زاویه ی ظلی “The Angle of Darkness”
a scene by Daniel Reza Sabzghabaei + Mina Salehpour
(2020)
N: i close my eyes i open my mouth i remember: They gave us dolls - puppets without faces Dolls without eyes, dolls without mouths D: It's forbidden for us to paint faces only God can do that only He paints faces he Paints all faces He... N: And we? We Looked at the dolls without a face And we? We Did not find any names for them. So we did not find any names for them. Because we did not recognize them. We did not recognize ourselves in them so they were puppets and they had to stay dolls. Dolls without faces. D: It's forbidden for us to paint faces only God can do that only He paints faces he Paint all faces He... N: And we? We Looked at The faceless and did not recognize us in them. So they became meaningless. Their meaning, lost. And we, our reflection. Because we are not allowed to paint our faces. To show our faces. To have faces… D+N: Our names only placeholders. Labels on boxes of the faceless. Chosen randomly. From a series of meaningless names.
The Angle of Darkness by Mina Salehpour and Daniel Reza Sabzghabaei [after a story by an anonymous Persian woman]
Dolls without faces. People without names. Lost – their meaning. Lost – their being. Lost – their faces. Loosing themselves. ALL DOLLS: It's forbidden for us to paint faces only God can do that only He paints faces he Paint all faces He... N: She paints faces. [Narrator breaks free of masks and removes masks and coverings from wind players and dolls. She then
آزادی
paints across their faces. A word in Farsi which is special as all of the letters do not connect, they stand apart freely: this word is pronounced “Ā-zā-dī” and is the word for “freedom” in English.] [The five form the word freedom, separate but together as one entity, each with their own identity.] [The five drift back into the narrator’s consciousness as the memory fades]
commissioned by Guerilla Opera
زاویه ی ظلی
Transposed Score
مینا صالحپور Mina Salehpour
s ñ = full tone
ó
*after a story by an anonymous Persian woman
Clarinet in B b (Veil I)
"The Angle of Darkness" = lips near closed = half open = wide open
= half air/half tone = full air
Drowning | Intense and focused œ = 51 U
U̇
U
˙ & n n ˙˙ p intense and focused
n n ˙˙ ° p
quiet dynamic which makes the dyads speak comfortably and as consistently as possile
Doll 1 (Left)
∑
& extremely breathy aspirate onset
Narrator (Center)
Doll II (Right)
Tenor Sax (Veil II)
Percussion (Back-Center)
B b Cl.
U
& n n ˙˙ ( p)
5
U
& Œ
Nar. (C)
Perc.
I
[ɑ:]
U
G
Ó
U
n ˙˙
U
b ˙˙
U
Ó
U
° n¿
G
p ˙
[ɑ:]
I
∑
∑ U
p
ñ
G
˙
[ɑ:]
I
n n ˙˙ ˙˙
U̇
˙
√ p ° U̇ (-31¢) j ¿ Œ G ñ
&
n˙ close
n˙
s
p
Ó ˙˙
˙˙
U
n ˙˙
P U n‚ n‚ n ˙ñ
˙˙
ϖ
ϖ
ϖ
‚
‚
‚
‚
overtone singing
ñ
p
breathy whistle coloring narrator
Œ
U
n n ˙˙ ( p)
U
n n ˙˙
ñ
U¿
œ
˙˙
U
U
# n ˙˙
˙˙
∑ Ó
Ó
Ó Ó
U ° Œ n¿
U
U
n ˙˙
U
b ˙˙
[ɑ:]
I
U
n ˙˙
ñ
G
˙
∑ n n ˙˙
p
maybe quiet roll?
Ó ˙ close
˙˙ Œ
U
√ ° #¿
G
∑ U
Ó
Ó
Œ
˙˙
˙˙
˙˙
œœ
˙˙
˙˙
pU̇
X
°
√ °9 F #U· rich
U
°
ñ
°
G
WHISTLED
˙
my
°
G
œœ ˙˙
°
G
(sss)
U
n n ˙˙
°
G
ñ
WHISTLED
(breathe if needed)
U¿
(zzz)
U œ
G
°
vibr. ~~~~~~~ U ‚ œ ¿
ñ œñ œñ œñ œñ œñ
° n¿
œœ
ϖ
close
˙˙
WHISTLED
U
ϖ
WHISTLED
my
√ p ° U̇ (-31¢) j ¿ Œ G ñ
° nU¿G œñ
U
œœ
∑
WHISTLED
√ P jU· °7 (-31¢)
˙
breathy whistle coloring narrator
Ó
Œ
U̇
˙˙
∑
∑
˙˙
U ° Œ n¿
°
U
n n ˙˙
∑
Ó
∑ U
¿
U̇
n n ˙˙
U
& & n n ˙˙
œ
G
∑
& Ó
5
[ɑ:]
n¿
U
n n ˙˙
5
D 2 (R)
U
U
U
&
5
U
˙ & n n ˙˙ π within the clarinet sound
5
D 1 (L)
ñ
U
? &
p
°
دانیال رضا سبزقبایی Daniel Reza Sabzghabaei
√ ° n¿
G
˙
s
eyes
p
ñ
U̇
WHISTLED
U
˙˙
X
G
44 44 4 4
(sss)
U X
°
G
U
˙˙
°
44 44
2 B b Cl.
(q = 51) 4 &4 ° b¿
& 44 Œ
10
D 1 (L)
∑
10
Oh
p b‚ ˙
b‚
Œ
° =¿
4 &4 Ó
10
Nar. (C)
4 &4 Œ
D 2 (R)
10
T. Sx.
b¿
4 U
&4 bœ π 4 &4 Œ
& 32
13
n· ˙
œ ≤
arco
nœ
& 32
Œ
3 &2
‚ œ
13
Nar. (C)
& 32
Œ
13
>j bœ
& 32
Perc.
,
( )
œ ‚
,
( )
s
3
∏
,
( )
Œ
¿ ¿ J-
>j bœ
b œ-
-
s
s
Œ
P
≠
intense and audible
(inhale)
œ
n· ˙
,
-
œ œ œœœ œœ-
˙ ˙
œ œ œœœ œœ-
3œ :2œ
œ œ œ œ œœœ œ- œœœ œœ- œ-
œ œ œœœ œœ-
n‚
p 3 n ϖ 2
ϖ
42 Œ ( f) >' f ‰. 42
U
Œ
U
Œ
32
sim.
n˙
#‚
°3
# œ- n œ¯ œ- n œ .
5
P n œ- n œ< œ- n œ
ϖ
ϖ
‚ ˙
‚
‚ ˙
‚
ϖ
ϖ
ϖ
ϖ
· ˙
32 3 2 3 2
· ˙
n nn www Œ
Suddenly faster q = 75
3 2
5
ϖ
‰.
,
( )
Œ
œ-
œ- ˙
n œ-
32 3 2
œ nœ 44 - n œ- n œ n œn œ- n œ- n œ- - n œn œ # œ - # œ # œ- # œ - # œ #œ #œ #œ #œ #œ nœ nœ f nœ 3 f 44 b ˙b ˙[ɑ:] 3
3
ƒ sp breathy, low speaking > with hushed intensity 2 ≠ J ‰U 4 4 4 (gasp) xñ I remember.
3
∑
like lightning
>'
( )
°3
F 3 n‚ 2 n˙
WHISTLED
3 n Ów . 2 n w. n w- . p
5
Face forward Eyes WIDE
WHISTLED
b˙ gently
s
,
( )
nœ bœ bœ ‰ nœ
œ
ϖ
WHISTLED
· ˙
œ æ
Πϖ
32
° n ¿G
mouth
‚ ˙
# œ- n œ¯ œ- n œ- œ # œ
Ó
s
my
b‚
WHISTLED
bœ 3 & 2 # # n œœœ n n œœn œ-
13
o - pen
Ó
b œ-
13
T. Sx.
œ- n œ
· ˙
°3
≈
(th)
D 2 (R)
I
b‚ ˙
˙ p
n œ- ..
13
D 1 (L)
b‚
P n œ œ b œ< ñ
bring out F but trying to keep a rich spectral multiphonic sound
bring out harmonic spectra
Ped.
B b Cl.
G
‚
‚ ˙
Oh
10
Perc.
b‚
b‚ ˙
(aah)
p b‚ ˙
°
10
3 2
∑
b ˙-
f f 24 ‰ . UŒ ? 44 n ˙-
[ɑ:]
42 Œ
( f)
U
Œ
œ œæ (choke) U œœ 2 œœœ œ- ¿ 4 Œ Œ œ- æ sus. cymb ( f)
44 4 4
b˙. frich and colorful n œF
bœ
3
b‚ œ bœ
bœ 3
nœ nœ nœ - nœ # œ- # œ- n œ n œ # œ- # œ- n œ n œ # œ- n œ # œ- n œ # œ- n œ 3 3
# œ-
nœ
3
,
( )
B b Cl.
& n œ- # œ # œ- # œ n œ- # œ n œn œ.
16
3
n œ-
3
16
D 1 (L)
& n˙ -
n ˙-
b ˙-
n ˙-
?
16
D 2 (R)
,
3 3 3 n œœn œn œ- n œ- n œn œ- n œ n œ n œ n œ n œ nœ # œ # œ # œ # œ # œ n œ - # œ # œ- # œ n œ- # œ - n œ # œ - # œ n œ- # œ - # œ # œ - n œ n œ- # œ # œ- # œ n œ- # œ - n œ . 3 3
3
( )
b ˙- .
b œ-
‰
ad lib. n ˙- . falsetto (could maybe be 8vb w/ a slide down to it from the E)
[ɑ:]
n œ-
‰
[ɑ:]
b n ·· ˙
‚‚ œ
splitting different partials
& A· A˙
16
T. Sx.
bœ
Perc.
(scoop)
B b Cl.
18
&
Y
œ
7
nœ nœ
#œ #œ #œ
n œ.
18
D 1 (L)
& bœ ? n œ-
18
D 2 (R)
3
& # œ- n œ n œ- n œ # œ- # œ n œ n œ # œ n œ # œ n œ # œ n œ - nœ - n œ3
16
3
nœ
7
nœ nœ
# œ # œ- # œ
n œ.
nœ
bœ
nœ nœ # œ- # œ- n œ n œ- # œ3
7
nœ nœ #œ #œ
#œ nœ .
nœ
b œ-
n œ-
n œ-
b œ-
b œ-
n œ-
bœ
7
nœ nœ #œ - #œ #œ
n œ.
n b ·· ˙
3
nœ
nœ
3
# œ- n œ n œ # œ- n œ # œ- n œ # œ- n œ -
œ
7
nœ nœ #œ #œ
#œ nœ .
