Daniel Moreira - Emergency Procedures (for large ensemble, four soloists and electronics)

DANIEL MOREIRA EMERGENCY PROCEDURES

FOR LARGE ENSEMBLE, FOUR SOLOISTS AND ELECTRONICS 2013

DANIEL MOREIRA

EMERGENCY PROCEDURES

FOR LARGE ENSEMBLE, FOUR SOLOISTS AND ELECTRONICS

year: 2013 duration: c.13’

Commissioned by the Ensemble Modern in cooperation with Allianz Kulturstiftung

1st Prize at the 59. Kompositionspreis der Landeshauptstadt Stuttgart 2014

I N S T R U M E N TAT I O N

(22 players + conductor + electronics)

Flute in C

+ Slide Whistle*

Oboe

+ Slide Whistle* and 2 Balloons*

Bb Clarinet / Bass Clarinet

+ Slide Whistle*, 2 pieces of Polystyrene* and 2 Balloons*

Bb Clarinet / Bass Clarinet + Slide Whistle* and 2 Balloons*

Contraforte

+ Slide Whistle*

Horn in F

(Air Whistle*, A4 Paper* ,2 Balloons*)

Bb Trumpet

(Harmon, Practice and Cup mutes; A4 Paper*; Slide Whistle*)

Bb Trumpet

(Harmon, Practice and Cup mutes and Slide Whistle*)

Trombone

(Harmon Mute, 2 Balloons*)

Percussion 1

Percussion 2

Large Bass Drum (soft mallets, Rute, large Brush) Unpitched Metal Block (hard mallets, Knitting Needle*) Vibraphone (soft mallets, Knitting Needle*) 2 Balloons* Milk-frother*

Soloist 1

any instrumentalist, preferably a percussionist Small Cardboard Box* Adhesive Tape (2 strips on top of cardboard box)* Metal Detector* Milk Frother* Click Switch* Metal Saw* Push Button* Big Red "Panic" Button (connected to two alarm bells)* Pull Switch* Small Turn-Knob* String Switch*

Percussion 3

Large Cardboard Box Piece of Polystyrene 2 Knitting Needles* Large Timpano (soft mallets, superball) Metallic Rod* Whip High pitched Triangle (triangle beater) Unpitched Metal Block (hard mallets, knitting needle) Large Metal Can (hard mallets)*

Soloist 2

Thunder-sheet (soft mallets, hard mallets) Adhesive Tape (i.e. a Gaffers Tape)* Large Cardboard Box Piece of Polystyrene Knitting Needle* One Crotale in “D#7” (triangle beater, arco) Small Old Car Horn* Sizzle Cymbal (with triangle beater) Unpitched Metal Block (hard mallets, knitting needle) Ratchet (large and small) One Wood Block Guiro (with credit card) Castanets Snare Drum 2 Balloons*

Soloist 3

any instrumentalist, preferably a percussionist

any instrumentalist, preferably a percussionist

Small Cardboard Box* Adhesive Tape (2 Strips on side one of the cardboard box and 1 strip on side two)* Milk Frother* Click Switch* Metal Detector* Stripped Wire* Small Turn-Knob* Push Button* Large Turn-Knob* Small Push Buttons* Pull Switch*

Small Cardboard Box* Adhesive Tape (2 Strips on side one of the cardboard box and 1 strip on side two)* Metal Detector* Click Switch* Milk Frother* Push Button* Pull Switch* Small Turn-Knob* Megaphone (with detachable microphone)* Air Whistle*

Violin Violin Viola Violoncello

(two pieces of Polystyrene*)

Violoncello Double Bass (4 strings with C extension) (very large cloth clip)

Conductor Electronics

* These instruments/Objects can be provided by the composer - The score is transposed.
 - All playing techniques and their symbols are explained in the score. Daniel Moreira © 2013 www.daniel-moreira.com

Soloist 4

any instrumentalist, preferably a percussionist Small Cardboard Box* Adhesive Tape (3 Strips on top of cardboard box)* Cooking Torch* Metal Detector* Click Switch* "Plop Plate“ (flexible metal plate with handle)* Milk Frother* Air Spray* Turn-Knobs* Push Button* Pull Switch* Emergency Button* String Switch* Siren Button *

PROGRAM NOTES English: Emergency Procedures (2013) could be seen as a concerto for four soloists and Ensemble. Nevertheless these soloists neither play musical instruments nor relate to the ensemble only in a musical way. The piece belongs to a broader context of reflecting on contemporary, daily situations in a concert setting. We are going to see and hear objects that carry specific meanings e.g. metal detectors, alarms, sirens, a Geiger counter (radiation detector), motors, hammers etc., as well as sampled sounds related to the world of emergency and safety procedures. The four soloists interact with theses objects and have their actions and gestures mirrored, amplified and/or contradicted by the ensemble.

Deutsch: Emergency Procedures kann als Konzert für vier Solisten und Ensemble verstanden werden. Gleichwohl spielen diese Solisten keine gewöhnlichen Musikinstrumente, auch stehen sie nicht nur in musikalischem Sinne im Bezug zum Ensemble. Das Stück reflektiert einen breiteren Kontext von Alltagssituationen in einem KonzertSetting. Man hört und sieht Objekte, die spezifische Bedeutungen transportieren: etwa Metalldetektoren, Alarmsirenen, Geigerzähler, Motoren, Hemmer usw. sowie Samples aus dem Bereich von Notfalloder Sicherheitsprozeduren. Die vier Solisten interagieren mit diesen Objekten; ihre Aktionen und Gesten werden vom Ensemble gespiegelt, verstärkt oder konterkariert.

Composing has become to me more and more a way to create a musical environment, i.e., a scenery where some seemingly familiar situation unfolds. These situations draw inspiration from our real world, but they soon create their own rules and inner relationships. The work Emergency Procedures is thus not a concrete depiction of real events, but a staged commentary on the gestures, sounds and rituals associated with emergency situations.

Komponieren bedeutet für mich mehr und mehr die Möglichkeit, eine musikalische Umgebung zu schaffen, d.h. eine Szenerie, in der sich eine scheinbar vertraute Situation entwickelt. Diese Situationen werden zwar von alltagsweltlichen Momenten inspiriert, erschaffen aber rasch ihre eigene Regeln und Bezüge. Emergency Procedures ist demnach keine konkrete Abbildung realer Ereignisse, sondern vielmehr ein inszenierter Kommentar zu Gesten, Klängen und Ritualen, die mit Notfallsituationen assoziiert werden. (Übersetzung: Michael Rebhahn)

DISPOSITION Perc.3

Perc.2

Perc.1

Cf.

Cl.2

Tp.1 Tp.2

Cl.1

Hn.

Ob. Fl. Ch.5

Vla

Ch.1

Tb.

Vc.2

Vl.2 Vl.1

SOLO 1

Vc.1 Ch.6

Db.

Cond. SOLO 2

SOLO 3

SOLO 4

Ch.2

Ch.3

Ch.4

TECHNICAL SETUP LIGHTING

The electronics consists of a 7 channel soundtrack as following:

The ensemble should play with very low light (almost in the dark) with only music stand lights. The four soloists should each receive a spotlight.

Channel 1: Channel 2:

VIDEO (optional) Four live cameras can be placed above the soloists to capture their actions on the table. The image should be projected as a split screen containing four windows (one for each soloist respectively).

Channel 3: Channel 4:

Channel 5:

Channel 6: the

Loudspeaker near the table of Soloist 1. This channel be mixed with the live amplification of Soloist 1 Loudspeaker near the table of Soloist 2. This channel be mixed with the live amplification of Soloist 2 Loudspeaker near the table of Soloist 3. This channel be mixed with the live amplification of Soloist 3 Loudspeaker near the table of Soloist 4. This channel be mixed with the live amplification of Soloist 4

should should should should

Left stereo channel. Should come from a loudspeaker on the left side of the ensemble. This channel should be mixed with the live amplification of the Ensemble Right stereo channel. Should come from a loudspeaker on right side of the ensemble. This channel should be mixed with the live amplification of the Ensemble

Channel 7: Click-Track for the conductor, soloist 1, soloist 2, soloist 3 and soloist 4. - The Ensemble and the soloists must be amplified in order to blend with the electronics. - Channels 5 and 6 are very demanding of lower frequencies. A subwoofer is highly recommended.

Daniel Moreira © 2013 www.daniel-moreira.com

Emergency Procedures for large ensemble, four soloists and electronics TRANSPOSED SCORE

D a n i e l M o r e i r a (2013) w w w. d a n i e l - m o r e i r a . c o m

Slide Whistle Whistle Tone blow from c. 1mm from the mouthpiece to produce a high pitched whistle tone. Keep the handle all the way down.

Flute

2

3

4

5

6

° &

≈ ‰ !

!

!

!

!

Œ

1

ppp

Oboe

&

Bb Clarinet I

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Slide Whistle Air Glissando Close half of the hole with the index finger. No pitch should be procuced but an air sound changing from "dark" to "bright"

∑ Bb Clarinet II

∑

∑

∑

∑

& 6 p Slide Whistle Air Glissando Close half of the hole with the index finger. No pitch should be procuced but an air sound changing from "dark" to "bright"

? ∑

∑

∑

∑

∑

Contraforte

¢ 6 p

4q 74 ° 4) &

2 46

=

Paper

blow on the border of the paper producing a high-pitched, soft, unstable sound. As a background noise.

Horn

)

)

)

)

)

)

)

3 8 ≈ ‰

Œ

6 ≈ ‰

Œ

ppp Paper blow on the border of the paper producing a high-pitched, soft, unstable sound. As a background noise.

) Bb Trumpet 1

)

& ppp

Bb Trumpet 2

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

? Trombone

¢

Large Bass Drum very soft mallets.

° Percussion 1

/

æ wæ

æ wæ

æ wæ

æ wæ

æ wæ

æ ˙æ

ppp Long Knitting Needle Cardboard

scratch glissando scratch as fast as possible on a mettalic music stand. butt

(on mettalic music stand) rub the polystyrene on the cardboard in circular motion.

Percussion 2

æ ˙æ

/ )

)

)

)

) crescendo, keep the speed as fast as f (no possible)

ppp

Quickly pull the Tape

Adhesive Tape Thunder-sheet (on piece of Cardboard)

>8ù

very soft mallets.

Percussion 3

¢/

æ wæ

æ wæ

æ wæ

æ wæ

æ wæ

‰

ppp

ff

4q 74 °/ 4 6 =

2 4 $ææ

hit once and scratch the box back and forth (as fast as possible!)

slowly pull the tape make a continuous sound, avoid accents!

(tape almost out)

BOX

Solo 1

Œ

G6

Œ

3 8

> f p remove quickly slowly pull the tape make a continuous sound, avoid accents!

BOX

/

Solo 2

>6

G6

Œ ‰

6 p f remove quickly slowly pull the tape make a continuous sound, avoid accents!

BOX

>6

G6

Œ ‰

Solo 3

/

6 p f hit once and scratch the box back and forth (as fast as possible!)

slowly pull the tape make a continuous sound, avoid accents!

(tape almost out)

BOX

G6 Solo 4

¢/

Œ

6

æ $>æ f

p

Violin 1

4 ° 4M &

completely mute the strings with the left hand and perform a bow tremolo with high bow pressure. No pitch, just scratching noise.

bow on the bridge. No pitch, only "white-noise".

)

)

)

)

)

2 4 ææ

3 8

Ö

) )

ppp

Violin 2

&

M )

completely mute the strings with the left hand and perform a bow tremolo with high bow pressure. No pitch, just scratching noise.

bow on the bridge. No pitch, only "white-noise".

)

)

)

)

mf Ö

æ )æ )

ppp mf bow on the bridge. No pitch, only "white-noise".

B Viola

M )

very delicate on the background

#˙ )

)

)

)

ppp

pp

Polystyrene gently rub two pieces of Polystyrene together. Extremly soft.

Violoncello 1

Always soft!

/ ~

~

~

~

~

ppp

æ Oæ mp

bow on the side of the bridge. No pitch, only "white-noise".

? Violoncello 2

M )

)

)

)

)

6

w

w

w

w

œ

≈ ‰

Œ

≈ ‰

Œ

ppp

? Double Bass

¢ w ppp

2 7

9

8

° Fl. &

10

11

12

∑

≈ ‰ !

!

!

1

1™

Ϊ

1

ppp

Ob.

&

Cl.1

&

Cl.2

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

6Æ ™

≈ ‰

Œ

Ó

∑

∑

∑

∑

≈ ‰

Œ

Ó

∑

∑

∑

∑

g f

3 6Æ ?

™

Ctf.

¢ g f

3

Hn.

3 ° 8 &

Tpt.1

∑

4 4)

∑

)

)

2 4)

5 86

2 4 6™

6 ≈ ‰

Ϊ

)

)

6

6™

6 ≈ ‰

Ϊ

& mouthpiece "plop" hit the mouthpiece with the palm of your hand

Ó

∑

∑

∑

Aª j f>

‰

Ϊ

Ó

∑

∑

∑

Aª j b>f

‰

Ϊ

> ≈ ‰ o

Ϊ

A ª ∑ Tpt.2

‰

Œ

& >fff mouthpiece "plop" hit the mouthpiece with the palm of your hand

A ª ? ∑

‰

Œ

Trb.

¢ b>f ff ° Perc.1

/

æ œ™æ

æ wæ

æ wæ

æ ˙æ

æ œæ

æ œ™æ

œ

≈ ‰

‰

6

6™

6

æ œæ

æ œ™æ

> œ ≈ ‰

Ϊ

Cardboard (quickly) (wipe quickly) (quickly)

>

polystyrene

> middle

tip

œ

>œ ≈ ‰

™ Perc.2

/

ææ

6

6

ppp

‰ 6 â 6 p

‰ 6 â 6

) ppp

p

6

‰

ppp

sf

≈ â 6 o

Thunder-sheet

æ wæ

∑ Perc.3

¢/

æ wæ

æ ˙æ

ppp

Solo1

3 ° / 8 8ææ™

4 4 8â

2 4

scrape it quickly slowly pull second tape

(tape almost out)

G6

5 8‰

scratch back and forth

I

2 4

turn

6

J

p

f

‰

Hit the top with the hand

turn the box and knock it on the table

‰

‰

‰

‰

≈ Aª J

‰

‰ 8 8

> mf f f turn the box and knock it on the table

Motor

> -

slowly pull the tape

(tape almost out) always keep the motor in contact with the box in order to amplify it. "on"

G6

turn

Solo2

/

‰

∑

Œ

*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Œ

6 p f

turn the box and knock it on the table

remove quickly

> -

slowly pull the tape

>6 J

turn

Solo3

/

‰

∑

6

G6

‰

‰

‰

‰

p f f turn the box and knock it on the table

scrape it quickly

Hit the top with the hand scratch back and forth

(tape almost out) slowly pull second tape

Solo4

¢/

æ 8æ™

I turn

G6

6

J

p

f

‰

8â >

‰

‰

‰

‰

‰

Aª J

‰

‰

≈ 8 8 mf

f f

Vl.1

3 ° 8æ & æ

4 4 ææ

6™ 6™

6 6

≈

M j 6

2 4

5 8

2 4

6

6

6 >6™

)

6 >6™

6

6

6™

6

ææ ≈ Mj 66 6 6 ppp

6

6 >6™

)

6 >6™

6

6

6™

6

6

6

)

6

6™

6

Œ

6 >6™ Q ‰ ≈ >

6

Œ

6 >6™ Q ‰ ≈ >

≈ ‰

Ϊ

≈ ‰

Ϊ

≈ ‰

Ϊ

≈ ‰

Ϊ

≈ ‰

Ϊ

≈ ‰

Ϊ

ppp

Vl.2

&

æ 66æ™™ #œ

™ B

M 6

‰

Vla.

o ppp

( pppp!)

