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DANIEL MOREIRA EMERGENCY PROCEDURES

FOR LARGE ENSEMBLE, FOUR SOLOISTS AND ELECTRONICS 2013


DANIEL MOREIRA

EMERGENCY PROCEDURES

FOR LARGE ENSEMBLE, FOUR SOLOISTS AND ELECTRONICS

year: 2013 duration: c.13’

Commissioned by the Ensemble Modern in cooperation with Allianz Kulturstiftung

1st Prize at the 59. Kompositionspreis der Landeshauptstadt Stuttgart 2014


I N S T R U M E N TAT I O N

(22 players + conductor + electronics)

Flute in C

+ Slide Whistle*

Oboe

+ Slide Whistle* and 2 Balloons*

Bb Clarinet / Bass Clarinet

+ Slide Whistle*, 2 pieces of Polystyrene* and 2 Balloons*

Bb Clarinet / Bass Clarinet + Slide Whistle* and 2 Balloons*

Contraforte

+ Slide Whistle*

Horn in F

(Air Whistle*, A4 Paper* ,2 Balloons*)

Bb Trumpet

(Harmon, Practice and Cup mutes; A4 Paper*; Slide Whistle*)

Bb Trumpet

(Harmon, Practice and Cup mutes and Slide Whistle*)

Trombone

(Harmon Mute, 2 Balloons*)

Percussion 1

Percussion 2

Large Bass Drum (soft mallets, Rute, large Brush) Unpitched Metal Block (hard mallets, Knitting Needle*) Vibraphone (soft mallets, Knitting Needle*) 2 Balloons* Milk-frother*

Soloist 1

any instrumentalist, preferably a percussionist Small Cardboard Box* Adhesive Tape (2 strips on top of cardboard box)* Metal Detector* Milk Frother* Click Switch* Metal Saw* Push Button* Big Red "Panic" Button (connected to two alarm bells)* Pull Switch* Small Turn-Knob* String Switch*

Percussion 3

Large Cardboard Box Piece of Polystyrene 2 Knitting Needles* Large Timpano (soft mallets, superball) Metallic Rod* Whip High pitched Triangle (triangle beater) Unpitched Metal Block (hard mallets, knitting needle) Large Metal Can (hard mallets)*

Soloist 2

Thunder-sheet (soft mallets, hard mallets) Adhesive Tape (i.e. a Gaffers Tape)* Large Cardboard Box Piece of Polystyrene Knitting Needle* One Crotale in “D#7” (triangle beater, arco) Small Old Car Horn* Sizzle Cymbal (with triangle beater) Unpitched Metal Block (hard mallets, knitting needle) Ratchet (large and small) One Wood Block Guiro (with credit card) Castanets Snare Drum 2 Balloons*

Soloist 3

any instrumentalist, preferably a percussionist

any instrumentalist, preferably a percussionist

Small Cardboard Box* Adhesive Tape (2 Strips on side one of the cardboard box and 1 strip on side two)* Milk Frother* Click Switch* Metal Detector* Stripped Wire* Small Turn-Knob* Push Button* Large Turn-Knob* Small Push Buttons* Pull Switch*

Small Cardboard Box* Adhesive Tape (2 Strips on side one of the cardboard box and 1 strip on side two)* Metal Detector* Click Switch* Milk Frother* Push Button* Pull Switch* Small Turn-Knob* Megaphone (with detachable microphone)* Air Whistle*

Violin Violin Viola Violoncello

(two pieces of Polystyrene*)

Violoncello Double Bass (4 strings with C extension) (very large cloth clip)

Conductor Electronics

* These instruments/Objects can be provided by the composer - The score is transposed.
 - All playing techniques and their symbols are explained in the score. Daniel Moreira © 2013 www.daniel-moreira.com

Soloist 4

any instrumentalist, preferably a percussionist Small Cardboard Box* Adhesive Tape (3 Strips on top of cardboard box)* Cooking Torch* Metal Detector* Click Switch* "Plop Plate“ (flexible metal plate with handle)* Milk Frother* Air Spray* Turn-Knobs* Push Button* Pull Switch* Emergency Button* String Switch* Siren Button *


PROGRAM NOTES English: Emergency Procedures (2013) could be seen as a concerto for four soloists and Ensemble. Nevertheless these soloists neither play musical instruments nor relate to the ensemble only in a musical way. The piece belongs to a broader context of reflecting on contemporary, daily situations in a concert setting. We are going to see and hear objects that carry specific meanings e.g. metal detectors, alarms, sirens, a Geiger counter (radiation detector), motors, hammers etc., as well as sampled sounds related to the world of emergency and safety procedures. The four soloists interact with theses objects and have their actions and gestures mirrored, amplified and/or contradicted by the ensemble.

Deutsch: Emergency Procedures kann als Konzert für vier Solisten und Ensemble verstanden werden. Gleichwohl spielen diese Solisten keine gewöhnlichen Musikinstrumente, auch stehen sie nicht nur in musikalischem Sinne im Bezug zum Ensemble. Das Stück reflektiert einen breiteren Kontext von Alltagssituationen in einem KonzertSetting. Man hört und sieht Objekte, die spezifische Bedeutungen transportieren: etwa Metalldetektoren, Alarmsirenen, Geigerzähler, Motoren, Hemmer usw. sowie Samples aus dem Bereich von Notfalloder Sicherheitsprozeduren. Die vier Solisten interagieren mit diesen Objekten; ihre Aktionen und Gesten werden vom Ensemble gespiegelt, verstärkt oder konterkariert.

Composing has become to me more and more a way to create a musical environment, i.e., a scenery where some seemingly familiar situation unfolds. These situations draw inspiration from our real world, but they soon create their own rules and inner relationships. The work Emergency Procedures is thus not a concrete depiction of real events, but a staged commentary on the gestures, sounds and rituals associated with emergency situations.

Komponieren bedeutet für mich mehr und mehr die Möglichkeit, eine musikalische Umgebung zu schaffen, d.h. eine Szenerie, in der sich eine scheinbar vertraute Situation entwickelt. Diese Situationen werden zwar von alltagsweltlichen Momenten inspiriert, erschaffen aber rasch ihre eigene Regeln und Bezüge. Emergency Procedures ist demnach keine konkrete Abbildung realer Ereignisse, sondern vielmehr ein inszenierter Kommentar zu Gesten, Klängen und Ritualen, die mit Notfallsituationen assoziiert werden. (Übersetzung: Michael Rebhahn)


DISPOSITION Perc.3

Perc.2

Perc.1

Cf.

Cl.2

Tp.1 Tp.2

Cl.1

Hn.

Ob. Fl. Ch.5

Vla

Ch.1

Tb.

Vc.2

Vl.2 Vl.1

SOLO 1

Vc.1 Ch.6

Db.

Cond. SOLO 2

SOLO 3

SOLO 4

Ch.2

Ch.3

Ch.4

TECHNICAL SETUP LIGHTING

The electronics consists of a 7 channel soundtrack as following:

The ensemble should play with very low light (almost in the dark) with only music stand lights. The four soloists should each receive a spotlight.

Channel 1: Channel 2:

VIDEO (optional) Four live cameras can be placed above the soloists to capture their actions on the table. The image should be projected as a split screen containing four windows (one for each soloist respectively).

Channel 3: Channel 4:

Channel 5:

Channel 6: the

Loudspeaker near the table of Soloist 1. This channel be mixed with the live amplification of Soloist 1 Loudspeaker near the table of Soloist 2. This channel be mixed with the live amplification of Soloist 2 Loudspeaker near the table of Soloist 3. This channel be mixed with the live amplification of Soloist 3 Loudspeaker near the table of Soloist 4. This channel be mixed with the live amplification of Soloist 4

should should should should

Left stereo channel. Should come from a loudspeaker on the left side of the ensemble. This channel should be mixed with the live amplification of the Ensemble Right stereo channel. Should come from a loudspeaker on right side of the ensemble. This channel should be mixed with the live amplification of the Ensemble

Channel 7: Click-Track for the conductor, soloist 1, soloist 2, soloist 3 and soloist 4. - The Ensemble and the soloists must be amplified in order to blend with the electronics. - Channels 5 and 6 are very demanding of lower frequencies. A subwoofer is highly recommended.

Daniel Moreira © 2013 www.daniel-moreira.com


Emergency Procedures for large ensemble, four soloists and electronics TRANSPOSED SCORE

D a n i e l M o r e i r a (2013) w w w. d a n i e l - m o r e i r a . c o m

Slide Whistle Whistle Tone blow from c. 1mm from the mouthpiece to produce a high pitched whistle tone. Keep the handle all the way down.

Flute

2

3

4

5

6

° &

≈ ‰ !

!

!

!

!

Œ

1

ppp

Oboe

&

Bb Clarinet I

&

Slide Whistle Air Glissando Close half of the hole with the index finger. No pitch should be procuced but an air sound changing from "dark" to "bright"

∑ Bb Clarinet II

& 6 p Slide Whistle Air Glissando Close half of the hole with the index finger. No pitch should be procuced but an air sound changing from "dark" to "bright"

? ∑

Contraforte

¢ 6 p

4q 74 ° 4) &

2 46

=

Paper

blow on the border of the paper producing a high-pitched, soft, unstable sound. As a background noise.

Horn

)

)

)

)

)

)

)

3 8 ≈ ‰

Œ

6 ≈ ‰

Œ

ppp Paper blow on the border of the paper producing a high-pitched, soft, unstable sound. As a background noise.

) Bb Trumpet 1

)

& ppp

Bb Trumpet 2

&

? Trombone

¢

Large Bass Drum very soft mallets.

° Percussion 1

/

æ wæ

æ wæ

æ wæ

æ wæ

æ wæ

æ ˙æ

ppp Long Knitting Needle Cardboard

scratch glissando scratch as fast as possible on a mettalic music stand. butt

(on mettalic music stand) rub the polystyrene on the cardboard in circular motion.

Percussion 2

æ ˙æ

/ )

)

)

)

) crescendo, keep the speed as fast as f (no possible)

ppp

Quickly pull the Tape

Adhesive Tape Thunder-sheet (on piece of Cardboard)

>8ù

very soft mallets.

Percussion 3

¢/

æ wæ

æ wæ

æ wæ

æ wæ

æ wæ

ppp

ff

4q 74 °/ 4 6 =

2 4 $ææ

hit once and scratch the box back and forth (as fast as possible!)

slowly pull the tape make a continuous sound, avoid accents!

(tape almost out)

BOX

Solo 1

Œ

G6

Œ

3 8

> f p remove quickly slowly pull the tape make a continuous sound, avoid accents!

BOX

/

Solo 2

>6

G6

Œ ‰

6 p f remove quickly slowly pull the tape make a continuous sound, avoid accents!

BOX

>6

G6

Œ ‰

Solo 3

/

6 p f hit once and scratch the box back and forth (as fast as possible!)

slowly pull the tape make a continuous sound, avoid accents!

(tape almost out)

BOX

G6 Solo 4

¢/

Œ

6

æ $>æ f

p

Violin 1

4 ° 4M &

completely mute the strings with the left hand and perform a bow tremolo with high bow pressure. No pitch, just scratching noise.

bow on the bridge. No pitch, only "white-noise".

)

)

)

)

)

2 4 ææ

3 8

Ö

) )

ppp

Violin 2

&

M )

completely mute the strings with the left hand and perform a bow tremolo with high bow pressure. No pitch, just scratching noise.

bow on the bridge. No pitch, only "white-noise".

)

)

)

)

mf Ö

æ )æ )

ppp mf bow on the bridge. No pitch, only "white-noise".

B Viola

M )

very delicate on the background

#˙ )

)

)

)

ppp

pp

Polystyrene gently rub two pieces of Polystyrene together. Extremly soft.

Violoncello 1

Always soft!

/ ~

~

~

~

~

ppp

æ Oæ mp

bow on the side of the bridge. No pitch, only "white-noise".

? Violoncello 2

M )

)

)

)

)

6

w

w

w

w

œ

≈ ‰

Œ

≈ ‰

Œ

ppp

? Double Bass

¢ w ppp


2 7

9

8

° Fl. &

10

11

12

≈ ‰ !

!

!

1

1™

Ϊ

1

ppp

Ob.

&

Cl.1

&

Cl.2

&

6Æ ™

≈ ‰

Œ

Ó

≈ ‰

Œ

Ó

g f

3 6Æ ?

Ctf.

¢ g f

3

Hn.

3 ° 8 &

Tpt.1

4 4)

)

)

2 4)

5 86

2 4 6™

6 ≈ ‰

Ϊ

)

)

6

6™

6 ≈ ‰

Ϊ

& mouthpiece "plop" hit the mouthpiece with the palm of your hand

Ó

Aª j f>

Ϊ

Ó

Aª j b>f

Ϊ

> ≈ ‰ o

Ϊ

A ª ∑ Tpt.2

Œ

& >fff mouthpiece "plop" hit the mouthpiece with the palm of your hand

A ª ? ∑

Œ

Trb.

¢ b>f ff ° Perc.1

/

æ œ™æ

æ wæ

æ wæ

æ ˙æ

æ œæ

æ œ™æ

œ

≈ ‰

6

6™

6

æ œæ

æ œ™æ

> œ ≈ ‰

Ϊ

Cardboard (quickly) (wipe quickly) (quickly)

>

polystyrene

> middle

tip

œ

>œ ≈ ‰

™ Perc.2

/

ææ

6

6

ppp

‰ 6 â 6 p

‰ 6 â 6

) ppp

p

6

ppp

sf

≈ â 6 o

Thunder-sheet

æ wæ

∑ Perc.3

¢/

æ wæ

æ ˙æ

ppp

Solo1

3 ° / 8 8ææ™

4 4 8â

2 4

scrape it quickly slowly pull second tape

(tape almost out)

G6

5 8‰

scratch back and forth

I

2 4

turn

6

J

p

f

Hit the top with the hand

turn the box and knock it on the table

≈ Aª J

‰ 8 8

> mf f f turn the box and knock it on the table

Motor

> -

slowly pull the tape

(tape almost out) always keep the motor in contact with the box in order to amplify it. "on"

G6

turn

Solo2

/

Œ

*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Œ

6 p f

turn the box and knock it on the table

remove quickly

> -

slowly pull the tape

>6 J

turn

Solo3

/

6

G6

p f f turn the box and knock it on the table

scrape it quickly

Hit the top with the hand scratch back and forth

(tape almost out) slowly pull second tape

Solo4

¢/

æ 8æ™

I turn

G6

6

J

p

f

8â >

Aª J

≈ 8 8 mf

f f

Vl.1

3 ° 8æ & æ

4 4 ææ

6™ 6™

6 6

M j 6

2 4

5 8

2 4

6

6

6 >6™

)

6 >6™

6

6

6™

6

ææ ≈ Mj 66 6 6 ppp

6

6 >6™

)

6 >6™

6

6

6™

6

6

6

)

6

6™

6

Œ

6 >6™ Q ‰ ≈ >

6

Œ

6 >6™ Q ‰ ≈ >

≈ ‰

Ϊ

≈ ‰

Ϊ

≈ ‰

Ϊ

≈ ‰

Ϊ

≈ ‰

Ϊ

≈ ‰

Ϊ

ppp

Vl.2

&

æ 66æ™™ #œ

™ B

M 6

Vla.

o ppp

( pppp!)

( pppp!)

Accents: (do not exaggerate)

Vc.1

/

æ ‚™æ

~

Œ

Œ

~

O

‚™

)

)

6

6™

6

œ

Ϫ

ppp

? ∑ Vc.2

M ) ppp

? ∑ Db.

¢ w ppp

w

˙

œ


3 Air Glissando Close half of the hole with the index finger. No pitch should be procuced but an air sound changing from "dark" to "bright"

13

Fl.

° &

>Æ 6

15

17

18

(stop the sound abruptly, almost as a slap tongue)

≈ ‰ ‰ !

6 g

!

!

ppp

p

ff

Slide Whistle

3 Air Glissando Close half of the hole with the index finger. No pitch should be procuced but an air sound changing from "dark" to "bright"

>Æ 6

(stop the sound abruptly, almost as a slap tongue)

∑ Ob.

≈ ‰ ‰

& 6 g p

ff

Slide Whistle

3 Air Glissando Close half of the hole with the index finger. No pitch should be procuced but an air sound changing from "dark" to "bright"

>Æ 6

(stop the sound abruptly, almost as a slap tongue)

∑ Cl.1

≈ ‰ ‰

& 6 g p

ff

3 >Æ 6

(stop the sound abruptly, almost as a slap tongue)

∑ Cl.2

≈ ‰ ‰

& 6 g p

ff

3 >Æ 6

(stop the sound abruptly, almost as a slap tongue)

Always quiet (breathe when needed)

? ∑

≈ ‰ ‰

Ctf.

¢ 6

6 g

p

Hn.

pppp ff

33 8

2 ° 4 &

4 4

3 4

Air Whistle

∑ )

)

)

)

)

pp Paper

∑ Tpt.1

)

& Air blow air inside the instrument

Slap Tongue attack on the mouthpiece with the tongue, stopping the air sound.

Very Low air sound with Fluttertongue. As a "Tiger" (togheter with trombone and timpano!)

Harmon Mute ON

Ó Tpt.2

≈ ‰ ‰

Œ

Œ

Œ

& 6

6

>-

p

2 f Slap Tongue attack on the mouthpiece with the tongue, stopping the air sound.

3 Air blow air inside the instrument

Very Low air sound with Fluttertongue. As a "Tiger" (togheter with trumpet 2 and timpano!)

Harmon Mute ON

? Ó

≈ ‰ ‰

Œ

Œ

Œ

Trb.

¢ b6

6

b2 f>

p

o

+ ≈ ææ o + ≈ ææ o

o +

ææ æ æ - - omf +

+ Œ

Œ

Œ

Œ

Œ

Ó

Œ

o ‰

ææ ææ ææ - - o

mf

ææ æ æ - - æo mf o + ææ æ æ - æ- æo mf

3 ° ∑ Perc.1

æ wæ

/

æ wæ

æ wæ

ppp Superball. Rub it on the surface producing a low sound. Avoid high harmonics. (Together with trombone and trumpet 2)

(quickly)

Timpano

Superball

> Soft Mallets

?

≈ ‰ Œ Perc.2

/ œ

6

Πo

Œ

ppp

Œ œ o

œ œo

œ

mp

Œ

Œ

Œ

‰ œ œo

mp

sf

∑ Perc.3

æ wæ

¢/

æ wæ

æ wæ

ppp

Solo1

2 > 4 °/ 8

3 8

Detector

far

œ ÆJ

- the detector should always be played near/around the box - the line indicates the duration of the sound. Always hold it for the entire duration

‰ Œ

4 4

3 4

near (slowly move it in circles near the box)

f f mf

"off"

> - ‰

scratch back and forth (random accents) slowly pull the tape

turn

BOX

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ *~~~~~~ ‰ Œ /

Solo2

Œ 8 8 8 8 ‰

Œ

>>

Œ ∑

6

mf

p

f Detector

- the detector should always be played near/around the box - the line indicates the duration of the sound. Always hold it for the entire duration "on"

> - ‰

scratch back and forth (random accents) slowly pull the tape

turn

BOX

‰ Solo3

/

≈ 8 8 8 8 ≈ ‰ Œ

>>

Œ ∑

6 p

mf f mf

Solo4

¢/

> 8

Torch

BOX press

‰ Œ

rub the finger on the back of the box producing a continuous low sound. (similar to a superball mallet on the timpano - see percussion 2)

release

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Œ

Œ

Œ

‰ ‰

œ œ

œ

J

f

o

o

mf

Œ ‰ œ o

˙™

œ ‰ o

mf mf

Vl.1

2 ° 4 &

3 8 ∑

4 4M

3 4

∑ )

)

)

)

)

)

)

~

~

)

)

w

w

ppp

∑ Vl.2

&

M ) ppp

B

Vla.

M ) ppp ( pppp!)

Œ

>Q

( pppp!)

Q> Œ

Œ

Accents:

∑ Vc.1

/ ~ ppp

? ∑

Vc.2

M ) ppp

? ∑

Db.

¢ w ppp


4 19

20

21

22

° Fl. &

≈ !™

1™

Œ

Œ

23

Ó

24

1

6 p

∑ Ob.

& 6 p

∑ Cl.1

& 6 p

∑ Cl.2

& 6 p

6 ™

?

Œ

Œ

Ó

Ctf.

¢ 6 p

Hn.

3 ° 4 &

3 8

5 4

Horn

≈ )™

6™

2 4

Œ

Œ

Ó

Ó

Ó

6 Trumpet Bb Harmon Mute ON

Tpt.1

)™

6™

+

+

6

Œ

Œ

& o + Harmon Mute OFF Air

ΠTpt.2

&

ææ +

Œ

ææj o + ææj o

o

? Œ

Œ

Trb.

ææ -

¢

o

ææj -

ææ -

ææj -

Œ

Œ

6

6

o

f

p

o Harmon Mute OFF

+ Air

ææj -

ææ -

ææj -

Œ

Œ

Ó

∑ b6

6

p

o

f

° Perc.1

æ ˙™æ

/

æ œ™æ

scratch gliss. butt

middle

K. Needle

ææ

Superball

? Œ

Œ

Perc.2

j œo

œ o

j

Œ

Œ

Ó

j œ

/

æ œæ

œ

œ

‰ o

ææ

ææ

f

o

mf

Quickly pull the Tape

Adhesive Tape

>8ù Perc.3

æ ˙™æ

¢/

æ œ™æ

Œ

ff

Solo1

3 °/ 4

3 8

5 4

2 4

Quickly take the detector away from the box! far near

gently put the detector on the table

BOX scratch back and forth

æ 8æ

Œ

æ 8æ

æ 8æ

ææ 8

p f ff Detector - the detector should always be played near/around the box - the line indicates the duration of the sound. Always hold it for the entire duration

remove quickly

>

>>

>> >6

G6

Switch

BOX turn

Œ

Œ

Œ ‰

Œ

"on"

Œ

Ó Solo2

/ f

p soft!

mf

mf

scratch back and forth remove quickly

>

>>

>> >6

™ Solo3

G6

Quiet! No extra movements until next action

Œ

Œ

Œ

Œ

/

æ 8æ

æ 8æ

æ 8æ

ææ 8

f f Torch press Quiet! No extra movements until next action turn

ΠSolo4

Œ

Œ œ o

¢/

Ϫ mf

Vl.1

3 ° 4 &

3 8

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

‰ ∑ mf p soft!

5 4 6™

Œ

Ó

2 4 ≈

)™

Œ

œ o

Œ

Œ

Ó

Ö

6

æ )æ )

æ 6æ 6

ææ 6 6

æ 66æ

ææ 66

mf Ö

≈ Vl.2

Œ

Œ

Ó

& )™

6™

6

æ ))æ mf

#œ very delicate on the background

#˙ B

Œ

Œ

Ó

Vla.

)™

6™

6 o pp

Always soft!

≈ Vc.1

Œ

Œ

Ó

/ O™

‚™

æ Oæ

æ ‚æ

æ ‚æ

‰ o

mp

? ≈

Œ

Œ

Ó

Œ

Œ

Ó

Vc.2

)™

6™

6

˙™

Ϫ

œ

? Db.

¢


5

>Æ 6

25

Fl.

° &

26 Flute

≈ ‰ Œ

28

g ff 3> 6Æ

29

30

Oboe

≈ ‰ Œ Ob.

27

& g ff 3> 6Æ

Bb Clarinet very soft

≈ ‰ Œ Cl.1

Œ

Œ

&

µœ œ o

pp

œ µœ oo

œ

œ

pp

œ œ o o

p

g ff

3> 6Æ

Bb Clarinet

≈ ‰ Œ Cl.2

& g ff 3> Æ ? 6

Contraforte

≈ ‰ ‰ ‰

Ctf.

¢ g ff

3

3 8 Hn.

° &

4 4

start imperceptibly

Œ

µ˙ ™ o

w pp

∑ & - ≈ ‰ Œ > g mf 3 Harmon Mute ON ? ≈ ‰ Œ ∑ ¢ b>g mf 3 ° ∑ ∑ /

Tpt.1

& Harmon Mute ON Slap Tongue

Tpt.2

Slap Tongue

Trb.

Perc.1

æ wæ

æ wæ

æ wæ

æ wæ

ppp Cardboard (Very quiet! Do not accentuate too much!)

. . . . . ‰ ≈ ‰ ≈ 6 pp 6 6 6 6 6

polystyrene

∑ Perc.2

/ 6

. ‰ ≈

Π6

. . . ‰ ‰ ≈ ‰ ≈ Œ 6 6 6

. .

. ≈ ‰ ≈

6 6

. ‰

‰ ≈

6

Œ

6

. Π6

ppp T.Sheet

∑ Perc.3

æ wæ

¢/

æ wæ

æ wæ

æ wæ

ppp

3 8 Solo1

°/

4 4

Motor "on" (slowly around the box)

Œ ∑

always keep the motor in contact with the box in order to amplify it.

Detector

Œ

Œ ‰

Œ

Œ

"on"

*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

∑ mf mf

"on" "on"

Motor "on"

‰ Solo2

Œ ‰

/

‰ Œ

Œ

Œ

Œ

* ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

∑ mf

Switch

ŠΠSolo3

/

Œ

Œ

Œ ‰

Œ ‰ Ó

Œ

‰ Œ

∑ mf far

Detector

- the detector should always be played near/around the box - the line indicates the duration of the sound. Always hold it for the entire duration

release near

~ Solo4

œ ÆJ

‰ Œ

¢/

∑ f

3 8 Vl.1

° &

mf

4 4

("molto sult tasto")

ST+ IV "Ghostly"

Œ

Œ œ a

œ a

#œ ("molto sult tasto")

mf ST+ "Ghostly"

IV

∑ Vl.2

& œ a

œ a

œ a

#œ mf

B

Vla.

M )

)

)

)

ppp ( pppp!)

( pppp!)

sim.

Œ

Œ

>Q ‰

Q> ≈

>Q ‰

≈ >QQ>‰

‰ >Q ‰

≈> QŒ

≈> ‰ Q Q>

‰ >Q ‰

≈> Q Œ

≈ > Q‰

Accent:

∑ Vc.1

/ ~

~

~

~

)

)

)

w

w

w

ppp

? ∑

Vc.2

M ) ppp

? ∑

Db.

¢ w ppp

‰ ≈ >Q Q>Œ

Œ


6 31

32

° Fl. &

˙

Ϫ

33 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j ‰ 6 6 6 6 g ff3 o o 3 g ∑ 2 ff 3

start imperceptibly

#˙ Ob.

& o pp

& <µ>˙

Cl.1

˙

Ϫ

34

35

36

2

pp

ff

3 start imperceptibly

˙ Cl.2

Ϫ

˙

& o

pp

2

ff

3 start imperceptibly

Ctf.

? #˙ ¢ o

Ϫ

˙

≈ j œ

2

pp

ff

j œ

Ó

œ

3 f

Hn.

° & <µ>˙

3 8 Ϫ

˙

4 8

Very brassy !!!

2 3 off start imperceptibly

Tpt.1

+ ˜˙

˙

o

pp

Ϫ

Very brassy !!!

& 2 ff

3o start imperceptibly

+ ˜ & ˙ o

Tpt.2

Harmon Mute OFF Very brassy !!!

Ϫ

˙

∑ 2 ff 3o

pp start imperceptibly

Trb.

+ ? #˙ ¢ o

Very brassy !!!

short glissando (only a quarter-tone higher)

˙

Harmon Mute OFF

™ ∑

pp

2 ff

3 °

ææ œ

/ ˙ææ

Perc.1

‰ o

Œ

.j œ

> ‰

.j œ

> ‰

> j œ

j œ

> ‰

.j œ

> ‰

.j œ

> ‰

> j ‰ 8µ

j 8µ

mf hold part of the Rod on the corner of a surface and bounce it.

Metalic Rod

∑ Perc.2

> > j ‰ 8µ

/

> > j ‰ 8µ

> j j 8 µµµµ

ff

mf

Cardboard polystyrene

Perc.3

ææ œ

æ ¢ / ˙æ

‰ o

æ 6æ o

æ 6æ™

ff

3 8* ™~~~~~~~~~~~~~~~~ ° / ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

4 8J

Switch

"off"

Solo1

J

J

J

J

mf

"off"

Motor

Solo2

/

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ * ™~~~~~~~~~~~~~~~~

(Radioactivity / Geiger Counter sound) move it near the box "on"

"on"

"on"

Detector

≈ / Œ

Solo3

Œ ‰

Œ ‰ ∑

∑ J

J

J

J

mf

Solo4

Vl.1

¢/

3 8™

° &

4 8

ORD

œ a

g fff

3 ORD

Ϫ Vl.2

&

a

œ

g fff

3 B #˙

Vla.

˙

Ϫ g fff

3 Very Percussive Ricochet!

Violoncello

j œœ >fff

> ‰

j œ >œ fff

> ‰

?

∑ Vc.1

/

j œœ >

> ‰

j œœ >

> ‰

j œœ

> ‰

j œœ

> ‰

j œ œ

> ‰

j œ >œ

mf

Very Percussive Ricochet!

? ∑

Vc.2

j œ >œ

> ‰

j œ >œ

> ‰

j œ œ mf

(bow the string immediately after the ricochet)

CLOTH CLIP ON Prepare String IV with a large clip Very Percussive Ricochet!

? ∑ Db.

¢

j œ >œ ff

> ‰

j œ >œ

> ‰

> ‰

‰ j >œ

j œ

j œ >œ mf


7 37

38

39

40

>Æ 6

41

Slide Whistle

Fl.

° &

42

6™ g ff 3> 6Æ

p Slide Whistle

∑ Ob.

& 6™ g ff 3> 6Æ

p Slide Whistle

∑ Cl.1

& 6™ g ff 3> 6Æ

p Slide Whistle

∑ Cl.2

& 6™ g

p

ff

3 ? ≈ Ctf.

j œ

¢

j œ

≈ j œ

j œ

œ

Hn.

Tpt.1

&

Tpt.2

&

≈ j œ

3 8

q = 66 ° &

œ

3 16

j œ

œ

4 8

Air

Slap Tongue

6™

>-

g ff p

3 Air

Slap Tongue

? ∑

Trb.

¢ b6 ™

bg ff>

p

3 . ° Perc.1

> / œj

j œ

> j / 8j µµµµ

Perc.2

> ‰

> ‰

> j œ

j œ

> ‰

ff

> j œ

≈ œ

> > j j ‰ 8 µµµµµµµµ

j œ

> j j 8 µµµµ

ff

> ‰

> ‰

ff Adhesive Tape Knitting Needle butt

>8 ù

Quickly pull the Tape

∑ Perc.3

knock on the corner of a surface. (e.g. a music stand) A rising accelerando should be achieved (rhythm not strict).