œ
bœ
j ‚‚ œ
‰
bœ n œ nœ # œ- # œ- n œ n œ # œ- # œ3
nœ
3
7
œœ œœœ
œ.
œ
7
œœ œœœ
b ˙- .
œ
œ
‰
‰ bœ [ɑ:]
n ˙- .
‰
nœ [ɑ:]
18
T. Sx.
&
b˙ 7
18
Perc.
&
n œ- # œ
nœ #œ nœ nœ
bœ
7
bœ
b· ˙
7
bœ
7
nœ nœ nœ nœ #œ nœ nœ n œ # œ- n œ # œ n œ # œ- n œ # œ n œn œn œ-
bœ
b ·· ˙ 7
n œ- # œ
nœ #œ nœ nœ
bœ
n b ·· ˙
7
œ- œ
œ œœœ
œ
œ Aœ œ n n œœ œ œœ #œ œ- œ æ 7
4
rit. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ timbre crescendo n˙. +œ dœ #œ ˙ ˙ Y 5 2 4 4 double
B b Cl.
20
&
( f)
nœ -
n œ-
nœ
#œ
n œ-
20
D 1 (L)
&
D 2 (R)
3
b œ-
n œ-
?
N A ‚‚ & Aœ bœ
20
Perc.
&
f
n œ-
# œ-
nœ
# œ-
nœ
n œ-
n œ- b ˙
b œ-
n œ- n ˙
B. Cl.
n ‚‚ ‚‚ ˙. -
nœ nœ nœ - # œ-
nœ
∑
&‰ ?
24
D 2 (R)
‰
Perc.
–- –p
44
-¬
44
place foil on vibe bars
&
-¬
¬-
44
∑
&
24
-– –p
warm
Œ
–- Bass Drum sP
¬-
bœ
∑
bœ >
q
·.
42
Ó
Œ ˙. ˙˙ .. ˙. æ
œ œœ œ æ
growl
·
timbre crescendo
j bœ
2 n˙ œ- b œ- œ œ n œ 4 ˙ > ƒ 42
( fff)
∑
= 39 ∑
-¬ .
43
¬- .
44
44 44
æ 43 n ¬ b ¬ b ¬ n ¬ 44 b¬ n¬ ∏breathy, anemic, more air than pitch subtone meandering
43
5 4
close vent whole w/ toe or tack -will raise pitch by about a quarter-tone
43
42 ˙
˙.
‚
- sus. cymb > n >œ . j – ¿æ. 5 bn œœ b b œœ .. 4 n # œœ n œ . n # n œœœ > LV LV ƒ æ fÍ
(h + e)
flz.
∑
œ
low tom
low lip+tongue rumbling (pool saliva in front of mouth+suck in air)
24
T. Sx.
44
Œ
ƒ > b‚. n‚ 54
growl
[ɑ:]
fat and dense
˙.
43
∑
Œ
ƒ senza vibr. 54 b >œ n œ .
[ɑ:]
explore overtone dyad multiphonics from Bb
# œ-
ff
senza vibr.
˙.
low lip+tongue rumbling (pool saliva in front of mouth+suck in air)
24
D 1 (L)
44
to Bass Clarinet (prepared w/ foil)
&
˙.
3
Slow, deep, encompassing 24
double
3
n bb b
‰
Ÿ~~~~~~~~~~~~~~~~~~~~~~ Œ n˙. #œ #œ yœ -
,
( )
3
20
T. Sx.
#œ
b œ-
b œ-
20
# œ # œ- # œ
n œ-
n œ-
∑
˙ °
-¬
¬-
˙ P ‰ -– –- ‰
˙
œ.
‰
˙ °
˙ P
∑
œ.
≈
b œP
lips in "whistle" position -aim for intermittent whistles w/ low grumbles
Œ
Œ
Œ
Œ
-– ¬P –- ¬P
-¬
-¬
∑
-¬
-–
-–
lips in "whistle" position -aim for intermittent whistles w/ low grumbles
¬-
¬-
¬-
–-
–-
freely incorporating pitches into subtone meandering -but only where indicated and for as long as indicated -coloring the vibe timbre
n–
fast subtone meandering with fluttertongue on these pitches -in any order, and breathing freely when needed
44
˙
Ó
#–
n–
#–
≤ ≤ ≤ nœ n œ nœ Œ ‰ nœ. nœ. n œ . . nœ p ∏ sim. P ≤
coloring bowed pitches w/ gentle attacks
45
45 45
45 45
5
& 45
44
31
B. Cl.
œ.
˙
& 45 Ó
≈
-̇ P
D 1 (L)
–-
?5 Ó 4
–-
–-
D 2 (R)
-– n¬
5 n¬ &4
31
T. Sx.
-–
n¬ #¬
–-
4 4
31
-– ¬
4 4
œ . b œP
˙
44
31
≈
-– b¬
–-
–-
-– n¬
45
–-
-–
5 4
-–
n¬
45
# ¬ 45
flz.
˙.
æ≈ œ.
œ
-–
-–
‰
Ó
≈ œ. f -
F
Ó
–-
–-
-–
n >‚ J
2 4
¬
2 4 (F )
B. Cl.
3 &8
b œ- . P
P darker, warmer j 45 n œ˙.
& 38 Œ
35
D 1 (L)
Nar. (C)
∑
? 38 Œ
P darker, warmer . n œ45 ˙ J
They gave us
35
D 2 (R)
& 38 Œ
35
Perc.
Hmm
& 38 ‰ P b œ-
35
T. Sx.
p matter-of-factly 54 Œ ‰ n œ # œ n œ b œ
& 38
35
45
˙.
≤ ≈ n n œœ 45 œœ Ó p P
jŒ b œ- œ œ œ œ œ œ 3
œ- b œ . œ [ɑ:]
Hmm
∑
3
3
(zzz)
f
œ
dolls
n œ- b œ . P P
¿
Y.
¿ ¿
2 4 Œ
Œ
f P b ˙ b œ b œ ‰ nœ
[ɑ:]
(zzz)
3
3
3
∑
n˙ Œ b n œœ b b œ-œ p
!–
gently
LV
( p)
!–
!–
!–
rub snare w/ nails -circular motion, in rhythm
!–
P n œ- # œ . [ɑ:]
n œ- n œ . P Ó
( f)
[eɪ]
[ʌ]
us
[ɑ:]
44
dolls
œ #˙ J
œ œ J
[eɪ]
[ʌ]
Œ
44
[ɑ:]
# ˙-
˙
4 4 44
j œ n˙
They gave
b œ- œ œ œ œ œ œ JŒ
œ- b œ . œ
b ˙-
˙
(sss)
3 8
n >œ Uœ n œ. œ. n œ n œ 3 8 5 f P
j œ œ
emphasizing whistles w/ mouth closing gradually
3 8
forward, intense
soaring
b œ- n œ . [ɑ:]
U‚
38
forward, intense
∑
3
Faster | Focused and intense q = 54 3 5 j 4 æ ˙. œ œ œ ( f)
bright
release with sucking motion
≤ nœ bœ 5 ≤ . n œ n œ≤ . n œ ≤ n œ ≤ n œ ≈ ≈ 4 b œ≤ . b œ ≤ n œ b œ Œ 5 b œ≤ b œ ≤ n œ ≤ n œ b œ≤ ≤ . b œ Œ & 4 nœ ‰ 4 4 n œ œ bœ nœ. nœ œ nœ. bœ. nœ
35
38
bright
≈ -– Hmm ƒ closefl mouth for hard
-–
. #¬. n¬ b¬
b¬. n¬.
U
≈ nœ nœ. œ > –- Hmm fl ƒ
bringing out whistles as mouth closes
F
remove plug from vent
œ
42
31
Perc.
U
close mouth for hard release with sucking motion
bringing out whistles as mouth closes
‰
42
44
( f) 5 ≤ F #œ 4 nœ œ #œ nœ 4 nœ œ ‰n.œ R ..
6
4 &4
B. Cl.
3
& 44
D 1 (L)
3
n œ-
(zzz)
œ
3
œ
œ
œ molto
¿
4 X &4
39
Nar. (C)
¿
œ ‰ fl
nœ
pup
? 44 # œ-
D 2 (R)
œ 3
œ
œ
œ
(zzz)
& 44 & 44
& Œ
42
D 1 (L)
&
p
& Œ
42
D 2 (R)
–
!
– æ
[ʌ]
P b œ- b œ n œ b ˙
œ.
Dolls with - out eyes
œ
œ.
pets
œ
Hmm
U b œ. b œ. b œ- b œ b œ œ
n œ¯
5 4
∑
‰
45
∑
#œ
[ɛ]
[ɪ]
3
[aʊ]
[eɪ]
fa
-
ces.
f
œ n œ b œ n œ Uœ 3
[aʊ]
[eɪ]
œ-
n œ-
3
U w/o instrument
j nœ œ f f
bœ bœ
Dolls with - out mouths
bœ nœ
Hmm
≈ ¿
# œœnœ
(sss)
with intensity
45 ¿
X.
45
sp
∑
a tempo
rit.
(# œ )
n œF F # œ-
mouths
F 44 ‰ b œ- b œ- N œ n œ - #œ œ #œ.
P ≈ b ˙44
f
#Uœ
∑
44 P ≈ b ˙-
∑
with - out
3
U
45
bœ œ bœ nœ
3
3
f f
∑
œ
‰
[ɪ]
+ >¿ close high-hat ‰ Ó. f precisely and abruptly 44
π coloring the narrator
œ
3
-
#œ
n ˙p
!
bœ nœ nœ b˙
p 42 ? bœ bœ. ˙ Hmm
–
!
3
b œ- n œ . ˙
Hmm
Nar. (C)
–
!
( p)
42
B. Cl.
–
!
39
Perc.
œ̆ ‰
∑
39
T. Sx.
3
n œ.
p
molto 39
[ɛ]
p ˘¿ ‰ b œ.
#œ
œ
nœ
œ
[ʌ]
(sss)
n œ-
U or maybe just rit.? 5 j ‰ 4
3
3
delicately
3
3
# œ-
# ˙p p
molto 39
a tempo
accel.
∑
39
Fnœ
mouths
rit.
