Penn Career Fair 2022

_ITERATION NO.

86

i am a(n)

architecture student creator perfectionist filmmaker idealist leader artist climate activist

WORK IN PROGRESS.

DANNY JARABEK / PORTFOLIO +++

p. / 02

I AM A WORK IN PROGRESS

EDUCATION 2021-2024

University of Pennsylvania Weitzman School of Design Major: Masters of Architecture

2017-2021

Clemson University Honors College | GPA: 4.0 Major: Architecture Minors: Business Administration & Film Studies

AFFILIATIONS 2021-Present

2019-2021

cNOMAS / Member & Designer Student chapter of NOMA; collaborated on social activism in design competitions and volunteer work.

2019-2021

Tau Sigma Delta / Member Honor society in Architecture and the Allied Arts recognizing the top 20% of students in the US.

Perkins Eastman / Charlotte, NC Interning through the PE summer program and contributing to design work and documentation.

2017-2021

Phi Sigma Pi / President National Honor Fraternity; served as Chapter President 2020-21 and other leadership roles.

Spring 2021

Timber Research Advisor /Clemson, SC Documenting research/studio work on mass timber construction in a comprehensive monograph.

2017-2021

Clemson AIAS / Member Student chapter of AIA active in holding events for the architecture community at Clemson.

Spring 2021

CAAH Video Director Directing promotional video content spotlighting the students of the College of Architecture.

Spring 2020

Study Abroad / Genoa, Italy Studying architecture in a fluid studio located in Genoa, Italy; studio work reflected in the portolio.

EXPERIENCE DANNY JARABEK

CONTACT: djarabek@upenn.edu (518) 332-9339

Summer 2021

PORTFOLIO: www.issuu.com/dannyjarabek

SKILLS ARCHITECTURE Revit

AutoCAD Adobe Photoshop Adobe Illustrator Adobe InDesign

Summer 2019

Rhinoceros Model Making V-Ray

Cinematography

2020-Present

Adobe Premiere Adobe AfterEffects Final Draft Set Design

K2M Design / Marathon, FL Assisting in the design process of multiple projects through various phases as an intern.

ACHIEVEMENTS

SketchUp

FILMMAKING

GAPSA Representative / Student Leader Weitzman School of Design representative for the graduate student organization at Penn.

2019-Present

Clemson Reel Dialogue / Founder & President Film analysis and production club; led 350+ cumulative screenings and completed three shorts.

Interdisciplinary Research Thesis / Designer Independent research exhibition thesis on the intersection of film and architecture.

HONORS Spring 2022

Schenck-Woodman Competition First Place Entry

Spring 2021

Undergraduate Prize in Design Second Place

Spring 2021

Phi Sigma Pi Chapter Service Key

Spring 2021

Clemson Honors College Research Grant

Spring 2021

Peter R. Lee and Kenneth J. Russo Design Award

Spring 2021

Phi Kappa Phi Certificate of Merit Winner

Spring 2021

SC Chapter AIA Award Winner

Fall 2020

AIASC Design Award Sponsorship

Summer 2020

Honors College Educational Grant

Spring 2020

Rudolph E. Lee Award Winner

Spring 2019

Second Year Faculty Award Nomination

selected works

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_CONTENTS

00

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p. / 10

p. / 18

[spring 2020]

[spring 2021]

[spring 2022]

01 CULACCINO

02 ECOTONE

03 FOODCHAIN

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[fall 2021]

[fall 2021]

[spring 2022]

04 PHOSPHENE

05 IPSEITY

06 HETEROSTASIS

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[fall 2020]

[spring 2020]

[fall 2020/spring 2021]

07 PHOTOSYNTHESIS

+++

08 WANDERLUST

09 CINEPHILIA

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_PROJECT NO.

01

Critic: Henrique Houayek hde@clemson.edu 01.08.20 - 04.24.20 Typology: Civic/Food Hub Project: Academic Undergraduate Partnership: Matt Poet All components completed mutually *AIASC Student Design Competion Award Nominee

I AM A WORK IN PROGRESS

CULACCINO genoa, italy

/ku.la’t͡ːʃi.no/ (noun) a water ring, a mark left on a surface (often wood) by the bottom of a wet glass or vessel Genoa’s longstanding history as a port city invites coastal architecture that acts as a social place of gathering. Between the sea and the mountains, CULACCINO serves the community by providing a place to celebrate Genovese traditions and spark new ideas. The project features open air market space, pop-up restaurants, a culinary school, and terrace views that span the entire city. Utilizing a glulam wood primary structure, the building is a striking example of sustainable building practice to expand its programmatic use as a cultural food hub for the city.