¢/

. œ

ff

o

3 8

q = 66 Solo1

°/ J

‰ ∑

3 16 ≈

4 8J

J

"on" "on"

"off"

Detector

~~~~~~~~~~~~~~~~~~~ *~~~~~~~~~~ / *J J J

Solo2

J mf mf "on"

"on"

"on"

≈ / ‰

Solo3

∑ J

J

∑ J

J

J press

J

release

Torch

Solo4

Vl.1

¢/

≤ O œ

° &

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ J J J

≈ o

O œ J g 3

3 8

≈ ∑

3 16 ∑

4 8‰

Col Legno keep the strings dampened. No pitch, just the wood of the bow bouncing

≈ P P

sf mf Col Legno

IVPizz. behind the bridge

∑ Vl.2

&

≥ j œ-O >

keep the strings dampened. No pitch, just the wood of the bow bouncing

r ¿

P P

p mf

f "solo"

B

≥ ≈ #œ

Vla.

≥ ≈ #œ "solo"

j ≈

f

j j f

very short and precise!

? j œ >œ

Vc.1

> ‰

Œ

j œœ >

> ‰

Œ

≈ œœ >mf

j œœ >

> ‰

Œ

> ‰

Œ

fff fff

fff very short and precise!

? j œ >œ

Vc.2

fff

Db.

¢

? j >œ

> ‰

Œ

j œ >œ

(bow the string immediately after the ricochet)

> ‰ j œ

Œ

≈ œ œ >mf

fff

> ‰

∑ j œ>

j œ >œ fff

(sim.)

ff ff

> ‰

j œ

> ‰

∑ j œ> ff

j œ


8 43

44

° Fl. &

45

46

>Æ 6

47

j™

j 6

48

≈ ‰ ‰

‰ 6™ p

g

p

f

ff

3 >Æ 6 ∑ Ob.

j™

j 6

&

≈ ‰ ‰

‰ 6™ p

g

f

p ff

3 >Æ 6 ∑ Cl.1

j ™

‰ j 6

&

≈ ‰ ‰

‰ 6™ p

g

f

p ff

3 >Æ 6 ∑ Cl.2

j™

j 6

&

≈ ‰ ‰

‰ 6™ p

g

f

p ff

3 Slide Whistle

? ∑

≈ ‰

Ctf.

j j œ œ

¢

œ

3 8 Hn.

° &

Tpt.1

&

Tpt.2

&

≈ ‰ j œ œ

j œ

3 16

4 8

3 8

3 4

Air

6™ p

f

Air

? ∑

Trb.

¢ b6 ™ p

°

> j j œ œ

∑ Perc.1

/

> ‰

>j œ

æj æ œæ œæ sub.

> > j j ‰ 8µµµµ

∑ Perc.2

/

ff (two needles can be used on each hand for better performance)

Perc.3

æ œ™æ

ppp

> > j j ‰ 8 µµµµ

f

ff

(as fast as possible) tip

. . . . . . . . . . . / ¢

œ. ≈ ‰ ‰

œ.

. . . . . . . . . . .

. ≈ œ

≈ ≈

. . . . . . . .

. . .3 . ‰ ≈ œ

œ. ≈

3 3 3 3 3

o

p

Solo1

°/ ‰

‰ J

o

J ‰

o

p

3 8‰

o

3 4 16J ™ 8 ‰

3 8

far

Detector near

o

pp

near

3 4

far

‰ BOX

≈ ‰

‰ J

J

J mf

mf p

p

"on"

"on"

Motor

Detector "on"

/ ‰

Solo2

‰ ‰

"off"

*J~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ *~~~~~~~~~~~~~~~~~~~~~~ J J J

J

‰ ‰

J

mf mf

"on"

"on"

≈ ‰

≈ ‰

/ J

Solo3

∑ J

J press

far "on"

release

Detector

‰ Solo4

¢/

∑ J

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ™ J J

‰ ‰

‰ J

J

J

f

Vl.1

° &

3 8‰

3 16 j P P

4 8‰

O≤ œ o

Ord.

‰ ‰

3 8 OœJ

3 4 ‰

g sf

3 mf Arco

Ord.

∑ Vl.2

j P P

&

‰ ‰

≥ j œ-O >

mf f

≥ j #œ

"solo"

B

≈ ‰

Œ

Vla. #œ

≥ j #>œ

"solo"

j ≈ ‰

j ≈

f f

? ∑ Vc.1

j >‰ œœ >fff

j œœ >

> ‰ ‰

> ‰ ‰

fff

? ∑ Vc.2

j > œ ‰ >œ

j œ >œ

fff fff CLOTH CLIP OFF

> ‰

? ∑ Db.

¢

j j œ> œ ff

∑ j œ> ff

> j ‰ œ


9 Aeolian Sound.

49

51 air sound with only a little bit of pitch. 3

50 Flute

Fl.

œ

° &

‰ o

Œ

Œ

Œ

Œ

‰ o

Œ

Œ

Œ

Œ

‰ o

Œ

Œ

Œ

Œ

‰ o

Œ

œ Ob.

&

Cl.1

&

œ

&

Œ

? ∑

Œ

Œ

Ctf.

¢

3 q 74 ° 4 &

53

54 Air Sound. No pitch

33333 3 33 333 > 2 ff3 o o 3 2 > 6 >6 ‰ Œ 6 g 3 o 3 o 3 fff 2 > 6 >6 ‰ Œ 6 o g 3 3 o 3 fff 2 > Œ >‚ ‚ ‚ ‚ ‚ ‚ # ‚ ‚ o f3 2> > 6 6 ‰ Œ œ g fff 3 o 3 o 3 2

Œ

‰ Ÿj~~~~~~~~~ j 6 66 o mp o

Air Sound No pitch.

Ÿ~~~~~~~~~~~~ ‰ j6 j 6 6 o mp o

Œ

Œ

Oboe

Œ

Clarinet in Bb

Aeolian Sound. air sound with only a little bit of pitch.

Clarinet in Bb

œ Cl.2

> Œ

52

Contraforte

Œ

3 8

=

Hn.

Air Sound. No pitch Blow outside the mouthpiece

Œ

Œ

> ‰ Œ

‰ 6 o

>6

5 8

6 3

g

o

ff

>œ. œ.

>œ. œ. ≈‰

Tpt.1

‰ ≈

Air Sound. No pitch Blow outside the mouthpiece

>œ. Œ

Œ

≈‰

Œ

Œ

Œ

g 3

>œ. œ

> ‰ Œ

>œ. œ ≈‰

‰ ≈

Œ

& 6 o

mf Air Sound. No pitch Blow outside the mouthpiece

Harmon Mute ON

‰ Tpt.2

Œ

6 > g ff 3

Œ

Œ

Œ

6 mf

o g

3

(slap)

> ‰ Œ

‰ ‰ ≈

& 6

6 o

6

6 3

g

o

b>ff

o

ff

g 3

Airy Brassy!

3

? ‰

Œ

Œ

Œ

> ‰ Œ

Trb.

¢ <b> 6 œ >ff

o Rub a brush on the surface

° Perc.1

/

ææ œ

‰ o

Œ

Œ

Œ

œ

¡> 6

Π6 o

œ ppp

molto decresc.

6 o

f

Cardboard Cardboard polystyrene

Timpano (Very quiet! Do not accentuate too much!)

. .

polystyrene

.

. .

superball

> ææ ‰ Œ œo

3

Perc.2

/

æ 6æ

Œ

pp

Œ

≈ ææ ææ 6 6

Œ

Œ

Œ

> œ

‰ ‰ œ o

p p

ææ 6

≈ ≈ 66

.j ‰ ‰ 6

≈ 6

66

mf

pp

pp K. Needle scratch glissando scratch as fast as possible on a mettalic music stand.

∑ Perc.3

tip butt

>œ æ

> ææ ‰ Œ œ o

¢/

ff

3 q 74 ° / 4 8ææ

3 8

=

scratch back and forth

scratch back and forth

Solo1

Switch

Œ

BOX

Œ

‰ Œ

Œ ‰

ææ 8

Œ

5 8

Œ ∑

mf mf mf

"on"

"on"

"on"

"on"

≈ Œ ‰ Solo2

/

Œ ‰

Œ J ‰ ‰

scratch back and forth

ææ 8

BOX

≈ ‰ Solo3

/

ææ 8™

≈Œ

Switch

Œ ‰

Œ ∑

mf p near "on" (move it very slowly around the box) (move it very slowly around the box)

‰ Œ Solo4

Œ

¢/

J J J

mf

Vl.1

3 ° 4 Œ &

dolce

O œ Œ o ∑

Vl.2

ARCO dolce

p

O œ≈‰ o Œ

O≤ ‰ ≈œ o b Oœ≤ ‰ o

Œ

Œ

&

Pizz. behind the bridge

O œ ‰ Œ 2 sf 3 Oœ ‰ Œ 2 sf 3

O œ

IV

Œ

‰ ¿ o

mp

O œ≈ ‰ o

3 8‰

O≤ œ J o

5 8

O œ J g sf 3

p Pizz. behind the bridge

IV

Œ

Œ

Œ

¿ p

(use the electronic as guidance for intonation) very soft as a resonance

B Vla.

≈ ˜O O ˜ œ œ o

pp

≈ ‰ ˜O œO ˜ œ o o

Œ

œO pp

o

≈ ˜O O ˜ œ œ o

pp

≈ œO œO o o

œO ™™ o

pp

PIZZ.

IV

? ∑

> ‰ Œ

> ‰ Œ

> ‰ Œ

œ

Vc.1

œ mf

o

PIZZ.

IV

? ∑

∑ œ

Vc.2

œ mf

o PIZZ.

IV

? ∑ Db.

∑ œ

¢ œ mf

o


10 55

Aeolian Sound. air sound with only a little bit of pitch.

° Fl. &

56

57

58

59

3

3 >3 3 3 3 3 3 3 Π2 ff3 o 3 2

‰ ‰ ‰ ‰ 333 o

Œ

Œ

start imperceptibly

∑ Ob.

Œ

B˙ o

Œ

&

˙ o o

ppp

˙ o

ppp

start imperceptibly extremely staccatissimo and soft. (imitate the electronic beeps from the soundtrack)

Ϯ

≈ œÆ ‰

∑ Cl.1

ÆÆ ≈ œœ

Ϯ

≈ œÆ ‰

Æ Æ ≈ ≈ œÆ ‰ œœ

Ϯ

œÆ œÆ ≈ ≈ œÆ ‰

Æ Æ ≈ œÆ ≈ œÆ ‰ œœ

ÆÆ ≈ œœ

Ϯ

Æ Æ ≈ ≈ œÆ ‰ # œ ˙ œœ o

≈ œÆ ‰

& ‰

p start imperceptibly extremely staccatissimo and soft. (imitate the electronic beeps from the soundtrack)

œÆ ∑ Cl.2

Æ Æ‰ ≈ œœ

&

˙

Ϯ

Æ Æ‰ ≈ œœ

≈ œÆ ≈ œÆ ‰

Æ Æ ≈ ≈ œœ Æ Æ‰ œœ

Ϯ Ϯ

Æ Æ‰ ≈ œÆ ‰ œÆ ≈ œœ

Ϯ

Æ Æ‰ ≈ œœ

≈ œÆ ≈ œÆ ‰ ‰ œÆ

&

o p (very short, almost percussive)

start imperceptibly

sim.

≈ ‰ ≈ ‰ ‰ #œ o œ œ ' '

? ∑

Œ

Œ

Œ

Œ

≈Œ

Œ

Œ

≈ Œ

Œ

Ctf.

¢ œ- ™

œ >'

œ '

œ œ ' '

œ '

pp

Hn.

5 ° 8 &

4 4

start imperceptibly

>œœ .. ∑ Tpt.1

3 8

mf

>œœ .. ≈ ‰

Œ

Ó

(grace notes always before the beat)

Œ

Œ

µ˙ ™ o

œj

˙ ppp

>œœ ..

œj

> ≈ #œ. œ. ‰ Œ

> ≈ #œ. œ. ‰

Œ

˙

>œœ .. ≈‰

Œ

Œ

Œ

≈ ‰ Œ

& mf

∑ Tpt.2

>. . ≈ œœ Œ

(grace notes always before the beat)

œj

Œ

>. . œœ ≈ ‰

>œœ .. ‰

>œœ .. ≈Œ

Œ

>œœ .. ≈‰

Œ

>œœœœ .... ‰

>œœ .. ≈‰

Œ

Œ

‰ Œ

& mf start imperceptibly

short glissando (only a quarter-tone higher)

Harmon Mute ON Air

Slap Tongue

‰ #œ

? ‰ ‰ ‰ j j b6 6

Trb.

¢

Œ

Ó

Œ

Œ

Œ

˙

˙

bg ff>

p

pp

3 very soft mallets (NOT too loud!!!)

° Perc.1

/

‰ ‰ ‰ ææj ææj œ œ o

æ œæ

ææ œ™

mp

sub.

æ ˙™æ

æ wæ

æ wæ

ææ œ

‰ Œ

. . ≈ ‰ ≈ Œ 6 6

Œ

Œ

. ‰ Œ 6

æ œæ

æ œæ

g ppp

3 (Very quiet! Do not accentuate too much!)

. ∑ Perc.2

.

Œ

. ‰

.. Œ

. ‰

.. . 6

/ 6

6

6

66

6

‰ ‰

.

..

≈ Œ

. 6

≈ Œ

66

6

66

pp Cardboard

T.Sheet (Very quiet! Do not accentuate too much!) Hard Mallets!

polystyrene

. ∑ Perc.3

. ‰

. ≈‰

.. ‰

. 6

¢/ 6 pp

Solo1

..

5 °/ 8

4 4

6

66

6

. ‰

66

.

ŠΠ6

..

.

≈ ‰ ≈ ‰ 6 66

.. ‰

6

≈ 66

Œ

3 8

"on" (move it very slowly around the box)

Detector

∑ mf

"on"

"on"

≈ Solo2

/

Solo3

/

"on"

≈ Œ

Œ

Œ

Œ

Œ ‰

Œ

Œ

Œ ‰

Œ ∑

Œ Ó ∑

mf

"on" (move it very slowly around the box)

Solo4

Vl.1

¢/

5 ° 8 &

4 4Œ

3 8

ST+ dolce

Œ

Œ

O O ≈œ œ o mp

IV "Ghostly"

Πo

Œ œ a

œ a

#œ cresc. poco a poco

mf ST+ IV "Ghostly" ARCO

∑ Vl.2

& œ a

œ a

œ a

#œ cresc. poco a poco

mf ST+ IV "Ghostly"

œ

B

Œ

a

œ Vla. a

#œ cresc. poco a poco

mf start imperceptibly PIZZ. ARCO

IV

? ∑

Œ

Œ

Œ

Œ

Œ

œ

Vc.1

&#œ œ

mf PIZZ.

IV

‰ œ mf

˙

o

? Vc.2

˙

o M )

Make random accents when changing bow

> )

>

> )

)

>

>

> )

Œ

Œ

Œ

Œ

)

oœ ppp

PIZZ.

IV ARCO

? ∑ Db.

‰ œ

¢ œ mf

˙

o ppp

w

w

˙


œ #œ #œ 60

Fl.

61

° &

62

63

64

>œ bœ bœ bœ œ œ œ bœ bœ

11 65

≈ œ œ œ œ œ œ œ œ œ > œo 3 fffff 2 ≈ ‰ œ

3 6 o6 2 > bœ œ œ œ bœ bœ œ œ ≈ fffff

Molto decresc.

3

fffff

& <B>œ ™

Ob.

g ff

3

o 6 6 2 #>œ #œ œ œ #œ œ œ #œ #œ 6 o6 fffff 3 2 6 6 Molto decresc.

fffff

3 <#> œ ™ ∑ Cl.1

& g ff

3

Molto decresc.

Bass Clarinet

œ™ ∑ Cl.2

& g ff

3

Molto decresc.

? <#>œ ™ ∑

Ctf.

¢ 2

Ϫ

ff

3 fff

Hn.

3 ° 8 & <µ>œ ™

q.

4 8

x

LOUD, METALLIC, EXPLOSIVE! as fast as possible Very brassy !!!

>œ >œ >œ >œ > > > > > > >

>

>

> ≈

2 ff

3

ffff Harmon Mute OFF LOUD, METALLIC, EXPLOSIVE!

˜œ ™

Very brassy !!!

∑ Tpt.1

2

o

æj œæ

æ #>œæ™ ffff q.

& ff

3

e

Harmon Mute OFF LOUD, METALLIC, EXPLOSIVE! as fast as possible Very brassy !!!

˜œ ™ ∑ Tpt.2

&

#>œ >œ >œ >œ > > > > > > > ffff q.

2 ff

o 3

>

>

>

>

>

x

Harmon Mute OFF LOUD, METALLIC, EXPLOSIVE! as fast as possible

Very brassy !!!

? ∑

Trb.

≈ &

¢

>œ >œ >œ >œ > > > > > > > 2

>

>

>

ff

3 ffff B.D. very soft mallets

° ∑ Perc.1

æj œæ

/

æj œæ

> ‰

æj œæ

f Whip Timpano superball

?

∑ Perc.2

/

>j œ

> ‰

j œ

Ó J

Oœ J

Oœ J

Oœ J

≤O œ J

Oœ J

Oœ J

Oœ J

≤ ##Oœ J o

Oœ J

Oœ J

Oœ J

/

f

∑ Perc.3

¢/

mf

>j æ œæ

Crotales

æj œ

> ‰

ç J

mf

Solo1

3 °/ 8 J

Hold the box in the air

mf

Shake the Box

J

1™

j >-

1™ æ

J ff

‰ ∑

Box down hitting the table

Shake the Box Hold the box in the air

1™ /

ff

1™

j ->

1™ ææ

BOX

Solo2

4 8

Box down hitting the table

BOX

1™

l.v.

‰ ∑

ff ff Box down hitting the table

Shake the Box Hold the box in the air

1™

1™

BOX

Solo3

/

j ->

1™ ææ

‰ ∑

ff ff Box down hitting the table

Shake the Box Hold the box in the air

BOX

1™ Solo4

¢/

J

J

1™

j ->

1™ ææ

J

‰ ∑

ff ff

Vl.1

3 ° 8 &

≥ SP

™ g 3 SP III

Vl.2

&

#œ ™

≤ œ

j

œ

g fff

3 III

SP

œ

B

g

o ≤ œ 3

Vla.

J g fff

3 g

o #≤œ

I

3

SP

& <#>œ ™

Vc.1

J

?≈

œ ‰ #œ o

œ™ #>œ ™ ffff 3 ≥ g œ™ #>œ ™ ffff 3 ≥ g œ™ #>œ ™ ffff 3 g >≥œ ™ #œ ™

œ fff

œ ‰ #œ o œ #œ ‰ o œ #œ ‰

4 8##≤OœJ o

o

g fff

g

o 3

3

SP

? ∑

Vc.2

SP

? ∑ Db.

¢

o

ffff

g 3

‰ j œ

j œ

j œ

≥ œ™ #>œ ™ ffff 3 ≥ g >œ ™ œ™

œ ‰ #œ o œœ ‰

ff

3 ffff

g

o


> œ #œ #œ œ bœ bœ bœ œ œ œ bœ bœ

12 66

67

° Fl. &

68

69

70

71

≈ ∑

6 6

3 o 2 > bœ œ œ œ bœ bœ œ œ ≈ fffff

Molto decresc.

3

fffff

∑ Ob.

& 6 o6 2 #>œ #œ œ œ #œ œ œ #œ #œ

3

Molto decresc.

fffff

∑ Cl.1

&

6

o6

3 fffff Molto decresc.

2 6

6

6 6

∑ Cl.2

≈ œ œ œ œ œ œ œ œ œ > oœ fffff 3 2 ≈ ‰ œ

&

≈ ‰™

≈ ‰™

œ œ œ œ ppp f

œ œ œ œ ppp f

Molto decresc.

? ∑ Ctf.

j œ

¢

j œ

6

6

≈ ‰™

∑ bœ œ œ nœ

≈ ‰™ bœ œ œ nœ

mf

mp ppp

3 8

fff

x

q LOUD, METALLIC, EXPLOSIVE! as fast as possible

Hn.

° &

>œ >œ >œ >œ > > > > > > ≈

4 8

2+3 16 >œ~~~~

ppp

3 8

Lip Gliss (SHORT and LOUD!)

> ≈

‰™

> >œ~ ≈ ~~~~ ~~~~ ~~

‰™

> > > > ≈ . . . #œ œ œ

‰™

> > > > ≈ . . . #œ œ œ

‰™

~~~~ ~~~ ff ffff very articulated and precise!!

LOUD, METALLIC, EXPLOSIVE!

æj #>œæ ffff q

∑ Tpt.1

&

æj œæ

ææ œ

≈ ff

3

∑ Tpt.2

#>œ >œ >œ >œ > > > > ‰

&

3

very articulated and precise!!

LOUD, METALLIC, EXPLOSIVE! as fast as possible

very articulated and precise!!

> #>œ. >œ. >œ. ≈

‰™

> #>œ. >œ. >œ. ≈

‰™

ffff ff

ff 3

3

q Brassy!

Airy

LOUD, METALLIC, EXPLOSIVE! as fast as possible "solo"

"solo"

?

∑ Trb.

‰ >œ >œ >œ >œ > > > >

¢&

‰ j j j œ œ œ >. . . ffff 3 g

ffff

>j æ œæ

° ∑ /

æj œæ

> ‰

æj œæ

‰ j ™ >œ

j ™ >œ

ffff

ffff

ppp

molto decresc.

Perc.1

j j œ. œ.

>. j œ

>™ ‰

f

f

>. j œ

>™ ‰

f

Timpano soft mallets superball

?

∑ Perc.2

/

>j œ

> ‰

j œ

>. j œ

>™ ‰

>. j œ

>™ ‰

f f

f

T.Sheet Crotales

ç l.v.

ææj œ

∑ Perc.3

¢/

> ‰

ææj œ

f f

3 8

BOX Switch

Solo1

°/

1 æJ

≈ ‰

1 æJ

j >-

4 8‰

2+3 16 ‰

‰™

‰™

‰™

‰™

‰™

‰™

Switch

3 8 ‰™

‰™

ff f f BOX Switch Switch

‰ Solo2

/

1 ææJ

J

1 ææJ

j ->

‰ ∑

J

ff f

Solo3

/

f

1 ææJ

1 ææJ

j >-

1 ææJ

1 ææJ

j >-

Ó ∑

(box down)

Solo4

¢/

1 æJ

1 < ≈3 > ‰ æ

3 8

≥ ° <#><#>Oœ ≈ ‰ Vl.1 & g sf 3 Oœ ≈ ‰ Vl.2 & g sf 3 <#><#>Oœ ≈ ‰ Vla. B g sf 3 IV ? ‰ ≈ œ Vc.1

Œ

Œ

≤ œ

j g

o ≤ œ Œ

3

≈ J g

o #≤œ

PIZZ.

3 SP

ARCO

j

œ ‰ #œ o

œ™ #>œ ™ ffff 3 ≥g œ™ #>œ ™ ffff 3 ≥g œ™ #>œ ™ ffff 3 g >≥œ ™ #œ ™

J ≈

œ ‰ #œ o nœ #œ ‰ o œ #œ ‰

1 <3> ‰ æJ

4 8‰ ‰

Œ

#≤Oœ Oœ # ≈ J o ≤ ≈ Oœ Oœ J o #≤O O ≈ # œ œJ o ∑

Oœ J

2+3 16 Oœ

‰™

3 8

>≥ ##Oœ ≈

‰™

‰™

‰™

g sff

sff

≥ >O œ

3 Oœ J g

‰™

sff

sff

3 Oœ J

‰™

≈ g 3 sff >≥œ ™ #œ ™

>≥O # #œ sff

œ #œ ‰ ™

>≥œ ™ #œ ™

œ #œ ‰ ™

j œ

o

mf

g

o

3

3

o

ffff

o

ffff

g

3

o

ffff

g

3

g

IV PIZZ.

ARCO

SP

? ‰ Vc.2

≈ œ j

j œ

o

mf PIZZ.

ARCO

SP

IV

? ‰ Db.

≈ œ j

‰ j

¢

≥ œ™ #>œ ™ ffff 3 ≥g >œ ™ œ™

œ ‰ #œ o œœ ‰

≥ œ™ #>œ ™ ffff 3 ≥g >œ ™ œ™

œ ‰™ #œ o œœ ™ ‰

≥ œ™ #>œ ™ ffff 3 ≥g >œ ™ œ™

o

ffff

œ ‰™ #œ o œœ ™ ‰

œ f

o 3 ffff

g

o

3 ffff

g

3 g

o


72

Fl.

73

° &

> œ #œ #œ œ bœ bœ bœ œ œ œ b œ b œ 75

74

13 76

77 Air Sound

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 6 ) o

ffp

3 6 2 > bœ œ œ œ bœ bœ

3

o

Molto decresc.

fffff ffff3

∑ Ob.

Air Sound

œ œ ®

&

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ) 6 o ffp

6 3 o 2 #>œ #œ œ œ #œ œ œ #œ #œ

3

Molto decresc.

fffff

∑ Cl.1

&

Air Sound

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ∑

∑ 6

6 6 6 mp o o Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

6

3 fffff Molto decres c.

3

2

o

Air Sound

6 3

∑ Cl.2

® ≈ ‰

&

œ œ > œ œ œ œ œ œ œ fffff 3 2 ∑

∑ 6

6 o

œ o

Molto decresc.

?

6

6 o

mp

≈ ‰

Ctf.

¢ œ '

œ '

œ '

œ '

mf

Hn.

3 ° 8 &

2+3 e 16 >œ >œ >œ

Rhythmically Precise!

LOUD, METALLIC, EXPLOSIVE! as fast as possible

>œ ‰ ™

3 8#œ+ >œ

4 8#œ ≈ #œ >œ ≈ #œ >œ ≈

3

3

3 8 >œ ≈ ‰

≈ ‰

> #œ Bœ ≈ ‰

3

?

3

ffff poco decresc.

mp

mf Rhythmically Precise!

LOUD, METALLIC, EXPLOSIVE!

∑ Tpt.1

æj #>œæ

&

123

Bœ ‰™

≈ œ

≈ œ

Bœ ≈

ffff poco decresc.

mf mp

e LOUD, METALLIC, EXPLOSIVE! as fast as possible

∑ Tpt.2

Rhythmically Precise!

#>œ >œ >œ >œ ‰ ™

&

123

> > > #œ Bœ ≈ œ œ ≈ œ œ ≈ 3

3

3

3

ffff mf mp poco decresc.

e Harmon Mute ON Brassy!

Airy

LOUD, METALLIC, EXPLOSIVE! as fast as possible

? ∑

?

‰™

Trb.

≈ j œ. ffff 3 g æj œæ

&

¢

>œ >œ >œ >œ ffff

° ∑ Perc.1

/

> ≈

ææ œ

≈ j œ.

œ.

(E)

>j ææ œ

‰ &

œ. ppp

molto decresc.

(NOT too loud!!!)

æj œæ

æj œæ

mf

> ‰

> ‰

ppp

f

> ≈

superball

? ∑

j œ

Perc.2

(NOT too loud!!!) soft mallets

æj œæ

æj

æj

/

œ œ

f mf Car Horn

ppp Crotales

ç

ç »

l.v.

‰ Perc.3

‰™

» ≈

» ≈

» ≈

l.v.

≈ ‰

¢/ mf mf mf

Solo1

3 °/ 8

BOX

2+3 16 æ1J

3 8

j >-™

4 8

3 8

Switch

‰ ∑

J f

ff Switch

1™ ææJ

BOX

≈ ‰ Solo2

/

j ->

≈ ‰

‰ ∑ f

ff

Switch

‰ Solo3

/

J

f

‰ Solo4

Vl.1

¢/

3 ° 8‰ & ‰

Vl.2

≈ æ1 æ1 æ æJ

<3> ‰ ∑

#≤Oœ # ≈

o ≤ ≈ Oœ

o #≤O ≈# œ

&

B

Vla.

Oœ J

Oœ J

3 8

≈ 1 æ

1 ææJ

4 8

‰™

‰™

‰™

œ #œ ‰ ™

g sff 3 Oœ J

Oœ J

Oœ J

Oœ g sff 3

Oœ J

Oœ J

o ? ∑

Oœ J

2+3 16 Oœ

Oœ J

Oœ g sff 3 ≥ >œ ™ #œ ™

IV PIZZ.

Vc.1

j œ

< ‰3 >

#≤Oœ Oœ # ≈ J o ≤ ≈ Oœ Oœ J o #≤O O ≈ # œ œJ o

Oœ J

Oœ J

Oœ J SP

ARCO

j j

∑ j œ

3

o

o

mf

ffff

g ? ∑

Vc.2

? ∑ Db.

¢

≥ œ™ #>œ ™ ffff 3 ≥g >œ ™ œ™ ffff 3 g

IV PIZZ.

œ ‰™ #œ o œœ ™ ‰

j œ

SP ARCO

j j

∑ j œ

o

mf IV PIZZ.

SP ARCO

j œ

j j

∑ j œ

mf

o

o

3 8


>œ.

14

>œ.

78

79

° Fl. &

≈ ≈

>œ.

80

‰ ‰

81

≈ ≈

f

82

83

≈ ≈

f

3

f

3

3

in the background

3

‰ Ob.

3

‰ ≈ œ œ#œ

&

œ œ#œ ‰

pp pp in the background

≈ #œ#œ#œ ‰

∑ Cl.1

#œ#œ#œ ≈

& 3

pp3

pp 6

6

≈ ‰ ‰ Cl.2

6

≈ ‰

≈ ‰

& œœœœ

œœœœ

œœœœ

f ppp ppp

ppp

f

f

? ∑

Ctf.

¢ œ œ mf

3 °? 8

3

3

≈ ≈ œ ‰ ‰ >

Hn.

4 8

≈ ≈ œ ‰ >

5 8

3

≈ ≈ œ ‰ >

4 8

∑ &

ffff ffff ffff Lip Gliss (SHORT and LOUD!)

> ≈

> ≈ Tpt.1

&

‰ ‰

> ≈

> ≈ #œ. œ. œ. >>>

#>œ~~~ ~~~~

#>œ~~~ ~~~~

#>œ~~~ ~~~~

ff

ff

ff

very articulated and precise!!

> ≈ #œ. œ. œ. >>>

> ≈ #œ. œ. œ. >>>

3

Tpt.2

&

3

‰ ‰

3

ff

x

e (wah!)

+ ‰ ≈ œ >.

‰ Trb.

¢&

x (wah!)

(wah!)

+ +o +o œ #œ nœ >.

fff

+o Bœ ≈ ‰

e

+

+

Perc.1

/

‰ ‰

f

x (wah!)

(wah!)

+o

+o

+o

≈ œ >. fff

≈ ‰ #œ. nœ >

+x +eo + o ≈ œ #œ nœ >.

>. j œ

6â ≈

f

Bœ #œ f

(poco decresc.)

(wipe the the surface with a brush)

>. j œ

°

e (wah!)

(wah!)

f

(poco decresc.)

x

fff

6â ≈ ‰

>. j œ

x

(wah!)

(wah!)

+o Bœ ≈ f

(poco decresc.)

f

?

6â ‰

f

f f Tremolo Slow-Down: tremolo as fast as possible!

Dampened Triangle ss s s s s Always dampen the triangle. Only "clicks" should be heard, not the resonance.

å ‰ ≈æ æ

‰ Perc.2

/

å ææJ

å ææ

> ≈ ‰

å ææJ

f

å ææJ

s

s

s

å ææJ

s

å ææ

> ≈ ‰

å ≈ æ æ

f

f (sizzle + crotales)

scrape once with Triangle beater

l.v.

ç ¥¥ ≈ é J

Sizzle Cymbal

¥ ‰ é J

‰ Perc.3

¢/

¥

¥ > ≈ ‰

¥¥ ≈ é J

Solo1

¥ J

¥ > ≈ ‰

J

f

3 °/ 8

¥ J

f

¥ J

¥> ≈ ‰

f

4 8 ∑

‰ ‰ ‰

5 8‰

4 1 <3> 8 ‰ æJ ‰ (box down)

BOX

ff BOX

Solo2

/

position relative to the box: far

far

far

near

far near

Detector

≈ ‰

‰ Solo3

/

‰ ∑

J

J

J J

J

J

f Switch

< > ≈ 1 1 ≈3 ‰ ‰ ‰ æ æ

BOX

‰ Solo4

¢/

f

Vl.1

3 ° 8<#><#>Oœ &

‰ ‰

g sff

‰ ‰

& g sff 3 <#>O B <#> œ g 3 sff >≥œ ™ ? #œ ™

Vla.

4 8

3 Vl.2

ff

‰ ‰

œ #œ ‰ ‰

œ™ #>œ ™ ffff3 ≥g œ™ #>œ ™ ffff3 ≥g œ™ #>œ ™ ffff3 g >≥œ ™ #œ ™

œ‰ #œ o œ‰ #œ o œ #œ ‰ o œ #œ ‰

#≤Oœ # ≈

o ≤ ≈ Oœ

o #≤O ≈# œ

>≥œ ™ #œ ™

Oœ J

Oœ J

5 8 Oœ ≈ ‰

4 8 ‰ ‰ ‰

g sff

3 Oœ J

Oœ J

Oœ ≈ ‰ g

‰ ‰ ‰

sff

3 Oœ J

Oœ J

Oœ ≈ ‰

‰ ‰ ‰

g sff

o 3 ‰

œ #œ ‰

Vc.1

3 ffff

3

o

ffff

g ? Vc.2

? Db.

¢

≥ œ™ #>œ ™ ffff 3 ≥g >œ ™ œ™ ffff 3 g

3

o

ffff

g œ‰ ‰ #œ o œœ ‰ ‰ o

≥ œ™ #>œ ™ ffff 3 ≥g >œ ™ œ™ ffff 3 g

o

g œ‰ #œ o œœ ‰ o

≥ œ™ #>œ ™ ffff 3 ≥g >œ ™ œ™ ffff 3 g

œ‰ #œ o œœ ‰ o


>œ. >œ. >œ. >œ.

>œ. >œ. >œ.

84

Fl.

85

° &

15 joyful !

86

87

Œ

88

#œ #œ œ

89

Œ

3

ff 3

mp 3

‰ Ob.

œ #œ œ ≈ ‰

&

mf joyful ! Air Sound blow outside de mouthpiece

‰ Cl.1

≈ ‰

œ œ #œ

&

j 6

œ. œ. mf

j 6 3

mp mp Air Sound blow outside de mouthpiece

∑ Cl.2

Bb Clarinet

&

j 6

j 6

mp 3

? ‰

Ctf.

¢

œ. œ. œ. œ.

j œ

œ. œ. œ.

œ

f

4 + + + + ° 8 >œ. >œ. >œ. >œ. >œ ~~~~ &

(VERY short lip gliss.)

Hn.

