Design Portfolio (2018)

daniel beatty

design work

DANIEL BEATTY

Graduate, School of Architecture & Planning Morgan State University (410) 240-5698 beatty.daniel@rocketmail.com issuu.com/danielbeatty4

education

professional experience

My goal is to, while pursuing licensure, show competence and enthusiasm in order to have an architectural career that serves urban populations.

Master of Architecture May 2019 Bachelor of Science in Architecture and Environmental Design May 2017

Morgan State University, Baltimore, MD Jerryn J. McCray, Architect Architectural Intern • •

Mar 2018 - Present

Prepared and annotated scale drawings Assembled data and field measurements from existing infrastructure

Hord Coplan Macht (HCM) Architectural Intern

Sept - Dec 2016

AIA Baltimore | BAF Graphic Designer & Events Intern

June - Aug 2016

• •

• •

Developed stair details for Construction Documents Collaborated on schematic design renders for clients

Designed flyers and brochures for AIABaltimore and BAF events Participated in community/committee development meetings with AIA and NDC

Small Business Renovation Program Co-Designer w/ Gensler June - July 2016 • • •

Designed with a team of students and architects for the business’ renovation Liazoned between design team and client business owner Documented measurements and utilities of an existing small business

Whitelock Community Farm Lead Draftsman •

Created as-built drawings for an Urban Farm in danger of losing rights to its shed

A.C.E. Mentor Program Mentee at Century Engineering • •

skills

+

aptitude

Aug 2014

Jan 2012 - May 2013

Worked with a team of other professionals and students to design a buiding Presented designs with a student team to architects, engineers, and politicians

Revit Architecture

9

Sketchup

10

Photoshop

9

InDesign

9

Illustrator AutoCAD Draftsmanship + Drawing

7 8 10

contents

rĂŠsumĂŠ........................................................................................................................................................................................................................ 2 water + wood...................................................................................................................................................................................................4 the roundhouse..........................................................................................................................................................................................12 the porches....................................................................................................................................................................................................... 20 the cenotaph....................................................................................................................................................................................................30

renders + graphic skills.............................................................................................................................................................38 salute.......................................................................................................................................................................................................................... 40

Daniel Beatty

3

1

TOURIST EXPERIENCE

Media:

Challenge: Make the Whiskey Distilling Process a memorable tour experience for the public Location:

Fells Point Baltimore, MD

Program:

Whiskey Distillery + Office Tenant Space

4

the “wood & water� project uses the chosen materials and the waterfront context to brings the essence of whiskey to the tour customer: water to symbolize whiskey and wood to stand for the aging barrel.

5

GROUND LEVEL PLAN

BUILDING + SITE ORGANIZATION

GROUND LEVEL PLAN 0'

16'

32'

16'

0'

32'

64'

64'

water + wood

Entry path is aligned with column still in Tasting + Bar room

Retail space given frontage and a shared pedestrian promenade HISTORIC WALK: "AROU ND THE WORLD IN

HISTORIC WALK: "AROU ND THE WORLD IN

6 SHOTS"

LOADING

RE CE DE PTIO SK NS

DN

CO AT CL OS ET

4. FERMENTING

"T HE HO LL OW "

6.

CH ILL FIL TE PA RIN CK + G AG ING

ME P

8.

BA KIT KER CH Y EN

BO TT LIN G

4. FERMENTING DN

BA RR EL LIN G

MALT SILOS

♂

6.

"T HE HO LL OW "

MALT SILOS

DN

DN

DN

DN

BO TT LIN G

♀

LO BB WA ITIN + Y G AR EA

3. KILNING

2. GERMINATION

T DE RAS LIV H + ER Y

3. KILNING

2. GERMINATION

8.

ST COL OR D AG E

CO AT CL OS ET

"W

WHISKEY PRODUCTION PROCESSES

1. STEEPING

SEATING

EXPO: "WATER OF LIFE"

WHISKEY PRODUCTION PROCESSES

1. STEEPING

6 SHOTS"

LOADING

CH ILL FIL TE PA RIN CK + G AG ING

SE AT ING UP

STORAGE

BA RR EL LIN G

STORAGE

SILOS 5.

