Interior Design Portfolio

DARIA ILLARIONOVA INTERIOR AND EXTERIOR DESIGNS

PORTFOLIO

CONTENT

04

AO MIDORI

14

CASA CUBO

06

YALA CAFE

16

APERTA

08

411 - 421 SMITH STREET

20

THEATRICAL COLLONADE

10

SIGNATURE COFFEESHOP

30

AQUATIC SALUTE

2

16

07-12-2020

4

3

739.00

1

327.99

1126.18

1000.00 1200.00

3

1200.00

465.00

900.38 1160.00 978.39

350.00 363.91

WC BREZINIAI SU PLYTELEMIS

100.00

36

1400.09

293.91

?

18-12-2020 VONIA

DUŠO SIENA 07-12-2020

VONIA

VONIA

GYVATUKO SIENA 07-12-2020

LENTYNŲ SIENA 07-12-2020

KONSTITUCIJOS PR. 15 - 239

VONIA

195.52

LED veidrodis

576.99

ELEKTROS PLANAS JUNGIKLIAI ŠVIESOS 11-01-2021

1395.37

878.00 1060.89

109.91

161.24

1914.16

1657.77

984.82

DURŲ SIENA 07-12-2020

N

1129.22

994.67

1074.31

350.01

350.00

LED

999.02

This project is a product of collaboration with a Lithuanian interior design studio. The apartment plan originally has a very unique shape and it was quite challenging to work around it.

After some thinking process the decision was made to emphasise the plan shape by adding the plinth on the ceiling creating a zig-zag shape. The client is a big fan of Japanese culture and unexpected decisions. The name AO Midori means blue green which is the most unexpected color decision made.

2700.04

4

599.72

1499.84

1563.83 978.99

739.00 514.00

- SANTECHNIKA

2000.00

489.59

2

964.00

SANTECHNIKOS PLANAS

2100.00

956.42

1500.01

499.97

1200.00 1075.00

AO MIDORI

1200.00

600.00

600.00

1

19

- ROZETE - JUNGIKLIS

594.10

1411.00

- LEMPUTE ILEIDZIAMAS - WC LEMPUTE

1411.00

- ŠVIESTUVAS

759.02

2029.93

-SIENINISŠVIESTUVAS

1411.00

1222.74

1200.00

102.06

1406.41

LED drabužinė

1411.00

451.71

1627.28

143.66

1565.35

982.92

1263.70

822.38

1709.18 619.87

438.08 98.59

2039.97

2780.94

1437.60

KONSTITUCIJOS PR. 15 - 239

950.15

440.00

440.00

240.00

N

499.97

956.42

1126.18

327.99

SANTECHNIKOS PLANAS - SANTECHNIKA

672.00

600.00

978.99

600.93

474.00

600.00

474.97

598.95

475.00

2704.00

1563.83

DŽIOVYKLĖ

SKALBIMO MAŠINA

INDAPLOVĖ

361.00 361.00

4

300.00

569.00

900.00

600.00

600.00

ŠALDYTUVAS

5

YALA CAFE ​ ala cafe is located at the Mina Zayed Port, Abu Dhabi. The Y unit is a part of a bigger block displayed on a master plan. The organization of the bar is divided in blocks as well following the master plan. The majority of the sitting spaces is located outside in the archway, all the utilities are stored at the back of the unit.

The client is an entrepreneur in Kombucha brewing. The Kombucha culture hit the UAE quite recently so the business is relatively new and fresh. This needed to be reflected in the interior design of the place. The client is a big fan of Nordic culture with a cold and sophisticated selection of materials. Therefore the color palette was reduced to a minimum and the selection of furniture is very classy.

6

7

411 - 421 SMITH STREET

The project located in Melbourne, Australia. There were two color themes requested by the client, dark and light. Spatial compositions are representations of the different apartments as a part of a bigger apartment complex.