( pppp!)

Accents: (do not exaggerate)

Vc.1

/

æ ‚™æ

~

Œ

Œ

~

O

‚

‚™

‚

)

)

6

6™

6

œ

Ϫ

ppp

? ∑ Vc.2

M ) ppp

? ∑ Db.

¢ w ppp

w

˙

œ

3 Air Glissando Close half of the hole with the index finger. No pitch should be procuced but an air sound changing from "dark" to "bright"

13

Fl.

° &

>Æ 6

15

17

18

(stop the sound abruptly, almost as a slap tongue)

∑

≈ ‰ ‰ !

6 g

!

!

ppp

p

ff

Slide Whistle

3 Air Glissando Close half of the hole with the index finger. No pitch should be procuced but an air sound changing from "dark" to "bright"

>Æ 6

(stop the sound abruptly, almost as a slap tongue)

∑ Ob.

≈ ‰ ‰

∑

∑

∑

∑

∑

∑

∑

∑

∑

& 6 g p

ff

Slide Whistle

3 Air Glissando Close half of the hole with the index finger. No pitch should be procuced but an air sound changing from "dark" to "bright"

>Æ 6

(stop the sound abruptly, almost as a slap tongue)

∑ Cl.1

≈ ‰ ‰

& 6 g p

ff

3 >Æ 6

(stop the sound abruptly, almost as a slap tongue)

∑ Cl.2

≈ ‰ ‰

& 6 g p

ff

3 >Æ 6

(stop the sound abruptly, almost as a slap tongue)

Always quiet (breathe when needed)

? ∑

≈ ‰ ‰

Ctf.

¢ 6

6 g

p

Hn.

pppp ff

33 8

2 ° 4 &

∑

4 4

3 4

Air Whistle

∑

∑ )

)

)

)

)

pp Paper

∑ Tpt.1

∑

)

∑

& Air blow air inside the instrument

Slap Tongue attack on the mouthpiece with the tongue, stopping the air sound.

Very Low air sound with Fluttertongue. As a "Tiger" (togheter with trombone and timpano!)

Harmon Mute ON

Ó Tpt.2

≈ ‰ ‰

Œ

Œ

Œ

‰

& 6

6

>-

p

2 f Slap Tongue attack on the mouthpiece with the tongue, stopping the air sound.

3 Air blow air inside the instrument

Very Low air sound with Fluttertongue. As a "Tiger" (togheter with trumpet 2 and timpano!)

Harmon Mute ON

? Ó

≈ ‰ ‰

Œ

Œ

Œ

‰

Trb.

¢ b6

6

b2 f>

p

o

+ ≈ ææ o + ≈ ææ o

o +

ææ æ æ - - omf +

+ Œ

Œ

Œ

Œ

Œ

Ó

Œ

‰

o ‰

ææ ææ ææ - - o

mf

ææ æ æ - - æo mf o + ææ æ æ - æ- æo mf

3 ° ∑ Perc.1

∑

æ wæ

∑

/

æ wæ

æ wæ

ppp Superball. Rub it on the surface producing a low sound. Avoid high harmonics. (Together with trombone and trumpet 2)

(quickly)

Timpano

Superball

> Soft Mallets

?

≈ ‰ Œ Perc.2

∑

∑

/ œ

6

Πo

Œ

‰

ppp

≈

Œ œ o

œ œo

œ

mp

Œ

Œ

Œ

‰ œ œo

mp

sf

∑ Perc.3

∑

æ wæ

∑

¢/

æ wæ

æ wæ

ppp

Solo1

2 > 4 °/ 8

3 8

Detector

far

œ ÆJ

- the detector should always be played near/around the box - the line indicates the duration of the sound. Always hold it for the entire duration

‰ Œ

∑

4 4

3 4

near (slowly move it in circles near the box)

∑

f f mf

"off"

> - ‰

scratch back and forth (random accents) slowly pull the tape

turn

BOX

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ *~~~~~~ ‰ Œ /

Solo2

∑

Œ 8 8 8 8 ‰

Œ

>>

Œ ∑

6

mf

p

f Detector

- the detector should always be played near/around the box - the line indicates the duration of the sound. Always hold it for the entire duration "on"

> - ‰

scratch back and forth (random accents) slowly pull the tape

turn

BOX

‰ Solo3

/

∑

≈ 8 8 8 8 ≈ ‰ Œ

‰

∑

>>

Œ ∑

6 p

mf f mf

Solo4

¢/

> 8

Torch

BOX press

‰ Œ

rub the finger on the back of the box producing a continuous low sound. (similar to a superball mallet on the timpano - see percussion 2)

release

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Œ

Œ

Œ

‰ ‰

‰

œ œ

œ

J

f

o

o

mf

Œ ‰ œ o

˙™

œ ‰ o

mf mf

Vl.1

2 ° 4 &

3 8 ∑

∑

4 4M

3 4

∑ )

)

)

)

)

)

)

~

~

)

)

w

w

ppp

∑ Vl.2

∑

∑

&

M ) ppp

B

∑

∑

∑

Vla.

M ) ppp ( pppp!)

Œ

>Q

( pppp!)

‰

Q> Œ

Œ

Accents:

∑ Vc.1

∑

∑

/ ~ ppp

? ∑

∑

∑

Vc.2

M ) ppp

? ∑

∑

∑

Db.

¢ w ppp

4 19

20

21

22

° Fl. &

≈ !™

1™

‰

Œ

Œ

23

Ó

24

∑

∑

1

6 p

∑ Ob.

∑

∑

∑

∑

& 6 p

∑ Cl.1

∑

∑

∑

∑

& 6 p

∑ Cl.2

∑

∑

∑

∑

& 6 p

6 ™

?

≈

‰

Œ

Œ

Ó

∑

∑

Ctf.

¢ 6 p

Hn.

3 ° 4 &

3 8

5 4

Horn

≈ )™

6™

2 4

‰

Œ

Œ

Ó

∑

∑

∑

Ó

∑

∑

∑

Ó

∑

∑

6 Trumpet Bb Harmon Mute ON

Tpt.1

)™

6™

+

+

6

≈

‰

Œ

Œ

& o + Harmon Mute OFF Air

ΠTpt.2

&

ææ +

Œ

ææj o + ææj o

o

? Œ

Œ

Trb.

ææ -

¢

o

ææj -

ææ -

ææj -

‰

Œ

Œ

6

6

o

f

p

o Harmon Mute OFF

+ Air

ææj -

ææ -

ææj -

‰

Œ

Œ

Ó

∑

∑ b6

6

p

o

f

° Perc.1

æ ˙™æ

/

æ œ™æ

∑

∑

∑

∑

scratch gliss. butt

middle

K. Needle

ææ

Superball

? Œ

Œ

‰

Perc.2

j œo

œ o

j

Œ

Œ

Ó

∑

j œ

/

æ œæ

œ

œ

‰ o

ææ

ææ

f

o

mf

Quickly pull the Tape

Adhesive Tape

>8ù Perc.3

æ ˙™æ

¢/

æ œ™æ

∑

∑

‰

Œ

∑

ff

Solo1

3 °/ 4

3 8

5 4

2 4

Quickly take the detector away from the box! far near

gently put the detector on the table

BOX scratch back and forth

æ 8æ

Œ

æ 8æ

æ 8æ

ææ 8

‰

p f ff Detector - the detector should always be played near/around the box - the line indicates the duration of the sound. Always hold it for the entire duration

remove quickly

>

>>

>> >6

™

G6

Switch

BOX turn

‰

Œ

Œ

Œ ‰

Œ

‰

"on"

Œ

Ó Solo2

/ f

p soft!

mf

mf

scratch back and forth remove quickly

>

>>

>> >6

™ Solo3

G6

Quiet! No extra movements until next action

‰

Œ

Œ

Œ

Œ

/

∑

æ 8æ

æ 8æ

æ 8æ

ææ 8

‰

f f Torch press Quiet! No extra movements until next action turn

ΠSolo4

Œ

Œ œ o

¢/

Ϫ mf

Vl.1

3 ° 4 &

3 8

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

‰ ∑ mf p soft!

5 4 6™

Œ

Ó

2 4 ≈

)™

Œ

œ o

‰

Œ

Œ

Ó

Ö

∑

6

æ )æ )

æ 6æ 6

ææ 6 6

‰

æ 66æ

ææ 66

‰

mf Ö

≈ Vl.2

‰

Œ

Œ

Ó

∑

& )™

6™

6

æ ))æ mf

#œ very delicate on the background

#˙ B

≈

‰

Œ

Œ

Ó

∑

‰

Vla.

)™

6™

6 o pp

Always soft!

≈ Vc.1

‰

Œ

Œ

Ó

∑

/ O™

‚™

‚

æ Oæ

æ ‚æ

æ ‚æ

‰ o

mp

? ≈

‰

Œ

Œ

Ó

∑

∑

∑

≈

‰

Œ

Œ

Ó

∑

∑

∑

Vc.2

)™

6™

6

˙™

Ϫ

œ

? Db.

¢

5

>Æ 6

25

Fl.

° &

26 Flute

≈ ‰ Œ

28

∑

g ff 3> 6Æ

29

30

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Oboe

≈ ‰ Œ Ob.

27

∑

& g ff 3> 6Æ

Bb Clarinet very soft

≈ ‰ Œ Cl.1

∑

Œ

Œ

‰

&

µœ œ o

pp

œ µœ oo

œ

œ

pp

œ œ o o

p

g ff

3> 6Æ

Bb Clarinet

≈ ‰ Œ Cl.2

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

& g ff 3> Æ ? 6

Contraforte

≈ ‰ ‰ ‰

∑

Ctf.

¢ g ff

3

3 8 Hn.

° &

∑

4 4

start imperceptibly

∑

∑

Œ

µ˙ ™ o

w pp

∑

∑

∑

∑

∑

∑ & - ≈ ‰ Œ > g mf 3 Harmon Mute ON ? ≈ ‰ Œ ∑ ¢ b>g mf 3 ° ∑ ∑ /

∑

∑

∑

∑

∑

∑

∑

∑

Tpt.1

& Harmon Mute ON Slap Tongue

Tpt.2

Slap Tongue

Trb.

Perc.1

æ wæ

æ wæ

æ wæ

æ wæ

ppp Cardboard (Very quiet! Do not accentuate too much!)

. . . . . ‰ ≈ ‰ ≈ 6 pp 6 6 6 6 6

polystyrene

∑ Perc.2

∑

/ 6

. ‰ ≈

Π6

. . . ‰ ‰ ≈ ‰ ≈ Œ 6 6 6

. .

. ≈ ‰ ≈

6 6

. ‰

‰ ≈

6

Œ

‰

6

. Π6

ppp T.Sheet

∑ Perc.3

æ wæ

∑

¢/

æ wæ

æ wæ

æ wæ

ppp

3 8 Solo1

°/

4 4

Motor "on" (slowly around the box)

Œ ∑

always keep the motor in contact with the box in order to amplify it.

Detector

∑

Œ

Œ ‰

Œ

Œ

"on"

*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

∑ mf mf

"on" "on"

Motor "on"

‰ Solo2

Œ ‰

/

‰ Œ

Œ

Œ

∑

Œ

* ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

∑ mf

Switch

ŠΠSolo3

/

∑

Œ

Œ

Œ ‰

∑

Œ ‰ Ó

Œ

‰ Œ

∑ mf far

Detector

- the detector should always be played near/around the box - the line indicates the duration of the sound. Always hold it for the entire duration

release near

~ Solo4

œ ÆJ

‰ Œ

¢/

‰

∑ f

3 8 Vl.1

° &

∑

mf

4 4

("molto sult tasto")

ST+ IV "Ghostly"

∑

∑

Œ

Œ œ a

œ a

#œ ("molto sult tasto")

mf ST+ "Ghostly"

IV

∑ Vl.2

∑

& œ a

œ a

œ a

#œ mf

B

∑

∑

Vla.

M )

)

)

)

ppp ( pppp!)

( pppp!)

sim.

Œ

Œ

>Q ‰

Q> ≈

>Q ‰

≈ >QQ>‰

‰ >Q ‰

≈> QŒ

≈> ‰ Q Q>

‰ >Q ‰

≈> Q Œ

≈ > Q‰

Accent:

∑ Vc.1

∑

/ ~

~

~

~

)

)

)

w

w

w

ppp

? ∑

∑

Vc.2

M ) ppp

? ∑

∑

Db.

¢ w ppp

‰ ≈ >Q Q>Œ

Œ

6 31

32

° Fl. &

∑

‰

˙

Ϫ

33 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j ‰ 6 6 6 6 g ff3 o o 3 g ∑ 2 ff 3

‰

start imperceptibly

#˙ Ob.

& o pp

& <µ>˙

Cl.1

˙

Ϫ

34

35

36

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

2

pp

ff

3 start imperceptibly

˙ Cl.2

Ϫ

˙

& o

pp

2

ff

3 start imperceptibly

Ctf.

? #˙ ¢ o

Ϫ

˙

∑

‰

≈ j œ

2

pp

ff

j œ

Ó

∑

œ

3 f

Hn.

° & <µ>˙

3 8 Ϫ

˙

4 8

Very brassy !!!

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

2 3 off start imperceptibly

Tpt.1

+ ˜˙

˙

o

pp

Ϫ

Very brassy !!!

& 2 ff

3o start imperceptibly

+ ˜ & ˙ o

Tpt.2

Harmon Mute OFF Very brassy !!!

Ϫ

˙

∑ 2 ff 3o

pp start imperceptibly

Trb.

+ ? #˙ ¢ o

Very brassy !!!

short glissando (only a quarter-tone higher)

˙

Bœ

Harmon Mute OFF

™ ∑

pp

2 ff

3 °

ææ œ

/ ˙ææ

Perc.1

‰ o

Œ

.j œ

∑

> ‰

.j œ

> ‰

‰

> j œ

j œ

> ‰

‰

‰

.j œ

> ‰

‰

‰

‰

.j œ

> ‰

‰

‰

> j ‰ 8µ

‰

‰

‰

j 8µ

mf hold part of the Rod on the corner of a surface and bounce it.

Metalic Rod

∑ Perc.2

> > j ‰ 8µ

∑

/

> > j ‰ 8µ

‰

> j j 8 µµµµ

ff

mf

Cardboard polystyrene

Perc.3

ææ œ

æ ¢ / ˙æ

‰ o

æ 6æ o

æ 6æ™

∑

∑

∑

ff

3 8* ™~~~~~~~~~~~~~~~~ ° / ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

4 8J

Switch

"off"

Solo1

∑

‰

‰

‰

J

‰

‰

‰

‰

J

‰

‰

‰

‰

J

J

mf

"off"

Motor

Solo2

/

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ * ™~~~~~~~~~~~~~~~~

∑

∑

∑

∑

(Radioactivity / Geiger Counter sound) move it near the box "on"

"on"

"on"

Detector

≈ / Œ

Solo3

Œ ‰

Œ ‰ ∑

‰

‰

‰

‰

‰

‰

∑ J

J

J

J

mf

Solo4

Vl.1

¢/

∑

∑

3 8™

° &

4 8

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

ORD

#œ

œ a

g fff

3 ORD

Ϫ Vl.2

&

a

œ

#œ

g fff

3 B #˙

Vla.

