had the option to sing a proper upbeat Disco song or a beautiful ballad - I would go for the latter,” she says. “I think as a singer I’m drawn to those songs. Even when I’m dead happy, I’m often listening to soppy sad ballads.” Of course, Beth Macari has the skills and the talent to turn her hand to any style of music. This has led to the artist feeling comfortable performing more than one musical genre. “I’ve tried so hard to put myself in a box. I’ve been on two labels, and both of those labels were very much like you need to be more this. You need to make sure it’s all sounding like this. You’ve got to go in this direction,” explains Beth. “I’m not very good at making myself just being one product. So, I’ve told myself to accept whatever feels right.” Beth has played live several times in recent months - including a headline show at Newcastle’s Hoochie Coochie. However, moving forward, the artist will be looking for more opportunities to perform live in the coming months. “It might sound a bit cliché, but being on stage is honestly one of my happiest places to be. I don’t care whether there’s two people or 2,000 people in the audience - I am the best version of myself when I’m on stage. I’m happy, I’m carefree, and I love what I do. I just love singing.” And who can argue with that sentiment? “Love You More” by Beth Macari is out now across all digital platforms.

“Gotta Get Back” peaked at #5 in the UK Soul Chart. “It was a massive shock that it got into the UK Soul Chart, let alone climbing up to the Top 5,” said Beth. “This was the first song that my producer Phil and I had released

WWW.BETHMACARI.COM

Photo Credits | Adam Kennedy

How Covid has changed the direction of her music Article | Courtney Davies 35

A new era of music is emerging for Chloe Lilac, a Brooklyn artist who recently moved to Los Angeles. Following the release of her EP Douchebag in summer 2020, she launched her latest single 10 Things in September 2021. This single provides listeners with an insight into her upcoming project and the next direction she is taking for her music.

Photo Credits | Ragan Henderson

Since her debut in 2018, she has toured with artists such as mxmtoon, Charlotte Lawrence, Sasha Sloan, Tessa Violet and Role Model. However, due to the Covid-19 pandemic live shows have been postponed for the last year, but when able to she will ‘jump’ at the chance to go on tour. We caught up with Chloe to find out all about her newest project and how TikTok has helped her be herself. Hello Chloe, it is lovely to welcome you to Darkus Magazine. How have these past few months been treating you? Are there any memorable moments which have brought a smile to your face? These past few months have been awesome. I made a bunch of new great friends during the summertime when everyone was getting vaccinated in New York, and I just moved to LA. I miss NYC already and I’ll be back all the time but I’m really psyched for a change of scenery. After a year I’m finally putting out music again. It’s such a relief. Also I just played my first sold out headlining show at the Mercury Lounge. It was such a magical night. Exciting news about your brand-new mixtape which you will be releasing this Fall. What can fans expect to see/ hear from this new project? You can expect the quarantine jams from this next mixtape. This past year has been full of self reflection, overthinking and depression. Get ready for some emo tunes on this next project. Why did you choose the single, ‘10 Things’ to be the tease? I chose 10 Things as the single because it’s an awesome song. I’m super proud of it and I feel like it reflects the next era of my music. I’ve always been really into more rock leaning stuff, and now I can just fully do that. It’s so liberating. What were some of the things which inspired the story behind 10 Things? The biggest thing that inspired me to write 10 Things was a horrible friendship I used to have. I had this friend ever since I was 5. Throughout our lives we’d repeat these cycles where we would be inseparable, then we would fall out and HATE each other. For example, within a two month span in sophomore year we would hang out every day, then something happened and suddenly we’re flipping each other off in the street. True story. This extreme love hate thing happened probably upwards of 8 times. The love was always there and that’s what kept me coming back. What I realized this most recent time was that I was giving way too much of myself to this friendship. They couldn’t reciprocate, and every time it would hurt me so much. Whether that was being aloof or ditching me for some guy, it would always end in tears. Finally I just got so fed up, so I wrote a song about it and here we are! The cycle is over. This most recent time I was like, ‘okay maybe that’s enough tries’. What was your favourite part about filming the music video? My favorite part about filming the 10 Things music video was how much fun it was. The crew was amazing, all people my age which was refreshing, and we had such a blast. They’re the new friends I was talking about earlier. I got really close with a lot of them after the video and I got to spend my last NYC summer with them. That video is my favorite I’ve ever done by far. 36

How would you describe the transition and your own personal growth from last year’s EP Douchebag to the project you are going to release soon? I wrote douchebag almost 3 years ago. The release kept getting pushed back due to covid. I was a completely different person when I wrote that EP than I am now. Pre covid Chloe Lilac and during covid Chloe Lilac couldn’t be more different. I really feel like I know myself now and what direction I want to go in. When you reflect on your journey so far, at what point did you start to really feel confident, empowered and comfortable with the incredible artist you have become today? I’m honestly still waiting for that ‘wow I feel so confident and empowered’ moment. Im glad it comes off that way though!! Self acceptance has always been really hard for me. I’m still trying to find my music and life sea legs. Not sure they’ll ever come. That’s probably what keeps me creating, constantly trying to find somewhere I feel comfortable and confident. You have previously been on tour with other artists. Now that live shows are starting to go ahead again, do you see anything like this happening in the future? I would LOVE to tour. I will jump at the chance whenever it comes. Recently you played your first ever sold-out show. What is it that you enjoy most about live music and performing? Playing the sold out Mercury Lounge show was truly amazing. I’m so grateful. The turnout was INSANE, I didn’t think anyone would come! It felt like a piece of me came back to life. Like, if you went to a really bad sleepover and were stuck there for a year and a half, and finally got to go home and sleep in your own bed. That’s how it felt. I cried and fell down the stairs to the greenroom immediately after getting off stage. I have noticed that you have an impressive presence on TikTok. Do you feel that the platform has helped you to connect with your fans in a deeper way? I think tik tok is fun. It’s a great way for my fans to get to know me and my sense of humor and my weird stories. Also tik tok doesn’t have the same beauty standards as instagram which is so nice. I can just be myself on there. Have you found that TikTok has helped you promote your songs to a wider audience? I haven’t really yet. I have yet to have a song blow up on tik tok, but I really think it helps my existing fans get a better idea of who I am as a person which is awesome. As we welcome in the new chapter of your life, what are you looking forward to the most? I’m looking forward to everything. The new music, discovering more about myself, new friends, old friends, shows, sessions, everything. I’m so ready! Sending our thanks to Chloe Lilac! Her mixtape “when i feel better” is out now, be sure to listen to see which direction her music is heading!

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TO STAY UP TO DATE WITH HER NEWEST RELEASES FOLLOW HER ON INSTAGRAM

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Oasis: Live at Knebworth 1996 Article | Adam Kennedy

As a venue, Knebworth is synonymous with some of the greatest gigs of the 20th century. Rock legends such as Led Zeppelin, Queen, Pink Floyd and even The Rolling Stones have graced the stage of the Hertfordshire stately home. However, for those of a certain age, the name Knebworth will always be associated with Oasis. The band played a record-breaking two-night residence at the iconic location, performing to approximately a quarter of a million people throughout an August weekend in 1996. It was a defining event of the Brit Pop era and an ‘I was there’ moment for a generation of music lovers. Oasis were riding the crest of a wave catalysed by the success of their first two albums, ‘Definitely Maybe’ and ‘What’s The Story Morning Glory’ respectively. These two albums garnered more hits than a boxer’s punching bag and propelled the Gallagher Brothers and their musical counterparts Guigsy, Bonehead and Alan White into the stratosphere. In 1996 Oasis were the biggest band on the planet. As a student during the mid-90s, Oasis soundtracked my teenage years.

Fortunately, through luck and persistence, I was able to attend many of the band’s shows during this era, including the pre-cursor to this gargantuan event at Maine Road in Manchester along with Knebworth itself. I remember the stress and anxiety of trying to purchase tickets for Knebworth over the phone. The constant engaged tone and the frantic redialling which followed. Remember this was before the days of the internet and being able to purchase tickets online. It was a much more stressful process. Fortunately, I finally got through and secured one of those important tickets for the first night. With my ticket in the bag, I felt like Charlie in Charlie and the Chocolate Factory - I had the golden ticket. On the day of the show, I recollect travelling to Knebworth overnight on a coach from the North-East. I arrived just as the gates opened. There was a rush towards the stage and by some luck, I managed to secure a spot in the first pit adjacent to the stage and a prime position in front of Noel Gallagher. With a support bill featuring artists such as The Bootleg Beatles, Ocean Colour Scene, The Chemical Brothers, The Manic Street Preachers and The Prodigy - each of whom was huge at the time. The line-up for the day

was perfectly representative of the time. But those in attendance were all there for one purpose, and that was to see Oasis. By this point, I remember looking behind me and witnessing a sea of fans (125,000 of them) spanning all the way to the horizon as the headliners took to the stage. Now, these observations are just distant memories. Of course, they were 25 years ago this summer. However, they have now been further enhanced and enriched by the release of the band’s seminal performance in live album format. You might ask, what took them so long? But trust me, it’s worth the wait. For those who attended those legendary performances, reliving the Knebworth shows is certainly a wistful experience. The album recounts a band in world-beating form and at the peak of their career musically. The top of the live album features an atmospheric rendition of “Columbia”, fan favourite “Acquiesce”, and the unmistakable “Supersonic”, each of which is enough to magically transport the listener back to 1996. Whilst some of the band’s finest writing appears via the inclusion of timeless numbers such as “Wonderwall”, “Cast No Shadow”, and “Whatever”. The beauty of this recording is that you can sense the atmosphere of that

day. This was a time before cell phones, the internet, or social media. Nobody was holding their mobiles in the air, trying to take snaps or video; everyone in attendance was present and in the moment. Which is something that the author duly misses these days. And this itself translates into the album; you can hear how much this music means to the audience. Let’s not forget that at this time, the band were gearing up towards their third album, ‘Be Here Now’. This recording captures the first live play of songs such as the anthemic “My Big Mouth” and “It’s Getting Better Man”. Two legendary Mancunian outfits come together during a spellbinding rendition of “Champagne Supernova” featuring John Squire of The Stone Roses. Whilst set closer, “I Am The Walrus” by The Beatles pays homage to one of Gallagher’s biggest influences in their own unique way. Oasis ‘Live at Knebworth 1996’ acts as a permanent record of one of the most important gigs of the 90s. The concert album perfectly captures the magic of that day, as I remember it. Whether you were there or not, ‘Live at Knebworth 1996’ will ensure that the proceedings of this landmark event and Oasis’ musical legacy will ‘Live Forever’.

Forester: Music is choosing us.

Forester talk new single, their favourite song and upcoming performances Article | Tiarna Iddon

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‘Forester’ are an up and coming duo from Los Angeles, America, who formed in 2019. They are an indie, electronic duo that have already made a lasting impact in the scene. DARKUS reached out to members Xander Carlson and David Parris to find out more. Nice to meet you guys! How are we both doing right now? It’s great to meet you! Thanks for having us. It’s been a good few months for us, we’ve been able to take it easy and focus on writing our next album after a hectic summer of touring. Feels good to be in one place for a while. What are your experiences of being an emerging artist? We feel very lucky! It’s definitely surreal at times. This summer was our first time playing in front of a live audience- that’s got to be the best part about being a musician. Watching a fan’s reaction to your music in real time is very special. We’ve also gained a new perspective that we’ve applied to our writing process. Now we factor in how a song might translate live. We’ve also had the chance to collaborate with some artists who were pretty big inspirations for us growing up. Overall, it’s constant excitement and gratitude. Do you feel that you chose your “passion for music,” or did it choose you? I think that the passion for music chose us. We both gravitated towards music at a very young age. It never really felt like something we were chasing, just something we did because it felt right and helped us live fuller lives. It’s expression, therapy, love and so many other things. To us there’s no other art form that invokes the feeling music does. We always come back to it. In college we both got degrees in non-musical fields and now work full time in music so I think it’s safe to say music is choosing us.

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melodies. At the end of the day we had a really cool demo, but it didn’t feel right to release at the time. About 6 months later we revisited the track and we felt that it needed an extra ear on it. We sent it over to Kidnap who was a huge inspiration for us in our college days and he had a ton of great ideas for the song. We went back and forth for a month or two making edits and here we are! Was there anything that inspired you when writing this song? One of our friends had put out a downtempo house remix that felt really fresh at the time. I think the initial production was inspired by that remix and the lyrics came from spending almost a full year in quarantine without much social interaction. It’s definitely a darker track, but has a throughline of hope. That’s how we were feeling about life at the time. Do you have a favourite song of your own? If so, why is it your favourite? It depends on the day but one of our favourites has always been ‘Providence’. It’s one of those songs that still feels emotionally impactful even after listening to it for almost a year. Usually we’re pretty tired of our music by the time we release it, but I still get a nostalgic feeling every time I hear providence. Have you got any upcoming shows or performances? Yes! We’re currently planning a little tour for Winter/Spring 2022. We also have Kygo’s Palm Tree Music Festival in December and the Coors Light Bird’s nest at The Phoenix Open in February. And finally what are the next steps in your career?

Can you talk me through the process of writing “To Feel Alive”?

At the moment we’re wrapping up our third album and plan to have that out in the beginning of February. Aside from music, we’re excited to go on our first headline tour in the US. The timing feels good!

We actually wrote the whole song on our first day back in the studio after the 2020 holidays. We had taken some time apart due to COVID being pretty serious here in the US and the energy was flowing. We didn’t have any direction in mind, it all just sort of came together. It started with Xander playing around with a piano part and then we started humming

Sending our thanks to Xander and David. You can now stream the newest EP “Wish You Well” on all major music platforms. Trust us, it is one not to be missed!

GIRLI:

The art of not giving a fuck Article | Thushara Chandrasiri

artist, you get bogged down by so many of the other things that come with the territory. For example, social media is such a big part of it now. However, I also like the creative side of things such as making music videos. When you are in front of a crowd though and you hear them singing away to your songs, it makes you realise why you do this in the first place because you are like ‘Wow! This is where I belong!’. I just missed being able to sing to crowds because of the different lock downs, so to be able to start doing it again has been so cool. So when there is that pressure to create content constantly, always be on social media constantly – how do you balance it in a way that you do not allow it to overtake your life? Yeah, I find that really hard, honestly. I think I’m still figuring out the balance because for me, I also have a very, kind of, obsessive and perfectionist personality, so I always wanna go above and beyond and do things amazingly and I don’t really allow myself, rest, or time to just switch off, and it’s hard because, obviously your phone is always just right next to you and it never stops. I mean, I have a song that’s not released yet that contains the lyric “Twenty -four seven, phone is open, and you know she never shuts up”. In a nutshell it is about how our phone are always there, always on with constant distractions. I’ve tried not to be so dependent on it and I think what has actually helped is practising things like self-love or giving myself time off where I can feel “It’s okay, you don’t have to be GIRLI twenty-four seven, you can be Milly too!”. Sometimes it can be easy to be caught in the trap of pleasing people all the time, and following your own instincts to do what feels right for you. A lot of the time because we are fearful of how others will perceive us, due to the pressures and opinions of those around us, we can lose sight of what really matters - being true to yourself. However for singer songwriter Milly Toomey better known as GIRLI, her ability to not be cloned into something she was not, gave her the confidence to embrace who she truly is as the incredible artist she is today - full of attitude, a love for the music that she creates and a loving bond with her loyal fans. With 2021 having been a productive year for GIRLI, plus news of her headline UK tour taking place throughout November and December, we caught up to find out more about one of the UK music scenes most exciting rising female artists. Welcome to DARKUS Milly, how are you keeping? I’m good, how are you? I’m good, thank you. Back in July you had you returned to the stage for a special show in Liverpool, how was it? Oh my gosh, it was amazing! It was my first full capacity show, where people were standing up and actually felt like a real gig. It was the first one I’ve done in two years and it was nuts. There was something in the air; people were just so excited to be back at a show, that they just went nuts. It was super fun! How did you take in that emotion yourself? I remember I was really hyper, and really emotional. I think I forgot – as an 45

Another thing that helps, as simple as it sounds, is setting limits on apps. I think a lot of artists find it difficult as well because being an artist, it’s not like a job where you can leave the office you don’t have to think about work again until you return the work the next day. As an artist it’s all the time. In an ideal world then what would Milly on a day off be doing? I would kind of just switch off and not really go on my phone. I love being out. I love surfing, I love skating, and physical activities like that. I also love around nature. Brilliant. So, tell us a little bit how this year has been for you, as an artist, and how it’s, made your hunger for music even more stronger? Yeah, I think not being able to play shows for so long really made me hungry for touring, and just that physical, real connection - in-person connection with fans. I really missed that. But it also really boosted my online presence and as I couldn’t connect with fans how I usually do, I had to find new ways to maintain that personal relationship with fans. Something I pride myself in is that I’m really close with my fans, and I really let people into my life. I want them to feel connected to me through my songs and through the fact that my songs are like diary entries and that it is almost like they too are part of my journey. I think in a way that the pandemic was good in that sense. I felt like I really got closer to my fans because we were all just locked inside, so we had to find a way to connect. Now though, I’m so excited for tour – I’ve never been this excited for a tour, ever! I feel like I’ve been starved of it! When you think about your journey as an artist, what has that journey of confidence looked like? For me, I think when I started releasing music as GIRLI I was so young, I was seventeen when I put out my first demos under the name GIRLI, When I turned eighteen though, that is when I started releasing music seriously. Now I’m twenty-three it is only in the last year that I feel like I’ve been able to kind of take control of my own project. I think the first six months to a year of releasing music when I was eighteen, I was very loud and outspoken. I was releasing music independently before then signing my first record deal. I soon realised though it was not the right thing for me. I signed to a big, major label with lots of money and also lots of pressure and big expectations on me to be this huge popstar, and I just kind of feel like I wasn’t able to grow and blossom how I wanted to because I felt the pressure to be a polished, and palatable version of myself which has never been me. The whole ethos of GIRLI is that you either love me or you hate me. I speak my mind and I’m loud and I have these strong opinions and my music has a punk-y attitude to it, so it was a total contradiction to the very clean pop approach that the label wanted me to take. I eventually got dropped from that label, and I think there’s a really big taboo about artists talking about that. Being dropped, has this unspoken shame attached to it, but for me it was a new beginning. I was able to say to myself, “Okay, I’m independent again, let me figure this out! What do I wanna do? I can do anything now, there’s no rules!”. Now I’m signed to an indie label, Believe, who I love and they’re just letting me get on with things and being super DIY and independent and I’m 46

making all my own videos, I’m deciding what songs I want to release, I’m deciding on my visuals etc. Looking how things are now I’m just feeling a lot more confident in myself and a lot more authentic. And I think my fans can tell that, as well, they can tell I’m being authentically me. When you are in that situation of people trying to narrate your path, how easy is it in that moment, to be able to say, “Actually no, you’re not for me, I’m gonna do it – find someone who is for me.”? I definitely find it a lot easier now to just lay out what I want and say no to things if they don’t fit me, and I think that’s also something that, as a young woman in the music industry I’ve had to really fight for and figure out, because I think a lot of the time you just want to people-please.

Those songs were in a way my diary entry to get out my feelings and vent my frustration, so a lot of those songs represent heartbreak in one form or another. Some of them are about romantic heartbreak, some of them are about friendships ending badly that were quite traumatising for me and some of it’s just about feeling heartbroken by the music industry where I had this feeling of being forgotten about. I remember I would ask myself, ‘is this it for me? Is my career over? Are people going to forget me?”. I was really in a bad place when I wrote that, but I think what came out of it was quite also something quite triumphant, where I took the attitude “Fuck it! I’m gonna keep going. Screw you all!”. What did it teach you about strength in the heartbreak?

You don’t wanna offend people, you don’t wanna upset people, so you just end up agreeing to everything even if your instincts are not fully comfortable with what you have just said yes to.

I think heartbreak definitely has shaped me as a person whether that be my romantic heartbreaks or my friendship heartbreaks and everything else. I think they’ve made me a lot stronger.

Now though I’m just like, “No, I want it to be like this” and “That doesn’t feel right for me”, but I had to learn that where I could recognise the moments where I need to learn to put my foot down.

They’ve also made me realise that shit happens and you have to move on from it and take lessons learned and remember to respect yourself and learn to love yourself and also that you’re not always going to be everyone’s cup of tea. You can never please everybody as much as you try! Even the nicest people, some people just don’t like them because others see them as too nice. You can never please everybody, so don’t stress yourself trying to.

Earlier in the year you released the EP ‘Ex Talk’, so tell us a little bit what it was like to work on that – on that body of work which had five amazing tracks on it? Oh, thank you! When I made ‘Ex Talk’ I was so sad! I was so angry, and a lot of those songs were written in this, sort of, six month to a year period where I had been dropped. I didn’t really know what I was doing, and I was just writing songs because that was my solace.

So, word on the grapevine is that you’ve even got your own podcast as well, called ‘GIRLI IRL’ where you’re supporting and speaking to LGBTQ artists. Tell us a little bit what that has been like to work on? It’s been so cool!

I’ve been interviewing mostly. All my guests are either, women or non-binary, most of them in music and others from other creative walks of life. Most of them are also queer, and so that comes into the discussion. It’s just been so cool to have all these conversations with people. One of the questions I always ask is “What are your three tips, like, top tips for not giving a fuck?”. And it’s so interesting to hear what people say. It is actually so motivational so every time I make one of those podcasts I just feel really good. It’s also cool because you don’t really get to have those kind of conversations and connect with people who are similar to you. I feel like I have my little bubble of friends and I’m always busy and doing stuff, and you don’t really get time to have those really good conversations. So, it’s been really fun doing the podcasts and I think people have been enjoying listening to it too, as we talk about feminism, queerness, our social media, making music, and how to love yourself. So if I was to put this question to you, what does the pride flag represent to you, what would you say? I think it represents a community where a lot of people can find a family. I think there are still a lot of issues within the LGBTQ community – there’s still discrimination within it. I think that there is still a lot of racism within the LGBTQ community that needs tackling. I think there’s still transphobia amongst some gay people as well and other issues that we tend to shy away from as a society. So when I see the LGBTQ flag, I feel like “Oh, amazing! There are other people like me out there who accept me for who I am.”. I think a lot of people kind of feel like that. For example the other day, I was looking up a place to go for lunch and it said on the description “We are queer-friendly!”. I was like, “Oh, cute!”. I can just go in there and not feel judged. We can’t talk to you without talking about your amazing fans as well who have occasionally been known to submit fan art and do other creative things in your honour. I’m guessing you’ve probably discovered a few Picassos in – in the making? Oh my God, yeah, my fans are so talented! I mean, a lot of the time I’ll put out a song and they’ll just submit artwork which is amazing. Also, I try and do fan art competitions, and have them submit their art which encourages them to get creative and then I’ll pick a few winners who will win some merch. It’s really fun seeing how they interpret me. I did this thing earlier this year where I held a virtual fan art gallery. I asked fans to submit their fan art of me. It was kind of like the Sims, where people could go into this virtual art gallery and look around – it was so cool! So starting in November you will be heading out onto the road for Damsel in Distress headline tour. Is there a particular city you’re looking most forward to going to? I know its cruel to ask you choose a favourite, so just to make it clear we don’t want to isolate cities or cause a war between West Yorkshire and the South West haha... I’m so excited to go to Ireland actually, as I’ve never played a show there. We’re going to Belfast and Dublin, and I’ve never even been to Ireland. My surname, Toomey is an Irish name too. 06

My great-great-granddad or something was Irish, so I’ll discover my true home when I go to Ireland! But no, I’m excited. And I also think that all of the shows are going to be amazing because people are just so ready for live shows. Everyone is ready to mosh and go nuts, because they’ve been denied that for so long. What is your favourite moshpit memory? Oh so many moshpit memories! I think one time we played the Deaf Institute in Manchester and I crowd-surfed right at the end whilst people were still moshing. I was just getting carried around the whole room and it was amazing. It was so, so fun! I love crowd-surfing! That’s a very a good way to get to the bar, as well without having to push your way through the crowds haha! Exactly! You know some bands will bring inflatable boats and then put them on the crowd too. I think maybe I should bring, like, a pink surfboard and surf across the crowd with it, I think that would be really fun! Haha! GIRLI on a surfboard, coming to a show near you soon haha! Well Milly, it’s been amazing speaking to you! As you get ready for the tour, what can the fans do to really engage with you even more, before it gets to November and December? Well, there’s a couple songs coming out in the interim before the tour, so, just listen – stream and get hyped! Tell your friends to come to the shows as well, and yeah, I mean, just buckle up ‘cause it’s gonna be a riot! You can catch GIRLI’s Damsel in Distress UK Headline Tour between 7th November - 3rd December 2021. Darkus are also happy to share the news that since speaking to her, this incredible artist has also released her highly anticipated EP, Damsel In Distress, a 5-track body of work explores themes such as unrequited love, body dysmorphia and self-discovery.

Credits: Photographer Lia Bangart @liabangart.photography Photographer Assistant Ale Arana Retouching Nina Duque @ninaduque.retouching Styling Tallulah Fry @tallulahcreates Makeup Natalie Stokes @nataliestokesmua Hair Maria Kovacs @Readytowearhairdressing Fashion Imi Studios @imi___studios | Fran Buss @franbuss | Lula Laora @lula_laora | Goldsmith Vintage @goldsmithvintage Rings Pixie Rings @pixie.rings

Lady Jesus: Trailblazer UPSAHL Releases Her Debut Album Article | Catherine Anderson 51

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L DEVINE: EPs, Growth & Empowering Moments Article | Thushara Chandrasiri It always makes us smile so much at DARKUS when we come across an artist within our own local music scene here in the North East who has gone on to achieve such great things. It was back in 2014 when I first had the pleasure of meeting a young talented woman who was performing at a few open mic sessions at a few venues around the region, just her, her guitar and her love for music. It was only a matter of time when that rising star, better known as L Devine would go on to become one of the region’s and the music world’s much loved artists.

So what’s been the pinch myself moment of 2021?

Fast forward 7 years later, the journey of L Devine is one which has included being signed to Warner Records, time spent writing in Los Angeles, and being a real pioneer for showing people what it truly means to embrace who you are as a person. Given that there was so much to celebrate and discuss, L Devine sat down with our Editor In Chief, Thushara, and the pair reflected on the sensational journey of one of the North East’s most loved queer artists.

So, we’ve known each other quite a while. I think the first time I saw you was back in 2014 or 2015.

Liv, it feels like we are on an episode of Suprise Suprise after seeing each other after so long. How are you doing?

Bringing up 2014, that was a time when I was doing all my gigging round Newcastle and stuff. I’m definitely proud of the gigging and my days spent busking are the roots that helped to shape me. I think it’s so important to play to empty rooms before you go straight to a venue where they’re actually full, so I’m buzzing that I’ve kind of got all of that experience in my back pocket.

Eyy, I’m good. How are you doing? I’m good thanks. It’s good to see that you have been back on the road playing live music, how have you been finding it all? It’s going good. My first live show was back in Summer, when I played at 110 Above Festival, so I feel like that was part of my preparation for the festivals and shows that followed. Would you say in general it’s been a really good year for you? Yeah, I think so – I mean, I think for everyone it feels like we’re just getting back to what we do best. So yeah, everything’s looking up. It feels really good and obviously I’ve had new music out, so I can’t complain.

Ooh, probably being back on stage because I think like most musicians, after the past 18 months, no-one quite knew when that day would finally come. Being back on stage, standing in front of people, hearing them sing your songs back to you in a room full of sweaty bodies – I never thought I’d ever get to do that again. Also, having the new tunes out and seeing everyone’s reactions to them has been amazing.

Yeah, 2014, that’s crazy. When you look at your journey as an artist, um, what are some of the things that make you most proud?

Things that make me most proud… I think gigs generally. I know I just said that before but I think gigs do make everything seem real, because a lot of the time, especially in the past two years, all your achievements are on your phone. So, when you release a song, it’s exciting to watch people react to it that way but when you’re actually in a room full of people and can see the smiles on their faces and you can see how much they genuinely love the song, nothing beats that feeling. Have you ever had those moments where you returned back to venues such as Mister Woods where it all began? 54

Not specifically Mister Woods but I’ve got plans to go back to some of the venues that I used to play at, like the Surf Café where I did my first ever show. I remember when I first got up with a guitar in front of people and actually made it through the whole song. It is such a powerful memory for me. There’s still quite a lot to talk about. So let’s talk about America and what that whole experience was like. I haven’t been in a while but I would spend probably about two or three months a year there, just writing and stuff. It’s really cool, there’s such a cool community of people over there. I feel especially as a queer person, going to LA is really a very fun place and also kind of a freeing place because there’s loads of people like you. Coming from a really small town in the UK, it’s amazing. The first time you go, you get this feeling where you say to yourself “Oh my god, I’m in Hollywood!”. I love writing over there, there are loads of amazing collaborators there and it’s cool to bring a piece of my North East roots to LA too. In terms of your journey as an artist, at what point did you start to really celebrate your own identity as L Devine? I guess that is still happening. Every time I put out a piece of music or a body of work, it kind of redefines who I am and that’s what songwriting is: you capturing all these different moments in your life and growing as part of that process. Also, every time I release music, I’m kind of rediscovering my identity. I think music’s definitely helped in other ways as well, in terms of being part of the LGBTQ+ community. Making music and releasing music where

I talk about being gay and having people react in such a positive way has definitely helped me with my identity and being comfortable in my sexuality. It helped me to feel at home in a community which accepted me for who I am as a person, so it’s massively helped me in so many ways. So on the back of that what does the pride flag represent to you? To me it represents a sense of community, where we are waiting with open arms to welcome everyone. It’s a shame we didn’t really get to celebrate Pride properly this year but it gets me excited for next year, when hopefully, we can properly get out in full force and celebrate. Thinking about those empowering moments in life, for L Devine growing up in Whitley Bay, what has that journey of empowerment looked like? As a woman, I think it’s important for me to talk about female empowerment in my music. For example, songs such as ‘Naked Alone’ and ‘Girls Like Sex’ are about sex. Both songs are really important as they have helped me on a journey to become more and more confident in highlighting things might be considered taboo for women to speak about in music. Growing up, I never really heard pop stars really talk about some of the things I talk about in my music now, whether that’s about sex, mental health, or just taking the piss out of myself. Tracks like ‘Girls Like Sex’ flip the tired old narrative on its head, that men like sex and women just like talking about feelings. It feels empowering to challenge that and say, ‘fuck off ’! Let’s talk about Near Life Experience Part 1 & 2. What’s that been like to work on both of those? 55

It’s been great. It’s been a long time coming as it’s the first body of work I’ve put out since Peer Pressure, three years ago. Waiting for it to be out was the hardest thing, especially when you’re sitting on all these songs that you love for such a long period of time. Putting it out was just the biggest exhale ever, it felt so, so good to be putting out tunes again.

I don’t know if you ever do. I still listen to songs and think, “I wish I’d done this or that” but I think it’s sometimes nice to let go. The imperfections help to capture that moment in time.

Making it was interesting, as working on two EPs through a pandemic was something new to navigate but luckily, I started working on it right before we went into lockdown. I was in LA at the start of 2020 for a writing trip so managed to get the bulk of the EPs written then and then finished it all off over lockdown. I think that helped to put a different spin on the songs. Everything felt a bit more introspective and in my head, because that’s what it was like for the past two years – sitting in my room alone in my thoughts.

So much stuff! The new music I’ve been making, obviously. I’ve just put out the EPs but I’ve been in the studio writing my next chunk of stuff which I’m so buzzing for! It’s the most confident I’ve ever felt in my music and I like it. I’m just really into the music I’m making at the minute, which feels so good!

When you are alone with your thoughts what does that inner monologue sound like or look like? I hope it sounds like the songs, I guess. My lyrics come from the conversations I’m having in my head by myself – all my fears and insecurities. I try to incorporate all my vulnerabilities into my music and give people a piece of that. Sometimes, it’s kind of scary to let the rest of the world into thatbut people seem to like it and relate to it, so it’s worth it. Do you remember the first time when you did that and then someone said “Liv, you’re speaking to my mind”? I’ve always written about love and relationships and how they make me feel but the first time I tapped into the other side of my head was with ‘Peer Pressure’. I had all these anxieties and paranoias but I wanted to get it all down in a sarcastic kind of way, where I could take the piss out of myself because that’s kind of thing I do. If I’m ever feeling insecure, I just make fun of myself before anyone else can and that’s what I try to do in my music, so with ‘Peer Pressure’, I tapped into that way of writing and people really related. So out of the songs, especially with this latest EP which one do you feel put you to the test the most? I think a lot of them tested me in all different ways. ‘Naked Alone’ pushed me vocally. I remember I flew over to Stockholm to rerecord the vocals with the producers because the demo wasn’t good enough. I was on a 4am flight, so my voice probably wasn’t in the best shape but we just went for it, take after take after take. I’m a singer but I wouldn’t say that I’m a classic singer, do you know what I mean? I think I pride myself on my songwriting over my voice, so I really pushed myself. Being able to let go is also a test. I was writing ‘Be In Her Bedroom’ for a long time and changing lyrics so being able to let go of something and not keep perfecting it is always a bit tough. How do you know when is the right time to let go, then?

Moving forward, what is making you excited about the journey ahead?

What’s great is that you’ve got quite a supportive team around you, as well. So when you have the likes of your label and also your management saying to you “Liv, we believe in your vision”, what does that feel like? It’s amazing. I mean, it wouldn’t work without all those people and you need people to help you because it’s easy to lose confidence in yourself and kind of doubt your vision. Sometimes, things will go wrong and even though you have got all of these people around you, it’s always personal to you. It’s your name on the tin so to have those people around you that really champion you and help you to believe in yourself is super important because that is what’s gonna get you through, I think. So to the fans that have been there since day one to the ones that have just been part of the journey recently, what would you like to say to them? First off, that I love them and thank you all very much for listening to all the music – you’ve got incredible taste in music! Haha! I hope that I can see you in person at a gig very soon and chat some shit with you and give you a cuddle. Well, Liv, pleasure’s always to chat with you. So the new – the new EP comes out very soon - why is it the EP not to be missed? Because it’s bloody mint, man! I’ve put my blood, sweat and tears into these songs and it’s been three years in the making, so if you liked the other tunes then definitely don’t miss these because they just keep getting better! Sending thanks and good vibes to Liv. Both Near Life Experience Part 1 & 2 are now available now, so be sure you do not miss out. L Devine will also be returning in December for a special set of intimate shows across the UK. Credits: Editor-In-Chief @thushara.s.c Styling @mlondon_styling Photographer @annemariesterian Hair @jonchapmanhair Make Up @margo_holder Video @alvaro_photo Assistant @barbaraella__ Location @godsownjunkyar L Devine Wearing @scotch_soda | @sorapollondon | @thepop.group | @helenanthonyofficial | @the223.agency | @hilduryeoman | @dreamsisterjane

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WWW.LDEVINEMUSIC.COM

@L.DEVINE

@LDEVINEMUSIC 60

Talking Lady Gaga and Metaphorical Black Boxes: Q&A with Grace Gaustad Article | Margot Macleod

LA based alt pop star Grace Gaustad has just released her first ever album BLKBX: what r u hiding.Covering topics from depression to body dysmorphia, Grace eloquently talks about the struggles that young people have to navigate everyday.If you find yourself pining for an honest body of work be sure to check out the album! We caught up with her to dive deeper into her debut LP, her fight for equality and her love for Lady Gaga. Hi Grace, It’s great to have you in Darkus! Congratulations on your debut LP BLKBX: what r u hiding. What have you been up to? Hi! It’s great to be here. I’ve been finishing up my film that comes out in a few weeks - BLKBX: wht r u hding. I’m so excited to finally get to share it with the world. Could you tell us a bit more about the BLKBX project/website and why you set it up? I set up blkbxproject.org because I wanted to create a safe space for teens to find resources pertaining to mental health. As someone who has struggled with my own mental health for a long time, I understand just how hard it can be to find the right information. So I wanted to create a safe space with resources that I wish I had when I was younger. Learn, Listen, and Act is a big theme of BLKBX project and there’s a variety of topics people can explore through the site to educate themselves, feel seen and heard, and take the next steps toward getting help if they need it. I read the letter you penned to GLAAD, it was very moving. Why do you think it’s important to voice your opinions as a young person in the LGBTQ+ community? Although the LGBTQ+ community has come a long way in the last decade or so, I still think so many people are shamed by society for their sexuality and gender identity. It’s very important to me that we keep the conversation moving forward and we continue to educate each other to create a safer space for people and teens, especially in the LGBTQ+ community. Growing up is already hard enough and being shamed for something like who you love is absolutely unacceptable. Equality is something I’m very passionate about and will fight my entire career for. Your letter to GLAAD was in accompaniment with your new track ‘Red’ which focuses on discovering your sexuality, who/what in the media made you feel represented as a young person in the LGBTQ+ community? Ever since I was a little girl my hero has always been Lady Gaga. As a young person, her message and music, particularly “Born This Way,’ helped me to accept and love myself. She has always been such an icon in the LGBTQ+ world and I am so grateful for artists like her who make the world a better place.