8

9

SIGNATURE COFFEESHOP

10

The cafe is located in London, Shoreditch. This area has an undergoing thrive of private own buisness of imigrants which is heavily reflected in the design industry as well. Signature coffee shop is a small place run by an Arab family business for over 10 years. The interior renovation was a part of a big rebranding. Even though at the first sight the interior looks very westernized it still has some authentic touch like rattan chairs and tropical plants. The idea is to make the place as spacious as possible so the area close to the counter is free of sitting space. Surprisingly the majority of interior desisions made at a mood board stage remained the same.

J - 06

F - 06 J - 05

F - 04

F - 04

F - 02

F - 02

J - 03

PROJECT

SIGNATURE SPECIALTY COFFEE

F - 04

P

EXIT

F - 02

F - 02

AL SUWAYQ (OMAN)

CLIENT

ALMUTASIM HAMOOD

DRAWING TITLE FURNITURE LAYOUT

F - 04

F - 02 LOOSE FURNITURE LEGEND

J - 01

J - 02

F - 02

F - 04 J - 04 F - 02

D - 04 D - 03

D - 04

F - 01 F - 05

F - 05

F - 03

P

LOCATION

F - 01

F - 05

SCALE

1:40

JOB Nº

201030

REV.

01

CODE

QTY.

DESCRIPTION

DRAW. Nº

104

F-01

6

CHAIR TYPE 1

TYPE

ARQ

F-02

7

CHAIR TYPE 2

F-03

4

SQUARE TABLE TOP 700 MM X 700MM X 750 MM HT

F-04

7

ROUND TABLE TOP 800 MM Ø X 750 MM HT

F-05

3

BAR STOOL

F-06

1

SHELVES

LIGHTING LEGEND

GENERAL NOTES

P

QTY.

DESCRIPTION

CLF-01

2

TROFFER LIGHTS (SIZE: 600x600mm)

CLF-02

3

PENDANT DECORATIVE LIGHT

CLF-03

4

PENDANT TRACK 10W, BLACK FINISH, 4K

CLF-04

1

HANGING LETTERS

CLF-05

1

DECORATIVE CUSTOM MADE LIGHT

CODE

P

LEGEND

JOINERY/CARPENTRY FURNITURE LEGEND CODE

QTY.

DESCRIPTION

J-01

1

COFFEE BAR - FRONT COUNTER

J-02

1

COFFEE BAR - BACK COUNTER

J-03

1

BOH COUNTER

MEP LEGEND CODE

KEY PLAN

LEGEND

EXIT

F - 01

F - 03

F - 01

F - 01

F - 03

F - 01

J-04

1

DECORAVITE CLADDING

J-05

1

LONG INDOOR SOFA

J-06

1

BOH SHELVES P

DECORATIVE ITEMS LEGEND

D - 02

A A-104

D - 02

FURNITURE LAYOUT SCALE:

1:40 MTS.

F - 01

F - 03

D - 02

D - 01

F - 01

F - 03

F - 01

D - 02

CODE

QTY.

DESCRIPTION

D-01

1

BIG ENTRANCE CACTUS

D-02

1

INDOOR GREENERY

D-03

1

BIG INDOOR CACTUS

D-04

2

SMALL INDOOR CACTUS

DESCRIPTION

4

SPEAKERS

7

CAMERA

4

EXIT LIGHTS

5

INSECT KILLERS

5

PENDANT SPRINKLER

2

SMOKE DETECTOR

11

DIFFUSER 600x600MM FOR AC SUPPLY

8

DIFFUSER 600x600MM FOR RETURN AIR

4

EMERGENCY LIGHT

EXIT

F - 01

QTY.

A A-107

COORDINATED CEILING PLAN SCALE:

1:70 MTS.

yaiza.martinez6@gmail.com

London, UK

REF Nº

Telephone: +44 (0) 7737 762463 YM-201030-ARQ-104

11

1443

100 893 2445

650

PROJECT

100

1000

SIGNATURE SPECIALTY COFFEE LOCATION

AL SUWAYQ (OMAN)

CLIENT

ALMUTASIM HAMOOD

DRAWING TITLE PROPOSED LAYOUT

800

794

3106

700

2997

1000

3095

600

SCALE

1:40

JOB Nº

201030

REV.