#œ <
œ-
œ.
˙
nœ <
œ- n œ .
˙
mouths
mouths
œ- # œ .
5 4 45
≈ # ˙- . # œ¯
45
˙
mouths
b œ- n œ œ- n œ # œ- œ # œ . ≈ > 44 ¿ ≈ n œ- # œ . X œ & X. # œ- œ F (sss) sp ( f) maybe not pedal? ! ! ! ! ! ! ! ! ! >– 42 – – – – – – – – – b œ n œ b œ >œ >œ n >œ œ œ b œ b œ A œ b >œ . ‰ b œ n œ b œ 4 b œ n œ nœ bœ æ Œ Ó bœ bœ & 4 n # œœ b œ b œ b œ n œ n œ 3 3 3 3 3 p fP ( f) F
45
coloring the narrator
42
T. Sx.
Perc.
45 45
7
& 45
45
B. Cl.
N˙.
œ f œ
bright and forward
b œ-
œ
[oʊ]
[u:]
[ð]
f n œ-
5 & 4 aœ
45
D 2 (R)
chewing each syllable of "mouths"
[ɑ:]
œ
œ
[oʊ]
[u:]
f n œ-
bright and forward
& 45 a ˙ .
45
T. Sx.
‰ b 5 œ &4 f >
45
Perc.
B. Cl.
œ
nœ
œ
#œ
5 8
[z]
œ
œ
chewing each syllable of "mouths"
[ɑ:]
? 45 a œ
45
œ
f
chewing each syllable of "mouths"
[ɑ:]
Nar. (C)
85
rit.
5 & 4 Nœ
45
D 1 (L)
Slower q = 45
œ
3
[oʊ]
[u:]
#œ
[ð]
[z]
œ f
n œ-
85 85
bœ
œœæ .. œœ ..
n œ b œ b œ n œ b œ œ œ œ n œ œ œ œ b œ œ œ œ n œ œ œ œ b œ œ œ œ # n œœæ œ œ œ bœ œ œ œ œ œJ # # œœ 3 3 3 > > > > > >
5 8
≈
( ff)
5 8
Suddenly very precise and brash q = 65 to Clarinet 3 3 ≈ d œ¯ œ̄ œ̄ >œ >œ >œ >œ >œ >œ œ- œ D >œ . >œ . D >œ . d ˘œ . D >œ . >œ . D >œ . d ˘œ . d œ- . D >œ . D >œ . >œ . d >œ . 46 d œ¯ œ œ . d œ¯ œ œ . 5 12 5 12 38 12 9 & 85 16 32 16 32 32 16 3 3 molto molto sƒ sƒ ƒp sƒ ƒ sƒ ƒ Head UP sƒ ƒp sƒ 3 3 3 3 5 5 12 5 12 3 12 9 . . . . b œ œ b œ œ b œ . n œ . 16 n œ œ œ . 32 b œ . n œ . 8 n œ . 32 b œ . b œ . œ . n œ . 16 & 8 ¿ n œ œ œ œ œ œ œ œ œ œ- œ 16 n œ œ œ . 32 < < > > > fl > > > fl > >> > fl < < < > > > > > > (sss) It is for - bid - den for us to paint fa - ces on - ly God can do that on - ly He paints fac - es He paints all fac - es molto
molto
46
D 1 (L)
ƒ n œ¯ œ̄ œ̄ >œ >œ >œ >œ >œ >œ œ- œ n œ¯ œ œ . 46 ? 85 ˘¿ 5 12 16 32 Head UP
D 2 (R)
molto
3
3
sƒ >falsetto>ad lib. b œ . œ . b >œ . n ˘œ .
3
(sss) It is for - bid - den for us to paint fa - ces
on - ly
God can
do that
molto
5 16
n œ¯ œ œ . 3
on - ly
12 32
sƒ b >œ . >œ . b >œ . n ˘œ . He paints fac - es
38
ƒp n œ- . He
12 32
sƒ b >œ . n >œ . >œ . n >œ .
paints all fa - ces
9 16
3 3 ¯ œ̄ œ̄ >œ >œ >œ >œ >œ >œ œ- œ ≈ d œ d œ¯ œ œ . 12 D >œ . >œ . D >œ . d ˘œ . 5 d œ¯ œ œ . 12 d >œ . >œ . D >œ . d ˘œ . 3 d œ- . 12 d >œ . d >œ . >œ . d >œ . 9 5 5 &8 16 32 16 32 8 32 16 3 3 ƒ sƒ molto molto ƒp sƒ sƒ
46
T. Sx.
5 - -- - > > > >> > 5 ¯ 12 ˘ ˘ ˘ ˘ 5 ¯ 12 ˘ ˘ ˘ ˘ 3 - 12 ˘ ˘ ˘ > 9 & 8 ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ 16 ¿ æ¿ æ¿ . 32 ¿ . ¿ . ¿ . ¿ . 16 ¿ æ¿ æ¿ . 32 ¿ . ¿ . ¿ . ¿ . 8 æ¿ . 32 ¿ . ¿ . ¿ . ¿ . 16 3 3 S 3 3 Í f S S Í Í
46
Perc.
snare drum w/ sticks (snares on)
8
25" B b Cl.
9 & 16 9 ˘¿ & 16 .
> J.
53
D 1 (L)
(sss)
D 2 (R)
Í n œ- .
(gasp)
,
≈.
Slower, stickier 2 &4 p 2 &4
56
D 1 (L)
7 8
from air
U ∑
slow snare circles w/ nails at about
begin after voice gliss
n n œ-œ .. sF
q
= 50
(tongue far back) very dark and swallowed
n ˙-
& 42 Œ
56
78
œ
And
We?
!–
rubato
4 4
œ.
¬-
œ
≈ nœ
mmm
freely, in no hurry
(h)
We
44
œ.
wa
œ-
looked
p very dark and swallowed ? 42 n ˙78 œ œ œ
[u:]
38
nœ
≈ ≈
[u:]
38 n œ
mmm
3 8
– = 40bpm per circle
38
œ
78 ˙ & 42 n ¿ œ ° ∏ breathy, coloring hums
œ.
a tempo ˙
j œ
wa
œ œ at
the
44 # œ
flowing
#˙
j #œ
œ.
mmm
wa
œ 3œ œ # œ
Dolls with - out
a
Hmm
56
T. Sx.
& 42
56
Perc.
wo
mmm
wo
from air
∑
78 Œ
œ œ
≈ n n n œœœ ... P
œœœ ...
mmm
44 œ
(tongue far forward) very bright and forward
œ.
mmm
44 ˙ ˙˙ 44 ˙
∑
42
Œ
42
Œ
42
∑
2 4 42
n n œ-œ .. p
45
˙.
¿
(sss)
˙
¿ ¿ ¿ ¿
45 ¿ ‰ . Œ Œ Ó
˙
face
(sss)
(tongue far forward) very bright and forward
œ Nœ œ wo
mmm
5 4
(tongue far back)
56
D 2 (R)
38
( p) gentle pink-noise underpinning
œ
P focused ‰ n œ 78 n œ
U
n n œœ
slow gliss downward w/ gradually modifying to a hmmm
[oʊ]
n¿ œ ˙ ∏ breathy, coloring hums °
Hmm
Nar. (C)
[oʊ]
œ
could come later if necessary
B b Cl.
U
n n œœ
slow gliss downward w/ gradually modifying to a hmmm
in no hurry
9 ˘¿ . & 16
56
U
n n œœ
∑
53
Perc.
œ
U
# œœ ( p)
He...
53
T. Sx.
Clarinet
begin when situated
Í n œ- .
,
in no hurry
(sss)
Œ
He...
> J.
? 16 9 ˘¿ . 9 & 16
,
in no hurry
(gasp)
53
U
∑
53
quiet volume which makes each dyad speak best
#œ
mmm
wo
#˙
# œ- . ≈ n # n œœœ ... P
œœœ œ
œ
hmm
45 ¿
(sss)
45 ˙ . ˙˙ .. 54 ˙˙ ..
2 4
2 ‰ 4 42
¿ ¿ ¿ ¿ ‰ 42 ˙
˙˙˙ ˙
42 42
9 B b Cl.
& 42 ‰ n ¿ . °
44 ˙ ∏
60
œ
œ
n œ- n œ œ b œ
P
n ˙-
n˙
43
molto
dark
& 42
60
D 1 (L)
bright
p
44
n ˙-
Hmm
p b œ-
& 42 Œ
60
Nar. (C)
And
wa
œ
mmm
œ
œ
wa
44 b œ-
‰
44 œ
bœ
œ
wo
mmm
we
bœ œ bœ we did not
œ
mmm
bœ find
œ
b˙
n˙
n ˙-
molto
wo
F n œ- œ œ b œ an - y names for
b˙
dark
D 2 (R)
bright
p60 b ? 42 ˙
Hmm
& 42 ‰ n ¿ . °
60
T. Sx.
& 42
∑
60
Perc.
B b Cl.
5 &4
64
44 ˙ . ∏ 44 Œ
œ
f
œ
b˙
wo
mmm
wo
n˙
molto
p
# n # ˙˙˙- ...
molto
43
a tempo œ nœ œdœ œbœ œnœ œ dœ
5
[e]
sp n ˙-
sp b ˙nœ
sp
5
nœ nœ nœ b b b œœœ P
œ.
[e]
Nar. (C)
& 45
œ nœ œ nœ œ dœ œ bœ œ
[i:]
5 f ‰ n œ b œ n œ b œA œn œ œ
gradually exploring various vowels to emphasize different overtones
˙
œ œ
[oʊ]
[u:]
f ? 5 bœ. 4 [e]
T. Sx.
Perc.
œ.
≈ 5 4
LV
n˙ ˙ p p
45
Π44
p
dark
≈ bœnœ œ œ œ -
œ.
& 45 b ˙ . F b n œœ- 3 any order 64 b ˙æ & 45 J b n n ˙˙˙ b b œœ sP f
Π44
(mmm)
bright 3
for them
64
64
≈ 5 4
sus. cymbal
b˙ ˙
nœ œ
colorful
bœ œ
them
n˙ ˙
(mmm)
bright
D 2 (R)
œ.
dark
f 5 & 4 nœ.
64
≈ 45
bn œœ ¿ æ
# œbœ n œ
accel.
bright
64
D 1 (L)
œ.