The translucent, angular roof structure mimics the mountainous sightlines of Genoa, providing interior shade or external views where necessary. More than just a rest stop, CULACCINO is a place to stay long enough to leave your mark. Whether shopping, eating, or simply enjoying the views, the experience is visually striking, tastefully elegant, and powerfully momumental.

“A PLACE TO CELEBRATE GENOVESE TRADITIONS AND SPARK NEW IDEAS.” +++

rendered site plan

01_culaccino

CIRCULATION AXES

concept diagrams, section perspective

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PUBLIC PLAZA

ANGULAR ROOF

SOLAR ORIENTATION

EXTERIOR VIEWS

LANDSCAPE

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I AM A WORK IN PROGRESS

FIRST LEVEL // 1:250

SECTION C // 1:250

first (main) level plan, longitudinal section

01_culaccino

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PROGRAM: Restaurant: Food Hub: Event Space Terrace:

171 m2 461 m2 128 m2

205 m 260 m2 377 m2 387 m2 537 m2 2,526 m2 2

POLYCARBONATE ROOF PANELS The roofing material is a translucent polycarbonate paneling system that meets the angular roof system. The translucency creates a sustainable impact on the building by reducing energy output to heat and light the space. The translucency provides a muted source of natural light entering the entire building.

GLULAM CLT V-COLUMN

STEEL JOINT PLATE REINFORCED CONCRETE FOOTER

POLISHED CONCRETE FINISH FLOOR

5.9

Greeting: Open Market: Loading Dock: Culinary School:

3 T.O. ROOF +23.20

GLULAM CLT FRAMING The primary and secondary structure of the building is entirely framed in a laminated wood system that is sustainably preferred in comparison to steel, concrete, or other structural systems.

The warm tone of the wood provides an inviting and comforting atmosphere within the spaces, suitable for a community market and food hub.

2

COLUMN TO FOOTER JOINT SCALE: 1:20

LEVEL 2 +17.30

PYRAMIDAL GLASS

9.4

The main, double-height space of the building which serves as a social food hub with pop-up vendor spaces is framed by a pyramidal glass facade system. The system acts as a feature wall for the 10-meter high space, casting brilliant shadows across the space at all times during the day. The space is wrapped by an exterior stairway to continue the feel of an indoor-outdoor building, between programmed spaces and open-air terraces.

4

ALUMINUM ROOFING MULLION

POLYCARBONATE ROOF PANELS

14.3

GLULAM CLT PRIMARY ROOF FRAMING ROOF MULLION SYSTEM SCALE: 1:4

1.0

3

4.9

LEVEL 1 +7.90

GLULAM CLT X-COLUMN

GRADE +3.00

PYRAMIDAL GLAZING SYSTEM

2

WOOD PANEL CLADDING

4

renderings, exploded axon

GLAZING MULLION DETAIL SCALE: 1:4

GLULAM MULLION FRAME

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_CENTRAL PIAZZA + exterior stairs + restaurant ocean views + glulam roof structure

_FEATURE SPACE + pyramidal glass wall + exposed wood surfaces + creative solar pattern

_MARKET HALL + permeable ground level + material space division + social circulation paths

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_PROJECT NO.

02

I AM A WORK IN PROGRESS

ECOTONE charleston, sc

4

1

Welcome Pavilion

2

Forest Walk

3

Main Visitor Entry

4

Redeveloped Access Road

5

Ceremony Space

6

Boardwalk Outlook

7

Harvested Trees

6

Critic: Ulrike Heine ulheine@clemson.edu 01.06.21 - 04.18.21 Typology: Cultural/ Museum Project: Academic Undergraduate Partnership: Austin Lemere, Scott Dignacco All components completed mutually *Undergraduate Prize in Design Second Place

/ēkətōn/ (noun) a region of transition between two biological communities.