You said that you think of your experiences as being harboured in your own personal black box which is a great analogy, could you elaborate on that a bit? I think that very similar to the black box found on an airplane, we have our own metaphorical boxes inside us. When a plane crashes, the black box holds all of the information as to why the plane crashed and what went wrong and it’s no different for humans. Our black boxes hold all the secrets and trauma in our lives, but they also contain the answers to our healing as well. I love that you had a licensed therapist, Jaz Robbins, accompanying the BLKBX project with weekly YouTube videos. As you will know, it’s very difficult for young people to get the support they need. Do you think YouTube videos like these ones are the way to go to make therapy more accessible? I absolutely think anytime you can hear from a professional on the topic you are struggling with it is more than helpful. I know therapy can be a very expensive thing so as an artist it’s my goal to provide as many free resources on the internet as possible. How has it been releasing an album in such uncertain times? Especially one so personal? It’s definitely been very different from a typical album rollout. Everything has sort of lived virtually online because of all the restrictions around live performances. Although, I think that releasing music during unprecedented times is one of the most beautiful things you can do as an artist, because throughout history people have turned to music and the creative arts to get them through difficult situations. Who is your dream collaboration? My dream collaboration would have to be Lady Gaga. She’s just so incredible and I would be honored to work with such a force of nature in music and modern pop culture. Is there any particular era of music would you love to experience first hand? I would have loved to experience the 80’s & 90’s when figures like Michael Jackson and Madonna were running the pop scene. Those two artists have been favorites of mine for a long time and I think it would have been incredible to be there. And finally, what have you got planned for the rest of the year? For the rest of the year, I’ll be working on finishing up my second album and preparing some releases for early next year. I’m also going to be putting out a holiday song as the year comes to a close!

YOU CAN KEEP UP WITH GRACE ON HER SOCIALS, AND TO FIND OUT MORE ABOUT THE BLKBX PROJECT YOU CAN VISIT THE WEBSITE: WWW.BLKBXPROJECT.ORG/BLKBOX-PROJECT-M/

Holiday Ghosts: The Story Behind “North Street Air” Article | Tiarna Iddon

Holiday Ghosts are an upcoming band originally from Falmouth but now based in Brighton. Together they mine the works of eras past to cast the best of artists such as : The Kinks, Alex Chilton, Violent Femmes and Modern Lovers. WIth the release of their brand new record North Street Air, DARKUS’ very own Tiarna Iddon caught up with the band to find out more. Hi, how has 2021 been for you so far? 2021 has been pretty decent to be fair. We’ve had an album out and finally started touring again, both of which are great things for us. Since August 2021, we’ve had loads of gigs and I would say they are feeling better than ever! Otherwise it’s been a pretty dark, scary, disappointing time right? I was a postman for three months in 2021, that was good. For our readers who have never heard your music, explain your music in 5 words: Lean, machine , green , bean scene. What sets your music apart? What is unique or least common about it? I think for a four-piece guitar band, in rock set-up, we come across with a fairly clean sound. We’ve never been into sounding heavy and rawkin’ or fancy. However, we’re very high energy at the same time as a live band. What we write about aren’t unique concepts, but I do feel that Kat in particular has a unique vocal delivery and lyrical style. What do you feel are the highs and lows of being in band? The highs for me are definitely playing the music live and recording. We have a lot of fun on-stage - in the studio it is a different vibe, but still just as great a time. The first few days that you can listen to a bunch of new material after recording is one of the most exciting parts. 63

The lows are less important, but it does feel like being in a band is constantly moving house and driving somewhere by night. I don’t find it particularly enjoyable to keep up social media presence, but do get that it’s important. Were there any challenging aspects to writing or releasing you latest album “ North Street Air”? I think the biggest challenge was that when we recorded the album, we had gone from four members to just two, so Kat and myself had to figure out a way of making it happen at all. It’s pretty tricky being a DIY band in Brighton because it’s nearly impossible to find affordable space to do a project like this. But we were really lucky to have been able to call on a few other friends around us to lend us space to do it! Did you learn anything about yourselves when working on your latest album? I think we feel a lot more confident doing our music exactly the way that Thank we want you tofor . We having have always me! Yesdone that it islike right that, I went butback I guess home thefor good a few reception weeks over the from thissummer particular which album wasand nice. having Other Fat than Catthat release I have it has been been busy a nice lift. with so many projects. I have two short films that have come out this year, Sell It To Me How have A DIfferent you beenWay feeling andabout Whalegetting Talk, both backwere on the written road?and Anydirected places you by Zacklooking are Travis forward who is incredible. to performing They in? have been getting alot of attention and a lot of award nominations, so yea it has been a lot of fun. Always excited to tour. We’re going to some new places this autumn, which When is really you cool. know Chester showsand have Oxford, the potential are bothtoplaces be nominated we’ve never for awards, been to. does that Excited toput be doing pressure some onshows you asinan Europe actress? in 2022 too!!! I am just What do you so glad hopetotobeachieve involved in the to be next honest. year?If we win anything I will be thrilled about it, but most of the time I don’t put too much weight on them. We’ve got a shed load of new recordings to release next year. I hope the very Evenfor best Though us. And it yourselves has not been too!that long since we last spoken, how do you feel you have grown as a person during those months? Intrigued to experience the album for yourself? ‘North Street Air’ is I think I have available to listen foundtoa right good balance now. between work live and personal life and finding time to further my acting. I am back in training and taking some

@HOLIDAYGHOSTS

HOLIDAY GHOSTS

Holly Humberstone: Reflecting On My Personal Growth Article | Thushara Chandrasiri

As a music fan, it feels so refreshing when you are able to connect with an artist at a deeper level, especially when their music does not just speak to your mind, but also touches your heart. For me one of the incredible artists I felt that connection with during 2021, and whose songs have really helped give me strength during the toughest of times, is UK singer-songwriter Holly Humberstone.

Yea it was so cool. My family were in the crowd and they said that there were so many teenagers around them saying ‘oh she’s so cool, she is so amazing’ and then my dad saying back to them ‘I am her dad’ haha. It was nice, it was really wholesome. Even chatting to people after the show and having the opportunity to say hi to each other was just really affirming and really lovely.

When you look at 2021 on reflection, this has been a very powerful and strong year for her and a year filled with such important milestones moments for the talented artist including numerous festival appearances over the summer, the release of her latest EP, The Walls Are Way To Thin, and also her very first UK Headline Tour which took place during October. One of the qualities I admire most about Holly as a person is how she is not afraid to wear her heart on her sleeve and use her music as a platform to create a safe space to express some of those challenging moments that she has had to face in life.

What have you taken away from 2021 in terms of your personal growth?

Having had the pleasure of being able to check out the latest EP myself and experience a number of her breathtaking live performances, it was an honour to sit down with Holly herself as we delved into the her creative process, some important turning points in her life, and just some of the things she loves about visiting Newcastle Upon Tyne. Holly a massive welcome to you! How have you been enjoying your 2021? Oh my gosh it has been so sick, thank you! It has been really strange. I am a bit overwhelmed with how busy I have been especially with all the festivals and things I played over summer such as Leeds Festival. We were at Leeds too! How did you find it? I felt I had to mentally prepare myself, because although I have been before it was only as a punter and I know how savage it is. It is honestly chaos so I was very happy that I did not get a bottle of wee thrown at me. What has been your highlight festival wise? Honestly they have all been individually amazing, and I have had so much fun at all of them. I would have to say though that Latitude was probably my favourite to be honest, because it was my first big show since March 2020. I feel that because I have been releasing all this music during the various different lockdowns, while it has been nice to see all the feedback I have getting online with people messaging me telling me how much they like the songs, I have not really during that period had any physical proof that these people exist until these shows. I remember at Latitude I was kind of like, ‘it doesn’t matter if nobody turns up, it’s cool I will have fun anyway’ and then I came out on stage to see so many people there. It was so bizarre and really sick that people had come to see me. In that moment what was going through your head as you saw those faces looking up at you in the crowd? I don’t know really to be honest. I don’t think I was as nervous as I thought I would because I was waiting for this for like a year and a half. I have no need to be nervous, it is just pure excitement, so I was just like lets just have fun and soak every minute in. To be honest my stage chat is very rusty haha, but I guess everyone else is feeling a similar way where they are saying to themselves that they can’t believe they are finally able to enjoy live music again. Must be nice in a good way to hear people screaming your name?

I feel like I have learnt alot about myself and my own creative process. Before the pandemic I found that I was inspired quite a lot because I was so busy where I would be working in the day or in London writing or whatever and then being on a train at 6pm going to see my friends up North who were at University in places like Newcastle. So I found that I was most inspired when I was doing that and on the train hungover on the train the next morning going back to work. 100% burning the candle at both ends but still so much life and so much going on. When it came to lockdown though, I found it really, really hard, because there was really nothing inspiring about being stuck inside for however many months and also people dying everywhere, so the last thing I wanted to do was sit down and write little songs, especially when there were bigger things going on in the world. In the first few months of lockdown I didn’t really do much writing, and even though I tried to do a few writing sessions over zoom, I felt that I could not really force creativity. After a while though, then I thought we are going to be here for a while so I might as well use what I have got and be creative in any way I can. So I started to get myself back into it and filmed a few videos such as Overkill which is one of the songs on my first EP. My sister and I went out into the forest and we filmed a really slap dash rough video on a little camera, and yea I just found it really fun when I started to get creative again. So yea what I probably learnt about myself and my creative process was just to go easy on it and nurture the creativity and strike when the creativity comes to you. Personally I don’t know how people can write all the time and be so vulnerable where they are writing an amazing song every single day, so I have realised that it is totally fine if I have really dry spells where I don’t write for months. It is just about being kind to myself I guess. Having social media as the only form of interaction with other people and seeing what other artists were doing, was a really challenge for me because there was a point where I would compare my progress to theirs, where on one hand they were constantly writing and making albums, and on other hand I would come out of lockdown with nothing to show for it. The thing I had to remind myself though is that social media is toxic and its important not to let it get into your mind because it is not an objective point of view. How do you switch off your mind so it doesn’t give way to the negative pressure and expectations that social media tries to fool us with? I think part of it has to do with restricting how much I am on it, and when I am taking everything I see with a pinch of salt. Mentally and physically you also just can’t base everything on social media because it all gets a bit too much. The way I see it, is if the music is good then I am going to be cool as at the end of the day the music is the most important thing because for the real music fans, that what people are here for I guess. Talking about music then, we must of course highlight the brilliant new EP, The Walls Are Way Too Thin which came out on 5th November. How cathartic has it been for you working on that body of work?

Photo Credits | Sarah Oglesby

It has been really cool. I will let you into a secret, I tend to get bored with my music really quickly so the way I test a song is to think to myself whether I still like it after a month or two after I have written it. Usually I would rinse a song where I would write a song and listen to it over and over again, but all of these songs on the EP have kind of stuck so thats how I know that they are good ones. In terms of the EP itself I wrote it over the past two or three years during a period when I was leaving home. We were told we had to leave our childhood home which I have lived in forever and that was really sad just because it was my family home and it was where I grew up. It is the place where I felt the most safe and have all my most cherished memories with my family. I moved to London on a whim, to the deepest darkest part of South East London. I literally found an ad on Facebook and thought ‘right I will move tomorrow’, little did I know what was ahead. I moved into this tiny flat while the rest of my friends and family were back up north so I didn’t really have a lot of friends when I was in London, as I was just there for work more than everything. The thing about London is that it is such a busy and intense place with so much going on, so while it can be really fun, for me it just made me feel really isolated and lonely. I would often confine myself to my room with the door closed, because I felt I was in such an alien place with nothing familiar to me that I could latch onto. I found over those few years, the only safe space that I had was going into the studio and writing about how I was feeling about everything. That is why I feel the songs on this EP are so important because it was my only kind of comfort space and turn these stressful situations into songs that I liked. They helped me to figure it out and give me a bit more of a sense of direction and clarity too to figure out what the hell was going on around me. I feel like I am at an awkward stage between no longer being a little kid and instead being an adult living on my own with actual adult responsibilities which I don’t think I will ever be ready for. At what point did you feel comfortable within your own skin which made you say to yourself, ‘right this is my dream, I am committed to the journey ahead’? To be honest, I basically moved back home at the start of the pandemic before my first EP came out because my parents were still living up near Nottingham and I was like ‘ok right I have to get out of this flat’ because it was the last place I wanted to be especially in a national lockdown. So I was lucky that I could escape London, but I think as soon as I started releasing music it was quite reaffirming and nice to see that people were also going through similar things. There were people out there who were understanding what I was going through because I am not exactly writing about unique situations because everyone in some form or the other is going through these different things. It is really nice as well to just through this new EP I have released, that no matter how alone I feel, there are people out there connecting to it because people are responding to the music which is so cool. Hopefully it will also be helping somebody else who is feeling a similar way and letting them know they are not alone either. So I hear something your passionate about outside of music is your own contribution and fight against fast fashion, in the form of your very cool platform Fifth Sister Swap. Tell us a little bit about that? I have grown up with three sisters and we are all exactly the same size and all into the same things. We are all similar ages too. I think there is probably six years between us all so pretty much we have a

lot of clothes amongst us and just share and steal each other’s stuff which I think is a classic sister thing. We grew up in a place called Grantham which is a bit of a crap town, but the crapper the town the better the charity shops - that’s the rule haha! Being sustainable especially when it comes to clothes is something I am really passionate about, so over the course of lockdown I was like how am I going to source all these clothes that I need for shoots or for videos. I genuinely didn’t know where to find these clothes and also once I have worn it for a video i can’t really recycle it and wear it for another video. Off the back of that predicament then, I thought I would set up a little swapping system with fans and people online because I am not the only one with this problem and from that Fifth Sister Swap Shop was created, because I was already doing it with my sisters. I decided I would post an item I have worn to death that still has loads of life in it for someone to wear and swap it with someone else’s item that they don’t want anymore. It has been so cool and has genuinely helped me to source new clothes. Already I have been able to swap with people in Italy, people in Los Angeles and is really nice, especially as you are connecting with people in a different and creative way in these times of a global pandemic. Even with the headline shows around the UK that I have been doing recently, I brought the Fifth Sister Swap Shop to the shows and people brought things to swap with me which was really fun. Speaking of headline shows, this recent tour across the UK was also your first ever UK Headline Tour (had so much fun at the Newcastle date by the way!). What made you smile the most about the whole experience? Oh my gosh it has been so amazing! I love travelling anyway so it felt so nice being able to visit different cities. I have a lot of friends who live up in Newcastle still, one of my favourite places to go to because I think it is so cool. I love your Geordie accents. What is your favourite Geordie phrase? I had a friend who was living near me when I went to uni who taught me a few. I like the way you say ‘rolla-coasta’ or ‘canny bairn’ haha! Seriously though going back to your previous question it feels good to be able to do my own shows because up until now I have always been a supporting artist, which is fun in it’s own way, but there is just something cool knowing that it will be my show and people coming to see me which is not really something I have had before. It has been nice to also be able to put faces to names with people who have shared the same experiences as I have gone through. To all the all the fans who have supported you so far what would you like to say to them? Just thank you so much! Thank you for helping me to work through all of my mental struggles, all of my internal stuff and thanks for understanding. I am honoured I am able to do this as my job as It is so cool we can connect on a deeper level which I will forever be grateful for. A huge thank you to Holly for joining us. You can listen to the latest EP, The Walls Are Way Too Thin is available now.

TO STAY CONNECTED VISIT:

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Article | Catherine Anderson Charmingly inviting their audience on an almost two-hour captivating, transcendental, and contemplative journey, Australian quintet Parcels release their second album ‘Day/Night.’ Here, tracks flow, intertwine and surprise. Barriers of genre and length are shattered, capturing a diverse range of listeners. An exciting yet unnerving sense that anything could happen is created and we are captivated by the beauty that is woven into this meticulous masterpiece. Ultimately something so stunning has been created during one of the most uncertain and polarised times of recent history. “Australia was burning” whilst “news of a new virus” lingered, the band writes. “It all became a backdrop for the songs. A backdrop for all the love that happens as the earth keeps turning, all the fear, the liberation and the repetition, the hope and the disillusionment. Day and night also gave us a very exciting canvas to play with the idea of ‘self ’. Shadow and light. Personalities, egos, morals and all the clouds that enshroud them.” Made up of guitarist Jules Crommelin, keyboardist Louie Swain, keyboardist/guitarist Patrick Hetherington, bassist Noah Hill and drummer Anatole ‘Toto’ Serret, the band have amassed over 400 million streams, 200,000 album sales worldwide, cross-continental tours, and a range of collaborations including a debut single that was produced by none other than Daft Punk. Filled with ambition, their latest release is made up of two self-contained albums, Day and Night, which they recorded at La Frette Studios in Paris and was produced by the band themselves. Monumental opener ‘Light’ sets the tone for this spellbinding album. With string arrangements courtesy of Owen Pallett, a key element throughout the record, an orchestral essence is infused with funky guitar riffs and dreamy harmonies. This piece is hopeful and cinematic, with hints of unease, foreshadowing the journey about to be embarked. We are then pleasantly drawn into the upbeat and piano-driven track ‘Free’ here, which explores the need for liberation. ‘Theworstthing’ presents as a slowed down, jazz-heavy number with isolated guitar riffs and mellowed vocals, ultimately generating something completely unique. With a catchy baseline and angelic harmonies, as a listener you truly feel this track. Following a brief but beautiful instrumental interlude from ‘inthcity’, ‘Nowlcaresomemore’ stands as a gorgeously heart-warming number that I could play on repeat for hours. Lyrically exploring the graciously-comforting yet slightly frightening sense of a love growing deeper over a unique sound.

‘Outside’ bestows as a seven minute, initially stripped-back piece which grows into something dazzling, with lyrics that tug at your heart-strings. With this, the ‘Day’ is over. We are beckoned into the ‘Night’ with experimental hit ‘Neverloved’. Immediately exploring darker themes with lines such as “I never loved her” over a vast musical range involving a heavy drum section and adorned strings, embellished with hints of rock guitar. Fundamentally generating not just a song, but an experience. We are then caught off guard with the exciting hit ‘Famous’, enriched with the quintessential Parcels sound we all know and love. ‘Famous’ stands as a disco-funk anthem structured as an invitation to dance. Maintaining this concept of surprise, less than a minute of the hit remains when all is abruptly stripped away, allowing a moment for the jazz to stand alone whilst the saxophone takes centre stage. During ‘Thefear’ we experience a complete shift in tone. Melancholy yet dreamy, reminiscent and regretful, delving into the breakdown of a relationship with discomforting and eerie undertones. Strings clash and lyrics stand alone as they are played in reverse, mimicking the sickening feeling that overtakes when a love isn’t working out. This flows into the almost 7 minute long cinematic journey of Nightwalk; initially enhancing these darker concepts with its chilling nature, before gradually beckoning the listener into a brighter state through alterations in style and tempo. This brings us to ‘Inside’. The destination if you will. In some ways upbeat and in others remorseful, this track is consistently beautiful. Leaving listeners fulfilled, yet unsure. We are left hanging on the edge of our seats, as the curtains come to a close. Coming at full circle, the ending of ‘Inside’ fades graciously into starting track ‘Light’, amplifying the infectious nature of this remarkable, cyclical album. “These records were cathartic, in the way that sometimes leaves you more confused than before, but in a good way.” The band notes. Parcels will be touring globally throughout 2022; you can find tickets here:

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Jasmine Thompson: It’s Not Just Music, It’s Therapeutic Article | Thushara S. Chandrasiri

Sometimes we never know where our paths will lead us, or the people we will meet through the choices we make, but it is exactly that type of thinking which led me to first discovering the voice of Jasmine Thomspson back in 2014, when going through a phase I was just feeling the vibe for more dance music in my life. Thanks to Jasmine’s collaboration with Robert Shulz on Sun Goes Down (an absolute classic of a song if you haven’t heard it) from that moment onwards the name of this talented young lady who had such a beautiful voice had forever left an imprint in my mind. 7 years later, working away, when the name Jasmine Thompson appears in my inbox, could this be? Surely this is too good to be true? I opened the email with such excitement, on the verge of screaming like a crazy fan girl to my delight to see news of this talented artist being back in 2021 with some brand new music, and man I couldn’t be more happier. Having taken a break from music to focus on herself and the things that make her happy, 2021 is a year which has seen Jasmine return to show us all just how her love for music still burns bright. This year has seen her release powerful emotive tracks such as Happy For You and her most recent collaboration ‘love is just a word’ with the wonderful Calum Scott. Excited to find out more about the journey that she has taken to get her to where she is today, I was honoured to finally have the opportunity to sit down with Jasmine herself to find out more. Welcome Jasmine! How have these past few weeks been treating you? It has been really nice! I think anything that is not considered lockdown is great for me because I think I have really enjoyed seeing my friends more, staying for my mum’s a little bit because I haven’t seen her in ages. Also I am really enjoying being able to put music out again. Lockdown gave me so much time to stay at home and be in my own head, so now it feels like the world is opening and it’s an opportunity to finally share all the stuff I have been working on. Do you feel that being throughout this time has helped to keep you focused? I mean I would like to say I have been proactive but the first six months of lockdown I didn’t do anything. I was one of those people who in the back of their head kept thinking - it’s going to be over, it’s going to be fine. By this time next year we will be back on in and life will be normal. I think it was probably after Christmas 2020 that is when I decided the time was right to get back to doing what I love. For me it was a real big struggle to do the technology side of things because I struggle to get my head around programme software such as Logic which allows you to record from home. It is like a completely different side of music, because now that I am doing my own music, I am normally in a room with a producer who would help you do the vocals after you have written the song, so it has been a really interesting but isolating experience. It has also been a really cool learning curb and has actually inspired me to start studying it. I feel it is going to be a big part of my future knowing how to do all of this by myself especially as it will lead to a huge movement of artists who also for the first time are adapting to do things for themselves as well. Within that learning curve then, what did you discover about your own strengths? It is a normal thing for people to be in writing sessions almost every day and sometimes that is great, I know so many people who really rise to the occasion and can write like 5 songs a day. For me though, I realised my strength was actually patience and learning how to not rush an idea because what I really like about being able to work from home is that I can

go and write any time I want whether that be during the night when I am on my own and really focus on things. Being able to record at home as well meant that I could have a lot of fun experimenting with harmonies, the way I could sing or what note I could hit because I think you have to be quite confident as an artist which sometimes I really struggle with, especially in a studio. There has been so many times when I am talking with the top hit song writer of the year and it puts me off because I want to impress them and I will get nervous about messing up in front of them so it has been good to do it at home and get my confidence back. Congratulations on your new track. What has it been like to finally share that with the world? Being able to put out songs like my previous track Happy For You and the more recent one ‘love is just for you’ which I collaborated with Callum Scott, which are all emotional subjects or something that is closer to home is like a sigh of relief. When I released the Happy For You video for example I remember my dad was on the phone to me telling me how it had a decent amount of views when at that point it had only been out for a month. I myself had not looked back at it because I get really nervous about how many people have watched it or if people even like it or what people are saying, so it is such a great feeling to know that people are listening to it and sharing it. It is one of those things where once you have written the song and recorded it you just let it go. During lockdown there has been so many songs that are so easy to get in your head where it is very hard to draw the line when something is finished, so when something is finally out it feels so good. How would you describe your relationship when it comes to writing about deep emotions? Do you feel its become much more natural? Gosh it is really hard, especially when you are in a studio with other people because writing about personal experiences sometimes I prefer not writing about my own love life for example because then when you have to sing a song on tour or you have to share it in order to promote it, it is like a constant reminder of everything that might hurt. Again with Happy For You, it was interesting being able to put all of those emotions into words and then singing it, because when I am upset for example, I struggle to articulate it so it is nice when you can sing it instead. It is actually very therapeutic. It almost sounds like you turning up somewhere and all of a sudden someone says to the whole room, ‘right today we are going to read to you from Jasmine’s diary’? Exactly! Thats the thing. I know some artists do actually bring their diary to the room and respect to them for doing that, because I would find that hard. Through lockdown though I have found some really great friends who I enjoy working with that I would regularly go back to because the more I work with them the more I trust them. Having been with the label since you were 13 years olds, and 7 years later still going strong together, when you reflect on the journey can you notice any noticeable differences to your vision when you first got signed to where your at now? It has honestly changed so much. When I got signed I was three years into doing YouTube videos and I was so excited, it was like an after school hobby. I went to a school that was mainly focusing on music and theatre and stuff and so I remember at the age of 13 being like all I want to do is sing. I had all these artists and idols that I loved. What sold it for me about Atlantic was that they had Paulo Nutini who was my all time favourite and still is and my mum was so excited they knew Paulo haha! Even when they

signed me they said ‘you are young and you are going to develop into this other person yet alone another artist’ so I think at first I went head first into all of it and luckily had a successful song with a DJ I loved. I did a cover of ‘AIn’t Nobody’ and it went big, but we had no idea it would do that. There was no push for it, nor a budget, it was just this magic thing had randomly happened. I would have been about 14 or 15 at the time and I remember us all saying that the time was right to put music out and tour, but now what I have realised is that music I create and write about now has more worth to it. Not to talk down on myself but I imagine it would be hard for people to listen to a 15 year old to sing about an emotional subject such as heartbreak, but I just found it as my form of therapy. Music was just this thing that everytime I felt sad or down, it is what I would go to. Now it is luckily still the same and 8 years later my purpose now is to keep doing it and keep being able to share that with other people. When I was younger their were artists like Florence and the Machine who really helped me through anything so if I can do that for someone else, that would be great. Atlantic since I was signed as well, over the years have introduced me to some amazing people and really fought my corner by showing that they really believe in me. I remember they said to me ‘it doesn’t matter if you are with us in 10 years, or 20 years, we believe in you and want to make sure any dreams you have come true’. 2 or 3 years ago after all of the touring, I felt that I needed to be at bit home more because there was less school and was also still quite young to being doing music and to being on the road, so I decided when I was 17 I would slow things down. Knowing I would need to tell my label, I feel really scared because you hear horror stories about people being dropped when someone gives a cry for help to work on their mental wellbeing because of the stigma attached, but Atlantic’s response was instead ‘Call us anytime you need to. If you don’t want to put music out you don’t have to. If you want to go away and comeback to it in a few years then that is cool too, we will still be here for you’. The patience and kindness they showed me during the time I took a little break was priceless. Musically they have also been very open to my ideas, because I can imagine working with a 13 year old and seeing them grow up must be very weird haha! Now one of the very first times Jasmine Thomspson came onto my radar was back in October 2014 when you released a song which brought me so much joy even to this day, Sun Goes Down with German DJ and Producer, Robin Schulz.

Africa and before the age of 16 or 17 years old I had already been to so many different places. That also comes in to play now when I think about where I want to be and what music I want to make and stuff, so yea it was really crazy but fun haha! Growing up in London, how do you think that has helped to nurture your gift and love for music? I grew up and was born in London and I love it so much! I mean I am bias because it is where my family is based and where I feel connected to and all my friends are here too. Musically there is so much everywhere. You can go to different bars, (not when I am a kid obviously but now I am an adult haha) and hear the different kinds of music. Even as a kid though you are walking down the streets of Soho or East London and it just has different vibes with different type of energy and situations. Being able to see that hustle and bustle so to speak I imagine would be the opposite of small down syndrome in the way that you work a bit too much, but the great thing about London is that it is a great hub and community where everyone flocks to be collaborative. It has been really special, I wouldn’t change it for anything else. When you think of the next chapter ahead, what is exciting you the most? Oh gosh so much! There are a lot more exciting videos coming, some potential collaborations that I am dying for and I am just excited to start playing gigs again. You may find me in some small pubs and bars because I just miss doing small piano gigs to be honest so that is what I am going to aim to do soon too. From everyone at DARKUS we wish Jasmine all the best. Out of all the artists I have had the pleasure of speaking to over the years, the open and honest conversation I have had with this amazing lady will be right up there with one of the most inspirational and heartfelt ones I have ever had. Whatever the future holds for Jasmine, I just know that great things are coming! In the meantime be sure to listen to the current track ‘love is just a word’ with Calum Scott which is available to listen to now.

Haha no way! That was such a fun track too! So when you think of all the collaborations you have done over the years how do you think they have helped to shape you even more? I think that they made me realise, especially people like Robin and Felix, how much I love dance music. I am not just saying that because I have done collaborations with them, but I think when I was younger I denied it in my own head that I wanted to do other genres of music and when the collaborations came up with Robin I was like, ‘this is so exciting’. It was like the first time my brother who is older said to me ‘oh you have done something really cool’ haha and I knew he wanted to listen to it. It has really helped nowadays especially during the last year because I have started to write for other artists as well because it is so nice to be able to do slightly more mainstream pop songs and also more dance music - something with more lof a beat, My own music is a bit more acoustic, piano based and is just a bit more about the vocals whereas what I am writing for other people has been great for exploring other avenues. Felix and Robin actually took me on tour around the world and it was mind blowing. Honestly because of Sun Goes Down and Ain’t Nobody, I got to play festivals in Russia, Indonesia and South

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Tally Spear: Exploring The Darkness & The Light Article | Thushara Chandrasiri 75

Never one to shy away from creating those thought provoking moments in her music, London based singer-songwriter Tally Spear is very much a person who wears her heart on her sleeve using music as a platform to create a safe space where she can express herself. Although the on going Covid-19 has not always been the easiest things for a lot of artists, especially emerging artists, being the ambitious person she is, Tally has been embracing new ways of connecting with her fans. Having only come onto our own radar this year, DARKUS were honoured to take the opportunity to speak to Tally herself to find out more about her journey as an independent emerging female artist so far. Lovely to meet you Tally, how are you doing? Oh, thank you so much! Glad to be here and doing very well! You had a shoot the other day with my creative team - did you enjoy yourself? It was awesome, yeah! The team were all a joy to work with. There was lots of red, and lots of latex vibes! In general, how has 2021 been? It’s been very much about adapting I would say. In parts it has been a challenge of figuring out how to get back into what we were used to before COVID. For example, as there has been a lot of uncertainty of not knowing what is round the corner, you always have to be mindful of any potential risks that may occur. At the same time though it’s been amazing to start doing real life shoots and gig practices and getting back into the game. Is there anything you would do differently that you may not have considered pre-COVID? I would say probably one thing would be virtual connections. I think it is such a good thing that has come out of COVID – being able to connect with people in this way. We probably wouldn’t be having this conversation if it wasn’t for COVID, because before the pandemic most people wouldn’t have known Zoom was a thing. It was either a phone call or you met up in person and feel like people have gotten a lot better at finding real connections virtually, and that’s in terms of livestreams as well, on platforms such as Twitch. The whole 18 months has definitely opened my mind to different ways to connect to fans, audiences, and other people in the business as well. Its been a few months since Fun House has been released. Tell us a little bit about that and what you enjoyed making? The track is like a big metaphor. We hear ‘mad house’ throughout the whole song and that’s kind of referring to the mind as a house, anxiety and self-image and kind of being like you’re trapped in your own mind. It’s meant to be fun, but it’s also meant to be kind of thought-provoking as well. In terms of making the video that was something that we were playing a lot with. I edited the video and collaborated with the team on making the visuals reflect the song itself. How did you find being able to balance both the dark and the light and also how did it make you think about your own journey in terms of those feelings?

I think that there is light and dark in everything and that is pretty much the same in my music too. I like letting people in and opening conversations up where on one hand you have the big choruses and ability to really enjoy the music and on the other hand the undertone of darkness running through the lyrics too. Hopefully it allows people to think about their own interpretation and meaning of the song. Related to that – this might be, like, based on each person’s experience, but how do you find safety in the darkness? I feel like talking about dark experiences and being honest is really important, because it connects you to other people and starts those important conversations. I love the fact that I can do that through music, because it is a safe place to talk about your emotions and express them in a concrete form, or even to simply share them with other people without being too direct. So what has the reaction from the Tally Spear fans been like not just to Fun House, but the material you’ve been putting out? I think people probably just don’t know what’s gonna come out next from me. I’ve been experimenting and I think that that’s an important part of where I’m at now as a new artist in terms of where I go next. It’s very much about trying to see what fits, and really finding my voice within that process too. I think that the people who have responded to the music can tell that that’s what’s going on. Hopefully they are enjoying seeing me develop. As an emerging artist, what would be that ideal cloud nine situation for you? I guess getting on stage and playing in front of big crowds again is my next goal, and perfecting and working on my live show. Also getting opportunities to support other, larger artists and connect with new fan bases and new people through live music, especially once COVID is even further behind us. Now, outside of music you’re also keen on animal rights, activism, and also love your sustainable and cruelty-free fashion as well. So, tell us a little bit about why those things are important to you? I was raised as a vegetarian and my family are now all vegan, so it’s just part of my lifestyle. As I grow as an artist, I’m really excited to use my platform online and my space in the music business to spread that message about animal rights. Moving forward what are the next steps for Tally Spear? Keep making music, keep getting better every day and continue learning. It is a journey of evolution and I think the more I’ve grown as an artist the more I’ve realised that there’s no end destination. Tally, it’s been a pleasure speaking to you. Before we end, for any new fans who are just discovering your music, what kind of tips would you give them to help them navigate through your music? Oooh, listen to it all! Start to finish! No, I’m joking.. Honestly though, my hope for anyone who listens to my music is that they are able to connect to me and understand my weird thought processes through the songs, as well as my struggles. The songs are quite ambiguous so I hope that people can find a little bit of their own experience in every one of the songs and resonate with them in some way. Well, I wish you all the best Tally and hopefully catch up at a live show real soon.

Credits: Photographer Lia Bangart @liabangart.photography Photography Assistant Ale Arana Styling Alice Secchi @iamaliceice Retouching Nina Duque @ninaduque.retouching Hair John Harte @johnhartehair Make Up Natalie Stokes @nataliestokesmua Fashion Zameen: corset/mesh top/trousers Plaice: sunglasses Collusion: red skirt Mistress Rock: black skirt Vintage J. P. Gaultier: Jacket

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The Rise of Mercury KX Article | Thushara S. Chandrasiri Interview | Cerys Weetch and Hildur Maral (Co-Founders of Mercury KX)

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Josin

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Lambert

As you will have noticed in this edition we have focused predominantly on celebrating some incredible female artists who have been the top of their game this past year, but we thought we would go that extra mile and also highlight the work of two other incredible women in the music industry, Cerys Weetch and Hildur Maral, co-label managers of the prestigious record label Mercury KX. Having been established since 2017, both Cerys and Hildur have really gone above and beyond to create a label which truly invests and champions its artists whilst also said to be leading the label to the edges of electronic, instrumental and vocal experimentation.

Jonny Greenwood

With these two formidable women being trailblazers in their own right within the music industry, we were grateful to sit down with both Cerys and Hildur earlier this year to find out just a little more about the rise and growth of Mercury KX these past (almost) five years. Welcome to you both! What have been some of the moments of joy that have been keeping you smiling about 2021? Cerys: It’s great to see live music and film come back – we’ve been privileged to go to some shows, go to the cinema and attend some awards shows! In particular seeing Pablo Larraín’s dreamy Princess Diana thriller, Spencer, starring Kristen Stewart along with Jonny Greenwood’s genre splicing score we’ve released, in an actual cinema was magical. To experience sound and picture on that scale – you can’t beat it. Also seeing our band LYR (Poet Laureate Simon Armitage, Patrick Pearson and Richard Walters) at the Jazz Café and a few months later in Omeara – the only artist we’ve launched from scratch – feeling the energy from the audience and seeing fans recite and sing along to each word illustrates how far they’ve come despite launching in a pandemic. Hildur: Having been in Iceland for the majority of the year, able to reconnect with family and friends, was beautiful. Hiking up to our new active volcano was a definite highlight of 2021 so far. Witnessing earth give birth in that way is just magnificent. Many of our readers may know that the label officially formed in 2017, so what were some of the fundamental ideas which you felt very passionately about in your heart, that subsequently led to the birth of Mercury KX? Cerys: Mercury KX was born out of the abundant and exciting Modern classical culture that was flourishing around the world. There was no where else within a Major that reflected this and resonated with the artists we wanted to sign. So we wanted to craft a brand that speaks to the artists and fans and one that we are deeply passionate about. We were already representing Ólafur Arnalds as well as having an intrinsic knowledge and affinity with the fanbase. Now in the fourth year, what has been the most rewarding part of your progress and growth?