Ÿ~~~~~~~~~~~~~~~~ œ .. ( n œ ) ≈ 45
[e]
43
www
p
sp n ˙-
dark
43
b w-
bœ
rit. œ- n œ b œ œ n œ- ˙
n˙
œ
sp
43
them
≈ 45
dark
43
molto
œ
n œ- b œ œ n œ n œ ..
p
Π44
dark
œ.
˙
[i:]
[oʊ]
œ œ [u:]
colorful
n œ- b œ œ œ n œ- œ n œ ˙ f 5
˙æ ˙
pick up bass drum beater
bœ œ
gradually exploring various vowels to emphasize different overtones
(mmm)
œ dœ ˙ Œ
bass drum w/ beater
b˙ ˙
Ó
–P round and warm
#˙ Œ
(maybe remove foil here?)
œ +œ ˙ ∑
n˙ ˙ p
Π44 Π44
3 - bœ œ 4 nœ nœ bœ bœ nœ 4 n ˙ nb b ˙˙˙ π P
linger
10 B b Cl.
Faster | fluid and meandering q = 85
& 44
68
Ó
& 44
Œ b˙.
D 1 (L)
4 &4
Ó
Hmm
68
Nar. (C)
? 44
T. Sx.
& 44
Perc.
n œ- .
b œ-
we
n œ mazy and windingn œ 3
D 1 (L)
- > œ n œ n œ- b œ 42 n œ J
3
an - y names for
œ
them.
2 4
bœ
bœ
nœ
4 4 bœ
3
n >œ
nœ
f intense and rich b >œ œ. 43
3 œ. 4
f
bœ
42 b œ
nœ
& 43 n œ .
? 43
œ
b‚
42
Hmm
3 3œ nœ.+œ.nœ œ ≈ bœ &4 & 43
73
Perc.
bœ
b 3œ
nœ
bœ
b‚
n‚
3
3
in
j 2 jb œ bœ 4 œ 3
3
‚
[e]
2 œ dœ. 4
bœ.
dœ
3 4
bœ
bœ
we
did not
re - cog - nize
F œ‰ 43
Hmm
(muh)
œ nœ
nœ
≈ bœ. dœ. bœ œ
b œ3
bœ
nœ
bœ
nœ 3
p n˙
dark
Ó
them,
nœ
+œ
4 4
44 nœ
Œ
(mmm)
p n œ-
so
p b˙
dark
42
Hmm
nœ
3 maybe re-pedal here?
bœ
bœ
bœ
3
42
dark
Ó
nœ
42
Hmm
Ó
œ nœ œ nœ. ≈ bœ œ dœ nœ
3 4
2 4
dark
˙
dœ 3 4
to Bass Clarinet
Hmm
œ nœ œ +œ. nœ.
3 3 b n œ>œœ 3 œœœ n œ b œ b bœ b œ 4 œ bœ J Jp 3 S
(muh)
p b ˙- .
Hmm
P ‚ ≈ b· 44
p b·
œ-
Hmm
F œ̄ ‰
3
fintense and rich b >‚ ‚. 43
re - cog-nize our - selves
3 ‰ 4
F precisely b œ œ n œ- ‰ b œ œ œ 3 4 nœ
P œ ≈ 4 4 nw
[e]
3
soaring
We did not
73
T. Sx.
bœ
n ˙- .
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ w 4 n w (n œ ) 4 P
œ.
bright
D 2 (R)
nœ
P ≈ d œ b œ D œ 44 n ˙
norm.
73
3
F
œ Dœ
(muh)
ƒintense and rich œ .. j - > n œ b >œ œ b œ œ- b œ 42 b œ b œ b œ 43 3
them.
3
nœ
b œ D œ n œ- ‰ + œ-precisely œ- œ- 43
nœ P p
Be - cause
-. 44 n ˙
bright
73
bœ
Hmm
b œ-
norm.
Hmm
Nar. (C)
bœ
3
3
& 43 b ˙
73
Hmm
42
bœ
bœ
( p)
3 & 4 nœ.
œ ‰ < (muh)
bœ œ dœ. nœ. +œ 2 œ nœ œ ≈ 4 bœ. dœ œ bœ œ dœ. nœ. +œ bœ. dœ œ 4 nœ 4 πcolorful, light, breathy
delicately
73
find
œ Dœ F
2 4 4 bœ nœ nœ bœ 4 d˙
intermittent hums slowing down
∑
p
did not
bœ
4 œ 4 b ˙- .
(w + h )
im thinking sempre pedal for most of this section to create a wash/bed under the rest of the scene?
B b Cl.
j n œ b œ- ‰ n œ
œ
4 & 4 n b n www p
68
p
Hmm
68
42
intermittent hums slowing down
p b˙.
Œ
(w + h )
œ
So
68
D 2 (R)
Œ
- . 42 n œ n œ n œ n œ 44 d ˙
nœ bœ Dœ nœ J
coloring the narrator
p
68
Œ nœ nœ. π
. . œ b œ d œ b œ œ d œ œ n œ- . 2 4 bœ
bœ 3
nœ bœ nœ 2 bœ 4 3
11
& 42
bright
2 & 4 Nœ.
‰
78
D 1 (L)
& 42 b œ ? 42
D 2 (R)
bright
were
gliss between chords on e note and bring them out a bit
(
(
)
n œ- .
pup - pets
bright
Aœ.
∑ )
b œ-
with lots of consonants sP buoyant 3 3 44 b œ. n œ. Œ b œ. n œ. Œ
nœ bœ
they
78
spsticky 4 4 bœ. -
∑
Hmm
78
Nar. (C)
44
∑
78
B. Cl.
‰
pup - pets
spsticky gliss( between) chords on b œ- . b œ- . 44 bright
n œ-
e note and bring them out a bit
(
)
Hmm
. . . 3 n œ + œ n œ n œ + œ d œ n œ. d œ d œ b œ D œ 2 4 nœ nœ dœ bœ Dœ &4 4 nœ 3 sp 78 nœ bœ bœ 4 bœ nœ bœ 2 bœ & 4 nœ 4 bœ 3 3 78
T. Sx.
Perc.
3
∑
82
B. Cl.
& ‰
82
D 1 (L)
&
bœ.
Nar. (C)
3
pup - pets
? bœ.
‰
82
D 2 (R)
˙
Hmm
& b œ. b œ n œ. Œ .
82
b œ- n œ . œ 3
b œ. b œ. n œ . pup - pets P œ- b œ . œ Hmm
[u:]
Œ
[oʊ]
so they were pup - pets and they
˙
˙
Perc.
[oʊ]
3 3 . d œ. n œ. . . . n œ + œ d œ n œ d œ. n œ. n œ. & n œ. d œ. n œ ˙ #˙ ( p) F bœ bœ nœ bœ 82 bœ nœ bœ n œ b œ bœ & bœ nœ 3
3
3
bœ
3
3
3
=œ #œ +œ nœ
sim.
b œ3
bœ
bœ
4 4
œ.
had
38 nœ.
nœ
nœ
rit.
bw ∏
delicate resonant din
( f) 4 Ó 4
b œ. d œ.
° bX WHISTLED
[ɑ:]
‰œ . - bœ œ
dolls.
√
( f) 44 Ó 44
dolls...
° bX
WHISTLED
bœ. nœ 3 bœ. nœ. œ. 4 bœ bœ 8 4 3
nœ
pup - pets
b œ- .
. . +œ nœ dœ nœ bœ dœ nœ
nœ bœ 3
Slower q = 70 5 4 ˙. ˙ 5 4 5 4
45
π
p
˙.
˙
b3œ
3 4 3 4
3
+œ nœ dœ bœ
nœ
˙. ˙
Œ
vibr. ~~~~~~~ Œ b‚ b‚ ‚ ‚ ‚ 3 b· 4 ˙. ˙ œ œ œ
(ll) (zzz)
p
˙.
45
n wp
3
3
[ɑ:]
to stay
b œ. b œ. Œ
b œ- .
œ
bœ
3
Bass Clarinet
∑
38 œ .
82
T. Sx.
sp
. . =œ #œ +œ nœ +œ bœ 3
b œ- .
pup - pets
b œJ
f sF 3 3 n œ- b œ b œ n œ. n œ n œ œ 8 b œ¯ œ. b œ- 44 n œ . .
[u:]
3
b œ- .
œ b œ- . J
3 8
˙
pup - pets
sim.
n œ- . 3
3
pup - pets
œ
b œ. n œ. Œ
n œ. b œ. Œ
3
+ œ. b œ.
j b œ-
n œ- .
n œ. b œ. Œ
3 8
∑
P
j œ bœ. -
sim.
∑
n œ b œ 5 b ˙æ. 4 b n n ˙˙˙ ... 3 ( p)
˙
43
˙
43
∑ ˙˙æ ˙˙
3 4
Œ
∑ ˙˙æ. ˙˙ ...
12
4 4
∑
88
B. Cl.
& p
88
D 1 (L)
&
(sss)
&
?
88
D 2 (R)
p ¿
X
sim.
(sss)
D 1 (L)
& 45
93
Nar. (C)
D 2 (R)
& 45
93
T. Sx.
3
bœ bœ nœ nœ bœ bœ nœ nœ
4 4
b œ- D œ-
p
b˙
4 4
bœ b˙ bœ nœ bœ bœ nœ
44
Œ
Hmm
p
F
Dolls
f
Œ
p b˙
44
Hmm
nœ dœ nœ nœ dœ nœ
3
œ
n œ- d œ
3
b œ n œ b œ b œ n œ n œ b b œœ & 45 -
93
Perc.
f
? 45 X
93
d œF
(q )
3
3 nœ nœ œ nœ nœ dœ nœ
*may need to use lip 3
œ. p
œ
‰
Dolls
p
f
¿ ‰ ‰ -¿
X
44
œ
¿ ‰ ‰ -¿ 45
X
(sss)
3
Dolls
p
f
¿ ‰ ‰ -¿ 5 4
X
(sss) 3 dœ nœ dœ nœ œ œ dœ 3
bœ bœ nœ nœ bœ bœ nœ bœ
b˙
˙
F
[ɑ:]
‰
n œdolls
F b˙
b˙. P f
‰ 45
nœ bœ nœ ‰ n œ b œ ‰ 45 b œ n œ b œ bœ bœ nœ bœ b œ nœ 3
˙
dolls
p
3
(sss)
n ˙f
f b œ- .