By drawing inspiration from the cultural, historical, and ecological context, ecoTONE recognizes the setting while also embracing the future. In identifying environmental parallel axes, the project bisects four distinct ecological zones in order to craft an immersive experience for its users through marsh, live oaks, forest, and field.

As a proposal for the new Coastal Discovery Museum on Honeyhorn Plantation, ecoTONE capitalizes on the surrounding natural features to respond both formally and programmatically in order to maximize the learning opportunities for guests of the site. Upon arrival, the entire journey is a narrative of environmental and contextual transition with the building acting as the platform for growth. The project utilizes environmental strategies that engage the senses crafting an environmentally conscious structure that also acts experientially for the user. The project’s materials and envelope are guided to provide unique interior and exterior performances that are aware of how the building will evolve over time and age with the natural site.

3 7

5

2

1

The structure provides a clear entry from the existing visitor parking lot to the new forest walk. This introduces the language of our design by acting as a faceted gateway for visitors to walk through.

The forest walk serves as an experiential circulation path bridging the existing CDM with the new proposed site.

The wood deck path is elevated to the height of the finish floor bringing users directly into the building.

The double-height main visitor entry has direct walking access from the visitor parking lot and serves as the most visible ecological module reaching into the field. The users are greeted with a double height ticketing.

The existing access road is redeveloped to serve as a back of house entry to the assembly and event module as well as provide handicap accessible parking spots and pathways to the back entrance of the visitor center.

A major source of revenue for Honey Horn stems from the event and assembly aspect of their services. As such, a dedicated ceremony space for weddings and other events has direct access to the catering program.

A boardwalk over the marsh connecting to the education module of the building provides a way for users to engage with this ecology of the landscape. It also serves as a learning space for community events.

Although the building maintains a light touch on the site, a portion of Southern Pine trees in the forest ecological sector are clear cut to be repurposed as CLT structural panels at local sawmills.

“THE ENTIRE JOURNEY IS A NARRATIVE OF ENVIRONMENTAL AND CONTEXTUAL TRANSITION.” +++

site/ground floor plan

02_ecoTONE

ECOLOGICAL AXES

Identifying four axes of ecologies on the site: marsh, live oaks, forest, and field. The initial massing bisects these ecologies on a perpendicular axis to immerse the user in the natural landscape.

DESIGN for SOLAR

The faceted CLT structure allows for optimal sun angles.

Overhangs are placed above glazed entryways in addition to skylights facing away from harsh southern light.

diagrams, section perspective

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EXTERIOR CONNECTION

Shifting the massing around the existing site conditions creates semi-private spaces for indoor/outdoor program connections. The form is inspired by the winding creek and engages the user’s senses throughout.

FRAME VIEWS

Breaking the mass into four program modules associated with the four ecologies allows for framing views according to the respective ecological environment the module is immersed within.

SOLAR ORIENTATION

Orienting the program modules to receive light optimally on the site. This allows for natural lighting and passive heating throughout the building in addition to a polycarbonate roof for water collection.

FACETED FORM

Forming the modules through a faceted CLT mass timber system respects the site surroundings by weaving through the trees. The facets also support punch out skylights and windows.

DESIGN for AIR

A roof level clerestory utilizes operable windows as a source of natural, passive ventilation. By doing this, the building’s efficiency remains high and energy costs remain low. The transition spaces are also designed for cross-ventilation due to the high temperature climate of the site.

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I AM A WORK IN PROGRESS

Life Cycle Assessment: DESIGN for the FUTURE Total potential carbon benefit: 920 metric tons of CO2

Mezzanine Tree Walk

Avoided greenhouse gas emissions:

Back of House

257 metric tons of CO2

Pedestrian Circulation

Harvesting Material 657 m3 volume of CLT

Local Milling

4 Sawmills on Hilton Head

Cradle to Grave

Long-term investment and usage Education Assembly

DESIGN for LIGHT TOUCH

The entire building sits raised on the site in order to create a floating effect by implementing a shadow gap in the foundation.

To further enhance this effect, a ground level clerestory of recyclable polycarbonate wraps the structure. This provides the feel of a lightweight building that does not infringe on the site, but rather accentuates its natural features.

Outdoor Spaces Gallery

Marsh

Visitor Center Live Oaks

Forest Field

DESIGN for DISASSEMBLY

CLT panels sit on customized L-section beams designed to fit the angles of the facets. Steel connectors create a pinned connection for the L-section beams to join at the corners of the CLT panels.