TA ST ING + ROO BA M R

SILOS UP

UP

ST OR E

DN

ST OR E

Open-Air Performance Pavilion + Bar

7.

BA RR EL ST OR AG E

7.

BA RR EL ST OR AG E

DN

Harbor water inlet into building footprint to greet the visitors upon entry Public Waterfront Boardwalk + Bridge across the water

UP

6

Outdoor Tasting Space and Event Flex Space to repurpose existing pier

CO AT

DN

HE HO LL OW "

FIL TE PA RI CK + NG AG IN G

7.

BA RR EL

♀

4.

FE RM EN TIN 6.

G BA RR EL LIN G

LO BB WA ITIN + Y G AR EA DN

BA KIT KER CH Y EN

ST OR E

32'

64'

CLO SE

SEATING

ST COL OR D AG E T DE RAS LIV H + ER Y

T

LO BB WA ITI + Y NG AR EA

T

DN

BA KIT KER CH Y EN

ME P

DN

♂ SE AT ING

5. Column Stills

ST OR E

TA ST IN G + ROO BA M R

ST OR AG E

Heating + Cooling Zones PRODUCTION PROCESS

Office Tenant BlockGROUND LEVEL

CLO SE

♀

SILOS

7.

BA RR EL

CO AT

CO AT

4.

FE RM EN TIN G

+ ROO BA M R

Outdoor Tasting Pavilion on Pier

0'

DN

"T HE MALT 6.

HO SILOS BA RR LL OW ELLING "

CH ILL FIL TE PA RIN CK + G AG IN G

5. Column TA STStills IN G

ST OR AG E

E "W XPO OF ATE : LIF R E"

G

SE AT ING

SILOS

IN 6 SHOTS"

PR WHIS PR ODU KEY OC CT ES ION SE S

2.

GE RM INA TIO N

G

8.

BO TT LIN

♂

Building + Site Programming ROCESS

L

ME P

ST EE PIN

HVAC Distribution

Level 3

128'

0'

Level 3

32'

64'

128'

Support/Service Spaces Whiskey Production Block

ME P OP EN STA

ME P OP EN STA

WO TIO RK N

Distillery Administration Offices

UP

WO TIO RK N

DW

[B MEP EL OW ]

BA RR EL

BAR

[B MEP EL OW ]

UP

KIT CH EN

DW

KIT CH EN

ST OR AG E

RE L ST OR AG E

HEATING & COOLING PLAN

HEATING & COOLING ZONES THIRD LEVEL

THIRD LEVEL

Ground Level 0'

32'

HISTORIC WALK: "AROUND

LOADING

1.

ST EE PIN

G

2.

G

CH ILL FILT PA ER CKA+ IN G GIN G

MALT SILOS

"T HE HO LL OW "

6.

CO AT

CO AT

FE RM EN TIN G

BA RR EL LIN G

0'

CLO SET

♀

ST COLD OR AG E TR DEL AS H+ IVER

CLO SET

SEATING

LOADING

1.

ST EE PIN

G

Y

LO BB WAI Y TIN + G AR EA

ME P

64'

2.

8.

CH ILL FILT + ERIN KA G GIN G

MALT SILOS

PAC

5.

TA ST IN G + ROO BA M R

"T HE HO LL OW "

6.

BA

RR EL

CO AT

CO AT

FE RM EN TIN G

BA RR ELL IN G

CLO SE

T

♀

CLO SE

STOCOLD RA GE TR DE ASH LIVE + RY

T

LO BBY WA ITIN + G AR EA

ME P

BAK KIT ER CH Y EN

DN

♂ SEA TIN G

5.

TA STI NG + ROO BA M R

GRAIN SILOS

ST OR E

7.

EX "W PO OF ATE : LIFE R "

[A MEP BO VE ]

BO TT LIN

G

SE AT ING

128'

THE WORLD IN 6 SHOTS"

PR WHIS PR ODU KEY OC CTI ES ON SE S

GER MIN ATI ON

4.