Nainita Desai

Cerys: I’ve been so lucky to see every corner of how a label works, so I know how hard it is to build something, remain true to our values and get attention in this crazy world. Sometimes I simply look on our website to remind myself what we’ve achieved in such a short time - it gets me all choked up. To know that when you put your mind to something, know your audience and the market, as well as trust your raw instincts for talent, you can create something beautiful and that hopefully stands the test of time. Hildur: I joined the label 2 and a half years ago, and it’s been so exciting to come in and be part of shaping MKX’s journey. We’ve signed some incredible artists since I joined and Cerys and I are constantly revisiting our purpose and vision for the label - it’s a constant process. Seeing people recognize the label and to see how the music resonates is an amazing feeling. It must be equally exciting to know that Decca Records and Universal Music UK don’t just have your back, but are able to share in your journey too? Cerys: Decca really is the perfect home for our label – they celebrated their 90th birthday a couple of years ago and their history demonstrates that success comes from diversity of the music, risk-taking and innovation. So it’s a good reminder to keep open minded and take risks! The team are brilliant and are fundamentally “music lovers”, so we really feel their passion and excitement for the label to. Laura Monks and Tom Lewis run Decca and have been the most inspiring mentors for us and our artists. 80

Hilder Malder Hildur: Without Decca & UMG’s support we wouldn’t exist. For them to recognize the importance of giving space to creators of the music genres we represent and believing in the label is incredible. As two amazing women yourself, what has it been like to see the music industry through your gaze? Hildur: This is my 17th year working in the music industry so I’ve seen quite a lot. I started super young and to be a young female in the music industry is no easy feat. There’s a lot of misogyny in this industry as elsewhere and women have to work twice as hard to get the same opportunities as men. I had to really work for it - music has always been my main passion so I was more than happy to, but my teenage years were pretty much spent working - doing festivals, radio programs, writing etc.

Cerys Weetch

I remember when I went for my interview at Decca 2 and a half years ago, I was stunned when I walked into the office. There were women everywhere, way more than men. And a lot of them in senior roles. I had never experienced this before and it made me so excited, but at the same time I couldn’t believe that this was the first time witnessing this after such a long time in the industry. We still have a long way to go as an industry, but change is happening and space is being created for womxn, POC, young executives etc to step up now. I sense women believing in themselves more too - representation is important and in the last year a lot of great work has been done to highlight the community of womxn on and behind the scenes. I’d like to highlight shesaid.so and Keychange as two organisations I’m proud to be a part of - they are doing incredibly important work in this field. You continue to work with a range of diverse and unique collection of artists such as our friends Lambert and Nainita Desai. From a label perspective what are some of the qualities you look for when considering welcoming an artist into your family? Cerys: Sometimes it’s really easy to get drawn in simply with “Great Music”, but we really go for artists that go beyond and have an uncompromising creative vision and their own sound design that belongs to just them. Each artist on our label has a different process and different set of tools to keep innovating their sound. They’ve also got to have a message that resonates, a story that can be told and world class talent. Most importantly, is that when you’re talking to that artist, they inspire us and the team with their music and ideas. As a small label we have to work with artists that we’re passionate about. It was very interesting to hear that over the past number of months you have creating a collection of label centred playlists and compilations which have been used to bring music and well-being closer together. To be able to bring some inner peace to people, especially during this very turbulent time, what has that felt like?

Kelly Lee Owens Kelly Lee Owens X Mercury KX Release ‘Unity’ For FIFA Women’s World Cup 2023.

Hildur: Yes, we’ve refocused our Calm Amongst the Chaos playlist brand and spent a lot of time crafting a space for people to really sink into the beauty of the music and hopefully let go of the madness surrounding them. For me, music and mindfulness practice has been imperative in surviving the pandemic and we wanted to try to offer a bit of that in a very accessible way. With the both of you joined in your shared vision and commitment to keep that vision alive, how do you think you complement and bring out each other’s strengths? Cerys: We both adore the label and the artists, so we can easily motivate each other but we come from 2 very different walks of life – I’m from Harrow (North West London), Hildur is Icelandic/ Iranian. Our different perspectives and experience allows to be in constant conversation about the art we’re putting out into the world. Hildur: While having the same vision for the label, we also have very different skillsets which is really beneficial when running the label together. Having achieved so much so far, what does the next chapter in the Mercury KX evolution look like? Hildur: We’re continuing to expand our soundworld and growing the roster, and have some really exciting music on the horizon from our Mercury KX mainstays! Has been a pleasure speaking to you both, wishing you all the best and long may the good times continue!

Millie Manders and the Shutup: It’s All About Those Butterfly Vibes Article | Thushara Chandrasiri

It was this time last year when DARKUS were first introduced to the world of Millie Manders and the Shutup and within the course of those past 12 months, Millie and the band have come such a long way which included special moments such as the release of their album Telling Truths, Breaking Ties as well as finally being able to return to the stage so that music fans can enjoy one of their high-octane live shows. Within this time the band have evolved is such a beautiful way, and if I were to compare the band to who they are now compared to when they first came on our radar in 2020, I would say I love them even more. Never one to turn down the opportunity for a good ol’ reunion, I had the pleasure of sitting down with front-woman and friend Millie Manders to find out more about all the brilliant and exciting things which have happened for the band since we last spoke. A good year since we last saw each other. How has life been treating you since then?

I feel very lucky that I have not had as many difficulties as some people. Obviously this year has been difficult for everybody and there have been parts of it which haven’t been great. Generally speaking though it has been good, I can’t complain. I have lots going on and I’ve still got a job and the music is still rolling. It must feel good for you that in some shape or form live music is returning? Yea for sure! When they announced earlier in the year that the second lock would be pushed back, we had to reschedule some of the shows, so it was good to finally be able to return after so long. From the shows we have played since, especially as part of our recent headline tour this November, it is like returning home. It was the best feeling and also beautiful being back in front of an audience. When you were back in front of that audience then after what felt like forever, what are some of the thoughts that ran through your mind?

I think I just couldn’t stop grinning! Watching live bands again, discovering new music and seeing friends from around the country, I just couldn’t stop smiling. It felt great to just be back in that community and that atmosphere. I think the only negative is that I am so unfit haha. Dancing around on stage for over an hour, I hadn’t realised just how much strength I had lost, but that will come back quickly. Which songs did the audience seem to be most engaged with? I would probably say Glitter Mix because so many people have been asking to see it performed live and that has been a shocker. Not that I don’t think that the song has not got merit, but because that song is so outside of what we normally do, it is so lovely that people want to hear something different from us in a live forum. How would you define your evolution as a band in this current chapter of your journey? I would say that we are in the process of yet another evolution. It feels like this type of caterpillar that sheds its skin 8 times before it becomes a butterfly, and for us I think we are on about our fourth or fifth skin shed right now. Some of our spikes are getting longer and we are getting more colourful and I don’t actually quite know what we are going to look like at the end of this next evolution, but it feels like we are becoming a lot more developed. It feels like we are growing again and it is a really exciting process. What areas do you feel your growing more confident in as a band? Well when I spoke to you last members had only been with us for a year, so part of the album writing process was when they stepped into the band so we have become stronger as a unit. We have become closer as friends and have discovered more about each other and how we write, so I would say the community of the band has become stronger. For the first time I am also working with a group of musicians who really listen to each other and are willing to experiment and change things up especially when we are writing together, so I feel that is only going to become stronger. Have you recognised that pioneering moment in your songwriting? I feel that I might be blowing my own trumpet a little bit haha! I recognise that my writing style has changed over the years and I am excited to find out 84

TO STAY CONNECTED WITH THE BAND VISIT WWW.MILLIE-MANDERS.COM

it changes even more. As songwriters, again it is like that butterfly analogy all over again. We change with our experiences, with our influences and the people we come into contact with. Our writing style over time as a natural process in the same way that a human being grows and evolves, so I wouldn’t say there is a pinnacle moment, but instead say whatever comes next is meant to be.

and tell myself it is time, so when it comes to me I am making sure I am recording what is coming at me at the time.

What are your next set priorities for the months ahead?

I am speechless every time. Knowing that so many people have listened to our song, and have also contacted us from different parts of the world, about one song or the other and shared their experiences is so powerful. For example some of the songs on the album which touch on mental health, people are finding they are resonating with the thoughts and feelings being conveyed. Another example is a radio station in Brazil put our song Broken Record into their charts because they loved the song so much. I never would have dreamed that so many people would get so involved with it. As much as I hope people are going to relate to the music, I don’t think any of us could precinct just how many people enjoyed the record that we put out.

Well over the summer we had a new merch drop of our new backpacks, so we have been busy launching that, we are currently in the middle of our 36 date headline tour which we began in October and runs until December, and once that is completed, we have to start writing again. As soon as term time finishes for me as a music teacher, I will be going head long into getting my motivation going as I get back into writing. When it comes to working on a new record, what helps you to decide when it is the right time to move on to a new body of work? I know we have a deadline that we need to write no matter how long it takes each record sorted and decided on. For the past year I haven’t been able to I know we have a deadline that we need to write no matter how long it takes each record sorted and decided on. For the past year I haven’t been able to space to think about being creative. Saying that though, when I know there is a deadline in sight and when I am consciously aware that those creative cogs need to start turning, just little snippets will start coming to me which act as a springboard to feel inspired. I don’t pressure myself too much because I will get writers block. If I had to sit and tell myself i have an hour to write something, all you will likely get is a blank page, because I don’t work like some musicians who set aside a day and just write. I internalise,

Having put out the record, Telling Truths, Breaking Ties, how have you found the response from the music fans?

In essence you are not just giving the fans an album, your also giving them a safe space too right? Yea for sure! I don’t even think I set out to do that either. Of course I want people to feel safe with us, safe at our gigs and safe in themselves, but I didn’t write those songs in order to do that. I wrote them as my form of therapy to help me piece together everything I was going through at the time, so it is great to know people are connecting to them and taking solace in the idea that there are other people who feel the same way that they do. On the back of that then, what would be your advice to help someone stay strong in that period of solace? To be honest you can’t say to someone stay strong, because there are always weak moments that are going to happen especially for people who have mental health issues. In the strongest moment you are like ‘yea I am going to ride this wave’ but that could just be the next minute or the next day where you feel yourself crash and at that point it is just about survival and surviving. So what I would say is rather stay strong, stay talking. Keep connected to the community and remember your tool kit because most of us with mental health problems have developed some form of tool kit to help us cope with the things we are struggling with, but when you are in the middle of that struggle you don’t always remember that tool kit - so yes stay communicative and remember that tool kit. Brilliant advice there! Sadly it’s time to say goodbye for now, Millie but hope to see you in the flesh at one of your shows soon. For sure! Has been nice to chat, see you again soon! A big thank you to Millie Manders. Whatever the future holds for this band, if there is one thing I can say it is that the journey ahead is only get stronger and stronger with each milestone moment. If you haven’t done so already be sure to check out the band’s latest album Telling Truths, Breaking Ties which is out right now and is available to listen to on all major platforms. 86

Pip Millett: Manchester’s Rising Star Article | Sabahat Faris

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Born and raised Mancunian singer Pip Millett first learned of music’s power to bring people together aged 11. Taking inspiration from the likes of Bob Marley, Gil Scott-Heron, Stevie Wonder, Bobby Womack, Marvin Gaye and Joni Mitchell from such a young age. Music has served as an outlet for Pip, her songwriting brought to life with reflections on her emotions and experiences. On Pip’s latest EP, Motion Sick, she sings through everything, from emotional resilience to race. Pip teams up with Ghetts to make a statement on ‘Running’, a track that has both evocative production with heartfelt lyrics about being black in society. Elsewhere on the EP, Pip is pure soul on a song she wrote four years ago - “Hard Life”, on which she works through and grows from her past. We here at DARKUS sat down and had a chat with Pip about her journey, her EP and and the upcoming completely sold-out debut UK live tour. Firstly, it’s so good to have the opportunity to interview you! How has the past year or so treated you as an artist? Hey! Yeah it’s obviously been a weird time, but there’s been lots of positives. I released a new EP with some of my favourite songs on it, and I’m about to play my first ever UK tour which is really exciting. In terms of your progression, how did it all start?

we got it right. Lockdown gave me a lot more time to write and to try different things with the recording process. With your upcoming tour, is there a city that you are particularly excited about performing at? Manchester of course! The London shows will be special too… They are the biggest capacity wise. To be fair, I’m excited about each one! I’ve never been to Glasgow before so I was happy to start the tour there. As you’re from Manchester, does it still astound you getting to play live in your hometown? It’s an honour to perform in front of a crown full of Mancunians. It’s always extra special to have my friends and family in the room too. Is there a certain track that you’re looking most forward to performing? All of them! Make Me Cry is always fun, and I love singing Running from the new EP. Is there an artist you’d really want to work with in the future? I would love to work with Noname. She’s the best!

I’ve always loved music and my parents played lots of great music when I was growing up. I started writing songs when I was really young, but I guess it all picked up when I moved to London to study in 2016. I met my managers here as well as some great producers… and it all started happening from there. Talk us through your latest project. Were there any major factors that shaped this EP? This EP was mainly formed in lockdown, so there was a lot of home recording involved. The process was different to previous EPs where I have recorded in the studio with different producers. For this one, I did everything at home and was back and forth with everyone involved until

And finally, what can we look forward to from you in the next year or two? More music and more shows! I’m currently working on my debut album which is shaping up very nicely. Pip Millett’s journey is still ongoing. She’s already bagged herself three EPs and co-signs from the likes of Jorja Smith under her belt, her career as one of the UK’s most exciting R&B artists are only just beginning. Her latest EP ‘Motion Sick’ is out now via Dream Wife/Sony Music and she will release her debut album in 2022.

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Newton Faulkner: Flashes Of Light Article | Thushara S. Chandrasiri It is crazy to think that having first met at the start of 2014 I have known Newton Faulkner for the best part of 7 years, and through that time I have always admired the way that he has continued to explore new avenues and push himself when it comes to making new music. After two years of working hard, this year Newton announced the release of his latest album, Interference (Of Light), which shows him exploring new directions where each track on the record represent different flashes of light, taking on their own identity. Having been sometime since we last spoke to each other, it was great to finally catch up with the man himself as he gave us some fascinating conversations which acted as the basis to explore new territory. 89

After many years apart, Newton it is great to see you! How are you doing? Haha! I am doing great thank you, I am having a really good time at the moment. I think the last time we saw each other was a good 3 or 4 years, so tell us how has life been treating you? It has been while hasn’t it? I am trying to think about what had happened during that time. I think it was the time when I had just released Hit The Ground Running. For me the biggest turning point was the Best Of album because I purposefully put myself in a very difficult situation, because I remember that I would tell anyone that would listen that everything after this would sound differently. As bold a statement that is, it is also a form of sabotage because I wanted to make sure I stick to my promise and not go back on that. I have seen loads of artists go out doing the promo for the new projects being like ‘yes it is different, it is a whole new era’ and then you hear the songs and it sounds exactly the same as everything else that they have done, so I really wanted to make sure that didn’t happen. My way of getting myself to that point was to with the thinking that if I told everyone then I had no choice than go through with it or end up looking like a dickhead so when it came to approaching this album, as there are so many things different with it from top to bottom from the time scales to the type of pressure, sonically and in terms of writing it has definitely changed. Obviously as you know I have always been associated with being someone who is very acoustically led, because when I was 19 I made a promise to myself that I would try and keep my vocals on the same level as the writing and the guitar levels, and that was where it started and helped to keep me in check for quite a long time. That allowed me to use it as a foundation to build everything else upon where over the years since I was able to add extra elements. With this new album for example, I think I must have pretty much played every single instrument that you see right now in the room that I am sat in. I played a lot of stuff that normally I would have tended to palm off, because usually its not to do with laziness or anything but simply time constraints. Normal writing process I would say to myself when something needs to be finished and work towards it, whereas this time it didn’t really need to have those constraints at all so I had these expansive time frames and with that I knew exactly how I wanted this latest album to sound. I kept putting time into learning to do things better. I can hear bits of every album into what has become this record. This record covers a huge amount of ground even more than I first thought. I had a writing session the other day and shared some of the album with them only to have people ask me ‘what kind of album is this?’ and I was like ‘I actually have no idea what kind of album this is!’ haha! Seriously though, no matter how much I have tried to avoid it, there has been a preconception in my own mind about what I am allowed to do, which is all self imposed because noone has ever come up to me and said to me ‘don’t do that again!’ haha! To be able to put that aside is something I loved.

to represent each of those flashes of colour. Take Riding High for example, I would say is brass led. A. I have never done that before and B. It never happens again on the album. It is one bright flash. So this album is made up of these very bold brush strokes that happen once and never come back again which yea has been so much fun to work on. Which other tracks really pushed your creative boundaries to the edge? WIth it going in different directions all the time, every song does it to be honest. Leave Me Lonely was a real challenge because there were loads of points when I was working on it where I felt like things were a total mess that doesn’t make any sense whatsoever. What I am doing with my life? Why am I still working on it? So when it finally landed I was like ‘oh it has a place now, it actually works’. That was one I really had to dig in and fight for and vocally too it is also a hard sing. The track Better Way was a massive challenge and is the one I probably spent the most time on during the absolute lowest point of lockdown two, when like all other creative people will probably relate too, was a period where I had one or two mental health dips as Covid has gone on. I just remember how obsessive I became with that track because regardless of what was happening around me, I felt that Better Way was the one thing I needed to get right. The great news is that you were finally able to head back on tour this October for your headline tour. What was it like to get back on that stage? I had no idea just how much I relied on live performances because it is what I kind of hung my worth as a human being on until it was taken away which in it’s own way has been a very weird journey of questioning who I am and what my purpose is. A complete loss of identity. However, having done these shows plus a few socially distanced shows prior to that, I am actually coming at it from a very different place in my head. I was so much more relaxed and also a lot freer than I was before. Even though the socially distanced set up for the tour is weird as I think it be strange for the crowd themselves because they have no sense of anonymity. If there are 60 people spread out in a room that is meant to hold 100, I can imagine it would make them feel exposed and I am aware that they feel exposed, so when I try and get them to do stuff they are pretty nervous. With the headline shows though I was really looking forward to have a crowd that was singular and not these very spread out things because as bonkers as this analogy sounds, it feels like playing to a gas when you want to play to a molecule instead, where gas just spreads out as supposed to a molecule which is solidified into just this one thing. Anyway, yes I got very emotional coming back to live music especially with these new songs I have invested two years of solid work on. Coming out playing them and then seeing people instantly get into them has been amazing. Newton it has been a pleasure seeing you, we won’t leave it so long next time haha! For all the fans who have supported you on your beautiful journey as an artist, what would you like to say to them?

When you think of Interference (Of Light), as an album what makes you smile from cheek to cheek about it?

Just thank you so much! It is a really honour and a pleasure to be allowed to make music for a living and not something not a lot of people get to do. I am lucky to have an established base and that is made up of each and every person who has supported me over the years.

Well I think one of the things that made me smile was how the title came really early and with that came this visual pole vibe because interference of light is where light hits oil and it bubbles which creates these bright flashes of colour which are swirling freely with no fixed pattern to it. So I took that concept and just ran with it and the thing that makes me happy is the audio representation of that idea and used each song on this album

If one thing we can guarantee is that wherever he goes, whatever he does in the name of music, Newton Faulkner will forever push the boundaries both sonically and lyrically when it comes to doing the thing he loves most, with this latest album just being another part of his evolution as an artist. Interference (Of Light) is available to listen now on all major music platforms as well as being available as Vinyl and CD too. 90

Walk The Moon:

Cincinnati Rock Band Reveals Insights Behind Album‘Heights’ Article | Tiarna Iddon

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Hailing from Cincinnati, Ohio, WALK THE MOON consists of Nicholas Petricca, Eli Maiman, and Sean Waugaman. In 2015, the band catapulted to stardom with their hit single “Shut Up and Dance”, They’re now about to release their fourth album “Heights” which is out November 12. Ahead of this album, they have released three new songs: “Can you handle my love”, “Giants” and “I’m Good”. Welcome! Hi! Thank you for having us. How has 2021 been treating you guys? It’s been an exciting time… we finished a record, we went on tour… after being stalled out for a lot of 2020 because of COVID, it feels good to be moving again. You’ve just released your album ‘Heights’ ! Is there anything you can tell us about this album? Any inspirations for it? Yea, we’re super excited for people to hear it! It’s kind of a return to form for us. It’s a joyous record about perseverance and self acceptance, pulling from personal experiences over the last couple years. Why the album name “Heights”? Well, it wouldn’t be any fun if we just told you, right? We’re looking forward to hearing your take on it! Do you have a favourite song off the album and if so, why that one? The title track has been one of our favourites for a long time. We actually wrote it in 2013, but it just wasn’t quite right for the last two records. We love the way it opens this album, though. It really feels like being dropped into the universe of the record. Was it strange for you guys to be producing music but not actually being together? Did it effect anything, like your writing process? It certainly felt strange at first, especially as we worked our way through the unavoidable initial technical difficulties. But we acclimated to it rather quickly, and honestly it ended up feeling a lot like being in the studio together.

One big difference recording at home made was it gave us lots of opportunities to experiment after hours. After our regular sessions, we could hang out individually and record just a few more ideas, maybe something we weren’t brave enough to try in front of other people. The result is that there are a lot of details on this record. It’s texturally very rich, in a way I’m not sure would have happened in a traditional recording environment. Is there anything you are most proud of? What keeps you guys making music ? We are very proud of the community that has arisen around WALK THE MOON. Seeing the love and passion people bring to the shows is the culmination of the whole experience. Do you remember the first time you ever saw yourself, someone like yourself, on stage or on screen, and do you remember how that made you feel? One of our first TV appearances was on Letterman. I remember sitting in the green room, googling how many people watched the show every night. It was an incredible feeling to see ourselves on the screen. It felt like something was really happening. What advice would you give to someone who wants to follow in your footsteps? Whatever “it” is, don’t wait for someone to do it for you. Especially these days, you can do so much to build your band on your own. Just get out there and do it. And finally how does it feel to be going on tour and doing live shows again? Anything you’re most excited for? This record - “HEIGHTS” - has been such a process to put out into the world… we’re just really really excited for people to finally hear the music, and to see their enthusiasm for it at the live shows has been really rewarding. Like I said, everything WALK THE MOON is leading to the live experience, so to finally be back out on the road, playing shows… it feels amazing. Their album “Heights” is guaranteed to put you in a feel good mood, which is definitely what we all need right now.

Will & The People:

Staying True To Our Word Article | Rebecca Todd

Amidst the (occasionally) sunny seaside resort that is the wonderful city of Brighton, alt-indie quartet Will & The People released their single ‘Animal’ on 27th August 2021! Now if you are like me and are craving something a little on the edgier side after the high of riding the summer music wave, this new track packs a heavier punch, detailing the brutal truths of being under the magnifying glass in today’s world. To dive a little deeper into this single, we caught up with Will &The People themselves to answer the most burning questions about this tremendous track! ‘Animal’ had a lot of musical talent working behind the scenes, having been recorded by Thom Russo, produced by Dan GrechMarguerat, and mastered by Mandy Parnell. What was it like to work with such an extraordinary team? It was amazing to see a song which started in our kitchen, go through the hands of such amazingly talented people. We have worked with Thom before so knew what he could bring to the table, his producing abilities are so bloody musical so his first step of deconstructing the track was paramount to its progression. We had never worked with Dan Grech before but obviously admired much of his stuff, so to hear his mix come back that first time was nuts, really took it to the next level. And then finally, Mandy Parnell... not much can be said of our love for this woman otherthan she has been working with us since the start of the band and anything she gets her hands on really does turn to gold. The word is banded around a lot nowadays but she really is a true genius. It’s a pleasure to have such amazing people involved in our project, it’s something we never take for granted. You have claimed that this new track is the “arch nemesis of ‘cancel culture’”, what inspired you to base ‘Animal’ on this specific topic? I just think that cancel culture is dangerous. People get cancelled and everyone freaks out and points fingers... and then come back, and we allow them, because they are human. The idea of cancelling someone because they said something is utterly ridiculous... This song comes from the perspective that we all say and do shit we don’t mean, and sometimes regret it, we all feel like breaking the system sometimes, some of us choose to do it openly, protesting in small numbers and speaking their minds, and others adhere more to the masses and follow suit when it’s easier. Like when riots happen or they literally don’t have a choice . When talking about the inspirations behind the band, you have quite admirably claimed that it is all about being a part of a team. How do you think your synergy with one another has helped made this a hard-hitting track? The song was written on a guitar round our kitchen table. One of the first times we had really done that, with members coming in and out of the room throwing words into the mix. It was refreshing and a turning point for us in that sense, letting the reigns go in the song writing process, and allowing the song to write itself, instead of one particular member. Not trying to say one person’s singular point as opposed to just writing from a group perspective. From heavy guitars, evocative synth lines and belligerent drum compositions, it is very apparent that you don’t adhere to a conventional formula. How do you think this ideology helped in making ‘Animals’?

When writing ANIMAL we really tried to focus less on a set structure for a song and let it breath and come about in the most natural way possible. Writing it on the way we did with a couple of guitars gave the track a certain freedom and energy which differed from other tracks with a certain set structure and method. The looseness of the guitars were inspired by bands we love like the pixies and blur and the heavy synths were our take on bringing that old grungy sound into the 21st century. Making music like this is exciting to us, and being confined by one type or style is boring, hence us trying to mix different sonic worlds. Looking at how the title gives us insight to the themes of primitive desire, what would you like your listeners to take away from the song’s handling of cancel culture? Don’t overthink anything, make mistakes and if you are a good person to others then never feel chastised for speaking your mind. Staying true to your word is the most powerful thing we have as humans, living in fear of disagreeing with anyone is a rocky road and one we don’t want to be part of. We’re all animals at the end of the day, so take the good and the bad and try to live accordingly. With such a track, so rich in social commentary, did you encounter many obstacles in the writing process behind ‘Animal’? Not really, like we’ve already said, it was not that overthought, we just had fun putting words to the music. It’s really that simple. I don’t think I have ever heard of a song tackling the relevant themes of cancel culture, were there any artists or singles that inspired this brutally vehement track? Fearless artists. Bowie, Marley, pixies nirvana blur, Kanye. Anyone who speaks their mind and doesn’t adhere to what others think they’re supposed to do. Following the undoubtedly soon-to-be-successful single, it seems you have no intent of slowing down: in the middle of a UK tour, supporting Rag N Bone in his forthcoming tour as well as an upcoming album brewing for November! As hard as it may be to put into words, what was the most exciting endeavour in your journey so far? Coming out of a pandemic stronger than we were before, having learnt so much, I think the fact we’re still here to tell a story to an audience who are here to listen, that’s exciting... Also playing a gig with the Cambodian equivalent to Michael Jackson was pretty sick haha. Since speaking to the band, we are happy to share the news that Will & The People will be releasing their brand new album ‘Past The Point Of No Return’ on 26th November 2021. The band will also be heading out onto the road for their UK headline tour, which comes to Think Tank Newcastle on 4th December 2021.

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In Conversation with Echo & The Bunnymen’s Will Sergeant Article | Holly Turner

For a band that’s ridden high on the new wave scene for quite some time now, Echo & The Bunnymen show no sign of stopping yet. I got the chance to speak with Will Sergeant. The guitarist told tales of his new memoir, everything he’s been up to recently, and expressed his excitement for the upcoming tour. For someone like yourself, who has been in the music industry for over forty years, I’m sure you must be always looking forward to creating new music. But how often do you revisit your musical archive and which songs are you most proud of? I have to say not very often at all. I have recently listened to the first four albums only because I was a guest on the Tim Burgess Listening Party twitter feed. I had to listen to them to participate but I was very pleased to hear them after about 20 or 30 years. The creativity shone through. As for pride, I am proud of all the band members’ contributions, each one of us playing an essential part in creating a unique vision. As a band, you have written and released a collection of stand-out hits that remain influential in music today; has the writing process changed over the past forty years? Yes, it has changed quite a lot. In the beginning Me and Mac (Ian McCulloch) were the main driving force behind the songs. As time went on and everyone was becoming more confident, the writing was open to all, and everyone was contributing ideas. Often a song would come out of a jam in the rehearsals and the lyrics would be added later. Eventually, towards the end of the 80s, the focus was on Mac as the front man and singer. There was a big change on the fifth album, the last album of the second phase of the Bunnymen. Soon after that album Mac left the band. At the suggestion of the head of our record label me and the others carried on with a new singer, but it wasn’t the same. You can’t just replace a character as big as Mac. Some of the early albums were expanded and remastered, including Ocean Rain, which had a collection of bonus tracks on that release. Is there anything left to be put out from that era or is everything already available to fans? We always used up what we had at the time so not a lot was left off the albums. Maybe some demos are floating about in the Korova Record label vaults. The artwork for the early albums was shot by photographer Brian Griffin, who successfully captured the atmosphere and the essence of the band. How much of that came from yourself and the rest of the band members, when it came to suggestions? Mostly it came from Brian. He had a definitive idea, and he would find places that he found interesting. We liked the naturalistic environments of the covers – the woods, beaches, ice, caves etc. Bill Drummond suggested Iceland for the Porcupine cover as he had been there on a fishing boat as a kid. I think we tried sand dunes at one point, but it was a bit too ordinary and too much like the cover for Heaven Up Here, the previous album. You and Ian formed a band called Electrafixion in 1994 which produced one album the following year. Was that band only ever going to be a side project to Echo & The Bunnymen or was it your intention to carry on see how the band developed? After the split, we sort of patched up our differences. I wanted to go straight back into us being the Bunnymen again, but Mac didn’t want to do this, so

we had the idea of trying something new and a bit heavier, which I was into being a guitarist that likes the sublime power of a crunchy guitar. After a while we started to slip Bunnymen tracks into the set, and it became apparent that we should be back to being the Bunnymen again. Echo & The Bunnymen covered the Beatles classic All You Need Is Love. Which song of yours would you like to hear covered and by who? That’s not something I really like to think about. A few people have done good versions of The Killing Moon – Pavement, Nouvelle Vague and, more recently, Chvrches. David Hasselhoff has covered Lips Like Sugar. Like I said, I don’t really think about it. It’s very difficult to improve on things you love, and most covers seem to diminish the original song in some way. It only works in my opinion if you try and take the song somewhere else and don’t try and copy the original too closely. I think Johnny Cash had great success doing this, just before he died. I do love that Jimmy Webb song Wichita Lineman and Glen Campbell’s version is better, but Johnny Cash’s voice is better. Jimi Hendrix’ version of All Along the Watchtower I think is much better than Dylan’s original. But I don’t think I have an opinion on who I would like to cover our songs really. Fans will obviously be looking forward to the reissues of the first four albums in October on black vinyl and limited colour vinyl. Do you personally still enjoy listening to vinyl at home or do you mainly stick to digital? I have all my CDs on my computer so, yes, I do use the digital format. But really, I am a vinyl head at heart and only ever buy vinyl now. I play LPs and 45s most days. I have too many record players for a normal sane person to own. When everything was put on pause last year and live shows were cancelled, what did you find yourself doing instead? I had started my memoir ‘Bunnyman’ back in 2019 before the pandemic had hit so the lockdown helped me get that completed. I wanted to document my childhood, my adolescence, my love of music, my view of punk, and the formation of the first period of the band when it was a three piece with the drum machine providing the beat. This was a very important time for me. Is there any song that when you heard it at the time made you think ‘I wish I’d written that’? This is one of those questions that’s impossible to answer. There are so many great songs, and it’s also down to the artists that perform those songs. There are a few bands I would have liked to be in, though. Early Pink Floyd could have been fun when they were at their most experimental. I like bands with no boundaries. You have your UK and Ireland tour at the beginning of next year; will you be playing any tracks from the back catalogue that you’ve never played live before, and do you have any surprises in store? It will all be down to which songs Mac wants to do. I suspect it will be a Greatest Hits kind of tour with the odd one or two new ones thrown in. Either way, I will be up for playing all the fan favourites. I never get tired of the rush of love from the crowd as we start the intros. Echo & The Bunnymen are a band that will be admired for years to come, and Sergeant’s admirable back catalogue demonstrates exactly how much of an asset he has been and continues to be to the music industry. Make sure to get a ticket for their upcoming live shows if you’re a fan of good music!

Tai Verdes: Just Making Things. That’s What Artists Do. Article | Thushara S. Chandrasiri

WWW.TAIVERDES.COM

@TAIVERDES

For a lot of emerging artists, 2021 has provided many special moments, and for Los Angeles based singer-songwriter Tai Verdes this has been one of those year’s which have created a fair few smiles along the way. With Tai releasing his debut album, TV back in May, we caught up with him to find out more about all the cool and exciting things which have happened since. Tai an absolute pleasure to welcome you to DARKUS. Tell us how life over in LA has been treating you lately? Life is good in LA, I have no complaints. I just write and produce music and try to find interesting shit to watch on Netflix Not so long ago you performed at Lollapalooza in Chicago. How happy were you with how your set went and also to be part of this year’s line up? I’m a perfectionist and there’s so many places I know I can improve on during my live shows but giving 100 percent of my energy out to the crowd is just so much fun. Each show is just more practice. Being part of this year’s line-up was special I would’ve never guessed I would be up there with all those cool people. Congratulations as well on your debut album, TV which was released back in May. I have been enjoying checking out the record for myself and have to say it is certainly one of those albums which has become the soundtrack to me year. What was the main vision behind TV? The main vision behind the album was to give people a diary of the last 4 years of my life. Being vulnerable and sharing all the thoughts in my head. That’s the main goal. Consisting of 13 exceptional tracks, were there any in particular which either put you to the test or any you could sense some true fire being created? ‘I deserve 2 b alone’ almost didn’t make the album. Not a lot of people I played the song to liked the demo version at all but I could see the vision. After finishing it and it being one of the best performing songs, I knew it was worth it. And obviously, we knew ‘A-O-K’ was fire since the moment we heard the guitar lick

As an artist how do you feel TV and 2021 in general has helped you to grow? TV put me on the map as an artist. I’m just glad I made something. That’s the goal is just making things. That’s what artists do. It is no surprise to know that your music has received a lot of love from music fans here in the UK too, thanks to the power of music platforms such as Spotify and the support of radio stations such as BBC Radio 1. It must feel nice knowing that you are able to connect your music to fans from other parts of the world. We live in a crazy world. I’m grateful I’m getting support from people that I’ve never even met in person, from all over the globe. I super appreciate the platform it gives me. How would you describe your relationship with music? Has it been the brother from another mother who has always had your back? Music is one of the only things I can intensely focus on for hours on end. I have to do it for a living because there’s nothing else that can keep my attention. It was very cool to hear your US Headline Tour in November, the majority of shows sold out at lighting speeds. I can imagine that must have been mind blowing, like one of those ‘woah, wait say what?’ moments? Seeing the shows sell out was a feeling I can’t describe. It was the first wave of seeing a thing that I had created on the internet translate into real life sales. Now I know you love your live music and being on that stage. What is it about the spirit of live music that makes you smile? I think any time that you can provide an escape for others, that’s a special power. I want to always be able to provide that place. What excites you most about the journey ahead? Making more shit. I can’t stop.

