Castles in the Air: A theatre village for audiences to be fully engaged

from Brief portfolio+Resume_Tsai Junyoung(2023)

by Daniel Young

台達電中壢六廠新建工程

Section scale: 1/200

K. auditorium seating

I. garden J. points of sale for tickets

F. existed shops and food vendors

G. public bath room

D. back stage room

C. extend stage auditorium seating

2. theatre (double side) of engaging the urban environment. We’re not trying to make an individual public scale: 1/200 A. flipping box back stage

D D

Perspective from Night Market Flipping Box building, but sustain an urban life that each one of us can live apart of it. B. stage(drama on) living room(drama off)

3. living room

Site Plan scale: 1/1000 Perspective from stage

B BC C Section scale: 1/200 living meantime, the audience and performance all become the composition of theatre ment, or watch her husband Helmer's macho daily life from the stage side. In the

BC C

D E H types MOVABLE AUDITORIUM SEATING village. Even though there’s no play on the stage, the project could cultivate civic lifestyle Composition Stage Plan (2F) door, which incited the conservative 19th century and revealed the feminist move-

House” is performed, audiences on the street side would see Nora shutting the around the new garden while watching the play. When Henrik Ibsen's “A Doll's create stage transparency for both-side, which attracts audiences to wander and Zhongzhengtai Night Market side to the existed stadium. The flipping walls

The double-side stage extends theatrical experience from Wuchang Street side blurs the boundary to motivate audiences to engage in. fine the meaning of the street house, from a barrier to an open theater, which between the audience and performance. In this enclosure site, we intend to rede- theatres draw a vivid wall between real life and stage, which engenders a distance

Theatre is a purified version of real life, a life extraction. However, most of the

To Be Fully Engaged