˙

Ϫ g fff

3 Very Percussive Ricochet!

Violoncello

j œœ >fff

> ‰

j œ >œ fff

> ‰

?

∑ Vc.1

∑

/

j œœ >

> ‰

‰

j œœ >

> ‰

‰

‰

‰

j œœ

> ‰

‰

‰

‰

j œœ

> ‰

‰

‰

‰

j œ œ

> ‰

‰

‰

‰

j œ >œ

mf

Very Percussive Ricochet!

? ∑

∑

Vc.2

j œ >œ

> ‰

‰

j œ >œ

> ‰

‰

‰

‰

j œ œ mf

(bow the string immediately after the ricochet)

CLOTH CLIP ON Prepare String IV with a large clip Very Percussive Ricochet!

? ∑ Db.

¢

∑

j œ >œ ff

> ‰

j œ >œ

> ‰

> ‰

‰ j >œ

j œ

‰

‰

j œ >œ mf

7 37

38

39

40

>Æ 6

41

Slide Whistle

Fl.

° &

∑

∑

∑

42

≈

≈

∑

≈

≈

∑

≈

≈

∑

≈

≈

∑

6™ g ff 3> 6Æ

p Slide Whistle

∑ Ob.

∑

∑

& 6™ g ff 3> 6Æ

p Slide Whistle

∑ Cl.1

∑

∑

& 6™ g ff 3> 6Æ

p Slide Whistle

∑ Cl.2

∑

∑

& 6™ g

p

ff

3 ? ≈ Ctf.

j œ

¢

j œ

‰

∑

≈ j œ

j œ

œ

‰

∑

Hn.

Tpt.1

&

Tpt.2

&

≈ j œ

3 8

q = 66 ° &

∑

œ

3 16

j œ

‰

œ

4 8

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Air

Slap Tongue

6™

>-

≈

≈

∑

≈

∑

g ff p

3 Air

Slap Tongue

? ∑

∑

∑

≈

Trb.

¢ b6 ™

bg ff>

p

3 . ° Perc.1

> / œj

j œ

> j / 8j µµµµ

Perc.2

> ‰

> ‰

‰

> j œ

∑

‰

j œ

> ‰

‰

ff

≈

> j œ

≈ œ

> > j j ‰ 8 µµµµµµµµ

∑

∑

‰

∑

j œ

> j j 8 µµµµ

∑

ff

> ‰

‰

> ‰

‰

ff Adhesive Tape Knitting Needle butt

>8 ù

Quickly pull the Tape

∑ Perc.3

∑

∑

∑

≈

knock on the corner of a surface. (e.g. a music stand) A rising accelerando should be achieved (rhythm not strict).

≈

‰

‰

‰

≈

¢/

. œ

ff

o

3 8

q = 66 Solo1

°/ J

‰

‰

‰

‰ ∑

‰

3 16 ≈

4 8J

≈

‰

J

∑

‰

‰

‰

"on" "on"

"off"

Detector

~~~~~~~~~~~~~~~~~~~ *~~~~~~~~~~ / *J J J

Solo2

‰

‰

‰

‰

∑

∑

∑

∑

J mf mf "on"

"on"

"on"

≈ / ‰

Solo3

‰

‰

‰

≈

‰

‰

‰

∑ J

J

∑ J

J

J press

J

release

Torch

Solo4

Vl.1

¢/

∑

∑

∑

≤ O œ

° &

∑

∑

‰

‰

≈

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ J J J

≈ o

O œ J g 3

3 8

≈ ∑

3 16 ∑

4 8‰

∑

Col Legno keep the strings dampened. No pitch, just the wood of the bow bouncing

‰

‰

≈ P P

sf mf Col Legno

IVPizz. behind the bridge

∑ Vl.2

∑

‰

‰

&

≥ j œ-O >

‰

∑

≈

≈

keep the strings dampened. No pitch, just the wood of the bow bouncing

‰

‰

‰

≈

r ¿

P P

p mf

f "solo"

B

∑

≥ ≈ #œ

∑

Vla.

≥ ≈ #œ "solo"

j ≈

‰

∑

∑

‰

#œ

f

j j f

very short and precise!

? j œ >œ

Vc.1

> ‰

Œ

j œœ >

∑

> ‰

Œ

∑

≈

≈ œœ >mf

j œœ >

> ‰

Œ

> ‰

Œ

fff fff

fff very short and precise!

? j œ >œ

Vc.2

fff

Db.

¢

? j >œ

> ‰

Œ

j œ >œ

∑

(bow the string immediately after the ricochet)

> ‰ j œ

Œ

∑

≈

≈ œ œ >mf

fff

> ‰

∑ j œ>

j œ >œ fff

(sim.)

‰

ff ff

> ‰

j œ

‰

∑

> ‰

∑ j œ> ff

j œ

‰

8 43

44

° Fl. &

45

∑

∑

46

‰

‰

>Æ 6

47

j™

j 6

48

≈ ‰ ‰

‰ 6™ p

g

p

f

ff

3 >Æ 6 ∑ Ob.

∑

‰

‰

j™

j 6

&

≈ ‰ ‰

‰ 6™ p

g

f

p ff

3 >Æ 6 ∑ Cl.1

∑

‰

j ™

‰ j 6

&

≈ ‰ ‰

‰ 6™ p

g

f

p ff

3 >Æ 6 ∑ Cl.2

∑

‰

‰

j™

j 6

&

≈ ‰ ‰

‰ 6™ p

g

f

p ff

3 Slide Whistle

? ∑

≈ ‰

Ctf.

j j œ œ

¢

∑

∑

œ

3 8 Hn.

° &

Tpt.1

&

Tpt.2

&

≈ ‰ j œ œ

j œ

3 16

∑

4 8

3 8

3 4

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Air

6™ p

f

Air

? ∑

∑

∑

∑

∑

Trb.

¢ b6 ™ p

°

> j j œ œ

∑ Perc.1

/

> ‰

‰

∑

>j œ

∑

æj æ œæ œæ sub.

> > j j ‰ 8µµµµ

∑ Perc.2

/

‰

∑

ff (two needles can be used on each hand for better performance)

Perc.3

æ œ™æ

ppp

> > j j ‰ 8 µµµµ

∑

f

‰

∑

ff

(as fast as possible) tip

. . . . . . . . . . . / ¢

œ. ≈ ‰ ‰

‰

œ.

. . . . . . . . . . .

. ≈ œ

≈ ≈

. . . . . . . .

. . .3 . ‰ ≈ œ

‰

œ. ≈

3 3 3 3 3

o

p

Solo1

°/ ‰

‰

‰ J

o

J ‰

‰

‰

o

p

3 8‰

o

3 4 16J ™ 8 ‰

3 8

far

Detector near

‰

o

pp

near

3 4

far

‰ BOX

≈ ‰

‰ J

J

J mf

mf p

p

"on"

"on"

Motor

Detector "on"

/ ‰

Solo2

‰

‰

‰ ‰

"off"

*J~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ *~~~~~~~~~~~~~~~~~~~~~~ J J J

‰

J

‰

‰ ‰

∑

∑

J

mf mf

"on"

‰

‰

"on"

≈ ‰

‰

‰

≈ ‰

‰

/ J

Solo3

∑

∑

∑ J

J press

far "on"

release

Detector

‰ Solo4

¢/

∑

‰

∑ J

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ™ J J

‰ ‰

‰ J

J

J

f

Vl.1

° &

∑

3 8‰

∑

3 16 j P P

‰

4 8‰

O≤ œ o

Ord.

∑

‰ ‰

≈

3 8 OœJ

3 4 ‰

‰

g sf

3 mf Arco

Ord.

∑ Vl.2

∑

‰

j P P

&

‰

∑

‰

‰ ‰

≥ j œ-O >

∑

mf f

≥ j #œ

"solo"

B

≈ ‰

‰

‰

Œ

Vla. #œ

≥ j #>œ

"solo"

j ≈ ‰

‰

∑

‰

#œ

j ≈

∑

#œ

f f

? ∑ Vc.1

j >‰ œœ >fff

‰

‰

∑

∑

j œœ >

> ‰ ‰

‰

∑

> ‰ ‰

‰

∑

fff

? ∑ Vc.2

j > œ ‰ >œ

‰

‰

∑

∑

j œ >œ

fff fff CLOTH CLIP OFF

> ‰

? ∑ Db.

¢

j j œ> œ ff

‰

∑

∑ j œ> ff

> j ‰ œ

‰

∑

9 Aeolian Sound.

49

51 air sound with only a little bit of pitch. 3

50 Flute

Fl.

œ

° &

‰ o

Œ

Œ

∑

Œ

Œ

‰

‰ o

Œ

Œ

∑

Œ

Œ

‰

‰ o

Œ

Œ

∑

Œ

Œ

‰

‰ o

Œ

œ Ob.

&

Cl.1

&

œ

&

Œ

∑

∑

? ∑

∑

Œ

Œ

‰

Ctf.

¢

3 q 74 ° 4 &

53

54 Air Sound. No pitch

33333 3 33 333 > 2 ff3 o o 3 2 > 6 >6 ‰ Œ 6 g 3 o 3 o 3 fff 2 > 6 >6 ‰ Œ 6 o g 3 3 o 3 fff 2 > Œ >‚ ‚ ‚ ‚ ‚ ‚ # ‚ ‚ o f3 2> > 6 6 ‰ Œ œ g fff 3 o 3 o 3 2

Œ

‰ Ÿj~~~~~~~~~ j 6 66 o mp o

∑

Air Sound No pitch.

∑

Ÿ~~~~~~~~~~~~ ‰ j6 j 6 6 o mp o

Œ

∑

∑

Œ

∑

∑

∑

∑

Oboe

Œ

Clarinet in Bb

Aeolian Sound. air sound with only a little bit of pitch.

Clarinet in Bb

œ Cl.2

> Œ

52

Contraforte

Œ

3 8

=

Hn.

Air Sound. No pitch Blow outside the mouthpiece

∑

∑

Œ

Œ

> ‰ Œ

‰ 6 o

>6

5 8

∑

∑

6 3

g

o

ff

>œ. œ.

>œ. œ. ≈‰

Tpt.1

‰ ≈

Air Sound. No pitch Blow outside the mouthpiece

>œ. Œ

Œ

≈‰

Œ

Œ

Œ

g 3

>œ. œ

> ‰ Œ

‰

>œ. œ ≈‰

‰ ≈

Œ

∑

& 6 o

mf Air Sound. No pitch Blow outside the mouthpiece

Harmon Mute ON

‰ Tpt.2

Œ

6 > g ff 3

Œ

∑

Œ

Œ

6 mf

o g

3

(slap)

> ‰ Œ

‰

∑

‰ ‰ ≈

& 6

6 o

6

6 3

g

o

b>ff

o

ff

g 3

Airy Brassy!

3

? ‰

Œ

Œ

∑

∑

Œ

∑

∑

> ‰ Œ

∑

∑

Trb.

¢ <b> 6 œ >ff

o Rub a brush on the surface

° Perc.1

/

ææ œ

‰ o

Œ

Œ

∑

Œ

œ

¡> 6

Π6 o

œ ppp

molto decresc.

6 o

f

Cardboard Cardboard polystyrene

Timpano (Very quiet! Do not accentuate too much!)

. .

polystyrene

.

. .

superball

> ææ ‰ Œ œo

3

Perc.2

/

æ 6æ

Œ

pp

Œ

‰

≈ ææ ææ 6 6

‰

Œ

Œ

Œ

> œ

‰ ‰ œ o

p p

‰

ææ 6

‰

≈ ≈ 66

.j ‰ ‰ 6

≈ 6

66

mf

pp

pp K. Needle scratch glissando scratch as fast as possible on a mettalic music stand.

∑ Perc.3

∑

∑

tip butt

>œ æ

> ææ ‰ Œ œ o

¢/

∑

∑

ff

3 q 74 ° / 4 8ææ

3 8

=

scratch back and forth

scratch back and forth

Solo1

Switch

Œ

BOX

Œ

‰ Œ

Œ ‰

∑

∑

ææ 8

Œ

5 8

Œ ∑

mf mf mf

"on"

"on"

"on"

"on"

≈ Œ ‰ Solo2

/

Œ ‰

∑

∑

∑

∑

∑

‰

Œ J ‰ ‰

scratch back and forth

ææ 8

BOX

≈ ‰ Solo3

/

∑

ææ 8™

≈Œ

Switch

Œ ‰

Œ ∑

mf p near "on" (move it very slowly around the box) (move it very slowly around the box)

‰ Œ Solo4

Œ

¢/

∑

J J J

mf

Vl.1

3 ° 4 Œ &

dolce

O œ Œ o ∑

Vl.2

ARCO dolce

p

O œ≈‰ o Œ

O≤ ‰ ≈œ o b Oœ≤ ‰ o

Œ

Œ

&

Pizz. behind the bridge

O œ ‰ Œ 2 sf 3 Oœ ‰ Œ 2 sf 3

O œ

IV

Œ

∑

‰ ¿ o

mp

O œ≈ ‰ o

3 8‰

O≤ œ J o

5 8

O œ J g sf 3

p Pizz. behind the bridge

IV

Œ

∑

‰

Œ

Œ

∑

¿ p

(use the electronic as guidance for intonation) very soft as a resonance

B Vla.

‰

≈ ˜O O ˜ œ œ o

pp

≈ ‰ ˜O œO ˜ œ o o

‰

Œ

∑

∑

‰

œO pp

o

≈ ˜O O ˜ œ œ o

pp

≈ œO œO o o

œO ™™ o

pp

PIZZ.

IV

? ∑

∑

∑

> ‰ Œ

∑

∑

> ‰ Œ

∑

∑

> ‰ Œ

∑

∑

œ

Vc.1

œ mf

o

PIZZ.

IV

? ∑

∑

∑ œ

Vc.2

œ mf

o PIZZ.

IV

? ∑ Db.

∑

∑ œ

¢ œ mf

o

10 55

Aeolian Sound. air sound with only a little bit of pitch.

° Fl. &

56

57

58

59

3

3 >3 3 3 3 3 3 3 Π2 ff3 o 3 2

‰ ‰ ‰ ‰ 333 o

Œ

Œ

∑

∑

∑

start imperceptibly

∑ Ob.

∑

∑

Œ

B˙ o

Œ

&

˙ o o

ppp

˙ o

ppp

start imperceptibly extremely staccatissimo and soft. (imitate the electronic beeps from the soundtrack)

Ϯ

≈ œÆ ‰

∑ Cl.1

ÆÆ ≈ œœ

Ϯ

≈ œÆ ‰

Æ Æ ≈ ≈ œÆ ‰ œœ

Ϯ

œÆ œÆ ≈ ≈ œÆ ‰

Æ Æ ≈ œÆ ≈ œÆ ‰ œœ

ÆÆ ≈ œœ

Ϯ

Æ Æ ≈ ≈ œÆ ‰ # œ ˙ œœ o

≈ œÆ ‰

& ‰

‰

p start imperceptibly extremely staccatissimo and soft. (imitate the electronic beeps from the soundtrack)

œÆ ∑ Cl.2

Æ Æ‰ ≈ œœ

‰

&

˙

Ϯ

Æ Æ‰ ≈ œœ

≈ œÆ ≈ œÆ ‰

Æ Æ ≈ ≈ œœ Æ Æ‰ œœ

Ϯ Ϯ

Æ Æ‰ ≈ œÆ ‰ œÆ ≈ œœ

Ϯ

Æ Æ‰ ≈ œœ

≈ œÆ ≈ œÆ ‰ ‰ œÆ

&

o p (very short, almost percussive)

start imperceptibly

sim.

≈ ‰ ≈ ‰ ‰ #œ o œ œ ' '

? ∑

Œ

Œ

≈

‰

Œ

Œ

≈

≈Œ

Œ

Œ

‰

≈ Œ

Œ

Ctf.

¢ œ- ™

œ >'

œ '

œ œ ' '

œ '

pp

Hn.

5 ° 8 &

4 4

start imperceptibly

∑

∑

∑

>œœ .. ∑ Tpt.1

3 8

mf

>œœ .. ≈ ‰

Œ

Ó

≈

(grace notes always before the beat)

‰

Œ

Œ

µ˙ ™ o

œj

˙ ppp

>œœ ..

œj

> ≈ #œ. œ. ‰ Œ

> ≈ #œ. œ. ‰

Œ

˙

>œœ .. ≈‰

Œ

Œ

Œ

≈ ‰ Œ

& mf

∑ Tpt.2

>. . ≈ œœ Œ

‰

(grace notes always before the beat)

œj

Œ

>. . œœ ≈ ‰

>œœ .. ‰

>œœ .. ≈Œ

Œ

>œœ .. ≈‰

Œ

‰

≈

>œœœœ .... ‰

≈

>œœ .. ≈‰

Œ

Œ

≈

‰ Œ

& mf start imperceptibly

short glissando (only a quarter-tone higher)

Harmon Mute ON Air

Slap Tongue

‰ #œ

? ‰ ‰ ‰ j j b6 6

Trb.

¢

‰

Œ

Ó

∑

Œ

Œ

Œ

˙

˙

bg ff>

p

pp

3 very soft mallets (NOT too loud!!!)

° Perc.1

/

‰ ‰ ‰ ææj ææj œ œ o

æ œæ

ææ œ™

mp

sub.

æ ˙™æ

æ wæ

æ wæ

ææ œ

‰ Œ

‰

. . ≈ ‰ ≈ Œ 6 6

Œ

Œ

. ‰ Œ 6

æ œæ

æ œæ

g ppp

3 (Very quiet! Do not accentuate too much!)

. ∑ Perc.2

.

Œ

≈

. ‰

≈

.. Œ

. ‰

≈

.. . 6

‰

/ 6

6

6

66

6

‰ ‰

.

..

≈ Œ

. 6

≈ Œ

66

6

66

‰

pp Cardboard

T.Sheet (Very quiet! Do not accentuate too much!) Hard Mallets!

polystyrene

. ∑ Perc.3

≈

. ‰

≈

‰

. ≈‰

≈

.. ‰

. 6

‰

¢/ 6 pp

Solo1

..

5 °/ 8

4 4

6

66

6

‰

≈

. ‰

66

.

ŠΠ6

..

.

≈ ‰ ≈ ‰ 6 66

≈

.. ‰

‰

6

≈ 66

Œ

3 8

"on" (move it very slowly around the box)

Detector

∑ mf

"on"

"on"

≈ Solo2

/

∑

Solo3

/

∑

"on"

≈ Œ

‰

Œ

Œ

Œ

Œ ‰

Œ

Œ

Œ ‰

Œ ∑

‰

Œ Ó ∑

∑

∑

mf

"on" (move it very slowly around the box)

Solo4

Vl.1

¢/

5 ° 8 &

∑

4 4Œ

∑

3 8

ST+ dolce

Œ

Œ

‰

O O ≈œ œ o mp

IV "Ghostly"

Πo

Œ œ a

œ a

#œ cresc. poco a poco

mf ST+ IV "Ghostly" ARCO

∑ Vl.2

& œ a

œ a

œ a

#œ cresc. poco a poco

mf ST+ IV "Ghostly"

œ

B

∑

∑

Œ

a

œ Vla. a

#œ cresc. poco a poco

mf start imperceptibly PIZZ. ARCO

IV

? ∑

‰

Œ

Œ

∑

Œ

Œ

Œ

œ

Vc.1

&#œ œ

mf PIZZ.

IV

∑

‰ œ mf

˙

o

? Vc.2

˙

o M )

Make random accents when changing bow

> )

>

> )

)

>

>

> )

Œ

Œ

Œ

Œ

)

oœ ppp

PIZZ.

IV ARCO

? ∑ Db.

‰ œ

¢ œ mf

˙

o ppp

w

w

˙

œ #œ #œ 60

Fl.

61

° &

62

∑

63

∑

∑

64

‰

‰

>œ bœ bœ bœ œ œ œ bœ bœ

≈

11 65

≈

‰

∑

≈

‰

∑

≈

‰

∑

≈ œ œ œ œ œ œ œ œ œ > œo 3 fffff 2 ≈ ‰ œ

‰

∑

‰

∑

3 6 o6 2 > bœ œ œ œ bœ bœ œ œ ≈ fffff

Molto decresc.

3

fffff

& <B>œ ™

Ob.

∑

∑

‰

‰

‰

g ff

3

o 6 6 2 #>œ #œ œ œ #œ œ œ #œ #œ 6 o6 fffff 3 2 6 6 Molto decresc.

fffff

3 <#> œ ™ ∑ Cl.1

∑

‰

‰

‰

& g ff

3

Molto decresc.

Bass Clarinet

œ™ ∑ Cl.2

∑

‰

‰

‰

& g ff

3

Molto decresc.

? <#>œ ™ ∑

∑

Ctf.

¢ 2

Ϫ

ff

3 fff

Hn.

3 ° 8 & <µ>œ ™

q.

4 8

x

LOUD, METALLIC, EXPLOSIVE! as fast as possible Very brassy !!!

∑

>œ >œ >œ >œ > > > > > > >

∑

>

>

> ≈

‰

‰

∑

‰

‰

∑

‰

‰

∑

‰

‰

∑

‰

‰

∑

2 ff

3

ffff Harmon Mute OFF LOUD, METALLIC, EXPLOSIVE!

˜œ ™

Very brassy !!!

∑ Tpt.1

2

o

æj œæ

æ #>œæ™ ffff q.

∑

& ff

3

e

Harmon Mute OFF LOUD, METALLIC, EXPLOSIVE! as fast as possible Very brassy !!!

˜œ ™ ∑ Tpt.2

∑

&

#>œ >œ >œ >œ > > > > > > > ffff q.

2 ff

o 3

>

>

>

>

>

x

Harmon Mute OFF LOUD, METALLIC, EXPLOSIVE! as fast as possible

™

Very brassy !!!

Bœ

? ∑

∑

Trb.

≈ &

¢

>œ >œ >œ >œ > > > > > > > 2

>

>

>

ff

3 ffff B.D. very soft mallets

° ∑ Perc.1

∑

æj œæ

∑

/

æj œæ

> ‰

æj œæ

f Whip Timpano superball

?

∑ Perc.2

∑

∑

/

>j œ

> ‰

j œ

‰

‰

Ó J

‰

‰

‰

‰

‰

‰

‰

Oœ J

Oœ J

Oœ J

≤O œ J

Oœ J

Oœ J

Oœ J

≤ ##Oœ J o

Oœ J

Oœ J

Oœ J

/

f

∑ Perc.3

∑

∑

¢/

mf

>j æ œæ

Crotales

æj œ

> ‰

‰

‰

ç J

‰

mf

Solo1

3 °/ 8 J

Hold the box in the air

mf

Shake the Box

J

1™

j >-

1™ æ

J ff

‰ ∑

Box down hitting the table

Shake the Box Hold the box in the air

1™ /

‰

ff

1™

j ->

1™ ææ

BOX

Solo2

4 8

Box down hitting the table

BOX

1™

l.v.

∑

‰

‰ ∑

ff ff Box down hitting the table

Shake the Box Hold the box in the air

1™

1™

BOX

Solo3

/

j ->

1™ ææ

∑

‰

‰ ∑

ff ff Box down hitting the table

Shake the Box Hold the box in the air

BOX

1™ Solo4

¢/

J

J

1™

j ->

1™ ææ

J

‰

‰ ∑

ff ff

Vl.1

3 ° 8 &

≥ SP

∑

∑

∑

‰

™ g 3 SP III

Vl.2

&

∑

#œ ™

∑

‰

‰

≈

≤ œ

j

œ

g fff

3 III

SP

œ

B

™

∑

∑

‰

‰

g

o ≤ œ 3

≈

Vla.

J g fff

3 g

o #≤œ

I

3

SP

∑

& <#>œ ™

Vc.1

∑

‰

J

?≈

‰

œ ‰ #œ o

œ™ #>œ ™ ffff 3 ≥ g œ™ #>œ ™ ffff 3 ≥ g œ™ #>œ ™ ffff 3 g >≥œ ™ #œ ™

œ fff

œ ‰ #œ o œ #œ ‰ o œ #œ ‰

4 8##≤OœJ o

o

∑

g fff

g

o 3

3

SP

? ∑

∑

∑

∑

‰

Vc.2

SP

? ∑ Db.

¢

o

ffff

g 3

∑

∑

‰ j œ

j œ

j œ

≥ œ™ #>œ ™ ffff 3 ≥ g >œ ™ œ™

œ ‰ #œ o œœ ‰

ff

3 ffff

g

o

∑

∑

> œ #œ #œ œ bœ bœ bœ œ œ œ bœ bœ

12 66

67

° Fl. &

68

69

70

71

≈ ∑

‰

≈

∑

∑

∑

∑

≈

∑

∑

∑

∑

≈

∑

∑

∑

∑

6 6

3 o 2 > bœ œ œ œ bœ bœ œ œ ≈ fffff

Molto decresc.

3

fffff

∑ Ob.

‰

‰

& 6 o6 2 #>œ #œ œ œ #œ œ œ #œ #œ

3

Molto decresc.

fffff

∑ Cl.1

‰

‰

&

6

o6

3 fffff Molto decresc.

2 6

6

6 6

∑ Cl.2

‰

‰

≈ œ œ œ œ œ œ œ œ œ > oœ fffff 3 2 ≈ ‰ œ

&

∑

≈ ‰™

∑

≈ ‰™

œ œ œ œ ppp f

œ œ œ œ ppp f

Molto decresc.

? ∑ Ctf.

j œ

¢

j œ

6

∑

6

≈ ‰™

∑ bœ œ œ nœ

≈ ‰™ bœ œ œ nœ

mf

mp ppp

3 8

fff

x

q LOUD, METALLIC, EXPLOSIVE! as fast as possible

Hn.

° &

>œ >œ >œ >œ > > > > > > ≈

∑

‰

4 8

2+3 16 >œ~~~~

ppp

3 8

Lip Gliss (SHORT and LOUD!)

∑

∑

> ≈

‰™

> >œ~ ≈ ~~~~ ~~~~ ~~

‰™

> > > > ≈ . . . #œ œ œ

‰™

> > > > ≈ . . . #œ œ œ

‰™