≈ ‰ ~~~~~ ~

ff

2 4 8 >œ+. +>œ. +>œ. 8 ‰

~~~~

2 8

+ ≈ œ

5 8

4 8

mf

mp

3

fff 3

& #œ. œ. œ. œ. œ #œ ≈ ‰ > > > > >

Tpt.1

≈ #œ œ

#œ. œ. œ. > > >

p ff ff (VERY short lip gliss.)

3

& #œ. œ. œ. œ. #>œ~~~~~~~ ≈ ‰ >ff > > > fff ~~~~~

Tpt.2

≈ #œ œ

#œ. œ. œ. > > >

p ff

+x ≈ Bœ >.

3

? ‰

Trb.

‰ &

¢ œ œ œ œ >ff. >. >. >.

œ œ œ >. >. >.

+e

e (wah!) (wah!)

+o

+o ‰

#œ. >

µœ

Bbœ

fff f

(poco decresc.)

Metal Block Hard Mallets. Very Dry ! (wipe the surface with a Brush)

>Æ >Æ ¿ ¿

B.D.

° ‰ Perc.1

≈ ‰

/

-j 6â

-j 6â

mp

-j 6â

-j 6â

>. j œ

mf

Metal Block

ff Timpano Tremolo Slow-Down: Hard Mallets. Very Dry !

ss s s s s

>Æ >Æ >Æ >Æ ¿ ¿ ¿ ¿ ‰ Perc.2

/

≈ 6â ‰

s

s

s

s

s

Damp. Triang.

(wipe the surface with a Brush)

>Æ >Æ >Æ ¿ ¿ ¿?

≈ 6â ‰

å ≈ æ æ

∑ /

å ææJ

å ææJ

¥

¥

å ææJ

å ææ ≈

3

mp f

f

Metal Block Cardboard Hard Mallets. Very Dry!

>Æ >Æ >Æ >Æ ¿ ¿ ¿ ¿

>Æ >Æ >Æ ¿ ¿ ¿ ‰

Perc.3

polystyrene

-j 6â

¢/

-j 6â

S. Cymbal

Crot.

¥ é J

ç l.v.

J

J

3

f

mp mf f

Solo1

4 °/ 8 ‰

2 8‰

4 8 ωj

Quickly wipe the box with your hand.

j ⠜

2 8‰

5 8‰

4 8

Switch

J f mf

Hit the box with the hand Quickly wipe the box with your hand.

I

I

I

I

I

A ª ª A ª A ª A ‰ Solo2

I

I

A ª ª A ª A ‰

≈ œâ ‰

≈ œâ ‰

/

f 3

ff Quickly wipe the box with your hand. far

j ⠜

BOX

‰ Solo3

/

j ⠜

near

Detector

∑ J f ff Plop Plate

‰ Solo4

<3> ‰

1 ææJ

¢/

Switch

≈ ‰

‰ ∑

J mf

ff

Vl.1

4 ° 8‰ &

(B)

f

2 8

>O. œ

4 8‹

2 8

Overpressure keep the strings dampened. Extreme bow pressure. No pitch, just a "cracking" sound.

Ö

≈ ‰

Ö

≈ ‰

‹ >.

‹‹ ≈ ‰ >.

5 8

4 8

ff mf

‰ Vl.2

>O. œ

≈ ‰

& Overpressure keep the strings dampened. Extreme bow pressure. No pitch, just a "cracking" sound.

ff SP+ noisy

B

≥ > #œ œ œ ≈ ‰

>œ. >œ. >œ. ‰

>Ö ‹. ≈ ‹ ‰

>Ö ‹. ≈ ‹ ‰

Vla. 3 3

fff

mf

fff IV PIZZ.

? ∑

Vc.1

j œ

j ‰

∑ j œ

œ Overpressure keep the strings dampened. Extreme bow pressure. No pitch, just a "cracking" sound.

o

mp

f

Ö IV PIZZ.

? ∑

Vc.2

j œ

Ö

ARCO

j ‰

>‹. ‹ ≈

>‹. ‹ ≈

PIZZ.

∑ j œ

œ

o

mp

mf

mf f

IV PIZZ. III PIZZ.

? ∑ Db.

j œ

j ‰

j œ

j ‰

¢ œ

œ J

œ f

mp

o

p

o

œ


secco

>Æ >Æ œœ

16

#œ#œ œ

90

° Fl. &

91

#œ#œ œ

92

93

94

#œ#œ œ

95

f 3

mp3

mp 3

joyful !

#œ#œ œ ‰ Ob.

#œ#œ œ ≈

#œ#œ œ ≈‰

& mp3

3

3

mp

œ œ #œ ‰ Cl.1

œ œ #œ ≈ ‰

œ œ #œ ≈ ‰

œ œ #œ ‰

≈ Œ

& 3

3

3

∑ Cl.2

mp 3

& secco

? ∑

Œ

≈ ‰

Ctf.

¢

j œ

œœ >' >'

œ

mf mf

Hn.

4 ° 8 &

3 ++ >Æ >Æ 8 œœ ≈

4 8

secco

Œ

3 8

ff very precise! secco

∑ Tpt.1

Œ

#œ œ ≈ >' >'

&

≈#œ œ >' >'

mf ff secco

∑ Tpt.2

#œ œ ≈ >' >'

& x

e

e

e

x

very precise!

e

x

e

≈#œ œ ‰ >' >'

e

x

ff

+ + Trb.

(wah!)

≈Bœ #œ >. >.

¢&

+ + o +o ≈ ‰ œ B>œ. #œ µœ

(wah!)

(wah!)

(wah!)

+o

+o

+o

µœ

Bbœ

fff

‰ e

e

e

mf

+ +

(wah!)

≈Bœ #œ >. >.

fff

+ + (wah!)

(wah!)

+o

+o ∑

µœ

≈Bœ #œ >. >.

Bbœ

fff

(wah!)

(wah!)

(wah!)

+o

+o

+o

µœ

Bbœ

œ

fff

(poco decresc.)

(poco decresc.)

f

(poco decresc.)

f

f

f

(very quick!)

Vibraphone B.D.

>. j œ

° Perc.1

/

>. j œ

>. j œ

Metal Block secco

Perc.2

å ææJ

/

å ææ

≈ ‰

å ææJ

f

å ææ

> ‰

&≈

∑ œ o 2 mp 3

Damp. Triang.

∑ /

å æJ f

≈ f Metal Block

¥ é J

‰ Perc.3

¢/

¥

¥ J

¥ ‰ é J

J

å ææ

≈ Œ

mf

å ææ ≈

å ææJ

f S. Cymb. Crot.

secco

S. Cymb.

>Æ >Æ ¿¿

≈ ≈

f

>. j œ

soft mallets

>Æ >Æ ¿¿

¥ ‰ é

¥

S. Cymb.

ç ≈ ‰

¥¥ ≈≈ é J

l.v.

> ∑

¥ ‰ J

f f

Solo1

f

4 °/ 8

3f

mf

f

3 8‰

4 > 8

SAW saw the box

3 8

≈ ‰

≈ æ1 < ‰3 > ‰ æ

ff

I I

(box down)

≈ ‰ Solo2

/

Aª ª A J

‰ ∑

ff ff far

far

far far

near

far

far

far

near

near

near

≈‰ Solo3

/

J J

J

J

J

J

J

J

J

J

f

J

J

J

f Switch BOX

‰ Solo4

¢/

J

‰ æ1J

< ‰3 >

‰ J

ff

Vl.1

4 ° 8‰ &

≤ ##Oœ

SP

Oœ J

Oœ ≈ ‰

3 8‰

1

1 Lightning fast glissando on the highest register

4 8

f SP

‰ Vl.2

o ≤O œ

& o ≤ ##Oœ

SP

B

Vla.

g sff 3 IV Freely and wild

3

Oœ J

Oœ ≈ ‰

≈‰ # œ œ # œ #>œn œ 2 fff mf 3

g sff 3 IV Freely and wild

3 3

3

Oœ J

Oœ ≈ ‰

œ ≈‰ >œ

#œ œ o g

fff

g sff

o

mf

#≤Oœ Oœ # ≈ J o ≤ ≈ Oœ Oœ J o #≤O O ≈# œ œJ o

Oœ ≈ ‰

≤ ##Oœ J o ≤O œ J o ≤ ##Oœ J o

g sff 3 Oœ ≈ ‰

g sff 3 Oœ ≈ ‰

3 8

g sff

3 3

3 II

ORD ARCO

? ‰ Vc.1

I ## O œ ≈ æ ææJ æ o f

>œ œ

Freely and wild

nO œ

SP

#œ œ

≈‰

æJ

3 3

o3

o

## Oœ ≈ æ ææJ æ o f I

ORD

g fff

nO œ

æJ o

3 ARCO PIZZ. Freely, as a wild vibrato!

I

#>œ œ

SP

œ ‰ #œ

Freely and wild

3

3

? ‰ Vc.2 #>œ œ œ œ œ œ o f II > ? #œ œ œ œ œ œ ‰ Db. ¢ 3 3 o f

o3

≈‰

g fff

3

PIZZ. Freely, as a wild vibrato!

IV PIZZ.

j œ

j ‰

œ f

o


>œ. >œ. >œ. >œ. #œ#œ œ

96

Fl.

° &

97

98

17

99

œ œ œ101

100

‰ ‰

‰ ‰

∑ 3

ff

mf

3

#œ#œ œ ∑ Ob.

Œ

Œ

Œ

& 3

œ œ #œ

œ œ #œ

‰ Cl.1

& 3

3

œ œ #œ ∑ Cl.2

& mp 3

? ∑

‰ ‰

Ctf.

¢

œ. œ. œ. œ. f

Hn.

3 ° 8 &

5 8

4 8

+ >. œ

+ >. œ

+ >. œ

3 8‰

+ >. œ ‰ ‰

Hand Glissando

+j ‰ œ o

2 8 >œo ≈ ‰ 2 mf

ff

3 3

∑ Tpt.1

#œ. œ. œ. œ. ‰ ‰ > > > >

&

‰ ‰

#œ ≈ ‰

#œ œ œ >

ff mf 3

∑ Tpt.2

#œ. œ. œ. œ. ‰ ‰ > > > >

& x

+

e

e

e

(wah!)

(wah!)

(wah!)

+o

+o

+o

e

+

+

e

x

(wah!)

(wah!)

(wah!)

+o

+o

+o

‰ ‰ #œ œ œ >

#œ ≈ ‰

ff mf Harmon Mute OFF

? Trb.

≈ Bœ #œ >.

¢&

‰ µœ

≈ Bœ. >

fff

#œ. >

µœ

Bbœ

‰ ‰

(poco decresc.)

f

œ œ œ œ >. >. >. >.

fff (poco decresc.)

œ f

ff (very quick

Vibraphone

>. j œ

° Perc.1

/

>. j œ

Π&

j > ‰ Œ œ o 2 mp 3

> j > ‰ œ ‰ o 2 mp 3

j ‰ œ o 2 mp 3

Metal Block

Very Dry !

>Æ >Æ >Æ >Æ ¿ ¿ ¿ ¿ Perc.2

å ææJ

/

å ææ

å æJ

å ææ

Œ

‰ ‰

f Crot.

Metal Block

S. Cymb.

f f Very Dry !

Perc.3

¥¥ ≈ ≈ é J

¢/

¥

¥ ≈ é

¥

¥

>Æ >Æ >Æ >Æ ¿ ¿ ¿ ¿

ç ‰ ≈ ‰

¥ ‰ é ‰ J l.v.

l.v.

J

‰ ‰

J

J

mf

3

f

f

f f

Solo1

3 °/ 8

5 8 ∑

4 8 J.

‰ ‰

3 . 8 ‰ J

. J ‰

2 8 ∑

ff "on"

I

I

I

I

Detector

I

I

≈ ‰ Solo2

A ª ª A ª A ª A ‰ Aª J

/

mf

ff far

near

f

f

far near

‰ J

Solo3

‰ Aª ‰ J

J

J

/

j >- ‰

J J (very quick!)

1 æJ

BOX

‰ Solo4

Vl.1

¢/

3 ° 8<#><#>Oœ &

5 8 ≈

41 8J

g mf 3 IV Freely and wild 3

Oœ ≈ Vl.2

& #œ œ #œ g mf 2 mf

3 <#>O B <#> œ ≈

3 IV Freely and wild 3

3

3

Vla.

# œo œ g

g 3

mf

3 II

Freely and wild

SP

?

œ ∑

j >-

1 æJ

j >-

1 æJ

1 1

#≤Oœ Oœ # ‰ ≈ J f o ≤ ≈ ‰ ≈ Oœ Oœ #>œ J o ff #≤Oœ Oœ # ≈ ‰ ≈ œ J > ff o >œ ≈ ‰ ‰ ‰

1 ‰ J

Oœ ≈ ‰

3 8‰

f

1

1 J ‰

2 8 ∑

f

g sff 3 Oœ ≈ ‰

‰ ‰

g sff 3 Oœ ≈ ‰

‰ ‰

g sff

≤ ‰ ‰ Oœ J o #≤O ‰ ‰ # œJ o

3 ORD

Oœ ≈ ‰ g sff 3 Oœ ≈ ‰ g sff 3 # # Oœ ææ

nO œ

Vc.1 3

o

f 3

3

g

o

ff

3 ARCO

#>œ

PIZZ. Freely, as a wild vibrato!

#œ œ

SP

I 3

Freely and wild

3

? Vc.2

#>œ œ œ œ f

‰ œ œ o

≈ ‰ ‰

Ö

Ö

‹‹ ‰ J

‹‹ ‰ ‰ J

3

mf

g

o

ff

3 II

PIZZ. Freely, as a wild vibrato!

IV PIZZ.

?

> #œ œ œ œ

Db.

¢ 3

œ œ ‰ 3 o

‰ œj

j ∑ œ

f mf

o


>œ.

18

>œ.

102

Fl.

° &

104

≈ ‰

ff

∑ Ob.

&

Cl.1

&

Cl.2

&

>œ.

103

105

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 6 ‰ >6™ sfp o Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ∑ 6 ‰ 6™ > o sfp Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‰ ‰ j ‰ 6 6 >6™ o fp o Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‰ ‰ j ‰ 6 6 >6™ o fp o ‰

106

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‰ 6 >6™ sfp o Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‰ 6 6™ > o sfp

Œ

107

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‰ 6 >6™ sfp o Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‰ 6 6™ > o sfp

≈ ‰

Œ

ff

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 6 ‰ 6™ > o sfp

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‰ ‰ j 6 6 6™ o o fp Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‰ ‰ j 6 6 6™ o o fp Slide Whistle

? ≈ ‰

≈ ‰

≈ ‰

Ctf.

¢

œ >.

œ >.

œ.

f ff

4 8 Hn.

° &

+ ≈ œ

5 8‰

4 4

Hand Glissando

+ ≈ œ

o > œ ≈ ‰

+ j œ

mp

2 ff

mf

3 Harmon Mute ON #>œ ≈ ‰ ‰ ‰ ‰ Lip Gliss.

&

≈ #œ œ

≈ #œ œ ‰

p

~~~~~

∑ Tpt.1

p ff Lip Gliss.

&

≈ #œ œ

≈ #œ œ ‰

p

~~~~~

∑ Tpt.2

Harmon Mute ON #>œ ≈ ‰ ‰ ‰ ‰

p ff

? ‰ Trb.

j œ >. fff

¢

j œ >. fff

æj æj œæ œæ o

j œ >. fff B.D.

Perc.1

° &

∑ /

.j œ

≈ 6â ‰

.j œ

-j 6â

≈ 6â ‰

Œ

j œ

-j 6â

6â ‰

Œ

Ó ‰ /J

mf Timpano Whip (wipe the surface with a Brush)

?

∑ Perc.2

/

-j 6â

?

mf mf Cardboard Crot. polystyrene

∑ Perc.3

¢/

-j 6â

-j 6â

ç J

mf

4 8 Solo1

f

5 8 ωj

Quickly wipe the box with your hand.

BOX

°/

j ⠜

l.v.

4 4

j ⠜

∑ f Quickly wipe the box with your hand.

BOX

‰ Solo2

/

≈ œâ ‰

≈ œâ ‰

Œ

f Quickly wipe the box with your hand.

BOX

‰ Solo3

/

j ⠜

j ⠜

∑ f

Plop Plate

≈ ‰ Solo4

¢/

∑ f

4 8 Vl.1

° &

5 8‹

Ö

<1>

Ö

‹‹ ≈ ‰ >.

Œ

Ö SP III

≈ ‰

j œ

‹‹ >.

‹ >.

g

‰ fff

mf f

3 <1>

SP

IVFreely and wild

j ∑ Vl.2

& #œ œ fff

g mf SP

3 Ö

Ö IVFreely and wild

B

>‹. ≈ ‹ ‰

>‹. ≈ ‹ ‰

<1> 3

3

j

Vla.

#œ œ o f

g

fff

3

<1>

f

≤ #Oœ Oœ # ≈ J o ≤ ≈ Oœ Oœ J o #≤O O ≈ # œ œJ o

4 4

SP Polystyrene

## Oœ ? ææ

nO œ

## O˙ ææ

nO œ

f

o

II Freely and wild

#œ œ

J ∑

Vc.1 3 3 3

o

f

3

g

fff

3

<1>

o ? ∑

>Ö ‹‹. ≈

>Ö ‹‹. ≈

SP

#œ œ

Freely and wild

I

J ‰

Vc.2 3

3

g mf f

fff

f

3 SP

I arco

<1>

? ∑ Db.

j œ

j ‰

j œ

j ‰

j œ

j j ?

j ‰

¢ œ

œ

œ

∑ &#œ ‹

g mf

o

mf

o

mf

o

mf

fff

3


19 108

109

110

111

112

113

Slide Whistle

Fl.

Ÿ~~~~~~~~~~~~~ 6 ‰ Œ >6™ fp o Ÿ~~~~~~~~~~~~~ 6 ‰ Œ 6™ > o fp

° &

Ob.

&

Œ

∑ Very soft and pure, as a "sinewave"

µœ œ Œ

Œ

œ

‰ pp pppp poco cresc.

extremely staccatissimo and soft. (imitate the electronic beeps from the soundtrack)

ΠCl.1

Slide Whistle

Æ Æ ≈ ‰ œœ Æ Æ ≈ ‰ ≈ œÆ ‰ ≈ œÆ ‰ ‰ œœ

Œ

ÆÆ ≈ œœ

Ϯ

Æ Æ ≈ ≈ œÆ ‰ ≈ œÆ ‰ œœ

Ϯ

Æ Æ ≈ ≈ œÆ ‰ œœ Æ Æ ≈ œÆ ≈ ≈ œÆ ‰ œœ

ÆÆ ≈ œœ

Ϯ

Æ Æ ≈‰ ≈ œÆ ‰ œœ

& ‰

p extremely staccatissimo and soft. (imitate the electronic beeps from the soundtrack)

ΠCl.2

‰ ≈ œÆ Œ

Œ

œÆ ‰

Slide Whistle

≈ œÆ ‰

Æ Æ‰ ≈ œœ

ÆÆ ‰ œÆ ≈ ≈ œœ

Æ Æ ≈ ≈ œœ Æ Æ‰ ≈ œÆ ≈ œÆ ‰ œœ

Ϯ

Æ Æ‰ œÆ ≈ ≈ œÆ ‰ œÆ ≈ œœ

ÆÆ œÆ ≈ ≈ œœ

≈ œÆ ≈ œÆ ‰

& p

? ∑

Ctf.

¢

Hn.

4 ° 4 &

2 4

Air Sound. No pitch Blow outside the mouthpiece

‰Ó >6

5 4

6 o

fp

>œœ .. ∑ Tpt.1

4 4

Œ

>œœ .. ≈ Œ

Œ

‰ Œ

>. . ≈ œœ Œ

>œœ .. Œ

Œ

Œ

‰ ≈

& mp

>œœ .. ∑ Tpt.2

Œ

‰ ≈

>œ. Œ

Œ

Œ

Œ

>œœ .. ≈ Œ

‰ ≈

>œœ .. Œ

Œ

Œ

≈‰ Œ

& mp Brassy!

Airy

Harmon Mute ON

? ‰ Œ

Trb.

¢ œ œ >. 3 . g æ ææ œæ œ™

œ. œ. œ. ppp

molto decresc.

ff

(NOT too loud!!!)

° Perc.1

/

æ ˙™æ

æ wæ

æ wæ

æ wæ

æ ˙æ

g ppp mf

sub.

3 Timpano

- ‰ 6â ‰ 6â

(wipe the surface with a Brush)

? Œ

Œ

Perc.2

Œ

Œ

-6â6â Œ

Œ

6â ‰ Œ

Œ

mf

T.Sheet

Perc.3

æ wæ

¢/

æ wæ

æ wæ

æ wæ

æ ˙æ

ppp

4 °/ 4

2 4

"on"

Detector (move it very slowly around the box)

5 4 ‰ *~~~~~~~~~ * ‰ ‰ *~

Motor

always keep the motor in contact with the box in order to amplify it.

(sim.)

"on"

"off"

~~~

Solo1

4 4

Πmf

mf Stripped Wire "on" Touch the two wires together

Detector

‰≈ Solo2

/

Œ

Œ

Œ

Œ

Œ

mf f Motor

keep the motor in contact with the box in order to amplify it.

(still keep it in touch with the box until it stops) "off"

Switch "on"

ΠSolo3

Œ

Œ

Œ

Œ

Œ

Œ

Œ

* ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*~~~~~~~~~~~~ Œ

/

∑ mf p Motor

keep the motor in contact with the box in order to amplify it.

(still keep it in touch with the box until it stops) "off"

"on"

Detector "on"

ΠSolo4

¢/

Œ

Œ

Œ

* ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ *~~~~~~~~~~~~~~ Œ

mf mf

Vl.1

4 ° 4<#><#>Oœ ≈ ‰ Œ &

2 4

bow on the bridge. No pitch, only "white-noise".

M )

4 4

5 4 ∑

)

)

)

)

ppp

g

sff

3

bow on the bridge. No pitch, only "white-noise". (Use the electronics as a guide for intonation)

Oœ ≈ ‰ Œ Vl.2

&

M )

Π)

)

)

6

Œ µO µœ

œO

‰ œO

ppp ppp

g

p

sff ORD

3 <#>O B <#> œ ≈ ‰ Œ Vla.

bow on the bridge. No pitch, only "white-noise".

M )

(Use the electronics as a guide for intonation)

∑ )

)

˜˜Oœ

) ppp

p

ppp

g sff ( ppp!)

( ppp!)

( ppp!)

3 Œ

‰ >Q

Œ

Œ

Q Œ ≈>

Œ

>Q

Œ

Œ

Accent:

?

?

Œ

Œ

∑ /

Vc.1

O

~

~

~

O

)

)

)

)

w

w

w

˙

ppp bow on the side of the bridge. No pitch, only "white-noise".

? Vc.2

M )

ppp

ORD

? ∑ Db.

¢

r j œ> œ ™ ˙ ™ ff

sub.

ppp


20 114

115

116

117

118

119

6

° Fl. &

Œ

Ó

Œ

Ó

Œ

Ó

Œ

Ó

6 pp f Slide Whistle

<µ> œ

µœ œ

œ

œ 6

‰ Ob.

‰ ‰

& 6 pp pppp

pppp pp f poco cresc.

6 ∑ Cl.1

& 6 pp f

6 ∑ Cl.2

& 6 pp f Contraforte

6 ? ∑

Œ

Ó

Ctf.

¢ 6 pp f

Hn.

5 ° 4 &

3 8

3 4

4q 99 4 =

3 4

(qq = e.) e.

4 4

Slide Whistle

∑ Tpt.1

& >œ. œ. ‰ ≈

Tpt.2

Slide Whistle

Œ

Ó

Œ

& p

? ∑ Trb.

¢ B.D.

° ∑ Perc.1

Œ

Œ

/

Œ

Œ

Œ

œ

- 6â 6â

œ mp

p

mp

p (soft)

Damp. Triang.

. . . ååå ? ∑

Œ

Ó

/

Perc.2

ppp (soft!) REMINDER: Snare Drum has the SNARES OFF?

S. Cymb.

∑ Perc.3

¥ é

Œ

¢/

> Œ

Œ

pp

5 3 3 4q 99 8 *~~~~~~4~~~~~ ‰ *~~~~~~~~~~~~~~~~~*~~~~~*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4 ° / 4~~~~~~~~~~~~~~~~~~~~~~~~~~ *~~~~~ ‰ *~~~~~~~~~~~~~~~~~ *~~~~~ ‰ *~~~~~~~~~~~~~~~~~~~~~~~~~~~ *~~~~~ ‰ =

Solo1

ΠSolo2

/

Solo3

/

Œ

Œ

≈ ‰ ‰

Œ

3 4

(qq = e.) e.

Œ

Œ

4 4

Ó

press

Œ

release

Torch

Plop Plate

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Œ

Œ

Œ

Œ

‰ Solo4

¢/

Œ ‰ ‰

‰ ‰

∑ 3

3

f

Vl.1

5 ° 4 &

#O ‰#œ

3 8

Oœ Oœ Oœ Œ

Œ

‰ Œ œO

Œ

3 4

4 4

3 4

4 4

‰ Œ œO

Œ

pppp p

Vl.2

& µµ œO

œO

j j µµ œO œO

œO

p

<˜>O B <˜> œ ‰

˜˜Oœ

p

Oœ Oœ

Oœ™™

Oœ Œ

Vla. p

p

? ∑

Vc.1

? Vc.2

IV

PIZZ.

? Db.

Œ

Œ

∑ œ

Œ

Œ

Œ œ

¢ œ

œ pp

o

p

o

p

Œ

Œ


21 120

Fl.

121

° &

122

123

124

>Æ 6

125

Œ

Œ

‰ 6 2 pp ff

3 >Æ 6 ∑ Ob.

Œ

Œ

& 6 2 pp ff

3 >Æ 6 ∑ Cl.1

Œ

Œ

& 6 2 pp ff

3 >Æ 6 ∑ Cl.2

Œ

Œ

& 6 2 pp ff

3 ? ∑

Ctf.

¢

3 4 Hn.

° &

3 8

4 4 ?

Air Glissando Close half of the hole with the index finger. No pitch should be procuced but an air sound changing from "dark" to "bright"

∑ Tpt.1

& 6 ppp

Air Glissando Close half of the hole with the index finger. No pitch should be procuced but an air sound changing from "dark" to "bright"

∑ Tpt.2

Œ

& 6 pp The arrow on the accidentals indicates that the note should be a little bit detuned (but not as much as a quarter tone)

? ∑

Trb.

¢

° / Œ

Perc.1

Œ

- 6â 6â

â ‰ 6 6â

Œ

6 ‰ ‰

œ

>6â

f

mf

>- â 6â 6 ‰ ‰ 6™

Œ

œ mp

mf

(secco)

. œ

mp

mp

f

mp

mf

mf (two needles can be used on each hand for better performance)

Knitting Neddle butt

Perc.2

/

Perc.3

¢/

tip

>. . . . . . . . œ. . . . . . . Œ œ 6 5 o f

¥™ ≈ é

knock on the corner of a surface. (e.g. a music stand) A rising accelerando should be achieved (rhythm not strict).

¥

¥

¥ o

mf

Solo1

3 4Œ

°/

Detector far near

3 8J

far

4 4

far

far near

™ Œ

J ‰ ∑

mf (touch lightly)

/ Œ

Solo2

Œ

(touch firmly)

Œ ‰

Œ

Œ ∑

f Detector Motor Tip: motor = left hand detector = right hand

"on" "off" "on"

"off"

"on"

* ~~~*~~~~~ ΠSolo3

/

"off"

"on"

* ~~~~~~ *~~~~~~~~ Œ

Ó

* ~~~*~~~~~ Œ

‰ Ó

∑ mf

mf

mf

mf Torch press

Œ

Œ ‰ ‰

Solo4

release

≈ ‰

~~~~~~~~

Œ

Ó ¢/

3

mf

Vl.1

° &

3 4 Œ ##≤Oœ

3 8 Oœ ™™

4 4 Oœ ≈ ‰

Œ

Ó

K K Oœ

p

f

2

o

≤ ##Oœ o

f

3 The arrow on the accidentals indicates small deviations (but not as much as a quarter tone)

KK Oœ

∑ Vl.2

Oœ ‰ Œ o

& f

p

b Oœ B

Vla. mf

O ‰ œ o o

Oœ ‰ o

≥ #>œ

≈ Ó

p

p poco decresc.

f Col Legno

I ST+

very percussive! Throw the bow while dampening the strings with the left hand.

very slow bow. "Ghostly"

> Œ

? ∑

Ó

Vc.1

Π&

P P >

kœ pp

f ST+

I very slow bow. "Ghostly"

? ∑ Vc.2

&

™ œ

œ

#œ a

#œ #œ a

a

pp ARCO begin with a ricochet and start bowing imediately afterwards

CLOTH CLIP ON

? ΠDb.

Œ

‰ œ

Œ

Œ

Œ

‰ œj j

Œ

¢ œ p

o

p

œ p

o

p

Ó


22 126

127

128

>Æ 131 6

129 130

° Fl. &

Œ

Flute

Œ

∑ 6™ 2

mf

ff

3 > 6Æ ∑ Ob.

Œ

Oboe

Œ

& 6™ 2

mf

ff

3 > 6Æ ∑ Cl.1

Œ

Bass Clarinet

Œ

& 6™ 2

mf

ff

3 Bass Clarinet

∑ Cl.2

Œ

Œ

Œ

≈‰ Œ

Œ

Œ

Œ

& bœ œbœ œbœ œ œbœ >

œ o

f

œ#œ > f

? ≈‰

Ó

Œ

Œ

Œ

‰ ≈

Œ

Ctf.

¢ >œ

œ

œœ >

mf

3 4 °?

œ

œ

3 8

4 4

3 4

3 8

œ

Œ

Œ

Œ

≈œ

Hn. mf mp mp

mp Always quiet (breathe when needed)

6

∑ Tpt.1

Œ

Œ

Œ

& 6 o pp

6

™ Tpt.2

& o

Trb.

o o

o

+ ? kœ ¢ o

+ k >œ

+ lœ ‰ o

Œ

Œ

Œ

Œ

+ lœ ≈ ‰ Œ

Œ

mf

Œ

Œ

+ > k ≈œ

+ lœ

mf mf Hit the side of the Bass Drum with a rute. (Should sound similar to a whip)

>6â

° Perc.1

/

>‰ ≈ 6â6 ‰ 6â

Œ

> ‰ ‰≤ J

œ

>6â

>6â

Œ

>6â 6

> ‰ ≈≤

œ

Œ

Ϫ f

f mf

mf

f

f mf f f

mf

f

mf butt

Perc.2

/

tip

butt

>. . . . . . . . œ. . . . . . . Œ œ 6 5 o f

tip

butt

>. . . . . . . . œ. . . . . . . œ 6 5 f o

Œ

Œ

Œ

tip

>. . . . . . . . œ. . . . . . . œ 6 5 o f

Œ

Metal Block triangle beater (should sound as a triangle tremolo)

∑ Perc.3

¥ ¥ é

>¿ ææ

¥ Œ

¢/

¿ ≈‰ Œ

o mf mf

3 4

far

far

near

Solo1

°/

3 8 ‰

4 4Œ

3 4

far

far

far

far

Switch

Detector

near

Œ

near

Œ

3 8

‰ ≈

Œ

∑ mf Small Knob S. Wire

press the button and turn the knob

Small Knob

S. Wire

45° 45° 0° 0°

ŠΠSolo2

Œ

Œ

Œ J ‰ ‰

Œ

Œ

Œ

Œ

Œ ‰

Œ ‰

/ mf

"on"

Detector "on" "off"

ΠSolo3

Œ ‰

"on" "off"

* ~ *~~~~~ Œ

/

‰ * ~ *~~~~~‰

Œ

∑ mf

mf

mf Spray

Œ

Œ

Œ ‰

Solo4

¢/

Œ

Œ

≈ Œ

J J ‰

‰ ∑

p

Vl.1

3 4

° <#><#>Oœ ≈ ‰ Œ & 2 ff 3 Œ

Vl.2

Ó

3 4 8 ‰ ‰##OœJ≤ 4 Oœ >Oœ ≈ Œ

o

3 4#ϲ

> #œ. ≈ ‰

III

Ó

2 sff

o

Œ

K K Oœ

Œ

& o

mp

Œ

Œ

Œ

Œ

> Œ

Œ

2 f

3 ≤ Oœ ‰ Œ III #œ o o

3 8

3

#>œ. J J J 2f 3

Œ

K≤ K Oœ

Œ

>O œ ‰ o

o

f

Col Legno

≥ B Vla.

≥ #>œ

≈Ó

very percussive! Throw the bow while dampening the strings with the left hand.

≈Ó

#>œ f

poco decresc.

f

P P >

poco decresc.

ff

œ Vc.1

&

œ

#œ #œ a

#œ #œ œ

a

a

a

o Col Legno

I veryST+ slow bow. "Ghostly"

very percussive! Throw the bow while dampening the strings with the left hand.

> Œ

? œ Vc.2

&

Œ

&

P P >

o

#œ #œ œ

a

a

a

pp ff

> ≈‰

?

Ó

> Œ

Ó

> Œ

Db.

¢ >œ œ œ

>œ œ

>œ œ

f

f

f

Œ


>œ. 132

Fl.

133

° &

23

134

135

Œ

‰≈

136

137

138

139

Ó

Ó

Ó

mf

>œ. ∑ Ob.

Œ

‰≈

& mf Slap

∑ Cl.1

Œ

‰≈

Œ

‰ Œ œ œ # œ œ œ # œ œ#œ >3 o œ#œ œ mf p 2 Œ ‰ Œ œ œ fp œ#œ œ#œ œ œ#œ > o mf 3 2 ∑ Œ ‰

& >-

molto decresc.

mf

‰ Cl.2

Œ

≈Œ

Œ

‰≈

Ó

& œ # œ œ # œ # œ œ # œ œo

œ#œ œ#œ œ œ#œ >

>œf

œ#œ œ o

molto decresc.

f

? ∑

≈‰

Œ

Œ

Ó

Ctf.