01

DRAW. Nº

100

TYPE

ARQ

650

250

GENERAL NOTES

3034

4132

KEY PLAN

7000

A A-101

DIMENSION PLAN SCALE:

yaiza.martinez6@gmail.com

1:40 MTS.

London, UK

Telephone: +44 (0) 7737 762463

REF Nº

YM-201030-ARQ-101

S-01 S-01

PROJECT

SIGNATURE SPECIALTY COFFEE

TR-01

A-103

SKIRTING PROFILE SCALE:

LOCATION

AL SUWAYQ (OMAN)

CLIENT

ALMUTASIM HAMOOD

DRAWING TITLE

1:2 MTS.

LEASE LINE

FLOOR FINISHES PLAN

(W-04) PLASTER FINISH, CONCRETE-LOOK TYPE-1 EXISTING BLOCK WALL GYPSUM LINING WALL (S-01) 70mm HIGH MDF SKIRTING PAINTED IN GREY (TBC) (FF-01) 600x1200mm CONCRETE LOOK CERAMIC TILE FLOORING

SCALE

1:40

JOB Nº

201030

REV.

01

DRAW. Nº

103

TYPE

ARQ

GENERAL NOTES

±0.000mm FFL FLOOR FINISH LVL

-0.080mm SSL STRUCTURAL SLAB LVL

1

STRUCTURAL SLAB

A-103 1 A-103

SKIRTING DETAIL SCALE:

1:5 MTS.

KEY PLAN

S-01

FLOOR FINISHES LEGEND CODE FF-01

S-01 FF-02

LEGEND

DESCRIPTION CERAMIC TILES CONCRETE-LOOK, 600X1200 MM ANTI-SLIP PORCELAIN TILES, 300X300 MM

TRANSITION TRIM TR-01

SKIRTING

S-01 TR-01

12

A A-103

FLOOR FINISHES PLAN SCALE:

1:40 MTS.

TRANSITION TRIM PROFILE BETWEEN DIFFERENT FLOOR FINISHES

S-01

SKIRTING BOARD @ FOH (H = ±70 MM)

yaiza.martinez6@gmail.com London, UK

REF Nº

Telephone: +44 (0) 7737 762463 YM-201030-ARQ-103

13 MICROWAVE

PROJECT

SIGNATURE SPECIALTY COFFEE

1 ICE CREAM MACHINE

12

LOCATION

AL SUWAYQ (OMAN)

CLIENT

ALMUTASIM HAMOOD

DRAWING TITLE EQUIPMENT LAYOUT

11

10

CASH BOX

2

SCALE

1:40

JOB Nº

201030

REV.

01

DRAW. Nº

104-A

TYPE

ARQ

3 9

COFFEE MACHINE

GENERAL NOTES

4 PROJECT

7

8

6

ICE MAKER

2

3 COFFEE MACHINE

4

EQUIPMENT LEGEND NO.

1

CASH BOX

SIGNATURE SPECIALTY COFFEE

5

DIM. (mm) UNIT AL SUWAYQ (OMAN)

DESCRIPTION LOCATION

1

REFRIGERATED DISPLAY

2

CASH BOX

3

REFRIGERATED DISPLAY

1

(L)1800 x (W)700mm

4

COFFEE MACHINE

1

(L)82 x (W)72x (H)440mm

5

GRINDER

1 N/A ALMUTASIM HAMOOD

CLIENT

1

DRAWING TITLE

6

KNOCK BOX

7

CUP RINSER

8

ICE MAKER

9

SYRUP HOLDER

10

GARGABAGE HOLE

11

SINK

12

ICE CREAM MACHINE

13

MICROWAVE

EQUIPMENT LAYOUT

SCALE

2

(L)370 x (W)190mm

1

(L)150 x (W)140 x (H)110mm

1:40

JOB Nº

1

N/A

2

(L)500 x (W)600mm

201030

REV.