These pinned connections leave the panels non-permanently altered by fixed joints in order to allow for future disassembly and reuse if necessary.

diagrams, details, exploded axon

02_ecoTONE

+ An open, double-height space accessed by the forest walk from the north and south ends of the site. + Centralized ramp begins the experiential journey through the building. + Houses ticketing, central exhibit space and store.

FIELD

FOREST

LIVE OAKS

MARSH

1 Visitor Center Module

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2

2 Gallery Module

+ A gallery fabrication room is used by artists and curators to discover the best ways to display their work. + Strong connection with forest ecology with a large balcony on the north side of the building. + Angled, southern facing windows allow for passive heating and cooling as well as views to the southern forest.

3 Event/Assembly Module

+ A vast space that holds a wide range of events and gatherings both large and small. + The catering kitchen on the ground level is big enough to provide for any and all events. + The large bridal suite and family lounge on the second level gives privacy to the bride, her family and friends in preparation for the big day.

4 4 Education Module

+ Sits at the edge of the marsh, connecting visitors to this ecology. + Caters to children in particular, and provides exterior access to the marsh and live oak canopy. + Creates ample opportunity for discovery of the surrounding environment.

3

1

4 Framing Views: Education

Focused on framing views downward facing the marsh ecology.

Reflected Ceiling Plan Underneath the transition spaces are experiential, wood-framed ceilings. The framing is designed with the language of the building, dividing the area into a series of triangles that meet at certain crucial points. At these points, angular, wooden beams reach up from the ground to support the wooden frame, creating dynamic columns that the visitor can interact with.

first level plan, ground level plan, longitudinal section

3 Framing Views: Assembly/Event

Focused on framing upward facing views towards the live oak canopy.

2 Framing Views: Gallery

Focused on creating vertical views to emphasize the forest ecology.

1 Framing Views: Visitor Center

Focused on creating a wide, horizontal panorama of the field ecology.

Ground Floor Permeability The permeability at the ground level between each module creates important spaces for the building’s users and their diverse needs. We have developed exterior spill-out conditions for each module. Furthermore, each spill-out space is directly accessed by only one module.

Visitors inside are encouraged to journey through the building at the second level, using our experiential ramps for vertical circulation to access the exterior spaces.

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I AM A WORK IN PROGRESS

interior rendering

02_ecoTONE

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Cedar Siding

Influenced by the traditional cedar shake cladding of Hilton Head, the first envelope material utilizes the inviting warmth and recognizable fragrance of cedar siding. The exterior wood will weather and age from its natural red to a silver-brown.

COR-TEN Steel

Merging traditional with experimental, COR-TEN steel facade panels compliment the cedar with its visible patina that naturally develops to a rusted texture within a month before fading to a darker tone that blends with the environment.

MATERIALITY / one day

elevation collage, elevation materiality study

MATERIALITY / one month

MATERIALITY / five years

MATERIALITY / twenty years

p. / 17

_EXTERIOR COURTYARD + forest ecology + event rental space + exposed glulam structure

2

_MUSEUM GALLERY + exterior event space + ecological transition zone + polycarbonate roof

3

_EDUCATION MODULE + marsh ecology + community programming + connection to diverse marsh

4

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_PROJECT NO.

03

Critic: Annette Fierro fierroal@upenn.edu 01.12.22 - 01.19.22 Typology: Streetery Project: Competition Partnership: Owen Wang, Tobie Soumekh *Schenck-Woodman Competition 1st Place Entry

I AM A WORK IN PROGRESS

FOODCHAIN philadelphia, pa

/’fōod, CHān/ (noun) the series of processes by which food is grown or produced, sold, and eventually consumed Confronting existing problems faced by streeteries, foodCHAIN seeks alternative solutions for a more adaptive and sustainable public eating environment. The project develops a method for promoting circulation along an underutilized stretch on 10th street by encouraging occupation on nodes of wasted space through loosely defined boundaries of catenary tensile forms on top of the existing abandoned viaduct. foodCHAIN also promotes innovative environmental solutions utilizing the wasted heat from nearby factories by piping it through a passive biomaterial filtration system embedded in the floor for a natural heating source, a water-wall for central warming, and a hydroponic system of community vegetable growth as a viable use of rainwater collected by the sustainable ETFE tensile roof system. All four occupancy nodes are then interconnected into an extensive pulley system for a no-contact delivery solution making for a one-of-a-kind dining experience that can be replicated in other underutilized areas of the city.