¢

œ. >œ œ

œ >.

mp

œ mf

ff mf

3 °? 8 œ

œ

4 4Œ

œ

‰ œ

œ

œ≈‰

3 4

>+ ‰≈œ Ó

Œ

2 4

Œ

+ >œ ‰

Œ

Œ

Hn. mf

mf

fp

mp f Trumpet Harmon Mute ON

6

> ‰ ≈#œ Ó

™ Œ Tpt.1

Ó

Œ

Œ

& o f Trumpet Harmon Mute ON

∑ Tpt.2

Œ

‰ ≈#œ Ó >

&

f

o + k ‰ œ

? ∑

Œ

+ lœ ‰

Trb.

¢ mf

œ >. fff

° ‰ Perc.1

> ≈≤

Œ

/

> ≈≤

œ

œ

mf

mf f

f

f Whip butt

tip

Metal Rod

∑ Perc.2

>. . . œ

Œ

/

.

f

. . . . œ. . . . . .. Œ 6 5 o

Ó Œ

Œ Œ

‰Œ Œ Œ

> 8µ

f

Œ

mf

Metal Block Crot. l.v.

∑ Perc.3

‰ Œ

Œ

Œ

Œ

triangle beater (should sound as a triangle tremolo)

>Æ ¿

Hard Mallet!

ç

‰≈

Ó

¢/ ff

>¿ æ

Œ

mf ff

Solo1

3 °/ 8

scratch the detector with the milk-frother and hold it in the air

4 4

3 43

2 42 ‰ Œ

Button

Œ ∑

far far

release and don't move

press

Q ‰≈

near

Detector

Œ

∑ ff (big movement!)

ff

f

Button

Don't move! Freeze!

Switch

S. Wire

‰Œ

Œ ‰

Ó Solo2

/

f f release and don't move press

Switch

3

"on" "off"

2 ≈

Button

* ~~*~~~ ΠSolo3

/

‰Œ Œ

Œ ‰

Œ ‰

Ó

∑ ff (big movement!)

mf

p Spray the box !!!

ŠΠSolo4

¢/

Œ

Stop and move the spray away from the box

Œ

ff

Vl.1

3 ° 8‰ &

PIZZ. Very dry, aggressive pizz. No resonance

4 4Œ

>O ≈œ

1≤ ARCO

Œ

≤ ##Oœ o

>O > œ Œ

Oœ ™™

3 4

1

Very Short and fast!

‰≈

Ó

2 4 ∑

Œ

Oϲ o

>O œ≈‰

Œ

2

2 f fff ff

3 ff

3 ≤ KKOœ J o

‰ Vl.2

&

>O œ‰ Œ

Oœ J

(in tune!)

≤ nnOœ o

>O > œ Œ

Oœ ™™

Œ

Ó

Œ

≥ #>œ ™

Oϲ o

2 fff

>O œ ≈‰ 2 fR

o

Œ

3

f

3 >O œ

PIZZ. Very dry, aggressive pizz. No resonance

B

ARCO

Œ

Œ

Vla.

≤ ##Oœ o

>O > œ Œ

Oœ™™

Œ

Œ Œ

ord. Col Legno

> ‰ P P > ff

#œ Œ o 3

2 fff

molto decresc.

f ff

2 3

Œ

PIZZ. Ordinario Ricochet Very Short and Precise!

> Œ

?

∑ Vc.1

Œ

> ‰ Œ œ

Œ

& P P >

b>œ Ó

œ> Œ

‰ mf

f f

(quasi glissando) Ordinario Ricochet Very Short and Precise!

≥ > Œ

? œ Vc.2

&

Πo

Ó

Œ

∑ œ #œ œ #œ œ#œ œ œ > o f 3 2

œf

molto decresc.

PIZZ. Very Short and Precise!

CLOTH CLIP OFF

> Œ

? ∑ Db.

¢ >œ œ f

Œ

Œ

> ‰ Œ >œ f

bœ Ó

‰ mf

œ> Œ


>œ # œ # œ œ145

24 141

142

143

144

>œ. 146

140

Fl.

° ‰ œœ & #œ œ#œ œ#œ œ œ#œ œ#œ >

œ#œ œ œ ≈ nœ #œ nœ#œ œ nœ #œ nœ #œ œ œ ≈ #>œ œ#œ œ#œ œ œ#œ #>œ

Œ

∑ 3

Œ

o

f

molto decresc.

f fp f

fp f fp f

2 >œ. & ‰

Ob.

œ #œ œ #œ œ # œ œ œ # œ œ#œ œ >

œ #œ œ #œ œ ≈ œ n œ # œ nœ #œ œ nœ #œ nœ #œ œ ≈ # œ œ œ # œ œ#œ œ #œ > >

fp

fp

f

Œ

Œ

‰ mf

fp

f

Cl.1

f

Œ

≈‰ Œ

& œ#œ œ#œ œ œ >f 3 o 2 ‰ ∑

œ#œ œ p

molto decresc.

& ‰

Cl.2

Œ

Œ

œ œ#œ œ#œ >

œ œ#œ œ#œ œ#œ œ

fp

œ#œ œ#œ >

fp

œ œ#œ œ#œ œ#œ œ nœ#œnœ#œ >

fp

Œ

œ

fp

f

œnœ#œnœ#œnœ#œ œ fp

f

f

f

? ∑

Œ

Œ

‰ Œ

Ctf.

¢ œ

œ

+ >œ

°? ∑

œ

+ >œ ‰

+. œ

Œ

Œ

Œ

Hn. fp

∑ Tpt.1

mf

mp

Œ

>> ≈ #œ œ

> ‰ #œ

Œ

& mf ff

∑ Tpt.2

Œ

≈ #œ >

&

Œ

‰ #œ > mf

ff

o

o

+ ? ‰ kœ

+ lœ ≈ ‰ Œ

+ k ‰ œ

o + lœ

+ k ŠϪ

+ lœ ≈

Trb.

¢ mf

f

mp

f

mp

mp

f

mp

mf

. œ

° ∑ Perc.1

/

> ‰ Œ

. > ‰ Œ œ

Whip

Ó > 8 µµµµµµµ

∑ Perc.2

/

Ó

Œ

‰ Œ

mf Metal Block Crot. triangle beater (should sound as a triangle tremolo)

ç ‰ Perc.3

ç

l.v.

Œ

ç

l.v.

Œ

l.v.

Œ

Œ

¢/ f

f

f

>Æ ¿

Hard Mallet!

¿ æ

Œ

mp mf

1 < > æJ ‰3 ‰ ‰

BOX

Solo1

°/

ff

Switch Button

/ Œ

Solo2

Œ

Œ ‰

Œ ‰ ∑

Œ ‰ ‰

∑ 3 f

Button

‰ Solo3

/

Œ

Œ

‰ ∑

45° 0° 45°

ΠKnob

Œ

≈ ‰

‰ Solo4

p

Vl.1

Switch

Œ

¢/ f

≤ >œ

° ‰ &

≤ >œ

#>œ

∑ 2

f

ff

≤O ‰ & œ o

2

f

>O œ

Oœ ™™

2

ff

2

f

≤O œ o

Œ

2 ff

≤ ≥ # # œO #>œ #œ ≈ oo ff3 2 œ > II ≤ ‰ ‰ #œ

PIZZ.

≤ ? ‰ #œ

#>œ

ARCO

>O œ

Oœ ™™ 2

≤ ≈ Oœ ™™ o

>O œ

accel.

™ Œ

2 ff

3 >O œ

Oœ™™ 2

#≤O ™ ≈# œ ™ o

>O œ

Π2

ff

ff

≥ #>œ f3 2 b>œ œ > ‰

Œ

Œ

#œ o

molto decr.

3

3

PIZZ.

#>œ

ARCO

b>œ

II

‰ ff

molto decr.

3

Œ

ff

ff

>O œ

3

3

Oœ™™

Very Short and fast!

3

ff

Vla.

#>œ

3 #≤O B ‰# œ o

1≤

≤ >œ™

#>œ

3 Vl.2

#>œ ≤ ≈ #œ ™ II

accel.

accel.

Œ

Ordinario Ricochet Very Short and Precise!

ARCO

> ‰ Œ

Vc.1

œ 2

f

2

mf ff

f

ff

2

f

ff mp f

3 > #œ

3 > #œ

3 > #œ

Ordinario Ricochet Very Short and Precise!

I accel.

? ‰ #œ≤

accel.

#ϲ

™ Œ

Œ

accel.

≤™ ≈ #œ

> ‰ Œ

Vc.2

2

f

ff

2

f

3

ff

2

f

3

>œf

ff

3 “>” nœ

PIZZ.

PIZZ. Very Short and Precise!

ARCO

bœ ? ∑

Œ

œ > ‰ Œ

Œ

>≤ ≈ #œ ™

accel.

Œ

bœ œ > ‰

> ‰ Œ

ARCO

Db.

¢ 2

f mf

mf ff

3 f

1


>œ #œ#œ œ#œ

147

>Æ œ

# œ œ # œ # œ149œ

148

25 150

151

#œ œ Fl.

° Œ &

® 3

Œ

Œ

≈Œ

Œ

Œ

o molto decresc.

f

p

f

ff

2 >œ. ∑ Ob.

>œ. ≈≈

Œ

≈≈

≈ ≈‰ œ#œ n œ # œ œ n œ # œ #œ > o f3 2 Œ Œ

&

(slap)

≈Œ Cl.1

≈Œ

Œ

& œ#œ œ#œ œ œ >f 3 o 2

molto decresc.

molto decresc.

∑ Cl.2

nœ #œ œ#œ œnœ#œ > o f 3 2 ≈ ‰ œ #œ œ#œ#œ œ#œ œ#œ o f> 3 2 Œ Œ

&

Œ

> Œ

‰ #mf

molto decresc.

Œ n>œ

mf

molto decresc.

Ctf.

? Œ ¢

œ '

Œ

Œ

Œ

œ

œ >.

≈‰ ≈

œ >.

œ

> ≈Œ

œ

œ

œ

mf mf f

3 4Œ

°? ∑

>œ ‰

Œ

+ >Æ œ≈≈

+ >Æ œŒ

(close the hand around the whistle)

+ 6 o

Air Whistle

Œ

Œ

Œ

Hn. fp

(open)

o 6

6

> Œ

2 4

6 2 f>

mf

3 ∑ Tpt.1

Œ

Œ

&

> > #œÆ ≈ ≈ œÆ Œ

Œ

Œ

Œ

#œ. ‰ >

#>œ

#œ. >

> Œ

œ >.

f ff (or tongue slap)

A ª ∑ Tpt.2

Œ

Œ

&

#>œ

#œ ≈ ≈ œ Œ ' >'

Œ

Œ

A ª ≈‰ ≈

A ª ‰

#f

A ª ‰

#f f

> ≈Œ

f

f mf

o >œ.

+ Ϫ

?

o + kœ

> Œ

Œ

Œ

+ lœ

Œ

> Œ

Trb.

¢ p

mf

. œ

° Perc.1

/ ‰

> Œ

> ‰

Œ

Œ

œ

. > . > ≈≈ Œ œ œ

Œ

mp

p

mp

Ó Perc.2

/ Œ

triangle beater (should sound as a triangle tremolo) Hard Mallet!

Perc.3

¿ æ

Œ ¢/

Œ

>Æ ¿

Crot.

ç Œ

l.v.

‰ Œ

f

Œ

f

mf

3 4

2 4

Switch

Solo1

°/ Œ

Œ

Œ

Œ

∑ p

mf

Switch

≈≈ Solo2

/ Œ

Œ

Œ

Œ

Œ

Œ ‰

∑ f

f

Button Switch

≈ Solo3

/ Œ

Œ

≈≈ Œ

Œ

Œ

Œ ∑

f

90° 45°

45°

Knob 0° 0°

Œ

Œ

‰ Solo4

¢/

∑ f

Vl.1

° &

3 4Œ

PIZZ. Very Dry and piercing!

>œ >O. œ

Œ

Œ

≤ ##Oœ o

Œ

‰ 2 sff

>œ ‰

>œ > Œ

ff

f

3 ≥ >œ ∑ Vl.2

œ

Œ

Œ

≤O œ o

Œ

&

2 sff

3

o molto decresc.

3

f

2 Vla.

≥ B #œ > 3 ff

#œ Œ o

Œ

≤ ##Oœ o

Œ

2 sff

molto decr.

3 2 (quasi glissando)

≥ ? #>œ

#œ Œ o

Vc.1

3

(quasi glissando)

≥ ≈ ≈Œ #œ nœ #œ œ #œ œ œ > o f 3 2

molto decresc.

ff

molto decresc.

2

Œ

≥ ≈ ≈‰ #œ nœ #œnœ #œ œ œ#œ > o f 3 2 molto decresc.

(quasi glissando)

IV sim. quick gliss.

≥ > ? ‰

Œ

Œ

Œ

‰ œ

Vc.2

>œ mf

œ #œ œ # œ œ # œ œ œ #œ > o f 3 2 > #>œ ≈ ≈ #œ ‰

‰ ≈œ

≈≈œ

≈œ >

≈≈œ

≈œ >

œ

> Œ

mf

molto decresc.

IV

> Db.

? ¢ ‰

œ >

PIZZ.

Πmp

IV

n>œ

quick gliss. sim.

Œ

nœ. ≈ ≈ œ. Œ

Œ

Œ

‰ œ mf

f

‰ ≈œ œ

> Œ

2 4


>œ # œ # œ œ157# œ

Aeolian Sound Much air, a little bit of pitch

26 152

153

154

155

156

#œ œ#œ#œ #œ œ

° Fl. &

œ#œ œ œ ≈ nœ #œ nœ#œ œ nœ #œ nœ #œ œ œ ≈‰ #>œ œ#œ œ#œ œ œ#œ >œ fp

&

f

œ #œ œ #œ œ ≈ œ n œ # œ nœ #œ œ nœ #œ nœ #œ œ ≈‰ # œ œ œ # œ œ#œ œ œ > > fp

fp f

f

∑ Cl.1

fp f

Ob.

> ‚ ‚‚ ‚‚ ‰ Œ ‚‚‚ ‚‚ ‚ ff o Ÿ~~~~~~~~~~~~~~~~~~~~~~~ > Œ 6 Œ 6> o fp > ‰ Œ œbœ œbœ œbœ œ œbœ œbœ œ >f o

&

Œ

®‰

‰ p

3

o molto decresc.

f

2 ∑

Œ

œ #œ œ#œ œ œ#œ >3 o f 2 ≈ ‰ œ #œ œ œ#œ œ#œ œ#œ >f 3 o 2 Œ Œ

mf

molto decresc.

(slap)

≈ Cl.2

≈‰

Œ

Œ

≈Œ

& œ#œ œ#œ >

œ œ#œ œ#œ œ#œ œ nœ#œ nœ#œ >

fp

-

œnœ#œnœ#œnœ#œ œ

œ#œ œ#œ œ œ > fp mf

mf

molto decresc.

fp f

f

? ∑

Ó

Œ

Œ

Œ

Ctf.

¢ nœ

œ. mf

2 °? 4

3 4

Horn

f

Hit the mouthpiece with the hand (or perform a tongue-slap)

A ª

Œ

Œ

2 4≈

3 4

>œ. ‰

Œ

Hn.

f mf f Air Sound Blow outside the mouthpiece

ΠTpt.1

≈ #œ ‰ >

&

Œ

#>œ ≈‰

∑ 6 >ffp

f

> Œ

Œ

> Œ

Œ

o

Air Sound Blow outside the mouthpiece

ΠTpt.2

≈ #œ ‰ > f

&

Œ

#>œ ≈‰

o ?

∑ 6 >ffp

o

o

+ kœ

+ + lœ ≈kœ

+ lœ ≈‰

o >œ.

+ Ϫ

A ª ∑

Œ

Œ

> Œ

Trb.

¢ bf mf mp mp

f

mp

mp

f f Vibraphone

. . . ¿ ¿¿ œ

f Pass a knitting needle on the vib. tubes

° ∑ Perc.1

/ B.D.

. ¿

. ¿

.

. .

molto rall.

> ¿ ¿ Œ

¿ Œ

> ‰

B.D.

> ‰

>6â

œ

mf

Œ

œ

mf

mf

f

Metalic Rod (move the rod to the edge of the table) A downward glissando should occur.

Whip

Ó Œ Perc.2

Ó ‰

Œ

> ≈ ‰ Œ 8 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~

/

Boing!

Metal Block (one fast turn) triangle beater (should sound as a triangle tremolo)

Ratchet

ç

ç ≈

l.v.

‰ Perc.3

´ ææ

¢/ f

Solo1

2 °/ 4

¿ æ‰

l.v.

Œ

Œ

Œ

ff

3 4 BOX

mf

2 4

1 æ

3 4

Switch

≈ ‰ Œ

>-

Œ ‰ ∑

ff mf

BOX

Solo2

/

1 ææ

Switch

‰ Œ

>-

Œ ∑

ff

BOX

Solo3

/

mf

1 ææ

>-

‰ Œ

Œ

Œ

ff Switch 180°

Œ ‰ Solo4

¢/

Œ

∑ ff mf Col Legno Battuto

2≤ ° 4 >œ &

ARCO

Vl.1

≤ >œ

#>œ

#>œ

3 4 ‰

SP+

II III

ST+

¿¿. ¿. ¿. ¿. ¿. . . ¿ ¿ ¿ ¿ ¿¿ ¿ ¿

¿¿. ¿. > ¿ Œ

2 4‰

3 4

Ord.

>O≥ œ

Œ

molto rall. bounce the wood of the bow along the strings. Keep the strings dampened. Only "clicks" should sound)

2

2

f

ff f ppp ff

ff

f

3 Vl.2

&

≤O œ o

#≤O B #œ o

Vla.

#ϲ

II

?

accel.

Vc.1 f I accel.

#ϲ ? Vc.2 f

≥ >œ

3

Oœ >Oœ ≈ ≤Oœ 2 ff o 3 Oœ >Oœ ≤Oœ ≈ 2 o 3 ff #>œ ≤ ≈œ 2 f 3 ff> #œ ≤ ≈œ 2 f 3 ff >≤ ‰ ≈#œ

>O œ

Oϲ

>≥O œ

o

f

Oœ ‰

Œ

œ

Col Legno Battuto

2 ff

3 SP+

3

ST+

II III

>O œ

¿¿. ¿. ¿. ¿. ¿. . . ¿ ¿ ¿ ¿ ¿¿ ¿ ¿

ff

molto decresc.

f

2 ¿¿. ¿. ¿. > ¿ ¿‰

≥ #>œ ff3 2

Ord.

Œ

molto rall. bounce the wood of the bow along the strings. Keep the strings dampened. Only "clicks" should sound)

2

o

o

3

ppp ff

Œ

Œ

#œ o molto decr.

(quasi glissando)

#>œ

#>œ

≥ #œ ≈Œ>

accel.

‰ 2

∑ 3 2 > #œ

ff

o

mf

3 > #œ

≈ #œ œ #œ œ#œ œ œ > o f 3 2 molto decresc.

(quasi glissando)

≥ accel.

‰ 2

#œ ≈Œ>

∑ 3 2 “”#>œ

ff

o

mf

3 “>” #œ

œ > ≈Œ o

accel.

Db.

¢ 2

f

3 ff mf

3 2

œ #œ œ ≈ ‰ œ # œ œ œ # œ #œ > o f 3 2 #>œ ≈ ≈ #œ Œ molto decresc.

ARCO

?

PIZZ.

mf


>. œ

>œ.

>œ.

œ. œ. œ. œ.

158

Fl.

159

° &

≈‰

Œ

161

Œ

>œ #œ#œ œ#œ#œ œœ

>œ.

160

162

≈ ‰

163

≈ Œ

27

164

Π3

o

ff p6

2

f f

>œ.

>œ.

#>œ.

≈≈ Ob.

Œ

>œ.

>œ. ≈

Œ

>œ. ≈ ‰

Extremely dirty and noisy almost multiphonnic

≈ Œ

&

æ æ ‰ #œæ œæ >

f f f

mf

∑ Cl.1

‰ œ œ œ # œ œ œ # œ #œ >. mf >3 o f 2 ‰ œ#œ œ œ œ#œ œ#œ œ#œ œ

&

‰ ≈

≈‰

œ œ

Œ

œ œ#œ œnœ œ#œ œ#œ œ œ#œ œ#œ >ff 3 o 2 ≈ ‰ Œ

mf

molto decresc.

molto decresc.

(soft)

& nœ ≈ ≈ œ Œ > > mf

Cl.2

Œ

œœœ Extremely dirty and noisy

? ‰

Œ

Œ

Ctf.

¢ œ

#>œ > æ ‰

>œ ææ

#œ œ 2 ff 3

#>œ œ o ‰ æ ææ

p

œ œ œ#œ

Œ

œ f

Œ

>fœ

ff

mf

3+ + °? 4 >œÆ ≈ ≈ >œÆ Œ

2 4Œ

Œ

+> œ

A ª

‰ ≈œ œ≈‰

‰ œ

Œ

Œ

Hn.

f mf ff

f mf Mute Tremolo repeatedly open and close the mute

>Æ >Æ & #œ ≈ ≈ œ Œ

Tpt.1

Œ

ææ > #>œ ‰

ææ > œ>

=¯ +>= œ œ ‰ ææ ææ

f mf ff Mute Tremolo repeatedly open and close the mute

& #œ ≈ ≈ œ Œ >' >' mf

Tpt.2

Œ

> æ ‰ #>œ

ææ > œ>

=¯ +>= œ œ ‰ æ æ

f ff

o >

+ kœ

? ∑

Trb.

¢ mp

Mute Tremolo repeatedly open and close the mute

+ lœ o

‰ ≈

Œ

≈Œ

=¯ += # œ ‰ æ æœ

mf

ff

ff Hard Mallet!

>Æ ¿

Metal Block

° Perc.1

/

. > .> ≈≈ Œ œ œ

> ‰

Œ

Œ

Œ

œ

mp

mf

f

Ó

Ó

Ó Œ Perc.2

‰ Œ

Œ

Œ

/ 3

mf Metal Block Hard Mallet!

Wood Blocks

ΠPerc.3

Œ

>¿ æ

¿™ ≈ æ æ

œÆ œÆ œÆ œÆ Œ

¢/

Œ

6

mp mf mf

Solo1

3 °/ 4 Œ

2 4

Button

back on table

Q Detector

<3> Œ

scratch the detector with the milk-frother and hold it in the air

Œ ‰ ∑

Œ

f ff back on table

Q

<3> Œ

Button Detector

≈≈ Œ Solo2

scratch the detector with the milk-frother and hold it in the air

Œ ‰

/

Œ

f ff back on table

Q Button Detector

ΠSolo3

Œ ‰

<3> Œ

scratch the detector with the milk-frother and hold it in the air

/

Œ

mf 6 ff back on table

Q Detector

<3> Œ

scratch the detector with the milk-frother and hold it in the air

Œ

‰ Solo4

¢/

∑ ff

3 ° 4Œ &

Vl.1

2 4Œ

Ϯ Ϯ Ϯ Ϯ

Stacatissimo. Very precise!

Œ

>Æ œ >O≥ œ

Œ

≥ >œ

>Æ œ ≈ ‰

≈ Œ

Œ

6

f

f

f

f Overpressure keep the strings dampened. Extreme bow pressure. No pitch, just a "cracking" sound.

f Stacatissimo. Very precise!

#Ϯ ΠVl.2

Œ

œÆ ≈

Ö

#Ϯ

Oϲ

o

f

Œ

≈‰

& mf

>

‰ ‹ ≈Œ ‹ >.

Œ

Vla.

2

o

ff

≥ #>œ ™ ff 3

mf ff Ö

Œ

o

≤ ## Oœ B

Ö

>

‰ ≈‹ Œ ‹ >.

Œ

Ö

> ‰ ≈ ‹‹ Œ >. ff

#œ o molto decr.

> ‰ ‹‹ ≈ Œ >.

3 2 Overpressure keep the strings dampened. Extreme bow pressure. No pitch, just a "cracking" sound. PIZZ.

Ö

b>œ ? ∑

Œ

œ > Œ

ARCO

Œ

>. > ‰ ≈ ‹‹ Œ

>Ö . > ‰ ‹‹ ≈ Œ

III

≤ bœ

Œ

Vc.1

Œ

Œ

bœ mp ff (quasi glissando)

≥ ? ∑

Œ #œ œ #œ œ#œ œ œ#œ > o f 3 2

Vc.2

Ö >. > ‰ ≈ ‹‹ Œ

>Ö . > ‰ ‹‹ ≈ Œ

III

2

o ≤ bœ

ff

3

Œ bœ 2

o

ff ff

molto decresc.

3 bœ

? Db.

¢

nœ. ≈ ≈ œ. Œ

Œ

Œ

œ > Œ

œ

Œ

‰ bœ o

mp f


>. >. >. >. # œ œ # œ # œ170œ œ œ œ

Aeolian Sound Much air, a little bit of pitch

28 165

Fl.

166

167

168

° œœ≈ > œœ≈ ‰ & #œ nœ#œ œ#œ œ nœ#œ nœ#œ nœ #œ nœ#œ œ nœ #œ nœ #œ œ >

> ‚ ‚‚ ‚‚ ‰ Œ ‚‚‚ ‚‚ ‚ f o Ÿ~~~~~~~~~~~~~~~~~~~~~~~ > Œ 6 Œ 6> o fp

fp f fp f

Ob.

&

œ #œ œ #œ œ ≈ œ n œ # œ nœ #œ œ nœ #œ nœ #œ œ ≈ ‰ # œ œ œ # œ œ#œ œ œ > > fp fp f

169

Œ

Œ

‰ Œ 2

p

mf 6

3 (prepare the SQUEAK in your hand)

Œ

f 3

∑ Cl.1

> Œ

Œ

Œ

& nœ >œ b œ œ b œ œ b œ œ œ b œ œ b œ œ o f

mf

(slap)

≈ Cl.2

≈‰

Œ

Œ

Œ

& œ#œ œ#œ > fp

œ œ#œ œ#œ œ#œ œ nœ#œ nœ#œ >

-

œnœ#œnœ#œnœ#œ œ

œ#œ œ œ#œ œ#œ œ œ#œ

mf

p mf

poco cresc. (slap)

f

fp f

? ∑

Œ

Œ

Œ

Œ

Œ

Ctf.

¢ n>œ

mf

3 4 °? ∑

mf

4 4 ªA

2 + 4‰ œ

3

Œ

Œ

Œ

Hn.

f mf f Air Sound Blow outside the mouthpiece

& Œ

Tpt.1

≈ #œ ‰ >

Œ

#>œ ≈ ‰

∑ 6 >fp

> Œ

Œ

Œ

> Œ

Œ

Œ

Œ

Œ

Œ

>6â

o

Air Sound Blow outside the mouthpiece

& Œ

Tpt.2

≈ #œ ‰ >

Œ

#>œ ≈ ‰

o

∑ 6 >fp

o

o

+ ? kœ

+ + lœ ≈kœ

+ lœ ≈ ‰

A ª ∑

Trb.

¢ bf mp

f

mp

mp

f

mp f

. . . ¿ ¿¿ œ

Vibraphone Pass a knitting needle on the vib. tubes

° ∑ Perc.1

/ B.D.

. ¿

. ¿

.

.

.

molto rall.

> ¿ ¿ Œ

¿

B.D.

Œ œ

mf

mf

f

Metalic Rod Whip (bounce and move the rod to the edge of the table) A downward glissando should occur.

Ó Œ Perc.2

Ó

Œ

Ó

> ≈ ‰ 8 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~ f

/

Œ

Œ

Œ

Boing!

f

mf

(one fast turn)

Crot.

Crot. Ratchet

ç

‰ Perc.3

ç ≈

l.v.

ç

l.v.

´ ææ

¢/ f

BOX

Solo1

Œ

Œ

l.v.

Œ

Œ

ff

3 4 °/

Œ

Œ

f

4 4 æ1

Switch

>-

Œ

2 4

Œ

Œ ∑ mf

ff

1 ææ

BOX

Solo2

/

>-

Œ

Œ

Œ ∑ mf

ff

1 ææ

BOX

Solo3

/

Button

>-

Œ

Œ

Œ ∑ 3

ff f less air

more air

less air

> Knob

Switch

180°

Spray

Œ

Œ ‰

Solo4

¢/

Œ

∑ ff

2 mf3 3 2

o p

Vl.1

° &

≤ >œ

≤ >œ

#>œ

#>œ

3 4 ‰

4 ¿. ¿. . . 4 ¿ ¿ ¿¿ ¿¿ ¿¿. ¿¿. ¿¿. SP+

ST+

II III

¿¿. ¿. ¿

> Œ

Œ

2 4 ‰ ##Oœ≤

>O #O≤ œ ≈# œ

molto rall.

o 2

f

ff

2

f

2f o

ff ff

ppp

3 3 ≤O & œ o

Vl.2

3

≤ >O œ ≈ Oœ 2 o

>O œ

Oœ≤ Oœ

KKOœ

mf

f

2 ff

o

SP+

3 #≤O B# œ o

Vla.

? II#ϲ

accel.

Vc.1 f I accel.

? #ϲ Vc.2 f

3

ff

Oœ >Oœ ≤Oœ ≈ 2 o 3 ff #>œ ≤ ≈œ 2 f 3 ff> #œ ≤ ≈œ 2 f 3 ff >≤ ‰ ≈#œ

ST+

II III

>O œ

¿¿. ¿. ¿. ¿. ¿. . . ¿ ¿ ¿ ¿ ¿¿ ¿ ¿

¿¿. ¿. ¿

¿. > ¿ ‰ Œ

molto rall.

2 ff

3

ff

o

f

#O≤ ‰# œ o

>O bO O œ ≈ ≈œ œ

2f

ppp

mp

3 #>œ

#>œ #œ ≈ >Œ

accel.

‰ 2

∑ 3 2 > #œ

ff

Œ

≥ #>œ ™ ff3 2

Œ

o

mf

3 > #œ

#œ ∑ o molto decresc.

≤ (quasi glissando)

accel.

#œ ≈ >Œ

∑ 3

2

ff

Œ

o

œ#œ œ#œ ≈ œ # œ œ œ # œ #œ

mf

2 3 “>” #œ

p poco cresc.

mf PIZZ.

ARCO

? Œ

accel.

Db.

‰ œ

¢ o 2

f

f ff

3

Ó

‰ >œ

œ mf

Œ

mf

o


>œ. >œ. >œ. 171

Fl.

172

° &

173

174

175

>œ. >œ. >œ. >œ. J

176

Œ

29

#œ#œ

≈ 3

3

mf very short !

#>œ. ‰ >œ. ‰ >œ. ææ ææ æ

Dirty and noisy

∑ Ob.

&

#>œ. ≈ ‰ ææ

Œ

Œ

Œ

Œ

3

mf mf

® Cl.1

≈‰

& n œ # œ nœ œ œ#œ œ#œ œ#œ œ

œ œ#œ œ#œ œ

œ#œ œ#œ

#œ œ#œ œ œ#œ œ >œ # œ f

œ#œ œ#œ > mf

pp

f fp

∑ Cl.2

Œ

fp

≈‰

Œ

≈‰

& bœ œbœ œ bœ œ œbœ œo > >œ. f 32

bœ œbœ œbœ œ œbœ œ > o > f3 . #œ 2 Œ ææ ≈ ‰ Œ

very short !

molto decresc.

>œ. #>œ. æ ‰ æ ‰æ

Dirty and noisy

? ∑ Ctf.

¢

molto decresc.

3

mf mf

Aª f

°? ∑

Œ

3 8

Hn.

2 4 ∑

3 4Œ

3 8

Aª f

3 4

Œ

Œ

Œ

Œ

Œ

mf mf very short !

∑ Tpt.1

+ ææ #œ ≈ ‰

&

f very short !

∑ Tpt.2

+ æ ≈‰ #œ

&

f very short !

+ kœ

?

o > lœ

o+ > lœ œ ‰ 2 mf3 o 3 2

+ ‰ kœ

Trb.

¢ 2 f ppp

pp

3 > 3 > . . . ‰ ‰ œ œ œ

° ∑ Perc.1

/

> ‰

o Œ

+ lœ

+ kœ J

Œ

J

J

p

mf

mf

Ó ∑ Perc.2

∑ >. >. 3 >. Ô j jÔ jÔ ‰œ ù ‰œ ù ‰ œ ù

Guiro Always With Credit Card

Ô

∑ Perc.3

Ó J

Œ

/ very quick!

Ô. ù ‰ ≈Œ

Œ

¢/ f

f

f ff

.

.

3 8

.

SAW

Solo1

°/

2 4

3 4

3 8

.

Œ

3 4

Œ ∑

3

f

Button

ΠSolo2

/

Œ ‰

Œ ∑

f f

Œ ‰ Solo3

/

J 3

3 less air

more air

less air

less air

more air

> ‰ Solo4

¢/

> J

∑ 2 mf 3

o

o 2

Vl.1

° <#><#>Oœ &

≤ #œ

>≥Æ œ

> # œ.