~~~~ ~~~ ff ffff very articulated and precise!!

LOUD, METALLIC, EXPLOSIVE!

æj #>œæ ffff q

∑ Tpt.1

&

æj œæ

ææ œ

‰

∑

∑

≈ ff

3

∑ Tpt.2

#>œ >œ >œ >œ > > > > ‰

&

3

very articulated and precise!!

LOUD, METALLIC, EXPLOSIVE! as fast as possible

‰

∑

very articulated and precise!!

> #>œ. >œ. >œ. ≈

∑

‰™

> #>œ. >œ. >œ. ≈

‰™

ffff ff

ff 3

3

q Brassy!

Airy

LOUD, METALLIC, EXPLOSIVE! as fast as possible "solo"

"solo"

?

∑ Trb.

‰ >œ >œ >œ >œ > > > >

¢&

‰

‰ j j j œ œ œ >. . . ffff 3 g

ffff

>j æ œæ

° ∑ /

æj œæ

> ‰

æj œæ

‰

‰ j ™ >œ

j ™ >œ

ffff

ffff

ppp

molto decresc.

Perc.1

‰

j j œ. œ.

∑

>. j œ

∑

>™ ‰

f

f

>. j œ

>™ ‰

f

Timpano soft mallets superball

?

∑ Perc.2

/

>j œ

> ‰

j œ

‰

∑

>. j œ

∑

>™ ‰

>. j œ

>™ ‰

f f

f

T.Sheet Crotales

ç l.v.

ææj œ

∑ Perc.3

¢/

> ‰

ææj œ

‰

∑

‰

≈

‰

‰

∑

∑

f f

3 8

BOX Switch

Solo1

°/

1 æJ

≈ ‰

‰

‰

1 æJ

j >-

4 8‰

‰

‰

2+3 16 ‰

‰

‰

‰

‰™

‰

‰™

‰

‰™

‰

‰™

‰

‰™

‰

‰™

Switch

‰

≈

3 8 ‰™

‰

‰™

∑

ff f f BOX Switch Switch

‰ Solo2

/

‰

1 ææJ

‰

J

1 ææJ

j ->

‰

‰ ∑

J

ff f

Solo3

/

f

∑

1 ææJ

1 ææJ

j >-

‰

1 ææJ

1 ææJ

j >-

‰

Ó ∑

(box down)

Solo4

¢/

1 æJ

1 < ≈3 > ‰ æ

‰

∑

3 8

≥ ° <#><#>Oœ ≈ ‰ Vl.1 & g sf 3 Oœ ≈ ‰ Vl.2 & g sf 3 <#><#>Oœ ≈ ‰ Vla. B g sf 3 IV ? ‰ ≈ œ Vc.1

Œ

‰

Œ

≈

‰

≤ œ

j g

o ≤ œ Œ

3

≈ J g

o #≤œ

PIZZ.

3 SP

ARCO

j

œ ‰ #œ o

œ™ #>œ ™ ffff 3 ≥g œ™ #>œ ™ ffff 3 ≥g œ™ #>œ ™ ffff 3 g >≥œ ™ #œ ™

J ≈

œ ‰ #œ o nœ #œ ‰ o œ #œ ‰

∑

∑

∑

∑

1 <3> ‰ æJ

4 8‰ ‰

‰

Œ

#≤Oœ Oœ # ≈ J o ≤ ≈ Oœ Oœ J o #≤O O ≈ # œ œJ o ∑

Oœ J

2+3 16 Oœ

‰™

≈

3 8

>≥ ##Oœ ≈

‰™

≈

‰™

≈

‰™

g sff

sff

Oœ

≥ >O œ

3 Oœ J g

‰™

≈

sff

sff

3 Oœ J

Oœ

‰™

≈ g 3 sff >≥œ ™ #œ ™

>≥O # #œ sff

œ #œ ‰ ™

>≥œ ™ #œ ™

œ #œ ‰ ™

j œ

o

mf

g

o

3

3

o

ffff

o

ffff

g

3

o

ffff

g

3

g

IV PIZZ.