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Model Ellie Goldstein Breaks through stereotypes

and paves a new more inclusive way in Fashion one shoot at a time Article | Lupe Baeyens 101

When we see people breakthrough in the industry, exactly as you did, some ask why it hasn’t happened before. So what does representation mean to you? Representation is very important to me as it shows that I can talk and be seen on behalf of others like me. It shows that I am just like other people! What has your experience been like as a model with Down syndrome in the fashion industry? Have you experienced any negativity, if so how did you learn to deal with it? My experience as a model in the fashion industry has been so fantastic. I have never come across any problems, only support, and love. Everyone I have worked with and for has been totally fabulous. Who were your role models, and what did inspire you about them or learn from them? My role model growing up was my sister Amy, as she is older than me she taught me about beauty and fashion and of course my parents. They have always supported me in whatever I have wanted to do. I learned so much from them and the confidence I have. You are currently signed with Zebedee, an agency committed to representing models with disabilities and alternative appearances. How did you first get started with modeling and get into contact with them and how has the experience of working together been for you? You might have seen her in Nike adverts, as the face of Gucci beauty, gracing the cover of the leading fashion magazines or even performing in the Royal Albert Hall, we are of course talking about the stunning and bubbly Ellie Goldstein. Darkus Magazine had the extreme pleasure of speaking to the 19-year old sensation, as she talks freely about her experience with Down’s Syndrome, the fashion industry and her upcoming projects with Adidas. Her bubbly delight is contagious much like her positive approach to the world so is her the sense of confidence.

My mum came across Zebedee when they were first starting the agency up. I went along for a photoshoot and they signed me. I have a close relationship with them and they believed in me. My experience has all been very positive.

At the age of 19, you have already quite the portfolio, gracing the cover of major magazines, being the face for global brands such as Gucci, Nike,… how have you experienced your success, and what has been your ultimate pinch-me moment so far? I have only had great experiences from all of my work so far, every shoot is different but incredible. The pinch-me moment so far has to be the Gucci Beauty campaign. But I feel lucky and honoured every time I am chosen.

I absolutely love dancing, it’s a big passion. I started dancing at the age of 5. It’s great exercise and I love to express myself. I do street dance, hip hop, and commercial mainly. I have been lucky enough to dance at the Royal Albert Hall and The Royal Opera House among lots of shows.

Can you tell us a little bit more about your experience with Down’s Syndrome, and what difficulties you have faced, and how you have overcome these? Having Downs Syndrome has not stopped me from being me! It’s a condition I have and with amazing support from my family I have done well in education and now my amazing career. I have faced people who are ignorant of my condition but have overcome that by being myself, happy, confident, and full of life. You are viewed by many as a role model and a trailblazer, not letting anything stop you from doing what you dreamt of, how do you see yourself as changing the face of fashion? I feel that being a role model is changing the face of fashion because it shows the world that having a disability shouldn’t stop you from trying to achieve your hopes and dreams. I hope others can be inspired by me.

Aside from modeling, you’re also quite the gifted dancer – as we can witness on your TikTok – tell us a bit about your impressive experience and achievements as a dancer.

What’s the best piece of advice you have received and what would you tell your younger self? Always be positive, follow your hopes and dreams, be yourself and never give up on yourself. Lastly, what exciting projects do you have coming up? I am working with Adidas at the moment, it’s a long campaign and I am so, so proud and excited. Credits: Styling @mlondon_styling Photographer @liabangart.photography Hair @jonchapmanhair @nylonartists Make Up @mariacomparettomua @theonly.agency Ellie Wearing @mervebayindirofficial | @the.jewelry.designer | @dreamsisterjane | @blackprgroup

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WHAT IS SUSTAINABLE FASHION? Sustainable fashion is clothing that is designed, manufactured and distributed in a way that is environmentally friendly. Although more people are becoming aware of the world of fast fashion and how it is damaging our planet, it still not acknowledged enough. Influencers continue to spend a thousand pounds for a haul video, and Tik Tok is still filled with countless hauls documenting their fast fashion purchases. Sustainability, instead, relies on buying fewer items and choosing instead to buy those which are better quality and will last a lifetime instead of a few months. However, this is only an option for those of us who have the time and the money to be shopping sustainably. It needs to be acknowledged that not everyone is privileged enough to completely avoid fast fashion and those of a lower income have more than enough reason to be shopping fast fashion. It’s about making the changes if you can, not doing several hundred pound Shein hauls and instead taking the time to reflect on these options but also being aware that with our current economic climate and the poverty line increasing, this is a privilege and you should do what you can to make any changes, big or small. Despite the influx of Zara, Urban Outfitters and PLT hauls, there are many influencers who use their social media and following in order to have a positive influence and spread the message about sustainable fashion. This includes Nayna Florence, a YouTuber, who has many videos on her channel about sustainable fashion and in many of her videos she has spoken about

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buying pieces that are made to last. Similarly, changing the waves of haul culture on Tik Tok there are creators such as Sophdowl who films her daily outfits and talks about buying items second hand that are good quality as well as wearing them for the rest of her life. She features a series where she dresses as she did when she was 16 and then changes them for how she’d wear them now, proving the versatility and timelessness of her wardrobe. BUSINESSES WHICH EXIST TO HELP ADD MORE SUSTAINABILITY TO THEIR FASHION CHOICES... Holly Humberstone’s Fifth Sister Swap Inspired by a lifetime of swapping clothes with her three sisters, musician Holly Humberstone recently launched Fifth Sister Swap which is a business that allows for people to swap clothes. Happening at her shows, fans are requested to bring their unwanted clothing and swap it with other fans in order to change their wardrobe for free without getting rid of anything. The Swap is also working towards the charity Mind in the UK and the work that they do in order to help mental health. Apps like Depop, Vinted and eBay. Apps such as these are a core part of buying second hand as they offer options that aren’t available in charity shops. This gives the opportunity for you to buy something specific that you haven’t been able to find, whether that be a basic or an item you saw online months ago that you haven’t been

How Sustainable Is Your Wardrobe? Article | Hattie Alders

able to stop thinking about. They offer a good transition into buying second hand, offering a broad range of sizes and prices as well as having unique pieces that you won’t see on anyone else! Second Hand September Every year Oxfam holds a month long challenge for people to only buy second hand pieces in the month of September. Every year they push towards more people buying second-hand as well as spreading awareness about the 11 million items of clothing that end up in landfill every week.

TIPS/SUMMARY OF KEY POINTS THAT ANYONE CONSIDERING INFUSING A BIT OF SUSTAINABLE FASHION INTO THEIR LIVES AS WELL. How you can implement sustainability into your wardrobe: • The main one is to wear what you already own! What exists in our wardrobe is the most sustainable option as it requires buying nothing and prevents clothes entering another cycle. Wearing what we own allows for the knowledge that your clothes are getting to live a full life. • Buying second hand is the second most sustainable option and is often a much more affordable way of getting new clothes. Second hand clothes already exist and aren’t being produced in order for new purchases, because

of this they are more sustainable especially since you’re giving clothes a new life. Charity shops are a good option, offering low prices and giving the opportunity to find unique pieces that you love. Vintage shops are also a good option although can be more expensive due to the items – however, this is often reflected in the quality as older pieces have a better quality. Finally, shopping online on places such as Depop, Vinted, and eBay are good options especially for those who want a specific piece and can be much more thorough with only buying what they want. • Not buying into trends. A common problem many don’t reflect on is buying into trends often has a much more negative impact on the planet than we realise. When we follow trends, it means that, for many, those clothes are only a viable option for that season and then once it stops being on everyone’s Instagram feeds or for you page, it’s discarded. A good way to implement sustainability into your wardrobe is to buy timeless pieces you can see yourself wearing for the rest of your life. • For big events consider renting. Whether it’s a formal event such as prom or a ball at university, or it’s a wedding dress, renting is a good option and allows for those items to get several uses out of them and not just the one before it is put into a box under your bed and hidden away until you remember it years later and donate it. • Finally, you are not a bad person if you buy and wear fast fashion, it is far too demonised when in reality the problem lies with those who are higher up in the system and the consumer is only a small fraction. Buying and continuing to wear pieces whether they’re fast fashion or not is a much more sustainable option than just going out and buying tons as you’re getting the wear out of it and not continuously promoting the growth of fast fashion brands. Slow fashion comes with privilege and you can be just as sustainable by wearing what you have and buying less.

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Lone Design Club A/W21 Round Up

As the leaves turn orange on the trees and the Pumpkin Spiced Latte girls are sporting oversized scarves in full swing, we’ve gathered some of our favourite Autumn/ Winter 2021 trends for you to sink your teeth into. So, grab a hot cuppa and relax as we present our picks from Lone Design Club – a concept store of curated independent and conscious designers.

TO FIND ABOUT MORE ABOUT LONE DESIGN CLUB AND THEIR BRILLIANT RANGE OF INDEPENDENT DESIGNERS VISIT WWW.LONEDESIGNCLUB.COM

EXCESS-ORIES Utilitarianism never looked so comfortable. Forget puffer coats and parkas, why not sport overstuffed accessories this season? Reminiscent of Prada’s reissue of their signature nylon pieces come cushy accessories from The Transparent Machine. Considerably minimalist in aesthetic, these accessories offer maximum comfort as temperatures start to drop, keeping well insulated and well-dressed all at the same time. 105

F*CK LACE, WE LOVE LE*THER We’re not fans of animal cruelty, and we sure you aren’t either. Made of 100% vegan leather, these pieces allow you to jump back into your 2010 tumblr pleather leggings phase but with a more sophisticated edge. From tailored coat dresses to wide leg trousers, each piece focuses on fit and tailoring in deep lush tones to complement the autumn leaves.

KNITTED AND FITTED Knitwear is a must-have when autumn comes and we love a good quirky knitted cardigan. Finished with a jagged hem or decorated in kindergarten -style doodled flowers, Cinta the Label’s knit pieces are both romantic and playful, a more light-hearted approach to this season’s trends. Though if you’re more looking for a more muted staple piece for your wardrobe, try The Transparent Machine’s seamless collared knit sweater, which gives off cosy Sunday morning energy with its loose fit and relaxed collar.

SHIRT, SHIRT, DRESS! Shirt dresses have always given off an air of business casual; whether it’s a business meeting at a Starbucks or brunch on the weekends, shirt dresses are a comfortable yet refined option that should be a staple in your wardrobe. If you’re looking to turn your oversized button-up into a dress, belting is the way to go – this cinches the waist and gives more definition to your form. If you can’t be bothered with the faff, just get a shirt dress, ready with a matching belt and doubles as a trench.

SUIT YOURSELF With long overdue graduations to attend and cold weather to brave, layering tights under mini dresses isn’t your only option for formal wear. Be it monochrome or printed, a suit is a definite power move when dressing up for an occasion. Clean tailoring and fit are essential to a refined and sophisticated look, but if you’re more in it for the comfort, match your blazer with tailored wide leg trousers for maximal leg-stretching capacity. 106

Zoobie By Lola Teen TikTok sensation launches clothing line Article | Thushara Chandrasiri

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Best known as Scoobiezoobie online to her fans, social media model and teen TikTok sensation Lola Clark has always been someone with such a creative and cool flair to all the different aspects of her life. With one of Lola’s passions being her love for fashion on the 27th October 2021, she released her own clothing line Zoobie which has been welcomed with open arms and smiles by Lola’s countless supporters and followers. With the young entrepreneur having accomplished many exceptional things, we caught up with the talented young lady herself to find out more about this new and exciting chapter. Lovely to welcome you to Darkus. Tell us what has been going through your mind and kept that smile on your face since the launch of Zoobie at the end of October? I’m just so blown away and thrilled by all the support I’ve received from my family, friends, and followers since the launch. That love has given me the momentum and motivation to carry on on this exciting journey. I just want to continue to give back to the great people who follow me and continue to make clothes that I, and most importantly my fans, will love! Now with this edition of DARKUS focusing and celebrating predominantly females who we regard as inspirational, I have to say it is pretty darn cool being able to say, that at the age of 16 you have launched your own fashion line. Tell us how that first came about? When I registered the business and the ‘Zoobie’ trademark I was actually only 15! It felt like a crazy and scary thing to do, considering I had other companies approaching me to carry out merch lines, but it soon became clear in my head that I really wanted creative freedom to formulate more than just an inconsequential line of merch. Having said that, getting everything to the standard I wanted it to be, with no experience in the textile and retail industry, was no easy task. With the help of my incredible mum, sisters, and TJ we were able to launch the brand totally authentically, which was incredibly rewarding in the end (despite all the mental exhaustion). What is the type of fashion that matters to you in your personal life, and how has that shaped the overall vision you had for the Zoobie collections? Personally, I am not one for tight fitted clothes as I don’t feel comfy or relaxed in them and I definitely feel best when I’m comfortable and confident in what I’m wearing. This has helped shape Zoobie into a brand that celebrates relaxed and laid back attire, drawing inspiration from my personal favourite 90’s rappers and musicians. When I would struggle in class at school I would always start to draw on random pieces of paper, my books or on my arm. It feels really empowering for me now to put the characters developed during this time into something I’m passionate about, for the world can see. The great thing about any piece of clothing is that it carries its own memories. I want my clothes to be much more than just the item you wear, but rather pieces that bring out your inner confidence, the outfits you wear when you laugh, cry and fall in love. Has it dawned on you that before you know it many people out there the Zoobie collection is going to be part of their own life journeys? Indeed I have! I’m sure everyone has their favourite outfits for going out, chilling, exercising or going to school, each of which represent something personal. All I can do is hope that people form these personal connections to my garments in the same the way I have. The thought of my clothing being part of someones life, journey or even just their closet melts my heart.

I have had a chance to take a little peak at some of the pieces on social media, which are pretty awesome. I know this may sound like a mean question to ask, but do you have any favourite signature pieces in the fashion line? My ‘heart hands Zoobie’ trucker hat has been my summer staple. It’s just so versatile and adds an edge to any outfit. However, many of my favourite garments/ accessories are still unreleased, so keep an eye out for my Christmas drop coming soon! Let’s take a little step back from Zoobie for a moment. As a person you have done so many cool and interesting things such as your collaborations with the likes of Depop and also the travel brand RIMOWA, and there is also the collabs with the likes of Lorde and Lil Huddy too. What were those experiences like for you and what do you think it taught you about yourself too and what your main strengths and qualities are? I am so thankful for the opportunities I’ve been presented with this past year. The collaborations and deals I have posted on TikTok or Instagram are always things I genuinely want to be a part of. I learnt that it is so easy to lose yourself in the world of social media and, and that it is vital to stay authentic to yourself. At the moment, I have a personal project with the amazing makeup artist, Joey Choy (@joeyjoeychoy) doing fun makeup looks on my Instagram reels which is something I look forward to doing each week. I get to turn into a character and act like I’m playing dress-up again which is so much fun. Social media can sometimes sometimes be a place of pressure, regardless of who you are or how old you are. From your own experience, what are some of your key tips for keeping that balance between creating engaging positive content, but also remembering to making time to be kind to yourself too? I have found that personally, I have to find a healthy balance between social media and my personal life to separate myself from the trolls in comments or even just the pressure of social presence in general. This is something i often struggle with. It’s definitely a struggle balancing my online life with schoolwork, on top of running a start-up brand, but I make sure to spend quality time with family, friends, and my boyfriend, who have kept me sane. Going back to Zoobie then, I know you only just did the official launch on 24th October, but have you made any plans for where to take the clothing line next or even some of the ideas you want to explore next? If you know me, my personal style revolves around hats and wavy jeans, they are what make my outfits every day. So you will see lots of that from me in the future. I have a big drop planned for Christmas, including some of my favourite pieces I’ve made so far. I’ve been playing with my favourite colourways, and it will also include long-anticipated Zoobie buckle belt. I have also sourced some incredible artists in London who I’ve collaborated with for Zoobie, which you will be seeing very soon. Zoobie is very much just at the beginning trust that it doesn’t stop there. We plan to go to the moon! If you could summarize Zoobie and your vision for it in just a few short words, or even give it it’s own tagline, what would you say? ‘CHOWDOWN’ - one of my family’s favourite and most used phrases, acting as a general term for ‘Get on with it!’ Thank you so much for taking the time to speak to us Lola, I wish you all the best and look forward to hearing about the many achievements and moments of celebration for yourself and the clothing line when we catch up next time. 108

Photo Credits | Nakaash Hussain

TO FIND OUT MORE ABOUT THE BRAND NEW CLOTHING LINE FROM LOLA CLARK VISIT:

Credits: Photographer Nakaash Hussein @nakaashu Creative Director Lola Clark @llolaclark Art Director TJ Sawyerr @tj.saw1 Producer Luckie Clark @luckieclxrk BTS Noah Sapon @nwuh Make Up Tilly Clark @clarktilly Models Kijuan @kvstheworld | Becky @beckyineson | Tilly @clarktilly | Lola @llolaclark | TJ @tj.saw1

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ZOOBIE.CO.UK

ZOOBIE.UK

YOU CAN ALSO STAY CONNECTED TO ALL HER OTHER GREAT WORK:

@LLOLACLARK

@SCOOBIEZOOBIE

@LOLA CLARK

Hit & Run: No Wastage - No Censorship No Excuses Article | Thushara Chandrasiri 111

In a world where more must be done to educate ourselves and each other about the damages that fast fashion causes, Mickey Ellis, founder of Hit & Run, which was launched in May 2020, has created a revolution to use his garments as a way to voice meaningful statements which make people stop and think. As well as being sustainably produced with zero waste, Mickey, with the help of fellow collaborators such as Pam Hogg, Matthew Miller and Jake Chapman have worked together to create exclusive collections which promote self expression and cultural awareness, tapping into issues like LGBTQ+ rights, gender and race issues, female sexual exploitation, consumerism and popular culture. With the brand continuing to go from strength to strength we caught up with Mickey himself to find out more about the brand that has got everyone talking. Welcome Mickey! how are you doing, Mickey? It’s lovely to see the sun out today but the rain’s been getting me down a little bit, to be perfectly honest with you, but we can only make the best of it, right?! Having launched Hit & Run in 2020, what has the journey been like over this past year? It’s been mad! I mean, I don’t want to blather on too long but before COVID hit, I was kind of at a bit of a strange point in life because I’d been in the fashion business for a long time and I’d just become so disillusioned and broken down by the whole thing. I was working in a fast fashion job, which I hated. Underpaid, designing stuff that I didn’t like, for people that I didn’t like, to sell to people that I didn’t like! So I kind of quit it all, and at that point before COVID I didn’t know what I was doing. I had no money coming in and then I think when COVID hit and lockdown hit it was kind of a bit of a leveller for me, because while everyone else was “Oh no, what are we gonna do?” I was like, “Ah, well I’ve been living this for a year now – two years, now!” So it was an idea that I’d had for a long time, I’d come up with this idea of selling these sort of made-to-order T-shirts ten years ago, but the technology wasn’t there for print on demand, and the quality wasn’t good enough. So yeah that’s the sort of back story. I launched Hit & Run last May with our sort of hope and our idea that it might resonate with some people, and it just flew from the very start. It’s been an absolute whirlwind and I can’t believe the – the artists and designers and creatives that have embraced it as a platform. It’s been absolutely mind-blowing to be working with such amazing people. So, yeah, it’s been a whirlwind and it’s been amazing. What I love about part of your vision for your collection is that it combines fashion with important issues such as LGBTQ+ rights and sexual exploitation to name a few. Tell us a little bit more about that, and why you chose to make it, like, society issues as well?

I think living in the world we do at the minute, the sort of social media obsessed world where everyone has a platform, I’ve just become enormously overwhelmed – I think a lot of people have done, with so many voices. We’re living in such a echo chamber of confirmation bias, that you’ve got a lot of people who think their bigoted viewpoints are correct because they sit in this bubble of just hearing the same voices. I just think that there’s a lot of things where with every step forward we’re taking, we’re also taking an equal step backwards, with people fighting against it such as the backlash of BLM or gender rights for example. Like I guess a good example is booing the taking the knee at football at the moment, and it’s just like that “Jesus, God!”. I’m just one guy but if I can give a voice to someone who maybe isn’t heard by a certain part of society, if I can give that one person a voice to be able to sell a garment that someone else can then wear that then can influence, it might be small but I think these small things are super important. For me wearing your opinions on your chest is what t-shirts are about. So, it made sense when I was launching Hit & Run, to give a platform for people who wanted to say something across their chest. Like you said, it’s not just yourself, the designer, there’s also the consumer, so every – it’s kind of like a chain as well. Yes hat customer could be wearing the t-shirt, but then at the same time whoever they’re around might be thinking “Where’s that t-shirt from?” Exactly! That’s the thing! T-shirts were always used for promoting ideas, from the very beginning, when in like the forties and fifties, it was about promoting your slogan, whether it was a political thing or a band or whatever else. So for me t-shirts have kind of gone away from that. I myself have owned a number of slogan tees over the years, but what is it about Hit & Run you feel has that extra bit of spark? When I first started in this business I started a t-shirt brand by chance. I worked in Brown’s at the time, I was doing writing for a few magazines, interviewed a designer, and we started a brand together. And when we started it, it was art above fashion. It was about a real artistic statement, that just used clothing as the medium, as the platform to get our message across. Then as time went on, I mean, we’re talking almost 20 years, with the rise of fast fashion, with the rise of high street, it became a graphic design job. You see all these t-shirts when you go into all the high street stores, and they’re nothing! I mean it’s fine, you wear a flowery thing, you wear whatever and it’s fine, it’s a garment, no problem, But for me that’s not what the printed t-shirt was, it’s not about just a graphic designer getting paid minimum wage by these big boys just to put something on a t-shirt. So I wanted to bring back that idea of a t-shirt store you could go to that everything on that store had a reason for existing. Whether it’s an artist who wants to promote their work or it’s the other 112

extreme of i-D Magazine doing their Black Lives Matter t-shirt. It’s about emphasising the point that there’s a reason for this t-shirt to exist. I say that on my website. I’m not deluding myself into thinking I’m solving the world’s problems here, but people are still gonna buy garments, so if they are gonna buy a t-shirt at least buy one that has got something to say. For the collection itself you have collaborated with some pioneering designers and artists such as Pam Hogg, Matthew Miller and Kyle De’Volle to name but a few. What was it about their creativity which resonates and aligned with your own vision and acted as a part of the source of your inspiration? Matthew is a very good friend of mine that we have worked on collaborations for over a decade now. Matthew and I have always worked very closely and he was probably the first person that I spoke to about this before I’d even launched it and said “Is this a good idea, does this work?” I don’t know how well you know Matthew but he is certainly fairly outspoken about the fashion mechanism, so the idea of being able to step out of working with a factory and having to do stock and cash flow and all of that, he was buzzing! He was like, “This is a great idea!”. So he was kind of my biggest cheerleader at the beginning. Regarding Pam, she lived two doors down from my girlfriend at the time so – and it was her that sort of said to me “Look, you should speak to Pam.” And obviously I know Pam – I knew her work but I’d never met her before but as soon as we spoke we just completely hit it off. She’s amazing. When she came up with the ‘Pam-demic’ idea that was the first collection that really launched and it smashed it, because you’ve got all these people sat there confused in the house, “What the hell are we living under now?” and then Pam comes out with ‘Pam-demic’. So yeah working with these two people especially at the very beginning was great. They got the idea and they got what it was all about and they used it the way I want people to use the platform. It’s not just “Let’s just knock out some merch” instead it is about how we can use this vehicle as print to order t-shirts to communicate something new. I have total admiration that you are fighting the good fight against fast fashion. What were some of the main frustrations that you and maybe your friends had about the barriers that people were putting up themselves – whether that be ignorance or very little awareness of the harms that fast-fashion brings? I think people are a lot more aware of the problems now. What does bother me is that while people are aware of the problems, if they need a new outfit for the weekend, they’ll still go onto ASOS and they’ll order it and turn a blind eye to what they are doing. ASOS aren’t the worst, but I just really think this whole thing of constant consumption that we live within now, there’s nothing good about it. I just really think the whole structure of the industry, and not just structure of the society at the moment, I just find a little bit depressing. I just think that we’ve created this situation and I just think that people need to start thinking differently about things. I work closely with a factory in Bangladesh and obviously they had that terrible accident ten years ago where the factory collapsed and things have changed over there. Things have changed massively in positive ways such as the elimination of child labour any more but you still have these big companies like Boohoo going in and demanding things for a fraction of the price it costs to make.

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My opinion is it’s a very insidious industry that pretends to be getting better but ultimately until there’s a real sea change in the way people consume, there will still be demand for it and that demand will lead to problems in the world, whether it’s pollution or workers rights or whatever else. Your collection also has gained the support of the likes of i-D and RCA, so how did it make you feel that you can secure those important partnerships? Blown away man! If you were to sit me down, May last year when I launched this, and say fast forward just over a year and tell me I would be working with RCA and i-D, I wouldn’t believe it! I feel totally honoured. For me it just shows that I’m doing something right! When you look at the beautiful pieces that you have, are there any that have received a good response so far, and equally any which will be a personal favourite? I think one of my favourites is Self and More stuff. Poppy, the girl that started the online store, she’s amazing and was actually the first person that contacted me after I launched Hit & Run. It was a cold call and she was like “Oh, I own the sex toy boutique and wondered if you wanted to collab?” and I was just like, “Yeah!”. I think that when you talk about empowerment and things, I think it resonates so much with the girls and women that buy from her store- that feeling of sexual empowerment, especially when a lot of girls can feel very oppressed by the patriarchal society we live in. I think it’s really great what she’s doing; and we sell loads of her t-shirts. Another personal favourite has got to be just Jake Chapman’s collection because it just blows me away that I’m working with Jake Chapman! It’s one of these things that I approached him to do it, and he was like “Yeah, cool”. I regard him as an icon especially after seeing some of his work at various exhibitions. His reworked Trump t-shirt is the one that I wear. I’ve got the t-shirt, the sweatshirt and the hood! Wear them pretty much constantly. It’s important to celebrate the fact that a lot of love goes into creating these items, not only in terms of the materials used but the processes used. I imagine it’s so rewarding whenever you see any of your unique pieces being brought to life for the customer to wear? I don’t actually think I’ve seen anyone in the street wearing anything yet, but with the likes of Instagram now, it’s amazing, you see someone in America posting a picture of themselves wearing one of the t-shirts. What makes you proud not only about the Hit and ethos now, but also excite you about what the next chapter looks like? I’m so happy that it’s been received so well. When I launched it I did not expect to be working with i-D and RCA. I’ve been contacting a few other artists recently and I’ve got a lot of meetings this week so there’s a lot in the pipeline and I don’t know where this is gonna go in the next year but all I know is it’s gonna get bigger. My dream with this is to be able to make some sort of change with the companies that I want to fight against. I’m not saying I want to sell Hit & Run to ASOS or something like that, or Amazon, but I’m sure that that there’s certain bigger brands that are looking at this little thing and going “Ah, maybe that’s how it needs to be done now”. The idea of just really making Hit & Run something that sits on the map, that people go “Yeah, maybe I’m not gonna go ASOS for a t-shirt this week, I’ll go to Hit & Run instead”, to me, that’s what I really aspire to bring the passion, the creativity and the edge back into t-shirt design. I’m not interested in being a brand that’s, like, fighting the big fight, going “We need to do this, we need to do that!”, it’s like, well yeah Just do it! Sustainability has been talked about for too long now, so every shirt needs to be as sustainable as possible, because we’re going to destroy the planet otherwise! So let’s put that aside and then just give a platform to the young, the creative, the people that actually can make a change in the world. Don’t bang on about the things that already have changed or should be changing, let’s give a platform to the people who will be the gamechangers for the future. I think that, to me, is what excites me the most. For the people that have supported you since day 1, what would you like to say to them? Thank you! As simple as that. Thank you for not being seduced by the norm, and just doing something a little different. Your choices help to keep the world fun and fresh and creative and exciting. From everyone at DARKUS we wish Mickey and Hit & Run all the best. 115

TO FIND OUT MORE ABOUT THE INCREDIBLE COLLECTIONS VISIT WWW.HITANDRUN.LTD 116 02

Paria: The Future Of Cycling Apparel

Article | Jane-Menn Cheong Interview | Sam Morgan (Founder of Paria)

TO CHECK OUT WHAT PARIA HAS TO OFFER AND KEEP UP WITH WHAT’S NEW, VISIT WWW.PARIA.CC/ @PARIA.CC 117

Upon perusing through Paria’s website, you would notice the brand’s very different take on athletic wear – cycle gear to be totally specific. With an effervescent aesthetic lathered in bright colours and bold prints, the label caters to cyclers who enjoy flaunting a little bit more of their personality through what they wear. With multi-coloured 90s inspired prints to craft beer, the pieces from Paria sport bold graphics without compromise for performance. We had the chance to speak to Sam Morgan, founder of Paria, who gave the ins, outs and in-betweens of the label’s undeniably distinct brand identity, and how it all came to be.

If you could pick an artist to collaborate with dead or alive, who would it be and why?

What is Paria’s origin story?

For smaller businesses it is often harder to make the moves into more environmentally friendly practices, but when you do the impact is immediately felt rather than taking years to filter through the supply chain and range. We have recently added recycled yarns to our collection – both in the bespoke and main range which is a real step forward. We have also developed a ‘return and repurpose’ initiative for our tech kits. Technical fabrics are notoriously difficult to have an end-oflife plan and whilst fabrics are often pushed as “from recycled fabrics”, they are a cul-de-sac in terms of ongoing sustainability as they aren’t actually recyclable themselves. We are working to reduce this impact by offering an opportunity to return used kits which we will then utilise in numerous ongoing fashion and design projects.

Bit of a cliche in terms of how I got into the cycling apparel industry. I’ve cut my teeth in the blue-chip world of food and drink, as well as some stints in health and beauty. My career had dotted around some fairly big corporate environments and I’d always been the odd one out. I didn’t quite fit the mould and life felt like the hand brake was on. After getting back into cycling following a break up, I couldn’t find any clothing I felt fitted my aesthetic, and that’s where it started. What do you think sets Paria apart from other cycling or athletic apparel labels? At the heart of Paria is collaboration, and not a ‘cheesy skin deep nod’ to collaborating but full on commitment. We look to drive positive benefits from any project we work on whether that be kit design, events or input into initiatives beyond the world of cycling. It is not all about a business rationale but looking longer term with the objectives from the work we do. What is the design process like for you and your team? Historically our design process had often been ad hoc, scatter -gun and maybe even vanity based – sometimes to the detriment of the brand. In recent years, we have started to look at more mainstream movements in the world of fashion and how we can interpret this into technical apparel. There are the still nods to our passions and influences, the 90s rave culture and craft beer market to name a couple but we are planning more now and adding our spin on trends Taking design and aesthetic into perspective, who do you have in mind when designing? Our brand is aimed at those who don’t feel catered for by more homogenous brands who churn out the standard uninspirational designs. We are aiming at a niche for sure, but this doesn’t mean there are a large number of people who are out there who want something standout and genuinely different. Rather than a specific grouping, it is more an attitude of zero f *cks. What do you look for in an artist when collaborating? With our artist collaborations we have tended more towards a street artist, and usually ones who have little or no experience of working with the cycling or sportswear industry as a whole. Staid or cliched designs or attitudes are strictly avoided. The weirder and more leftfield the better.

Lowry for his pure dour Lancastrian vibes spun into something which is relatable and uplifting. He also didn’t take his critics too seriously and instead worked with it. With nature being so closely related to cycling, and the environmental crisis that is very much publicised with regard to fashion, is the brand taking steps to be potentially more sustainable?

What do you hope for Paria to achieve in the next few years? Short-term; we want to grow our domestic profile and build our presence amongst more established brands in the cycling arena and then build this into an international strategy. At the root of this needs to be the ambition to design and manufacture technical apparel delivering exceptional performance without compromise, and to venture into athleisure which transcends the sport of cycling. Do you have any advice for young aspiring entrepreneurs who are interested in building their own start-up? If you have a real passion for something, and I mean unwavering passion – go for it. You will need a lot of resolve and grit as it ain’t easy and you will come up against some huge challenges. Get very very comfortable being uncomfortable. The payback is fantastic and developing something which people are proud to part with their hard earned cash, and then rep is rewarding on so many levels. I also always say, “Yes,” to a meeting. Whether it be on the phone, Zoom or in-person – investing an hour meeting someone could be the tipping point for your business and brand. It might not be the person you are meeting directly but that connection could set you on a yet unknown trajectory. So, suck it up and go for a coffee (but make sure it’s a good coffee). Much like the brand name, Sam has truly established Paria as a label that doesn’t necessarily fit into the norm.

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Depop:

Keep Clothing Circulating Article | Courtney Davies

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Sustainability has become a popular talking point for fashion. More people have started to shop at charity shops or purchase garments from online stores such as Depop and Vinted. These are either vintage, second hand or upcycled to give the products a new sense of life. Depop calls itself “the fashion marketplace app where the next generation come to discover unique items. With a global community buying, selling and connecting to make fashion more inclusive, diverse and less wasteful.” Many people use Depop as a way to sell their old clothes or make some extra money, others have used it as a platform to give their small businesses a step into the fashion world. Angel Marketplace was set up on Depop in June 2020 by Naomi Okezie, she said: “I originally started Depop as a way to get some extra money… So, I just started clearing out my closet and selling my old clothes. It took a while for people to buy things to be honest, but I fell in love with selling online and packing orders.” However, as Naomi’s business started growing, she launched it on ASOS marketplace as well to expand her clientele. This step has proven a success because it provides her with regular sales, Naomi said: “I find that I have a wider clientele on ASOS than on Depop. ASOS is continuous with sales whereas Depop is either super busy or completely dead. So, I do have some sales on there, but it isn’t my number one choice.” Whilst having her own businesses she has found one of the keys to its success is the relationship between her and her customers on both platforms. Naomi said: “My customers and I are super in tune with each other, so I know that if I tell them ‘Hey! I’m launching this collection exclusively on ASOS, they respect that and trust that I’m making the right decision.’ I tend to keep Depop as a place to sell older collections or to get rid of excess stock.” Sites such as Depop and Vinted allow people and businesses to sell their old clothes/stock, preventing it going to landfill. According to WRAP it is estimated that £140m worth of clothing is sent to UK landfill each year and the demand for raw materials is expected to triple by 2050.

and 90% of the time, those trousers you see in Zara will already be available to buy on Depop.” Sam started her business up during the first national lockdown in the UK last year after she was furloughed from work, but she has been casually selling on Depop as a hobby for the last six years. She has taken steps to try and make her business as sustainable as possible, Sam said: “I use paper packaging which is 100% recyclable, I only ship within the UK to lower my carbon emissions and I plant trees every month with Ecologi to help offset my carbon footprint. “Where I can, I will source clothing that are natural fibres. But this isn’t always possible and some vegans for example do not want to wear wool. I would rather less clothing went to landfill than never buy synthetic clothing for the shop.” Depop and Vinted are not only helping businesses source and sell their stock, but they are also helping everyone be more sustainable with their fashion choices. Whether that is selling clothes that are cluttering up your wardrobe or buying yourself an entirely new wardrobe, it’s keeping the products in circulation. Anna Dugdale, a frequent buyer on sites such as Depop and Vinted, said: “It’s a very little step to being more sustainable and more environmentally friendly. I feel like when I buy from one shop, I am always looking for something else to add to my basket that I don’t really want but I am just buying it to make the delivery price worth it, whereas on Depop, I look for a certain thing, I like it and I buy it.” Some sellers offer free delivery or have cheaper delivery than the brand itself. But some businesses offer a one-off payment for a year of next day delivery, which may sway consumers to purchase directly from them and not look at other online platforms.

Samantha Statton, CEO of the Depop clothing business BeeSam, said: “With my personal fashion choices, I will never buy from shops. I will always use second hand sites to fulfil my personal shopping needs.”

However, sustainability does come with a price, particularly if you by directly from sustainable and ethical brands. Therefore, secondhand sites are a perfect alternative to help play your part if you can’t spare the financial extra. Anna said: “I think it’s quite hard to afford the big sustainable brands you’re usually paying about £30/£40 for a top, and normally if something is out of stock, I can go onto Depop and find it instead.”

“I’ve always been a bargain hunter so shopping on Depop has always worked for me. I think it’s important to keep clothes in circulation

And if you do well sell on Depop you may even find yourself in the ranks alongside Depop’s top sellers.