BAK KITC ER HENY

DN

♂

GRAIN SILOS

32'

Ground Level HISTORIC WALK: "AROUND

EX "W PO OF ATE : LIFE R "

[A MEP BO VE ]

BO TT LIN

128'

THE WORLD IN 6 SHOTS"

PR WHIS PR ODU KEY OC CTI ES ON SE S

GER MIN AT IO N

4.

8.

64'

RE CE DE PTIO SK NS

MALT SILOS"T

T

1.

RA GE

CH ILL

CLO SE

T

LOADING

STO

8.

BO TT LIN G

CLO SE

SEATING

RA GE

DN

CO AT

ST COL OR D AG E T DE RAS LIV H + ER Y

STO

NA TIO N

3.

KIL NIN G

E "W XPO OF ATE : LIF R E"

RE CE DE PTIO SK NS

G 2.

GE RM I

HISTORIC WALK: "ARO UND THE WORLD

6 SHOTS"

RA GE

HISTORIC WALK: "AROU ND THE WORLD IN

ST EE PIN

STO

1.

RE CE DE PTIO SK NS

LOADING

Whiskey Distilling Tour Path

RE CE DE PTIO SK NS

Whiskey Production Process Path

STO RE

7.

ST OR AG E

BA RR EL

STO RAG E

Water Inlet - Entry Reveal HEATING & COOLING ZONES GROUND LEVEL

7

HEATING & COOLING PLAN 0'

32'

64'

128'

GROUND LEVEL

0'

32'

64'

128'

SEATING

whiskey means “water of life” DISTILLERY TOUR EXPERIENCE water + wood

PRODUCTION CROSS SECTION 0'

4'

8'

Wood Slats Screen

16'

“Water of Life” Trench

WOOD + WATER WALL 0'

1'

2'

3'

PRODUCTION CROSS SECTION 0'

4'

8'

16'

Roof Truss + Lighting Spandrel Distillery Administration Offices

Production MEP Room Grain + MaltArea Silos Barrel Storage Area

8

CANOPY ENTRY MEP

The entry canopy marks the first stages of the experience. It covers the “Water of Life” Pond which visitors can cross by bridge to enter the lobby

G & COOLING ZONES

D LEVEL

0'

32'

64'

128'

“THE HOLLOW” MEP

“The Hollow” Atrium Space is the last stage of the tour. A well-lit quadruple-height room: it serves as a leisurely relief space for bottling, barrelling and vending activities after the tour

G & COOLING ZONES

D LEVEL

0'

32'

64'

128'

9

Z

structure

Y

X

water + wood

N

STRUCTURAL X1

Structural Layout

# Y3 Y4

Y1

FRAMING PLAN Y2

X2

Y5

X3

32' 64' 128' 0'0'

Y7

Y6

Y8

X4 X5

Y9

X6

LOADING

1.

X9

ST EE PIN

8.

B

X10

G

2.

GE RM INA TIO N

PR WHIS PR ODU KEY OC CT ES ION SE S

3.

K

ILN ING

DN

OT TL IN

DN

CH ILL FIL TE PA RIN CK + G AG IN G

X12

CO AT CL.

LO BB WA ITIN + Y G AR EA

RE TA IL

DN

RE S

G

X11

E "W XPO OF ATE : LIF R E"

CO AT CL.

4.

FE RM EN TIN G

A1

A

THE WORLD IN 6 SHOT S"

RE CE DE PTIO SK NS

HISTORIC WALK: "ARO UND

TR OO MS

X8

Y10

X7

"T HE HO LL OW "

6.

BA RR EL LIN G

ST OR E

5.

TA ST IN G + ROO BA M R

Z

7.