ARCO

SP

? ‰ Vc.2

≈ œ j

‰

‰

j œ

o

mf PIZZ.

ARCO

SP

IV

? ‰ Db.

≈ œ j

‰ j

¢

‰

≥ œ™ #>œ ™ ffff 3 ≥g >œ ™ œ™

œ ‰ #œ o œœ ‰

∑

∑

∑

∑

≥ œ™ #>œ ™ ffff 3 ≥g >œ ™ œ™

œ ‰™ #œ o œœ ™ ‰

≥ œ™ #>œ ™ ffff 3 ≥g >œ ™ œ™

o

ffff

œ ‰™ #œ o œœ ™ ‰

œ f

o 3 ffff

g

o

3 ffff

g

3 g

o

72

Fl.

73

° &

> œ #œ #œ œ bœ bœ bœ œ œ œ b œ b œ 75

74

∑

∑

13 76

77 Air Sound

≈

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 6 ) o

∑

∑

ffp

3 6 2 > bœ œ œ œ bœ bœ

3

o

Molto decresc.

fffff ffff3

∑ Ob.

∑

‰

Air Sound

œ œ ®

&

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ) 6 o ffp

∑

6 3 o 2 #>œ #œ œ œ #œ œ œ #œ #œ

∑

3

Molto decresc.

fffff

∑ Cl.1

∑

‰

&

Air Sound

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ∑

∑ 6

6 6 6 mp o o Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

6

3 fffff Molto decres c.

3

2

o

Air Sound

6 3

∑ Cl.2

∑

‰

® ≈ ‰

&

œ œ > œ œ œ œ œ œ œ fffff 3 2 ∑

∑

∑

∑ 6

6 o

œ o

Molto decresc.

?

‰

≈

≈

6

6 o

mp

≈

≈ ‰

‰

‰

∑

Ctf.

¢ œ '

œ '

œ '

œ '

mf

Hn.

3 ° 8 &

2+3 e 16 >œ >œ >œ

Rhythmically Precise!

LOUD, METALLIC, EXPLOSIVE! as fast as possible

∑

∑

>œ ‰ ™

3 8#œ+ >œ

4 8#œ ≈ #œ >œ ≈ #œ >œ ≈

3

3

3 8 >œ ≈ ‰

‰

‰

∑

≈ ‰

‰

‰

∑

> #œ Bœ ≈ ‰

‰

‰

∑

3

?

3

ffff poco decresc.

mp

mf Rhythmically Precise!

LOUD, METALLIC, EXPLOSIVE!

∑ Tpt.1

æj #>œæ

∑

&

123

Bœ ‰™

≈ œ

≈ œ

Bœ ≈

ffff poco decresc.

mf mp

e LOUD, METALLIC, EXPLOSIVE! as fast as possible

∑ Tpt.2

Rhythmically Precise!

#>œ >œ >œ >œ ‰ ™

∑

&

123

> > > #œ Bœ ≈ œ œ ≈ œ œ ≈ 3

3

3

3

ffff mf mp poco decresc.

e Harmon Mute ON Brassy!

Airy

LOUD, METALLIC, EXPLOSIVE! as fast as possible

? ∑

?

‰™

∑

Trb.

∑

≈ j œ. ffff 3 g æj œæ

&

¢

>œ >œ >œ >œ ffff

° ∑ Perc.1

∑

/

> ≈

ææ œ

≈ j œ.

œ.

(E)

>j ææ œ

‰

‰

‰

‰ &

œ. ppp

molto decresc.

(NOT too loud!!!)

≈

∑

æj œæ

æj œæ

mf

> ‰

∑

> ‰

∑

ppp

f

> ≈

superball

? ∑

∑

j œ

Perc.2

(NOT too loud!!!) soft mallets

≈

æj œæ

∑

æj

æj

/

œ œ

f mf Car Horn

ppp Crotales

ç

ç »

l.v.

‰ Perc.3

‰

≈

‰

‰

‰

‰™

‰

» ≈

» ≈

» ≈

l.v.

≈ ‰

‰

‰

‰

≈

‰

‰

¢/ mf mf mf

Solo1

3 °/ 8

BOX

∑

∑

2+3 16 æ1J

3 8

j >-™

4 8

3 8

Switch

‰ ∑

∑

‰

‰

‰

‰

J f

ff Switch

1™ ææJ

BOX

≈ ‰ Solo2

‰

‰

/

∑

j ->

≈ ‰

‰

‰

‰

‰ ∑ f

ff

Switch

‰ Solo3

/

∑

‰

J

∑

∑

∑

∑

∑

∑

f

‰ Solo4

Vl.1

¢/

3 ° 8‰ & ‰

Vl.2

≈ æ1 æ1 æ æJ

<3> ‰ ∑

‰

#≤Oœ # ≈

‰

o ≤ ≈ Oœ

‰

o #≤O ≈# œ

&

B

‰

Vla.

Oœ J

Oœ J

3 8

‰

≈ 1 æ

1 ææJ

4 8

≈

‰™

∑

∑

‰

≈

‰™

∑

∑

‰

≈

‰™

∑

∑

‰

œ #œ ‰ ™

∑

g sff 3 Oœ J

Oœ J

Oœ J

Oœ g sff 3

Oœ J

Oœ J

o ? ∑

Oœ J

2+3 16 Oœ

‰

∑

Oœ J

Oœ g sff 3 ≥ >œ ™ #œ ™

IV PIZZ.

Vc.1

j œ

< ‰3 >

#≤Oœ Oœ # ≈ J o ≤ ≈ Oœ Oœ J o #≤O O ≈ # œ œJ o

Oœ J

Oœ J

Oœ J SP

ARCO

j j

∑ j œ

3

o

o

mf

ffff

g ? ∑

∑

Vc.2

? ∑ Db.

¢

∑

≥ œ™ #>œ ™ ffff 3 ≥g >œ ™ œ™ ffff 3 g

IV PIZZ.

œ ‰™ #œ o œœ ™ ‰

∑

j œ

SP ARCO

j j

∑ j œ

o

mf IV PIZZ.

SP ARCO

∑

j œ

j j

∑ j œ

mf

o

o

3 8

>œ.

14

>œ.

78

79

° Fl. &

≈ ≈

>œ.

80

‰ ‰

81

∑

≈ ≈

‰

f

82

‰

83

∑

≈ ≈

‰

f

3

‰

‰

∑

f

3

3

in the background

3

‰ Ob.

3

‰ ≈ œ œ#œ

&

∑

∑

≈

œ œ#œ ‰

‰

‰

∑

∑

‰

‰

∑

∑

pp pp in the background

≈ #œ#œ#œ ‰

∑ Cl.1

‰

∑

#œ#œ#œ ≈

‰

& 3

pp3

pp 6

6

≈ ‰ ‰ Cl.2

6

∑

≈ ‰

‰

∑

≈ ‰

‰

‰

∑

& œœœœ

œœœœ

œœœœ

f ppp ppp

ppp

f

f

? ∑

∑

‰

≈

≈

∑

∑

∑

Ctf.

¢ œ œ mf

3 °? 8

3

3

≈ ≈ œ ‰ ‰ >

Hn.

4 8

∑

≈ ≈ œ ‰ >

5 8

3

‰

∑

≈ ≈ œ ‰ >

‰

4 8

‰

∑ &

ffff ffff ffff Lip Gliss (SHORT and LOUD!)

> ≈

> ≈ Tpt.1

&

‰ ‰

∑

‰

‰

> ≈

‰

‰

‰

∑

> ≈ #œ. œ. œ. >>>

‰

‰

‰

∑

∑

#>œ~~~ ~~~~

#>œ~~~ ~~~~

#>œ~~~ ~~~~

ff

ff

ff

very articulated and precise!!

> ≈ #œ. œ. œ. >>>

> ≈ #œ. œ. œ. >>>

3

Tpt.2

&

3

‰ ‰

∑

3

‰

‰

∑

ff

x

e (wah!)

+ ‰ ≈ œ >.

‰ Trb.

¢&

x (wah!)

(wah!)

+ +o +o œ #œ nœ >.

fff

+o Bœ ≈ ‰

e

+

+

‰

‰

Perc.1

/

‰ ‰

≈

6â

‰

‰

f

x (wah!)

(wah!)

+o

+o

+o

≈ œ >. fff

≈ ‰ #œ. nœ >

+x +eo + o ≈ œ #œ nœ >.

>. j œ

6â ≈

6â

‰

f

≈

‰

Bœ #œ f

(poco decresc.)

(wipe the the surface with a brush)

>. j œ

°

e (wah!)

(wah!)

f

(poco decresc.)

x

fff

6â ≈ ‰

‰

>. j œ

x

(wah!)

(wah!)

+o Bœ ≈ f

(poco decresc.)

‰

≈

f

?

∑

6â ‰

∑

f

f f Tremolo Slow-Down: tremolo as fast as possible!

Dampened Triangle ss s s s s Always dampen the triangle. Only "clicks" should be heard, not the resonance.

å ‰ ≈æ æ

‰ Perc.2

/

å ææJ

å ææ

> ≈ ‰

‰

å ææJ

‰

f

å ææJ

s

s

s

å ææJ

s

å ææ

> ≈ ‰

å ≈ æ æ

‰

f

‰

‰

∑

f (sizzle + crotales)

scrape once with Triangle beater

l.v.

ç ¥¥ ≈ é J

Sizzle Cymbal

¥ ‰ é J

‰ Perc.3

¢/

¥

¥ > ≈ ‰

¥¥ ≈ é J

‰

Solo1

¥ J

¥ > ≈ ‰

‰

J

f

3 °/ 8

¥ J

f

¥ J

¥> ≈ ‰

f

4 8 ∑

∑

‰ ‰ ‰

5 8‰

∑

∑

4 1 <3> 8 ‰ æJ ‰ (box down)

BOX

‰

∑

ff BOX

Solo2

/

∑

∑

∑

∑

∑

∑

position relative to the box: far

far

far

near

far near

Detector

≈

≈ ‰

‰ Solo3

/

∑

∑

‰ ∑

J

J

J J

J

J

f Switch

< > ≈ 1 1 ≈3 ‰ ‰ ‰ æ æ

BOX

≈

≈

‰ Solo4

¢/

‰

‰

∑

‰

‰

∑

∑

f

Vl.1

3 ° 8<#><#>Oœ &

≈

‰ ‰

∑

g sff

Oœ

≈

‰ ‰

∑

& g sff 3 <#>O B <#> œ g 3 sff >≥œ ™ ? #œ ™

Vla.

4 8

≥

3 Vl.2

ff

≈

‰ ‰

œ #œ ‰ ‰

∑

∑

œ™ #>œ ™ ffff3 ≥g œ™ #>œ ™ ffff3 ≥g œ™ #>œ ™ ffff3 g >≥œ ™ #œ ™

œ‰ #œ o œ‰ #œ o œ #œ ‰ o œ #œ ‰

‰

‰

‰

‰

#≤Oœ # ≈

‰

o ≤ ≈ Oœ

∑

‰

o #≤O ≈# œ

∑

>≥œ ™ #œ ™

∑

∑

Oœ J

Oœ J

5 8 Oœ ≈ ‰

4 8 ‰ ‰ ‰

g sff

3 Oœ J

Oœ J

Oœ ≈ ‰ g

‰ ‰ ‰

sff

3 Oœ J

Oœ J

Oœ ≈ ‰

‰ ‰ ‰

g sff

o 3 ‰

œ #œ ‰

‰

‰

∑

‰

‰

∑

‰

‰

∑

Vc.1

3 ffff

3

o

ffff

g ? Vc.2

? Db.

¢

≥ œ™ #>œ ™ ffff 3 ≥g >œ ™ œ™ ffff 3 g

3

o

ffff

g œ‰ ‰ #œ o œœ ‰ ‰ o

∑

∑

≥ œ™ #>œ ™ ffff 3 ≥g >œ ™ œ™ ffff 3 g

o

g œ‰ #œ o œœ ‰ o

‰

∑

‰

∑

≥ œ™ #>œ ™ ffff 3 ≥g >œ ™ œ™ ffff 3 g

œ‰ #œ o œœ ‰ o

>œ. >œ. >œ. >œ.

>œ. >œ. >œ.

84

Fl.

85

° &

15 joyful !

86

87

Œ

88

∑

#œ #œ œ

89

∑

∑

‰

‰

≈

Œ

3

ff 3

mp 3

‰ Ob.

‰

œ #œ œ ≈ ‰

&

∑

∑

∑

∑

∑

mf joyful ! Air Sound blow outside de mouthpiece

‰ Cl.1

‰

≈ ‰

∑

œ œ #œ

‰

&

‰

‰

‰

j 6

œ. œ. mf

‰

‰

∑

‰

≈

‰

‰

‰

‰

‰

j 6 3

mp mp Air Sound blow outside de mouthpiece

∑ Cl.2

∑

Bb Clarinet

‰

&

‰

‰

‰

j 6

‰

‰

∑

∑

j 6

mp 3

? ‰

‰

∑

∑

∑

≈

Ctf.

¢

œ. œ. œ. œ.

j œ

œ. œ. œ.

‰

œ

f

4 + + + + ° 8 >œ. >œ. >œ. >œ. >œ ~~~~ &

(VERY short lip gliss.)

Hn.