3 8

>Æ≥ œ

2 4##Oϲ

J o 2 mf32 3

3 Very short!

less air

3 4

3 8##Oϲ

o

3 4

3

mf fff

2

Very quick

3 as high as possible on the G string (left hand close to the bridge!)

Oœ Vl.2

IV

≥ 1>

Œ

≥3 1>

1

≥ 1>

1

1

2

o ≤ KKOœ

f

o ≤ KKOœ J

ff

3 Oœ

& ff

ff

2 ff

3 Oœ J

Oœ J

ff mf mf mf

mf

<b> Oœ B

Œ

f

f

b Oϲ

b Oϲ

Vla. p mp p

p mf

Very quick

p

mf very short !

≥ #>œ

?

#œ ‰ o

≥ ≥3 ≥ > > # œ #œ ‰ œ œ ‰ >œ

‰ Vc.1

3

≥ #>œ#œ ‰

œ

II

Œ

Œ

pp

molto decresc.

ff ff

ff

ff

f

2 very short !

≤ bœ

PIZZ. ARCO

III

?

j Œ

bœ ≈ ‰

Vc.2

‰ œ >

j ‰ oœ

2

o

ff

≥ b>œ œ ‰

Œ

Œ

Œ

f f

3 ?

j ∑

Db.

¢

#≤œ J

Œ

‰ œ >

j ‰ oœ

Œ œ œ

f

o f

accel.


>œ. >œ.

30

>œ. >œ. >œ. >œ.

177

Fl.

>œ.

178

° &

≈ ≈Œ

179

Œ

Œ

> > œ. œ œ. œ183œ. œ

>œ. œ. œ. 181 182 J ‰‰ ‰‰ ‰

180

Œ

>. œ

>œ. >œ. >œ.

œ. œ.

184

œ.

185

Œ

‰Œ Œ

≈≈

3

mp

3

3

2 f

f

ff f (in the background)

3 #>œ. ≈ ‰ Œ & ææ very short !

Ob.

Oboe

Œ

Œ

≈#œ œ #œ œ#œ œ

p mf (slaps)

∑ Cl.1

Œ

‰ Œ

& œ œ#œ œ#œ œ#œ œ œ#œ œ#œ > fp

-

-

mp f 3

‰ ææ ≈Œ >œ mf

ΠCl.2

&

‰‰ ≈ Œ œ

mf

#>œ. ææ ≈ ‰

? ∑

Ctf.

¢

#>œ. ‰ æ ≈Œ æ

Œ

‰ ‰ ≈ ≈ ≈≈ œ # œ nœ#œ œ nœ#œ œ œ # œ œ œ # œ n>œ # œ f mf > > mf #œ ™ œ ∑ ≈ æ ææ ≈ ‰ æ

‰ ‰ # œ œ#œ > mf

p mf

3 + °? 4 >œ ≈ ‰ Œ

3 8 Œ

mf

2 4Œ

. ‰œ

3 2 8 ∑ 4Œ

3 4

+ ‰≈ œ

3 8‰

2 4 ≈

œ.

‰ Œ

‰ Œ

Hn. mp mf mf

& #œ. ≈ ‰ Œ >

Tpt.1

Œ

Œ

‰#œ .

∑ #œ. >

p mf mf very short !

ΠTpt.2

very short !

+ ææ ‰ #œ ≈Œ

&

+ ææ ‰ #œ ≈ Œ

f

∑ #œ. > mf

f

+ #œ J

? ∑ Trb.

>o œ ≈‰

accel.

J

¢

œ

Œ

≈œ

Œ

J

p

mf p

2 mf 3 staccatissimo!! Avoid resonances

. > ‰ Œ œ

° Perc.1

/

> Œ

Œ

œ

Æ œ

mf

mf

mf

Æ œ

‰ ‰

Æ œ

‰ ≈

Æ œ

Æj œ

‰ ‰

mp

Ó ∑ Perc.2

Ó ‰‰

Œ

‰Œ Œ

‰ ‰

/ 3 very quick! very quick!

ΠPerc.3

> Ô. ù ≈Œ

very quick!

Ô. ù ‰ ≈Œ

Ô. ù ‰ ≈Œ

Castanets

≈≈

¢/ ff

ff mf ff

Solo1

3 °/ 4

3 Œ8

. ‰ Œ

2 4

.

3 2 8∑4

. Œ ‰

Œ ‰

3 4

3 8

2 4

Detector

‰ ∑

∑ ff

ΠSolo2

‰‰ ≈ Œ

Œ ‰

/

‰Œ Œ

∑ 3

3

f

Œ ‰ Solo3

/

Œ ‰‰

J

J ‰‰

Œ

‰Œ Œ ∑

3 3 less air

3

more air

Plop

Œ

Œ Plate ‰‰

Œ

‰ Solo4

¢/

Button

∑ J

‰ J

J 2

o

3

ff

3

Vl.1

3 ° 4 &

3 8##Oϲ

Oœ J

Oœ ≈ ‰ Œ Vl.2

Œ

&

2 4Œ Œ

≤ #Oœ >Oœ # ‰≈ ≈‰ mf 2 f 3 ≤KO >O ‰ ≈ K œ œ≈‰

Œ

2 ff 3 ≤ b Oœ >Oœ ‰≈ ≈‰

2 ff

o ≤ KKOœ J

3 Oœ J

Oœ J

mf mf

ff

B

‰ ‹‹ ≈Œ >

Œ

Vla.

Œ

Œ

3 4

≤ ≥. ≤ ##Oœ >≈ Oœ >≈##Oœ

>

≈Œ

Œ

2f f 2 3 3 ≤KO > ≥O. > K≤O K œ ≈ œ ≈K œ

≈Œ

Œ

2f f 2f 3 3 ≥ . ≤ ≤ b Oœ > Oœ > Oœ > ≈ ≈ ≈Œ

mf

very short !

Ö

b Oϲ

Œ

3 2 8 ∑ 4Œ

f

>

3 8‰

2 4 ≈

#≤O ‰ #œ 2f 3 ≤ ‰ ‰ KKOœ ≈ 2f 3 ≤ bO ‰ ‰ œ ≈ 2 f

mf

2

2f

f p

mf

ff

3 #>œ

#>œ

>≥ ‰ #œ#œ Œ

II

? ≈‰ Œ

Œ

Vc.1

2

mf

accel.

#≤œ J

≈‰

Œ

J 2

pp

f f

3

3 very short ! very short !

very short !

> ‰ ‹‹ ≈Œ

≥ #>œ#œ ‰

? Œ

>≥ ‰ #œ#œ Œ

Œ

3 ∑

very short !

Ö Overpressure

2f f ≤ 3 3 ®‰ ‰ ≈ ≈ ‰ ≈ œ#œ œ nœ#œnœ # œ # œ œ # œ . . #>œ > mf mf f f ≥ œ ≥ #>œ #œ ‰ ‰ >œ. ≈ ≈ #>œ. ‰ ≈ œ ≥≤ ≥

very short !

∑ very short !

>≥ ‰ ‰ #œ #œ

Vc.2 mf

ff ff ff

f

ff

ff

ff

(loco)

#œ PIZZ.

? ‰ œ

Db.

Œ

#≤>œ J

accel.

≈‰ J

¢ œ mf

‰ œ.

∑ bœ.

œ ‰ ‰bœ ≈ ≈ bœ . .

‰ ≈ nœ

‰ ‰ bœj '

o 2

ppp

mf

mf

f mf

3


œ. œ.

œ. œ.187

186

Fl.

° &

œ.

>. œ œ œ œ œ#œ

Œ

189

œ œ#œ

31 pizzicato "T"

188

≈‰ Œ Ó

190

191

‰ 8. ‰ 8. ‰ 8. ‰ 8. p

2

mf

ffff

∑ Ob.

Œ

3 > #œ ≈ ‰ Œ Ó

œ#œ œnœ #œ œ#œ œ#œ œ œ#œ

&

(slap)

- ‰ - ‰ - ‰ - ‰ p

2

mf

fff

3 Polystyrene rub two pieces of polystyrene against each other

& œ Œ # œ œ#œœ œ#œ >

Cl.1

Œ

≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ ‚ >‚ ‚ >‚ ‚ >‚ ‚ >‚ p

/

nœ#œ œnœ#œ œ#œ œ#œ œ #œ >

f

f

ΠCl.2

œœ ≈ œ#œ #>œ œnœ#œœ#œ

&

> #œ ≈ ‰ Œ Ó

nœ#œ œ œ #œnœ #>œ œ œ#œ œ#œ

(slap)

∑ - - - - - - - p

2 fff 3 1> ~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ≈ #œ œ#œ œ œ#œœ#œ œ œ#œ ~~~~~~~~~~~~ ≈‰ Œ Ó >

f

mf

? ∑

Œ

3 4˙

Key Clicks as many keys as possible (press) (release) sim.

wards ent up movem Noisy

Ctf.

¢

≈ ≈ ≈ ≈ ≈ ≈ ≈ ¿ f >¿ f >¿ f >¿ > p

ff fp

2 °? 4 ‰

Hn.

&

mf

4 1> 4 ≈‰ Œ Ó œ

5 4

4 2 4 +≈ o≈ +≈ o≈ +≈ o≈ +≈ o≈4

Air Whistle

œ 6 >6 6 >6 6 >6 6 >6 2

p f

fff

pp

3 > 1 ∑ Tpt.1

Œ

Œ

œ

Blow air outside the mouthpiece

≈‰ Œ Ó

≈‰

≈‰

≈‰

& 6

6

6

6

2 p f fff

3 Blow air outside the mouthpiece

1 ∑ Tpt.2

Œ

Œ

œ

≈‰ Œ Ó

≈‰

≈‰

≈‰

≈‰

& 6

6

6

6

2 p f

+ ˙ ææ

? ∑

3 fffo >œ

Œ

Trb.

¢

Blow air outside the mouthpiece

accel.

≈‰ Œ Ó

≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ 6 >6 6 >6 6 >6 6 >6 p

2

pp

fff

3 œ with Knitting Needle

Metal Block

Vibraphone

° Perc.1

/

Æ œ

Æ œ

Æ œ

Æ œ

Œ

&‰

Œ

Œ Ó

¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈

∑ /

œ mf

2

p ff

3 Metal Rod (bounce the rod)

Ó ∑ Perc.2

‰Œ Œ Œ

≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ 8 ~~ 8~~ 8~~ 8~~ 8~~ 8~~ 8~~ 8~~

/ f

p Knitting Needle or Wooden Stick Scratch the Stick on a surface from butt to tip and vice versa. Up and down glissandi should sound.

Hard Mallet!

Metal Block

¿ ‰ Perc.3

Œ

≈ ‰

Œ

≈‰ Œ Ó

(up) (down)

sim.

… ≈v ≈… ≈v ≈… ≈v ≈… ≈v ≈

¢/ f p

Solo1

2 °/ 4

3 4

4 4

5 4

4 4

2 4

(press)

Knob

3∞

use both hands to play the knob as follows: - one hand holds the button pressed for the entire duration of the knob. - the other hand turns the knob to the written value (speed from 1 to 5)

(release)

2 #2

‰ Solo2

Œ

Œ ‰

Œ

‰ Œ

Œ

Œ

/ ff 3

Œ Œ Œ Œ ‰≈ Solo3

/

∑ mf

≈ ‰ Solo4

Vl.1

≈ ‰

¢/

2 ° 4 &

3 4Œ

≤ #œ

41 4 R ≈‰ Œ Ó

SP

5 4

ORD

Œ

4 4¿

Col Legno Batutto

¿ ¿ ¿ ¿ ¿ ¿

2 ¿ 4

∑ p

2 fff 31 ORD R ≈‰ Œ Ó

f

SP

II

∑ Vl.2

≤ bœ

Freely and wild

Œ

œ œ

Col Legno Batutto

¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ∑

& p

2 mf fff Col Legno Tratto

3 1 ORD R ≈‰ Œ Ó

SP

IV

B

Freely and wild

Œ

Move the wood of the bow along the strings from ST to SP and vice-versa. Upward and Downward glissandi should result

≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈

Vla.

œ #œ fff

2 p

mp Col Legno Tratto

3 1 ORD R ≈‰ Œ Ó

SP

II Freely and wild

? ∑

≤ #œ œ

Move the wood of the bow along the strings from ST to SP and vice-versa. Upward and Downward glissandi should result

≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈

Vc.1

2

fff

mp p I SP

≥ ? #>œ

>ϳ

≥ #>œ

œ

>≤ ≈ #œ

Freely and wild

œ

Vc.2 mp ff

ff

ff

≤ &#œ arco

I SP

? ‰ Db.

¢

bœ '

‰ œ '

≈ bœ '

Œ œ '

f

3 1 ORD R ≈‰ Œ Ó 2 fff 3 1 ORD R ≈‰ Œ Ó 2 fff 3

Col Legno Tratto Move the wood of the bow along the strings from ST to SP and vice-versa. Upward and Downward glissandi should result

≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ p

Col Legno Tratto Move the wood of the bow along the strings from ST to SP and vice-versa. Upward and Downward glissandi should result

?

≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ p


>œ #œ

œ >œ.

32 192

° Fl. &

193

8.

194

8.

195

j 8. ‰

196

≈Œ

197

Ó

∑ f3 2 > #œ

mf

>œ. Ob.

&

- ‰

j - ‰

- ‰

œœ

198

œ j -

≈Œ

Ó

molto decresc .

199

‰ o

3 2 > . #œ f

Œ

≈Œ

Œ

œ œ œ#œ œ

mf

200

molto decresc .

o œ

Bb Clarinet

Cl.1

/

≈ ≈ ≈ ≈ ‚ >‚ ‚ >‚

≈ ≈ ≈ ‚ >‚ ‚

≈ ‰

Œ

& mf pp (slap)

Cl.2

&

j j j - - -

- - - -

Œ

Œ

bœ œbœ œbœ œ œbœ œbœ œ mp

œ#œ œ#œ œ œ#œ œ

#-

mf p mf

pp

Legato. Accentuate each 8th note without separating them.

? ≈ ≈ ≈ ≈ f >¿ f >¿

Ctf.

¢

≈ ≈ ≈ f >¿ f

≈Œ

Ó

œ œ

Œ

œ

œ >.

>œ >œ >œ

mf

mp mf mf

Hn.

2 + o ° 4 ≈ ≈ &

3 4 + o + o + 8 4 ≈ ≈ ≈ ≈ ≈

6 >6 6 >6

Horn

?

2 4Œ

3 2 8∑4

A ª ‰

6 >6 6

4 4 ∑

>f ff (wah!)

‰ Tpt.1

≈‰

≈‰

+ o œ >œ ≈Œ

Ó

Ó

& 6

6

6 f (wah!)

≈‰ Tpt.2

≈‰

≈‰

+ o œ >œ ≈Œ

& 6

6

6

6 (wah-u)

f

? ≈ ≈ ≈ ≈ 6 >6 6 >6

Trb.

¢

≈ ≈ ≈ 6 >6 6

+>o + œ ≈‰ Œ Ó

œ. ‰

Œ

Ó

Œ

Aª >f

p

ff

f secco

œ. B.D. Vibraphone

¿ ° Perc.1

¿ ¿ ¿ ≈ ≈ ≈ ≈

¿ ¿ ¿ ≈ ≈ ≈

B.D.

> ∑

/

≈Œ

> œ

Ó /

&

œ

œ

œ

∑ œ œ œ

mp

œ

p

mf Timpano Very soft mallets

> œ

? Perc.2

/

≈ ≈ ≈ ≈ 8~~ 8~~ 8~~ 8~~

≈ ≈ ≈ 8~~ 8~~ 8~~

∑ œ

œ

œ

> ∑

∑ œ œ œ

œ

œ mp

p (one click)

Guiro Ratchet

´ … ≈v ≈… ≈v ≈ Perc.3

… ≈v ≈… ≈

≈ ‰

Œ

¢/ ff

Solo1

2 °/ 4

3 8

4 4

3 2 4 8 ∑ 4*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4

Motor

Button

(always keep in touch with the box until it stops!) "off"

"on"

Œ ∑

2 4 *~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ *~~~~~~~~~~~~ ‰ Œ

Œ Œ

"on"

∑ f mf

f

f

2

3∞

3 ∞

2 #2 #2

Œ ‰ Solo2

/

-∞

ff press and hold the switch for the duration of the line

(sim.) Freeze! Don't move!

Switch

‰ Solo3

/

Œ

Œ

mf

mf

not so much air not so much air

Button Freeze! Don't move!

Spray Spray

‰ Solo4

¢/

Œ

Œ

Œ

‰ ∑ p f

p

Vl.1

2 ¿ ° 4 &

¿ ¿

¿

3 8¿

¿

¿

4 4

2 4

≤ ≥ œ >œ. Ord

≈Œ

Ó

f ≥ œ≤ >œ.

¿

¿ ¿

¿

¿ ¿

¿

Œ

4 4 ∑

ff

≥ > # # Oœ

Ord

∑ Vl.2

≥ >O œ

3 2 8∑4

≈Œ

Ó

≤ œ ‰

Œ

Œ

& pp f f (quick glissandi)

> ‰ Œ

ARCO

B

≈ ≈ ≈ ≈

≈ ≈ ≈

>≥O œ ‰

Œ

Vla.

œ

œ

œ

mf

>œ f

≈ ≈ œ œ œ

≈ œ

œ

o ff mf

IV

> ‰ Œ

PIZZ. (quick glissandi)

? ≈ ≈ ≈ ≈

≈ ≈ ≈

Vc.1

œ

œ

œ

mf

>fœ

œ œ œ

œ

œ

o

mf

IV

≈ ≈ ≈ ≈

≈ ≈ ≈

> ‰

> ‰ Œ

PIZZ.(quick glissandi)

? ∑

Œ

Vc.2

œ

œ

œ

>fœ

œ œ œ

œ

#œ oœ mp

mf

mf

IV (short) (quick glissandi)

> ‰ Œ

PIZZ.

? ≈ ≈ ≈ ≈ Db.

¢

≈ ≈ ≈

j œ ‰ ‰ ‰ Ó mp o

œ

œ

œ

œ >

> ‰

Œ

∑ œ œ œ

#œ œ

mf f

o

mp

mf

œ


>œ.

œ

>Æ œ JŒ Ó

œ 201

202

203 3

204

pizzicato "T"

Fl.

° &

≈Œ Ó

Œ

Œ

Œ

Œ

‰ Œ

8. 8. 8.

205

>œ. >œ. >œ. >œ 207 # œ œ

206

33

pizzicato "T"

œ Œ

8 >.

8.

8 >.

8 >.

‰ ‰

Œ

3 3

f mf

mf

3 o 2 > # œ œ œ œ#œ œŒ 6 o f 3 2 #>œ ≈ ‰ Œ

f

molto decresc.

f

>Æ œ JŒ Ó

Flz. (dirty and noisy!)

∑ Ob.

Œ

Œ

Œ

œ

ææ œ™ ≈

Œ

&

(slap)

Œ

Π>.

3

mf

>.

>.

-

molto decresc.

mf

>œ.

b œ.

Flz. (dirty and noisy!)

Polystyrene Bb Clarinet

≈ ≈Œ Ó Cl.1

Œ

Œ

Œ

ææ #œ ™ ≈

Œ

&

Œ

‰ ‚

‰ ‚

‚ mf

p mf

f mf (slap)

3

≈‰ Œ Ó Cl.2

n-

& #œ

-

-

-

-

-

-

- ‰

-

Π>.

>.

>.

Œ

- - -

pp

#>-

mf mf

? ≈‰ Œ Ó

Œ

Œ

Œ

Œ

Œ

‰ Œ Ó

‰ Œ

Ó

Ctf.

¢ œ >.

>œ >œ >œ >œ

œ

œ

œ

œ

mf

4 A °? 4 ª

5 4Œ

‰ Œ Ó

Air Whistle 3

Œ

Œ

Œ

2 4Œ

4 q 132 4 ªA ‰ Œ Ó =

Horn

Œ

2 + o + 4+ ‰ ‰ ‰

(e e. = q) Air Whistle

Œ

+

o 3

Hn.

666 >. >. >. mf + ææ #œ ™ ≈

>f ff (dirty and noisy!)

∑ Tpt.1

Œ

Œ

Œ

Œ

&

6 >.

>f mf + œ

6 >.

6 >.

6 6 6 >. >. >.

(wah!) (wah!)

o œÆ JŒ Ó

o œ JŒ

+ œ

3

>œ. >œ. >œ. ‰ ‰ ‰

Ó

3 3

f mf

mf (wah!) (wah!)

o œÆ JŒ Ó

+ œ ∑ Tpt.2

o œ JŒ

+ œ

>œ. >œ. >œ. ‰ ‰ ‰

Ó

& 3

mf3

mf

Overtone Gliss. (very short!)

Trb.

¢

œ ‰ Œ Ó

œ ‰ Œ

‰ Œ Ó

Ó

& p

Œ

p mf

~~~~~~

ff

> ≈ ‰

~~~~~

Aª >f

?

3

Vib. secco

œ.

Metal Block with Knitting Needle

œ.

B.D.

°

> œ

Perc.1

/

‹ ‹ ‹ >‹ ‹ ‹ ‹ ‹ ‹ >‹ ‹ ‹ ‹ ‹ ‹ >‹ ‹ ‹ ‹ ‹ ‹ >‹ ‹ ‹

> ‰ Œ Ó

B.D. (if possible)

Œ

‰& Œ Œ Œ œ œ œ œ

mf 6

6

6

‰‰

Œ

Ó

Œ

œ

œ

6 3

p

mp 3 mf M. Rod Timp. Very soft mallets

> œ

? Perc.2

> ‰ Œ Œ Œ

∑ œ œ œ œ

> œ

3

> ‰ Œ Ó

?

Œ

‰ ‰ Œ 8~~ 8~~ 8~~

/

8~~

œ

8~~

8~~

‰ œ

œ mp p one click

Snare Drum

Ô. ù ≈‰ Œ Ó Perc.3

Ratchet SNARE OFF!

´ œ œ œ >œ œ œ œ œ œ >œ œ œ œ œ œ >œ œ œ œ œ œ >œ œ œ Œ

‰‰

Œ

Ó

¢/ 6

6

6

6 3 f

f ff

4 ° / 4~~~~~~~~~~~~~~~~~ Œ

5 4

2 4

=

2 4

(e e. = q)

Button

"off"

Solo1

4 q 132 4 JŒ Œ

Œ Œ ∑

Œ

3

Œ

Motor "on"

Œ

‰ *~~~~

‰ ‰ Œ

3 3

f

f

3

3

3 #1

Œ

Œ

Œ

Œ

/

2

2 ‰ Œ

2 #4

Solo2

#3

Œ

Œ ‰

Œ

Button

Switch

Button

Switch

Freeze! Don't move!

Œ Œ ‰ ≈

ΠSolo3

Œ

Œ

Œ

Œ

Œ

‰ ‰ Œ

/

∑ 3

mf

mf less air

Short!

Button

Œ

Œ

Œ

Spray

Œ ‰

Solo4

¢/

∑ f

ff

Vl.1

4 ° 4 O≤ & œ

p

5 2 4¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿Œ 4

4≤ 4œ

Col Legno Batutto

TIP: hold the bow with the whole hand. ("clicks")

>O≥. œ≈Œ Ó

6

6

6

≥> œÆ JŒ Ó

6

3

p

f

≤ ≥ œ >œ. JŒ

2 ≤. ≥. .≤ 4œ‰ œ‰ œ‰

Ó

f 3

Col Legno Batutto >œ. #>≥œ. ≈ ≈Œ Ó

Vl.2

≥>Æ œ JŒ Ó

≤ œ

TIP: hold the bow with the whole hand. ("clicks")

mf

≤ ≥ œ >œ. JŒ

≥ ≤. ≥. .≤ >œ. œ œ œ ‰ ‰ ‰

¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ Œ

≈ ‰

Œ

≈ ‰

Œ

3

mf f

≥>. œ

Ó

& 6

6

6

6

3

f 3

2 p

f

3

mf

mf ff

3 very short !

B Vla.

≥ #>œ #œ ‰ Œ Ó

≈ ≈ ≈ ≈ œ œ œ œ

> ‰ Œ Ó >œ

Œ

‰ ‰ Œ

≈ œ

#œ 3

mf ff mf

> Œ Ó

?

mf

> ‰ Œ Ó

Œ

‰ ‰ Œ

‰ œ

Vc.1

>fœ

œ œ œ œ oœ

>œ œ 3

mf

mf mf

> Œ Ó

?

> ‰ Œ Ó

Œ

‰ ‰ Œ

‰ œ

Vc.2

>fœ

œ œ œ œ

œ 3

mf mf

mf

short

I

> Œ Ó

? Db.

¢

œ > œ f

Œ

Œ

Œ

Œ

b>œ

PIZZ.

> ‰ Œ Ó

IV

‰ œ œ œ œ

œ > œ

œ ‰ >œ

‰ œ

o mf mf mf


œ.

34 208

209

° Fl. &

210

211

212

213

>œ #œ

œ.

214

≈Œ

(slap)

Ob.

≈ ‰

3 o f3 o 2 2 > > # œ œ œ œ œ œ œ#œ œ‰ ≈ molto dec.

f

œœ ≈

p

>œ œ œ

215

Œ

molto dec.

& -

-

mp

3

molto dec.

f

3

o

o

molto dec.

f

2

2

Polystyrene

∑ Cl.1

& >‚ pp

>‚

(slap)

6

6

6 6

ΠCl.2

Π-

& bœ œbœ œbœ œ œbœ

bœnœbœnœbœ œnœbœ œbœ œ mf

≈ ≈

Œ

-

mp

nœbœ œ

#-

-

f

mf mf f

? ‰

≈ ≈

Œ

Ctf.

¢ >œ

œ

3 4

2q 99 4 ∑ =

œ.

> ≈#œ Œ

(qq = e.) e. Overtone Gliss. (very short!)

Horn

Hn.

~~~ ~~~~~

°?

œ.

&

mf (wah-u) very delicate

∑ Tpt.1

(wah-u)

+ œo + +œo + ≈ ≈ Œ

& p (wah-u) very delicate

∑ Tpt.2

(wah-u)

+ œo + +œo + ≈ ≈ Œ

& p Overtone Gliss. (very short!)

∑ Trb.

Ó

‰ Œ

¢&

~~~~

? &

> ≈ ‰

Œ

~ ~~~~

bœ -

>f

mf Metal Block with Knitting Needle

Perc.1

° > & œ

> œ

œ

> ‰

‹ ‹ ‹ ‹

> > œ

‰ œ

œ

> œ

œ

∑ mp

? > œ

Perc.2

> œ

œ

> ‰ ?

> > œ

‰ œ

œ

> œ

œ

?

œ

>œ. œ. œ. œ. Œ

œ

Snare Drum

∑ Perc.3

>œ. œ. œ. œ. œ. œ. Œ

>œ. œ. œ. œ. œ. ≈Œ

>œ. œ. œ. œ. Œ

¢/ 6

f 6

3 4 ‰ *~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

2q 99 4 ∑ =

"on"

"off"

Solo1

"off"

° / ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

(qq = e.) e. Button

≈≈ ‰ ∑

∑ mf

2

3

2

3

3 2

3

2

3

3

2

2

3

2

#3

#4

#4

#4

-∞

/ Œ

Solo2

Œ

-∞

Œ ‰

Œ

Button

Switch

Freeze! Don't move!

≈ ≈ ‰ Solo3

Œ ‰

/

mf

f

less air Freeze! Don't move!

Button

≈ ≈ ‰ Solo4

Spray

Œ ‰

¢/

∑ f

3 4 Vl.1

° &

2 4

∑ Vl.2

>O≥ œ

>≤ ≈ ≈ Oœ Œ

f

f

>≥ ##Oœ

>O≤ ≈ ≈œ Œ

&

B

> ‰

mf

mf

>O≥ œ

>O≤ œ

> ‰

≈ ≈

Œ

Vla.

œ

œ #œ

œ

œ

#œ f

b ≤Oœ

mf

> ‰

? Vc.1

œ

> ‰ œ

∑ >œ

œ

œ

f

b Oœ≥ b Oœ≤ ≈≈ ‰ ≈

b Oœ≥ b Oœ≤ ≈≈ ‰ ≈

œ

œ mf p

b ≤Oœ > ‰

? Vc.2

œ

> ‰ œ

∑ >œ

œ

œ

œ

œ mf p II

IV PIZZ.

Db.

¢

? œ >

œ

> ‰ œ >

IV

> #œ ‰ œ

œ >

œ

œ

∑ œ >

œ

≈ ≈ Œ #œ

œ mf mf

f

f


216

Fl.

217

° &

218

219

#œ œœ

>œ. œ. >œ œœ

>œ # œ œ œ221

220

œ

≈ ‰ Œ

35 222

Œ

Œ

3

2 ∑ Ob.

&

∑ Cl.1

o ff 3 2 > # œ œ œ œ#œ œ‰ Œ ‰‰ 3 o ff 3 2 # œ. Bb Clarinet ∑

f3 o 2 > # œ œ œ œ #œ œ

ff

3

≈‰ 3

o

f

2 Flz. (dirty and noisy!)

ææ #>œ ≈ ‰

Œ

& mf

ff

‰ Cl.2

Œ

Œ

& bœ œbœ œbœ œ œbœ mp

œbœnœ o

bœ œbœ œ > o f3 2

#-

f f

b >œ n œ b œ œ b œ œ œ b œ œbœ œ o ff 3 2 bœnœbœ œ œ bœ œbœ

3

? ≈

Œ

Œ

Œ

œ œbœnœ ‰ Œ Œ

Ctf.

¢ >œ

œœœ >. >. >.

œ >. 3

o

f

2 mf

3 4

mf

Hn.

° &

2 4

3 4

mf Flz. (dirty and noisy!) Overt. Gliss. on "E"

#>œ ‰ j ~~ #œ~~~

+ >œ ≈ ‰ ææ

(very short!)

Œ

2 4

Œ

&

f fff (wah-u)

+œo+

(short!)

∑ Tpt.1

Œ

& mf (wah-u)

+œo+

(short!)

∑ Tpt.2

Œ

& mf

o ? Trb.

¢& Œ

‰ Œ Œ

bœ mf

Œ

l o

Œ

b>f

-o

> p

+

+ kœ

A ª

p

œ

‰ Œ Œ

mf

f (quick!)

>œ.

Vib. B.D.

Perc.1

œj

° & œ

œ

> œ

œ

‰&

> Œ

Œ

p ff Whip

Ó > œ

? Perc.2

œ

œ

œ

Œ Œ

Œ

Ó ‰ Œ

Ó

Œ Œ

/ œ

p

mf

mf Castanets

>Æ. >Æ. >Æ.

>Æ.

>Æ.

Crot.

ç ∑ Perc.3

.. ........ Œ ‰ ≈ œœ œœœœœœœœŒ

Œ

l.v

Œ

Œ

Œ

¢/ 3

mf ff

mp

3 ° / *~~~~~~~~~~~~~~~~~~~~~~~~~~*~~~~~~~~~~~~~~~ 4

2 4

raise the detector! far

Motor

2 Detector near

"on"

3 4

slowly put back on the table...

2 4

"off"

Solo1

Œ

Œ

ff press quickly ("staccato")

small movement!

3

3∞

3

3

32 32

32

2

2 #5

Œ

Œ ‰

2 Solo2

/

∑ p

ff

Button

Freeze! Don't move!

‰ Solo3

/

ff 3

mf less air

3 Freeze! Don't move!

Button

Knob

Œ ‰ Solo4

¢/

∑ ff 3

ff

p

3 4Œ

2 4

as fast as possible

Col Legno Batutto

Vl.1

° &

¿¿ ¿¿¿¿¿ Œ ‰ ≈

Ord.

≈ Œ

Œ

≥> ≤> >≥ Oœ Oœ Oœ ‰

>O≥ œ ‰

≤ 1> 1 Oœ≤

(short!)

J

Œ

3 4 Oœ

2 4 ‰ Œ Œ 2

o

f fff ff 3

3

mp as fast as possible

¿¿ ¿¿¿¿¿

Col Legno Batutto

∑ Vl.2

Œ

Œ ‰ ≈

Ord.

≈ Œ

Œ

>≥ ≤> ≥> ##Oœ Oœ Oœ ‰

>≥O œ ‰

≤1 1>

#≤O ‰ #œ o

(short!)

J

Œ

& 3

fff

Oœ ‰ Œ Œ 2f

ff mp

3 >O≥ >O≤ ≥>O œœœ B

Œ Œ

>O≥ œ

Ö (short!) Overpressure

‹ ≈‰ ‹ >.

Œ

Vla.

œ

œ

œ

#œ 3

Oϲ

‰ Œ Œ 2f

o

ff f mf

3 Ö Overpressure

>‹. ‹ ≈‰

(short!)

? Œ Œ

Œ

Vc.1

œ

œ

œ

>œ œ mf f

mf

> Ö Overpressure

>‹. ‹ ≈‰

IV ARCO

(short!)