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Speaking of Style: Najihah Article | Jane-Menn Cheong 121

TO STAY UP TO DATE FOLLOW NAJIHAH ON INSTAGRAM

I have known Najihah’s sister Najwa for a while now – we met at a shoot once a couple of years back, and upon following her on Instagram I found Najihah. I could tell they were sisters instantly – they have similar features – but their dress sense was distinctively different. Najwa is laid back, like a warm cup of coffee on a Sunday morning, whilst Najihah enjoys a bolder approach to style. When she walked into the café, there was an air of sophistication woven together with an effervescent flare that came forth in her presence. She was wearing a lilac ribbed top, layered over a collared button-up and matte leather trouser. She wore her hijab in the style of a turban, matching the colour of her blouse; purple hues painted her eyelids. Najihah graduated from the University of Sunderland with a Bachelor’s in Business Administration, and is currently involved in her family’s business. Besides this, she dabbles in content creating and is a freelance model. Najihah has since left the UK and is now based in Kuala Lumpur, Malaysia. With an enthusiasm for fashion which shows very clearly in the way she presents herself, why has she not made it her full-time career? As someone who has faced a similar struggle to that of Najihah’s, the simple answer is: Asian parents. From a very young age, Najihah has had a very personal relationship with her clothes, always cherishing and appreciating each and every garment to its fullest extent. This led to her desire to pursue fashion as a job, however she was too afraid to tell her parents about this as they already had other ideas for her career. They wanted her to be a doctor and her father expressed his disapproval of her fashion aspirations when she was in high school, declaring that the arts industry in Malaysia isn’t taken seriously enough for her to make it a career that will promise stability. She did understand where her father was coming from, as she knew that he wants what’s best for her and was concerned about her being able to fend for herself and be financially independent. Not knowing what else to do, she

@NAJIHAH.D

decided to major in Business Administration – something many Asian kids seem to end up doing when faced with parental pressure. “I constantly have to think creatively in order to make clothes work for the way I dress, as clothes aren’t always catered for people like me.” Styling has always been Najihah’s art form – her body being the canvas and the clothes her medium of expression. When asked about her style, she said that she doesn’t like limiting herself to a single genre or definition of style. Experimenting was something she did a lot before establishing her bold aesthetic. This also came with judgement from the general public; having grown up in Malaysia, dressing up differently would turn heads and attract disapproving stares. Upon starting university, she began to delve into the art of layering. As a Muslim, modesty is something that is important to her, and layering has allowed her to integrate modesty and modernity harmoniuously. However, this is not an easy feat, as she has had to find ways to make certain clothes modest. She talked about styling crop tops and the extra effort needed to find undershirts and outerwear to match. Upon coming to the UK, she found that people were more open to her sense of style, and layering was a little more acceptable due to England’s dreadful weather. However, being a hijabi in England has never been easy, and she has frequently had to deal with racist abuse. She did mention, however, that she felt her complexion was something that was admired in England, as opposed to back home in Malaysia. As Euro-centric beauty standards go, fairness is equivalent to beauty in Asia, and being in the UK did make her feel more accepted. Inspired by the future version of herself, Najihah’s sense of dress is a manifestation of her dreams of being an accomplished independent. As a child she never really had anyone to look up to, and she wants to be a role model for young girls that look like her, so that they won’t be afraid to express themselves freely and be confident to wear whatever they want.

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Baby It’s Cold Outside Time To Change Up Your Skincare Article | Laura McCluskey As the nights draw in and we start to feel a chill in the air, we know winter is here, and it’s time to change up our skincare routine. Good skin starts from the inside out, so staying as hydrated as possible is crucial. So as well as embracing a new killer skincare routine, you should always make sure you hit your daily recommended water intake, 6-8 glasses *source NHS EatWell Guide. Plus, adjust your diet to include more hydrating high-fibre foods, such as cucumbers, spinach, broccoli, tomatoes, mushrooms, carrots, brussels sprouts, oranges, apples and blueberries. During the winter months, your skincare focus should be on beautiful hydrating cleansers, gentle exfoliators, restorative masks and oil blends and as well as hand creams and lip balms. Here we have listed a few favourites that caught our eye for all the right reasons.

CLEANSE GLOSSIER’s Milk Jelly Cleanser is a nourishing (and pH-balanced) creamy gel-formula face wash. It’s formulated with five skin conditioners (including the highly effective Allantoin and Pro-Vitamin B5) that leave your skin feeling baby soft. Instead of traditional soap, it uses Poloxamer, a mild cleansing agent that’s found in contact lens solution, so it’s safe for the eyes. RRP £15 available at www.glossier.com If you love a classic hot cloth treatment, then the EVE LOM CLEANSER is perfect for you. The iconic cleaner comes with a traditional muslin cloth, allowing you to do a hot cloth routine which really leaves your skin feeling squeaky clean. RRP £55 available at: www.evelom.co.uk

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EXFOLIATE For those that like a good scrub, Palmer’s Coconut Sugar Facial Scrub could be the exfoliate for you. With raw coconut sugar for natural exfoliation, extra virgin coconut oil to hydrate and chamomile flowers to soften and calm the skin, what’s not to love. Totally nasties free *no parabens, mineral oils, dyes, phthalates and formulated with ethically and sustainably sourced materials. RRP from £7.99 available at: www.lookfantastic.com

If you prefer a liquid exfoliant why not try Glow recipe’s Watermelon Glow PHA + BHA pore-tight toner. This gentle, alcohol-free pore-refining treatment contains watermelon extract, PHA, natural BHA, Hyaluronic acid and cactus water. All of which work together simultaneously to buff away dead skin cells and unblock pores whilst boosting hydration. RRP from £14.00 available at: www.cultbeauty.co.uk

OIL Whatever your skin type, there is an oil out there that can work for you. Due to their super hydrating qualities, oils are a KEY component in the winter months and can be used with your moisturiser or alone. Why not give one a try. The Uplifting & Regenerating Face Oil by Booming Bob uses a blend of natural oils carefully chosen for their fatty acids and antioxidants. Pumpkin Seed Oil, Borage Seed Oil and Cranberry Seed Oil work together to soothe and protect the skin allowing for effortless rejuvenation. RRP £16.00 available at: www.lonedesign.com

LIPS Colder months bring dry lips. To remedy this, why not try a great lip scrub and mask, such as Dr Paw Paw Scrub and Nourish and their overnight lip mask. The overnight treatment works to plump the lips using natural peptides and Maxi-Lip™ while you sleep. The gel-like texture melts into the lips to intensively soothe the delicate skin on the lips, revealing fuller, smoother, and more defined lips by morning. RRP £8.95 available at: www.drpawpaw.com

MASK Looking to supercharge your moisture level? Eve Lom’s newly formulated Moisture Mask contains highly concentrated hydrating actives that provide immediate and long-term hydration. Hyaluronic Acid, Red Seaweed and Glycerine provide instant hydration to the skin and act as a water reserve, storing water in the skin and then releasing it as needed. The Eve Lom Moisture Mask is excellent as a 15-minute treatment and can be amped up even further when left on overnight. RRP from £7.99 available at: www.lonedesignclub.com If you prefer a sheet mask, we recommend Bubu Skincare #SOAKMEWET. A glittering infusion of natural antioxidants and vitamins, combined with Hyaluronic Acid and Liquorice Root, delivers a powerful shot of hydration with environmentally friendly sparkle.

HANDS Last but certainly not least, do not forget the hands! Neal’s Yard has an array of fantastic hand lotions and potions to keep our mits super soft. One of our favourites is the classic Geranium & Orange hand cream, which nourishes and uplights with a scent of Rose Geranium and vibrant sweet orange essential oils. RRP £10.00 available at: www.nealsyardremedies.com

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LFW SS2022 hair looks with Maria Kovacs Supported by Schwarzkopf Professional, Authentic Beauty and Indola Exclusively Professional

Credits | James Cochrane / Courtesy of Sharon Wauchob

SHARON WAUCHOB Hair Maria Kovacs Using Indola Exclusively Professional. LOOK #1: Textured Pony The Blow Dry Step 1: On towel-dried hair create a middle parting. Step 2: To create a smooth finish apply Indola – Setting, Volume and Blowdry Spray. Step 3: Blow-dry each section smooth using your favourite round brush, working up the head. Step 4: To create a touchable finish apply a small amount of Indola – Finish and Smooth Serum from mid-lengths to ends. The Pony Step 1: Brush the hair into your hands holding at the nape, then loop the ends of the hair up towards the base of the pony, allowing some hair to fall away. Step 2: Secure the hair with elastic. Step 3: For a soft textured finish, gently separate random hair around the face and nape. 125

Step 4: To lock in the shape, lightly spray the hair with Indola – Flexible Finish Hairspray. LOOK #2: Cool Girl Texture Step 1: To create a cool girl texture on damp hair, apply Indola – Setting Curl Cream from mid-lengths to end. Step 2: Take random sections of hair and loosely twist, allowing the curl to loosen. Step 3: Gently diffuse dry. Step 4: For a cool-girl finish, apply Indola – Finish and Smooth Serum and work into the hair with your hands to create the desired texture. KEY PRODUCTS: Indola Setting, Volume and Blow-dry Spray, Indola Finish Smooth. Serum, Indola – Flexible Finish Hairspray and Indola Setting Curl Cream. TOOLS: Blow dryer, medium round brush, silver clips and soft mason style brush.

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This season we worked on an array of stunning looks from angelic braids and curls at Anna Mason to 90’s IT girl poker straight tresses and wild waves at Mark Fast. Although all the designers had very different creative visions, we noticed a real awareness of the beauty looks they wanted to create from casting and a leaning into working with their models natural looks. Our job was to enhance rather than transform.” - Maria Kovacs

Credits | Aris Akritidis

ANNA MASON SS2022 Hair By Maria Kovacs Using Authentic Beauty Concept. The collection was inspired by impressionist paintings with floral prints. Dreamy romantic dresses with renaissance braids and soft tresses! LOOK #1: The Renaissance Braid The Blow Dry Step 1: On towel-dried hair, create a middle parting. Step 2: To create a smooth finish apply ABC – Flawless Primer from midlengths to ends. Step 3: Blow-dry each section smooth using your favourite round brush, working up the head. Step 4: To lock in the texture, spray the hair with ABC – Working Hairspray. The Braid Step 1: Create a middle parting. Step 2: Separate the hair into two equal sections: SIDE 1 – brush the hair flat and gather it into a small ponytail just behind the ear. Braid the hair from behind the hair to the ends of the hair and secure with elastic. Step 3: Repeat on the other side. (SIDE 2) Step 4: To lock in the shape, spray the hair with ABC – Working Hairspray.

LOOK #2: Romantic Movement Step 1: To wake up our beautiful curl onto damp hair, apply ABC - Shaping Cream from mid-lengths to ends. Step 2: Take random sections of hair and loosely twist, allowing the curl to loosen. Step 3: Gently diffuse dry. Step 4: To finish the hair and create shine, apply ABC – Indulging Fluid Oil and work into the hair with your hands to create the desired texture. Step 5: To lock in the shape, spray the hair with ABC – Working Hairspray. KEY PRODUCTS: Authentic Beauty Concept. ABC-Flawless Primer, ABC- Working Hairspray, ABC-Shaping Cream & ABC-Indulging Fluid Oil. TOOLS: Round Brush, Mason-type Soft Brush, Blow Dryer, Diffuser, Hair Clips & Elastic.

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Credits | L Saha @Lsahaofficial

L SAHA Hair Maria Kovacs Using Indola Exclusively Professional The hair was styled to reflect effortless elegance with natural movement, perfectly complimenting the collection, which included opulent fabrics, rich colours and classic shapes with a modern edge. Step 1: Take a middle parting. Step 2: Starting from the nape of the neck, take a large section and spray with Indola Setting and Volume Spray from roots to tips. Blow-dry the section smooth with your favourite round brush and roll up into a large curl. Secure with a silver clip. Step 3: Once the section is pinned into place, spray lightly with Indola Flexible hairspray.

Step 4: Continue the same technique all the way up the head. Step 5: Allow the hair to cool and gently remove clips. Step 6: Gently brush the hair into the desired shape, using your fingers to create soft movement. Step 7: Lock in the shape with Indola Finish Flexible hairspray. KEY PRODUCTS: Indola Volume and Blow Dry Spray and Indola Flexible Finish Hairspray. TOOLS: Blow dryer, medium round brush, silver clips and soft mason style brush.

Credits | Aris Akritidis

MARK FAST SS2022 Hair By Maria Using OSiS+ Schwarzkopf Professional Session Label. Be hot when you’re cool! Mark fast show was a mixture of urban chic and demi Couture knitwear! Hair and makeup was a nod to the “it girl in the 90s! Hair was straight with an attitude and shine! Girls with curls we keep big and bold! Boys were naturally cool and groomed for an undone look! LOOK #1: 90’s It Girl Step 1: Create a middle parting. Step 2: Before blow drying, spray each section with Osis - Volumising Mousse. Step 3: Using your favourite round brush, blow-dry the hair straight, section by section, moving up the head. Step 4: Take horizontal sections and use your flat iron to create a super straight finish. Spray each section with Osis - Super Dry Flex Hairspray. Step 5: Spray the hair with Osis+ - Sparkler Shine spray. 127

LOOK #2: 90’s It Girl with Curls! For high voltage shine on your curl and texture, spray hair with Osis+ Sparkler Shine. HOT TIP: 1. To turn up the shine voltage apply Osis+ Sparkler Shine to dry hair. 2. To turn down the shine voltage apply Osis+ Sparkler Shine onto wet hair before diffusing. KEY PRODUCTS: Osis+ Volumising Mousse, Osis+ Super Dry Flex Hairspra. Osis+ Sparkler Shine. TOOLS: Round Brush, Blow Dryer, Flat Iron and Hair Clip.

Not sure which look to go for this holiday season? Perhaps you should let the stars guide you…? Inbaal Honigman, a mystic and astrologer based in London, has collaborated with GlamCandy makeup academy to reveal the makeup each star sign will naturally feel most comfortable in this Christmas. She explains: “Expressing yourself through makeup is great fun, and the festive season is the best time to go wild! Whether you’re a lover of a subtle wash of colour like air signs or bold with your eyes like water signs, party night is the best time to push things up a gear. “In the office, we can be ourselves, but we are restricted to more traditional hues and conservative looks. So as Yuletide draws nearer, whip out the pro brushes, long lashes, and pots of glitter.”

TO FIND OUT MORE ABOUT GLAMCANDY VISIT GLAMCANDY.CO.UK

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AQUARIUS (20TH JAN–18TH FEB)

PISCES (19TH FEB–20TH MARCH)

ARIES (21ST MARCH–19TH APRIL)

Represented by the mystical healer who bestows water, Aquarians are original and unique. Take a look at Harry Styles, for example – he’s not afraid to be seen as an eccentric being and has a creative outlook on life.

The imaginative water signs are well known for being the most in touch with their emotions out of all the zodiacs. Pisces are gracious, sympathetic, and will go to great lengths to ensure the happiness of those around them.

One word. Red. The colour of love for many, but for Aries, it’s a way to be noticed in the crowd for this imageconscious sign.

This air sign suits a totally fresh-faced approach to beauty and is a champion of the ‘less is more’ trend. Combine these personality traits with pale green and blue hues to represent confidence with your makeup look.

Symbolised by two fish swimming in opposite directions, Pisces colour palette is made up of pastel and aquamarine shades. Opt for heavy blue glitter eyes this Christmas to create a strong oceanlike look with a calming effect.

TAURUS (20TH APRIL–20TH MAY)

GEMINI (21ST MAY–20TH JUNE)

With a bull as its celestial spirit animal, the Taurus sign has a mixture of stubborn and intellectual personality traits. Ruled by the planet of love, Venus, this zodiac sign enjoys pleasure and indulgence.

Aptly symbolised by twins, Gemini is interested in so many things that it almost has to double itself. Playful and curious, this air sign juggles a variety of passions, hobbies, careers, and friendship groups.

As contouring lovers, expect this earth sign to have subtle creams, soft pinks, coppers, and golds dominating their makeup bag. Naturally, defining your cheeks will help to enhance the shape of your face, and Taureans won’t settle for anything less than perfection!

Embodied by wit and charisma, Geminis are an expressive zodiac sign, and their makeup looks are often as bold and commanding as they are. So, represent these traits by going for a bright and colourful sunset-inspired eye look or a neon lip.

Bold and beautiful, Aries is a naturalborn leader with great confidence and success. Fellow celebrities including Victoria Beckham, Lady Gaga, and Emma Watson each look outstanding in red lipstick. So pair it with a staple white or black dress to allow your makeup to be the centre of attention at the office party.

CANCER (21ST JUNE–22ND JULY) Prone to giving their all, the Cancer sign falls in love very quickly. The emotional homebody of the zodiac, this water sign can teach us how to be our most caring and nurturing selves. Looking good is also very important to them. So, think cat eyes, glowing skin, pretty pink, and romantic makeup this festive season to enhance your need for passion.

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LEO (23RD JULY–22ND AUGUST) Represented by the lion, the Leo radiates energy that is glamorous, courageous, and bold. Everyone around them is drawn to their fire. Fellow lioness Kylie Jenner is a prime example of this sign being a natural-born leader. Go big with your look and match these personality traits with an equally vibrant colour this season, like yellow, orange, gold, and tangerine.

SCORPIO (23RD OCTOBER–21ST NOVEMBER) With Halloween falling under the Scorpio season, there’s no doubt that this sign suits various gothic colours. Their best shades are the darkest black, crimson, maroon, and oxblood tones. This water sign loves extremes, challenges, and danger. Be careful when you tangle with a Scorpio, though – their sting is infamous. Pair these dark colours with the biggest, boldest lashes you’ve ever seen to make your eyes pop! 131

VIRGO (23RD AUGUST–22ND SEPTEMBER) An earth sign historically represented by the goddess of agriculture, Virgos are renowned for beautifying themselves and are perfectionists. They value, appreciate, and prioritise their appearance. Similar to Taurus, these earth signs suit browns and taupes for the eyes for a more natural look as they aren’t the type to wear heavy makeup.

SAGITTARIUS (22ND NOVEMBER– 21ST DECEMBER) The final fire sign of the zodiac, Sagittarius has a dynamic blend of passion, curiosity and intensity. Go for bright, amazon green colours or magenta pink this Christmas – or maybe even combine them all at once! To help balance out these colours, opt for a smooth, matte base with your foundation, and finish the look by adding a bold purple lip.

LIBRA (23RD SEPTEMBER–22ND OCTOBER) Those born under the sign of Libra enjoy mingling and socialising with different friendship groups. They’re great listeners, diplomatic, and love beautiful things. Research also shows they’re one of the most flirtatious signs out of all the zodiacs. To get those heads turning at the office Christmas party, opt for colourful yet subtle shades, but don’t forget to highlight with a flash of white glitter on it all.

CAPRICORN (22ND DECEMBER– 19TH JANUARY) According to the stars, Capricorns are full of determination and are the hardest workers of the zodiac. Take Michelle Obama and Dolly Parton as prime examples of this earth sign. To showcase your working mentality, opt for an 80’s power makeup look this party season. The trend currently dominates Instagram and TikTok, with artists around the world reviving colourful mascara, metallic eyes, and frosted lips.

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Inside Newcastle Relaxation & Bliss For The Modern Day Traveller Article | Thushara S. Chandrasiri Since calling Newcastle my home for the best part of a decade, I have always loved how there is just so much to discover on our doorstep for both tourists and locals alike, because let’s face it, our beautiful city has so much to offer. With the region starting to get a little bit back to normal this summer, following the lifting of government restrictions, I took the opportunity to do a bit of exploring and pay a visit to the brand new Innside Newcastle hotel based in the heart of the Quayside. Whether you’re visiting the region for business or leisure, this tranquil and vibrant hotel which overlooks the River Tyne will make you feel at home the very moment you step through the door. Like the sound of that? Well keep on reading because I am only warming up. Once you go through the revolving door and step inside the hotel itself, I kid you not, there are not enough words to describe the breathtaking scenes you are about to discover, made even more special by the welcoming and friendly energy of each and every member of staff you meet. As you take a moment to immerse yourself in the warm atmosphere, it does not take long till your eyes are drawn to the decor, design and aesthetics which surrounds you. It has a very fresh feel for sure, and what is quite endearing is that while this hotel may be part of Spanish chain, Melia, there are some special features within the hotel which pay tribute to our great city. For example, if you look at the railings on the stairs and the balcony, or the craftsmanship on the hotel lobby you can see how the team have been very clever and innovative by using the city’s iconic bridges as the inspiration for the hotel’s internal decor. If that is not cool enough, as you continue to walk through the hotel lobby it is a matter of seconds until you are attracted by the sight of the stunning mural designed by local artist Linesbehind which depicts some of the famous things that our beloved Newcastle Upon Tyne is known for. For the food lovers in the house, then you will be delighted to know that the within the walls of Innside Newcastle, it is also home to another new arrival to our region, a Italian restaurant serving the delicious food of the brilliant Gino D’Acampo - a great place to dine whether it be unwinding

after a long of sightseeing, a special meal with your significant other or simply catching up with friends. Having taken everything in and being captivated by my first impressions of this brand new hotel and everything it had to offer, I was extremely honoured to have the opportunity to be a guest for the night myself. Not wanting to rush immediately to my room I was thankful to the hotel’s Resident Manager, Calum Maneshaw, who took me on a little tour to show me more about some of the other things that Innside Newcastle has to offer. Telling me a little bit about Melia, Calum begins by explaining that it is the 9th biggest hotel company in the world, with around roughly 400 hotels in 20 countries and 4 continents. It is also a company in growth which is continuing to build, even through the pandemic. In terms of the Innside brand, Calum tells me that the it is in it’s infancy which began with the opening of Innside Manchester 6 years ago, Innside Newcastle opening in May 2021, and a further location in Liverpool later this year, with plans to expand the Spanish company’s hotel portfolio even more. Beginning in the lobby, Calum points out a couple of unique features, such as a bicycle on the wall of the hotel lobby, to which he tells me that Melia is massively in support of wellbeing and the outdoors, so the hotel have partnered with a local called the cycle hub situated in Ouseburn which gives guests a 25% discount for a booking which allows them to go off cycling up and down the Quayside. In the hotel lobby there is also a range of merchandise, which as part of the hotel’s brand they support local craftspeople such as illustrators and local suppliers including Hexham based drinks company Fentimans. If you remember I mentioned there are influences of things such as Newcastle’s famous bridges incorporated into the hotel’s internal decor, which is something Calum enlightens me with as we proceed through into the main body of the hotel. Designed by innovative architects Faulkner Brown, the inspiration was to bring a lot of the outside in, in terms of the features, especially given that Newcastle is known for its steel and coal heritage.

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We continue to walk toward the dining area, which the hotel runs in partnership with Gino D’Acampo. Callum points out to me the DJ station, saying while it is not uncommon to play music on an evening during dinner, as a point of difference music is also played to guests during Friday-Sunday over breakfast. At this point Calum also tells me more about why Innside Newcastle call themselves a hotel which combines business and leisure, which he tells me is that the two are intertwined. Corporate guests are invited to unwind after a busy day, whether that be making use of the hotel’s fully equipped gym, or coming down to the bar for a glass of wine. Showing me the mural on the wall designed specially for the hotel by local illustrator James Dixon and captures the essence of what Newcastle is all about and is a feature of the hotel which the staff here at Innside Newcastle are very proud about. We then walk up the magnificent spiral stairs to the next floor where you will find the hotel’s conference and events facilities. The first room he pointed out to me is named the Kielman Suite, named in honour after the local men during the days of coalmining who would transport coal up the river, again an endearing compliment to the local area. The suite, which can be divided into three sections based on the occasion, comes equipped with its own technology controlled by pads on the wall with the space being flexible for a number of things such as networking meetings, parties and even weddings. With hospitality and leisure being some of the last industries to return back to normality after the Covid-19 pandemic, I took the opportunity to ask Calum how he found it to which he answers, ‘It has been challenging times for hospitality. We were slightly fortunate in the fact that we were new so of course everyone wanted to come and see the new hotel, but

do you know what the team has worked hard since day 1. Yes we have a great product, but you cannot just be complacent on that because it also depends on how you operate it. If you look at our TripAdvisor reviews you will notice over all, we have been very well received and I am just looking forward to growing the reputation in the city to be honest with you’. The next room Calum takes me to is called The Hawk Room, named after a family of steel manufacturers who did a lot of work along the Quayside. The room itself is a multi use room which can accommodate private dinners, christenings and such like. We then move onto a meeting space, which the hotel calls its Big Ideas Room which is a playful setting and different to a meeting space that you would usually expect with a lot of quirky things such a darts board, writable walls and a very snazzy Samsung i-flip, a digital whiteboard great for sharing presentations and is easily connectable to a person’s laptop or phone. With it being such a playful setting I can see it being a point of attraction for many creatives, myself included, which Calum tells me is quite unique to have a space like this in a hotel setting, especially in this city. As we make our way to the final destination on this part of the tour, I commend Calum on how the hotel has such a welcoming vibe to it, which Calum explains is partly due to their being lots of natural light, which from my perspective really makes a difference. As we continue to walk we enter the gym area, where they have two spaces - one a studio space with bikes connected to a system similar to Peleton where customers can create their own training program. The second space has everything else you need for a workout including treadmills and weights. Having already given me an impressive tour around the hotel already, we have just one more stop to make as Calum takes me to the fifth floor to show me around one of their most premium rooms for hotel guests to stay, which are called Townhouse. A standard room is around 19m2, a studio room is 24m2 and

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a bit over depending on where you are in the building, and the Townhouse is an impressive 50m2 space. The hotel currently has five of these types of rooms which often sell out fast. When we enter one of the rooms itself, Calum tells me about some of the rooms unique selling points such as the breathtaking panoramic views, as well as the extra living space, an espresso coffee machine, a super nintendo with some pre-set games and a separate tv. In the bedroom, you can expect to find a Marshall bluetooth speaker, a second TV and a very inviting bed with great views of the city. Into the bathroom area you will find a double sink, as well as the only room category which comes with a bath and a separate shower and toilet area. With this room having so much to offer it is easy to understand why the Townhouse is one of the most popular categories from all of the different types of room that Innside Newcastle have. As Calum brilliantly puts it, ‘they are beautiful rooms first of all and also there are only five of them so they always sell out super fast. There are other hotels in this city that have suites, but nothing that is so light and spacious as our rooms.’ Before bringing our tour to a close, I take the opportunity to ask Calum a couple of questions. First I ask him how the response of the public has been in terms of bookings especially in these pandemic times to which he explains: ‘we opened when the Government allowed us on 17th May 2021 and we have only been getting busier. The leisure market is really back now. Weekends are very busy which is good to see and my sales team are always busy showing corporate clients around. The sad reality though is that corporate travellers are quite travelling in their numbers as they were before the pandemic so it is just a case of a waiting game for that level to return. To be honest though the sentiment of our guests has been super positive so I am happy with how it’s going. Feeling that positive energy I conclude by asking Calum what makes him proud about managing this hotel to which he states, ‘I have the best team ever, and that is a sentiment that comes across on all the different platforms, whether it be TripAdvisor, Facebook and Instagram or Booking.com. We always want to ensure that the hotel is guest-centric, where they have fun and it is clear that that happens, but yes I would say my team is the reason for my smile. My best weapon as they say!.’ With the shaking of hands, the exchange of business cards and thankfulness for Calum for taking the time to show me around, I was left even more amazed and inspired thanks to my insightful tour, it was time for me to finally head to my room to experience Innside Newcastle for myself. My humble abode for the night was one of the hotel’s studio balcony rooms. I have stayed in many hotel’s over the years, and hand on heart this was one of the best rooms I have ever stayed in. If you are like me, you will probably know the excitement that comes from being in a new place for the very first time where all you want to do is check out every single component of a room and get even more excited in the process, but hey that is just the way I roll haha! One of the things that impressed me about this hotel was how spacious the room was, with the decor and the finishings just bringing everything together quite nicely. You have all the necessities for your stay - a magnificent bathroom with one of the best rain showers you have ever experienced, a large King Size bed, so comfy that you wont ever want to leave, to other things such as a large flat screen TV and a espresso machine for all those coffee fix needs. Then there is the balcony, and oh my days, I have only three words - wow, wow, wow! My room may be on the second floor, but I still find myself facing the stunning landscape of Newcastle’s

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One of the main things to mention about my room, which is part of the hotel’s support for local creatives, is that each room has its own bespoke piece of artwork created by a local artist. I am also impressed at how pristine the entire room looks, because it demonstrates how cleanliness and attention to detail are of the utmost importance to the staff at Innside Newcastle. Usually when I am at a hotel, I put my bag to the side and it is not long till I am back out, however because of how inviting, peaceful and wonderful the studio room is, it makes me want to just to take a moment to be still and appreciate my surroundings. Having taken the opportunity to relax in the room, and make the most of the magnificent shower (probably one of the best showers I have ever had), I then got changed to get ready for the evening ahead and to sample the experience of the food at the hotel’s very own Gino D’Acampo restaurant. Wanting to make the most of this special occasion, I invited my good friend Dylan Abbas, a great guy who I have known for over 8 years, and is a man who appreciates good quality food. As the two of us were taken to our table, we were both impressed by the restaurant’s open plan kitchen, where the kitchen staff were working away creating all those tasty meals, and also the views of the restaurant which overlooked the river. Taking a moment to look at the menu, it wasn’t long till our server came to greet us to take our drinks order. Normally when myself and Dylan have a reunion, there is always whiskey involved, but with Dylan also being a guy who lives by the philosophy of ‘When in Rome…’ we thought given we are in this beautiful Italian restaurant we will opt for a glass of Merlot for a change. Drinks orders taken, it was time to get stuck into the food itself. Beginning with starters, Dylan opts for the Calamari which is accompanied with courgette, red pepper, garlic mayonnaise and lemon, while I choose the King Prawn Bruschetta with chilli mayonnaise on toasted ciabatta. The both of us are impressed at how we do not have to wait long before our starters are served to us and presented beautifully. As we both tuck in, the flavours of both of our dishes are divine. Fresh produce, perfectly seasoned and invigorating flavours to make your mouth water. The kitchen staff have put a lot of love into bringing Gino’s recipes to life and it clearly shows which in turn results in the pair of us being excited with every bite we take. Entrees next, and for my option I go for the capri-style pan fried sea bass with cherry tomatoes, leccino olives & basil, plus a side of freshly made roast new potatoes. Dylan on the other hand decides to select one of the speciality dishes - Swordfish with new roast potatoes and gremolata. Again both dishes are brought out fast, and packed full of flavour and brilliant produce. For my fellow foodie, this is the first time he has ever tried swordfish but he nevertheless is still left impressed and very happy indeed. As for me, I am equally appreciative of my sea bass which is well made, brilliantly seasoned with the flavours just dancing on my palette. This is exceptional Italian cuisine done right, and am sure Dylan would agree that it certainly exceeded our expectations. Having eaten two wonderful courses, it would be rude not to treat ourselves to a desert, afterall, it’s the only way to truly complete any dining experience in style. Honestly looking at the desert menu, I wish I could have ordered everything, but the sensible me was whispering to me, no dear Thushara don’t be greedy. Listening to the voice of internal reason, in the end I went with the very tasty chocolate fondant stuffed with chocolate truffles and served with a scoop of vanilla ice cream - the perfect option for those \chocoholics amongst us. My guest on the other hand, decided to choose the chocolate and hazelnut cheesecake served with sour cherries. We both love our puds, so we quite happily finished off our dishes.

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The whole dining experience, from start to finish was a thoroughly enjoyable experience. This had been the first time since August 2020 that I had seen my friend, and I think we were both in agreement that sampling this delicious food at Innside Newcastle’s Gino D’Acampo restaurant was a brilliant way to catch up and celebrate our 8 year friendship. Having had a brilliant evening, and having said goodbye to my friend as he returned home, I made my way back to my room, full of gratitude at how amazing my time at Innside Newcastle had been so far. Before heading to bed, I took another opportunity to step out onto my balcony as I looked at the captivating city lights and the Millennium Bridge lit up in the horizon. The Quayside, especially on a hot summer’s day is brilliant, but the Quayside at night, whether you are a tourist or a local, is one of the most captivating scenes you will ever see. It’s getting close to bedtime, so time to wind down for the night and get ready to climb into this inviting king size bed, which makes me super happy to have this whole bed to myself as I gently drift off to the land of dreams and slumber. The day after the night before, and as I awake at a very modest 8am, my word I think I have just had the best night sleep ever. The bed was absolutely comfortable as I had the most peaceful night’s sleep that I have had in a very long time. With my room overlooking the Quayside, you would easily assume that you are going to be woken up by the sounds of trains, bus or merry nightowls, but you would actually be wrong, because everything is so tranquil. The bed is so comfy that I wish I could stay wrapped up in this duvet forever, but no I must get up, get myself showered and dressed and make my way to the hotel restaurant to experience the breakfast. As I arrive at the restaurant, I am given a warm welcome by a member of the front of house staff, who escorts me to my table with a stunning view overlooking the River Tyne, with the sun glistening down on the river. The breakfast hall is really alive with many other hotel guests - couples, families and solo travellers like me all full of life as they smile, reminisce and laugh during their morning chatter. I am not much of a tea and coffee drinker, so I ask my server for a hot chocolate instead which she happily accommodates. Taking a moment to take in my surroundings, I then make my way to the breakfast buffet, with my eyes light up as I see all the great variety of food - this is certainly one impressive spread. You have your cereals and your yoghurts, your pastries, breads and jams, and a number of hams and cheeses, not to mention a number of fresh juices. Of course you also have your hot items of freshly made sausages, bacon, hash browns, tomatoes, baked beans and so on - all the essentials of a good proper British breakfast. Darn it is making me even more hungry just thinking about it ha! This is not a buffet, it is more like a banquet fit for royalty, and a brilliant way to start the day before the adventures of the day ahead. With so much food to choose from, I first begin with the hot option. Given how the pandemic had caused many hotels and eating establishments to abandon

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their buffet I style help yourself system, it was a breath of fresh air to see it’s return here at Innside Newcastle. I can empathize why some people may feel weary about helping themselves, but you know what all the guests, as well as the kitchen staff are very considerate of each other’s space. WIth me having disabilities in my right arm which affects my grip and my strength, the kitchen staff are most accommodating as they help me in placing a number of tasty, piping hot breakfast items on my plate. What I really like as well, is that the eggs are made to order, to whatever preference you like. I opt for a fried egg, sunny side up, which does not take long before it is brought to my table. WIth all the components of my hot breakfast together, it is time to tuck in, and boy it is certainly one tasty plate of food as I delight in each bite I take. End result - empty plate, filled tummy and a very happy Thushara haha! Having thoroughly enjoyed my hot breakfast, I decide to walk back up to the breakfast table, and think it would only be right that I try out some of the colder options too, afterall it is for the purposes of article research after all haha! I help my self to the granola which comes with fresh fruits and yoghurt, and before sitting down cannot resist helping myself to a freshly made pain au chocolat and a pain au raisin - it would be rude not to. Like my hot breakfast, these items are equally as enjoyable, and have really helped to fill me up for the rest of the day. Having thoroughly enjoyed my breakfast, I made my way back to my room and got ready for the saddest part in any travellers journey - home time. If you have stayed in different hotels in the past you will probably get what I mean when I say there is nothing worse on check out day that having to fit verything in, plus breakfast all before the 10.30am check out time, all while equally being paranoid that you might of left something in your hotel room. HOWEVER you do not have to encounter any of those fears when staying here at Innside Newcastle, because putting the customers needs first, they have a check out time of midday. This is brilliant for any traveller, especially those visiting the city as it gives you extra time to have a nice walk along the Quayside or take a short walk over the millennium bridge to visit the Baltic Centre of Contemporary Art. You want to feel the same level of relaxation leaving a hotel, as you experience during your stay, and by allowing you to casually bring your stay to a close, where you can really make the most of this special utopia of bliss, it just makes you as a customer feel appreciative of having the opportunity to experience Innside Newcastle for yourself. Handing in my key to the front desk and thanking the hotel staff, I took one final look at this spectacular place which had been my home for the night, and stepped outback through the same revolving door I entered the day before, sun beaming down and happiness on my face, looking forward to the day I hopefully make my return to Innside Newcastle. To Resident Hotel Manager, Calum Manekshaw and every single member of his team - thank you for making this one of my most cherished memories of Summer 2021.