≈ ‰ ~~~~~ ~

ff

2 4 8 >œ+. +>œ. +>œ. 8 ‰

~~~~

‰

2 8

+ ≈ œ

‰

5 8

4 8

mf

∑

∑

∑

∑

∑

∑

∑

∑

∑

mp

3

fff 3

& #œ. œ. œ. œ. œ #œ ≈ ‰ > > > > >

Tpt.1

‰

‰

‰

≈ #œ œ

#œ. œ. œ. > > >

p ff ff (VERY short lip gliss.)

3

& #œ. œ. œ. œ. #>œ~~~~~~~ ≈ ‰ >ff > > > fff ~~~~~

Tpt.2

‰

‰

‰

≈ #œ œ

#œ. œ. œ. > > >

p ff

+x ≈ Bœ >.

3

? ‰

‰

∑

∑

∑

Trb.

‰ &

¢ œ œ œ œ >ff. >. >. >.

œ œ œ >. >. >.

+e

e (wah!) (wah!)

+o

+o ‰

#œ. >

µœ

Bbœ

fff f

(poco decresc.)

Metal Block Hard Mallets. Very Dry ! (wipe the surface with a Brush)

>Æ >Æ ¿ ¿

B.D.

° ‰ Perc.1

‰

≈ ‰

∑

/

-j 6â

‰

‰

-j 6â

‰

‰

‰

‰

∑

mp

-j 6â

-j 6â

>. j œ

‰

‰

mf

Metal Block

ff Timpano Tremolo Slow-Down: Hard Mallets. Very Dry !

ss s s s s

>Æ >Æ >Æ >Æ ¿ ¿ ¿ ¿ ‰ Perc.2

‰

‰

/

≈ 6â ‰

‰

‰

s

s

s

s

s

Damp. Triang.

(wipe the surface with a Brush)

>Æ >Æ >Æ ¿ ¿ ¿?

≈ 6â ‰

‰

å ≈ æ æ

∑ /

å ææJ

å ææJ

¥

¥

å ææJ

å ææ ≈

3

mp f

f

Metal Block Cardboard Hard Mallets. Very Dry!

>Æ >Æ >Æ >Æ ¿ ¿ ¿ ¿

>Æ >Æ >Æ ¿ ¿ ¿ ‰

Perc.3

‰

polystyrene

‰

‰

-j 6â

‰

¢/

‰

‰

‰

-j 6â

S. Cymbal

∑

Crot.

¥ é J

ç l.v.

≈

‰

J

J

3

f

mp mf f

Solo1

4 °/ 8 ‰

‰

‰

‰

2 8‰

4 8 ωj

Quickly wipe the box with your hand.

‰

‰

‰

j ⠜

‰

‰

‰

‰

2 8‰

5 8‰

4 8

Switch

‰

‰

‰

‰

‰

‰

J f mf

Hit the box with the hand Quickly wipe the box with your hand.

I

I

I

I

I

A ª ª A ª A ª A ‰ Solo2

I

I

A ª ª A ª A ‰

‰

≈ œâ ‰

‰

‰

≈ œâ ‰

‰

/

∑

∑

f 3

ff Quickly wipe the box with your hand. far

j ⠜

BOX

‰ Solo3

/

∑

‰

‰

‰

‰

j ⠜

‰

near

Detector

‰

‰

‰

‰

‰

‰

∑ J f ff Plop Plate

‰ Solo4

‰

<3> ‰

1 ææJ

‰

¢/

Switch

≈ ‰

‰

‰

‰

‰ ∑

‰

∑

J mf

ff

Vl.1

4 ° 8‰ &

(B)

‰

f

2 8

>O. œ

4 8‹

2 8

Overpressure keep the strings dampened. Extreme bow pressure. No pitch, just a "cracking" sound.

Ö

≈ ‰

∑

Ö

≈ ‰

‰

‰

‹ >.

‹‹ ≈ ‰ >.

‰

‰

5 8

4 8

∑

∑

∑

∑

∑

∑

ff mf

‰ Vl.2

‰

>O. œ

≈ ‰

∑

∑

∑

& Overpressure keep the strings dampened. Extreme bow pressure. No pitch, just a "cracking" sound.

ff SP+ noisy

B

‰

‰

≥ > #œ œ œ ≈ ‰

>œ. >œ. >œ. ‰

>Ö ‹. ≈ ‹ ‰

‰

‰

>Ö ‹. ≈ ‹ ‰

‰

Vla. 3 3

fff

mf

fff IV PIZZ.

? ∑

∑

Vc.1

j œ

j ‰

‰

∑

∑ j œ

≈

‰

‰

‰

≈

‰

‰

‰

≈

‰

‰

‰

#œ

œ Overpressure keep the strings dampened. Extreme bow pressure. No pitch, just a "cracking" sound.

o

mp

f

Ö IV PIZZ.

? ∑

∑

Vc.2

j œ

Ö

ARCO

j ‰

>‹. ‹ ≈

‰

‰

‰

>‹. ‹ ≈

PIZZ.

∑ j œ

#œ

œ

o

mp

mf

mf f

IV PIZZ. III PIZZ.

? ∑ Db.

∑

j œ

j ‰

‰

j œ

j ‰

‰

¢ œ

∑

œ J

œ f

mp

o

p

o

œ

secco

>Æ >Æ œœ

16

#œ#œ œ

90

° Fl. &

‰

‰

≈

91

‰

#œ#œ œ

92

‰

‰

≈

≈

‰

‰

93

94

≈

#œ#œ œ

95

∑

∑

‰

‰

‰

≈

f 3

mp3

mp 3

joyful !

#œ#œ œ ‰ Ob.

‰

#œ#œ œ ≈

‰

‰

‰

#œ#œ œ ≈‰

∑

∑

∑

‰

‰

≈

‰

& mp3

3

3

mp

œ œ #œ ‰ Cl.1

œ œ #œ ≈ ‰

‰

‰

œ œ #œ ≈ ‰

‰

‰

≈

œ œ #œ ‰

∑

∑

‰

≈ Œ

& 3

3

3

∑ Cl.2

∑

mp 3

∑

∑

∑

∑

∑

∑

∑

& secco

? ∑

Œ

≈

≈

≈ ‰

Ctf.

¢

j œ

œœ >' >'

‰

œ

mf mf

Hn.

4 ° 8 &

3 ++ >Æ >Æ 8 œœ ≈

4 8

secco

∑

Œ

≈

3 8

∑

∑

∑

∑

ff very precise! secco

∑ Tpt.1

Œ

≈

#œ œ ≈ >' >'

&

∑

∑

‰

‰

‰

≈#œ œ >' >'

∑

mf ff secco

∑ Tpt.2

‰

‰

≈

#œ œ ≈ >' >'

& x

e

e

e

x

very precise!

∑

e

x

∑

e

‰

‰

‰

≈#œ œ ‰ >' >'

e

x

ff

+ + Trb.

(wah!)

≈Bœ #œ >. >.

¢&

+ + o +o ≈ ‰ œ B>œ. #œ µœ

(wah!)

(wah!)

(wah!)

+o

+o

+o

µœ

Bbœ

fff

‰

‰ e

e

e

mf

+ +

(wah!)

‰

≈Bœ #œ >. >.

fff

+ + (wah!)

(wah!)

+o

+o ∑

µœ

∑

≈Bœ #œ >. >.

Bbœ

fff

(wah!)

(wah!)

(wah!)

+o

+o

+o

µœ

Bbœ

œ

fff

(poco decresc.)

(poco decresc.)

f

‰

(poco decresc.)

f

f

f

(very quick!)

Vibraphone B.D.

>. j œ

° Perc.1

/

‰

‰

>. j œ

‰

‰

‰

>. j œ

‰

Metal Block secco

Perc.2

å ææJ

/

å ææ

≈ ‰

å ææJ

‰

f

å ææ

> ‰

&≈

∑ œ o 2 mp 3

Damp. Triang.

∑ /

å æJ f

≈ f Metal Block

¥ é J

‰ Perc.3

¢/

¥

¥ J

¥ ‰ é J

J

‰

å ææ

≈ Œ

‰

mf

å ææ ≈

‰

∑

å ææJ

∑

f S. Cymb. Crot.

secco

S. Cymb.

‰

>Æ >Æ ¿¿

≈ ≈

f

>. j œ

soft mallets

>Æ >Æ ¿¿

≈

¥ ‰ é

≈

¥

S. Cymb.

ç ≈ ‰

¥¥ ≈≈ é J

l.v.

> ∑

‰

‰

¥ ‰ J

f f

Solo1

f

4 °/ 8

∑

3f

mf

f

3 8‰

4 > 8

SAW saw the box

3 8

≈ ‰

∑

∑

∑

∑

≈ æ1 < ‰3 > ‰ æ

∑

ff

I I

(box down)

≈ ‰ Solo2

/

Aª ª A J

‰

∑

∑

‰ ∑

ff ff far

far

far far

near

far

far

far

near

near

near

≈‰ Solo3

/

J J

J

J

J

J

J

∑

J

∑

J

J

f

J

J

J

f Switch BOX

‰ Solo4

‰

‰

‰

¢/

J

∑

∑

∑

‰ æ1J

< ‰3 >

‰

‰

‰ J

ff

Vl.1

4 ° 8‰ &

≤ ##Oœ

SP

‰

≈

Oœ J

Oœ ≈ ‰

‰

‰

3 8‰

1

1 Lightning fast glissando on the highest register

‰

4 8

≈

∑

‰

‰

f SP

‰ Vl.2

‰

≈

o ≤O œ

& o ≤ ##Oœ

SP

B

‰

‰

≈

Vla.

g sff 3 IV Freely and wild

3

Oœ J

Oœ ≈ ‰

‰

‰

∑

‰

‰

‰

≈‰ # œ œ # œ #>œn œ 2 fff mf 3

g sff 3 IV Freely and wild

3 3

3

Oœ J

Oœ ≈ ‰

‰

‰

∑

‰

œ ≈‰ >œ

#œ œ o g

fff

g sff

o

mf

#≤Oœ Oœ # ≈ J o ≤ ≈ Oœ Oœ J o #≤O O ≈# œ œJ o

Oœ ≈ ‰

≤ ##Oœ J o ≤O œ J o ≤ ##Oœ J o

‰

g sff 3 Oœ ≈ ‰

‰

g sff 3 Oœ ≈ ‰

3 8

‰

g sff

3 3

3 II

ORD ARCO

? ‰ Vc.1

I ## O œ ≈ æ ææJ æ o f

>œ œ

Freely and wild

nO œ

SP

#œ œ

∑

≈‰

‰

‰

‰

∑

æJ

3 3

o3

o

## Oœ ≈ æ ææJ æ o f I

ORD

g fff

nO œ

æJ o

3 ARCO PIZZ. Freely, as a wild vibrato!

I

#>œ œ

SP

œ ‰ #œ

Freely and wild

3

3

? ‰ Vc.2 #>œ œ œ œ œ œ o f II > ? #œ œ œ œ œ œ ‰ Db. ¢ 3 3 o f

‰

∑

∑

‰

o3

≈‰

‰

‰

∑

g fff

3

PIZZ. Freely, as a wild vibrato!

IV PIZZ.

‰

∑

∑

∑

∑

j œ

j ‰

‰

œ f

o

>œ. >œ. >œ. >œ. #œ#œ œ

96

Fl.

° &

‰

‰

97

98

≈

17

99

∑

œ œ œ101

100

∑

‰ ‰

‰ ‰

∑ 3

ff

mf

3

#œ#œ œ ∑ Ob.

‰

≈

‰

Œ

∑

∑

∑

∑

≈

‰

Œ

∑

∑

∑

∑

‰

Œ

∑

∑

∑

∑

∑

∑

& 3

œ œ #œ

œ œ #œ

‰ Cl.1

≈

‰

≈

≈

& 3

3

œ œ #œ ∑ Cl.2

‰

≈

& mp 3

? ∑

∑

∑

‰ ‰

Ctf.

¢

œ. œ. œ. œ. f

Hn.

3 ° 8 &

5 8

4 8

∑

∑

+ >. œ

∑

+ >. œ

+ >. œ

3 8‰

+ >. œ ‰ ‰

Hand Glissando

+j ‰ œ o

2 8 >œo ≈ ‰ 2 mf

ff

3 3

∑ Tpt.1

∑

∑

#œ. œ. œ. œ. ‰ ‰ > > > >

&

‰ ‰

#œ ≈ ‰

#œ œ œ >

ff mf 3

∑ Tpt.2

∑

∑

#œ. œ. œ. œ. ‰ ‰ > > > >

& x

+

e

e

e

(wah!)

(wah!)

(wah!)

+o

+o

+o

e

+

+

e

x

(wah!)

(wah!)

(wah!)

+o

+o

+o

‰ ‰ #œ œ œ >

#œ ≈ ‰

ff mf Harmon Mute OFF

? Trb.

≈ Bœ #œ >.

¢&

‰ µœ

≈ Bœ. >

nœ

fff

#œ. >

µœ

Bbœ

∑

‰ ‰

(poco decresc.)

f

∑

œ œ œ œ >. >. >. >.

fff (poco decresc.)

∑

œ f

ff (very quick

Vibraphone

>. j œ

° Perc.1

/

‰

>. j œ

‰

‰

‰

Π&

j > ‰ Œ œ o 2 mp 3

‰

> j > ‰ œ ‰ o 2 mp 3

j ‰ œ o 2 mp 3

‰

Metal Block

∑

Very Dry !

>Æ >Æ >Æ >Æ ¿ ¿ ¿ ¿ Perc.2

å ææJ

/

å ææ

≈

å æJ

‰

å ææ

≈

‰

Œ

∑

‰ ‰

∑

∑

f Crot.

Metal Block

S. Cymb.

f f Very Dry !

Perc.3

¥¥ ≈ ≈ é J

¢/

¥

¥ ≈ é

¥

¥

>Æ >Æ >Æ >Æ ¿ ¿ ¿ ¿

ç ‰ ≈ ‰

¥ ‰ é ‰ J l.v.

l.v.

‰

J

‰

‰

‰ ‰

J

J

mf

3

f

∑

f

f f

Solo1

3 °/ 8

5 8 ∑

4 8 J.

∑

‰ ‰

‰

‰

‰

3 . 8 ‰ J

‰

. J ‰

2 8 ∑

ff "on"

I

I

I

I

Detector

I

I

≈ ‰ Solo2

A ª ª A ª A ª A ‰ Aª J

‰

/

∑

∑

mf

ff far

near

f

∑

f

far near

‰

‰

‰ J

Solo3

‰ Aª ‰ J

J

J

/

∑

∑

∑

∑

j >- ‰

∑

J J (very quick!)

1 æJ

BOX

‰ Solo4

Vl.1

¢/

∑

3 ° 8<#><#>Oœ &

∑

5 8 ≈

‰

41 8J

‰

∑

g mf 3 IV Freely and wild 3

Oœ ≈ Vl.2

‰

‰

‰

‰

‰

‰

& #œ œ #œ g mf 2 mf

3 <#>O B <#> œ ≈

3 IV Freely and wild 3

3

3

‰

‰

‰

‰

Vla.

# œo œ g

g 3

mf

3 II

Freely and wild

SP

?

œ ∑

‰

#œ

j >-

‰

‰

1 æJ

‰

j >-

1 æJ

1 1

#≤Oœ Oœ # ‰ ≈ J f o ≤ ≈ ‰ ≈ Oœ Oœ #>œ J o ff #≤Oœ Oœ # ≈ ‰ ≈ œ J > ff o >œ ≈ ‰ ‰ ‰

1 ‰ J

Oœ ≈ ‰

3 8‰

f

1

1 J ‰

2 8 ∑

f

g sff 3 Oœ ≈ ‰

‰ ‰

g sff 3 Oœ ≈ ‰

‰ ‰

g sff

≤ ‰ ‰ Oœ J o #≤O ‰ ‰ # œJ o

3 ORD

∑

∑

Oœ ≈ ‰ g sff 3 Oœ ≈ ‰ g sff 3 # # Oœ ææ

nO œ

Vc.1 3

o

f 3

3

g

o

ff

3 ARCO

#>œ

PIZZ. Freely, as a wild vibrato!

#œ œ

SP

I 3

Freely and wild

3

? Vc.2

#>œ œ œ œ f

‰ œ œ o

‰

‰

‰

≈ ‰ ‰

‰

‰

‰

Ö

Ö

‹‹ ‰ J

‹‹ ‰ ‰ J

∑

∑

∑

3

mf

g

o

ff

3 II

PIZZ. Freely, as a wild vibrato!

IV PIZZ.

?

> #œ œ œ œ

Db.

¢ 3

œ œ ‰ 3 o

∑

‰

‰ œj

j ∑ œ

f mf

o

>œ.

18

>œ.

102

Fl.

° &

104

≈ ‰

≈

ff

∑ Ob.

&

Cl.1

&

Cl.2

&

>œ.

103

∑

‰

∑

‰

105

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 6 ‰ >6™ sfp o Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ∑ 6 ‰ 6™ > o sfp Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‰ ‰ j ‰ 6 6 >6™ o fp o Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‰ ‰ j ‰ 6 6 >6™ o fp o ‰

106

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‰ 6 >6™ sfp o Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‰ 6 6™ > o sfp

Œ

‰

‰

107

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‰ 6 >6™ sfp o Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‰ 6 6™ > o sfp

∑

‰

‰

‰

‰

∑

‰

‰

‰

‰

‰

≈ ‰

‰

Œ

ff

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 6 ‰ 6™ > o sfp

‰

‰

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‰ ‰ j 6 6 6™ o o fp Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‰ ‰ j 6 6 6™ o o fp Slide Whistle

? ≈ ‰

≈ ‰

‰

‰

∑

∑

∑

≈ ‰

‰

‰

‰

Ctf.

¢

œ >.

œ >.

œ.

f ff

4 8 Hn.

° &

∑

∑

‰

‰

‰

+ ≈ œ

5 8‰

4 4

Hand Glissando

‰

‰

+ ≈ œ

‰

‰

‰

‰

o > œ ≈ ‰

+ j œ

‰

‰

‰

‰

mp

2 ff

mf

3 Harmon Mute ON #>œ ≈ ‰ ‰ ‰ ‰ Lip Gliss.

∑

‰

‰

‰

&

≈ #œ œ

‰

‰

‰

≈ #œ œ ‰

p

~~~~~

∑ Tpt.1

∑

p ff Lip Gliss.