01

DRAW. Nº

1 1

TYPE

N/A

104-A ARQ

GENERAL NOTES

DIAM 400mm

1

N/A

1

(L)500 x (W)700mm

1

N/A

EQUIPMENT LAYOUT

A A-104a SCALE:

KEY PLAN

(L)50 x (W)40 x (H)145mm

yaiza.martinez6@gmail.com

1:70 MTS.

London, UK

REF Nº

5

Telephone: +44 (0) 7737 762463 YM-201030-ARQ-104-A

EQUIPMENT LEGEND DIM. (mm)

NO.

DESCRIPTION

UNIT

1

REFRIGERATED DISPLAY

1

N/A

2

CASH BOX

1

(L)50 x (W)40 x (H)145mm

3

REFRIGERATED DISPLAY

1

(L)1800 x (W)700mm

4

COFFEE MACHINE

1

(L)82 x (W)72x (H)440mm

5

GRINDER

2

(L)370 x (W)190mm

6

KNOCK BOX

1

(L)150 x (W)140 x (H)110mm

7

CUP RINSER

1

N/A

8

ICE MAKER

2

(L)500 x (W)600mm

9

SYRUP HOLDER

1

N/A

10

GARGABAGE HOLE

1

DIAM 400mm

11

SINK

1

N/A

12

ICE CREAM MACHINE

1

(L)500 x (W)700mm

13

MICROWAVE

1

N/A

KEY PLAN

13 yaiza.martinez6@gmail.com London, UK

Telephone: +44 (0) 7737 762463

14

CASA CUBO The design was created as a part of my work experience at architecture practice in Kyiv. The practice specializes in pre-made paneling systems.

Simple and affordable design is dictated by the wall paneling technology.

The walls are fabricated at the factory originally and delivered to the site which allows to speed up the construction process in 3-5 times and decreases the overall cost. The price of the prefabricated module is lower by 25-35% than monolith frame technology. The other important benefit is the minimization of the labour required - nine story houses could be built by nine people.

9230 6360 3400

800

1250

2640

1000

3600

200

7700

8460

7700

8460

2500 1000 1000

1000

1800 1020

2350

380

380

2200

2200

1000

8460

2500

3000

1000

1000

380

380

3100

200

800 Ha 1800 200

3400

800

4610

200 3600

9230

9230

3400

200

3400

800

1000

3600

200

2500 1000

1000

1000

1000

2200

2200

380

380

8460

2500

1000

1000

380

380

200

800

4610

5200

200 3600

9230

15

APERTA The Aperta is located in Sheep’s Meadow, Central Park, New York. One of Central Park’s most well-known and important landscapes, Sheep Meadow is the upmost expression of the Park’s essential purpose as a retreat from urban life.

The design was created as a part of a competition focused on raising the interest in reading among people. Digitalization of the modern world has caused a dramatic decay in our reading habits. Libraries have not been reconsidered like other aspects of our lives. But why is it important to read anyway?

16

Recent studies of Sussex University shows that reading reduces stress by 68% and it is faster rather than listening to music or going for a walk. A peaceful and secluded place for reading is a mere solution for a tense and demanding lifestyle in New York. The USA ranked 22 among other countries with 5:42 hours spent reading per person per week. The human brain needs constant development and reading is just the activity to help. The Aperta serves as a concealed spot for reading heavily integrated in nature. The idea was to experiment and create not a typical reading environment but rather relaxing and ethereal space.

The concept og the structure was developed from a visual of a fully open book where pages bacame ribs in reality providing shade but still leting the light in.

West Elevation

Parametric benches mimic a person’s body shape creating comfortable lying or sitting areas. The circular ramps allow one to experience the space in one uninterrupted motion. There is no specific designated entrance the structure could be entered for any side which reflects the availability of knowledge delivered by books.