“INTERCONNECTED INTO AN EXTENSIVE PULLEY SYSTEM MAKING FOR A ONE-OF-A-KIND DINING EXPERIENCE.” +++

floor plan

03_foodchain

Buttonwood St.

p. / 19

4

2

N. 10th S t.

5

1

6

3

1 Circulation ramp connecting street level space to the adapted viaduct 2

1

9 7

T.O. Structure + 41’-4”

8 T.O. Ceiling + 36’-6” Hydro-Core + 34’-0”

Pulley Food Delivery

Heating Pipes

In order to reduce environmental waste from propane-fueled heaters, a system of pipes transfers heated air byproduct from local industrial factories where it is filtered through passive biomaterial underneath the floor and translated to reusable interior heat.

Finish Floor + 23’-8” Viaduct + 22’-0”

Hydroponic Core

Rainwater is collected by the ETFE tensile roof cover and diluted in a central water wall to either by heated for internal conditions or distributed to the hydroponic vertical garden.

A network of pulley systems connect local restaurants in the immediate region to the streetery dining areas in order to provide non-contact food delivery and a unique dining experience.

1

Proposed Pop-up Restaurants

2

El Rincon (Existing Restaurant)

3

10th Street Canopy Space

4

Circulation Ramp

5

Elevator

6

Eatery on Viaduct

7

Bar Eatery on Viaduct

8

Climbing Wall Entry

9

Existing Factory 0

site plan, render vignette, section perspective, detail

5’ 10’

25’

50’

p. / 21

Hydroponics

1

Pop-Up Store

2

3

Industrial Factory

Heat

4

Restaurant Solar Orientation

Light

Climbing Wall

Shelter

Vegetable

5

People

Circular Path

Food

6

Industrial Factory

Water

7

9 8

1 2 3 4

10

Summer: The extended shade and the eaves block direct sunlight and the water wall is transformed into a hydroponic system that also powers a radiant cooling system on the roof.

5

Tensile ETFE Rain Catcher Radiant Cooling System

Water Wall/Hydroponic System Steel Columns

Retractable Shades

6 7 8 9 10

Pulley Delivery System Eaves/Door/Wall Dining Area

Heating Pipes

Circulation Pathway

80°

Rain

Winter: Shade is retracted to allow sun to heat up the water wall during the day and release heat at night. The ETFE sheets are always closed and the curtains are down at night.

Snow 29°

Summer

Winter

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_PROJECT NO.

04

Critic Danielle Willems dwillems@.upenn.edu 01.12.22 - 01.19.22 Typology: Installation Project: Academic Graduate Partnership: Zihan Li, Sara Halawani, Clara Shim

I AM A WORK IN PROGRESS

PHOSPHENE university of pennsylvania installation

/’fäsfēn/ (noun) a ring/spot produced by pressure on the eyeball or direct stimulation of the visual system creating the perception of light PHOSPHENE explores the structural properties and fabrication strategies of carbon fiber to engage and interact with the chamber volume. The project extracts its shape from the boundary of the site subtracting double-curved polysurfaces to mold an undulated form. The self-sufficient structure is fabricated from resin-baked carbon fiber that is woven in various density patterns through a series of modules to reinforce its lightweight structural capacity. The gradient weaving patterns serve as a physical connection between the woven modules and the user perspective guiding views through materiality and allowing for an interactive, unpredicatable visual experience. The digital expansion of the chamber also explores the incorporation of suspended solid between the layers of carbon in order to display the strength of the material as well as the proliferation of undulated formwork.

“PHYSICAL CONNECTION BETWEEN THE WOVEN MODULES AND THE USER PERSPECTIVE.” +++

physical model detail photograph

04_phosphene

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Weaving Pattern

V.01

iteration series

Mesh Undulation

V.02

Implied Curvature

V.03

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I AM A WORK IN PROGRESS

renderings, axon silhouette, elevation silhouettes

04_phosphene

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01

03

A

B

C

D

04 02

plan, section, elevation, exploded axon

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_PROJECT NO.