BA RR EL ST OR AG E

Z

#

STRUCTURAL FRAMING PLAN 0'

10

32'

64'

128'

EAST ELEVATION EAST - BOND ELEVATION ST. BOND ST. EAST ELEVATION -- BOND ST. 0'

0'

8'

16'

8'

0'

32'

16' 8'

16'

32'

32'

N

TRUSS + COLUMN STILL WALL SECTION

Truss + Column Still Detailed Section

0'

4'

0 8' 16'

Roof

Rigid Insulation Board Metal Decking W-Shape Beams Spandrel Space Finish Ceiling

Tasting Room + Bar Column Still Long-Span, Large Truss W-Shape Truss Members Elevator Shaft

Administration Offices

MEP Room

Production Area Column Still Tour View HVAC System W-Shape Truss Members

Whiskey Production Tour Ground

Finish Flooring Concrete Slab

11

EAST BUILDING CROSS SECTION

11

EAST BUILDING CROSS SECTION

EAST BUILDING CROSS SECTION 0'

8'

16'

32' 0'

8'

16'

0'

32'

8'

16'

32'

2

COMMUNITY COLLABORATION

Media:

Challenge: How does a space invite a community to collaborate?

Location:

Greenmount West Art Town Baltimore, MD

Program:

Artists and Designer Collaboration Studio

12

Site visible from railroad and a major bypass route

Site bordered by major corridors

Most artists amenities within 3 minute walking distance

13

can architecture encourage collaboration? the roundhouse

Wheelhouse Parti Serves as a means to draw locals into the building and redirect them to the different programs.

Functions of the Wheelhouse The lobby is a node in which everyone is drawn to and redirected toward the different programs

Adapting the Parti to the Site

Formalized Parti

The sculptural wind shield engages train patrons and the major bypass with a cultural image.

The Wheelhouse (the lobby) is open to the landscaping afront the railroad

14

The Roundhouse takes on the physique of a railroad roundhouse, functioning as a wheelhouse. Upon entry, visitors find that the lobby is covered, but not enclosed.

Having the lobby exposed to the outdoor, tells visitors that they have yet to arrive fully—envoking the aura of a roundhouse and keep the connectivity with the adjacent railroad. This even allows people to walk out into a landscaped area and view the passing trains.

Insteadd of defaulting to all orthgonal walls, some of the walls are rounded to accentuate viewing and to subtly allude the idea of a fluid-functioning roundhouse. In the lobby, visitors and patrons are greeted by three solid masses on the first level, presenting three different options by which the program is organized.

As one of few “art-towns” in the city, the Greenmount West community is rich in creativity and suffering. It is commonplace for the artists in the neighborhood display their passions and negritude through mirals and graffiti. Thus, to accommodate that culture, the Roundhouse dedicates several of its walls for mirals.

According to the Site Analysis, the building is hard to reach and to access via car. Thus, the design employs graffiti walls, like other buildings in the neighborhood, to attract visitors and users to the site. Additionally, the Wheelhouse Wind Shield is a weather barrier for an open lobby; but it is also a visual aid for train riders to view. This, in good hope, could be an initiative to restore the vibrance of the railroad valley in the Station North.

15

the roundhouse the roundhouse

demographic to serve

Artists

Families

Students

how can design invite a diverse demographic to connect? how does an architect encourage solo artists to collaborate?

16

programming Program Groupings

Program Spaces

1 main space

Major 3 program groups are divided this way to set a stage for interaction as visitors cross paths

studio

main space

outlier

office

support spaces

outlier

collab. collab. collab. station station station

lobby public service spaces

print room

office

support spaces

courtyard

meeting spaces

bike storage

roof terrace

2

meeting Major program groups subdivided into service spaces spaces main spaces and support spaces

3

All support spaces become satellite interior programs around the 3 main spaces

public

restroom restroom vestibule kitchenette

interior

loading storage dock

janitor closet

exterior

exterior

17

section analysis the roundhouse Level 1

18

Level 2

Visual Connections The lobby glass shield protects against excess wind flow. It frames views across the train yard toward downtown, while the image on the glass shield serves as a viewpoint of interest for train riders.

Lobby Openness The open lobby engenders a sense that the visitors have not yet fully arrived until they enter one of the programmed spaces.