‰
¿ ‰ ‰ -¿
(sss)
3
nœ. P
n˙. P f
(sss)
¿ ‰ ‰ -¿
X
3
X
p
f
¿ ‰ ‰ -¿
44 X
∑
5 &4 X
93
¿ ‰ ‰ -¿
Dolls
p
f
‰
p
X
4 nœ dœ nœ & 4 nœ dœ nœ nœ 3 π LV nœ bœ bœ nœ bœ bœ nœ sus. cymbal 88 Ó bœ A˙. 4 & N ˙ . ¿æ 4 æ (P) sp lightly ∏ 5 &4
œ
(sss)
93
B. Cl.
n˙. P f
¿ ‰ ‰ -¿
4 X 4 sim.
3
p
f
Dolls
88
Perc.
œ
‰
p sim. b œ 4legato b œ n œ nœ bœ b œ ‰ 4 nœ bœ nœ nœ bœ nœ bœ b œ 3
(sss)
T. Sx.
b˙. P
F
∑
88
Nar. (C)
¿
X
3
(sss)
dœ nœ nœ nœ dœ œ nœ 3
3
bœ bœ nœ bœ bœ nœ œ œ 5 4
bœ fl
with
-
nœ fl
out
˙
[ɑ:]
n ˙-
˙
F
3 3 bœ œœ 44 n b bn œœœœ bœ bœ nœ bœ bœ nœ bœ bœ b œ b œ n œ b œ b œ b œ b œ > nœ bœ bœ nœ bœ nœ 3 F 3
5 4
13 95
B. Cl.
D 1 (L)
&
b w>
ƒraw and unfettered ƒraw and unfettered 95 > & n˙ fa
95
Nar. (C)
& ?
95
D 2 (R)
T. Sx.
&
-
-
-
fa
-
> 46 X .
45
X.
(sss)
# ˙-
-
-
molto rubato pU
slowly turn face toward audience...
–-
-–
-
-
-
46
ces.
bœ nœ bœ bœ bn œœ b œ n œ b œ b œ n œ b œ &
X.
Ÿ~~~~ b œ n œ- ( b œ ) b œ-
(sss)
n œ- b œ- - bœ bœ n œ n œ- 46
ƒ
3
3
pU
45
–-
-–
Nar. (C)
& 85
Œ.
¿
38
∑
12 32
∑
-–
–-
12 32
85 5 ‰ 8 85
b Uœ resonating chord (no attack) b b œœ Ó 45 n n œœ Œ
(w.)
38
–-
∑ Œ
LV
gradually mute all ringing pitches except indicated chord
∑
-–
45
With hushed intensity, unstable q = 65 - -3 - - -3 - 5 ≈ ¯ 3 ˘ 12 + œ- . œ- . d œ- . + ˘œ . 3 + ˘œ œ œ 12 + œ- . œ- . d œ- . + œ¯ . & 8 + œ œ̄ œ̄ œ œ œ œ œ œ œ œ 8 + œ œ œ 32 8 32 3 3 sp sp p festering sƒ intense, fat sƒ sƒ intense, fat p festering sƒ 3 98 sp sp 3 3 3 5 3 12 3 12 &8 8 32 . . 8 32 . . # œ- œ- n œ- . # œ . # œ œ œ # œ- œ- n œ- . # œ . ≈ # œ< œ< œ< œ- œ- œ- œ- œ- œ- œ- œ #œ œ œ < fl fl fl It is for - bid-den for us topaintfa - ces on - ly God can do that on - ly He paints fac - es 98
-–
slowly turn face toward audience...
low lip+tongue rumbling
>¿ hard air release 64 ‰ . Œ Œ Ó .
n w>
ƒraw and unfettered
>X .
98
D 1 (L)
-–
5 ‰ 8
π in no hurry, fragile U 3 U Œ bœ bœ nœ bœ bœ - < bœ bœ ¿ < with - out fa ces. (sss)
45
(sss)
-̇
3
B. Cl.
5 8
∑
gradually closing eyes and moving head down...
>¿ . 46 ‰ Œ Œ Ó .
ces.
ƒraw and unfettered b >˙ -
5 4
low lip+tongue rumbling
95
Perc.
ces.
ƒraw and unfettered # >˙
fa
95
-
-̇
> hard air release 6 ¿ ‰. Œ Œ Ó. 4
3 + >œ . 12 + œ- . d œ- . œ- . + œ¯ . 5 8 32 8 sp sƒ 38
sƒ
# >œ .
12 32
He
38 ∑
∑
85
sp
85 . # œ- n œ- . œ- . # œ . < paints all fac - es
12 32
85
∑
sp sƒ intense, fat sp sp p festering sƒ sƒ 3 3 - . œ- . n œ- . ˘ - . n œ- . n œ- . ¯ ˘ ˘ ¯ n œ n œ > ≈ # œ . 3 # œ œ œ 12 # œ . 3 # œ . 12 n œ . # œ- . œ- . # œ¯ . 5 ? 85 # œ œ̄ œ̄ œ œ œ œ œ œ œ œ 38 # œ œ œ 32 12 8 32 8 32 8
98
D 2 (R)
3
It
Perc.
for - bid-den for us topaintfa - ces
3
on - ly
God can do that
12 d œ- . œ- . d œ- . + ˘œ . & 85 ≈ + œ< œ< œ< œ- œ- œ- œ- œ- œ- œ- œ 38 + œ œ œ 32 fl 3 3 pfestering sƒ intense, fat sp 98 ( p) consistently gentle pink-noise bed ‰ p ! snare w/ nails (freely but slowly) 38 12 – & 85 32 – – –. –. –. –. p –- Bass Drum J> sp S 98
T. Sx.
is
3
on - ly
He paints fac - es
He
paints all fa - ces
38 + œ œ œ 32 12 d œ- . œ- . d œ- . + œ¯ . 38 + œ . 32 12 d œ- . + œ- . œ- . + œ¯ . 85 > fl sp sƒ sp sƒ 3
38
–. > S
12 32
–. sp
–. –. -
38
–. > S
12 32
–. sp
–. –. -
85
14 B b Cl. B. Cl.
& 85
> & 85 + œ . œ sƒ 5 &8
105
D 1 (L)
∑
105
sƒ
#œ. œ >He
5 &8
Nar. (C)
D 2 (R)
sƒ 105 ? 85 # >œ . œ & 85 + œ . œ > sƒ
105
œ ≈ 38 # œ- = œ J 38
Œ
His dolls.
(sss)
≈ # œ- = œ J
44 œ . 44
∑
πchewing every word, colorful 3 Œ # œj œ ¿ ≈ 38 # œ- œ œ 4 -
U
His dolls. (ll)
# œ # œJ
∑
j ¿ ≈ # œ- œ .
4 œ 4
(sss)
His dolls.
42 œ # œ = œ .
=œ
42
44
∑
(P) œ ¿ ≈ 44
œ
2 4 œ
> œ œ œ̄
2 - > - > 4 #œ ¿ œ ¿
(ll)
( p) ≈ 44
(zzz) (sss)
head up sharply with cymbal choke, eyes WIDE and forward peering out, in no hurry to continue, letting tension build
P
U
4
He
T. Sx.
2U 4 Œ 2 UŒ
∑
105
Slower, reflective q = 60 U U 3 Œ 4 Œ # œ- = œ 42 Œ J Clarinet π to Clarinet 24 ∑ ∑ 43
# œ-
And
U 42 Œ
U
U 42 Œ
U
we?
¬ ≈ ‰ nœ
(h)
We
3 8 #œ œ #œ looked at
the
πchewing every word, colorful # -‚ ‚ . # ‚- ‚ ‚ 38 43 Œ J
Œ
His dolls.
His dolls. (ll)
34 Œ # œJ = œ π
Œ
+ G + >¿ ¿ 105 > æ 42 J & 85 – . molto ƒ sƒ p
3 4 #œ. -
œ ≈ 3 # œ- = œ 8 J
very sibilant 3
3 3 4 4 # œ # œ ‰ ‰ # œ n œ # œj Œ > -
face - less
44
and did not
(sss)
. 44 œ
His
\
re - cog - nize
‚ ≈ # ‚- ‚ . J
‚
intensely focused attacks and releases
us (sss) in (nuh)
‚
dolls.
42
(ll)
≈ # œ- = œ J
# œ # œJ
(P) ‚ ‚≈ 44
‚
(zzz) (sss)
œ #œ =œ. 42
=œ
4 4
≈ 4 4 ( p)
hi-hat swell close high-hat abruptly (no attack)
Perc.
B b Cl.
P 4 # œj œ . &4 & 44
111
f
# œ-
them
D 2 (R)
œ
P# ‚- ‚ . 111 ? 44 J
His dolls.
Perc.
˙
(ll)
œ
(mmm)
· (ll)
3 4 œ
œ ¿ ≈ # œ- œ
43 Œ
‰# œ # œ n œ -
‚
‚ ¿ ≈ # ‚- ‚
(zzz)
œ
43
(zzz)
(sss)
38
œ
P
(sss)
they be
#œ
-
Bass Drum
(ll)
came
‚
·
His dolls.
(ll)
œ
42
-j j # œ- = œ # œ 44 # œ = œ # œ # œ ¬ # œ = œ J J sp p 4 ˙ ˙ œ ¿ ≈ # œ- œ 4
f 3 nœ bœ bœ nœ bœ bœ œ
very sibilant, with weight
so
44
œ
His dolls.
air-tone gliss downward j j #œ =œ #œ #œ =œ #œ #œ =œ ¬ #œ =œ 4 3 J J J 4 &4 J p sp 111 & 44 43 p –- Œ Ó 111
T. Sx.
43
rub snare freely and slowly w/ nails
air-tone gliss j downward j 4 3 # œ = œ # œ # œ = œ # œ # œ = œ ¬ #œ =œ &4 J J J J 4 p sp
His dolls.
Nar. (C)
– p
!
111
111
D 1 (L)
U
#œ
(zzz)
œ
44 b œ 44
· (zzz)
(sss)
His
dolls.
œ
44
– ∏
– π
¬
¿- X
45
¿- X
5 4
f f
œ #œ œ (ll)
(sss)
(sss)
semi-pitched P ( f ) intense quasi-whisper !!!!!!!! 5 3 ≈ b œ œ œ œ ¿ bœ bœ b œ ‰ b ¿- b ¿ n ¿ ¿ X 45 nervous stuttering "s" attacks freely
(mmm)
(muh) so they be - came
p ‚ ¿ ≈ # ‚-
(sss) His
‚
f
‚ #‚ ‚
dolls.