∑

‰

‰

‰

&

≈ #œ œ

‰

‰

‰

≈ #œ œ ‰

p

~~~~~

∑ Tpt.2

Harmon Mute ON #>œ ≈ ‰ ‰ ‰ ‰

∑

p ff

? ‰ Trb.

‰

j œ >. fff

¢

‰

‰

∑

∑

∑

j œ >. fff

‰

‰

‰

‰

‰

‰

æj æj œæ œæ o

‰

‰

‰

‰

‰

‰

‰

‰

j œ >. fff B.D.

Perc.1

° &

∑

∑ /

.j œ

≈ 6â ‰

‰

.j œ

‰

-j 6â

≈ 6â ‰

Œ

j œ

‰

-j 6â

6â ‰

≈

Œ

‰

‰

Ó ‰ /J

mf Timpano Whip (wipe the surface with a Brush)

?

∑ Perc.2

∑

/

-j 6â

‰

‰

‰

‰

‰

‰

‰

?

mf mf Cardboard Crot. polystyrene

∑ Perc.3

∑

‰

‰

‰

¢/

-j 6â

‰

‰

‰

-j 6â

‰

ç J

∑

mf

4 8 Solo1

f

5 8 ωj

Quickly wipe the box with your hand.

BOX

°/

∑

j ⠜

‰

‰

l.v.

‰

‰

‰

‰

‰

4 4

j ⠜

‰

‰

‰

‰

∑

∑ f Quickly wipe the box with your hand.

BOX

‰ Solo2

/

∑

≈ œâ ‰

‰

‰

≈ œâ ‰

Œ

∑

∑

∑

∑

∑

∑

∑

f Quickly wipe the box with your hand.

BOX

‰ Solo3

/

∑

‰

‰

j ⠜

‰

‰

‰

j ⠜

‰

∑ f

Plop Plate

≈ ‰ Solo4

¢/

∑

‰

≈

‰

‰

‰

‰

‰

∑ f

4 8 Vl.1

° &

5 8‹

Ö

∑

∑

<1>

Ö

‹‹ ≈ ‰ >.

Œ

Ö SP III

≈ ‰

‰

‰

‰

≈

‰

‰

j œ

‰

‹‹ >.

‹ >.

g

‰ fff

mf f

3 <1>

SP

IVFreely and wild

j ∑ Vl.2

∑

∑

∑

‰

‰

‰

‰

& #œ œ fff

g mf SP

3 Ö

Ö IVFreely and wild

B

∑

∑

‰

>‹. ≈ ‹ ‰

‰

‰

>‹. ≈ ‹ ‰

<1> 3

‰

‰

3

j

‰

‰

Vla.

#œ œ o f

g

fff

3

<1>

f

≤ #Oœ Oœ # ≈ J o ≤ ≈ Oœ Oœ J o #≤O O ≈ # œ œJ o

Oœ

Oœ

Oœ

Oœ

Oœ

Oœ

4 4

SP Polystyrene

## Oœ ? ææ

nO œ

## O˙ ææ

nO œ

f

o

II Freely and wild

∑

#œ œ

∑

J ∑

Vc.1 3 3 3

o

f

3

g

fff

3

<1>

o ? ∑

∑

‰

‰

‰

>Ö ‹‹. ≈

‰

‰

‰

>Ö ‹‹. ≈

SP

#œ œ

Freely and wild

I

J ‰

‰

‰

∑

Vc.2 3

3

g mf f

fff

f

3 SP

I arco

<1>

? ∑ Db.

∑

j œ

j ‰

‰

j œ

j ‰

‰

‰

j œ

j j ?

j ‰

¢ œ

œ

œ

∑ &#œ ‹

g mf

o

mf

o

mf

o

mf

fff

3

19 108

109

110

111

112

113

Slide Whistle

Fl.

Ÿ~~~~~~~~~~~~~ 6 ‰ Œ >6™ fp o Ÿ~~~~~~~~~~~~~ 6 ‰ Œ 6™ > o fp

° &

Ob.

&

Œ

∑

∑

∑

∑

∑ Very soft and pure, as a "sinewave"

µœ œ Œ

∑

∑

∑

∑

Œ

œ

‰ pp pppp poco cresc.

extremely staccatissimo and soft. (imitate the electronic beeps from the soundtrack)

ΠCl.1

Slide Whistle

Æ Æ ≈ ‰ œœ Æ Æ ≈ ‰ ≈ œÆ ‰ ≈ œÆ ‰ ‰ œœ

Œ

ÆÆ ≈ œœ

Ϯ

Æ Æ ≈ ≈ œÆ ‰ ≈ œÆ ‰ œœ

Ϯ

Æ Æ ≈ ≈ œÆ ‰ œœ Æ Æ ≈ œÆ ≈ ≈ œÆ ‰ œœ

ÆÆ ≈ œœ

Ϯ

Æ Æ ≈‰ ≈ œÆ ‰ œœ

∑

& ‰

‰

p extremely staccatissimo and soft. (imitate the electronic beeps from the soundtrack)

ΠCl.2

‰ ≈ œÆ Œ

Œ

œÆ ‰

Slide Whistle

≈ œÆ ‰

Æ Æ‰ ≈ œœ

ÆÆ ‰ œÆ ≈ ≈ œœ

Æ Æ ≈ ≈ œœ Æ Æ‰ ≈ œÆ ≈ œÆ ‰ œœ

Ϯ

Æ Æ‰ œÆ ≈ ≈ œÆ ‰ œÆ ≈ œœ

ÆÆ œÆ ≈ ≈ œœ

≈ œÆ ≈ œÆ ‰

‰

∑

& p

? ∑

∑

∑

∑

∑

∑

Ctf.

¢

Hn.

4 ° 4 &

2 4

Air Sound. No pitch Blow outside the mouthpiece

‰Ó >6

∑

∑

∑

5 4

∑

∑

∑

∑

6 o

fp

>œœ .. ∑ Tpt.1

4 4

Œ

‰

>œœ .. ≈ Œ

Œ

≈

‰ Œ

‰

>. . ≈ œœ Œ

>œœ .. Œ

Œ

Œ

‰ ≈

& mp

>œœ .. ∑ Tpt.2

Œ

‰ ≈

>œ. Œ

Œ

Œ

Œ

‰

>œœ .. ≈ Œ

‰ ≈

>œœ .. Œ

Œ

Œ

≈‰ Œ

∑

& mp Brassy!

Airy

Harmon Mute ON

? ‰ Œ

∑

∑

∑

∑

∑

Trb.

¢ œ œ >. 3 . g æ ææ œæ œ™

œ. œ. œ. ppp

molto decresc.

ff

(NOT too loud!!!)

° Perc.1

/

æ ˙™æ

æ wæ

æ wæ

æ wæ

æ ˙æ

∑

g ppp mf

sub.

3 Timpano

- ‰ 6â ‰ 6â

(wipe the surface with a Brush)

? Œ

Œ

Perc.2

Œ

Œ

‰

-6â6â Œ

Œ

6â ‰ Œ

Œ

∑

∑

∑

mf

T.Sheet

Perc.3

æ wæ

¢/

æ wæ

æ wæ

æ wæ

æ ˙æ

∑

ppp

4 °/ 4

2 4

"on"

Detector (move it very slowly around the box)

5 4 ‰ *~~~~~~~~~ * ‰ ‰ *~

Motor

always keep the motor in contact with the box in order to amplify it.

(sim.)

"on"

"off"

~~~

Solo1

4 4

Πmf

mf Stripped Wire "on" Touch the two wires together

Detector

‰≈ Solo2

/

Œ

Œ

Œ

Œ

∑

∑

∑

Œ

∑

mf f Motor

keep the motor in contact with the box in order to amplify it.

(still keep it in touch with the box until it stops) "off"

Switch "on"

ΠSolo3

Œ

Œ

Œ

Œ

Œ

Œ

Œ

* ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*~~~~~~~~~~~~ Œ

/

∑ mf p Motor

keep the motor in contact with the box in order to amplify it.

(still keep it in touch with the box until it stops) "off"

"on"

Detector "on"

ΠSolo4

¢/

Œ

Œ

Œ

∑

* ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ *~~~~~~~~~~~~~~ Œ

∑

∑

mf mf

Vl.1

4 ° 4<#><#>Oœ ≈ ‰ Œ &

2 4

bow on the bridge. No pitch, only "white-noise".

M )

4 4

5 4 ∑

)

)

)

)

ppp

g

sff

3

bow on the bridge. No pitch, only "white-noise". (Use the electronics as a guide for intonation)

Oœ ≈ ‰ Œ Vl.2

&

M )

Π)

)

)

6

Œ µO µœ

œO

‰ œO

ppp ppp

g

p

sff ORD

3 <#>O B <#> œ ≈ ‰ Œ Vla.

bow on the bridge. No pitch, only "white-noise".

M )

(Use the electronics as a guide for intonation)

∑ )

)

˜˜Oœ

Oœ

Oœ

Oœ

) ppp

p

ppp

g sff ( ppp!)

( ppp!)

( ppp!)

3 Œ

‰ >Q

Œ

Œ

‰

Q Œ ≈>

Œ

>Q

‰

Œ

Œ

Accent:

?

?

Œ

Œ

∑ /

Vc.1

O

~

~

~

O

)

)

)

)

w

w

w

˙

ppp bow on the side of the bridge. No pitch, only "white-noise".

? Vc.2

M )

∑

ppp

ORD

? ∑ Db.

¢

r j œ> œ ™ ˙ ™ ff

sub.

ppp

20 114

115

116

117

118

119

6

° Fl. &

∑

∑

‰

Œ

Ó

∑

∑

‰

Œ

Ó

∑

∑

‰

Œ

Ó

∑

∑

‰

Œ

Ó

∑

∑

∑

∑

6 pp f Slide Whistle

<µ> œ

µœ œ

œ

œ 6

‰ Ob.

‰

‰ ‰

& 6 pp pppp

pppp pp f poco cresc.

6 ∑ Cl.1

∑

& 6 pp f

6 ∑ Cl.2

∑

& 6 pp f Contraforte

6 ? ∑

∑

‰

Œ

Ó

Ctf.

¢ 6 pp f

Hn.

5 ° 4 &

3 8

3 4

∑

4q 99 4 =

3 4

(qq = e.) e.

4 4

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Slide Whistle

∑ Tpt.1

& >œ. œ. ‰ ≈

Tpt.2

Slide Whistle

Œ

Ó

Œ

& p

? ∑ Trb.

¢ B.D.

6â

° ∑ Perc.1

∑

Œ

Œ

/

6â

Œ

6â

Œ

6â

Œ

6â

œ

- 6â 6â

œ mp

p

mp

p (soft)

Damp. Triang.

. . . ååå ? ∑

∑

∑

‰

Œ

Ó

∑

∑

/

Perc.2

ppp (soft!) REMINDER: Snare Drum has the SNARES OFF?

S. Cymb.

∑ Perc.3

∑

∑

¥ é

Œ

¢/

> Œ

Œ

∑

∑

pp

5 3 3 4q 99 8 *~~~~~~4~~~~~ ‰ *~~~~~~~~~~~~~~~~~*~~~~~*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4 ° / 4~~~~~~~~~~~~~~~~~~~~~~~~~~ *~~~~~ ‰ *~~~~~~~~~~~~~~~~~ *~~~~~ ‰ *~~~~~~~~~~~~~~~~~~~~~~~~~~~ *~~~~~ ‰ =

Solo1

ΠSolo2

/

Solo3

/

Œ

Œ

≈ ‰ ‰

Œ

3 4

(qq = e.) e.

Œ

Œ

4 4

Ó

∑

∑

∑

press

∑

∑

∑

∑

∑

Œ

∑

∑

∑

release

Torch

Plop Plate

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Œ

Œ

Œ

Œ

‰ Solo4

¢/

∑

Œ ‰ ‰

∑

‰ ‰

∑ 3

3

f

Vl.1

5 ° 4 &

#O ‰#œ

3 8

Oœ Oœ Oœ Œ

Œ

‰ Œ œO

Œ

3 4

4 4

∑

3 4

4 4

∑

∑

∑

∑

‰ Œ œO

∑

∑

∑

Œ

∑

∑

∑

pppp p

Vl.2

& µµ œO

œO

‰

j j µµ œO œO

œO

p

<˜>O B <˜> œ ‰

˜˜Oœ

p

Oœ

Oœ

Oœ Oœ

Oœ™™

Oœ Œ

Vla. p

p

? ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Vc.1

? Vc.2

IV

PIZZ.

? Db.

Œ

Œ

∑ œ

Œ

Œ

Œ œ

¢ œ

œ pp

o

p

o

p

Œ

Œ

21 120

Fl.

121

° &

122

∑

123

∑

124

∑

>Æ 6

125

∑

∑

Œ

Œ

‰ 6 2 pp ff

3 >Æ 6 ∑ Ob.

∑

∑

∑

∑

Œ

Œ

‰

& 6 2 pp ff

3 >Æ 6 ∑ Cl.1

∑

∑

∑

∑

Œ

Œ

‰

& 6 2 pp ff

3 >Æ 6 ∑ Cl.2

∑

∑

∑

∑

Œ

Œ

‰

& 6 2 pp ff

3 ? ∑

∑

∑

∑

∑

∑

∑

∑

Ctf.

¢

3 4 Hn.

° &

3 8

4 4 ?

∑

∑

∑

∑

Air Glissando Close half of the hole with the index finger. No pitch should be procuced but an air sound changing from "dark" to "bright"

∑ Tpt.1

™

& 6 ppp

Air Glissando Close half of the hole with the index finger. No pitch should be procuced but an air sound changing from "dark" to "bright"

∑ Tpt.2

∑

∑

∑

∑

Œ

& 6 pp The arrow on the accidentals indicates that the note should be a little bit detuned (but not as much as a quarter tone)

? ∑

∑

∑

∑

∑

∑

Trb.