FOR MORE INFO AND TO BOOK YOUR STAY, VISIT WWW.MELIA.COM/INNSIDE/NEWCASTLE

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Darkus Magazine speak to Sabrina Barlett about her breakout role in the ITV series ‘The Larkins’ Article | Lupe Baeyens Sabrina Bartlett shot to fame late last year, while the world was confined to the comfort of their own homes, as the breath-taking Siena Rosso in the Netflix hit-series Bridgerton. Now the starlet once again graces the screen in a re-imagined version of the Darling Buds of May, ‘The Larkins’. Darkus Magazine had the opportunity to steal some of her – very precious – time between filming as we talk to her about unfiltered joy, her rise to fame and her love for cooking. Tell us a bit more about your background first, how you got into acting? My dream was always to become a professional ballerina - it was only when I was training to dance I realised my favourite element of performance was storytelling. Secretly I always looked forwards to the moments that weren’t choreographed, the messy bits when we could let our imaginations run free. Since then, you have gained a committed following due to your role in Bridgerton, where you play the talented and stunning opera singer Siena Rosso, how was this experience for you, and the aftermath of its immense success? It’s was all very new. As actors we were all given the immense privilege of our work being shared on a platform that allowed us to be seen and celebrated by people all over the world. There are so many wonderful stories being told that just don’t have the same visibility or access in order for audiences to discover them. Now you’re starring in ‘The Larkins’ a show set in the 1950, how would you describe the show and why would we not want to miss it? The show is so unusual as it presents us with this picture of pure, unfiltered joy - life on the Larkins farm full of eccentric characters, animals and chaos! Not the tricks or complications we often see on screens today

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but instead falling in love with a time filled with beauty and nostalgia ... a welcome escape for viewers at home after the pandemic. You play the character of Mariette Larkin, a young girl ready to spreads her wings and swap out her small hometown for the glitz and glamour of Paris. What attracted you to the role? Firstly I was a big fan of Simon Nye’s writing having watched The Durrells - so on reading the scripts for The Larkins I was immediately grabbed by the extraordinary mixture of heart and humour. It’s a complete balancing act which I think Simon achieves effortlessly. I also felt a real kinship to Mariette - a tomboy growing up in the countryside with big dreams (and a fiery temper!) Having previously starred in Game of Thrones, Bridgerton and Victoria you have quite the knack for portraying characters of completely different periods in time. What’s your first step in understanding a character in their historical context? In approaching parts I try to find what I can recognise - in any period of history human beings have all felt the same things we do today; fear, envy, pleasure, grief... to connect the audience wants to feel they can relate. Seeing you’re so well-versed and acted in time travelling, is there a specific era you would like to go back to and why? I’m pretty intrigued by ancient Egypt. How they built those pyramids is pretty mind blowing ... Having worked with so many different talented creatives and on so many iconic Brittish TV-shows, what has been your absolute favourite moment on or off set?

Truthfully I’ve only realised how special certain moments have been in hindsight - looking back you think, wow did that really happen?! But so far I’ve found its actually the people you meet on the way that are the real treasure. Looking ahead now, what do you dream to achieve in the future with your career or in your personal life? Honestly at the moment becoming a better cook! I absolutely adore food in all forms; cooking it, eating it and reading about it (you should see my iPhone notes!) Professionally speaking I have absolutely no idea. Creatively I would love to experience as much as possible; be that in my acting or possibly directing one day. I am definitely keen to keep exploring. Lastly, what other projects do you have in the pipeline and what do we have to look forward to? I’m afraid that’s a secret ... You can see Sabrina playing the role of Mariette Larkin in Larkins which is available to watch now on ITV & ITV Hub.

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In The Frame: Adrian Fisk Article | Kobi Prempeh

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My addiction is photography books. They dominate my backdrop for Zoom meetings. Photo books also decorate my floors and tables, artfully placed for when conversation during Sunday roasts runs dry. My latest discovery is ‘Until the Last Oak Falls’ by Adrian Fisk. His new book shares beautiful unseen photography of early British environmental protests. Times can change. When I was young the protesters in this book were called tree huggers, soap dodgers, crusties and hippies. Fisk’s photography interrupts that narrative. Through his photography we see the extraordinary journey he took documenting the forefathers to Extinction Rebellion. Love them or loathe them, we get an understanding of a powerful and influential community. Do you remember when we first heard Prince Charles talks to plants ? The righteous incredulity. The justified fury at a man that puts plants before people. I will never forget how weird we thought he was, and joked about what the plants might say back. Watching Instagram clips of motorists pulling Insulate Britain protestors from the street, the comments below talk about the lunacy of the protestors. We see justified fury at people that put plants before people. Times change, and yet they stay the same. Last year, whilst spring was turning to summer in lockdown, the best news I heard one week was that dolphins were swimming in the canals of Venice. But this piece of pandemic mythology proved one inalienable fact - through the power of social media at a time of crisis, hope can spread twice round the world long before resignation puts its shoes on.

We posted black squares, hashtagged friends to #staysafe, podcasts broadcasted that we will be back stronger. The positivity of hope pushed us beyond grief and despair to believe in a world where dolphins were swimming in Venice. And yet things stay the same. That hopefulness fades when we need to drive our kids to school, ourselves to work or job interviews and when an ambulance has its siren in the hope it can make it to a hospital in time. That hopefulness fades when we see a protestor in the street holding us up from the hopeless lives we live. I’m not hopeful about my next bank statement. I’m not that hopeful about another big Christmas. We would far rather believe in dolphins swimming in Venice than believe in people sat right in front of our eyes fighting in the streets for us to have a hopeful future. Today I made my first Kickstarter pledge on a book about the British history of hopeful protest. Adrian Fisk doesn’t know I’m writing this article today. We have worked together before - I curated an exhibition about rave culture, and the room where we shared about the intersection between environmentalist concerns and the Acid House scene proved to be the most poignant part of the exhibition. In the mid-nineties there were only two tabloid enviro-weirdo horses we liked to flog. One was Prince Charles another was a crusty called Swampy. Times and fortunes have changed for the former. Adrian Fisk’s book gives me hope and an understanding that things can’t stay the same for Swampy and the rest of us.

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01 Stanworth Valley M65 Road protest 1995 – A break before the next wave of evictions come in. 02 Reclaim the Streets. Trafalgar Square 1997. One of the largest illegal gatherings in the squares history. 03 Reclaim the Streets Camden 1995 – After a staged car crash with faux road rage members of RTS get creative with the cars. 04 Newbury Bypass 1996 - The Sheriff of Newbury’s evicting climbers and police support are overwhelmed by a number of activists 05 Newbury Bypass 1996 – 60 feet above the ground a man desperately attempts to hang on to the tree in order to protect it from being cut down whilst physically being pulled backwards by the Sheriff of Newbury’s eviction men. 06 Newbury Bypass 1996 - Much like an army, a line of police and security walk with the diggers in order to ensure activists do not stop them. The overall police and security cost for the entire campaign was £30 million. 07 M11 road protest. Leytonstone 1995. 08 Stanworth Valley M65 Road protest 1995 - A young woman is arrested for the very first time having just been evicted from the trees.

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Salomé RobertMurphy: We Regret The Chances We Didn’t Take Article | Thushara Chandrasiri Here at DARKUS it always gives us such pleasure when we are able to follow the journeys of our fellow creative friends. Earlier this year, we first introduced you to Salomé Robert-Murphy a British actress now living in New York. Since we last spoke to her, this talented rising star has been getting involved in a range of exciting and wonderful projects, including producing her first short film, Sell It To Me A Different Way. As someone who is quite proactive when it comes to pursuing the things that she loves, Salomé is a prime example of someone who is not afraid to be herself whether that be playing a character or being on the other side of the camera. To celebrate this joyous news of producing her first ever short film, through the power of Zoom we caught up with Salomé to find out more. Salomé welcome back to DARKUS. How have you been since we last spoke? I hear you have been travelling around the world? Haha! 149

Thank you for having me! Yes that is right I went back home for a few weeks over the summer which was nice. Other than that I have been busy with so many projects. I have two short films that have come out this year, Sell It To Me A DIfferent Way and Whale Talk, both were written and directed by Zack Travis who is incredible. They have been getting alot of attention and a lot of award nominations, so yea it has been a lot of fun. When you know shows have the potential to be nominated for awards, does that put pressure on you as an actress? I am just so glad to be involved to be honest. If we win anything I will be thrilled about it, but most of the time I don’t put too much weight on them. Even Though it has not been that long since we last spoken, how do you feel you have grown as a person during those months? I think I have found a good balance between work live and personal life and finding time to further my acting. I am back in training and taking some

more method classes because I felt that I was losing it a bit so really wanted to get back in there. Through the Self Series which I spoke to you about last time, that is how I got to work with Lexie Duval who ended up being featured in my short film. Producing a short film yourself, what were some of the things you wanted to be part of your vision? It was really exciting because I have never produced anything before, but it was also quite terrifying too so I am glad everything turned out well. One of my priorities was to make everything visually pleasing. We found a really beautiful location to shoot at and really represented the vibe of New York. With it being a one take film too, Zack really wanted to create something which had an intimate vibe for the audience. What did that to-do list look like then? I have full confidence in Zack as a writer, so when it came to writing the short he said to me that he wanted to create something that would really make both Lexie and myself shine. It really relied on the script and the rest then just fell into place. Once we had that, we just fell into our characters and everything else that followed. Watching it back now, how proud are you of the short that you produced? I am really proud of it. It was a lot of fun to shoot and the whole project

was so great to be part of from start to finish. I really got close to Zack and also to Lexie and I think it really tells the story that it is trying to tell. It really conveys the message of this broken family, so it was great to create something that ended up being like what we wanted to. It was great as well to have a bit of creative control because as a actor your usually told what to do so it was great to have the opportunity to have my say in a project too. If you could imagine the emoji which looks mind blown, what was the most eye opening thing about being on the other side of the table? I think it honestly helped my performance as an actor because I had all the intel of what we were trying to achieve, so i think getting to be behind the camera helps you if you are going to be in front of it as well. I remember last time you told me that sometimes you could turn up to an audition and there would be hundreds of other girls that looked like you all fighting for the same role. How have you found being able to tell yourself, ‘today is the day I stand out’? I think it is about trying not to fit into a certain box or not trying to read the cast directors mind, because when you try to second guess what they are thinking, you might not even be right for the role. You might be trying to change yourself to fit something that is not even you, so I think it is just better to go in and be completely yourself where you are not afraid to bring everything you have got to the table. If they love it then great, and if they don’t it wasn’t for you. 150

Earlier this year you also were part of Gossip Girl, what was that like? That was so fun. It was my first time on such a huge set as it gave me such a great insight into how a production on that scale works. What is the next step that you feel would be the ideal icing on the cake, where you would be pinching yourself and doing cartwheels down the street? My main dream right now is to land a TV show. As much as I love film, i think TV gives you the opportunity to work on the same character for a longer period of time and I feel that is so fulfilling as an actor because it allows you to really dive in deep. Whether you’re doing your own productions or being part of another person’s vision, what has it reveleaved to you about your own strengths? It has been really great. I find to be adaptable when you are in a situation where you do have a lot of control and also a situation where you don’t. At the end of the day you always want to give the best performance that you can so if you don’t have that upper hand where you have all of the insight, then you have to be really trusting of the team around you. Upon reflection, knowing what you know now, if you could go back to when you first moved to New York, what would you tell yourself as someone just starting out in the industry?

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That is a big one! I would say trust the process, you will meet amazing people with amazing opportunities which will keep on coming, so just relax, it is going to be so much fun. The short film is currently out on YouTube, so for anyone watching it for the time, what is the best way to capture the narrative they are about to encounter? I think it is a sensitive top and an emotional journey to watch, so I think it is about listen to what the girls are saying to each other and reading between the lines. If there is one thing you are most grateful for about being a creative woman in 2021, what would it be? That I get to express myself in so many different ways. I am a really emotional personal so with acting, performing and all of that you get the luxury of being able to dive deeper into how you feel which is such an essential tool to have. Everything is so exciting for me right now, and being able to do all these amazing things is something I will always be most grateful for. I have no doubt that Salomé Robert-Murphy will continue to achieve many more brilliant things in the months to come. In the meantime though be sure to check out her short film Sell It To Me A Different Way which is available to watch on YouTube right now.

Temple: Through The Eyes of Anna Willems Article | Thushara S. Chandrasiri Interview | Carice Van Houten

LEATHER JACKET: HUMANOID, JEANS: GUCCI, SOCKS AND SHOES: GANNI

Credits:

HAT: GANNI, SHIRT: POMANDÈRE, BRACES: VINTAGE

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Photographer Valentina Vos @WitmanKleipool Styling Esther Coppoolse Hair & Make Up Sandra Govers Products Used: Ellis Faas Cosmetics | Kevin Murphy | Dyson hair

Following the success of the first season of Temple which shown on Sky, directors Liza Marshall announced the exciting news that she would be bringing back everyone’s favourite characters for a second series which premiered on Sky in October 2021. Playing the role of Anna Willems, actress Carice Van Houten gives us an insider’s perspective of what it has been like to be part of a show that has got everyone talking. Carice so wonderful to welcome you to DARKUS, how have these past few months been for you? Really exciting with the show coming out, I’m very grateful for things having come my way... Brilliant news for many fans, myself included, to hear that Temple has finally returned to our screens for another season. How has the whole experience been for you? I’ve loved this show even before we shot it. Mark Strong and Liza Marshall are such a great team and basically when I heard Mark was involved I said yes. I love shooting in and around London and have been extremely lucky to have been working in the midst of the Covid outbreak in 2020. We’ve had great directors and an overall great ‘no asshole policy’ vibe When Liza told you her plans for your character Anna, and some of the things she had for some of the endeavours she wanted both you and Anna to explore together in the new season, what were your initial impressions? I loved that this took Anna’s ambitions very seriously and that her storyline wasn’t and isn’t’ just being the love interest.’ For those who haven’t watched the show before, Anna Willems is a medical researcher, did you find yourself picking up any lingo that you thought ‘aha i will remember that, you never know when it will come in useful’? Nope , haha. There’s enough static in my mom brain as it is . When you look at the growth of your character as a whole from the earlier series, to this new chapter, what makes you smile the most? The sense of humor that’s been added to Anna’s character and the fact that for one whole episode I wore the easiest costume ever. If we for a moment look at life outside of Temple, for the Carice Van Houten fans in the house, you have appeared in many other amazing shows in the past such as Game of Thrones, VALKYRIE and Domino to name but a few. What have each of those roles revealed to you about not only your versatility as an actress but also the type of roles which make you feel more alive than ever? They’ve been so different from each other, and again very different from the more comedic parts I’ve played in The Netherlands for many years. I love exploring human/female nature and there’s no better way than putting yourself in someone else’s shoes for a while. Temple was released this week here in the UK, and will also be made available to the US viewers from 1st November. Have you been following the response from the shows fans so far online, and have there been any stand out comments which have brought a smile to your face or even the Temple cast and crew as a whole?

LEATHER JACKET: GUCCI, CAMISOLE: FILIPPA K, JEWELS: BIBI VAN DER VELDE

Watching Daniel Mays do anything whether its a role or him doing press being Danny is pure joy. The guy is just all funny bones (besides being a very good actor). While the first series of Temple may have been released back in 2019, for some people this new season may be the first time they have has the blessing of making the show part of their lives. What would you say to those newbie fans about the journey they are about to take? Welcome underground.. where it’s mysterious, dark though funny a lot of the time too. Carice, it has been an absolute pleasure speaking to you. I feel there is so much more we can speak about, but I don’t think there are enough hours in the day, so we will leave those conversations to another time. For now though, if you could think about one thing that you are most grateful for when it comes to not just Temple but all the other brilliant accomplishments you have achieved, what would it be? My hyper sensitivity combined with being very down to earth. I think that has been my way to act and deal with this business we call show’. Other than that, I’m very proud to have become a mother and that I quit smoking all these years ago. But thats’ not ‘one thing;’ haha , oops. WIshing Carice and the rest of the cast all the best. To tune in to all of the action so far, Temple is currently being broadcast on Sky Max and NOW TV! 154

Darryl Mundoma: Authenticity, Motivation and Faith The steps in a young actor’s success.

Article | Leia Humphries

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Darryl Mundoma, a young black actor emerging through into London from the small town of Dudley in the West Midlands has embarked into his debut year in within acting, lettingnothing hold him back from his ambitions. Featuring in BBC Wales and BBC iPlayer comedy series pilot ‘Mammoth’, Apple TV and Sky Series which will be releasing in 2022, along with the most recent role within A Sky Original ‘A Christmas Number One’ on Sky Cinema and Now TV which will be available to watch from December the 10th. Tell us Darryl, what made you decide that Acting would be the career for you? To be able to excite an audience through embodying stories that people may be able to relate to makes the story much more special. Acting personally physically and mentally challenges me to be the most efficient, thoughtful, and creative version of the roles presented to me, and I am hoping to be able to take on more diverse roles in future. I started acting from a young age, I was originally dancing being self-taught and not be able to afford to learn at classes. I was immediately interested in acting and began at home with my uncles who would film me and edit videos for their film degrees. I got my first talent agent at the age of 10 and began auditioning for CBBC shows and others alike. I found BOA a performing arts school and studied Acting as a BTEC as well as auditioning and getting into their Industria dance company using my self-taught dancing skills and knowledge. I then auditioned with 50 people to be part of adults’ division of TTA at 16 years old. I gained a place and went for auditions but saw I needed to improve my knowledge an ability and found the mentorship of the Director of acting Francesca Di Cesare at BOA. Following BOA, I began a BA Honours in London, however wanting to push further I decided to leave and focus on the creative direction I wish to take, not what others wished for me. After this I was blessed with my first acting Job with BBC on the Comedy Pilot of ‘Mammoth’. What advice would you give young actors embarking into their career? Be Authentic, always. I really believe that acting is an individual journey, and everyone’s journeys and stories are unique. Gaining as much knowledge from the people you are working with and the experiences that you go through, use this to your advantage. You can only ever be as good as the hard work you put into everything; without hard work you cannot find your true potential. Someone once told me ‘Your talent will open the door by only your character can keep you there’ and this keeps me on the right path within my work. You have starred in some great up-coming films and series; can you tell us your experience of being in a professional production, and what knowledge you have taken away from this? I dreamt about working on sets and being able to make TV and movies, so to be able to be able to do both is unbelievable. The last year has shot by and trying to take everything in has been hard, however I have learnt to be active on set is the best way to experience it and makes work less ‘work like’ so I can just have fun. A key aspect to acting is being ready all the time, everything is planned so well on professional productions and there is a lot of speed involved, being ready is ingrained into the experienced actors, they are always ready to take their moment as soon as it presents itself,

this is one of the most important lessons that I have now taken on board to apply when I am acting. ‘A Christmas No.1’ is being released on the 10th of December, tell us how you took on the role of a member of a boy band? What attracted you to this role and how did you prepare? I remember reading the script for the first time and I was stunned by the vast number of layers to this film. Obviously playing a part in a very stereotypical boyband meant that I had to become an arrogant and egotistical, I wanted to make sure I could channel this and push myself further within the role. I listened to a lot of boy band’s music... like, A Lot! I even put myself through watching something I never have before, The One Direction Documentary, something I will not rush to watch again. Researching the structure and hierarchy that boy bands have gave me an insight into how my relationship with the other band members would have to be, and to be able to portray this well on screen. Is music something that you have an interest in, and would you see yourself being open to any further musical roles? I have a strong love for music, how it can change someone’s mood and empower them, positivity through music is my favourite! I would most definitely go for another musical rolefor sure after doing ‘A Christmas Number One’ and how the cast, crew and viewers loved hearing our songs and couldn’t stop singing them. The songs became so catchy and lifted spirts through filming. Are you fond of Christmas? What is your favourite aspect of the Holiday Season ahead? Christmas is one of my favourite times of the year, I especially love gathering with my whole family and celebrating. Sharing gifts, eating food, and recognising religion through Christmas is so special to me. I always spare a thought to those who cannot spend Christmas with their loved ones and being thankful for what I have allows me to appreciate my family and Christmas so much more. I thank God that I can spend Christmas’ with my loved ones. Where do you dream for your career to take you? My epicentre is creativity, I see it as a form of expression that can be experienced by anyone and shared with anyone that could help people relate of identify with. Acting, if I can be funny, heart-warming, and impactful within my projects and pieces, is all that matters. In the future I would like to have my own production company to be able to collaborate with other artists and creatives as I believe the best work is produced through collaboration and passion, hopefully I will be able to execute this when the time is right. Lastly, what is next for Darryl Mundoma? Coming up in 2022, I am privileged to be in a major project being produced by Apple TV, however I cannot release too much information now. I have been preparing for what is next for a while, building relationships with people and working with creatives I never thought I would be able to, at this stage of my career I am very excited to keep learning and keep excelling.

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Paradise of the North: Faroe Islands & Greenland Article | Sal Fasone

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Photo Credits | Glenda Campana

As we prepared to land at Vágar Airport, the only airport in the east of Faroe Islands that has welcomed over 300,000 passengers in the last year, I could already see from my window seat a glimpse of the blue deep ocean and the green turf covering massive cliffs and long waterfall. A paradise for nature seekers. Faroe Islands is an interesting country, despite being part of Denmark, it has its own language, flag, culture, and traditions, but it’s not all! The Faroe Islands is one of the world’s leading nations in producing sustainable electricity with over 50% of the nation’s electricity deriving from renewable energy sources. The aim is that the nation’s electricity will be sourced solely from renewable energy by 2030. Want to know something crazy about it? Faroe Islands count a bit more than 52,000 people and 70,000 sheeps! There are a total of five traffic lights in the entire country; no point in the Faroe Islands is further than 5km (3 miles) from the sea; there are only two international fast-food outlets in the Faroe Islands: Burger King and Sunset Boulevard and last but not least, many houses in the Faroe Islands have grass roofs where sheeps – not mowing machines – are used for mowing the grass! My heart is pounding already as we approach the runaway. And here we are. Ready to explore one of smallest yet one of the most beautiful archipelagos in the North Atlantic Ocean. The wind meets us as soon as walk out of the arrival’s terminal as well as our local guide Elin Hentze. Elin is not a simple tour guide; she is an expert to show us how proud of this country its inhabitants are. She will then take you to the scenic village of Gásadalur, very famous for its gorgeous waterfall named after the so-called village on the Island Vágar/Faeröer.

Gásadalur is fed by a small river that runs from north to south and ha a descent of 600 meters. The waterfall drops down, in a single drop, over 60 meters and ends in the Atlantic Ocean, a diamond for our eyes. As I look at the waterfall, I take a deep breath and I can feel the air in my lungs. Am I breathing the cleanest air on the planet? We then proceed to the slaughterhouse, as fermented sheep is traditional food, haunting for sheep’s very common, however, I wouldn’t recommend visiting the house to everyone. We then drove to Bøur , an old Faroese village with 65 inhabitants. The village is characterized by the close built houses with the charming grass roof, the mountains behind and the unique view in front – which also gives these cottages their name. The old houses in the village are bunched together with narrow lanes between them, and at the western end stands the cosy church, which was built in 1865. We ended the day at the typical restaurant Fiskastykkið (www.fiskastykkið.fo) where I tried a delicious Fiskasuppa (Fish soup) and Tvíflís laksur (Salmon Sandwich), all accompanied by a typical Faroese beer and a slice of cheesecake, because Faroe Islands have the best cheesecakes on the planet. It’s now time to go to our Hotel, I opted for one of the best ones in the capital, Hotel Føroyar (www.hotelforoyar.fo) which overlooks the capital Tórshavn and let me admit the mattress is one of the most comfortable I’ve ever slept on. We spend our first full day exploring the area outside Tórshavn. We drive to the northernmost village on Streymoy island in the Faroe Islands tucked in the North Atlantic Ocean: Tjørnuvík, nestled in a deep valley with no other villages in sight. There are no more than 55 houses in the village and even more small streams flowing down the mountains. The sight is especially 158

impressive on rainy days. This iconic village with a direct view of the sea stacks Risin & Kellingin is a must-see spot to visit in the Faroe Islands. Standing in Tjørnuvík will give you a feeling of immense serenity. This settlement’s unbeatable location has made it one of the most frequently visited villages in the Faroe Islands. We proceed to visit Elduvík which has a population of 23 is split into two parts by a small river, the view of its colourful roofs mixed with the green of the valley and the blue of the river catches my sight instantly. I am seriously looking at a vivid postcard, a picture I will never get off my mind and we finish off our day in Gjógv, which means ‘gorge’ in Faroese and represents the famed sea-filled gorge that photographers flock to in hoards to take a photo of. Gjógv has one of the best natural harbours in the Faroe Islands and has a rich fishing history and houses a church which dates to 1929 and was the first in the Faroes to conduct a sermon in the Faroese language. We decide to spend our day in Tórshavn, the capital, with more than 22,000 people, the town is named after the hammer-wielding Norse god of thunder, Thor, giving it the meaning: Thor’s harbour, we visit the old part of town, Reyni, and Tinganes, where the Government sits, and we take a coffee at “Kaffihusid” along the harbour to the lithographic. Visit Tutl, music shop in town but also record label and distributor, the record shop has ambitions to make the world aware of the Faroese music scene. And it’s a valid aim; the country seems to punch above its weight in this corner of the creative arts. Tutl has a back catalogue of around 500 albums and releases some 35 new CD’s every year as well as millions of streams on digital platforms - “it’s the only one left in the entire Faroe Islands” Kristian Blak tells us, he founded Tutl in 1977. We then pay a visit to Guðrun & Guðrun, who are almost next door, the local designer duo known for their modern interpretations of traditional Faroese knitwear (and the jumper in the Danish TV series the Killing) and we also visited Guðrið Poulsen and her ceramic workshop around the corner, it’s surprising to see how almost every business in Faroe Islands uses her ceramics! Our last day in Faroe Islands needed to be a bit special, adventurous, and fun! We say bye to Elin our guide and head north to take a ferry from Klaksvík early in the morning to Kalsoy, here we explore the little yet mesmerising village of Syðradalur with Reni our guide for the day Kallsoy who will show us the island and will drive us around the beautiful coastline full of rich waterfalls flowing onto the fjords, a breathtaking scene. Even though Syðradalur is the most easily accessible of the four villages on Kalsoy, it is also the least populated. But the village is a very popular summer house location—and understandably so, considering its beauty and tranquillity. As it’s time to end our adventure in Faroe Islands, we drive back to Tórshavn and stop by one of the most famous fish houses in the country: Barbara (https://barbara.fo) in the old part of the city. The smoked salmon with sour cream is delicious and the aesthetics of the restaurant remind me of a part of The Little Mermaid’s set. It’s time to pack up our bags, a long journey awaits. It’s time to go back to Copenhagen to catch an Air Greenland flight to Kangarlussuaq, then Nuuk, capital of Greenland. The flight is smooth, and the cabin crew are the nice and always available. We get a meal on board as well as drinks. There is enough legroom for me to relax, enjoy a couple of movies and 4 hours and 45 minutes later we touch down in Kangarlussuaq, an old settlement famous for its proximity to the Russell Glacier. We step out of the smallest airport I’ve ever been to, it’s -17 degrees Celsius but everything it’s covered in snow, so we decided to wander around. Colourful houses next to the airports meet us in the cold, however the sun is shining so we decided to get

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on top of a nearby hill. It took me a minute to realise I was in Greenland. Center of the world. From here you’re basically 4 hours away to New York City if you travel west and 4 hours away to Rome if you travel east. Incredible. We have time to eat some food, I obviously opt in for salmon – cliché and we board another plane to Nuuk where I am amazed and emotional as I watch out of my window again, I see beautiful rocky mountains, massive icebergs, valleys covered in snow whilst the sun is shining. We get to Nuuk a few hours before sunset. The ride to our hotel is not long. The city looks like it’s quickly developing, but its wooden houses make it fun to look at, there is not a lot of people around, but I spot a guy wearing a t-shirt and it’s -12 degrees outside. It must be because they enjoy the polar climate with cool summers, cold and snowy winters, and an average annual temperature of -1.4°C! but I can’t wait to walk around the city and see what it has to offer. Nuuk counts a bit more than 17,000 people, its residents are known as Greenlanders and 90% of them is Inuit and unlike in most capitals, residents of Nuuk often use boats and helicopters rather than cars as a mode of transport due to the lack of road infrastructure! We check in at Hotel Aurora on the south side of the city. It’s a brand-new building, its name comes from the Aurora Borealis (often visible in Nuuk) in fact, the façade of the building changes colours based on your position. The room is big with two large double beds and a big modern shower. We drop our bags and head off to watch the most spectacular sunset by the sea since the hotel it’s a 2-minute walk away. Have you ever watched a sunset from one of the closest countries to the sun? Breathtaking. Jet lag takes its toll. I wake up at 3am to a clear starry sky. No sign of Northern Lights. I try to fall back asleep, but I am too excited to explore the city. On our first day in the city, we decide to walk, to the old town and harbour, we pay homage to the statue of the Mother of the Sea - symbol of Nuuk, located in the Old Harbour, Mythology says that when an Inuit breaks a taboo in society, the Mother of the Sea’s hair gets filthy and entangles the animals, preventing the hunters from catching any food. The shaman must then travel over the horizon to the bottom of the ocean to clean her hair and to release the animals. He must talk with her to find out which taboos were broken and communicate these lessons back to society. And since we want to find out more about Greenland’s lifestyle, traditions, and culture, it’s time to visit the Greenland National Museum and Archives Nuuk, a fantastic exhibition that covers all of Greenland’s history during 4.500 years from the first Arctic Stone Age Cultures to their Traditional clothes and how they developed throughout the years. A must-do activity if you’re in Nuuk, especially since it’s free admission. As we leave it’s sunset time again so we decide to walk up the hills of Myggedalen, where it’s fascinating to admire the entire town of Nuuk with colorful houses losing themselves with the pinky sky. We finish off our day at the Nordic Institute of Greenland for some Greenlandic tapas, we try Greenlandic clams, salmon, prawns, cured musk ox, breaded meatball made with lamb from southern Greenland, and a hot (sled) dog made with wild musk ox. I am not a fan of lamb as I am generally not keen of a lot of types of meats but the tapas were quite good. Our next stop of this trip is the abandoned settlement of Qoornoq, a 2 hour journey in the north of Nuuk Fjord by water taxi, very popular in Nuuk and we chose our friends at Nuuk Water Taxi (https://watertaxi.gl) for this, they’re super friendly and they also took us around the settlement. The small village is now used as a summer get-away for the families of those that used to live there.

Abandoned in 1972 as part of the G60 program to move residents of small settlements into larger population centres called into Nuuk for work, there is still some evidence of the large cod processing plant and facilities for producing dried fish, including several derelict railways. Since Qoornoq is isolated in the fjord, and because of a glacier deeper in it, you can see small and large icebergs just in front of the village which is spectacular. On or way back to Nuuk we can admire some small icebergs scattered around the fjords, I must admit I am a little scared to get closer, but we manage to sail around them and they looked so clean and beautiful. I can’t believe we only have one day left in Greenland. It’s a sad feeling to leave nice people, good food, clean air, and amazing views. We decide to end our trip by visiting another smaller settlement: Kapisillit, about 75km east of Nuuk. The name means “the place with salmon” as the Kapisillit River is the only known place in Greenland with a spawning salmon population. Today, Kapisillit has a population of less than 60 people who subsist mostly on hunting, fishing, and tourism. Visiting the settlement during the Summer is a wonderful way to catch a glimpse of a more traditional way of life in Greenland, and the surrounding plains are a great place to search for Arctic Hare, birds, and local herbs. It takes about 2.5 hours to sail to Kapisillit through the Nuuk Fjord. This a worthwhile journey, where you have the possibility to see more icebergs as you glide past the impressive mountains that separate the different channels of the fjord, in the summer it’s easier to spot seals and whales too. I must admit, the views from this settlement are something you can only dream of. As we make our way back to Nuuk, the sky turns orange, and we know it’s time for another spectacular sunset. Our last sunset in Greenland. It gets dark and we decide to walk around the now-deserted city of Nuuk, I think it’s a way for us to say goodbye, but something is moving in the sky. We are greeted by the Northern Lights dancing for us, lighting up the sky in green. I stare at the sky; I don’t know how long for. Thank you, Greenland, I will see you soon. A special thanks to: Visit Faroe Islands (www.visitfaroeislands.com) Visit Greenland (visitgreenland.com) Atlantic Airways (www.atlanticairways.com) Air Greenland (www.airgreenland.com) Hotel Føroyar (hotelforoyar.fo) Hotel Aurora (www.greenland-escape.com/aurora) Nuuk Water Taxi (watertaxi.gl) North Face (www.thenorthface.co.uk) Fiskastykkið Restaurant (www.fiskastykkid.fo) A huge thank you to our guides Elin & Rani at Visit Faroe Islands.

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A Sad Goodbye To Rag Dolly & Eve Valentine Article | Sal Fasone 163

For WIllington, County Durham based filmmaker Dean Midas, the past few years has seen him dedicate his life to showing film fans the world of Rag Dolly and Eve Valentine. Within this time, he has been successful in creating 5 brilliant short films, which has given everyone the opportunity to not just discover the menacing tactics of these two masked killers, but has also allowed us to go on a journey with these characters as well. While 2021 has been a fantastic year for our talented filmmaker, with many achievements such as the films being showcased in the Middle East and the United states, plus dedicated fans creating their own Rag Dolly inspired merch, it is also a time which will no doubt bring some sadness, as Dean prepares to work on the final film in the franchise, Dolly v Eve: Homecoming. With Eve Valentine having a bone to pick and some unfinished business with her nemis Rag Dolly, this film will see the master of the blade and the queen of the spade lock horns one more time. With so much to discuss, I was grateful to catch up with Dean as we reflected on the spine tingling and mischievous antics of these masked killers. How have you been since we last saw each other? Yea it has been good. A lot has changed since we last spoke, but it has all been absolutely amazing! In that case, with everything that has been going on, let us start with the thing which has been making you smile the most?

Ah you can just imagine Eve popping over to the Queen Vic can’t you? Haha yes, Eve putting her blade down while she treats herself to a pint in Albert Square! Seriously though, they have now shown all the films in the franchise, and the relationship continues to be positive. As I have always been, I am really appreciative of all of the support. When you know that your films are being shown in the likes of the Middle East and the USA, it is a pitch to hopefully encourage other people to invest in the films and the characters on their platforms too. I think this is where the internet has become a very powerful tool for you, especially during this ongoing pandemic era that we are living in? I will be honest, the pandemic for me as a filmmaker has been remarkable because in a business sense, people have been wanting things to watch having already watched everything on Netflix and other streaming platforms so they are exploring to see what else is out there. We have had publicity by the likes of yourself and other outlets which has been priceless, so I think yea being online during a pandemic when people want things to watch and do has been a massive help for us. In those times of excitement, how do you keep your cool?

Do you know what? Now I have to keep a note of everything that is happening because in the early days I could count on one hand all the different things that were going on and that was good, but now I am losing track. We have been shown in the middle east now, there is a guy I know in America who does a series of festivals and has made a t-shirt in honour of Rag Dolly which is on sale via Amazon, and lots of other bizarre things. If you had told me two years ago that this was happening, I would probably have laughed at you.

You know what I just laugh about it all every time someone asks me about it, because it is just so surreal. My mate Adrian now just gets referred to as the Chief Inspector, and Carl who plays the local MP, people joke with him saying ‘oh there are some problems with the town I need to discuss with you’. We have to remind ourselves that he isn’t really the MP, he is just the character. I think the best one though was when we got contacted by a paranormal agency who said to us, ‘we have watched the Rag Dolly Returns and want to investigate the house. I said to the guys that it is actually a huge compliment because the films are meant to be in the style of a mockumentary where we have just made up, so for people to think that house is really haunted, that in itself is pretty crazy.

How did viewers in the Middle East react when seeing Rag Dolly and Eve Valentine for the first time?

As a filmmaker, what has it been like to see the stories of your characters grow?

Well I think they have gone down very well as I have not had any negatives so far. With the films being on Youtube and Facebook the viewing figures have gone crazy again. I think the middle east viewers are very intrigued by Rag Dolly, and probably a bit scared of her too as most people are. Currently she is up in my attic, or atleast her head is haha. As for Eve, I always wanted her to be the more jokey Freddy Kruger type of character that can talk and who is a bit mouth, so I think the viewers in the Middle East find her a little bit more easy going.

It has been amazing! It is also slightly sad in other ways, because as a journey starts at some point in life the journey also has to end. As you know I am a horror buff and I always have been since a young age, but it comes to a point when someone makes something like ‘Monster Mash 26’. The first three might have been good, but 23 films later they are just milking it. I know I don’t make money from my films, but what I didn’t want to do is get to that point where I am reaching out to people being like ‘oh we are going to make Rag Dolly 46’ and having people go ‘I lost interest 4 films ago’. I am so grateful for how many films we have successfully created, but I have come to the point where I want to ensure that people don’t become annoyed or bored with the characters, because at the moment we have a nice balance where people are still scared and intrigued by Dolly and Eve.