05

Professor: Danielle Willems dwillems@.upenn.edu 10.18.21 - 12.14.21 Typology: Museum Project: Academic Graduate Individual

I AM A WORK IN PROGRESS

IPSEITY

philadelphia, pa - PMA extension

/ ip’sēətē/ (noun) the quality of being oneself or itself; the essential element of identity.

IPSEITY intends to peel back the façade of the museum typology by recalling the articulation of industrial history and deconstructing the narratives underneath the surface of artistic ownership and display. Through introducing a critical inquiry into the role of the universal museum and its global consequences, the extension proposal seeks to erode the western model of privileged artistic consumption that dominates untold narratives. In order to destabilize the choreography of the typology, the building utilizes a hyper tectonic construction exploring a grand cantilever form to empower the excessive expression of structure, and therefore, truth. The celebration of industrial articulation highlights the mechanical, the procession, the unspoken in service of liberating the art it houses.

“ERODE THE WESTERN MODEL OF PRIVILEGED ARTISTIC CONSUMPTION THAT DOMINATES UNTOLD NARRATIVES.” +++

site plan

05_ipseity

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OXIDIZED COPPER INTERIOR FINISH The weather-treated interior finish evolves with the building as the material ages and transforms over time. Rather than remaining static, the interior finish reflects the internal erosion that deconstructs the preconceived notions surrounding the museum experience.

T.O. STRUCTURE + 42’-0’

VIGNETTE 1: INSTALLATION SPACE The double-height space serves as a vertical clearning at the peak of the ramp that spans the structure opening to a floating gallery space with an anamorphic ceiling.

EXPOSED MEP SYSTEMS The visibility of the building’s systems forces users into an unnatural and destabilizing museum environment where truth in artwork and truth in building composition/ function coexist.

T.O. ROOF + 34’-0’

LEVEL TWO + 20’-0’ T.O. MEZZANINE RAMP + 6’-0’

VIGNETTE 2: PRIVATE GALLERY LEVEL ONE MEZZANINE + 3’-0’

GRADE + 0’-0’ LEVEL ZERO - 12’-0’

B.O. BASEMENT - 26’-0’

exploded choisy rendering

Elevated pockets of space serve as intimate private galleries for specialized temporary installations.

MAIN ENTRANCE AT GRADE A raised main entrance shifts the topography a single storey above the landscaped site and amphitheater to heighten the effect under the cantilever.

UNDERGROUND THEATER

An underground theater serves as the structural anchor for the building as well as provides a private programmatic space for an immersive theater viewing.

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I AM A WORK IN PROGRESS

3

1

TEMPORARY INSTALLATION/EXHIBITION

2

EDUCATION CENTER

3

PERMANENT GALLERY/MAIN ENTRY

1

2

floor plan, exploded program diagram, longitudinal section

05_ipseity

physical model photographs

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_SITE AERIAL + grand cantilever + exterior amphitheater + exposed glulam structure

_MUSEUM GALLERY + MEP visible expression + floating artwork display + weathered materiality

_SECTION CHUNK + excavated theater space + interlocking profiles + exposed structural expression

p. / 34

_PROJECT NO.

06

Critic: Annette Fierro fierroal@upenn.edu 01.20.22 - 04.27.22 Typology: Public Market Project: Academic Graduate Individual *WORK IN PROGRESS

I AM A WORK IN PROGRESS

HETEROSTASIS philadelphia, pa - callowhill

/’hedərō ’stāsəs/ (noun) any device, organ, system or organism capable of multi-state behavior that can be represented by an abstract state machine composed of a characteristic set of related, interconnected states, linked dynamically by change processes allowing transition between states HETEROSTASIS explores environmental and ecological mapping by filtering, processing, and reimagining data sets on pollution, heat stress, and vegetative cover to reveal conflation intensities as a modality for architectural stategy. By the rethinking of elements such as humidity, light, and heat in micro-climatic conditions as spatial dimensions, the amplification of invisible environmental boundaries visualizes the unseen and produces a marketplace that operates cyclically in a constant state of decay and regrowth.

Through the active exchange of biomaterials between user and market, the user’s awareness of their intrinsic interconnectivity with the earth is raised forming a marketplace at the intersection of biology, ecology, physiology, and architecture.