South Elevation

N

North Elevation

17

7'-3"

7'-6" 9'-10" 5'-8" Section AA

SECTION AA'

9'-10" 2'-7"

9'-6"

18

8'-9"

7'-6"

A

A

6'-4"

39'-4" 6'-5"

39'-2"

6'-10"

Top VIew N

TOP VIEW 13'

12'-9"

4'-7"

6'-7"

38'-11"

12'-3"

39'-4"

Floor Plan N

19

THEATRICAL COLLONADE

The Theatrical Collonade occupies a city block at the heart of London’s Embankment, prominent from both the riverfront and the Strand. It is surrounded by a number of historic listed buildings. The proposed elevation is composed of columns of varying heights, providing shading and making a visual link with materials found in this context. The dimensions of these components are derived from the columns in the facades of neighboring buildings. The map on the right represents the allocation of the columns and the height of each one. This ‘taxonomy’ of columns restores the vertical aesthetic and proportion to the site, characteristic of the existing buildings in the area. The project incorporates a theatrical production and festive activity.

20

In the theatrical performance, the stage becomes the world whereas during the festivity the world becomes the stage. The design is aiming to combine both of those qualities by providing the passage through the site for the Lord Mayor Show Procession and incorporating the production of the theatrical stage sets. The proposed elevation is composed of White stone columns, providing shading and making the visual link with materials found in the context of the area. The front facade screen is emerging from the height of the column of the listed buildings surrounding the site. The proposed building acts to record and reflect its own context like a mirror, commemorating forgotten grandness and opulence of the previously existing building, Arundel House.

FACADE FORMATION

N Scale 1:3500Scale 1:3500

N

N Scale 1:3500

21

INNER COURTYARD

Somerset House

The core of the Ground floor plan is the inner garden. The proportions and rigidness of the inner garden date back to the seventeenth century when the original arrangement was on the site. The cobalt stone was used to form the rectangular shapes and encourage people to use those spots as a seating area while the white tiles allow the flow from the arches to the riverfront. By bringing back the forgotten elements and qualities of the site the structures gains back its grandness and enriches the area and neighboring buildings.

22

Somerset House

King’s College

King’s College

Temple Place Site

Temple Place Site

International Institute For Strategic Studies

British American Tobaco

International Institute For Strategic Studies

British American Tobaco

MATERIALITY The analysis of the buildings in the area enabled an interesting material pattern happening on the Victoria Embankment.

The white stone is repeated in every second building. Starting with Somerset house which is built out of white stone and to the British American Tobacco building.

Since the design is aiming to complement the neighboring elevations when observed from the South embankment the white Portland stone was chosen as a main component of the materiality.

The louvers and interior columns are made out of marble and Onondaga limestone to create a warmer feeling for the occupiers.

23

24

8

4

8

7

4

3

3

1 5

2

7

4

6

1

2

3

N First Floor

1 5

2

1 Theatrical Production Office 2 Kitchen 3 Meeting Room (above) 4 Observation Balcony 5 Rehersal Room 6 Changing room 7 Observation Balcony 8. Workshop

6

GROUND FLOOR

FIRST FLOOR

1. West Tower Foyer 2. east Tower Foyer 3. Workshop 4. Loading Bay

1. Theatrical Production Office 2. Kitchen 3. Meeting Room (above) 4. Observation Balcony 5. Rehersal Room 6. Changing Room 7. Observation Balcony 8. Workshop

N

Ground Floor

1. West Tower Foyer 2. East Tower Foyer 3. Workshop 4. Loading Bay

N First Floor 1 Theatrical Production Office 2 Kitchen 3 Meeting Room (above) 4 Observation Balcony 5 Rehersal Room 6 Changing room 7 Observation Balcony 8. Workshop

7

1

1

4

2

7

5 6

2

3

3 4

1 5

SECOND FLOOR

N Second Floor 1 Costume Store 2 Rooftop Garden 3 Exhibition Space 4 Cafe 5 Parterre 6 Control Booth 7 Props Store