19

PRO 3

COMMUNITY OWNERSHIP

Media:

Goal:

Develop a hybrid betwen two housing types and celebrate community ownership

Location:

Baltimore, MD

Program:

A hybrid housing type

20

OCESS how can an architect celebrate a community’s need for

ownership?

21

the story the porches

The people of C-H-M take ownership of their porches. Some residents feel like it is the only thing they can claim.

SITE

Most common row house style in the vicinity

22

adapted for ownership Original Row House

Transformations

Eliminating the awning and using the overhang to shade the porch

Canting the columns for increased support on the cantilever

Pushing in a space to be able to add another room to the second floor

Façade Adaptation Study

Provide continuity within the facade expression

Allow enough angles for a sense of having “eyes on the street”

23

the porches at tivoly the porches

Apartments

Yard Region Row Homes

24

The Porch Region

Row House Modules

“Eyes on the Street” Façade

Row Homes

Apartment Complex

25

building organization the porches 26

In this style of the module, since the creation of the porch lessened square footage on the first level, that floor is an open plan, free of any interupting walls in the plan.

The apartment complex is organized in the transverse orientation of the module to increase the breadth of the space, overcoming the linear limitations of a typical row home. The circulation module acts as a privacy buffer from the alley.

level 1

apartment organization Circulation

Porch Space

Units

Lobby

The apartment complex porch even provides a level of ownership for renters.

Bedroom Bath

row home module

27

DN DN

row house private quarters level 2 the porches

DN

Grouping support spaces and plumbing for efficiency DN DN

28

apartment shared space level 2

DN DN

Courtyard

Plumbing spaces grouped for efficiency and far from facades. But, natural lighting shines through the courtyard afront the laundry room.

DN

DN DN

29

This is an audacious proposal...

4

COMMUNITY REJUVENATION

Media:

Challenge: During the 2014 Ebola Crisis in W. Africa, many Muslim families were not able to bury their loved ones because of the virus. Thus, design a space for Islamic families to safely bury ebola victims Location:

Sierra Leone, Africa

Program:

Funerary Ritual Space

30

But, this is also a drastic situation.

31

concept cenotaph

“Submergence” - symbology of descending with death

“Separation” - dividing several different programs and rites within the space

“Illumination” - spreading and directing light to communicate moods and carry emotions

“Iceberg” - having a surprise reveal of the bulk of the building’s experience

32

“Multifaceted” - making space for several experiences of the same program across different levels

rethinking the funerary rites for safety ghusl - washing The body is first washed by the family or next of kin, using minimal amounts of chlorine water.

kafan - shrouding The body is then dried and shrouded with chlorinedried cloth.

salat al-janazh - corporate prayer The family and the community come together and pray as usual. But, they will pray concentrically

dafin - burial With the community at a distance, the family and W.H.O. workers get to decend on different stairwells, into a large bason filled with chlorine—symbolic of a burial for the death of ebola.

iddah - mourning The family and W.H.O. workers reascend upon different stair wells to exit the cenotaph.

33

the cenotaph cenotaph 34

35

plan analysis cenotaph

top level

subterranean level

36

keeping things separate for safety floor echoing

This project was designed in section to accentuate the idea of descending into death with ebola, yet ascending without it. Each aspect of the design gives the audience, the family and the W.H.O. workers a chance to engage in the funeration of the body and the war against the ebola.

Floors separated to keep things separated to stifle the contagion from spreading

material gradient

1. Washing 2. Shrouding

materials 3. Prayer

4. Burial 5. Mourning

the chasm

Further dividing the place in half, keeping the family on one side

37

Cenotaph Project - Lighting Section Draft

5

RENDERS + GRAPHICS

Media Used:

Urban Design Project - Pedestrian Access Ways

38

graphic design

PROGRAMMING SEATING

W/C SEATING

BAR

SEATING

STAGE

SITE

39

40

special thanks to... o

school of architecture + planning

morgan state university o

bridge dc urban program

intervarsity christian fellowship 0

whitelock community farm

0

coles family foundation

0

a.c.e. mentor program

o

engineering department

baltimore polytechnic institute

Daniel Beatty

41