“ACTIVE EXCHANGE OF BIOMATERIALS BETWEEN USER AND MARKET.” +++

notational diagram

06_heterostasis

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mapping model_01

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mapping model_04

p. / 38

_PROJECT NO.

07

Critic: Dustin Albright dalbrig@clemson.edu 08.19.20 - 12.04.20 Typology: Education Project: Academic Undergraduate Partnership: Emma Hanson & Molly Glaser *2021 AIA Greenville Biennial Design Award Nominee

I AM A WORK IN PROGRESS

PHOTOSYNTHESIS columbia, sc

/,fōdō’sinTHəsəs/ (noun) the process by which green plants and some other organisms use sunlight to synthesize foods from carbon dioxide and water

PHOTOSYNTHESIS is driven by the idea of growth and evolution through the emergence of an angular roof from the natural landscape, the growth of CLT and mass timber construction, and most importantly the evolution of the student users. Titled “Schools From Forests,”the exploration of mass timber products led to its use in a variety of creative schemes in order to maximize potential for psychological benefits, internal acoustics, and structural adaptability. What ties the building’s form and structure together, however, is the important role of growth and development for the students of Forest Acres, Columbia. By orienting the focus of the design on the students themselves, Forest Lake Elementary serves as a long-term, resilient, and flexible educational solution for the city of Columbia.

“LONG-TERM, RESILIENT, AND FLEXIBLE EDUCATIONAL SOLUTION FOR THE CITY OF COLUMBIA.” +++

07_photosynthesis

CIRCULATION AXIS

concept diagrams, rendering

p. / 39

SOLAR ORIENTATION

ENVELOPE ROOF

EXTERIOR VIEWS

OUTDOOR LEARNING

BRIDGE ACCESS

p. / 40

I AM A WORK IN PROGRESS GROUND FLOOR

FIRST FLOOR

ELEVATOR STAIR

CROSS-LAMINTED TIMBER PANELS: 70,000 FT3 LIGHTWOOD FRAMING: 5,000 FT3 GLULAM STRUCTURAL FRAMING: 15,000 FT3

~90,000 FT

3

TIMBER PRODUCTS

_EXPOSED CLT

Interior visual access to exposed wood surfaces has proven psychological benefits in educational environments. The roof and many shear walls expose the interior CLT surfaces intentionally for these health & wellness reasons.

_REVERSIBLE JOINTS

Limited welded/fixed joints allows for greater adaptability of parts and reuse of building materials. The preference of wood-to-wood joints over steel connections encourages future growth and evolution of the building.

_CORK ACOUSTIC

Cork acoustic layers are added to the CLT floor construction layers in order to mitigate internal airborne and impact sound. Utilization of this product also incorporates another creative use of wood products in the project.

plans, axon diagram, elevation

ACOUSTIC INSULATION 5-PLY CLT WALL PANEL

07_photosynthesis

p. / 41

CLT ROOF ASSEMBLY STANDING SEAM METAL ROOF VAPOR BARRIER ROOFING MEMBRANE ACOUSTIC INSULATION 3-PLY CLT ROOF PANEL GLULAM BEAM

CLERESTORY GLAZING PIPE SECTION STEEL COLUMN

CLT FLOOR ASSEMBLY

CLT ROOF ASSEMBLY

POLISHED CONCRETE FINISH FLOOR CORK ACOUSTIC MAT

CLT WALL ASSEMBLY

5-PLY CLT FLOOR PANEL GLULAM BEAM

CLICK-ON TIMBER BATTONS FACADE STRAPPING ACOUSTIC INSULATION 5-PLY CLT WALL PANEL

SLAB/FOUNDATION ASSEMBLY

CLT ROOF ASSEMBLY

POLISHED CONCRETE FINISH FLOOR CLT WALL ASSEMBLY

CLT ROOF ASSEMBLY CLICK-ON TIMBER BATTONS

STANDING SEAM METAL ROOF VAPOR BARRIER ROOFING MEMBRANE

wall section, structural axon, details

CLERESTORY DETAIL

CLT ROOF CONNECTION

FACADE STRAPPING

5-PLY CLT WALL PANEL

3-PLY CLT ROOF PANEL

4” CONCRETE SLAB

WINDOW FRAME

ACOUSTIC INSULATION

ACOUSTIC INSULATION

CORK ACOUSTIC MAT

4” GRAVEL SUB-LAYER POURED CONCRETE FOOTER W/ STEEL BASE PLATE CONNECTION

FOOTER DETAIL

p. / 42

_PROJECT NO.