1. Costume Store 2. Rooftop Garden 3. Exhibition Space 4. Cafe 5. Parterre 6. Control Booth 7. Props Store 6

2

3 4

THIRD FLOOR 1. Costume Workshop 2. Kitchen 3. East Tower Rooftop Garden Third Floor 4. Props Workshop 5. Kitchen 1 Costume Workshop 2 Kitchen 3 East TowerRooftop Garden 4 Props Workshop 5 Kitchen

N

25

SECTION AA The perspective Southside section is unraveling the spaces and gives the understanding of the depth of the overall structure.

The West tower is incorporating the Scenography production office with the meeting room.

The exhibition space acts as a potential storage for the Lord’s Mayor Cabin as well as a display of the physical models created as a part of the stage set designing. Moving on from the exhibition the visitor will experience the cafe overlooking the south embankment. The cafe and exhibition space becomes a linking segment between two towers. The East tower is integrating the rehearsal space and the parterre for the spectators with the control booth on the south side overlooking the river Thames.

26

SECTION CC The perspective cross-section of the West tower unravel the principles of the space organization. The top floor is occupied by costume workshop.

The costume making requires a good exposure to the north light the glass roof was installed in order to serve this requirement. The staircase at the back of the structure connects the production zones of the building from the basement through the costume store to the costume workshop. The large arch dimensions are suitable to serve large processions or festivals such as Lord Mayor Show. The width of the arch was determined by the width of the street and the height derives from the height of the processional truck.

The same arch cuts through the East tower. The observation balconies are allowing the larger numbers of spectators to enjoy the festivity.

27

1

2

3

4

5 6 7 8 9

10

11

12

13

14

15

16

28

17

1. Costume workshop 2. Props workshop 3. Cafe Mezzanine 4. Costume store 5. Props Store 6. The Gallery of scenography art 7. Office meeting room 8. Theatre Cafe 9. Control Booth 10. Parterre 11. Office 12. Rehersal 13. Loading Bay Workshop 14. West tower foyer 15. East tower foyer 16. Storage 17. Stage set assembly

LOUVER CONNECTION DETAIL

1 2 3 4 5 6 7

8 9

10 11

12 13 14 15

South East view

Top View

16 17

18 19 20 21 22

Sun Analysys

1. Parapet cap 2. Louver 3. Portland stone cladding 4. Insolation 5. Air central membraine 6. Louver fixing 7. Curtain pocket 8. Metal blocking 9. Suspended cilling system 10.Glass 11. Inner white marble column

12. Flooring tiles 13. Ventilation 14. Portland stone cladding 15. Concrete floor slab 16. Curtain pocket 17. Aluminium profile 18. Metal framework 19. Flooring tiles 20. Drain 21. Ventilation 22. Concrete floor slab

01.06. 2018

01.01. 2018

29

AQUATIC SALUTE The topic of the brief is based around the festive activity of the Lord Mayor Show. The essence of festivals is to commemorate a certain tradition that unites generations. Taking Lord’s Mayor Show as a base we are proposing a new tradition that adds another layer to this annual procession. The original event is divided into two parts: river pageant and dry land parade.

The Gloriana vessel, that carries The Lord Mayor, leads the river pageant.

It seems not to participate in the overall procession to its greatest extent and does not fulfil its potential. In order to uncover Gloriana’s importance as the key element of the 800-year procession, we extend it’s participation to the land through our proposal. The core of our intervention consisted of three parts: the detachment, exchange and archival of the main element of the Gloriana vessel: the cabin.

30

According to our programme each Lord Mayor will be able to design his own cabin, that he will use for the duration of his term. Therefore, the cabin renewal happens every year. The sequence we propose creates history and preserves it by archiving cabins in the Boat Museum and keeping a record of the Lord Mayor show through paintings and booklets.