-j j # œ- = œ # œ #œ =œ #œ #œ ¬ #œ =œ J J 44 sp 44
mean - ing - less (sss)
(ll)
œ
¿ X -
45
¿ X -
45
(sss)
¬ Ó.
f (sss)
to Tam-Tam (behind narrator)
45
15
B b Cl.
Œ # œ- = œ
& 45 X .
∏delicate and airy, but always slowly growing ∏delicate and airy, but always slowly growing Œ # œ- # œ 44 ˙ . ñ ñ
5 & 4 X.
116
D 1 (L)
44 œ # œ # œ- = œ # œ # œ- = œ J J
!!!!!!!!!!!!!!!! 5 Ó & 4 X. ?5 4
116
D 2 (R)
& 45
116
T. Sx.
B b Cl.
X.
p 44 ‰ j3 b œ bœ - œ bœ ‰ ‰ bœ -
5 &4 Ó
Œ ‰
!–
accel. 4 7 œ # œ # œ- = œ &4 J & 44 # œ- œ ˙ His dolls.
& 44
Nar. (C)
?4 4
121
& 44
121
Perc.
s
œ # œ # œ- = œ # œ # œ- = œ 42 œ # œ # œ- = œ J J
until m. 127
and
we
our re - flec - tion.
sim. œ ¿ ≈ # œ- œ ˙ .
gradually moving from
(sss)
ñ
s
to
œ
(n)
P ‰ n œ 42 b œ
4 ¿- ≈ b œ b œ 4
Be
-
œ ¿ ≈ # œ- # œ ˙
until m. 127
His dolls.
œ # œ # œ- = œ # œ # œ- = œ J J
œ ¿ ≈ 44
(sss) His dolls.
˙
# œ # œ- = œ J
4 4
2 4
driving q = 91 5 # œ # œ # œ- = œ # œ # œ- = œ #œ 4 J J J J p p 5 œ ¿ ≈ 4 # œ- œ ˙ œ ¿ ≈ # œ- œ Çe = e Faster,
(sss)
al - lowed
# œ- œ ˙
œ ¿≈
His dolls.
(sss)
# œ # œ- = œ J
His dolls.
(sss)
frich and full
45 b ˙5 4
# œ- œ ˙ His dolls.
n œ-
His dolls.
f n œ- # œ
Œ
not
al
œ ¿ ≈ # œ- œ (sss)
5 # œ # œ # œJ = œ # œJ # œJ = œ 4 p 45
3 4 # œJ = œ # œJ # œ = œ 43 ˙
His dolls.
#œ J
-
43 # œ-
lowed
3 4
˙
(sss)
Œ #œ nœ -
His dolls.
# œ-
not al - lowed
we are
(sss)
His dolls.
44 4 4
π
# œ # œ- = œ 44 J
P j œ ¿ ≈ # œ- # œ . (sss)
Œ #œ - # œ n œ-
œ ¿ ≈ # œ- œ ˙ (sss)
p
(sss)
œ ¿ ≈ 4 4
œ # œ- # œ- = œ # œ # œ- = œ J J J
œ ¿ ≈ # œ- œ ˙
3 # œJ = œ # œJ # œ = œ 4 43
cause
œ # œ # œ- = œ # œ # œ- = œ œ # œ # œ- = œ 24 J J
Tam-Tam w/ nails, slowly delicately
# œ # œ- = œ J
(sss)
2 œ 4
(sss) His dolls.
œ # œ # œ- = œ J
44
2 4 œ
œ ¿ ≈ # œ- # œ ˙
F j3 b œ- b œ œ bœ bœ
bœ
∏delicate and airy, but always slowly growing
b œ- n œ # œ n œ b œ b œ b œ b œ
4 7 œ # œ # œJ = œ &4
121
T. Sx.
44
with motion and energy
not
D 2 (R)
# œ- = œ
∏
121
121
their mean - ing lost,
to
# œ # œ- = œ J
His dolls.
always getting louder, more raucous
121
D 1 (L)
(sss)
His dolls.
116
Perc.
œ ¿ ≈ # œ- œ ˙ .
∏delicate and airy, but always slowly growing # Œ œñ œñ 44 ˙ .
X.
ñ
gradually moving from
sim.
His dolls.
116
Nar. (C)
œ # œ # œ- = œ J
always getting louder, more raucous
116
not al - lowed
His
dolls.
‰ # œ n œ # œ 44 we're not
œ ¿ ≈ # œ- # œ . J (sss)
œ # œ- # œ- = œ # œ # œ- = œ J J J
44
His
dolls.
al -
4 4
# œ # œ- = œ 4 J 4 44
16
B b Cl.
D 1 (L)
œ # œ- # œ- = œ # œ # œ- = œ 42 œ # œ # œ- = œ J J F 126 j j & 44 7 œ ¿ ≈ # œ- œ . œ ¿ ≈ 42 # œ- œ . (sss)
His dolls.
& 44 # œ -
126
Nar. (C)
œ n˙
lowed
(sss)
ƒfull, girthy
œ ¿ ≈ # œ- # œ . J
? 44
126
D 2 (R)
44 œ # œ # œ- = œ # œ # œ- = œ J J
& 44
126
(sss)
œ ¿≈
His dolls.
(sss)
44 œ ¿ ≈ # œj # œ . -
His dolls.
42 Œ
(sss)
His
dolls.
œ # œ # œ- = œ # œ # œ- = œ œ # œ # œ- = œ # œ # œ- = œ J J J J F j j j j œ ¿ ≈ # œ- œ ¿ ≈ # œ- œ ¿ ≈ # œ- œ ¿ ≈ # œ- œ ¿≈
f grounded and focused, text at the forefront 44 n ˙ ¿- ‰ # œ# œ-
# œ- œ . 42 J
To
paint
(t)
œ ¿ ≈ # œ- # œ . 44 J
His dolls.
(sss) His
(sss)
His dolls.
3 j # œ- œ- œ
F œ ¿ ≈ # œ- œ J
our
dolls.
fa - ces.
(sss)
His dolls.
7 œ # œ- # œ- = œ # œ # œ- = œ 2 œ # œ # œ- = œ 4 œ # œ # œ- = œ # œ # œ- = œ 4 J J J J &4 4 4 F –
4 &4
126
Perc.
(h )
P
– >– ‰ Œ f
2 ¬ 4 ¬æ 4 æ 4 π gentle but always growing
B b Cl.
& 7 œ # œ # œJ = œ j & # œ- œ
131
D 1 (L)
His dolls.
j ¿ ≈ # œ- œ
(sss) His dolls.
j & # œ- œ- œ
131
Nar. (C)
¿- ‰ # œ-
3
(s)
fa - ces.
# œ- œ ? J
131
D 2 (R)
His dolls. 131
T. Sx.
&
(sss)
His dolls.
accel. œ # œ # œ- = œ J
j ¿ ≈ # œ- œ
(sss)
His dolls.
rit. # œ # œ- = œ J
j ¿ ≈ # œ- œ
(sss) His dolls.
f with force, heavy ¿ ≈ # œ- œ- œ-
(sss)
His
œ-
dolls, His
dolls,
ƒbereft linger n >œ œ # œ œ- œ œ . # œ- # œ # œ # œ n œ # œ # œ n œ J 3
paint,
¿ ≈ # œ- œ J (sss)
# œ # œ- = œ J f
His dolls.
to
¿ ≈ # œ- œ J (sss) His dolls.
œ # œ # œ- = œ J ¬ æ
show
to
have
fa - ces
f with force, heavy ¿ ≈ # œ- œ- œ-
(sss)
# œ # œ- = œ J
¿ ≈ # œ- œ J (sss)
To
His dolls.
His
dolls, His
œdolls,
œ # œ # œ- = œ # œ # œ- = œ J J ¬ æ F
(sss) His dolls.
show
¿ ≈ # œ- œ J (sss)
His dolls.
(sss)
¿- ‰ # œ-
n ˙-
# œ # œ- = œ J
(wuh)
¿ ≈ # œ- œ J
our
(sss) His dolls.
œ # œ # œ- = œ J
¿≈ (sss)
# œ # œ- = œ J
¬ æ p
Slower, with gravity q = 75 œ # œ # œ- = œ # œ # œ- = œ œ # œ # œ- = œ # œ # œ- = œ J J J J
with motion
To
¿ ≈ # œ- œ J
7 œ # œ # œ- = œ J
¬ & æ
131
Perc.
# œ # œ- = œ J f
131
(s)
His dolls.
¬ æ
tam-tam roll w/ beaters
scratches getting faster+more erratic
(sss)
¿ ‰ # œ-
œ # œ # œ- = œ J
126
T. Sx.
(sss) His dolls.
# œ-
His
œ- œ- œ-
dolls, His dolls,
œ # œ # œ- = œ J
# œ- œ- œ- œ- œ- œ- œ- œ- 43 His dolls, His dolls, His dolls, His dolls,
-¿ # œ- n >œ œ # œ # œ- œ ‰ J
œ
3
(sss)
to
# œ-
œ- œ- œ-
His
have
dolls, His dolls,
> > # œ # œ = œ 43 J
fa - ces
-¿ ‰ #œ (sss)
43
to
# œ- œ- œ- œ- œ- œ- œ- œHis dolls, His dolls, His dolls, His dolls,
œ # œ # œ- = œ # œ # œ- = œ J J
œ # œ # œ- = œ J
¬ æ
¬. æ
43
# œ # >œ = >œ J 43 – æ
3 4 ( f)
LV
DOLLS could also just repeat the previous figure and have a large leap *not sure exactly what gesture I want yet.
B b Cl.
rit. 3 & 4 7˙.
44
136
3 * & 4 #œ >
136
D 1 (L)
His
( ff) >. 3 nœ &4
>
dolls,
>
>
>
>
His
dolls,
His
dolls,
Nar. (C)
have
? 43
136
D 2 (R)
3 &4
136
T. Sx.
& 43
136
Perc.
*
a
# >œ
>
His
dolls,
7˙.
> His
# w-
Œ
ƒ
ƒ 4 #w 4
Ï
face...
dolls,
>
His
>
dolls,
44 4 4
U
Psurgical, antiseptic 3 Œ 4 Œ 4 # œ- œ- 4
# œ- œ- œ-
œ- œ-
Psurgical, antiseptic 3 Œ 4 Œ 4 # œ- œ- 4
# œ- œ- œ-
œ- œ-
# œ- œ œ-
œ- œ-
Our names
Our names
P- surgical,- antiseptic #œ œ 44 Œ 43 Œ
Ï U ¿ ‰ > ¬- . (s) P ∑
lip+tongue rumbling
n w-
face...
n wƒ
¬
Œ
3 4
¿° 34 – F
U
Ó.