? Œ Œ

Œ

Œ

‰ Œ Œ

Vc.2

œ

œ

œ

bœ œ

oœ f

mf

f

mf

ARCO

ARCO

Col Legno Batutto

Db.

? ¢ œ

œ

œ

Œ Œ œ >

#>œœ. >œœ. >œœ. ‰>

#>œœ. ‰> #>œœ.

> Œ

Ord.

III

> ‰ Œ Œ œ

#ϳ

œ

o mf

mf f f 3


36 223

° Fl. &

224

œ#œ œ œ ‰ #>œ œ#œ œ#œ œ œ#œ

> 225œ œ #œ œ#œ œ b œ n ‰ ≈ œ #œ Œ

Œ

226

227

228

229

230

231

232

233

234

235

236

ff p mf Balloon Explode the ballon with a needle

always take the balloon quietly and discreetly from the public!

Ob.

&

œ #œ œ #œ œ ‰ # œ œ œ # œ œ#œ œ mf p>

‰ ≈ #œ nœ #œ œ #œ œ œ #œ œ Œ >

Œ

ff Balloon always take the balloon quietly and discreetly from the public!

Cl.1

&

œ œ #œnœ ‰ #>œ œ œ #œ œ#œ œ#œ

> œ #œ ‰ ≈ nœ #œ œ#œ œ œ#œ Œ

Œ

Explode the ballon with a needle

ff mf p Balloon always take the balloon quietly and discreetly from the public!

‰ Cl.2

Œ

‰ ≈

Œ

Explode the ballon with a needle

4 4 ∑

3 3 8∑4

3 3 8∑ 4

& œ#œ >œ # œ

œ#œ œ n>œ # œ œ œ # œ œ ff

œ œ#œ œ#œ œ#œ œ fp

mf

? ∑

Ctf.

¢

Hn.

2 ° 4 &

>. œ

Œ

4q 74 4 ∑ =

(qq = e.) e.

4 8

Balloon

always take the balloon quietly and discreetly from the public!

Explode the ballon with a needle

f Harmon Mute OFF

∑ Tpt.1

Œ

&

#œ. > f Harmon Mute OFF

∑ Tpt.2

Œ

&

#œ. > f

o

o ?

Balloon

+ k ‰ ≈ œ

+ lœ ≈ Œ

+ kœ

always take the balloon quietly and discreetly from the public!

+ Harmon Mute OFF œŒ ∑ ∑

(attention: "a")

Explode the ballon with a needle

Trb.

¢ p p

mf

f

p

p Balloon always take the balloon quietly and discreetly from the public!

B.D. Rute on the side

Perc.1

° &

Œ

> ‰ ≈≤

Explode the ballon with a needle

/ f

ΠPerc.2

Ó ≈ Œ

Ó Œ

Œ

/ Balloon

ç

Solo1

Explode the ballon with a needle

l.v

‰ Perc.3

take the balloon quietly and discreetly from the public!

Silently turn the snares on for the snare drum

ç l.v

Œ

Œ

‰ ≈

4 4 ∑

3 3 8∑4

3 3 8∑ 4

¢/

2 °/ 4

IMPORTANT: Be sure the alarm in ON !

4q 74 4 ∑ =

(qq = e.) e.

4 8

Alarm

(big red button)

Switch

2

‰Œ Ó

-∞

Solo2

/

‰ Œ Œ

f

Solo3

/

Start turning the 2nd Knob 360°

2 2

2 90°

2 ≈ ≈3

3

Start turning (keep holding the 3nd Knobthe 2nd knob) 360° 0°

Freeze, Don't move! 360°

0° 75°

Œ

‰Œ Ó

¢/

Œ Œ Œ Œ ‰

45°

JJJJ

JJJ

∑ ff

Vl.1

Freeze! Don't move! 360°

45°

Solo4

3

270° Freeze! Don't move!

180°

2≤ ° 4 >œ &

f

≤ œ

#>œ ≈ Œ

Œ

4 4 ∑

>O œŒ

Œ

Œ

Œ

‰ ≈

3 3 8∑4

4 4

4 8

3 3 8∑ 4

2 ff f

2

mf

f

3 3 ≤O œ Vl.2

>O œ≈ Œ

&

≤ ‰ ≈ Oœ o

Oœ ™™ 2

ff

2

o #≤O B #œ

3

f

3 >O œ≈ Œ

Vla.

#≤O ‰ ≈# œ o

>O œŒ

Oœ™™ 2

ff

?

2f 3 #>œ

o II ≤ #œ

3 1 ≤ ‰ ≈ #œ

accel.

II accel.

≈ Œ

Vc.1

2 3f #>œ

mf

ff

2

mf

3 1

I

I

# ϲ

accel.

accel.

#œ≤ ? ≈ Œ

‰ ≈

Vc.2

2

mf

2

mf

ff

f

3

3 1 ◊#ÿœ≤ ‰ ≈

accel.

I

? ∑

Œ

Db.

¢ 2

ff

mf

3


> œ#œ#œ œbœbœbœ 237

Fl.

238

° &

239

240

Air Sound (no pitch, only air) Flz.

37

œ œ œbœbœ

241

242

≈ 3

6 3 6 o 2 > bœ œ œ œ bœbœ œ œ ≈

Molto decresc.

fffff Rhythmically Precise!!!

Oboe

‰Œ Œ Ob.

&

fffff

Bb Clarinet

‰Œ Œ Cl.1

&

Molto decresc.

6

245

Rhythmically Precise!!!

Oboe Balloon

‰Œ Œ

Rhythmically Precise!!!

Air Sound

6

3

244

Air Sound

6 3 6 o 2 > #œ #œ œ œ#œ œ œ #œ #œ

fffff Rhythmically Precise!!!

ææ ææ ææ ææ ææ æ æ æ 243 æ ææ 66666 Œ 6 6 6Œ o f3 2 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Œ 6 6 6 o f3 2 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Œ 6 6 6 f3 o 2

o Molto decresc.

fffff Rhythmically Precise!!!

Bb Clarinet Balloon

‰Œ Œ

Rhythmically Precise!!!

2 6 Bass Clarinet

Bass Clarinet Balloon 6 6

‰Œ Œ Cl.2

≈‰

‰Œ Œ

& œ bœ œ œ b œ œ b œ œ b œ œ œbœ œbœ œ

as fast as possible (with a "clean" sound)

mf pp 6 3 6 œœœœœ œœbœœbœœbœœ ≈‰ Œ œbœ mf3 ppp 2

? ∑

Ctf.

j œ

¢ œ

œ

‰™ j œ

molto decresc.

ffff

3 ° 4 &

2 3 4∑8 ‰Œ Œ

Rhythmically Precise!!!

Hn.

Horn

4e e 8 >>>>>>> œœœœ

x > > > ≈

3 8

LOUD, METALLIC, EXPLOSIVE! as fast as possible

3 4

ff

2 3 4∑ 4

Rhythmically Precise!!!

Balloon

2+3 16 >>>> œœœœ >œ >‰ LOUD, METALLIC, EXPLOSIVE! as fast as possible

Horn

‰Œ Œ

ffff ffff

˙™

Ϫ

˙

˙™

œ ≈ ‰

Tpt.1

Œ

œ ≈ ‰™

& ffffff

ffffff

˙™

˙

Ϫ

œ

˙™ ≈ ‰

Tpt.2

Œ

œ ≈ ‰™

& ffffff

ffffff

e

Rhythmically Precise!!!

e

x

Rhythmically Precise!!!

Balloon

?

?

‰Œ Œ

Trb.

LOUD, METALLIC, EXPLOSIVE! as fast as possible

LOUD, METALLIC, EXPLOSIVE! as fast as possible

Trombone

≈ œœœœ >>>>>>> > > >

&

¢

lœ ≈ ‰

‰ p

mp

Œ

Œ

Trombone

r >‰ œœœœ œ >>>> >

‰Œ Œ&

p ffff

ffff Slowly rub the brush in circular motion Rhythmically Precise!!! Rhythmically Precise!!!

B.D. Balloon

>j j æ æ œæ œæ f 3 2 >œ œ ææJ ææJ

° ‰Œ Œ Perc.1

/ Large Metal Can

æj œæ

> )™â f 3 2

> ∑

æj œæ o

B.D.

6‰Œ o

>. j œ

‰Œ Œ

>™ ‰

f

Molto decresc.

Large Metal Can

Hard Mallets

Hard Mallets

Ó ‰Œ Œ Perc.2

/

Whip

Ó ‰

>™ ‰

>œ ææJ

‰Œ Œ

f f f Rhythmically Precise!!!

Thundersheet Hard Mallets!

Balloon

‰Œ Œ Perc.3

Solo1

>j æ œæ f3 2

¢/

3 °/ 4

ææj œ

ææj œ

> ∑

ææj œ

2 3 4∑ 4

‰Œ Œ

o

2 3 4 4 8 8 ≈‰ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

3 8 ‰

3 4

‰ ∑

2+3 16 ≈ ‰™ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

ff Completely raise the box and shake it!

1 ææJ

BOX

Solo2

/

1 ææJ

j ->

Switch

BOX

Œ ‰

Œ

1 ææJ

j -™>

ff mf

ff

Completely raise the box and shake it!

1 ææJ

BOX

Solo3

/

1 ææJ

j >-

1 ææJ

‰ ∑

j >-™

ff ff Freeze, Don't move! 360°

360° (knob 1)

‰Œ Œ Solo4

Vl.1

¢/

3 ° 4 &

0° 0°

2 3 4∑8

∑ J

4 8#≥œj

ST

IV

j

j j

3 8j

J

J

j

3 4 j

2 3 4∑ 4 Œ

Œ

2+3 16 ≥œ ™

SP

#>œ ™ ffff3 ≥g œ™ #>œ ™ ffff3 ≥g œ™ #>œ ™ ffff3 g >≥œ ™ #œ ™

#œ fff

o III ST SP

∑ Vl.2

≥ bœ J

&

j

j j j

j

j ‰

Œ

Œ

Œ

Œ

Œ

Œ

fff

o ST SP

IV

B

≥j #œ

Vla.

j

j j j

j

j

#œ fff

o ST

II

#≥œ J

? ∑

SP

J

J #œ

> œ ‰™ #œ o > œ ‰™ #œ o œ >‰ ™ #œ o œ #œ >‰ ™

J

Vc.1

J J

J

fff

3 g ≥ œ™ #>œ ™ ffff3 ≥g >œ ™ œ™ ffff3 g ffff

o ST SP

I

? ∑

Vc.2

&

≥j œ

j j

?

j

‰ j

j

Œ

Œ

j #œ

fff

o III SP

IV Bartok PIZZ.

? ∑ Db.

« bœ

¢

ARCO Ord. PIZZ.

Œ

‰Œ œ > œ

ff f

o

o > œ ‰™ #œ o œœ >™ ‰ o


> œ#œ#œ œbœbœbœ œ œ

38 246

œ b œ b œ247

248

249

250 6Æ

Slide Whistle

° Fl. & ≈

251

el. c ac

252

253

Flute

6 3

2

pp

> 6 3 3 ppp bfffff œ œ2 œ œ bœbœ œ œ ®

fff

3

molto decresc.

fffff

& ‰

Ob.

Slide Whistle

Oboe

l. ce

ac

6 2

pp

fff 3 ppp 3 6 2 > #œ #œ œ œ#œ œ œ #œ #œ molto decresc.

fffff

& ‰

Cl.1

3 6Æ

Slide Whistle

Bb Clarinet

l. ce

&

ac

6 6

2

pp

fff 3 ppp

3 molto decresc.

fffff

3

2 6 6

6

3

& ‰

Cl.2

≈‰ >œ œ œ œ œ œ œ œ œ 3 fffff 2 ™ ‰

œ

molto decresc.

? Ctf.

Œ

ppp

j œ

¢

≈‰ Œ >œ œ b œ œ b œ œ b œ œ œ b œ œ b œ œ o f

œ '

≈ œ '

œ '

Œ

œ '

mf

Hn.

° >>> > > & œœœ œ œ

3 3 8#œ+ >œ≈#œ>œ≈#œ>œ≈4#œ >œ

3

3

3

2 4 ≈

Œ

Œ

3 4

4 4

5 4

4 4

3

poco decresc.

ffff mp

mf LOUD, METALLIC, EXPLOSIVE!

˙

œ œ ™ >œ

˙™

˙

œ œ™ >œ

˙™

Practice Mute ON

w

123

Tpt.1

æj & #œæ >

æ œæ

Bœ ≈ œ ≈ œ ≈

Bœ ≈

Œ

Œ

∑ " ffffff "

ffff mf LOUD, METALLIC, EXPLOSIVE! as fast as possible

Practice Mute ON 123

> > > #œBœ ≈ œ œ ≈ œ œ ≈

‰ Tpt.2

& #œ œœ œ œ >>> > > ffff

> #œBœ

3

w ≈

Œ

Œ

3 3

3

" ffffff "

mf Brassy!

Airy!

?

‰ Trb.

‰Œ Ó

¢& >>> œœœ >œ >œ ffff (E)

œ. 3 g æ œæ

œ.

œ. œ. œ. œ. pp

molto decresc.

ffff

° Perc.1

>. / œj

ææ >‰ Œ œ

(NOT too loud!!!)

>™ ‰

æ œæ

f mf

ppp Whip

(NOT too loud!!!) soft mallets

Timp.

Perc.2

>™ ‰

>œ / ææJ

æ œæ

?

> ææ ‰ Œ

Ó ∑

∑ /

œ ppp

mf

mf

f Car Horn Castanets (if possible) Hold the car horn with the Snare Drum sticks

∑ Perc.3

Snare Drum (snare on) »~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ r > œ œ œ ˙ œ ≈‰ Œ Œ o 2mf p mp 3

» » » ≈ ≈ ≈

¢/

Œ Œ Œ Œ ‰≈

cresc. poco a poco

mp

mf

3 8

3 4

2 4

3 4ªA2

Raise the hand!

IMPORTANT: Discretely turn off the Alarm!

Solo1

°/

2 2 Aª ª A

4 4

gently press again (small movement) (No sound)

5 4

4 4

(sim.)

∑ p p f ff

Switch

‰Œ Œ Solo2

/

mf

Solo3

1 æ æ / J

j >-™

Button

Œ ‰≈

Œ ∑

∑ p

360° 360°

≈ 0°

Solo4

¢/ ‰

‰Œ Œ

J ∑

ff

≥ ° Vl.1 & œ™ #>œ ™ 3 ffff ≥g Vl.2 & œ™ #>œ ™ 3 ffff ≥g Vla. B œ ™ #>œ ™ 3 ffff ≥>g ? #œœ ™™ Vc.1

3 8 > œ ‰™ #œ o > œ ‰™ #œ o œ >‰ ™ #œ o œ #œ >‰ ™

3 4#ϲ

2 4

œ l. acce

3 4

4 4

5 4

4 4

Ord. sounding pitch:

∑ o

pp

≤ œ

2 ff 3 1 ™

mp

cresc. poco a poco

II

l. acce

o

pp

Ord.

2 ff 3 1 ™

mp

cresc. poco a poco

l. acce

Ord.

II

œ≤ ∑ o

pp

2 ff

mp

cresc. poco a poco

3 Ord.

IV PIZZ. ARCO

Œ

Œ

œ œ

3 g ≥ ? Vc.2 œ™ #>œ ™ 3 ffff ≥g ? > Db. ¢ œœ™™ 3 ffff g ffff

o mf

o Ord.

IV PIZZ. ARCO

> œ ‰™ #œ o œœ >™ ‰

œ mf

o Ord. ARCO

IV PIZZ.

Œ œ œ mf

o

œ

o

∑ & ‹


39 254

Fl.

° &

Ob.

&

Cl.1

&

255

256

257

258

259

260

Œ Œ

Œ ‰ ≈

∑ ˙™

œ

˙™

ppp

Cl.2

&

? Ctf.

¢

Hn.

4 ° 4 &

3 4 ∑

>œ ™

œ Tpt.1

&

Tpt.2

&

4 4

≈‰ Œ Ó

≈‰ Œ Ó

>Ϫ

œ

Ϫ

œ œ

œ œ

3 4 ∑

Œ Œ ‰ ≈

Ó

> w

˙™

3 4

> w

˙™

Ϫ

4 4 >œ

˙

œ >œ ™

œ

˙

œ >œ™

œ

‰ ≈

? ∑

)

Œ Œ ‰ ≈ 6â

Trb.

¢ Slowly rub the brush in circular motion (as a continuous background noise)

° ≈ 6™â

∑ Perc.1

/

)™

)™

)

)

)

p Metal Block with Knitting Needle

∑ Perc.2

Very dry tremolo. secco

‹ ‹ ‹ æ æ ææ

/

‹ ‹ ‹ æ æ ææ ‰

pp (half turn)

Small Ratchet

∑ Perc.3

≈ ‰ Œ Ó

Œ Œ ‰

¢/

´ ææ

f

4 °/ 4 2 ≈ ‰ Œ

3 4

(release)

Solo1

4 4

(release)

™ 2

Œ Œ

3 4Œ

4 4 Œ Œ

3 4

Œ Œ ‰ ≈

p

p Small Buttons (use all fingers, as typing)

Œ ≈

ΠSolo2

/

≈‰ Œ

≈ ≈

Œ Œ ‰ ≈

≈≈ ‰

p Pull Switch (pull)

/

(push)

Œ ‰ ≈ Œ ‰ ≈ f2

‰ Œ Ó Solo3

Ó

‰ ≈ f3

Button

≈ Œ

Œ

Œ ‰

∑ ff

slowly pull the tape make a continuous sound, avoid accents!

gently wipe the box with the hand remove quickly

>6 G 6

BOX

≈ Solo4

¢/

Œ ∑

6™

p

≈ œâ™ ‰ o p o

≈ œâ œ ‰ op o

f

Vl.1

4 ° 4 & ~ bw

3 4 ‰ Œ Œ

Œ

4 4Œ

Œ

œO

Œ ‰ ≈O bœ

pp

3 4 O ™™

4 4Œ

™ O˙ ™™

˙™

Œ

Œ

3 4 ≈O bœ

p

p Slightly "out of tune". Play a little bit higher than the Double bass and Violoncello I (c. 1\8th tone)

Vl.2

‰ Œ Ó

‰ Œ Ó

Ó

Œ

≈ kkœOp

Ó

Œ

≈ bœO

&

B Vla.

~ w pp

œO

bw~

œO

Œ Œ

Œ ‰ ≈ bœO

˙O ™™

˙O ™™

p

p

pp

~w

? ‰ Œ Ó

Ó

Œ

O ≈œ

Vc.1 p pp

?

b~w

Oœ ‰ Œ Ó

Œ Œ

bO Œ ‰ ≈œ

O˙ ™™

O˙ ™™ Ó

Œ

bO ≈œ

Vc.2 p

p

pp

wo

œo

œ ‰ Œ Ó

Db.

¢& ‹

Ó

Œ

pp p


40 261

262

263

264

265

266

267 (Bending)

° Fl. &

Œ

Œ

≈ µœ o

Œ

µœ o

#œ mf

in the background (softer than the others)

Bœ ∑ Ob.

Œ

&

‰ ≈œœ

Bœ œ

œ

Πo

Ϫ o pp

œ

≈‰ o

o pp

2

pp

f

3 start imperceptibly in Unison with Trumpet 2, Cello 2 and Vibraphone

œ œ œ ∑ Cl.1

w

œ

œ

œ

Ϫ

œ Œ

œ

œ≈‰ o

& o

o 2

p

ŠϪ o

œ

mf

mf

f

3 œ ∑ Cl.2

Œ

Œ

œ

œ

œ

Ϫ

Œ

& o 2

mp

f

3 Mouthpiece OFF (slap)

? ∑

Œ

Œ

Œ

Œ

Ctf.

¢ >-

>-

f

Hn.

3 ° 4 &

4 4 ŠϪ

start imperceptibly

œ -œ

œ

3 4 ˙™

3 3 8 œ™ 4 Œ

(together with Violoncello I)

µœ

œ

œ

œ

Œ

Œ

&

o

p

2

Poco

o

f

o mf

3 start imperceptibly

œ ™ >œ ˙

œ œ ≈Œ Œ

Tpt.1

œ -œ

Ϫ

œ

o

"mf"

˙™

Ϫ

Practice Mute OFF

& 2

Poco

"ffff"

3 in Unison with Clarinet I, Cello 2 and Vibraphone

œ™ >œ ˙

Practice Mute OFF

œ œ ≈Œ Œ

Tpt.2

Œ

‰ ≈

œ o

Œ

& œœ

Ϫ

œ

œ≈‰ o

ŠϪ o

œ p

p

2

pp

f

3 ? ∑

Œ

Œ

Œ

Œ

≈ bœ ™ æo

œ ææ

Trb.

¢ >œ

ff Vibraphone in Unison with Clarinet I, Trumpet 2 and Cello 2 Soft Mallets

° Perc.1

6 ‰

)™

/

Œ Œ

Œ

bœ æ oæ

œ ææ

œ≈‰ æo

mf

mf Knitting Neddle tip

‹ ‹ ‹ ‰ æ ææ æ

∑ Perc.2

/

‹ æ

‹ æ

‹ ‹ æ æ

‹ æ

‹ æ

tip

butt knock on the corner of a surface. (e.g. a music stand) A rising accelerando should be achieved (rhythm not strict).

Œ

butt

. . . . . œ≈ Œ . . . . œ. . .

. . . . . . . . .œ≈‰ .œ . . . . .

pp 6 3

3

3

o

o

mf

mf

Snare Drum

A • With jazz brush

∑ Perc.3

>œ æ 2 mf 3

œ æ o

¢/

œ æ o 2

3

Solo1

3 °/ 4

4 4

(release)

3 4

>œ æ 2 mf 3

œ æ o

3 3 8 ∑ 4 8ææ

2 3

Gently scratch back and forth with your hand

2 ≈Œ Œ

æ 8æ

BOX

æ 8æ o

2 3

o

æ 8æ o

æ 8æ

≈ Œ

≈‰ Œ ≈

‰ Œ

/

≈‰ Œ

æ 8æ

2 3

mf

o

mf

2 3

Solo2

œ æ o

2 3

Switch

Œ

Œ ‰

Œ ‰

Œ

Œ

∑ p (always keep the motor in contact with the box until it stops!) "off"

(pull)

Pull Switch

Solo3

/

‰ f2

ŒButton ‰ ≈

Œ Œ

"on"

Motor

Œ

∑ Pull Switch

"on"

*f ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ *~~~~~~~~~ ‰ 3 mf

"off"

"on"

* ~~~~~~~~~~~~~~~~~~~~~~~~~~~* ~~~~~~~~~~~~~~ ‰

≈ *~~

ff less air

Spray

≈ ‰ Solo4

¢/

≈ Œ

∑ p

Vl.1

3 ° 4 ™ & O™ <b> ˙ ™

4 4

3 4

≈Œ Œ œO œO

3 3 8 ∑ 4KKOœ

‰ 2f

mf

KKOœ

Oœ ™™

≈ Œ

mp

o

p

≈ KKOœ ™™

Oœ ‰ 2f

mf

3 ΠVl.2

3

& ˙O ™™

˙O ™™

w~

˙O in the background (softer than the others)

b Oœ Vla.

B <b>˙O ™™ O˙™™

œO œO ≈ Œ Œ O˙™™

≈bœO ™™ > p

œO œO ‰

œO

pp

~w

Oœ b Oœ ≈

pp

mp

? Œ

Œ

Œ

Vc.1

&

≤ µœ o

Oœ ≈

Œ

Œ

mp

(together with Horn)

œ

œ

œ o

mf in Unison with Clarinet I, Trumpet 2 and Vibraphone

? <b>O˙ ™™

Oœ Oœ ≈Œ Œ

Ó

Œ

Vc.2

Π&

≤ bœ o

œ

œ≈‰ o

≤ ≈ bœ ™ o

mf

˙o ™

˙o ™

wo

˙o

œ mf

PIZZ. let the string vibrating...

?

ΠDb.

Œ

¢& ‹ f

Œ

Œ

Œ


Air Sound Only air, no pitch

41 3

268

Fl.

Ob.

269

° ≈ & µœ ™ #œ o mf Bœ ™ œ & ≈ o pp

270

271

ææ ææ ææ æ æ æ æ ææ ææ ææ ææ 272 6æ6æ6æ æ ‰ Œ 6o 6n6 > 6 6 6 6 6o

j µœ ≈ Œ o

µœ o mf

µœ ≈ ‰ o

Œ

œ ≈ Œ o

Bœ œ ‰ ≈ o pp

œ

275

œ

œ

(in the background)

≈ ‰ o

œ Œ

œ oo

o mf

w o ppp

Ϫ o o

o

f

∑ Cl.2

274

ff

w

˙ & œ ‰ o

Cl.1

273

o

mf

˙

˙

w

˙

˙™

˙™

œ

œ ‰ Œ Œ

o

ppp p

pp

˙™

& Air Sound Blow outside the S-Bogen

Mouthpiece ON

? ‰

Œ

Œ

Œ

Œ

Œ

‰ Œ

Ctf.

6 o

¢ >-

Hn.

>6

o

>-

° ≈ µœ ™ & o

œ

œ

ff

µœ o mf

œ≈ Œ o

6

3 4 8 œJ œ ≈ ‰ 4

œ

≈ b>œ ™ œ

≈ œ™ ˙™ o

˙

3 4 ˙™

4 4 ˙™

o

mf

∑ Tpt.1

&

œ >œ ™ ˙

˙™

mf

& œ ‰ o

Tpt.2

œ o

Œ

œ

œ oo

p

œ

Ϫ o o

mp

mf Air Sound Blow outside the mouthpiece

Œ

Œ

Œ

Œ

˙™

o p

? ‰

> ≈ œ™ ˙

Œ

‰ Œ

#>œ ™ œ ≈

˙

˙™

˙™

Trb.

¢

6 >œ

o B.D.

6 2 ff> 3

6 o mf

3 2 ¡> ‰66 6 o 2 ff 3 3 2

Vibraphone

Brush big circular motion

° / <b>æœ ‰ æ o

Perc.1

Œ

bœ æ o

œ æ

bœ æ oo

bœ ™ æ o o

œ æ mp

p

o

mf

Soft Mallets

‰ Œ

6

> ≈ & #œ ™ Œ °

Ó

l.v.

o

f tip

tip

butt

butt

Cardboard

. . . . . . . . . œ≈ Œ . . . ‰ . / œ. .

Perc.2

......... . . . . œ. .

œ

polystyrene

≈‰ ‰

6 3 6

3

o

o Crotales

mf

mf

– ç Œ ‰ o

ARCO

Perc.3

>œ ææ

œ ¢ / ææ o

œ ææ o

2 mf 3

>œ ææ 2 mf3 3 2

œ ææ o

2 3

œ ææ o

3 8

4 4 f2 ‰ Œ

Solo1

æ 8æ

æ 8æ

2 3

æ 8æ o

o

æ 8æ 2 mf3 3 2

mf

2 3

æ 8æ

3 4 f3

(pull)

Pull Switch

° / 8ææ o

Œ

4 4

(push)

Ó ∑

‰ Œ Œ

o f

Button

≈ Œ / ‰

Solo2

Œ

Œ

Œ ‰

Small Buttons

Stripped Wire

‰ J ‰

f f (pull) "off"

"on"

Solo3

Pull Switch

"off"

Button

f2

≈*~~~~~~~~~~~~~~~~~~~*~~~~~~~~ ‰

~~~~~~~~~~~~~~~~~~~~~~~~~* ~~~~~~~ Π/

≈ ‰ Œ Œ

‰Œ Œ

∑ f

Improvise a very fast, irregular, "morse code" like rhythm. (listen to the soundtrack for guidance.

Spray ‰Œ Œ

on off on off on off on (sim.)

Detector

ŠΠSolo4

Œ ‰

Œ

¢/

∑ mf p

Vl.1

° ‰ ≈KKOœ Oœ &

KKOœ

≈KKOœ

Oœ ™™

Oœ ≈ KKOœ

3 4 8 Oœ Oœ ≈ ‰ 4 Œ

3 4

“”œ

# ≥œ ‰

4 4

‰Ó

Ó

J pp

2f

mf

p mp

o

mf

3

2f

mf

3 ∑

∑ Vl.2

2f

“#”œ

3 # ϳ

#œ a

‰ Œ

& pp

o (in the background)

bO B œ

Oœ ≈ ‰

b Oœ

Oœ b Oœ ≈

Oœ Oœ Oœ ∑

Vla.

w~ pp

pp

mp

pp

mp

w~

™ ˙O ™

œO

mp poco cresc.

p

≤ & ≈ µœ ™ o

Vc.1

œ

œ

œ≈ Œ o

≤ µœ o

mf

™ œO >œO ™ ˙O o mf (quiet)

œ

j œ œ≈‰ o

≈ #œ ™ ˙™

œ œ™ ˙

œ #œ ™

mf p poco cresc.

ppp

& <b>œ ‰ o

Vc.2

Œ

≤ bœ o

œ

≤ bœ oo

mf

? >œ ¢

≤ bœ ™ o o

o

f

mf

Œ

>œ Œ

Db.

œ

Œ

Œ


42 276

277

° Fl. &

278

Air Sound Change the vowel from i to u (bright sound to dark sound) <chi> <u>

˙™

281

6 o

f

w

280

‰Ó 6

Ob.

279

˙ ∑

& 2 ff

3 a little bit higher (c. 1/8 of a tone)

∑ Cl.1

& ˙™

w

˙ l œ™

œ

2 ff mf

3 pp Bb Clarinet

∑ Cl.2

≈‰ Ó

& ˙™

˙ 2 ff

mf

3 ? ∑

Ctf.

¢ #œ œ mf

Hn.

4 ° 4<b>w &

5 4 ˙™

4 4

3 8

˙

5 8

5 4

2 f

3 CUP Mute ON

˙™

w

˙ ∑

Tpt.1

& 2 f

3 CUP Mute ON

˙™

w

˙ ∑

Tpt.2

& 2 f

3

sim... (wah)

(wah)

(wah)

+ o + o+ o + o + o l >œ œ >œ œ >œ œ >œ œ >œ œ

Harmon Mute ON

<#> w ? ∑

Trb.

¢ p

>œ B.D. very dry, no pedal!

Perc.1

° &

. el

∑ >

Œ

>

≈≈

> ≈≈

/ 66

66

Œ

c ac

Œ

œ ° o 2 3 > > > > > > ≈ ≈≈ ≈ ≈ ≈ ‰ 66 66 66 66 66 66

> Perc.2

Œ

66 66

Œ

Ó

œ

Œ

Œ

Œ

œ mf

ff mf

Metal Block Knitting Needle Very dry

Œ

Œ

‹‹‹‹ ‹‹‹‹‹ ≈

Œ

‹ ‹‹‹‹ ‹‹‹ ≈ ≈

Cardboard 6

p 6

mf

6

6

Polystyrene

. .. .. . ... .. .. . ® ≈® ≈ ≈ 6 6 6 66 6 66 6 6 6 66 6 p

l.v.

ç Œ Perc.3

Ó

¢/ ff

4 °/ 4 f2

5 4

(pull)

Solo1

4 4 f3 ‰ Œ

Freeze! Don't move!

Ó

. ®

.j 6 6

≈ 66

3 8

(push)

‰ Œ

.. ∑

5 8

5 4

Ó

f Switch Freeze! Don't move! Freeze! Don't move!

≈‰ ‰ ≈ Œ Solo2

≈ ‰

≈Œ ‰

≈‰ Ó

Œ Ó

/

∑ p Pull Switch

Œ ‰

(push) Freeze! Don't move!

f3 ‰ Œ

Œ Ó

Solo3

/

Ó

(pull) Freeze! Don't move!

Pull Switch

‰ Solo4

¢/

f2 J

2f p

f

3

Vl.1

4 ° 4##O˙ &

5 4##O˙ ™™

f

4 4nn~w

~w

5 8 Oœ ™™

o

f

ff

3 8 Oœ ™™

pp

f

SP dynamic unstable

SP

1

> Vl.2

&

œ œ≈œ œ≈œ œ≈œ œ≈

œ œ≈œ

Ϫ

w

œœ

∑ 2

f mf

∑ p

fff

mp

p mf

ppp

3 1

SP

B

œ œ œ ‰ œ ≈œ ≈œ ≈œ

™ œœ

œ œ ≈

Col Legno

> ∑

Vla.

2

f mf

fff

mf Col Legno

3

≈‰ P P > p

Œ

(keep the strings dampened)

SP SP a little bit higher (c. 1/8 of a tone)

1

> ‰Œ

? Vc.1

œ >mf

&

2 fff

3

Ó

P P f > Col Legno

Œ

Ó

P P > mp

dynamic unstable (but always soft!)

klœO ™™

œO

ppp pp sim.

(keep the strings dampened)

SP

1

?

∑ Vc.2

Œ

Œ

Œ ˙

& 2

mf

fff

> P‰ Œ P > ≥ #w >

P ‰ P >mp ≥ #w >

fp

fp

3 f ARCO

? ∑ Db.

¢

Ó

Œ

Ó

Ϫ

Ϫ

œ

5 4


43 282

Fl.

° &

Ob.