How did that brilliant opportunity happen in the first place? I got contacted on instagram because as you know I am quite active on social media with the characters. Initially as we all do, I was sceptical as I was waiting to see what the catch was because in the past when someone has shown an interest in any of the films there is always a hidden cost involved too. With these guys, I checked the company out and saw that they were completely genuine and thought ‘wow this is a bit crazy’. When the first email pinged back I was quite excited as it stated that Rag Dolly Returns was scheduled to be aired at 4am in the morning. 10 days later I then got another email to say that Valentines Eve was going to be shown in prime time, which in UK time would be roughly the time sort of time people would be tuning into Coronation Street or Eastenders.

What are some of the elements then which have helped you to decide when the time is right to bring the franchise to a natural end? The honest answer - I am running out of ways to kill people haha! I want to always ensure I keep on the edge of the rating being 15 and not take it over where the killings would become really horrible and gruesome. Also with a storyline there is only so much you can do before it starts to become repetitive. As much as it is going to devastate me, I know at some point the story has to come to an end. 164

With that in mind, tell us what is coming up? I changed the goal posts slightly. The next film I had originally planned to do was the Rag Dolly Homecoming, so having thought about it for a good number of weeks, I thought if we are going to conclude this story, the best thing to do would be to bring the characters back together again. We are obviously not going to say what happens or give away anything about what happens to the characters themselves, but what I can confirm is that it will be the final piece of the puzzle for this franchise. How do you feel that both Sam and Faye have represented the spirit of their characters? They have both been absolutely unbelievable character wise because they are both two completely different people and I think that is why they have both embraced the characters. You have Faye that now has the signature Rag Dolly head tilt which is very creepy even for me. When I am filming it even though I know it is coming, it still gives me shivers haha. Then Sam, she is a very lovely, confident and experienced performer, and she really brings that to Eve. Bearing in mind two years ago both of these characters didn’t exist, Faye and Sam have done an amazing job. When you look back over the five films you have made so far, how do you think you have seen your own confidence grow? There are still moments when I watch over the earlier films and think to myself how I could have edited certain parts better, but that comes with experience. I have also grown with the team as well, because other than Faye and Sam, none of these people have acted before. As you yourself have said in previous articles, you have described the films as very full on, and that is the same when we are doing the filming too, because we will have the camera right in the faces of the characters with bright lights shining on them. The great thing though is that everyone has taken it within their stride and embraced the whole process and you can see their confidence and their acting getting better as each film is made.

It is great to know that as well as the films, you are including the characters in a number of scare events too? Yea that was always the goal. Whatever happens to them in the films, in the ‘real world’ I want them to still be active, whether that be appearances at Halloween Events or Scare Walks etc, so yea I am looking forward to that because I don’t people realise that when coming face to face with Rag Dolly and Eve Valentine in real life, they are actually quite scary, and when they are holding a spade and a very big knife, they become even more scary haha. More than anything I am intrigued to see the reactions of people who may not have even seen any of the films before and how they would react to Dolly or Eve jumping out, because I know if it was me I would be terrified. We already know who is behind the mask in terms of Eve’s true identity, but without giving too much away, can viewers finally see who the mastermind is being the notorious and illusive Rag Dolly? Yes! It is one of the main things we have planned for this next film, because as you said we already know who Eve is, so I want people to see who Rag Dolly is without the mask. Credit has to be given where credit is due, because the actors do an amazing job, so their time in the spotlight without the masks is just as important. Do you think people might be surprised when people see Rag Dolly’s identity? They might be. Faye is a very good actress, and even though she is a very pretty lady, I know some people might actually say she is scarier with the mask off especially when she does that head tilt. I just think however we conclude this story, both characters deserve their moment As you prepare for the final showdown in the weeks to come, is everything going as planned? We decided to put a hold on things for a bit, because of a certain football

TO FIND OUT MORE ABOUT THE DOLLY V EVE FRANCHISE VISIT WWW.DOLLYVEVE.CO.UK

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tournament, but between now and early September we will have the film done. The reason it is going to take so long is because we are using quite a number of different locations, including scenes which will be key to Rag Dolly’s Homecoming, then over to Rayton area and a few other places. This one’s a bit all over the shop to be honest, because some of the other films have tended to be focused much more in one or two locations such as West Manor, whereas this one we are exploring the north east a bit more. I wanted to do it that way though, not just to test the actors, but test myself too, because if this is to be the last film of the franchise it needs something special so it goes with a bang, so I am pulling out all the stops to make sure it is one leaves a lasting impression on film fans.

loyal since the very beginning, you know what if I am still making films in 5 years time, I will still remember them massively. It is humbling and I can’t emphasise it enough because when I look at the stats, the merch and the new places that the films are being broadcast, none of this could happen unless you get support. I could make the best film in the world, but if noone tells other people that the films exist, then I have wasted my time. So for everyone you has helped spread the message, their support is priceless. What would you say to the 10 year old Dean Maynard?

Also ever since I first started making these films, I have always wanted Rag Dolly to return to the home she grew up as a kid, which I can’t wait for her to kill a few of you haha.

Watch out for Rag Dolly and Eve Valentine because when you get older they are going to take over your life haha. I would say seriously though to enjoy every moment, because as the famous phrase goes, you’re only as good as your next film.

Sorry folks, no more Darkus issues of Darkus this year, Thushara faced the wrath of Dolly’s mighty spade!

For anyone who hasn’t watched any of the films so far, what would you say to them so that they do not miss out?

Haha! Yes, DARKUS will need a new Editor In Chief in a few weeks time! Haha! But yea I am just looking forward to her returning to her roots.

If you haven’t seen any of them and are wondering what are these guys going on about, if you head to dollyveve.co.uk all the films are there and it gives you a bit of a rundown of just how successful they have been. So yea head there and give them a watch. They are slightly scary so maybe watch them behind a cushion or something haha. We appreciate all feedback whether it be positive or negative, because we love to know what you think.

How about the return of the other loved characters like the Chief Inspector? Yes! I cannot end these films without bringing back the Chief Inspector as well as Officer Reed and Jason and maybe one or two others we may see such as Dr Elliot who is Rag Dolly’s physiatrist, but I don’t want to give too much more away about them. Dean, you always have such amazing energy and it is really good to see your passions really coming through, especially in your films, so when you think about your own journey these past two years, what would you like to say to all the people who have supported you along the way? I would just like to say thank you because without people within the press and the media who have been really loyal and other people who have been

What an incredible guy. Who knew that 12 months ago, a horror enthusiast who put his passion into creating films, would end up making a scaredy-cat like me fall in love with these brilliant films. While it will be sad to say farewell to these characters, in the final film, it films me with some hope that just because it might be the end in one sense, the spirit of Rag Dolly and Eve Valentine, will continue to live on for forever more. What is next for Dean Midas? We shall all have to just see, but one thing I do know is that this creative genius who I will always regard as County Durham’s version of R.L Stein will continue to go from strength to strength for many more years to come. 166

Jane Hilton’s Drag Queen Cowboys Curated | Jane Hilton 167

In May this year Jane Hilton’s Drag Queen Cowboys achieved 3rd Place, Professional competition, Portraiture at the 2021 Sony World Photography Awards. Recently the photographs wowed the crowds Photo London at Somerset House in September and Hilton herself is keen to get back out onto the roads of Nevada, to capture more arresting photographs of this ‘othered’ community. The London-based photographer first travelled to the States in 1988, sparking a fascination with all things Americana, which is the hallmark of her career. In 1992 she first visited Nevada on a job shooting the desert landscape and she has continued to road trip her way across to this day. While the vast skies, endless highways and landscapes were the initial draw, it was the hidden or lesser-known worlds that beckoned. The bordellos where sexual exchanges are fulfilled, circus folk, cowboys and the places they called home are what brought her back again and again. Jane explains, “Hollywood is responsible for immortalising the West with dramatic scenery and weather-beaten, handsome cowboys like John Wayne, Gary Cooper and Clark Gable. The parallels I see between my series, and The Misfits is the romance of it all, alongside a darkness. Writer of The Misfits, Arthur Miller, himself observes: ‘People come to Nevada because they have an unrequited longing for something they can’t name’. Hilton explains that her career found its sense of direction when she went to Tucson, Arizona, on a three-week job as an assistant for a fashion photographer in 1986. “I was hooked by these 180-degree vistas where you could see the mountains in the distance and the desert in the foreground – not a house or a soul in sight. Once you’ve photographed in beautiful light conditions like that, there’s no looking back.” “Over the years I’ve realised I focus better as an outsider in an unfamiliar place. I like solitude and the process of discovering things for myself on my own terms. Exploring the world of Americana has had a particularly big impact on my photography. When I grew up, downtime as a family meant watching Westerns on the telly with my dad on the sofa, so there’s probably an element of nostalgia there. Either way, I seem to be drawn to subject matters that are legal but not socially acceptable: working girls, deer-hunters, burlesque dancers and bull riders. All of them ordinary people with extraordinary lives, none of which you would ever predict.”

Photo Credits | Jane Hilton

This time on a return trip to photograph these communities, it was the drag queens on the Vegas strip who made her hit her the Nevada roads again. She was on an assignment in in 2019 in New Mexico and afterwards detoured to Vegas. On the lookout for new communities for her book on Nevada, Hilton ended-up at drag queen bingo by accident. After experiencing the girls’ redefinition of the American dream one innuendo at a time, she was hooked. From that moment she was on a mission to photograph members of this community, although it did take some persuading. Some had been photographed but in glitzy clubs in colour, lit with a flash and retouched. Once she’d persuaded them out of the bars and clubs and onto the plains where John Houston shot ‘The Misfits’, (the film that inspired this series) they did their own make-up and picked their own outfits. While shooting them on a plate camera in black and white, Hilton also enjoyed the emotional snapshots of the girls, while they revealed in the liberation and joy that drag afforded them. Miss Alexis Mateo said, “When I am Alexis it’s just freedom to be whoever I am not. I get to be a little bit more crazy. I have the personality I want to have at night, and don’t excuse it. As a boy I am more shy, more reserved, more traditional. As a girl it gives me power. I do things in my girl person that I would never do. Literally drag is freedom for me. I am forty years old on paper. Inside I’m thirty-two. As a girl I’m twenty-one, and a virgin! As a girl I’m a virgin I’m telling you....waiting for the perfect man. As a boy, well that’s another thing..... “ Jane Hilton’s coffee-table books and portraits have featured in many of the world’s publications, galleries and art fairs. Her visual odyssey encompasses a modern folkloric Americana comprising communities of cowboys, working girls, burlesque dancers, gun club members and circus folk. 168

God’s Own Junkyard: A Wonderland Of Creativity Article | Thushara S Chandrasirii Interview | Matt Bracey 169

If like me you enjoy checking out quirky and unique places, then we have just the perfect recommendation for you - God’s Own Junkyard. Originally founded by visionary Welshman Richard Bracey in the 1950s, the family business has grown and evolved so much over the years which to this day continues to attract visitors from across the globe as well as creative minds looking for inspiration as they surround themselves in this haven of neon bliss. The business now led by Bracey’s grandson, Matt Bracey has been continuing to work hard to keep both his grandfather and his own parents legacy alive and make God’s Own Junkyard a community which welcomes people of all ages, and gives them a reason to smile. Although we did not have the chance to delve into this, In February 2020 Matt also published his book Steel Dogs which tells the hilarious but somewhat unbelievable true story of a business deal in China gone totally wrong. This action-packed tale follows Chris and Matthew Bracey (of London’s renowned God’s Own Junkyard Neon Museum) on a farcical and disturbing journey to bag a million quid. Having had the pleasure of visiting for the first time ever this summer, I was honoured to sit down with Matt himself as he shared just some of the great things that make God’s Own Junkyard that extra bit magical. How have things been going for you and the God’s Own Junkyard team? Things have been busy but good. Since they lifted the restrictions things have been starting to really come back to life at the Junkyard. Today as you can see from where we are sat, we have part of the venue set up for a wedding. As people can group up now, it has made things a whole lot easier. What was the original vision for this beautiful place? My grandad originally started the business back in 1952 in his shed where he would be making one neon sign a week and then when my dad had come into the business along with my mum in the 1970s they took over quite a bit while my grandad took a back step. My mum and dad used to collect old signs and keep them in a junkyard which is where we lived. My dad then set up a garage as a space to keep them all. Instead of making or collecting one sign a week we would end up making or collecting 3 signs a week and gradually it built up which allowed us to employ more people too. My parents’ vision was to collect all the neon signs which included all the old enamel signs and all signs you see in the movies that no one knows what happens to. My mum and dad’s vision was to give everyone something that they can come and see. It is free to come and visit. The idea is people come in and as they are looking around they smile and their life lights up. It gives everyone that positive feeling. What were some of those first signs for you that made your eyes light up? Well it was a little bit different for me because when I was a kid I was working with my dad around Soho and places like that so it was a little bit racey with some of the signs especially some of the sex ones, the strip clubs and the places like that haha. Initially though there was an arcade in Soho which wasn’t there for very long, which was right opposite Raymond Revue Bar and it was just insane. Even now I remember being like ‘wow’ because it was like the biggest sign ever. Sadly your dad passed away, but knowing you are keeping his spirit and vision alive how honoured does that make you feel?

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WWW.GODSOWNJUNKYARD.CO.UK

It was tough at first to step into his shoes because he was such a character and he took on so much. He was such a talented artist too. Picking up the torch and continuing where I can hopefully pass that from generation to generation would be great. My own son works here too so already you have the fourth generation of the family working here. My mum Linda still works here too and she is still the boss, she is still the matriarch who keeps everything in order haha. When you have people getting in touch with you to use the venue for things like weddings or locations for photoshoots, does that blow your mind? Yea its just amazing. The original vision for junkyard was just to make custom neon signs and hire them out, and use the space as a warehouse to stock different neon signs. Then my dad went ‘you know what, it would be good to have a coffee shop here’. A restaurant nearby was closing down, so my dad said to them ‘can I have your bar’ and they were like ‘ok yea’, so pretty much everything that you see in here have been handed down to us by other people really. So yea it went from coffee shop, to bar to cafe. With the wedding booking side of things, we had two people come in who wanted to get married in vegas but as the guy was diagnosed with cancer he wasn’t allowed to fly, so they asked if we could get a wedding licence so that he could get married in the 3 months that he had to live. It gave us that inspiration to give something back and ever since then we have been hosting weddings here on the back of that guy coming to us because for him it was the next best thing to Vegas.

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@GODSOWNJUNKYARD

Do you feel with the extra features such as the cafe and bar area, that it is less of an exhibition space and more of a community? Definitely! The amazing thing as well, is that we also have people fly over from lots of different places. For example I remember this one time some people flew over from Hungary for one day just so they could spend their time in London at God’s Own Junkyard and then fly back home in the evening. We love to see people come in. We love to see how it is a place where anyone of any age can come in. It gives teenagers especially somewhere to go where it gets them off the streets, it is great for Instagram ofcourse and best of all it is free so we are trying to give something back. Out of the current signs we see around us, do you have any favourites? It is a difficult one because a lot of the ones are ones which were some of my dad’s original signs. Luxury Addiction for instance my dad came up with that one and then you have things like the classic Rock N Roll sign which has a sword through the heart and the blood dripping down with the rose. Very much like the artwork you associate with tattoos. Neon can be anything, which is the great thing, because you can grab a bunch of shapes, throw them together and what you get is a piece of art. Do you find when you’re out and about, even when you’re having a day to yourself, your eyes light up when you see a neon sign? All the time! Whenever I am walking around I am always looking at the way they have been made and the different styles the artists have approached it.

Currently open 3 days a week, as the public have started to return over the summer and winter months, how has the vibe of the public been overall? It has been really good! We are open Friday, Saturday and Sunday and Monday to Thursday we rent the space out for photoshoots, music video shoots and other things, so we tend to be booked up through the week. Then at weekends that is when we let the public in so they too have the opportunity to enjoy all the signs for themselves too. It has been a bit up and down to be fair and it has not been like we are constantly busy but I still think the confidence levels since Covid have not quite returned. You tend to find with us, the busiest time is either when it rains, when it gets colder, even the darker months of the year because people want to come be surrounded by the lights, especially when it starts to get dark at half three in the afternoon. I would probably say our busiest time is January, especially when there is a bit of doom and gloom about and people find themselves feeling a bit more depressed, so people just want to come and get some inspiration, some light and some happiness. I say this all the time, but this place is literally hair raising neon happiness. Moving forward what is next for you and the team at God’s Own Junkyard? We are just continuing with all of the customers we have had over the years and doing the movies. We do a lot of blockbusters and we also do pop ups as well. For example, recently we have been at Selfridges in London. We also had our Electric City exhibition at Leadenhall Market which included signs from Eyes Wide Shut, Tomb Raider, Judge Dredd, Iron Man and The Dark Night as a celebration for London opening back up after the second lockdown which was really good. But I think the future for us is just continuing with what we have created over the years and being involved in big projects too. For instance not so long ago we worked with fashion designer Richard Quinn for a movie with the vibe of ‘Richard Quinn is back!’ which was just incredible. I remember he came to me and said ‘Matt, I want you in the next 48 hours to build Soho, but I want you to over exaggerate it because I want to see it from the moon and I want to build this street with neon’, so I was like ‘yeah great! Let’s do it!’. So some of the big signs you see here in front of us, we had the whole street in Wimbledon Studios where we had to blitz it with neon. What is funny is that as I had not met Richard before, I was standing there on the set chatting to this guy telling him what I had been tasked with, unaware who he was, which he then goes ‘Yea, I am Richard Quinn!’, I just wasn’t expecting it haha! So we shook hands and continued chatting a bit. I had no idea how good this film was going to be but he said to me ‘I loved your dad, when I was at University your dad made me a neon sign hat, I will always remember that!’. It felt like it was my dad speaking from the grave still sending us work to keep the doors open and the lights on haha! Now that your own son works here, what pearls of wisdom have you passed onto him? I think my dad always told me to be honest, always tell the truth and work hard. My son is only 19 so I am just going day by day at the moment. As we are a family business we all work together and help each other out. In the time he has spent here so far I think he is getting the hunger for getting that torch so it is about getting him set up for the future when he has to pick that torch up and continue. I am sure you must have been asked this question numerous times, but with all these gorgeous and stunning signs, how does it look when it comes to the daily upkeep and maintenance of the signs?

You have three things that can go wrong with a neon sign - the neon itself where there is the risk of gas coming out of the glass tube as a result of something like a hairline fracture; you have the power supply that you tend to find that the power supply burns out quicker than the neon itself and third you have got the high voltage cables that connect them together that can arc down and burnout. They say that neon is meant to have 50,000 hours of life but we found that they go on for ever and ever. You can re pump the gas into the tubes if they fail and all of that, so the maintenance of the neon is really good. For anyone who hasn’t had the chance to come to the Vegas of London, why should they not miss out? It speaks for itself! We have been asked to do the Guiness Book of Records for housing the most amount of neon in the world. We were meant to do it a couple of years ago but we just haven’t got round to it, but yea I would say to people you can’t miss it. It is forever changing especially as we always have new signs coming in and out so you just have to get here and check it out. A special thanks to Matt Bracey for this insightful look into this incredible location. There are not enough words to emphasise how amazing God’s Own Junkyard is, and I think the only way you can fully understand is experiencing it for yourself. So the next time you are visiting London, be sure you don’t leave without first making a trip to God’s Own Junkyard.

NFL London:

A Triumphant Return For UK Fans, If Not For The US Teams Article | Matt Codd The NFL International series made its long-awaited return to the UK in October, and it did not disappoint. The International series was forced into a hiatus last year as a consequence of the COVID-19 pandemic but has returned in all its glory this year. The series, that has been running annually since 2007, incorporates 2 or more games in London and also now includes a game in Mexico City. A HISTORY The first match was played by the Miami Dolphins against the New York Giants at Wembley in 2007. This was the first regular season NFL game to ever be played outside of North America and the Giants ran out victors in a game that wasn’t exactly the best advert for the sport in the UK. However, it laid some important foundations that have been successfully built upon year on year. In 2013, the Jacksonville Jaguars agreed to play a home game at Wembley every season until 2016, essentially becoming the UKs “home team”. The agreement with the franchise, which is owned by Shahid Khan, who also owns Fulham FC, was then extended to 2020 prior to the COVID delay. 2013 also saw the NFL announce that London would be the venue for not only one, but two regular season games. A third game was even introduced in 2014 and, in 2015, Tottenham Hotspur FC reached an agreement with 175

the NFL to host at least two games there upon the opening of their new stadium. In the same year, an agreement was reached with the England RFU to host games at Twickenham. 2021 saw two games played at Tottenham Hotspur stadium for the first time, the first time since 2007 that Wembley would not play host to an NFL. Firstly the 1-and-3 New York Jets were hosted by the 1-and-3 Atlanta Falcons, then the 0-and-5 Jacksonville Jaguars hosted the 1-and-4 Miami Dolphins. Tickets for both games sold out in 90 mins, 82% of fans in attendance were from UK and only 3% were from the US or were US expats which shows the appetite for (American) football in the UK. THE 2021 TEAMS Atlanta Falcons: @ATLFalconsUK There were big changes made in the offseason at 3 of these ball clubs with all but the Miami Dolphins shaking up their coaching staffs, hiring new head coaches for a fresh start. The Atlanta Falcons, just 5 years removed from their infamous Superbowl loss to the New England Patriots, finished last season with a disappointing 4-and-12 record. This with a former MVP at Quarterback and one of the best receiving duos in the league. In new head coach Arthur Smith, the Falcons are hoping for a new identity

Photo Credits | Compliments Of NFL

moving forward, one that can get them back to February’s big game. Smith found success as Offensive Co-ordinator of the Tennessee Titans and is hoping to bring their unique style of play to reinvigorate this franchise and improve on their 1-and-3 start. New York Jets: @UKNYJETS Another of the teams to change their head coach for this season, the New York Jets are looking to improve on years of poor performances and return to the playoffs for the first time since the 2010 season. New head coach Robert Saleh is looking to bring the success he saw as Defensive Coordinator of the San Francisco 49ers to New Jersey. As DC of the 49ers, he coached one of the best units in league history to the Superbowl, losing to the Kansas City Chiefs at the final hurdle. They will be hoping for an upturn in form behind Rookie Quarterback Zach Wilson, who was the 2nd overall pick in the 2021 draft. Jets fans are hopeful that Wilson can take the Jets forward into a new era. I spoke to Seb from the UK & Ireland Jets fan group, who called Wilson “the future of the franchise who will finally be the saviour in New York and bring glory back to the Jets with some explosive and exciting QB play”. It hasn’t gone to plan for Wilson this season, however, with him throwing a disappointing 4 Touchdowns to 8 interceptions going into the game.

Jacksonville Jaguars: @JaguarsUK The UK’s “home team” the Jaguars have had a torrid time as a franchise recently, securing the worst record in the NFL last season. There is a silver lining to this in the NFL as it meant that the Jags secured the first overall pick in the 2021 draft. They used this selection on someone who was considered a no-brainer in Quarterback Trevor Lawrence. The new QB also entered at the same time as a new head coach in Urban Meyer. Meyer was a long-time college head coach but is coming into his first NFL coaching job. Both newcomers have struggled this season though. Lawrence has not looked anywhere near as good as a first round pick should be, let alone a home run pick as he was considered. Urban Meyer was renowned for his creativity in college and just an ability to win at that level. This has not transitioned well to the pros with the Jags looking very poor on their way to a winless start coming into this game. Miami Dolphins: @fintroopers The Miami Dolphins are the only one of these four teams that kept the same head coach as they had last season, and rightly so. Brian Flores took on the head coaching job with the fins at the start of the 2019 season and managed to lead the team to an impressive 10-6 record in his second year in the role, narrowly missing out on a playoff berth on the last game of the season.

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They also have some carry-over from last season at Quarterback, with their 2020 first round pick Tua Tagovailoa entering his second season under centre. Despite this consistency, they have had a somewhat unexpectedly rocky start to the season, having only won one game going into this game. The Games So, the games themselves. First up was the Atlanta Falcons taking on the New York Jets. Both teams entered the game with one win each and to an extent, both teams played that way. After not having a game played in the UK for nearly two years, it wasn’t the most ideal game for returning UK fans to watch. The Falcons ran out 27-20 winners thanks to big games from Quarterback Matt Ryan and their first-round pick in the 2021 draft, Tight End Kyle Pitts. Pitts was particularly impressive, racking up over one hundred receiving yards in a game for the first time in his young career, as well as adding a touchdown on top. The Jets on the other hand were highly disappointing. Were it not for a late rally in the fourth quarter, the score would have looked a lot more onesided. Rookie Quarterback Zach Wilson struggled in London, adding another interception to his season tally, and failing to throw a touchdown. The offense was very inefficient in general, no receiver had more than 50 yards and couldn’t really capitalise on two fumbles by the Falcons. The following week, the winless Jacksonville Jaguars took on an underperforming Miami Dolphins in what was another frustrating watch for UK fans. Stats-wise, the game was a lot more even than its predecessor a week before as the Jaguars managed to grab their first win of the season. Both starting Quarterbacks threw for over 300 yards and both sides had a receiver rack up hundred-yard games.

It’s this sort of sentiment that makes the NFL special for people in the UK. You pick a team, completely at random for some, for others, like Seb, there’s a moment that makes them your team. For him, he says, “My nan went to New York when I was a child and brought me back a Jets American football - I felt obliged to support them from that”. So, no matter how exciting or good your team is, when they can finally come to the UK, nothing else matters. Since the London games, all 4 teams have continued to struggle. The Jets and the Jags have managed just one win each since, with the Jags somewhat unexpectedly beating one of the Superbowl favourites in the Buffalo Bills. The Dolphins have fared slightly better, winning two more games since their defeat to the Jags. The Falcons have been the most impressive of these teams since then, managing to get to .500, meaning they have won and lost an equal number of games, but it’s been a struggle for all 4 teams. To be honest though, the actual football was almost an afterthought for those two Sundays in October. COVID has denied fans of every sport the chance to experience it for a whole year. For fans of the NFL in the UK, that has been felt even harder with the sport they love being played predominantly an ocean away and at ridiculous times. These games felt more like a celebration for the fans than they did regular football games. While the teams may not have lived up to expectations, the fans won’t have minded too much. The NFL was back in the UK for the first time in two years, and it felt good. Here’s to many, many more games in the future, and many, many better ones. GET INVOLVED

Rookies again were the headlines for both teams with Trevor Lawrence leading his Jaguars to his first win as a pro. On the opposite side, Dolphins first-round pick Jaylen Waddle hauled in two touchdowns for his team in what was somewhat of a breakout game for the young wide receiver.

If you want to get involved in the NFL like millions of others in the UK, then you’ll need a team. There’s 32 to choose from so there’s something for everyone. There’s probably many a quiz online about “which team suits your personality type”, or something like that.

A WELCOME RETURN

Once you’ve found your team, you should immediately go on follow their UK fan group on social media. There’s at least one for every team and the community is fantastic to be a part of, people like Seb at @UKNYJETS make sure of that and they make being a fan all the more enjoyable.

All in all, the games didn’t live up to the hype that preceded before the season kicked off. The fact that all 4 teams came into their London games with 3 total wins between them should have told us that we were more than likely in for a bit of disappointment. Seb, a lifelong Jets fan, echoed this sentiment when I asked what to expect from his team in particular. “Look forward to pain and disappointment”, but that won’t stop him supporting the Jets. “In all seriousness, they’re the best fans in the NFL, who really create a family vibe. We all need to stick together or we’d all constantly be crying”.

Finally, how to watch your team? When they aren’t playing in London, games are broadcast every Thursday and Sunday on Sky Sports and every Monday on Sky and Channel 5. They are of course played on American time so it may involve some very late nights occasionally, but it is so, so worth it. I’ll see you at the next London game.

The Magic of Harry Potter Article | Sal Fasone

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First working together in 2001 to imagine and create the graphic universe of the Harry Potter™ film series for Warner Bros. films Miraphora Mina and Eduardo Lima have become a powerful team. Miraphora Mina graduated in Theatre Design from London’s Central Saint Martins School of Art and Design in 1987 whilst Eduardo Lima graduated in 1997 in Visual Communications from Pontifical Universidade Catolica, Rio de Janeiro.

In 2015, MinaLima™ entered a new chapter of imagining for the Wizarding World, designing the graphic props for the recent film series Fantastic Beasts and Where to Find Them™. The studio has also created graphic props for films such as Sweeney Todd, The Golden Compass and The Imitation Game. They conceived and illustrated the bestselling MinaLima™ Classics series for Harper Collins.

Sharing a common artistic vision, the pair crafted the entire graphic style of all the Harry Potter™ movies. Motivated by this flourishing collaboration, in 2009 they formed their own design studio, MinaLima™, with the objective of creating distinctive and unconventional design and illustration for the entertainment and publishing industries.

Their latest design adventure is House of MinaLima™, a gallery and store showcasing their entire treasury of graphic works. The gallery offers a narrative environment for the graphic designs of the Harry Potter™ franchise, as well as MinaLima’s™ other artwork and publications. Its experiential space celebrates the idiosyncrasies of their ideas and their passion for storytelling through pictures.

Since finishing on the films, Mira and Eduardo have continued their involvement in the Harry Potter™ franchise with numerous design commissions for the Wizarding World. The studio spent two years designing all the graphic elements for The Wizarding World of Harry Potter™ — Diagon Alley™ at Universal Orlando Resort, as well as creating award winning publications and marketing materials for the franchise.

We went down to their studio in London to admire and walk through the magical place of their amazing works and here’s what they told us. You come from two opposite sides of the world, how did you end up collaborating? Mira: I started working on the very first Harry Potter film as a graphic designer and on the second film Eduardo joined me, kind of by serendipity. We met through a mutual friend — Eduardo is Brazilian and wanted to come and live in London, and that friend was literally the only person he knew who was doing graphics. Eduardo: I received my letter to Hogwarts – by parrot, not owl! – in time for the second film: Harry Potter and The Chamber of Secrets. Where does the passion for design come from? Mira: I have very creative parents: my father is a painter and my mother is a jewellery designer so an interest in art and design was inevitable! Eduardo: I don’t come from a creative family at all! But from a young age, I was drawing and painting as well as making paper craft objects! I was living in a small town in Brazil and Mira was here in London but we were both making cardboard post offices and shops, with everything to go with them like little labels, tickets and receipts! Fast forward to the Harry Potter world, how did you get involved? Mira: When Stuart Craig was appointed the Production Designer of Harry Potter and The Philosopher’s Stone, he brought together a team to work with him, and I was the lead Graphic Designer working closely with him and the Set Decorator Stephenie McMillan. Eduardo: I arrived for a few weeks of work experience supporting Mira on Harry Potter and The Chamber of Secrets but I cast some special charms and never left! We then went on to work together on every Wizarding World film and created all the graphic props seen in the films: Harry Potter’s acceptance letter to Hogwarts, the Marauder’s Map, the Daily Prophet newspaper, the Advanced Potion-Making book, and all the graphic props that make a fleeting appearance in the background or even don’t make the final film cut! Once the series finished, we didn’t want to stop working together so setting up a studio was the next evolution. Were you a fan of the story already? Mira: There are now almost two generations of children who cannot imagine a time without Harry - he is such an ingrained part of our popular culture - but we were in our mid-to-late 20s when the first book was 180

Photo Credits | Darren Bistolotti

published. We were not really the target audience and we didn’t have school aged children. The first time we met this magical character was actually in a work capacity when we started working on the films and at the time, we hadn’t grasped his popularity and we certainly did not have any inkling of what a phenomenon his story would become. Of course, when working on a film, our job is to respond to the script, but we do read the books to fully understand the story. We need to know, if you were Hogwarts students, what would your house be?

beast arrived with an invitation to return to the Wizarding World! We are always planning and dreaming! We have spent two decades reimagining other writers’ beautiful words, now we want to explore the possibility of writing and illustrating our own stories! Eduardo: Another thing we want to do is take the immersive experience that we have created at House of MinaLima even further; we know we can push the boundaries of the theatricality even more and we want to bring that to you soon! What is the piece of work you’re most proud of?

Mira: What do you mean “if ”?? I am a Hufflepuff! Eduardo: And, I am a very proud Ravenclaw. What has been the highlight of working with the Harry Potter franchise so far? Eduardo: It is impossible to choose a highlight because each project has been very different. It may all be creating the same world but the thinking, process and the challenges of designing graphics and illustrations for films, theme parks and now books are all very different. In 2015 you started working for Fantastic Beasts and then other projects like Sweeney Todd or The Imitation Game, what is next? Mira: Sweeney Todd and The Imitation Game were first and then a fantastic 181

Mira: The thing that makes us truly proud is when we hear of budding graphic designers tell us that they have pursued or want to pursue graphic design because of our work. Eduardo: Yes, that, and the thing we find really touching is knowing that they are thousands of homes across of world with walls adorned with designs have created or shelves holding our books. What would you say to your young selves when you were students? Mira: To keep at it, you are on the right path. Eduardo: Your life will be full of magic beyond belief! Special Thanks to: www.sameerahanif.com

YOU CAN SHOP EMMA’S FAVOURITES HERE: WWW.THEKNUDESOCIETY.COM

Let’s get Knude: We spoke to the sexual

wellness brand designed with women in mind Article | Sophie Exton Interview | Emma Brown (Knude Society Founder)

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In September we attended Lone Design Club’s (LDC) sexual wellness talk at one of their iconic pop-up stores in London’s famous King’s Road. We were invited to enjoy an evening to learn about sexual wellness, break boundaries and discuss all things in-between. LDC, who are recognised for using their innovative pop-up stores to offer conscious customers experiential events, as well as the opportunity to shop a range of sustainable brands, partnered with Knude Society, to draw awareness and break the taboo about something that is an important and healthy part of our lives: sexual wellness. The night began with a diverse panel discussion where LDC’s Erin spoke with the Knude society Founder, Emma Brown. Emma explained that sexual wellness is such a huge part of our lives (even if some of us don’t want to talk about it), and why she felt that women are often not represented or catered to by most sexual brands. We soon learned that over half of women in the UK are unsatisfied with their sex lives, that many women are offput by how many sexual wellness sites look, and how most of the industry still caters to men. We sat down with Emma to find out more: Hi Emma, thanks for joining us today! Can you tell us a little about your background and what inspired you to create the Knude Society? I’m originally from an advertising background, I’m a copywriter. I’d always hated the way sex toys were sold to women in the UK. They didn’t or still don’t speak to you like a real person, you learned nothing about what real pleasure can look like, and it all had this air of inadequacy for even looking at the products. Plus, it was all so overwhelming with the amount of products. So I wanted to flip the buying experience on its head. Make it beautiful, and make you feel like you’re buying something that’s actually easy to use and can help you explore your sexual wellness in a way that feels open and comfortable. When you were researching and working to launch the Knude society, what were some of the most interesting things you learnt about the sexual wellness industry? That over half of heterosexual women in the UK are unsatisfied with their sex life. It’s an astounding figure when you think about it! It’s really sad at how we’re conditioned to think that we just have to put up with it. Also, how a majority of companies are founded by men. Which isn’t a surprise when you look at how things are marketed — it’s not inclusive and doesn’t show the realness of what sexual wellness actually looks like for many people. What do you hope that the Knude society can do for women in particular?

