SCORE in C
5 ˙ 4
∑
solo (until m. 55)
Clarinet in Bb Clar. in Eb (opt.)
œj
œ
4 &4 Ó Œ Œ
5 4
3
Piano
œ œ™ ˙
˙ œ œ >œ œ œ œ ™ œ
---------- - œœœœ --- 5 -œ™ 4 œœœœœœœœœœœœ ‰ Ó Œ 44 ‰ ‰ ‰ œ ˙ 4 4
4 4
3
∑
5 4
∑
4 4
4 &4
∑
5 4
∑
4 4
?4 4
∑
5 4
∑
4 4
poco freely shape long tones, while maintaining intensity; never fade out entirely
° 4 Violin & 4
∑
5 4
3
mp
œ ˙ œ œœœœœœœœœœœœœœœœ œ™ ‰ Ó --------------- 3
mf
5
∑
3
∑
Viola
∑
5 4
∑
4Ó 4
5 4
∑
4 4
∑
∑
∑
∑
2 4
∑
5 4
∑
4 4
∑
∑
∑
∑
2 4
5 4
∑
4 4
∑
∑
∑
2 4
gradually release
w w
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ 5 Œ 44 ˙˙ 4 ww o f
∑
∑
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ 5 µ˙˙ Œ 44 4 ww o f
∑
∑
?4 4
∑
5 4
∑
4Ó 4
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ˙˙ 5 ww Œ 44 4 o f
?4 Contrabass ¢ 4
∑
5 4
∑
4w 4w
5 4 w w
f
mp
Π44
Copyright © 2024, DanielThomasDavis (BMI)
simile
Ó
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ 2 4 µ˙˙ ww o f
Ó
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ 2 ˙˙ ww 4 o f ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ˙˙ ww 2 4 o f
1/4-tone bends on one of the strings, increasing in intensity with crescendo Violoncello
2 4
only a slight taper
1/4-tone bends on one of the strings, increasing in intensity with crescendo
B 44
∑
3
1/4-tone bends on one of the strings, increasing in intensity with crescendo
4Ó 4
2 4
∑
w f w blended with bass Wailing, unrelenting q = ca. 62
5 4
œ œ
œ œj œ œ œj œ œ œ œ œ œ œ œ œ ˙ œ w 4‰ J 4
w
?4 ¢ 4
{
5
f smooth but audibly pulsed
as if prophecy
fff
Bassoon
breath accents; alt. fingerings/trill key, ad lib.
mp sotto voce
Eb CLARINET (opt.)
Daniel Thomas Davis (2024)
I. Fully Forth Emerging
Wailing, unrelenting PICCOLO q = ca. 62
° 4 Piccolo & 4
3
Hard Spring
∑
∑
Ó
∑
∑
w w
w w
f
mp
2 4