Slowly mask NARRATOR
∑
142
&
∑
142
D 1 (L)
& nœ #œ #œ - - - nœ box - es of the
142
Nar. (C)
& nœ #œ - - # œ- n œ box - es
of
the
n œ- # œ- # œ- nœ ?
142
D 2 (R)
box - es
of
& Ó
Πn142
T. Sx.
the from air
F sp suddenly delicate 3 j # œ # œ- ˙ . > face - less. F sp suddenly delicate 3 j # œ n œ- ˙ . > face - less.
F sp suddenly delicate # >œ # œ- ˙ . J 3
¿
° 142
Perc.
&
∑
∑
+ Œ
(choke)
Œ
hi-hat + low tom
˙. ˙. ˙.
œ œ œ
œ ˙. J p
˙.
Œ
3
n # # n ˙˙-˙˙ .... P
wwww
œ
πbreathy, fragile U
= wñ
πbreathy, fragile U
+ wñ
πbreathy, fragile U =w
ñ
# œ- n œ- n œ La - bels on
U
wwww
+
∑
Œ
S P ‰ ¿ > n >œ (sss) face
(sss)
(sss)
¿° – F
œ-
#œ > names
œ-
#œ >
names
œ-
# >œ
face - less
P S n >œ >¿ ‰
face - less
+ Œ
(choke)
# œ- n œ- n œLa - bels
Œ Œ
42
names
# œ- œ- œ œ- œ>
¿° – F
+ Œ
(choke)
2 4 42
ran - dom - ly
# œ- œ- >œ œ- œcho - sen
∑ Ó
# œ- œ- œ œ- œ> cho - sen ran - dom - ly
cho - sen
Œ
on
¿° – Œ Ó F ∑
- less
S P ‰ ¿ > n >œ
Œ
on
∑
Ó
(choke)
# œ- n œ- n œ La - bels
on - ly place - hold - ers.
∑
U
+w π even breathier
¿° 44 – F
Œ
on - ly place - hold - ers.
4 4
∑
∑
face - less.
breathy, gentle, match vocal timbre
on - ly place - hold - ers.
Our names
low tom could be kick drum?
B b Cl.
Œ
lip+tongue rumbling
ƒ
Approach NARRATOR from behind...
∑
lip+tongue rumbling
Ï U ¿ ‰ > ¬- . (s) P
44 ¬
¬.
Ó.
¿ ‰ >(s) ¬- . P
face...
>
Fast, precise, and cold q = 160 44 ∑ ∑ 43
U
LIGHTS OUT
4 #w 4
# œ- .
136
17 LIGHTS UP
ran - dom - ly
2 4 42
∑ Ó
2 4
18 B b Cl.
& 42
∑
& 42 Œ
f 58 6 4 n œ # œ- # œ # œ # œ 8 # œ œ n œ œ # œ 4 # œ- œ> - > > - n œ- > - cho - sen ran - dom - ly from a ser - ies of mean - ing - less
148
148
D 1 (L)
85
68 Œ
∑
44
j n¿ ¿. °
from air
becoming breathy, matching vocal timbre
w p ( f) names
( f)
f 2 Œ 5 6 4 & 4 #œ œ 8 nœ #œ #œ #œ 8 #œ œ nœ œ #œ 4 > - - > # œ- > - n œ- > - cho - sen ran - dom - ly from a ser - ies of mean - ing - less ? 42 Œ
148
D 2 (R)
# œ- œcho - sen
2 &4
∑ + ¿° (choke) 148 2 &4 – Œ F 148
T. Sx.
Perc.
B b Cl.
ran - dom - ly from a
5 8
∑
5 8
∑
rit.
∑
156
&
( f) & ¿ ‰ # œ- œ- # œ- # œ < >
156
D 1 (L)
(sss)
Peo - ple with - out
( f) & ¿ ‰ # œ- œ- # œ- # œ < >
156
Nar. (C)
(sss)
?
156
D 2 (R)
Peo - ple with - out
names.
Peo - ple with - out
T. Sx.
&
¿° & – f
156
Perc.
+ Œ
(choke)
6 8
∑
(sss)
>¿
˙.
Œ
∑
œ ¿-
(st)
fœ # œ œ- œ . J
œ -¿ (st)
– P
could come later if time needed
– F
= wñ
π breathy U
= wñ
π breathy U = wñ
∑
∑ U
wwww
wwww
∑
– P
œ ¿-
Lost
(st)
S ( f) ¿ ‰ > # œ- n œ- # œ-
j # œ- œ- ˙ . 3
(sss) Dolls with - out
fa - ces
S >¿ ( -f ) - ‰ #œ nœ #œ
# œ- œ- ˙ . J 3
(sss) Dolls with - out
¿° – f
fa - ces
∑
∑
Œ Ó
∑
+
(choke)
3 4
>
nœ nœ ˙
œ ¿-
Lost
Lost their
(st)
fa - ces
œ -¿
n >œ n œ ˙ Lost
(st)
– P
– F
Œ
43 3 4
∑ Œ
43
3
Lost
43
(st)
œ ‰ n œ- n œ œ œ œ œ œ -¿
n >œ # œ ˙
– F
fa - ces
∑
> nœ #œ ˙
Œ
j # œ- œ- ˙ . 3
(sss) Dolls with - out
∑ Œ
∑
S ( f) ¿ ‰ > # œ- n œ- # œ-
∑
∑ Œ
œ
U
Lost their be - ing
Lost
with weight and warmth
œ
+w π π breathy
œ ‰ # œ- n œ œ- œ . J
Lost their mean - ing
f ‰ # >œ n œ ˙
œ
names.
4 4 # # ww n # w-w P
Lost
(sss)
Bass Drum roll
¬. æ π
( f) # w-
4 4
f
∑ Ó
names.
˙.
Half-Time | Full and rich q = 80 ∑
n¿ ‰ >
# ·- .
∑
∑
(sss)
# ˙- .
(sss)
6 8
> ¿ ‰ #œ nœ ˙ >
names.
( f) - - - ¯ >¿ # ‚ ‚ # ‚ # ‚ ‰
ser - ies of mean - ing - less
∑
# ˙- .
names.
156
# w-
f> n œ # œ- # œ- # >œ # œ# >œ œ- n œ- n >œ œ- # œ58 68 44
œ
˙.
# w-
148
Nar. (C)
˙.
U
Œ
– P
43
19 B b Cl.
& 43 & 43
161
D 1 (L)
∑
161
Ó
( f)
n¿ °
3 &4 œ ‰ Œ
Œ
to Bass Clarinet (plug vent hole)
˙. p p
from air
˙.
˙.
F n œ-
œ- # œ 3
( f) ? 43 # >œ n œ- ˙
los - ing
& 43
Ó
œ
them
¿
T. Sx.
& 43
– F
Œ
U
∑
&
Bass Clarinet
,
& œ
exhalation on lift ( )
[woʊ]
(mmm)
[e]
[i:]
(h)
bright
,
& œ
exhalation on lift ( )
(mmm)
[woʊ]
[e]
[i:]
(h)
bright
? œ
,
168
168
exhalation on lift ( )
T. Sx.
&
168
Perc.
&
œ
[woʊ]
[e]
[i:]
d D b microtona
l meandering dow nward # = +
(h)
Bass Drum
LV
n ˙- . p breathy and dark
freely and gradually changing mouth position
X.
¿
etc.
nœ
X.
Hmm
psenza vibr. #œ
Ó
Hmm
˙. ∑
œ\
ñ
π breathy and dark
fall off to air
˙. ∑
nœ
Ó ∑
p
∑
G
‰
G
‰ œ \ (h)
# ˙.
Ah
π breathy and dark
ñ
fall off to air
G
œ\ ‰
n ˙.
(h)
Ah
π breathy and dark
ñ # ˙.
w/ exhalation lift
perhaps w/ vibe mallet so you don't have to juggle
fall off to air
(h)
Ah
,
fall off to air
# ˙. π breathy and dark
Ó –- b n b www p p
G
œ\ ‰
( )
very sticky, lots of gliss, molto legato
– p-
(P)
psenza vibr.
(sss)
∑
dark
(mmm)
p
˙.
dark
168
D 2 (R)
˙.
LV
Hmm
(sss)
¿ ‰ Œ
dark
bright
Nar. (C)
π
¿æ
X.
(zzz)
fall off to air
168
D 1 (L)
sus. cymb
psenza vibr. #œ
Ó
etc.
p ˙.
p
X.
œ
Slow, deep, round, encompassing q = 52
25"
168
B. Cl.
°
Œ
161
Perc.
n¿
¿
(sss)
(st)
∑
etc.
˙
intermittent stuttery attacks (letting voiced z turn to s freely)
selves
from air
˙.
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! Ó ˙. ˙. ˙ ¿
Lost
161
˙.
freely and gradually changing mouth position
#˙.
-
p
‰ Œ
(st)
p
˙.
161
D 2 (R)
a tempo
˙.
# œ n œ- ˙ > Lost
161
Nar. (C)
rit.
G
œ\ ‰
Œ
n –p
nw ( p)
w
ñ
( π)
G
#w
Ah
ñ
( π)
n œ- # œ . Ah
˙.
G
œ \‰
˙.
# wñ
( π)
(h)
G
œ\ ‰
˙.
Ah
#w ( π)
j æ b b œ b n œœœ œœœœ .... p ∏
‰ œ \ (h)
˙.
(h)
w ˙˙æ˙ ˙
Ó
Œ
–p
20 unplug vent hole
Ó
172
B. Cl.
&
N˙
œ.
-̇ . p
whistle position
≈
5 4
172
D 1 (L)
&
-¬ P
-¬
lip+tongue rumbling
45
#˙.
85
˙
-¬ .
5 8
¬-
whistle position
5 4
172
Nar. (C)
&
?