&

283

284

285

286

287

J œ bœ ˙ o p o

J œ bœ o p

(bending)

288

289

(bending)

˙ o

extremely staccatissimo and soft. (imitate the electronic beeps from the soundtrack)

œ œ ˙

œ

∑ Cl.1

œ

˙

Æ Æ œÆ œÆ ≈œÆ ‰ ≈œœ ‰

& o

o

mp

o

o

mp

p extremely staccatissimo and soft. (imitate the electronic beeps from the soundtrack)

œ œ ˙ o mp o

∑ Cl.2

&

&

œ o

œ

Æ Æ ‰ œÆ ≈ œœ ÆÆ ‰ œÆ ≈œœ

˙ ∑ o

mp

p

? ∑

‰Ó

‰ Ó

Ctf.

¢ œ œ

œ

œ

o

o

mp

Hn.

5 ° 4 &

3 4 8∑4

‰Œ Ó

œœ Œ Tpt.1

mp

4 4 Œ

œ

3 4 ∑

œ

œ Œ

œ œ

2 4

œ

≈‰ Œ

Ó

& o

o o

mf

o

mf

œœ Œ Tpt.2

Œ

œ

œ

‰Œ Ó

œœ ≈ o

& o mf >œ+ œo >œ+ œo >œ+ œo >œ+ œo >œ+ œo >œ+ œo >œ+ œo >œ+ œo >œ+ œo >œ+ œo

o + Bœ bœ ˙ o p

œ œ

œ ‰

Trb.

&

¢

+ Bœ bœ o p

(bending)

o

˙

o

Œ ˙

/

Œ

o

ΠVoice

Œ

o

mf

(bending)

?

˙ Ó

Voice from the Soundtrack: "OK. There "a little forward" should be a switch"

Perc.1

° &

Œ Œæ œ œ

æ œ™æ

> Œ Œ Ó

Œ

Ó

œ

ppp mf Knitting Needle Very dry

Metal Block Timpano

Œ Œ Œ ææ œ

∑ Perc.2

/

æ œ™æ

> Œ Œ Œ

‹‹‹‹ ‰

‹‹‹‹‹ ‹ ‹‹‹‹ ‹‹‹ ≈ ≈ ≈Œ Œ

/

ppp Cardboard p 6

6

6

6

Polystyrene

T.Sheet

Œ Œ Œ œææ

∑ Perc.3

¢/

æ œ™æ

. . ... ... > Œ Œ ® ≈ ® 666 666 6 6 p

. ..

.. ≈

6 66

. ≈

66

Ó 6

ppp

Solo1

5 ° 4 /

4 4

Switch

Œ

3 4 8 ∑ 4Œ

Œ

‰ Ó ∑

Detector Button

‰Œ

mf

Œ

Œ

Œ Œ

2 4

‰≈ Œ Œ Œ Œ

Œ

p

3 4

mf

Œ

Œ

mf

soft!

Pull (pull) Switch

(push)

‰ Œ Œ f2 ‰ Solo2

/

f 3 ‰Œ Ó

Switch

‰Œ Ó

∑ f

f

f

Small Knob + Button Press the button and turn the Knob simultaneously

180° (hold)

Button

ŠΠSolo3

Œ

Œ ŒŒ ‰≈

Œ ‰

/

Œ

≈ ™ Œ

Œ

∑ p

mf

f (push)

Switch (hold)

f3 ‰ Œ Ó Solo4

¢/

Œ ŒŒ ‰≈

Button

Œ

Œ ‰

p mf

Vl.1

5 ° 4 O˙ ™™ &

4 4 ~w

3 4 8 Oœ ™™ 4 ~w

~w

~w

˙™

Œ KKOœ

3 4 O˙ ™™

~w

2 4

SP Ord. dynamic unstable

Ord.

∑ Vl.2

&

bœ œ ˙ o mf

‰ œ

Œ Œ Œ

ppp

o

p

o ff jœ b œ

(bending)

(bending)

j œ bœ ˙ ∑

Oœ Œ

p

Ord.

B

o ˙

Vla.

o

mp

o

o

mp

bOœ

o

Ord.

? ∑ Vc.1

bOœ Oœ O˙ o mp o

∑ o

mp

o

Ord. never louder than the Double Bass!

never louder than the Double Bass!

? ∑ Vc.2

#œ œ ˙™

Ϫ

w

w

mfpp

#œ œ ˙™

w

˙™

w

˙™

mf pp

? ∑ Db.

¢

#w > fp

Ϫ

w

w

#w > fp


44 290

291

° Fl. &

292

293

294

>. . ‰ œœ≈Œ

295

296

>. . >. . ‰ ≈ œœ≈ œœ‰ Ó

Ó

297

æ æ æ ææ æ 6æ6æ6æ6æ6ææææææŒ > 666 o f

Œ

pp a little bit lower (c. 1/8 of a tone)

≈ Kœ ™ o

ΠOb.

&

Ϫ

œ ™ ≈Œ Ó o

œ

‰ Kœ œ o mf

Œ

mf

Cl.1

œ

œ

œ ‰ Ó o

Æ Æ ≈≈ œÆ ≈ œÆ ‰ œœ

Æ Æ≈ ‰ œJÆ œœ

Æ Æ œÆ ≈ œÆ ‰ œÆ ≈ œÆ ‰ ≈ œœ ‰

‰ ≈ œÆ ≈ œÆ ‰

Æ Æ ≈≈ œœ Æ Æ‰ œœ

Æ Æ ‰ œÆ ≈ œœ Æ Æ ‰ ≈ œÆ ≈ œÆ ‰ œœ Æ Æ ≈ ≈ œœ Æ Æ ‰ œÆ œÆ ≈ œÆ ‰ œÆ ≈ œœ

&

Æ Æ ≈≈ œÆ ‰ œœ

Æ Æ ≈≈ œÆ ‰ œœ Æ Æ≈ œÆ œœ

ÆÆ œÆ ≈ œÆ ‰ ≈ œœ

Bass Clarinet

Cl.2

Æ Æ‰ ‰ œÆ ≈ œœ

&

? ∑

‰Œ Œ

Ctf.

¢ œ

œœœ o

mp

Hn.

2 ° 4 &

3 8 ∑

˙

(short)

f

CUP Mute OFF

Œ Ó

Œ

≈ o

œ

œ œ œ ≈‰ ≈ o o

mf

œ

œ œ

˙

oo

mf

œ œ Œ

Œ

œ

œ œ

œ

œ

‰ o

o

o

o

mf

Œ

CUP Mute OFF

œ

~~~~~

œ

Œ

f

& mf

(short)

œ œ œ œ œ

‰ ‰ Tpt.2

Œ

mp

(short)

œ œ œ

Œ

>

mp

≈‰ Œ o

mf

Lw

3 4œ