¢

° / Œ

Perc.1

6â

6â

Œ

- 6â 6â

6â

â ‰ 6 6â

Œ

6 ‰ ‰

œ

>6â

6â

f

mf

6â

>- â 6â 6 ‰ ‰ 6™

Œ

œ mp

mf

(secco)

. œ

mp

mp

f

mp

mf

mf (two needles can be used on each hand for better performance)

Knitting Neddle butt

Perc.2

/

Perc.3

¢/

tip

∑

∑

∑

∑

>. . . . . . . . œ. . . . . . . Œ œ 6 5 o f

∑

∑

∑

∑

¥™ ≈ é

knock on the corner of a surface. (e.g. a music stand) A rising accelerando should be achieved (rhythm not strict).

¥

¥

∑

∑

¥ o

mf

Solo1

3 4Œ

°/

∑

Detector far near

∑

3 8J

far

4 4

far

far near

≈

™ Œ

J ‰ ∑

∑

∑

mf (touch lightly)

/ Œ

Solo2

Œ

(touch firmly)

Œ ‰

Œ

Œ ∑

∑

f Detector Motor Tip: motor = left hand detector = right hand

"on" "off" "on"

"off"

"on"

* ~~~*~~~~~ ΠSolo3

/

"off"

"on"

≈

* ~~~~~~ *~~~~~~~~ Œ

Ó

∑

∑

* ~~~*~~~~~ Œ

‰ Ó

∑ mf

mf

mf

mf Torch press

Œ

Œ ‰ ‰

Solo4

release

≈ ‰

~~~~~~~~

Œ

Ó ¢/

∑

∑

∑

∑

3

mf

Vl.1

° &

∑

3 4 Œ ##≤Oœ

∑

Oœ

3 8 Oœ ™™

4 4 Oœ ≈ ‰

Œ

Ó

K K Oœ

Oœ

Oœ

p

f

2

o

≤ ##Oœ o

Oœ

Oœ

Oœ

f

3 The arrow on the accidentals indicates small deviations (but not as much as a quarter tone)

KK Oœ

∑ Vl.2

Oœ

Oœ ‰ Œ o

& f

∑

∑

Oœ

∑

p

b Oœ B

Oœ

Oœ

∑

Vla. mf

O ‰ œ o o

Oœ

Oœ

Oœ ‰ o

≥ #>œ

∑

≈ Ó

∑

#œ

p

p poco decresc.

f Col Legno

I ST+

very percussive! Throw the bow while dampening the strings with the left hand.

very slow bow. "Ghostly"

> Œ

? ∑

∑

∑

∑

Ó

Vc.1

Π&

P P >

kœ pp

f ST+

I very slow bow. "Ghostly"

? ∑ Vc.2

&

™ œ

kœ

œ

#œ a

#œ #œ a

a

pp ARCO begin with a ricochet and start bowing imediately afterwards

CLOTH CLIP ON

? ΠDb.

Œ

‰ œ

Œ

Œ

Œ

∑

‰ œj j

Œ

¢ œ p

o

p

œ p

o

p

Ó

∑

22 126

127

128

>Æ 131 6

129 130

° Fl. &

∑

∑

∑

∑

Œ

Flute

Œ

∑ 6™ 2

mf

ff

3 > 6Æ ∑ Ob.

∑

∑

∑

Œ

Oboe

Œ

∑

& 6™ 2

mf

ff

3 > 6Æ ∑ Cl.1

∑

∑

∑

Œ

Bass Clarinet

Œ

∑

& 6™ 2

mf

ff

3 Bass Clarinet

∑ Cl.2

∑

∑

Œ

Œ

Œ

≈‰ Œ

Œ

Œ

Œ

‰

≈

& bœ œbœ œbœ œ œbœ >

œ o

f

œ#œ > f

? ≈‰

Ó

∑

∑

Œ

Œ

Œ

∑

‰ ≈

Œ

Ctf.

¢ >œ

œ

>œ

œœ >

mf

3 4 °?

œ

œ

3 8

4 4

3 4

3 8

œ

Œ

∑

∑

∑

∑

Œ

Œ

≈œ

‰

Hn. mf mp mp

mp Always quiet (breathe when needed)

6

∑ Tpt.1

∑

Œ

Œ

Œ

& 6 o pp

6

™ Tpt.2

‰

& o

Trb.

o o

o

+ ? kœ ¢ o

+ k >œ

+ lœ ‰ o

Œ

Œ

∑

∑

Œ

Œ

+ lœ ≈ ‰ Œ

Œ

mf

Œ

Œ

‰

+ > k ≈œ

+ lœ

mf mf Hit the side of the Bass Drum with a rute. (Should sound similar to a whip)

>6â

° Perc.1

/

>‰ ≈ 6â6 ‰ 6â

6â

Œ

> ‰ ‰≤ J

œ

>6â

6â

6â

>6â

Œ

>6â 6

> ‰ ≈≤

œ

‰

Œ

Ϫ f

f mf

mf

f

f mf f f

mf

f

mf butt

Perc.2

/

tip

butt

>. . . . . . . . œ. . . . . . . Œ œ 6 5 o f

∑

∑

tip

butt

>. . . . . . . . œ. . . . . . . œ 6 5 f o

Œ

Œ

Œ

tip

>. . . . . . . . œ. . . . . . . œ 6 5 o f

Œ

Metal Block triangle beater (should sound as a triangle tremolo)

∑ Perc.3

∑

¥ ¥ é

∑

>¿ ææ

¥ Œ

¢/

¿ ≈‰ Œ

∑

o mf mf

3 4

far

far

near

Solo1

°/

3 8 ‰

4 4Œ

∑

3 4

far

far

far

far

Switch

Detector

near

Œ

near

Œ

3 8

‰ ≈

Œ

∑ mf Small Knob S. Wire

press the button and turn the knob

Small Knob

S. Wire

45° 45° 0° 0°

ŠΠSolo2

Œ

Œ

Œ J ‰ ‰

Œ

Œ

Œ

Œ

Œ ‰

Œ ‰

/ mf

"on"

Detector "on" "off"

ΠSolo3

Œ ‰

"on" "off"

* ~ *~~~~~ Œ

‰

/

∑

‰ * ~ *~~~~~‰

Œ

∑

∑ mf

mf

mf Spray

Œ

Œ

Œ ‰

Solo4

¢/

Œ

Œ

≈ Œ

J J ‰

∑

≈

‰ ∑

p

Vl.1

3 4

° <#><#>Oœ ≈ ‰ Œ & 2 ff 3 Œ

Vl.2

Ó

3 4 8 ‰ ‰##OœJ≤ 4 Oœ >Oœ ≈ Œ

∑

o

3 4#ϲ

> #œ. ≈ ‰

III

Ó

2 sff

o

Œ

K K Oœ

Œ

& o

mp

Œ

Œ

Œ

Œ

> Œ

Œ

2 f

3 ≤ Oœ ‰ Œ III #œ o o

3 8

3

#>œ. J J J 2f 3

∑

Œ

K≤ K Oœ

Œ

>O œ ‰ o

o

f

Col Legno

≥ B Vla.

≥ #>œ

≈Ó

∑

very percussive! Throw the bow while dampening the strings with the left hand.

∑

≈Ó

#œ

∑

#œ

#>œ f

poco decresc.

f

P P >

poco decresc.

ff

œ Vc.1

&

™

œ

#œ #œ a

#œ #œ œ

a

a

a

o Col Legno

I veryST+ slow bow. "Ghostly"

very percussive! Throw the bow while dampening the strings with the left hand.

> Œ

? œ Vc.2

&

∑

∑

Œ

#œ

&

P P >

o

kœ

#œ #œ œ

a

a

a

pp ff

> ≈‰

?

Ó

∑

> Œ

∑

Ó

> Œ

∑

Db.

¢ >œ œ œ

>œ œ

>œ œ

f

f

f

Œ

‰

>œ. 132

Fl.

133

° &

23

134

∑

∑

135

Œ

‰≈

136

137

138

139

Ó

∑

∑

∑

∑

∑

Ó

∑

∑

∑

∑

∑

Ó

∑

∑

∑

mf

>œ. ∑ Ob.

∑

Œ

‰≈

& mf Slap

∑ Cl.1

∑

Œ

‰≈

Œ

‰ Œ œ œ # œ œ œ # œ œ#œ >3 o œ#œ œ mf p 2 Œ ‰ Œ œ œ fp œ#œ œ#œ œ œ#œ > o mf 3 2 ∑ Œ ‰

& >-

molto decresc.

mf

‰ Cl.2

Œ

‰

≈Œ

Œ

‰≈

Ó

∑

∑

∑

& œ # œ œ # œ # œ œ # œ œo

œ#œ œ#œ œ œ#œ >

>œf

œ#œ œ o

molto decresc.

f

? ∑

‰

≈‰

Œ

‰

≈

‰

Œ

Ó

∑

∑

∑

Ctf.

¢

œ. >œ œ

œ >.

mp

œ mf

ff mf

3 °? 8 œ

œ

4 4Œ

œ

‰ œ

œ

œ≈‰

3 4

>+ ‰≈œ Ó

Œ

2 4

∑

∑

∑

Œ

+ >œ ‰

Œ

Œ

Hn. mf

mf

fp

mp f Trumpet Harmon Mute ON

6

> ‰ ≈#œ Ó

™ Œ Tpt.1

Ó

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ

∑

& o f Trumpet Harmon Mute ON

∑ Tpt.2

∑

Œ

‰ ≈#œ Ó >

&

f

o + k ‰ œ

? ∑

Œ

+ lœ ‰

≈

Trb.

¢ mf

œ >. fff

° ‰ Perc.1

‰

> ≈≤

6â

Œ

/

> ≈≤

‰

œ

œ

mf

mf f

f

f Whip butt

tip

Metal Rod

∑ Perc.2

>. . . œ

Œ

/

.

f

. . . . œ. . . . . .. Œ 6 5 o

Ó Œ

Œ Œ

‰Œ Œ Œ

∑

∑

> 8µ

∑

f

Œ

mf

Metal Block Crot. l.v.

∑ Perc.3

‰ Œ

Œ

Œ

Œ

triangle beater (should sound as a triangle tremolo)

>Æ ¿

Hard Mallet!

ç

‰≈

Ó

∑

∑

∑

¢/ ff

>¿ æ

‰

Œ

∑

mf ff

Solo1

3 °/ 8

scratch the detector with the milk-frother and hold it in the air

4 4

3 43

2 42 ‰ Œ

Button

Œ ∑

∑

far far

release and don't move

press

Q ‰≈

near

Detector

Œ

∑

∑ ff (big movement!)

ff

f

Button

Don't move! Freeze!

Switch

‰

S. Wire

‰Œ

‰

Œ ‰

Ó Solo2

/

∑

∑

∑

∑

∑

f f release and don't move press

Switch

3

"on" "off"

2 ≈

Button

* ~~*~~~ ΠSolo3

/

‰Œ Œ

Œ ‰

Œ ‰

Ó

∑

∑

∑ ff (big movement!)

mf

p Spray the box !!!

ŠΠSolo4

¢/

Œ

Stop and move the spray away from the box

Œ

∑

∑

∑

∑

∑

∑

ff

Vl.1

3 ° 8‰ &

PIZZ. Very dry, aggressive pizz. No resonance

‰

4 4Œ

>O ≈œ

1≤ ARCO

Œ

≤ ##Oœ o

>O > œ Œ

Oœ ™™

3 4

1

Very Short and fast!

‰≈

Ó

∑

2 4 ∑

∑

Œ

‰

Oϲ o

>O œ≈‰

Œ

2

2 f fff ff

3 ff

3 ≤ KKOœ J o

‰ Vl.2

&

>O œ‰ Œ

Oœ J

(in tune!)

≤ nnOœ o

>O > œ Œ

Oœ ™™

Œ

Ó

∑

∑

∑

Œ

∑

≥ #>œ ™

‰

Oϲ o

2 fff

>O œ ≈‰ 2 fR

o

Œ

3

f

3 >O œ

PIZZ. Very dry, aggressive pizz. No resonance

B

‰

‰

ARCO

≈

Œ

Œ

Vla.

≤ ##Oœ o

>O > œ Œ

Oœ™™

Œ

Œ Œ

∑

∑

ord. Col Legno

> ‰ P P > ff

#œ Œ o 3

2 fff

molto decresc.

f ff

2 3

Œ

PIZZ. Ordinario Ricochet Very Short and Precise!

> Œ

?

∑ Vc.1

Œ

> ‰ Œ œ

Œ

& P P >

b>œ Ó

∑

∑

∑

∑

œ> Œ

‰ mf

f f

(quasi glissando) Ordinario Ricochet Very Short and Precise!

≥ > Œ

? œ Vc.2

&

™

#œ

Πo

‰

Ó

∑

∑

∑

Œ

∑ œ #œ œ #œ œ#œ œ œ > o f 3 2

œf

molto decresc.

PIZZ. Very Short and Precise!

CLOTH CLIP OFF

> Œ

? ∑ Db.

¢ >œ œ f

Œ

Œ

> ‰ Œ >œ f

bœ Ó

∑

∑

∑

∑

‰ mf

œ> Œ

>œ # œ # œ œ145

24 141

142

143

144

>œ. 146

140

Fl.

° ‰ œœ & #œ œ#œ œ#œ œ œ#œ œ#œ >

∑

œ#œ œ œ ≈ nœ #œ nœ#œ œ nœ #œ nœ #œ œ œ ≈ #>œ œ#œ œ#œ œ œ#œ #>œ

‰

Œ

‰

∑ 3

Œ

‰

o

f

molto decresc.

f fp f

fp f fp f

2 >œ. & ‰

Ob.

∑

œ #œ œ #œ œ # œ œ œ # œ œ#œ œ >

‰

œ #œ œ #œ œ ≈ œ n œ # œ nœ #œ œ nœ #œ nœ #œ œ ≈ # œ œ œ # œ œ#œ œ #œ > >

fp

fp

∑

f

Œ

∑

Œ

‰ mf

fp

f

Cl.1

∑

‰

f

∑

∑

Œ

‰

≈‰ Œ

∑

& œ#œ œ#œ œ œ >f 3 o 2 ‰ ∑

œ#œ œ p

molto decresc.

& ‰

Cl.2

Œ

‰

‰

≈

≈

Œ

œ œ#œ œ#œ >

œ œ#œ œ#œ œ#œ œ

fp

œ#œ œ#œ >

fp

œ œ#œ œ#œ œ#œ œ nœ#œnœ#œ >

fp

Œ

‰

œ

>œ

fp

f

œnœ#œnœ#œnœ#œ œ fp

f

f

f

? ∑

‰

Œ

∑

∑

‰

Œ

∑

‰ Œ

Ctf.

¢ œ

œ

+ >œ

°? ∑

œ

+ >œ ‰

+. œ

Œ

‰

∑

∑

Œ

‰

∑

Œ

Hn. fp

∑ Tpt.1

mf

mp

∑

∑

Œ

>> ≈ #œ œ

‰

∑

∑

> ‰ #œ

Œ

& mf ff

∑ Tpt.2

∑

∑

Œ

‰

≈ #œ >

&

∑

∑

Œ

‰ #œ > mf

ff

o

o

+ ? ‰ kœ

+ lœ ≈ ‰ Œ

+ k ‰ œ

o + lœ

™

+ k ŠϪ

+ lœ ≈

∑

∑

∑

∑

∑

Trb.

¢ mf

f

mp

f

mp

mp