I hope it can help women and those outside of the binary really connect and build a relationship with their body that’s satisfying to them. Forgetting what they may have been told to think or feel and enjoying it wholly in a way that feels right for them. We know that sexual wellness spans all ages. Are your products primarily designed for any age groups? They’re honestly for anyone to use. I wanted to create products that look just as good on the shelf next to skincare products. They’re designed to look good and feel good for anyone who wants to have a go. Gwen, our flagship vibrator was designed to be non-phallic, and non-threatening so if you’re completely new it doesn’t feel overwhelming. But the quality and differences in vibrations means that it can become a stalwart in a collection for someone who’s maybe a bit more au fait with vibrators and sexual wellness. As you said in the panel talk, women’s sexual wellness is often something that we can be a bit shy to talk about. What changes do you hope to see in the sexual wellness industry over the next decade? That everyone becomes less uptight about it. You get judged if you want sex, you get judged if you don’t want sex. I want to see people embracing being happy with their sexual wellness over keeping quiet about it over fear of how they will come across. You shouldn’t be ashamed of buying lube or a vibrator, just like if you want to buy some nice moisturiser for yourself. We need to see a shift from sex being portrayed in cliches in mainstream media — it’s just as bad as porn for it’s unrealistic portrayal. We need to reset the education around it and learn (or relearn!) what real sex and sexual wellness is about. Education is also key in this — we’re never too old to learn about our bodies. School sex education is failing and has failed so many people, so we as an industry need to pick up the slack. Make sure we’re investing in the fantastic sex educators out there. Before you go, can you tell us about, and recommend some of your favourite Knude society products for our readers? I can’t not speak enough about Gwen, our flagship vibrator! We went through a lot of testers before settling on what we wanted Gwen to be. And every time I get good feedback from a customer - it honestly gives me a smile for the rest of the day! Vibrator: Gwen RRP: £47

Lube: Glide RRP: £13

Massage candle: Melt RRP: £20

The latest products from Knude Society are currently stocked at www.lonedesignclub.com 184

Nice One Manchester Featuring NATIVE Manchester, Ducie Street Warehouse & Escape To Freight Island

Article | Thushara S. Chandrasiri

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Ever since a young age I have always enjoyed exploring new cities and locations, and it is nice that the older I have become, my thirst for travel and adventure only seems to grow even more stronger. This September I was honoured to pay a visit to Manchester as for 24 hours I was able to experience some of the many great things of this thriving northern city through the eyes of a tourist. Sure there have been times in the past where I have taken a trip to the city, but those are usually times when I have a million and one things to do, so being able visit the city at a leisurely pace was a true luxury indeed. Taking a comfortable train journey from my home city of Newcastle Upon Tyne, I arrived in Manchester just a little after lunch time on a beautiful, hot and sunny day. As I stepped off the train I took a moment to take in my surroundings as the excitement automatically kicked in as I couldn’t wait to find what this bustling city full of character, life and charm had to offer. Before going on a bit of a wonder, I first took a short casual stroll to my accommodation for my stay, the magnificent and stylish NATIVE Manchester which is situated in Dulcie Street Warehouse close to Manchester Piccadilly Train Station. Now it is no secret that Manchester does not have its shortage of well known hotels to cater for any budget, but if you are looking for something with a little bit of an extra edge, mixes apartment style living with relaxed vacation vibes, then NATIVE Manchester is the place to be. With the hotel being situated inside Dulcie Wearhouse too, a great location to relax, work and unwind, you feel like you are stepping into your own little community the moment you enter the building where the staff all have a friendly and warm smile and you are made to feel part of the family. What makes it even more inviting is that the place is thriving with life on the ground floor. You have your city slickers catching up with business meetings over their morning coffee, folks giving each other a friendly nod as they pass each other and then the residents sat down chatting with excitement as they plan the days activities they have in store. From first impressions, as someone who is still a bit of a newbie to Manchester, this certainly feels like my kind of place. Having taken a moment to soak up the atmosphere I then make my way to the hotel foyer, to check in where I am greeted by the polite and friendly member of staff who gives me a little bit of a teaser about the room that I am going to be calling my humble abode for the next 24 hours, which she tells me is one of the special two bedroom loft apartments situated on the 6th Floor. Maybe it’s because my mind was just overwhelmed with excitement and joy, but I did not fully grasp what she had just told me, so to her my face must of been a real picture as I stood their with the biggest smile on my face happy as Larry like someone who has just stepped out of a Disney movie haha! All checked in, and with my room key in my hand, I made my way to the lift as I proceeded to room 625 - a number which I would soon forever cherish for the rest of my 2021. As I stepped out of the lift and walked closer and closer to my room I was just taken back by the brilliant decor and the tranquillity in the residential section of Native Manchester - and yes of course I made sure to take a few selfies along the way too haha! The important thing to note about Native Manchester is that it is a place where your privacy and individuality is respected, because let’s face it there are different types of travellers - the ones on business, the ones celebrating life with friends and family and ones like me who are just living for memory and embracing each moment as it comes, so what I love about Native is that this is a hotel where regardless of who you are, you can all feel a sense of that inner peace and tranquility in the confidence of secure surroundings.

So let’s get to my room itself then, as I am sure your all eager to find out more. Another important factor is with apartment style accommodation there is always the question of whether it is going to be immaculate for you to use after the previous guests have departed, and what fills you with reassure is how the door to your apartment has a ‘cleaned seal’ on it. In other words it feels like you are cutting a ribbon to officially open your room, it may be a minor detail, but thought it was quite a cute touch. Having cut the seal, placed my keycard on the door and placed my hand on the door handle, with one deep breath, I opened the door and stepped into my apartment. Oh my days, what I saw was utterly breathtaking and I well and truly felt that I had stepped into a fairy tale. I have been in a fair few hotels in my time, but this was nothing I had expected. A spacious, stylishly decorated two bedroom apartment, luxury fittings with a contemporary but fashionable vibe to the whole place. A big sturdy natural wooden dinner table in the centre with a fine china afternoon tea set on display, and a personalised welcome hamper of special independent treats, plus a very cool NATIVE tote bag marked for my attention, such a nice gesture which made me feel even more welcome by the Native Manchester team. dinner table in the centre with a fine china afternoon tea set on display, and a personalised welcome hamper of special independent treats, plus a very cool NATIVE tote bag marked for my attention, such a nice gesture which made me feel even more welcome by the Native Manchester team. If you think that is it, wait there is more, the tour of this gorgeous room has just begun haha. The apartment comes with a fully equipped kitchen with everything you need, a coffee machine, a dishwasher, oven, fridge and hob and so much more. You can just imagine after a day of exploring Manchester, coming in pouring a glass of your favourite tipple and cooking a nice meal with friends and loved ones gathered around you. From the kitchen I then go into the first bedroom which is well decorated and very spacious with plenty of wardrobe space. Then onto the first bathroom which is in pristine condition and meticulously clean. I then walk into the second main bedroom which is again stylishly decorated, with a view that overlooks the city, and also comes with an ensuite and a large OLED TV in the main bedroom itself. This is much more than a hotel room in my eyes, this is literally one of those dream locations I could imagine myself living for the rest of my life. Back into the main lounge area, and there is another large OLED TV, with decorative artwork and a large L Shaped sofa, which makes you feel even if you were sharing this apartment with others, there would be more than enough space for all of you to be together without getting on top of each -other. One of the key decorative factors about this 2 bedroom loft apartment is the double-height ceilings and glass vaulted roof, which really brings the whole apartment to life. With it being a sunny day like it was when I stayed, there was also a lot of natural light. Another factor I liked about the apartment was the incorporation of rustic features such as the exposed brick work and the vintage style windows which I feel only added to this apartment’s character. Having explored every corner of Room 625, I took another breath of happiness, because it really felt that I had found my cloud 9 moment and I never wanted this paradise to ever end. Having placed my suitcase away, and freshened up a little bit, like any DARKUS adventure, I was intrigued to find out even more venue, so I made my way to the foyer on the ground floor as I awaited one of the main managers at Dulcie Street Wearhouse to show me around.

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Beginning in the Lobby, I am shown around a number of special elements such as the on site coffee shop which prepares freshly made drinks, pastries and other treats - perfect for anyone on the go. You then have the seating area which doubles up as almost a hot desk area where guests and general public alike can sit and do their work in peaceful and comfortable surroundings. The area then leads into the on site Dulcie Street Warehouse Restaurant with its open plan kitchen and a separate bar area, a popular location for those post-work drinks or simply catching up with friends. The restaurant itself has an inviting feel to it made even more welcoming by the classy decor. Anyone wishing to make the most of the sunshine, there is also a terrace area which is equally as comfortable. The manager then shows me several of Dulcie Street Warehouse’s meeting rooms which can be used for any form of private occasion such as meetings, receptions, small gatherings to name but a few, explaining to me that the venue even has its own marriage licence, a useful fact to know for anyone looking for a special location to tie the knot with your significant other. As we continue our mini tour, I don’t think anything could have prepared me for what I was about to be shown next - Dulcie Street Warehouse’s very own private cinema. Like wow so cool! The manager tells me pre-covid times it was used as a space for private screenings, meetings or even showing popular films to residents and the general public. I was in love with this place from the moment I walked through the door, but I think having been given this insightful tour around, my love for Dulcie Street Warehouse and Native Manchester has grown even more. While the two work independently of each other, they equally balance and complement each other out where you get the relaxing and community feel of the Dulcie Street Warehouse paired with the luxury home away from home experience of Native Manchester. Having been on my feet for the majority of the afternoon, I headed back to my apartment to relax and make myself comfortable, taking the opportunity to appreciate my breathtaking surroundings. Now you are probably wondering with the availability of my own fully equipped kitchen, if I was brave enough to cook my own evening meal, but as much as I wish I could of made the likes of my favourite chef ’s such as Gordon Ramsay, and also my mum proud, I thought having heard so much about it already and seen a glimmer of it with my own eyes, that I would taken the opportunity to dine at the Dulcie Street Warehouse restaurant which is situated on the ground floor. With my reservation for dinner being made for 7pm, I casually made my way to the ground floor where upon arrival I was greeted with a smile and escorted to my table. Within a short few moments my wait arrived at the table ready to take my drinks order. As I browsed through the drinks menu, my eyes lit up when I saw one of the restaurant’s special cocktails, the Pineapple Daiquiri, so in a heartbeat I wasted no time telling my waiter that this was the drink for me, and boy was I right. Full of flavour and depth, this drink dances on your tongue and is extremely refreshing especially on a hot day. While a daiquiri has become an obligatory choice on any cocktail menu you are often stuck with the choice of strawberry or raspberry, so it was good to see Dulcie Warehouse offering an alternative to the well known classic.

Having taken a moment or two extra to look at the rest of the menu, my server returned to me to take my food choices. Now a thing to note about Dulcie Street Warehouse is that they do things slightly different to other restaurants, where they offer a range of small and big plates, which is good in its own way because it allows you to create your own bespoke meal to match your own palette. It gives creative control over to us diners where we can create any combination we like. Putting my faith in the wisdom of the waiter, I asked for his recommendations. As a starter I opted for the Hummus and flatbreads. A well presented dish with a generous portion and very invigorating aromas. Everything tasted so fresh and delicious and packed with so much flavour. It had been many years since I last had hummus but I have to say eating this had made me fall in love with it once more. A great start to my dining experience. Moving on to my main meal which is a combination of a small plate and a large plate, which for me is the steak, lobster macaroni and fries. To be fair in any normal circumstances I would not have thought this would work, but I am glad my server has encouraged me to think outside of the box. My eyes have lit up with excitement as the dishes are presented in front of me. Such incredible portions fit for a king and everything looks so tasty and freshly prepared. Those flavours are making me hungry even more, so you can imagine I waste no more time and tuck straight in. The steak was like wow, wow, wow! Love those flavours and it is cooked to perfection just how I like it. The fries are crisp and flavoursome with great seasoning. I love my fries and these bad boys certainly don’t disappoint. Then we have the lobster mac and cheese. Now I am not usually a mac and cheese kinda guy but this is a pleasant step outside of my comfort zone, made even more delightful with the addition of the lobster and the other ingredients that comprise this dish . makes a nice extra touch to a well known menu staple. When going to a restaurant for a meal I like food which is made with passion and I can confidently say a lot of love has gone into these dishes I have sampled tonight. Individually dainty, but together the most filling combination anyone could ever ask for. Would i choose this selection again? Honestly I think yes I would. At this point I feel like if I eat any more my stomach will explode, but there is one golden rule in an pro-diners manual - there is always room for desert! During my earlier tour around the venue, manager Nick had told me that Dulcie Street Warehouse’s restaurant was renowned for its take on the classic sticky toffee pudding, so it would be rude to not give this a go. Ooo this is sin on a plate and the most indulgent of deserts. Rich flavours but the ice cream balances it out perfectly. I would say it is also quite moorish too. If you’re into flavours such as butterscotch this would be a dream of a pud, if not then it might just be a tad overpowering but hey ho we live for the thrill of the unknown. WIth no more room to fit any more food, like a scene from the Vicar of Dibley, I thanked my server and also the chef, as I made my way back up to my apartment on the 6th floor. I walk over to the sitting room window which overlooks the city and I smile gently to myself as I reflect on the amazing time I am having at Native Manchester so far. With time getting on, I sit down and relax before getting ready to go to bed confident in the fact that I am certainly going to have some very happy dreams tonight.

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The morning after the night before. Such a comfortable and amazing night’s sleep. This is the type of bed which is so cosy that you wish you could stay in it all day. Luxury bedding, a mattress that is kind to your body and pillows at just the right softness the way I like it. With more things to do in Manchester before its time to head back home to Newcastle, I reluctantly get out of bed, get showered and dressed. Being able to stay even one night in this gorgeous apartment is something I will be thankful for years to come, so you can imagine how heartbroken I felt knowing that it was time for me to check out and say goodbye to room 625. Imagine one of those old films on the TV where the actor is crying in the shower as they listen to Tony Braxton’s ‘Unbreak My Heart’, that is literally how I felt like haha! With my next engagement not being until 3pm, and not really fancied the thought of walking around Manchester for hours with a suitcase, I left my luggage in the hotel storage room (very useful option to have for us travellers) and took the opportunity to sit down and relax in the workspace area of the Dulcie Street Warehouse ground floor. Ordering a tasty pain au chocolat and a hot chocolate from the menu via a very easy to use QR code, I sat down and used the opportunity to catch up with some emails and a bit of work. The fact that the venue has this space available not just for hotel guests but members of the public is really good, as it gives people an alternative to catching up with important work, or sitting down with colleagues to an important meeting over a cup of freshly made coffee, in such a warm and welcoming atmosphere. Having spent a good couple of hours doing some work, I grabbed my luggage and said one final goodbye to Ducie Street Warehouse and NATIVE Manchester, before making my way to my next engagement in Manchester - late lunch at Escape The Freight Island. Joining me for this leg of the visitwas friend and fellow DARKUS writer, Tiarna Iddon - good food and good company, a lovely way to end any travellers adventures. If ever you find yourself in a predicament where you want to go somewhere to eat with friends where you cannot decide what type of cuisine to opt for especially when you and your mates may like different things, then Escape The Freight Island is the perfect place for you. You have a range of different cuisines on offer so no more its one or the other vibes, because here everyone’s preferences are catered for. The venue itself has a good vibe to it, and is the perfect place to chill and catch up with friends. Myself and Tiarna are escorted to our table by the friendly hostess to gives us a short overview on how to order. All orders are made by scanning a QR code which takes you to the various different stalls which are offering food and drink. If your not all that tech savvy it is probably worth going a long with someone who is, otherwise you may find it a bit tricky if you do not have a smart phone. Back to the food and drink then. For my drink I order the ‘Signature’ punch. Tastes really refreshing with good flavours. If anything it is too easy to drink and certainly hits the spot so I can imagine being able to knock a few of these back. Tiarna goes for a non-alcoholic drink which she tellsme while it is strong, it is still good. She too in agreement that her drink is refreshing on a hot day.

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In terms of food as there are so many different options, I decide to make the most of the experience and try a bit of everything. I first begin with tempura calamari, chicken wings and jasmine rice. Delivered to the table in good time with everything freshly prepared and fragrant and inviting flavours. Tiarna in the meantime orders a chicken dish, which although is for a smaller diet, still has nice flavours, impressive portions and is both fresh and filling. Both of us agree that we would order our choice again if ever we returned. Being the foodie I am, I continue ordering more food and choose some tasty tacos and a slice of pepperoni pizza, both which are full of flavour. Anyone coming to Escape The Freight Island should know that generally you are allocated 2 hours, which I think is a good amount of time get a real feel for the place, especially if like me this is your first time visiting. With time ticking along, and myself and Tiarna sharing a laugh or two about the number of times she has seen The 1975 in contrast to the amount of times I have seen Rick Astley, our attention goes on dessert which we both say yes to ice cream! My mini ice cream sundae comes with lemon flavoured popping candy, a nice portion which is not too much or too little, and the perfect way to end my meal. As I tuck into the sundae, one thing comes to mind - yum! With the addition of the popping candy there is certainly a party going on in my mouth right now! With both of us having a pleasant experience, we both leave happy that we got the opportunity to pay Escape The Freight Island a visit. With the venue being only a few minutes away from Manchester Piccadilly train station it makes it easy to travel back and forth from, and makes for a cool alternative if you want to escape the hustle and bustle without having to go too far from the centre of Manchester city centre. As I say goodbye to Tiarna and go our separate ways, I head back to Manchester Victoria (a short trip on the tram) as I get ready for my return journey back to Newcastle. Reflecting on my experience over the past 24 hours, I have to say within that time I packed in so many special memories. I got to stay in one of the most gorgeous hotel apartments I could ever imagine, take my palette on a number of tasty culinary adventures and get time to relax in a city which I have not had the chance to visit much

Thank You To: Native Manchester www.nativeplaces.com/property/native-manchester Dulcie Street Warehouse www.duciestreet.com Escape The Freight Island: www.escapetofreightisland.com We Are Indigo PR Food Credits: 01 Baratxuri 02 Patty Queen 03 Madre 04 Belzan

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Philip Colbert: I Became An Artist When I Became A Lobster Article | Sal Fasone Born in Scotland and living and working in London, Colbert is often referred to as the “godson of Andy Warhol”. Colbert has created a global following for his cartoon lobster persona and his masterful hyper pop history paintings. His work powerfully explores the patterns of contemporary digital culture and its relationship to a deeper art historical dialogue. This new digital exhibition, Losteropolis explores what is possible in our current times and how we can view this exhibition from our phones on our sofas through the use of robots. “I became an artist when I became a Lobster” says Colbert. Graduating with an MA in Philosophy from St. Andrews University, Colbert’s work has received international acclaim in museums and galleries worldwide for his energetic new approach to painting and pop theory. Following on from early Pop painters such as Richard Hamilton, Roy Lichtenstein and James Rosenquist. Colbert’s paintings cross high art themes from old master paintings and contemporary art theory with everyday symbols of mass contemporary culture, all narrated through the eyes of Colbert’s cartoon Lobster alter ego. He has been championed as a contemporary pop master by art world figures such as Charles Saatchi & Simon De Pury. Colbert’s seminal NEW PAINTINGS & HUNT PAINTINGS show’s at Saatchi Gallery in 2017 & 2018 showed his transition into epic Large scale works on canvas, and has lead to a series of Museum shows worldwide. Lobsteropolis is currently open at Whitestone Gallery in Taipei, Times Art Museum in Chongqing and Sejong Museum in Seoul. Here we visited his studio in East London, he shared with us some behind the scenes of what it’s like to create art and his successful Lobsteropolis.

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Photo Credits | Gianmarco Rizzo

TO FIND OUT MORE ABOUT THE EXHIBITION WHICH RUNS UNTIL 5TH DECEMBER 2021 AND THE REST OF COLBERT’S WORK VISIT WWW.PHILIPCOLBERT.COM

Virgin Red R The Perfect A-List Experience Article | Thushara Chandrasiri Interview | Michael Buffham-Wade (Director of Membership at Virgin Red) 193

Room:

It is no secret that for a prestigious brand such as Virgin, they live by the ethos of going that extra mile for their customers, and what is great is that they are always creating innovative and creative ways to ensure anyone who uses any of the brand’s services has a memorable and enjoyable experience. This September, after many intense weeks of renovation , Michael BuffhamWade and his team at Virgin Red, announced the exciting news that AO Arena in Manchester would be the location for the brand’s very first Virgin Red Room, a special space within the Arena where people can enjoy an evening of live music, whilst also receiving that special VIP treatment that Virgin are known for. DARKUS were blessed to get the opportunity to be one of the very first publications in the whole of the UK to visit the space, which I must say was truly one of most stunning things we had ever seen. With the AO Arena welcoming back live music, we sat down with Director of Membership at Virgin Red, Michael Buffham-Wade to find out more about his vision which led to his motivations for bringing the Virgin Red Room to life. Michael lovely to see you all be it virtually. Tell us how your week has been going so far. There’s never a usual or typical week for any of us at Virgin Red. Since launching Virgin Red into the market we are scaling up to welcome more members into the programme, and also add more features and benefits to all the great stuff that’s already in there today. So it’s – every week is an exciting week! It is a very special week as well for the Virgin Red Room in Manchester because obviously, the first event it’s opening up to live music-wise is the Blossoms show. So how’s it feel knowing that people are actually going to be able to go into the Virgin Red room? So I guess we’re breaking our virginity, so to speak, on the Virgin Red room insofar as the Blossoms are performing in a few days. it’s really really exciting to have a British band being the first band in there to kick it off and get things going. It’s something that our members are showing a great level of interest and you know what at the end of the day it’s my baby! I worked for so long to get the Virgin Red Room ready with my hardworking team. Seeing it finally come to life I just can’t wait for to get people in there to welcome back live music and to have a heap of fun! So where did the original vision begin for you? Wow! That’s a tricky question! I joined Virgin three years ago from fifteen years in banking, and whilst I was in banking there was some really great opportunities to create really special moments to connect with clients, be it Chelsea Flower Show, or one of the big major conferences or hospitality etc. I always remember the feeling of leaving those events and the people that you invited, always having that special moment to say “I did this with my supplier”, “I did this with my bank” and I think they’re quite long-lasting, those experiences. So when I moved across to Virgin, it was to look at our brand, where we’ve come from, our heritage, our pedigree, what we have all committed to deliver of lifting experiences out of the ordinary, surprising and delighting our members, whilst disrupting the way we deliver products and services to customers.

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Virgin is about creating memories, allowing people to connect with each other, then celebrating the breadth of the Virgin brand: be it a history and pedigree in music, be it connecting broadband into people’s homes across the UK and around the world as well. Virgin Media is done in different countries under different brands. Our brand is very much around travel, exploration, adventure, with Virgin Atlantic, Virgin Voyages, Virgin Limited Editions; so it is about how you take all of those experiential brands and actually nip them into celebrate our history and our breadth. It kind of gets you to that place where this is a bit of a no-brainer to say, “Okay, we should be going to music, we should be presenting music and experiences to our members!”. But how are we going to do it in a different way? And in a uniquely Virgin way? So I guess that’s where it’s come from. Then if you go through and experience those special moments that Virgin do exceptionally well, such as the upper-class lounge for Virgin Atlantic, or the Virgin Voyages experience. All of those special things, you want to nick something from Atlantic or borrow something from Voyages, or even a Virgin Mobile store; they’re all done in a really unique, special Virgin way. How do you actually borrow those things? And put them into a space which allows our members to access at a very affordable price and create a truly unique experiences to thank them for being a loyal Virgin customer. At the minute the Red Room only exists at AO Arena in Manchester. Why did you select Manchester as the flagship? Yeah for a start Manchester is in the middle of the country. It’s a great city, it’s an incredible city and if you look at all of what Virgin does in and around Manchester, it makes sense. There’s a Virgin Active there, there’s Virgin Atlantic which fly in and out of there, Virgin Money are there and also the likes of Virgin Wines deliver there too. It is a city that has an incredible music scene, it has a great history and if you look at the performances and the artists that visit Manchester, they’re the same ones that visit Paris, New York, London. So, you have the ability to carve out a space for yourself which is super easy for people to get to you. It’s probably easier for most of the country to get to Manchester than it is for most of the country to get to London. There are direct lines in and out from Scotland, from Wales, from England so naturally it feels like the logical thing to do. We looked at other venues around the country, but I guess you need to dip your toe in the water: do it once, do a moderate or sensible investment before piling in and doing twenty stadiums across twenty different centres. I would love for us to get to that, but it needs to be done in a safe and moderate way, so the experience we’ve had to date is we’ve got a fantastic portfolio of talent coming up at Manchester Arena. The people at Manchester Arena – that run the arena, are absolutely super lovely, so working with them has been just a beautiful joy. I think the early signs are it’s going to be a huge hit. It’s very popular with our members. What’s next? Is it Birmingham? Liverpool? London? Cardiff? There are great opportunities around the country, but it’s about doing them at the right time. Having seen the room myself, it’s really beautiful and I love your attention to detail to every single part of it. Is there any particular feature of that room that you thought you really must have?

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I think the thing that I always wanted right from the beginning was the Instagram glitter wall. It feels like you’re coming in on the red carpet, which is the feeling we want to give people: they ARE special, they ARE on the red carpet to us. Our members are super important to us and we want to celebrate them, so even though it might sound quite simple, when you get in there you get a massive impact. So yea I would say that wall, I love it, and I always wanted that to be in there and I guess everything else had to work around that. Another thing you may have noticed is in each corner you’ll find something that is uniquely Virgin or uniquely special and you want to photograph it. In the foyer when you enter the box it’s about creating impact, creating an immersion into the brand, and the feeling we wanted to put across was this actual and authentic experience of getting a hug from the Virgin brand. It’s like getting a hug from your mum when you get off a plane from a longhaul flight. What is quite interesting is that it goes hand in hand with the Virgin brand because you have to earn points on Virgin Red to get access to the Virgin Red Room through the Virgin app. Yeah, so Virgin Red launched into the market at the beginning of this year. We were asked by Sir Richard Branson to look at ways of invigorating the existing and very successful Virgin Atlantic Frequent Flyer scheme, to remodel it and disrupt the way that type of loyalty club works. So in order to do that – we needed to remember we are unlike any other brand. it is utterly pointless looking at American Airlines and saying “We’re going to do it like that” or Lufthansa Airlines and saying “We’re going to do it like that”. We are uniquely Virgin and I think that is the opportunity to say: how do you break the mould on this sort of thing? Design it with the customer at the forefront? You also have spaceships, cruise ships, planes, innovation in the space sector and the hyperloop plus a couple of islands thrown in for good measure. And you’ve got the hot air balloons as well! Exactly! So if you actually allow people, consumers across all of that great stuff to celebrate those experiences they’ve had, and we recognise that centrally to say, “Great, you’ve bought a Virgin hot air balloon experience”. Let’s recognise that. Let’s recognise that alongside your Virgin Media subscription, your Virgin Active subscription. As well as all the really great stuff that was all already there from Virgin Atlantic. Pull it together and say, the more Virgin you are, the better life gets. From doing that then you can accumulate points from those interactions and those purchases and those experiences to then go off and do even more fun and exciting things with the Virgin brand. And this is one of those outlets. The amount of points you earn taking out a Virgin Money debit card is enough to get you points to go to a concert or an experience in the Virgin Red Room. So, it is not about creating these unaffordable, unachievable, too aspirational things to strive for. It’s about democratising access to the things we’re known for: music, travel - all of that really good stuff. So, let’s talk about the room itself and the team behind that helped you to bring it to life. Obviously you’ve got the likes of your colleague Lee Mcguffie helping to look after things in Manchester. So, how was it being able to have this concept of “Right, I want this really special room”, to see it brought to life. So Lee is quite an interesting character. I’m not sure if you’ve drilled much into who he is but the guy, back in the 90s was a super DJ that travelled

around on private jets to Ibiza and all that sort of stuff. So, the guy has experiences that blow my mind. I love him to bits, he is truly truly incredible. And I think the joy of coming to Virgin, for me, is I’m surrounded by people who are truly mindblowing in so far as their inspiration, their background, and the talent we recruit across the Virgin companies is - it’s refreshing to work with people that . The diversity of thinking, the diversity of our people is what inspires you to do incredible things. This was absolutely a team effort where, we sat down with our brand people, our service people, our finance people, our technology people, and said “This is what we want to achieve, how can we make it happen?” And brainstormed, what was it going to look like, with the important question at the forefront - What do you want from an experience? We then took all of those different opportunities or alternatives to execution and put them into research and we asked, about 30,000 people: “What floats your boat? What gets you excited? What doesn’t get you excited?”. And then from there you plot a path forward and this was an obvious winner time and time again. Why? Virgin – its heritage, its pedigree, we started off as a music publishing company, and, now fifty years old, let’s celebrate where we’ve come from, what we’re about, and music and supporting artists, is – it’s in our DNA, it’s part of who we are as an organisation. Having been in that room myself, it is quite a welcoming and comfortable room to be in because you’ve got the plush chairs and you’ve got the instagrammable wall and stuff like so you’re not just going in there thinking “Right, I’m just in any other room”, you know that you’re in a Virgin Red Room. Yeah, and we did lots of tours of lots of other brands that were doing things, and how they were bringing their brand to life. My view is that our role here is to celebrate the customer and celebrate Virgin’s heritage and

breadth. So we have a wall – a red wall of high glass, vinyl, shelves which have a selection of nostalgic items such as electric guitars, little robots, models for the planes, the Virgin Atlantic barbie dolls, ard hats from the shipyard from Virgin Voyages and more. So I think every Virgin company that we have, we tapped into and said, “What can we do with you guys to get you represented in the box?”. Virgin Pure, our water purification company, they were absolutely up for it and they said, yep, two red machines, get in there, no questions asked! I think it is an authentic Virgin experience when you go in there. You feel like you’re in the inner circle, part of the Virgin family. And that is the sentiment, and the feeling we want people to leave – to enjoy and leave there with. When you – just kind of, like, related to that, when you reflect on this journey you’ve taken, to bring this room to life, what brings a smile to your face? For me, it’s the – it’s seeing people’s faces the moment they walk in the door. I think it’s that – it is the hug from Virgin when you walk into the foyer of the space, it is the wow factor that you’re going into a very special space and seeing people’s faces light up when they go through that. We had the leadership team from the Arena come and join us during the refit, so seeing their face, bearing in mind they’re not naturally Virgin people as they’ve seen a hundred million of these spaces before in their life; seeing their face and their genuine look of delight walking into the Virgin Red Room it makes me feel proud. it makes me feel special, your hair stands up, you get little tingles, it’s great! I guess once we bring this to life with the first concert, it’s not just the space, it’s the journey the consumer goes on, or the member goes on, to get to that space. We’ve included parking, so, what does the journey look liketo go to a concert? For many, it’s great when you get there, but how do you get there? We organise car parking for our guests, we organise special fast-track entry to our guests. There is access to a private bar person to bring you your drinks, there’s no queues, it’s that A-list experience. We make it easy for people to have the best experiences and I think that’s always at the heart of what this intention was.

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With live music really taking a bit of a hit, people will be looking for ways to be comfortable, because for a lot of people, the thought of being in the middle of crowds or in the middle of a busy arena will be quite overwhelming, so to have a space such as the Red Room where they can still enjoy music, still be part of the atmosphere, and still feel safe, yeah? Yeah it’s quite amazing. So Virgin Voyages were here doing a series of summer sailings out of Portsmouth this August, and our team went on the first one of these sailings, and it’s really quite incredible watching people come back to life, to see what a fully vaccinated world will look like. People haven’t danced for two years! Some of us haven’t even met our colleagues, we’ve been recruited and hired so seeing people hugging was so nice to see. We are tactile beings. think it becomes a safer space considering everything that’s going on in the world, to come to have, fast-track entry, space to actually move around, space to find your comfort level, but also I guess if you do want to go down to the moshpit, go down to the moshpit! There’s something in it for everyone and at some point – I hope we’re all down in the moshpit at some point and we’re all absolutely getting out and enjoying this. But I think you’re right, it’s safe and moderate and considerate steps to get us to appreciate live music and become human again without opening the stable doors and letting the whole thing flood out and then causing problems for ourselves in a month later. You’ve probably been asked this a lot, but, like, is there anything you think you would do differently? I think we have done things the right way in so far as who are we, what do we stand for, what do our members want from us. It’s free to join Virgin Red, it’s free to accumulate points, it is accessible and the space is special. It’s probably a question you should ask me at the back end of this year – when we’ve taken the space through its paces. I’m sure we’ll learn stuff from it as well. I think it is perfect, I think that it is fit for purpose, it is the right thing to be doing. But, no doubt, we will learn things over the course of the next three months to say, will be good if we could tweak that, or modify this, or do A,

B, and C; and then we take those learnings and we either do some modifications in this space, or we take the learnings and apply them to the next space that we do. So yeah it’s all about learning. It will evolve, everything we do should always evolve, and shouldn’t be, um, stagnant or stale, but, um, we’ll just wait and see. Is there anything in particular you’ve – you and your team have learned about yourselves? I think going through this, it’s not a negative learning curve by any stretch of the imagination, I think this is all really quite positive. I feel it has really invigorated, or refreshed, or enthused, everyone around Virgin to really reflect back on what the organisation stands for, what our heritage and pedigree is, and embrace that, celebrate that, and it becomes quite easy, authentic, and genuine if you think about who the organisation is. I’m very new to Virgin, I’ve been there three years. I could’ve come in and done things “This is how I did it in the bank, and everything worked, and bla bla bla…” and I’m sure it would work. But that would not be authentically Virgin, it needs to be authentically Virgin. This is Sir Richard Branson’s company, so the question we should ask is how would he do it? How would he bring what – all the amazing innovations he’s done over his career, bring those to life in a space that is very different to the way anybody else would do it, or even would have the license to do it? There’s very few companies that could do that space and that experience, and do it authentically. We have a right to do that, we’ve got a heritage in music, we’ve done festivals, we are connecting people through technology, we’ve done spaceship programmes! We’ve done all of this amazing stuff, we have an authentic right to bring that to life. I don’t think others can do that, because they’re not Virgin. So learning that, I think has been the most important thing for me. If you could go back to being that young Michael, growing up, what do you think you would say to him? Wow, so interestingly, when I was doing my MBA, my thesis was on Sir Richard Branson. He was my hero back when I was a young whippersnapper! My husband and I met at a Virgin Active gym, so Virgin has played an important part in my life long before I joined Virgin. I’ve been very lucky throughout my education and career to do some absolutely bonkers stuff! I have followed a completely non-linear career path, starting off in television production. I did Economics and Commerce at university, so television production was completely unrelated. So I produced a television cooking show, then did major events in digital, then went for an insurance company, then banking, and now in this amazing super-brand. It’s kind of one of those things where I say to myself, okay well I’ve done that now, that looks like fun over there, and I run over there and do something fun! When I was working for the Australian Broadcasting Corporation over in Australia, yes I would have a set role but if somebody needed a hand with presenting radio news for Regional Victoria, I would be like “fine, how hard can that be?” And you go off and do it, or you go off and do television presentation, you read the television news for three months, why? Because, well someone has to do it! And why not? I’m twenty-four, let’s go off and have some fun! And I don’t think I’ve actually changed who I am, I’m kind of, just like okay, that looks fun so let’s go off and run amok and have a good time – and deliver value. I mean, nothing we’re doing is not aligned to what the business is here for, what the business stands for, it’s just more of leveraging those opportunities to have a good time and enjoy yourself. We spend so much time at work so if you’re not enjoying what you do, what’s the point? As you look forward to the next chapter of this exciting journey, what would you say to all those Virgin Red Room users who are going to be

flooding into your amazing space in the coming months? Well, I think there’s two messages: one is to the non-Virgin Red members, which is why are you not signing up? Why are you not a member? If you love the Virgin brand, if you love what the Virgin brand stands for, if you’re a consumer of Virgin products, join Virgin Red! It’s free to join, there’s a great promotion on at the moment where your first purchase, you get five hundred points, given to you as a joining bonus. There’s so many opportunities and exclusives for Virgin Red members, be it exclusive access to the Virgin Red Room, which is an obvious one, and a very special one, but we have advance sales on Virgin Voyages which do great redemption flights with Virgin Atlantic. Being in Virgin Red, I think, gives you a amazing opportunity to unlock a whole heap of experiences and adventures. For those people going to experience the Virgin Red Room: absolutely enjoy yourselves, go wild – don’t break anything – go wild! Enjoy the space, Instagram everything about it, because that’s why it’s been done is to create memories and to capture those memories for perpetuity, and to create a bit of FOMO, as well. You want to be part of this, it rocks! And I look forward to welcoming people there – me or my team will be there at various concerts. I’m really excited about seeing people’s faces when they walk in the door, and handing them a glass of champagne, and saying “Let’s do this!”. For anyone heading to the AO Arena in Manchester anytime soon, there are not enough words to emphasise just why you should be checking out the Virgin Red Room, especially if you want to take joy of watching your favourite musicians to a whole new level. As Michael has shared, members can get access to the Virgin Red Room by earning points via the Virgin Red app and best of all it’s free to join! Having had the pleasure of seeing the room myself, meeting the team at Manchester and also speaking to Michael himself, I have no doubt that this is only the start of many more great moments to come. In the meantime to become a Virgin Red member, head over to www.virgin.com/virgin-red or download the Virgin Red app on your smartphone and start earning today! 198

2021 ISSUE 3: GROWTH

MUSIC - FASHION & BEAUTY - LIFESTYLE

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