08

Critic: Henrique Houayek hde@clemson.edu 01.08.20 - 04.24.20 Typology: Drawing Project: Academic/ Independent Individual

I AM A WORK IN PROGRESS

WANDERLUST genoa, italy

/’wändər,ləst/ (noun) an overwhelming desire to travel During the Spring 2020 semester, I had the opportunity to study abroad through the Clemson Fluid Campus in Genoa, Italy. Though the semester was cut short due to the COVID-19 pandemic, the time I spent in Italy remains one of the most important cultural, architectural, and educational opportunities I have experienced.

One of the main components of the curriculum for the semester was experiential drawing by going out into the world to observe and draw. The travel experiences and the drawings that resulted were some of the most influential in my architecture career. Shown here are just a few of the products, in a variety of digital and analog mediums and from a variety of countries and cultures, that resulted from a shortened semester truly consumed by WANDERLUST.

+++

Chiesa di San Pietro | Genoa, Italy

08_wanderlust

Windmills | Consuegra, Spain

Forum Skyline | Rome, Italy

p. / 43

Dancing House | Prague, Czech Republic

St. Paul’s Cathedral | London, England

Colosseum| Rome, Italy

Street Facades | Amsterdam, Netherlands

p. / 44

_PROJECT NO.

09

Independent 09.27.20 - Present Typology: Cinema Project: Short Films Clemson Reel Dialogue

I AM A WORK IN PROGRESS

CINEPHILIA clemson, sc

/sini’fēliə/ (noun) the term used to refer to a passionate interest in films, film theory, and film criticism As the co-founder and President of Clemson Reel Dialogue, project CINEPHILIA is the realization of a long term passion for film. The club concentrates in critical reception and analysis through meeting 3-4 times a week to discuss films the club votes to watch. Working from an ever-growing watchlist, we have watched over 150 films together as a club, sparking vast evolutions in our understanding of filmmaking, film theory, and film reception. We also developed a production branch that has completed two short films (where I direct photography) with multiple more in the early stages of pre-production. On top of club activites, project CINEPHILIA also encapsulates an ongoing Interdisciplinary Honors research thesis that will exhibit in the Spring 2021 semester. The project titled, Architecture and Cinema: A Curated Timeline of Symbiotic Arts, explores the mutual influence between film and architecture.

MEMORY TRAILS +++

5 MIN | MYSTERY, THRILLER

Taking place on the trails of upstate South Carolina, a hiker feels he is being stalked as he travels alone. Though he tries to run away from his mysterious past and look for clarity, it seems to follow him the more he tries to run from it, and his search for questions seem not to lie at the end of the trail.

09_cinephilia

TEA FOR TWO

p. / 45

5 MIN | DRAMA, COMEDY, FANTASY

In this experimental debut from director Danny Jarabek, a seemingly lighthearted comedy is presented through the mind of a child playing with her brother’s toys.

In an idyllic, strange world, the human psyche is explored over a seemingly harmless tea party conversation. When the tea spills, a perfect world becomes beaitfully imperfect.

HOW LOVE GOES.

5 MIN | ROMANCE, DRAMA

Co-directed by Danny Jarabek and Eugene Rocco Utley, this authentic intersection of romance and grief follows two lonely people who struggle with summoning the courage to take another risk. Bringing newcomers Max Zintsmaster and Rachel Wohn to the screen, the film explores how love goes.

PLEASE DON’T LEAVE FLOWERS ON MY GRAVE TBD | HORROR, MYSTERY, THRILLER In the aftermath of tragedy, the memory of our life on Earth is defined by the traditions of death and guided by those closest to us. But what if our preconceived notions of remembering those we have lost actually affects them in the afterlife.

Please Don’t Leave Flowers on My Grave is a working screenplay that follows its central character through the journey beyond our physical world, and the consequences that ensue.

I AM A WORK IN PROGRESS.

+++

-Danny Jarabek