¬P
¬-
lip+tongue rumbling
whistle position
45
172
D 2 (R)
172
T. Sx.
&
5 &8
175
B. Cl.
Ó
b ˙- . p
gentle bass drum roll
¬æ π Bursting, raucous q = 65 3 3 ≈ + œ¯ œ̄ œ̄ >œ >œ >œ >œ >œ >œ œ- œ sƒwild and raw
sƒwild and raw
3
& 85
∑
175
? 85
175
D 2 (R)
4 8
3
It is for - bid - den for us to paint fa - ces
Nar. (C)
3
It is for - bid - den for us to paint fa - ces
∑
sƒ 12 # >œ . >œ . n >œ . # ˘œ . 48 32
spfragile 48 # œ- œ- œ . 32 12 48
≈ + œ¯ œ̄ œ̄ >œ >œ >œ >œ >œ >œ œ- œ 48 sƒ 3
T. Sx.
Perc.
- -- 5 &8 ¿ ¿ ¿ ¿ – f - Bass Drum
snare drum w/ stick
175
∑
3
∑ ∑
12 32 12 32
3 > > > >> > maybe snare on downbeat? 12 ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ 48 ∑ 32 – – J3
sƒ
God can do that
∑
3
sƒwild and raw ¯ ≈ # œ œ̄ œ̄ >œ >œ >œ >œ >œ >œ œ œ 3
+ >œ . >œ . d >œ . + ˘œ .
12 32
sƒ n >œ . >œ . n >œ . # ˘œ . God can do that
d >œ . >œ . d >œ . + ˘œ .
sƒ
4 8
¬- .
¾.
∑
sƒ 12 # >œ . >œ . n >œ . # ˘œ . 48 32
48
˘ ˘ ˘ ˘ ¿ . ¿ . ¿ . ¿ . 48 –. –. –. S
∑ ∑ ∑
12 32 12 32
sƒ
He paints fa - ces
∑ sƒ n >œ . >œ . n >œ . # ˘œ . He paints fa - ces
d >œ . >œ . d >œ . + ˘œ .
sƒ
85
¾
+ >œ . >œ . d >œ . + ˘œ .
3
5 8
˙
∑
on - ly
85
¬-
12 32
sp 48 # œ- œ- œ . 32 12 48
-¬
5 4 ˙. 45
on - ly
& 85
175
≈
œ.
¾
& 85 ≈ # œ< œ< œ< œ œ œ œ œ œ œ- œ 48 > > > >> >
175
D 1 (L)
-¬
lip+tongue rumbling
& a˙
172
Perc.
¬P
¬- .
5 8
4 8
∑ ∑
sƒ 12 # >œ . n >œ . >œ . # ˘œ . 28 32
sp 48 # ˙-
He
48 48
˘ ˘ ˘ ˘ 12 32 ¿ . ¿ . ¿ . ¿ . 48 –. –. –. S
+ œ- . d œ- . œ- . + œ¯ .
12 32
∑ ∑ ∑
sƒ
2 8
paints all fa - ces
12 32 12 32 12 32
∑ sƒ n >œ . # >œ . >œ . # ˘œ . paints all fa - ces
d >œ . + >œ . >œ . + ˘œ .
sƒ
28 28 28
˘ ˘ ˘ ˘ 12 32 ¿ . ¿ . ¿ . ¿ . 28 –. –. –. S
B. Cl.
D 1 (L)
stringendo e cresc. + œ- . d œ- . 182 12 & 28 .. ∑ 32 sƒ sƒ 182 > > 2 12 & 8 .. ∑ 32 # œ . n œ . paints
sp & 28 .. # œ
12 œ . 32 R
182
Nar. (C)
He
? 2 .. 8
D 2 (R)
& 28 .. & 28 .. æ¿ sπ
12 32
snare roll
182
Perc.
12 32
∑
182
T. Sx.
12 32
∑
182
all
= 150 -œ . + œ¯ . 13x + >œ d >œ ‰ .. 85 ..
all
>œ . + >œ .
sƒ
fa
- ces
≈.
paints
5 &2
B. Cl.
& 25
187
D 1 (L)
# >œ
( ff) ( ff)
= >˙
# >œ
He
( ff) ? 25
> 5 #œ &2 ( ff)
T. Sx.
Perc.
# >œ
-̇
paints
fa
fa - ces
‰
= >˙
# >œ
paints
= >˙
4 2
n ˙-
˙
-
-
-
æ & 25 X¬ low tom > f
-
Ó
# >œ Xæ . ∑.
= >˙
# >œ
= >˙
He
=˙
>œ
paints
fa
d >œ
>œ
>
slap tongue
Ï œ +
œ\
>¿
ces.
7x .. 25 >œ 7x .. 25
- ces
>œ 7x .. 25
Œ
Ó
to Clarinet
lip+tongue rumbling
Œ
Ó
approach clarinet player (Veil I)
(sss)
Ï sP
(w)
¬=˙
> œ+
slap tongue
Ï rim shot
7x .. 25
7x .. 25
P -¬
Ïpowerful -. 42 # ˙
Bass Drum
n >œ
freely, fast and wild
(w)
42 Xæ ¬ ƒ -
- ces
9x .. ..
# ˙-
4 #˙ 2
fa
He
freely, fast and wild
fa - ces
11x .. 42 ..
42
187
He
>œ 9x + >œ .. ..
all
paints
œ >
fast and wild 9x freely, œ.. .. # œ-
Œ
>œ + >œ 11x + >œ d >œ .. 42 .. ‰
>œ . + ˘œ . 13x .. 85 .. ‰
n ˙-
# >œ
He
>œ 7x .. 25
NARRATOR head slowly facing straight ahead
>œ + >œ
paints
42
= >˙
fa - ces
>œ
9x freely, fast and wild .. .. # œ n œ œ > > >
>œ > 9x # œ .. ..
||: He paints faces :||
187
œ >
>œ # >œ # >œ n >œ 11x ‰ .. 42 ..
fac - es
d >œ
freely, fast and wild
>œ . # ˘œ . n>œ #>œ 13x .. 85 .. ‰
(w + w + h )
187
>œ 9x + >œ .. ..
He
||: He paints faces :||
She
D 2 (R)
Œ
f 11x .. 42 .. # œ-
paints
(w + w + h )
ƒablaze 187 # >˙ 5 &2
= 186 > d >œ ‰ +œ
11x .. 42 .. ‰ # œ n œ > >
fa - ces
‰
21
q
œ #œ > >
13x .. 85 ..
NARRATOR rips/breaks mask off
Nar. (C)
all
F 13x .. 85 .. # œ-
Locked-in, unflinching h = 90
187
>œ + >œ 11x .. 42 ..
> . ˘ 13x. 5 . > > œ #œ. . 8 . ‰ #œ nœ
‰.
sƒ n >œ . # >œ . paints
q
> ¿
Ï
lip+tongue rumbling
Œ
Ó
Œ
Ó
to tam-tam
22 B b Cl.
189
D 1 (L)
&
U
آ
When your covering is removed peer out at audience
-¬
U
U
U
U
¬J >
U
U
U
Ó
43
U
U
U
U
3 4
U
U
Ó
3 4
Ó
3 4
Ó
U When mask is removed GASP and peer out at audience
U
& ¬
189
Nar. (C)
U
& ¬
189
Ó
ز
Ó
¬
D 2 (R)
?U ¬-
U
¬-
& ∑ > U & ¬ ! p sπ
> U ¬ ! sP sp
189
B b Cl.
& 43
190
D 1 (L)
& 43
190
Nar. (C)
? 43
190
D 2 (R)
U ‰ # œ- = œ- œ
Œ
‰
‰
Clarinet
p 3
3
p
# œ-
œ = œ- .
Hmm
p ≈ # œ- œ
= œ-
Hmm
p # œ- .
Œ
Hmm
j & 43 # œ- = œ- . p 3 & 4 #œ # œ p
190
Perc.
#œ #œ
3
U
œ
U
œ
= œ- Uœ
190
T. Sx.
¬
> U ¬ ! sF sP
# # œœ
U
44 ˙ 44 ˙ 44 ˙ 44 ˙
œ
44 ˙
U
4 æ¬ 4 p
œœ
,
( )
f
U
> U ¬ ! S sF
˙.
˙ f
ی
When your covering is removed peer out at audience
Overcome q = 58 - 65 (fast enough so the narrator can make these 4 bars with no breath)
& 43
190
U
Ó
scrape tam tam w/ triangle beater with each garment removal -after each scraping continue with nail circle fills
Perc.
د
¬
Ó
When mask is removed GASP and peer out at audience
189
T. Sx.
¬
¬J >
U
43
Ó
Ó
¬
Walk across stage removing veils from players and masks from vocalists -after each removal, paint the indicated Farsi letter on and across their faces -after finishing everyone else, return to center and paint your own face 189
Ó
> ¬ sƒ
rit. œ.
≈
ا
3 4
to vibraphone
a tempo 3 # œ- # œ œ ˙
œ\¬ Ï Ï
belt
# ˙-
Ah
f ( ,) - # œ . œ #œ
> œ \¿ ≈
˙.
w
˙.
w
(h)
reduce vocal cover
Ï œ \>¿ ≈
Ah
(h)
f ( ,) n ˙
Ï œ \>¿ ≈ belt
w
˙.
Ah
(h)
# ˙-
˙.
f
Tam-Tam roll
Ó ( f)
LV
œ.
- œ . # # œœ- œœ # œ n œ œ. #œ. J n # œœ- # œ- . f 3
≈
#˙.
3 - # -˙ # # œœ # ˙
– ƒ-
Œ
˙˙ X æ
œ ¬ Ï\
sus. cymb swell
( fff)
23
Dissipating | with the clarinet leading B b Cl.
U
,
U
&Ó
194
D 1 (L)
U
&Ó
194
n n ˙˙ ( π) √ bU˙ ∏
quiet, comfortable volume to make dyads speak
ñ
audible breath
(breathe as needed)
U
U
# n ˙˙
n n ˙˙
, audible breath
WHISTLED
ñ
nU˙
, audible breath
ñ
U
b˙
to air
to air
changing mouth positions freely and gradually 194
Nar. (C)
U
& p ¬-
? UÓ
194
D 2 (R)
U
U
¬-
lip+tongue rumbling
,
√ nU˙ ∏ &
audible breath
ñ
¬-
, audible breath
WHISTLED
&
Perc.
U
(choke)
&Ó
194
ñ
nU˙
°
¬-
, audible breath
ñ
nU˙
to air
U ∑
194
T. Sx.
U
top notes bowed and w/ foil
U
b ˙≤ n˙ ∏ pedaling so there is no break in sound
U
n ˙≤ n˙
U
b ˙≤ n˙
LV