The sequence we propose creates history and preserves it by archiving cabins in the Boat Museum and keeping a record of the Lord Mayor show through paintings and booklets.

The Gloriana arrives at the Jetty where the first part of the intervention takes place. The detachment of the cabin starts the proposed tradition which connects the river pageant with urban procession.

The jetty plays an important role in recording the annual event by creating the processional paintings and releasing the informative booklets every year. The second part of the procession is located at the Mansion House Square where the “renewal” is happening. It includes three programmes: the workshop, the gallery and the public space. It represents the exchange ceremony - the culmination point of the parade.

The final step of the intervention is the Boat Museum. It will serve as an archive for all the cabins and paintings that will be part of the new tradition. Museum is a linking thread between people and the heritage of the Lord Mayor Show.

THE ROYAL BARGE GLORIANA The essence of the tradition is arranged around the change of term of the Lord Mayor. However there is another factor which influences the replacement of the whole boat - Monarchy change. The new reign coming would mark the exchange of the whole boat.

The diagram below explains the changeable and unchangeable features of the boat in case of the replacement of the whole boat.

The interior design of the cabin is based on the taste of potential female Lord Mayor of The City of London. Lucy Musgrave was picked as a possible figure.

The exploded axonometric of the boat on the right splits the boat into three parts representing the frequency of the change of certain parts: the vessel itself, the cabin and symbols.

The site map allocates the sequence of the strategic movement of the old and new cabin. These moments are interlinked with Lord Mayor’s Show route and timetable as well as Glorianas.

Length 26. 90m Breadth 3.95m Height 3.75m Scale 1:100

1, 6 , 9 - Lusy Musgrave ia an author of “Play: in the city”. According to the interview based on a book discussion Musgrave believes that urban environment should be more playful. Mainstreaming playgrounds in urbam policy.

2,4 - Her own rooftop garden contains climbing wisteria, jasmin rosemary.

3 - william Blake painting.

5 - Daniel Defoe favourite writer 7 Make cabin more available for public use 8 - Form of the couch is taken from Musgrave’s own dwelling.

31

STRATEGY PLAN Map ISO South East

32

DESIGN STRATEGY

PROGRAMME DESCRIPTION The design’s starting point is the rearrangement of rooms of the Mansion house ground floor plan. The Egyptian hall at the back of the Mansion house was taken as a reference size for the landing Jetty because the length of it was the same as the length of the Gloriana vessel.

Multiple iterations were done with the outline of the plan in order to find suitable spatial arrangement for the inhabitable part of the Jetty. The decisive aspect of the room’s rotation was a panoramic view opening up to a certain space.

Three programmes were defined: publishing hub, painting studio and landing jetty for the Gloriana placement. Materials were picked referring to the spacial use. The painting studios with panoramic views were meant to be completely transparent. The translucent polycarbonate was selected for the publishing hub. The initial intention was to create a quiet private space for writers to concentrate but at the same time suggest invitation to the public.

Wood was chosen for the Landing jetty manifesting stability and endurance of the vessel itself.

33

34

​​​ The height of each volume reflects its use.

The Publishing Hub entrance is looking out to the street and it is easily accessible from the Victoria Embankment. This space is aligned with the ground for better engagement of the structure with the public. It acts as an information distributor between people and The Boat house. The aim of Urban Painting studio is to depict multiple manipulations with the cabin and generally record the Lord Mayor Show through paintings.

The level of Urban Painting studio is above the level of embankment which allows a slightly angled panoramic top view onto the Victoria Embankment and the cabin.

The Aquatic’s painting studio panoramic view is rotated towards the Waterloo bridge and the lowest to the river surface. The aim of this studio is to reproduce paintings of the moment of River pageant approaching headed by the Gloriana.

THE TECHNICAL CONNECTION OF THE SLUB AND MAIN CONNECTING ELEMNT

1. Rods 2. Bolts 3. Long Middle Rebar 4. Fin Plates 5. Short Middle Rbears 6. Long Miffle Rebars 7. Concrete

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