~~~~~~

Ϫ

Πo

œ

2 4˙

~~~~~~

o œ

‰ ≈ o

&

4 4˙

a little bit lower (c. 1/8 of a tone)

œœ œ Tpt.1

5 4L ˙ ™

Œ

Œ

Œ

Œ

f mf

o Trb.

+ lœ Œ o

+ kœ

?

¢& o j œ œ

‰ œ œ Voice

mp

Œ

Œ

A ª ∑

∑ bf

œ œ Œ

Œ

Œ

Œ œ

Œ œ œ

‰ œ œ ‰

w

/

∑ "Push it up just a little bit"

"not much"

"very nice, very nice"

"OK. I would like to have you activate that trimm switch"

"we're gonna come around and try it again"

"just touch it !" always keep the milk frother in contact with the bass drum until it stops "off"

touch the base of the milk frother on the Bass Drum (not the tip!) we should only hear the sound of the motor "on"

Perc.1

*

° &

Œ

Œ Œ Œ

‰ *

Œ

œ

œ ppp mp

mf Cardboard Large Metal Can Polystyrene

. ∑ Perc.2

. ≈‰

/ 6

.

.

≈ ‰ ≈ Œ 6 6

. . ŠŠΠ6 6

≈‰ Œ 6

.

Hard Mallets

>œ ≈‰ Œ

Œ

Œ

Œ

Œ

6

p f Cardboard Metal Block Polystyrene

.

Hard Mallets

.

.

.

.

.

. ‹

∑ Perc.3

Solo1

≈≈ Œ 6p 6

¢/

2 ° 4 /

3 8

5 4

≈‰ ≈ ‰ 6 6

Œ

≈‰

6

≈‰

6

6 f

4 4

2 4

3 4

Freeze! Don't move!

‰Œ Solo2

/

Œ Ó ∑

f S. Knob + Button Freeze! Don't move! 180° (hold)

≈ ‰

ΠSolo3

/

Œ

Œ ‰

Œ ‰

Œ

Œ

∑ p f Emergency Button Button (hold) Hit the button and keep it pressed!

‰ Œ

Œ

ÃW

‰ Œ Ó

Solo4

¢/

∑ ff p mf

Vl.1

2 ° 4 O˙ &

3 8 Oœ ™™ ∑

Vl.2

5 4 O˙ ™™ ∑

4 4 ~w

KKOœ

o jœ

f

Oœ Œ Œ

2 4 O˙

~w

3 4 ∑ œ #>œ

&

B

≈‰ Œ œ # œo

œ ≈‰ Œ # œo

o f

œ

Œ Ó o

Vla. mp

#œœ > f

In Unisson with the Horn

Ord.

III Col Legno

Lw ? ∑

Vc.1

> ‰Œ Ó P P >p

Œ

˙

o

f

never louder than the Double Bass!

? Vc.2

<#>˙

Ϫ

#œ œ w

w

w

˙

w

#w >

˙

œ

≈‰ Œ #œ o

mf pp

? Db.

¢

<#>˙

Ϫ

#>˙ ™

˙

mfp fp


Harmonic on G

œo 298

Fl.

299

° &

œo

300

œo

>œ.

301

ΠO

O‰Œ o

O

pp

302

p

>œ.

303

304

≈‰ Œ

>œ.

305

Œ

Œ

>œ.

306

≈‰ Œ

>œ.

>œ.

307

>œ.

45

#œ œ#œ#œ

308

≈Œ

≈ ‰

≈ ‰

≈ ‰

œœ ‰ > œœ

œœ ‰ > œœ

mf f

∑ Ob.

Œ Kœ

œ

œ

œ ‰ o

œœ ‰ >f œ œ

& p

∑ Cl.1

mf

œbœ ‰ œ bœ f>

&

œ ‰

œœ ‰ > œœ

œbœ ‰ œ bœ >

œ œœ >

œ œ œœ >

(slaps)

∑ Cl.2

&

j #>-

j >-

j #>-

j >-

f

? ≈‰ Œ

Œ Œ

≈‰ Œ

Œ

Œ

≈‰ Œ

≈Œ

≈ ‰

≈ ‰

≈ ‰

≈ ‰

Ctf.

¢

œ

œ

œ

œ >.

œ œ™ œ

œ

œ >.

œ >.

œ >.

mf f

o mp

Hn.

° & L˙ o

œ

˙™

2 4œ œ

˙

mp

4 8

3 4 ?

Œ

?

Œ #œ

œ≈‰ Œ

œ≈‰ œ

œ >.

#œ. >

œ >.

#>œ ≈ ‰

≈ ‰ >œ

#>œ ≈ ‰

≈ ‰ >œ

≈ ‰ >œ

#>œ ≈ ‰

≈ ‰ >œ

o

mf

#œ. >

mf

∑ Tpt.1

œ

œ

p

mf

œ

œ

Œ

≈‰

&

#>œ ≈ ‰ Œ

#>œ ≈ ‰ Œ

‰ #œ ≈ Œ >

o mp

∑ Tpt.2

&

f

#>œ ≈ ‰ Œ

#>œ ≈ ‰ Œ

‰ #œ ≈ Œ >

#>œ ≈ ‰

mp f

o + lœ ‰ Œ Œ o

+ ? kœ Trb.

¢ o

p

Harmon Mute OFF

Œ

≈‰ Œ #œ

≈‰

œ

œ

œ

mf

/ Œ

Voice

Œ

Œ œ

Œ œ Œ ‰ œj Œ

Œ œ

Œ œ

‰ ≈ œr œ

Œ

Œ œ

œ

œ

r œ œ ≈‰

# œ. > f j œ

œ >. j œ

# œ. > j œ

"Pull!" "use your thumb! "

"that's enough!"

"bring the power up!

"just a little bit!"

"up! up! up!"

"off" "off"

"on"

Perc.1

Œ

"on"

*

Π*

"off"

"off"

"off"

"off"

"off" "on"

"on"

"on"

"on"

"on"

* Œ

"Pull!"

"Pull!" "don't over "power "go up!" react up"

"on"

° & œ

j œ

"Pull!"

"pull up a little bit" "that's it"

œ >.

‰*

Œ

p

‰ *J

* *

*

>Æ ¿

>Æ ¿

* *

* *

* *

*

p

mf Metal Block

>Æ ¿ ∑ Perc.2

>Æ ¿

≈‰ Œ

≈‰ Œ

>Æ ¿

≈Œ

≈ ‰

>Æ ¿ ≈ ‰

>Æ ¿ ≈ ‰

≈ ‰

/ mf mp very quick!

∑ Perc.3

sim.

> Ô. ù

Guiro

≈ ‰

>. ù Ô

>. ù Ô

>. ù Ô ≈ ‰

≈ ‰

¢/ ff

° Solo1

2 4Œ

ΠΠ/

4 8J

Small Knob 180°

180°

180°

180°

180°

180°

180°

180°

180°

180°

3 4

180°

0° 0°

J‰‰

‰JJ

J

J J‰J J

J ff BIG MOVEMENT!

ff press release

3

Button

3 ‰Œ Solo2

2‰ Œ

Œ

/

3

2 ‰

‰2 Œ

3

2 ‰

3

2 ‰

3

2 ‰

f

f

f ff

press with the THUMB

BIG MOVEMENT! release

3 S. Knob + Button

Switch

Solo3

/

Solo4

¢/

Spray

‰Œ

Œ

≈‰

Œ ∑

∑ J

J

J

J

J

J

p ff BIG MOVEMENT!

Vl.1

° O˙ ™™ &

O˙ ™™

2 4 O˙

O˙ ™™

4 8 O˙

ϲ J

O˙ ∑

Œ

SP

III

Vl.2

KO &K œ o jœ B

Œ KKOœ

Oœ ‰ Œ Jo

≥ œ

≤ œ

≥ œ

f p

≤ œ

≥ œ >f

≤ œ

≥ œ > f

≤ œ

≤ œ

≥ œ > f

≤ œ

f

mf

o

f

SP

III

œ Œ

Ó

Œ

Vla.

Œ Oœ

∑ Oœ

Œ

o p

mf

o

mp

SP

III

?

?

Œ

Œ

Vc.1

o p

mp

≤ œ #œ œ œ œ ‰œ o mf 3

never louder than the Double Bass!

? Vc.2

#œ œ ˙

˙™

˙™

˙

˙

˙

˙

≥ ≤ œ #œ >œ œ ‰ œ o o mf ≥ SP ≤ œ #œ >œ Œ ‰ œJ o mf

≤ ≥ œ #œ œ œ > o f >≥ ≤ œ œ œ œ oo f ≤ œ œ >≥œ œ oo f

≤ œ

≥ œ >f

≤ œ

≥ œ > f

≤ œ

>≥œ

≤ œ

≥> œ

f

>≥œ

≤ œ

f

ϲ

f

≤ œ

≥> œ f

>≥œ f

ϲ

>≥œ f

mf pp

Db.

? ¢ #˙ ™ >

∑ ˙™

˙™

˙

˙

œ

œ p

fp

mf

˙

œ

œ mf p

œ

œ œ mf

≤œ

≤œ

3 4


Harmonic on G

>. œ

46

œo œo 310

° Fl. &

œo œ

309

311

ææææææ 6æ6æ6æ6æ6æ æ ææ ææŒ > 666 o f

≈‰ Œ Œ 2

Œ

312

Œ

313

314

315

ΠO O

316

O‰Œ o

317

Ó

‰≈

pp p p

fff

3 ∑ Ob.

Œ Bœ œ

œ

& p

Cl.1

œ ‰ o

mf

& 6

Cl.2

3

≈Œ >œ œ œ œ œ b œ b œ œ œo mf3 2 ≈ ‰ Œ œ

&

Œ

Ó

‰≈ >œ3 œ 2

mf

molto decresc.

? ≈‰ Œ Œ

Ctf.

¢

œ >.

œ

Œ

Ó

‰≈ œ

œœœ mp

o mp

3 °? 4

4 4 ªA

3 4L ˙

2 4œ

a little bit low (smaller than a 1/4 tone)

Œ

Œ

Œ

Hn.

&

˙™

œ

œ œ œ

3 4 ?

Œ

Œ

Œ #œ

f o

o

mp mf

p

œ œ & #œ ≈ ‰ Œ Œ >

Tpt.1

œ

œ

Œ

≈‰

Œ

Œ

‰ ≈#œ

o p

& #œ ≈ ‰ Œ Œ >

Tpt.2

p

mf

Œ

Œ

‰ ≈#œ p

o + lœ ‰ Œ Œ o

Harmon Mute ON

+ kœ

? ∑

Trb.

¢ o

p

Harmon Mute OFF

Œ

Œ #œ p

‰ ≈œ

˙ Voice

/

Œ

Œ

Œ œ

"do you know"touch it!" where the trimm switch is?"

Œ

Œ

œ

œ

"we're gonna come around and try it again"

Œ œ Œ Œ œ

"that's it"

"use your thumb"

œ

"perfect"

"very nice!"

‰ œj ‰ œj ‰ œj Œ

œ "you gotta go up"

"push"

"activate"

j j œ œ œ ‰ œ ‰ œ ≈œœ œ

"and down"

"very good"

"back again"

"up" "push""activate" "down"

"off" "off"

"off"

"on"

Perc.1

™ *

"on"

*

° &

* Œ

Œ

Œ

Œ

‰ ≈*

* Œ

Œ

Œ

œ p mf

p

Whip Large Metal Can

>Æ ¿

Hard Mallets

‰Œ Œ Perc.2

>Æ ¿

Ó

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

‰≈

/ f p mf p Metal Block Hard Mallets

A • >‹

Snare Drum With jazz brush

∑ Perc.3

Œ

Œ

Œ

‰ ≈ œæœ ææ

Œ

¢/

œ æ

Œ

Œ

‰ ≈ œæœ ææ

Œ

f p

Solo1

3 ° 4 /

4 4

180°

3 4

2 4

‰Œ Œ

Œ Œ

Detector

S. Knob + Button

Press the button and turn the knob

Freeze! Don't move!

3 4‰

p

180° 180°

180° 180° 0°

Œ

Œ

≈ ™

f f

f

Small Knob + Button Press the button and turn the knob

Switch Freeze! Don't move!

‰Œ Solo2

/

Œ

90°

Œ

‰ ≈

90°

‰ Œ

≈ Œ

Œ

Œ

f f press

release

release press

3

360° 0°

Œ

3 ‰ ≈

2

f

f

3 ‰ ≈ ™ 2

Button

Switch

≈ ‰

Œ

≈ ‰

Œ

Œ

Œ

Ó Solo3

/

∑ f

f

ff Emergency Button put immediately back on table

String Hit the button and keep it pressed!

ÃW

Freeze! Don't move!

Solo4

¢/

‰ Hold the string in the air and pull

‰Œ

Œ

< ‰3 >

Œ

Œ

Œ

‰ ≈‰

Œ

ff ff

Vl.1

3 1> 4 ° 4 ‰Œ Œ 4 &

3 4 O˙ ™™

O˙ ™™

2 4 O˙

O˙ ™™

3 4 O˙ ™™

O˙ ™™

O˙ ™™

∑ pp

f PIZZ.

> Ord. œ ‰Œ Œ Vl.2

≈‰ Œ œ #>œ

& f

Œ

œ≈‰ Œ Œ >f

#œœ > f

o jœ

f

Œ KKOœ Oœ

œ≈‰ Œ # œo

Oœ ‰ Œ Jo

mf

Œ Oœ Oœ

p mf

o Oœ Oœ

Ord.

? ‰Œ

Œ

Œ

Vc.1 f

>≥œ

o

o

fp

‰ œ œ ≈‰ Œ > o f

≈ #œ ‰ Œ #>œ ™ o f ≤ œ™ ‰ ≈œ Œ o pp

PIZZ.

Œ

o #œ

Œ

œ

Œ

#≥œ

≈ œ œŒ > o f

o

mp

>≥˙™≤

p

Ord.

B

œ # œo

f

Vla.

KKOœ

p mp

Ord

? ≈‰ Œ Œ Vc.2

œ f

≈‰ Œ #œ o

Œ

Œ #˙ ™

˙™

˙™

˙

o f

∑ ≥ œ

˙ mp

o

≈Œ

Œ

≤œ ‰ œ o p

Œ

Œ

≥ ‰ ≈œ mp

pp

? ∑

Db.

#>˙ ™

˙™

˙

œœ mf

fp

˙ p

˙™

Œ

bœ o

mf

¢

#œ ‰ Œ #>œ

˙™

˙™


Harmonic on G

Harmonic on G

œo œo œo

>. # œ œ # œ # œ 323 œ ≈‰ Œ Œ O ‰ ‰ 2 ff o o 3 ˙ ∑ pp o

œo œo œo

œo

œ 318

Fl.

319

° &

320

321

‰ ≈‰

‰ O O O

322

ΠO O O o

p pp p

pp

∑ Ob.

‰Bœ œ o pp

Œ

&

Bœ ∑ Cl.1

p

œ™ œ

œ Bœ œ pp

œ œœ œ

œ œ œ

47 324

325

326

327

œ

Œ

& o pp

o

pp pp

(slap)

6 very precise. secco.

≈Œ Œ Cl.2

‰Œ

Œ

& #>-

œ œ œbœ bœ œ œ o

n- - - -

- - -

ff

molto decresc.

mf

? ∑

≈ ≈ ≈ ≈ œ. œ. œ. œ.

Ctf.

¢

≈ ≈ ≈ ‰ œ. œ. œ. œ œ ˙ o mp

mf

3 3 8 œj ‰ ‰ 4#˙ Œ ‰ #œ

2 4

change the intonation just a little (smaller than a 1/4 tone)

°? Œ Hn.

3 q 99 2 4 ∑ 4 =

mf

4 4

(qq = e.) e.

Slap tongue. Very precise

2 4

4 4

?

l œ #œ

&

o

ppp

lœ o

ppp

ppp

- - - -

- - -

p very soft! very soft! very soft!

mf

> ~~~~1 ~ ~ ~ ~ ~ ‰ œ ~~ ‰ Œ

1

Overtone-Glissando

∑ Tpt.1

Œ

Œ

>œ ‰ Œ ff o

& 2 ff mf

1> 3

1

CUP Mute OFF

CUP Mute ON

Overtone-Glissando

˙™ ∑ Tpt.2

œ œ ˙

>œ ‰

˙

œ

Œ

Œ

& ppp

ppp p

p

2 ff

ff

mf change the intonation just a little (smaller than a 1/4 tone)

lœ # œ

#˙ Trb.

? Œ ¢

Œ ‰

j‰ ‰ œ

very precise. secco.

Œ

Πo

o

3

ppp

‰Œ

≈ ≈ ≈ ≈ œ œ œ œ >. >. >. >.

o

ppp

Œ

p

≈ ≈ ≈ ‰ œ œ œ >. >. >.

Æ Æ Æ ≈ ≈ ≈‰ œ œ œ

f

very soft! very soft!

ff

j j œ‰ œ

‰ œ‰ œ

œ / "fantastic!"

Voice

j j j œ ‰ Œ ‰ œ œ ‰ Œ

‰ œj

Œ

Œ

≈œr ≈ œr

Œ

œ

Œ œ ∑

"up""up" "go up" "push"

"acti "use your thumb" vate"

"evenly"

"full power go up!"

"you've gotta up or gotta go down"

Stop the motor with the hand! "off"

Hard Mallets (or Rute) very precise an dry

B.D.

Aª > ≈‰ Œ Œ

"on"

Perc.1

° &

Œ ‰ *

Æ Æ Æ Æ ≈ ≈ ≈ ≈ œ œ œ œ

JJ J

p mf Metal Block with Knitting Needle Very dry

>Æ ¿ ∑ Perc.2

Whip

‰ ≈‰

‹ ‹ ‰ æ ææ

/

‹ ææ

‹ ææ

‹ ææ

Ó ∑

‰Œ

ppp

Œ Œ

mf

p very dry and precise!

>. >. >. >. ≈ ≈ ≈ ≈

Castanets

œœ ææJ ææJ

∑ Perc.3

¢/

œ ææJ

p f

3 3 8 J J J 43

2 4

Switch

Suddenly(!) press with your THUMB press

180°

°

‰ Œ

Solo1

3 q 99 2 42 ‰Œ Œ 4 =

4 4

(qq = e.) e.

release

S. Knob Randomly turn the knob. Example:

/

90° 0°

180° (sim).

2 4

4 4

f

f

f 180° 90°

90°

90°

ΠSolo2

Œ

‰ ≈

/

‰Œ

Œ

Œ

f ff press with the THUMB

repeatedly turn the microphone on and off as fast as possible. release

3 +o+o+o+o+o+

3 J J

‰ Solo3

/

2 ‰Œ

Switch

Megaphone Button

œ œ™≈ ææ æ

Œ

f mf

f Switch

<3> ‰Œ Solo4

¢/

Œ

‰ Œ

ff

Vl.1

3 8 Oœ ™™

° O˙ ™™ &

3 4 ∑

2 4Œ

œ≤ ‰≈

3 1> 4 R ≈‰ Œ

Œ

2 4Œ

4 4

> ϲ 1

2 4

4 4

2 >fff n ≤œ 13

f

2 f

fff

3 ARCO

Vl.2

Œ ≈œ œ > o f

& Œ

KKOœ pp

Oœ Oœ Oœ Oœ Oœ≈KKOœ o pp p p

Oœ Oœ Oœ o

p

p

≈‰ Œ œ #>œ # œœ o ff

Π2 f

fff

3 SP

ARCO

B Ó

≈ #>œ ™

Vla.

f

≤œ Œ ≈œ op

? ΠVc.1

#œ ‰ ‰ J o œ J‰ ‰ o

Œ

Œ Oœ Oœ

Œ Oœ

o

o

pp p

Œ Oœ

pp

p

#œœ œ ≈‰ Œ > # œo ff # œ≥ #œ Œ o ff

Œ

≥ #>œ f

SP

Œ

≥ ‰ #>œ f

SP

IV

PIZZ.

IV ARCO

? ‰ Œ Œ

Vc.2

Œ œ

bœ o

Œ

∑ œ

œ ff

mf

o PIZZ.

SP secco! almost as percussion

PIZZ.

IV ARCO

? ∑

‰ œ

Db.

¢ <#>˙ ™

œ œ™

œ

œ œ œ œ >' >' >' >'

o mf

œ œ œ >' >' >' f

f

œ


>. # œ œ # œ # œ332œ ‰ ≈‰ Œ 2 ff o 3 Ÿ~~~~~~~~~~~~~~~~~~ b œ œ ∑

48 328

329

° Fl. &

330

331

Œ

333

334

335

336

337

338

imitate a sirene! very dense tremolo

∑ Ob.

Œ

& f imitate a sirene! very dense tremolo

Ÿ~~~~~~~~~~~~~~~~~~ œ œ ∑ Cl.1

Œ

‰ Œ

Œ

‰ ‰≈

≈‰ Œ

Œ

Œ

- ‰

& œ

f

œ

œ

œ œ

œ

- ‰ Œ

mf

ΠCl.2

Œ

Œ

‰Œ Œ

- ‰ Œ

&

‰- Œ

mf

-

-

? Œ

Œ

Œ

Ctf.

¢

œ.

4 °? 4 Œ

3 4 Œ

Œ

2 4

3 4

‰Œ Œ

3 8

3 4

Hn.

-

Wide, "Crazy" Tremolo as a sirene!

1

ΠTpt.1

Œ

Œ

Ÿœ˘ Œ

Ÿœ˘ Œ

& ff

o

ff

Wide, "Crazy" Tremolo as a sirene!

∑ Tpt.2

Ÿœ˘ Œ

Ÿœ˘ Œ

& ff

? Œ

Œ

Œ

‰Œ

Trb.

¢

œ >. >œ

f

ff

‰ œj œj ‰ Œ Voice

j œ œ‰

Œ

/

‰ œj œj ‰ Œ

Œ

"we're gonna go ahead"

"hands of control"

Perc.1

Œ

Œ

Œ

>Æ ≈‰ Œ Œ œ

Æ ≈ œ

‰ œj œ

j œ ‰

≈œ‰ ‰

"activate"

° &

‰ œj œj ‰

∑ "go ahead and try to put"

"go ahead and try to"

"up!"

"acti vate"

Metal Block Hard Mallets

≈Œ

≈‰ Œ

Metalic Rod push the rod while bouncing it to produce an upward gliss

Ó ∑ Perc.2

‰Œ Œ

/ 8 ~~~~~

8 ~~~~~

g! Boin

mf

g! Boin

p

p

Wood Block Snare Drum Stick

A • ∑

Snare Drum

Perc.3

œ œ œ ‰ ææ ææ ææ

¢/

œ ææ

With jazz brush

œ ææJ ‰ ‰

p mp

Solo1

4 ° 4 /

3 4

2 4

3 4‰

Button

‰ ‰≈

Switch

‰Œ ∑

Œ ‰

3 8 Œ

3 4

Œ

f

180° 180° 0°

Œ

‰ Solo2

/

≈ Œ

≈‰ ‰

6

6 ≈ ‰ ‰ + ¯ + ¯ ®®

ff Megaphone Blow on the microphone (producing white noise) Turn the microphone on (+) and off (o) on the written rhythm.

3 Button

‰ + ¯ + ¯ ®® Œ

Œ ‰ Solo3

/

‰6

6‰Œ

Œ

‰ ≈ ‰

∑ f

f raise your hand !

6

6

Siren press the siren button

String

A ∏~~~~~ª

ΠSolo4

¢/

A ≈‰ Œ ª

A ∏~~~~~ ª ª A ª A

f

Vl.1

4 ° 4 &

3 ≥œ 2 4J ‰ Œ Œ 4

≤ œ

1

Œ

3 4 ‰µµœO Œ

1> listen to the electronics for intonation!

‰≈

≈‰ Œ

‰µµœO Œ µµœO ‰ ‰ ≈ œO œO ≈ ‰ Œ

3 8

3 4

Œ

p

2 13 >fff

ff f

≥œ 1 J ‰Œ Œ

∑ Vl.2

ϲ

PIZZ. ARCO

Œ

‰≈

œ œ> ≈Œ o f

≈‰ Œ

& ff

f

ORD

B

Vla.

b œ≤ ‰ o

accel.

2 fff 3> œ R ≈‰ Œ 2 ff 3 >≥ œ

œ ≈Œ o

‰ œ œ ≈‰ Œ > o f

#œ Œ

‰ #œ ‰ #>œ o f ≤ Œ œ

Œ

œ> ≈‰

o

mf

PIZZ. ARCO

#œ Œ

#>œ

#>œ o

o

f

f

ARCO

œ #œ œ œ œ œ œ œ

J #œ ‰ o

? Œ

>œ f

ra ll.

ORD

Vc.1

œ o

3

3

‰ o

∑ 3 >œ2

mf

≤ ‰ œ

œ #œ œ #œ œ > ≈‰ Œ 3

f

3

o

mf

o

ra ll.

ARCO (short) PIZZ. PIZZ.

J #œ ‰ o

? ∑

Vc.2

3

#œù‰ Œ

#œù‰ Œ

‰#œù Œ

Œ

f mf

2 ? Œ

Œ

Œ

‰Œ Œ

Db.

¢

œ ' f

œ >'


>œ.

>œ.

339

Fl.

340

° &

≈ ‰

Œ

341

Œ

342

344

Œ Œ

Imitate a sirene! very dense tremolo

>œ # œ # œ œ # œ345

>œ.

343

49

>Ÿœ~~~~~~~~~~~ bœ œ

346

‰ Œ

Œ

348

‰ Œ

3 3

o Play on the Ÿ~~~~~~~~~~~~~~~~~~~~~~~ Reed Only! b œ œ ‰ Œ Œ œ Œ

f

f

f

∑ Ob.

Œ

wide glissandi Imitate a sirene!

1>ÍÍÍÍÍÍÍÍ ‰

Put reed back

‰ Œ

‰ ‰

& 3

f mf 3 3

∑ Cl.1

‰ Œ

Œ

3

Œ Œ

‰ Œ

& œ

œ

œ

œ

œ

œ

œ Ÿ~~~~~~

œ

œ Ÿ~~~~~~~~~~~~~~~~~~~

3

f

f

3 3

≈‰ Œ Cl.2

-‰ Œ

& >œ œ œ œ œ b œ b œ œ œo mf3 2 ∑

‰ -‰ - Œ

- ‰-

‰Œ

Œ

Œ

Œ

œ >œ œ mf

molto decresc.

?

‰ Œ

Œ

≈‰

œ

>œ mf

œ #f

3

Œ

Œ

‰ Œ

Œ

Ctf.

¢

œ

œ

p f

3 °? 4

2 4

3 4

2 4

#>œ ‰ ‰ >œ

Hn. Wide, "Crazy" Tremolo as a sirene! sim. (wah-u)

Harmon Mute ON

‰ Tpt.1

Œ

Œ

Œ

& #œ > mf

+ o+ ‰ œ Œ

+ o + + o+ œ ‰œ ‰Œ

+o + œ ‰

Œ Œ

3

f

Ÿ>˘ + o+ œœ Harmon Mute OFF ‰ Œ Œ ‰ ‰ œ

3

f

3

f ff Wide, "Crazy" Tremolo as a sirene! (wah-u) sim.

Harmon Mute ON

‰ Tpt.2

Œ

Œ

Œ

& #œ >mf

+ o+ ‰ œ Œ

+ o + + o+ œ ‰œ ‰Œ

+o + œ ‰

Œ Œ

3

f

3

+>o + œ #œ ‰

Harmon Mute ON (wah-u)

? ‰

Œ

Œ

Œ

Œ

Ÿ>˘ + o+ Harmon Mute OFF œœ ‰ ‰ œ ‰ Œ Œ 3 ff +> o + Harmon Mute OFF œ #œ Œ Œ ‰ ∑ (wah-u)

‰ ‰

Trb.

¢ #>œ

3 3

œ

ff ff

f ff 3

j œ Voice

Œ

Œ ˙

œ

œœ Œ

3

3

Œ Œ œ

œ

œ

œ

Œ œ

œ

Œ œ

/

∑ "down"

"we're gonna go ahead and try to set your speed to"

"one"

"one"

"three"

"zero"

"one"

"three"

œ œ œœ

"zero"

"full power go up"

"one" "twenty- "one" five"

>Æ ¿ Perc.1

° &

B.D.

≈ ‰

Œ

Œ

Æ Æ ‰ ‰ œ œ

mf Timpano

>Æ ¿

Metal Block very soft mallets Hard Mallets

3

?

∑ Perc.2

≈Œ

?

Œ

Œ œ

/

Œ

/

8 ~~~~~ g! Boin

œ p

p

>

Castanets

∑ Perc.3

¢/ f

Solo1

3 °/ 4

2 4 ‰ Œ

3 4‰

2 Œ 4 ‰

Switch Button

Œ

Œ Œ

Œ Œ

Œ

‰ ‰

∑ 3

3

3 S. Knob + Button

180°

Button

ΠSolo2

/

Œ

Œ

Œ

Œ

3

3

ff 3 Megaphone

ΠSolo3

Œ

/

+ ¯ + ¯ ®®‰

6 ∑

‰ Œ

6 ≈‰

Œ

>. Π6

ff

Switch

Œ ‰

∑ p

f

6

‰ Solo4

< ‰3 >

Siren

Œ

Œ ∑

‰ ∏~~~~~~~ ‰ Œ

Œ

∏ ~~~~~~~~~ ‰

¢/

f f

Vl.1

3 ° 4 &

2 3 2 4µµœO ‰ Œ 4 ‰µµœO ‰ œO Œ 4µµœO ‰ œO

f

> ≤œ 1 3 3 3

‰ œO ‰

Œ Œ ##œO ‰ ##œO ‰ Œ##œO

Œ

µµœO ‰ Œ

2 f> ϲ3 1

PIZZ.

mf

Quick!

> œ≈‰ Œ # œo > œ≈‰ Œ # œo

& # œœ >

Vl.2

mf

B Vla.

#œœ > mf

PIZZ.

3 3 ARCO

œ œ> ≈ ‰ ‰ mf o

Œ

‰ œ œŒ > mf

œ

œ

‰ >œ >œ

‰Œ

œ œ œ> ‰ >œ ‰ Œ

Œ Œ

Œ

œ œ œ> ‰ ‰ >œ o o f f

2 f

3 >œ

b ϲ

ARCO PIZZ. Quick!

accel.

3 3

#œ ‰ ‰

Œ

#>œ

Œ

#>œ

#>œ

œ

‰Œ

Œ Œ

#>œ

‰ Œ

#œ Œ #œ > o 2 ff 3

#>œ

o mf

mf

Œ

≈‰

2 mf 3 >≥œ

o ≥> 1ÍÍÍÍ ARCO

fast, wide glissandi back and forth Imitate a sirene!

3 Quick! PIZZ.

œ

œ

ra ll.

? ∑

Œ

Œ

Œ

Œ

Œ

‰ Œ

Vc.1

3

o

3

f mf f f

2 ≥> 1ÍÍÍÍ ARCO

?

> ≈ bœ ‰ Œ

≥ œ

Vc.2

fast, wide glissandi back and forth Imitate a sirene!

Quick! PIZZ.

œ #œù‰ Œ

Œ

‰ #œù Œ

Œ

Œ

PIZZ.

Œ

Œ œ

#œ 3

mf

o

mf f f f 3

? ∑ Db.

¢

œ

3

Œ

Œ œ >

‰ Œ

#œ ‰ ‰ œ > > mf o mp o > > #œ. ‰ ‰ #œ.

œ f

o f


>œ. >œ. >œ.

50 349

Aeolian Sound More air, a little bit of pitch

350

° Fl. &

351

352

‚‚ ‚ ‚‚ ‚ ‚ ‚‚‚ ‰ Œ ‚‚

Œ

353

354

355

356

357

358

f 3 pp noisy multiphonic gliss. downward with the embouchure

∑ Ob.

Ÿ~~~~~~~~~~~~~~~~~~~~~ bœ œ Œ bœ

&

Œ

ååœ ≈ ‰ Œ Œ > f

pp

åå ≈ ‰ Œ >œ

‰ ååœ ≈ Œ >

åå ≈ ‰ >œ

åå ≈ ‰ >œ

åå ≈ ‰ Œ >œ

‰ ååœ ≈ Œ >

åå ≈ ‰ ååœ ≈ ‰ >œ >

‰Œ

noisy multiphonic gliss. downward with the embouchure

Ÿ~~~~~~~~~~~~~~~~~~~~~ 3

∑ Cl.1

Œ

Œ

Œ

Œ

ååœ ≈ ‰ Œ Œ > f

& bœ

œ #œ

# œ. œ. œ. > >>

pp gliss. downward with the embouchure (slap)

& Œ

Cl.2

>œ œ œ œ œ b œ b œ œ mf 3 2 ∑

?

Ÿ~~~~~~~~~~~~~~~~~~~~ Œ œ #œ œ

≈‰ Œ œo > >> #œ. œ. œ. Œ

pp

‰Œ Œ #>œ ææ ≈ ‰ Œ Œ

dirty and noisy

Ctf.

¢

Œ

#>œ ‰ æ ≈Œ æ

>œ #>œ ææ ≈ ‰ ææ ≈ ‰

+ #>œ æ ≈‰ Œ

+ #>œ ‰ æ ≈Œ

5 + >œ+ #>œ 4 æ ≈‰æ ≈‰

#>œ ≈ ‰ Œ æ

> ‰ #œ ≈ Œ æ

#>œ ≈ ‰ >œ ≈ ‰ æ æ

ææ #>œ ≈ ‰ Œ

æ ‰ #œæ ≈ Œ >

ææ #>œ ≈ ‰

ff

#>œ ææ ≈ ‰ Œ

3

f mf

3 4 #œ œ œ Œ

3 3+ 2 8 ∑ 4#æ>œ ≈ ‰ Œ Œ 4 Flz.

3

°? ∑ Hn.

Noisy

æ

>. >. >.

æ

3 4 ∑

æ

f Noisy Flz.

3

∑ Tpt.1

#œ. œ. œ. Œ > >>

&

#>œ ≈ ‰ Œ Œ æ

f f Flz.

ææ #>œ ≈ ‰ Œ Œ

Noisy

3

∑ Tpt.2

#œ. œ. œ. Œ > >>

&

ææ œ> ≈ ‰

f f Harmon Mute ON

œœ œœ bœ

3

? ∑

Œ

‰ Œ

j œ œ

Ϫ

Trb.

¢ # œ. œ. œ. > >>

3

ppp

3

j œ ‰ œ / "twenty""zero"

Voice

œ œ œŒ

Œ

Perc.1

‰ œj Œ

Œ

j r r œ‰ ≈œ‰ ≈œ‰

Œ ≈ œr ‰

Œ

Œ ‰ ≈ œr

"hands off control" "stay right here at this position!"

Play on the skin (soft mallet) and on the side (Rute)

° &

œ Œ ∑

‰ Œ

œ

"little bit to the right"

f ≤> œ

"left turn"

≤> > ‰Œ œ

> ‰Œ Œ

‰Œ Œ

‰Œ

> > ¥ ≈‰ Œ

"right"

≤> > ‰ Œ œ

"left"

"right"

"left"

≤> > ≤> > ‰ ‰ œ œ

"right"

Whip

mf Timpano Soft Mallets

Ó ? Œ

Ó

Œ

Œ

Ó

Ó

Ó

Œ

Ó ‰

> > ¥ > >¥ > > ¥ ‰ ≈Œ ≈‰ ≈‰

/

Perc.2

œ œ mp

mp

mf Choke! very short

Very Dry!

>Æ >Æ >Æ ¿ ¿¿

> Metal Block

‰ Œ Perc.3

Œ

sim.

> ¥

S. Cymbal or Splash

> ≈ ‰Œ Œ

¢/ 3

mf f

3 4 ° Solo1

5 ‰ < ‰3 > 4

put immediately back on table

String Hold the string in the ai and pull

Œ / ‰

3 3 2 8 ∑ 4 ‰ < ‰3 > Œ Œ 4

<3> ‰ ‰Œ ∑

Œ

3 4 ∑

ff

Switch Button

Œ

‰Œ Œ

‰ Solo2

/

Œ

Œ

‰ ∑

ff

>. >3. >. 6 66Œ

Megaphone

Solo3

/

Megaphone Switch

‰Œ

‰Œ

‰ + ¯ + ¯ ®®Œ ‰ + ¯ + ¯ ®®Œ Œ

∑ ff

f

mf 6

6

raise your hand !

Button

A ª Solo4

¢/

A ª

A ª

A ª

A™ ª

String

‰ < ‰3 > Œ

‰ < ‰3 > Œ

3

ff

Vl.1

≤ ° ‰ µO O ≈ ‰ & µ œ >œ mf 2 ff 3

ff

f

III

3 4 ϳ

3 3 ≥œ 2 8 ∑ 4 ≈ ‰Œ Œ 4 ‰ Œ

> ϲ 1

> ϲ 1

1

Œ

5 4 ‰

3 4 ∑

2 ff> ϲ3 1

2 ff ϲ3 1>

p f 1

ϳ ARCO

IV

∑ Vl.2

&

≥ #œ

‰ Œ

≈ ‰Œ Œ

œ f

œ≤ œ œ œ œ œ

1 Ord.

2 ff 3 > ϲ 1

p SP

Œ

≥œ

2 ff 3 > ϲ 1

ARCO

B

Œ

Œ

Vla. 3

∑&

≈ ‰Œ Œ

Œ

3

2

2 ff

ff

ppp f

3 SP

IV PIZZ. ARCO

? ΠVc.1

∑ œ

≤3 œœ

&

3

?

œŒ

Œ

œ

o f ppp IV

? ΠVc.2

∑ nœ

nœ f

o PIZZ. Bartok

Db.

? ¢ Œ

∑ œ f

bœ«

∑ f

>œ III ≤ Œ ‰ #œ ‰Œ o 2 ff 3> SP II ≤ œ Œ ‰ #œ ‰Œ o 2 ff ≤ 3> SP Œ ‰œ œ ‰Œ o 2 ff 3

Œ

Œ

ARCO

> ‰ Œ Œ&

Œ

3 ≤ >œ ‰ #œ ‰Œ o 2 ff 3> ≤ œ ‰ #œ ‰Œ o 2 ff 3 ≤ > ‰œ œ ‰Œ o 2 ff 3

PIZZ.

II

?


Only Air

51 Pizz. "T"

359

Fl.

° &

360

æ 6æ f3 2

æ æ æ æ æ æ æ 6æ 6 6æ 6æ 6æ æ æ Œ 6 6 o

361

Œ

362

363

8.

8.

8.

8.

p

Œ

Œ

&

åå >œ

Ob.

Œ

Œ

&

åå >œ

Cl.1

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 6

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

6

≈ ‰ Œ Cl.2

Ctf.

Œ

& >œ b œ œ b œ œ œ b œ œ b œ œ o f>3 # œ2 ? Œ ææ ≈ ‰ ¢

œ

œ

Œ

nœ œ #œ nœ œ™ œ œ # œ nœ #œ o

œ

œ

œ

œ

œ œ

mf mf

Œ

Ó

‰ ≈

∑ œ mf

Hn.

3+ °? 4#>œ æ

4 4 ≈

Œ

3 4

Œ

2 4

Slap tongue. Very precise

Ó

∑ -

æ

mf

> & #æœ

Œ

Œ

Tpt.1

ææ & #>œ

Œ

Œ

Tpt.2

Œ

Œ

o +

+ ?

Œ

Œ

‰ ≈

Trb.

¢

œ oœ

œ

mf

f

j œ ‰ œ

ΠVoice

œ

œ

"very good"

"you're doing fantastic"

˙™

˙

/

∑ "come up on the power just a little bit"

"now go back to north heading" (soft. only "clicks")

Perc.1

° &

≤> œ

> ‰

. ≤

Rute on the side

Œ

Œ

. ≤ ≈ ≈

. . . . . ≤ ≤ ≤ ≤ ≤ ‰

Hard Mallets (or Rute) very dry and precise!

Œ

(soft. only "clicks")

. . ≤ ≤

Æ ‰ œ

Œ

. ≤

. ≤

p mf p Cardboard (quick) (quick)

> 6â

Polystyrene

Ó ‰ Perc.2

Œ

Œ

/ 6

6

6

6™

Œ

Œ

> 6

6

> ≈ 6 6â 2 f 3

6

mf mf

2f

mf

3 . . . . >.

Castanets

> ¥ ≈ Perc.3

> ‰

Œ

Œ

Œ

¢/ mp mf

Solo1

3 ° 4‰ /

4 4

< ‰3 >

Œ

3 4Œ

Switch

Œ

‰ Œ

2 4 Œ ‰

Ó ∑

mf S. Knob + Button 90°

Œ

Œ

Œ

Œ

‰ Solo2

/

f f Megaphone Switch

Œ ‰ Solo3

Œ 6 ‰

6

/

Œ ∑

f

p

Button

< ‰3 >

≈ Œ

Œ

Œ ‰ Ó

Solo4

¢/

∑ f

Vl.1

3 ≥œ ° 4 &

4 4

1

Œ

Œ

3 4

Col Legno Battuto

2 4

Keep strings

III dampened IV

≈ ≈ P P

‰ P P

∑ P P P P P P P P P P

P P P P

P P

P P

P P P P

P P

P P

P P P P

P P

P P

f p III IV

1

≥œ

Col Legno Battuto

‰ Vl.2

Œ

Œ

Keep strings dampened

Œ

& P P P P P P P P P P f p 1

ϳ

III IV

Col Legno Battuto

‰ Vla.

Œ

Œ

&

B

Œ

Keep strings dampened

‰ P P P P P Pp P P P P

f

≥ >œ™

Ord.

? #œ o

Vc.1

3

Œ

Œ

Œ

Œ

≤ ‰ œ o

œ #œ œ œ œ œ œ œ 6

mp

f

2 >ϳ

secco! almost as percussion

SP

PIZZ.

? Vc.2

3

#œ o

Œ

Œ

Œ

Œ

œ '

f

2 « bœ ? Db.

¢ 3 f

mf PIZZ. secco! almost as percussion

bœ o

Œ

Œ

Œ

SP

Œ

‰ œ '

2 mf


Aeolian Sound More air, a little bit of pitch

52 364

365

366

367

368 ææ ææ ææ ææ ææ ‚ææ ‚ææ ‚ææ ‚ ‚ > >‚ ‚ ‚ f

Flz.

° Fl. & 8.

8.

8.

æ ‚æ

æ ‚æ

æ ‚æ

æ æ ‚>æ ‚æ

æ ‚æ

mf

Ob.

&

æ æ æ æ æ æ æ ‚æ ‚ ‚æ ‚æ ‚æ æ æ Œ ‚ ‚

Œ

Ÿ~~~~~~~~~~~~~~~~ ææ ‰ œ œ > 3f o 2

Œ

Œ

Œ

Œ

(slap)

Cl.1

Œ

& #-

-

#-

mf

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ≈ ‰ œ œ œ™ œ

& Œ

Cl.2

Œ

Ó

≈ ‰ >œ3 b œ œ b œ œ œ b œ œ b œ œ o f 2 ≈ ‰ Œ œ

mf

? ∑

Ctf.

¢ w

œ

œ >

mf

œ

œ

mf

Œ

Œ

mf

mp

3 8

4 4

3 4‰

°? ∑

Air Whistle

Aª f

Hn.

Aª f

Aª f

Œ

Œ

Œ

mp f mouthpiece "plop" hit the mouthpiece with the palm of your hand

Harmon Mute ON

A ª ∑ Tpt.1

Œ

Œ

& f f Harmon Mute ON

A ª ∑ Tpt.2

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

& f (wah!)

f

Trb.

+ ææ œ

? ¢ Œ

ææj

ææj

o ææ œ> ≈ ‰ 2 mf

ææj

p

o +

+ Œ

Ó

∑ œ oœ mf

3 ‰ / œ

Voice

j œ

j œ

œ

j œ

œ

Perc.1

j r œ ≈ œ ˙ ∑

"left turn"

"make a left turn"

"do not look at me!"

"perfect"

. ° ≤ &

j r œ ≈ œ

Œ

. ≤

"I'm not gonna"

"I'm not gonna be to your side"

. ≤ ‰

Œ

Ó

œ

œ

Œ

œ

œ

mf Timpano soft mallets

?

∑ Perc.2

/

æ œæ

/ œ

3 2 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ > > > œ œ œ œ œ œ œ œ œ œ ‰

o

mp

Snare Drum

with normal sticks

∑ Perc.3

Œ

Œ

Œ

Œ

Œ

¢/ mp

mp mf

pp

3 8

S. Knob + Button (irregular movement)

°

4 4

3 4

(stable) 180°

180°

180°

180°

Œ

Solo1

f

f 90°

90°

Œ

‰ Solo2

/

/

Œ

Œ

J mf

Solo3

/ 6

6 ≈ ‰

6

mf

Œ ‰

Π6

Œ

p

‰ Solo4

¢/

3 8 Vl.1

° & P P

P P

4 4BBw~

Ord.

P P

3 4 ˙O ™™

In Unisson with the electronic

Œ ‰

mf Ord.

III

‰ Vl.2

& P P

P P

≥> œ

P P

3

Πo

mf

2 Vla.

B P P

‰ P P

Œ

>ϳ

Œ

P P

3

#œ o

o

mf

2 ? œ #œ œ œ œ

r œ

? œ

∑ w

Vc.1

œ >

œ

œ >

œ

œ

Œ

Œ

o mp

f

mf mf

Ord

IV

ARCO

æ œæ

? ΠVc.2

ææj

ææj

ææj

IV

j

pp

œ ≈ ‰ 2 mf>

Œ

Ó

∑ œ f 3 2

3

Œ

Œ

o molto decresc.

IV ARCO

Db.

? ¢ Œ

æ œæ

æj

æj

æj

j

pp

w 2 p> 3

œ

>œmp œ

œ

œ #œ mf 3

o molto decresc.

mp

2


Aeolian Sound More air, a little bit of pitch

53 369

370Pizz. "T"

371

372

373

374

375

>

>

376

Flz.

Fl.

° &

∑ 8. 8. 8. 8. 8. 8.

8. 8 .

8.

8. 8 .

æ æ ‚æ ‚æ

æ ‚æ

8.

ææ ‚. ≈ ‰ ‰ >

mf

ææ æ æ æ ‚ ‚æ ‚æ ‚. ≈ ‰ > mf

mf

∑ Ob.

Ÿ~~~~~~~~~~~~~~~~ > ‰ bœ bœ œ œ ≈ ‰ .

Œ

&

mf

3 3

∑ Cl.1

3

& #-

-

-

-

-

f

∑ Cl.2

Œ

>

>

≈‰ ‰

≈‰

& nœ œ œ#œ

œ œ œ. >

œ#œ œ œ#œ œ#œ œ#œ

œ œ œ œ. > mp

mf

mf

2p

ppp poco cresc.

3

>

>

≈‰ ‰

≈‰

? ∑

Ctf.

¢ œ

œ œ œ. >

œ œ œ œ. >

mp mf

mp

mf

2 4 3

°?

3

3

Œ

Œ

Œ

Hn.

6 6 6 6 6 6 >. >. >. >. >. >. mf

6 6 6 6 6 6 >. >. >. >. >. >.

6 6 6 6 6 6 66 >. >. >. >. >. >. >. >.

6 >.

Hit the bell of the instrument with the nail.

∑ Tpt.1

º ¿ ¿ ¿ ¿ ¿ ¿

¿

6 o ¿ ¿

6™

6 2 >f 3

¿

& mf

º ¿ ¿ ¿ ¿ ¿ ¿

Hit the bell of the instrument with the nail.

∑ Tpt.2

¿

¿ ¿

¿

Œ

œ. ≈ ‰

œ œ

& mf p

? ∑

Trb.

¢

+ ææ æ œ æ

o ææ œ> ≈ ‰ Œ 2 mf

ææ

p

3 ΠVoice

/

‰ œj

Œ

j œ ‰ Œ

j œ

j œ ‰ Œ

≈ œj™

j œ Œ

Œ

‰ œj œ œ ˙

‰ œ™

"yup yuppi"

"just, just, just a little"

∑ "bring in idle"

"get the rutter"

"don't bang"

"Trimm wheel back"

"We're gonna get a little lower"

Metal Block (sim.) measured tremolo

knitting Needle

Perc.1

° ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ æ‹ &

‹ æ

‹ æ

‹ æ

‹ æ

‹ æ

‹ æ

‹ æ

‹ æ

‹ æ

B.D.

‹ æ Œ

‰ Œ

Œ

œ mp

∑ œ

mf

Metal Rod

∑ Perc.2

Œ

Œ

/ 8 ~~

≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ 8~~ 8~~ 8~~ 8~~ 8~~ 8~~ 8~~ 8~~ 8~~

Œ

8~~~

mp Snare Drum Ÿ~~~~~~~~~~~~~~~~~~~~~> > œ œ œ œ≈‰ ‰

Castanets

.

.

.

.

.

.

. . . . . . ∑

Perc.3

Ÿ~~~~~~~~~~~~~~ œ œ œ >œ ≈> ‰

¢/ mp mp mf

2 43

mf

press

(irregular movement)

3

release

180°

2 2

180°

° Solo1

Œ

Œ ‰ ‰

/

∑ f

f

f

90°

Œ

≈ Œ

‰ Solo2

/

f press

Solo3

/

+¯≈ ≈

Œ ‰

release

‰ 3

Button

Œ

press

‰ 3

2 Œ

6

f

ΠSolo4

¢/

‰ ≈

Œ

f

(move randomly between SP and ST.) "Melody of clicks"

Col Legno Battuto Keep strings dampened

ST

ST

ST Ord.

SP

SP (sim.)

2 4BB˙O

> Oœ ≈ ‰

> Oœ ≈ ‰ ‰ BBœO œO

In Unisson with the electronic

Vl.1

° &

ΠPPPPPP PPPPPP

P P P P P P

P P P P P P

P P P P P P P P P P P P

P P P P P P P P

mf p Col Legno Battuto (move randomly between SP and ST.) "Melody of clicks" Keep strings dampened

ST

ST

ST Ord.

SP

SP (sim.)

∑ Vl.2

Œ

& PPPPPP PPPPPP

P P P P P P

P P P P P P

P P P P P P P P P P P P

P P P P P P P P

p

B #œ ‰ Œ 2 ff> 3 ? ∑

Vla.

Œ

≈ ≈ ≈

≈ ≈

≈ ≈ ≈ ≈ ≈ ≈

≈ ≈

Œ

≈ ≈ ≈

≈ ≈

≈ ≈ ≈ ≈ ≈ ≈

≈ ≈

Œ

p

œ

Vc.1

mf

> œ œ œ. ≈ ‰ ‰ > mf

> œ œ œ œ. ≈ ‰ > mf

p In the background (softer than the others)

SP Ord

IV

? Œ

Œ

Œ

Œ

Œ

œ≈‰ Œ 2 mf>

Vc.2

œ p

Π&

‰ #œ o

œŒ pp

3 SP

IV

? ∑

Ó

Db.

>œ 2 mf

¢ œ p

> ≈ œ œ œ. ‰ ‰ > mf

3

> ≈ ‰ >œ œ œ >œ. mf


54 377 378 ° ‰ ææ æ æææææææ ‚ ‚b‚ ‚b‚ ‚b‚‚ ‚b‚ ‚b‚ Fl. & ‚ ‚ ‚ ‚‚‚ ‚o mf3 2 Ÿ~~~~~~~~~~~~~~~~ > Œ Œ Ob. & ‰ bœ bœ œ

379

380

381

382

383

384

‚ ‚ ‚‚ ‚ ‰ ‚ ‚ ‚ ‚ ‚ ‚‚ pp o Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ Œ 6 36 o mf 2

mf

Œ

Prepare the Squeak

Œ

very soft. with a little bit of air

∑ Cl.1

Œ

& ‰ œ œœ

Cl.2

mp

Ctf.

Œ

Œ

Œ

‰ ≈ Œ -

- ‰ Œ > mf

&

> ‰

œbœ œ œ b œ œ b œ œ mp3 2 Œ

> ‰ œ œœ mp

(slap)

Œ

bœ œ œ b œ œ b œ œ b œ œ œbœnœbœ œ o mp 3 2 ∑

Œ

Œ

Œ

>f

3 2 8∑4

>œ mf

3 4

2 4

3 4

(background)

°? ∑

Hn.

6 6 >. . pp

#œ œ & ‰

Tpt.1

mf

>œ mf

? ¢ ‰

n-

bœ œ œ o

n‚#‚‚n‚#‚n‚‰ n ‚ # ‚ ‚ # ‚ ‚ ‚ # ‚ ‚ #‚ ‚ #‚ ‚ ‚ #‚ o ppp p

> Œ

œ

≈ ≈ Œ 6 6 >. . º ¿ ¿ ∑

6 6 >. .

ŠŠΠ6 6 >. . Wide, "Crazy" Tremolo as a sirene!

¿ ¿ ¿ ¿ ¿ ¿

Ÿ+˘ œ

Œ

Œ

Œ

Œ

Œ

Œ

f mf p

& ‰ œ œ

Tpt.2

º ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿

> Œ

œ

Wide, "Crazy" Tremolo as a sirene!

Ÿ+˘ œ

Πmf

p

f =¯ += œ

wah wah tremolo

Harmon Mute OFF

A ª œ

? ∑

Œ

Œ

Œ

Trb.

¢ f o mf f

œ™ / ‰ "don't,

Voice

j œ

j œ

Œ

Œ ˙ ∑

"don't, don't, pull..."

don't, don't pull back"

j œ

œ‰

"lightly bring the brakes on"

"just feel confident"

Metal Block knitting Needle Very Dry!

‹‹‹‹‹‹‹‹ ‹‹‹‹‹ ‹‹‹ ‹‹‹‹‹‹‹‹ Perc.1

° ‰ & œ Œ

œ

œ mp Timpano Whip soft mallets

æ ≈ œ™æ

?

∑ Perc.2

/

> Œ

ææ

Ó ∑

Œ

Œ

> ≈ ‰

Œ

Œ

/ œ mf

3 o 2 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ >œ œ œœ œ >œ œ œ >œ œ œ ‰ / ¢ p mf mf mf o pp

Perc.3

Choke! very short

> ¥

S. Cymbal or Splash

> Œ

∑ f

3 4

3 2 180°

180° 180°

° Solo1

2 4

≈ / ‰

Œ

3 4

Button

Œ

3 2 8∑4

Œ ‰

∑ f

∑ Stop the motor with the other hand!

f Motor

> *˘ Œ

Touch the box with the tip of the motor

"on"

Solo2

/

∑ ff

Stop the motor with the other hand!

Motor release Touch the box with the tip of the motor

> *˘ Œ

"on"

2 ΠSolo3

/

"on"

*˘˘ >‰

∑ ff Siren

‰ Solo4

¢/

∏ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‰

Œ

∑ f

Vl.1

° ‰ & BBœO œO

3 4Œ

I

Œ

2 > 11 4 ‰ Œ

Ö Overpressure

1 Œ

‹ ‹ > mf

mp

3 2 8 ‰‰≈1 4 mp

1>

II

Vl.2

3 4

Overpressure

≈ ‰

Œ

Œ

Ö

Œ

& ‹ ‹ > mf

mp

Ö Overpressure

B

≥ œ

Vla. #œ mf 3

Œ

‹ ‹≈ >‹ ‹

o 2 mf Ö

III

IV

1

> Œ

? ‰ œ œ

Vc.1

≥ œ

>. ‰ ≈ ‹‹ Œ

PIZZ.

Overpressure

Œ

Œ

∑ œ

Œ

Œ

Œ

™ #œ

o 3

o

mf

mf mf

2 Ö

>. ‰ ≈ ‹‹ Œ

PIZZ.

Overpressure

?

& ‰ #œ o

Vc.2

œ

œ

≈ œ

Œ

Œ

1

™ œ

#œ pp

o o mf mf I

1

PIZZ.

III

Db.

¢

? ‰ >œ œ

> Œ

œ Œ

≈ #œ #œ p

Πo

∑ o mf


>œ 385

Fl.

386

° &

387

388

389

‚‚ ‚ ‚‚ ∑

‚ ‚ ‚‚‚

390

‰ Œ

55

391

Œ

≈ ‰

Œ

392

393

Œ ‰ ≈

394

‚‚ pp mf f Squeak gliss. downward with the embouchure

Oboe

m ∑ Ob.

Œ

&

Ÿ~~~~~~~~~~~~~~~~~~~~ Œ bœ bœ œ

soft

Œ

#œ œ œ#œ œ#œ œ

Œ

œ#œ œ#œn œ ‰

pp

p

ppp

o

p

Flz. gliss. downward with the embouchure

∑ Cl.1

Œ

Ÿ~~~~~~~~~~~~~~~~~~~~

ææ #œ

&

Œ

Œ

Œ

œ #œ

mf pp

gliss. downward with the embouchure

Ÿ~~~~~~~~~~~~~~~~~~~ Cl.2

‰ - Œ > mp

&

Œ

Œ œ œ

œ

˙

œ

œ #œ

mp

pp

? ∑

‰Ó

Ctf.

¢ œ œ œ >œ

œ

mp

mp

˙

œ

œ

mf

2 °? 4

4 4

Œ 6. 6. > º ¿ ¿ ¿ ¿

Hn.

Harmon Mute OFF

¿

¿ ‰

Tpt.1

Œ 6 6 >. . ¿ ¿ ¿ ¿

&

Œ

#>œ mf

mf

Harmon Mute OFF

∑ Tpt.2

&

Œ

Œ

œ

j œ ‰œ

#>œ mf œœ œœ bœ

? ∑

‰ Œ

Œ

Trb.

¢ 3

ppp

f

‰ œj œ Voice

/

Œ

Loosing Contact: ‰ ≈ œr œj ‰ œ ≈ œj™ œ

Œ Ó

j œ œ‰ Ó

∑ "is the nose a little heavy?"

"Hellen, is the nose heavy?"

"up"

"pick it "pull" up"

[%$#@#$]

[%$#@#$]

Vib. Very Dry! very soft

‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹‹‹‹‹‹‹‹‹‹‹‹‹‹‹‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹

B.D. Quick Gliss

Perc.1

° &

‰ Œ

Œ

o œ2 f 3

p

Œ ‰ ≈ 6â6â ‰ Œ o pp o

œ o2 f 3

Metal Block

Ó Perc.2

>‹

Hard Mallets

Œ

≈ ‰

Œ

/ mp f Snare Drum very soft

. . . .

.

. ‰

Perc.3

. . . . . .

‰ ‰

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ ˙ ˙ ˙ œ‰ Œ Ó mp o

Ÿ~~~~~~~~~> ‰ œ œœ Œ

¢/ 3

3

mp 3

Ÿ~~~~ Œ ‰ ≈œœ ‰ Œ

poco cresc.

p

o

Solo1

2 ° 4 /

press release

3

3 2

Touch the box with the tip of the motor

180°

≈ *˘˘˘ ‰> J

Œ ‰ ∑

(less pressure)

Freeze in normal sitting position. Don't move!

f

f

(big) Knob

3

S. Knob + Button

90° 0°

"on"

*˘>‰

o

f (more pressure)

Œ

180°

"on"

S. Knob + Button

pp

4 2 4

-∞

G2

Œ

Œ ‰

Œ ‰≈

‰ Œ

90° 0°

Freeze in normal sitting position. Don't move!

J Solo2

/

f

ff f

f

"on"

* ˘ >‰

ΠSolo3

/

Freeze in normal sitting position. Don't move!

f Stop the motor with the other hand!

Motor "on" Touch the metal plate with the tip motor of the motor.

Solo4

¢/

"on"

* ˘ >‰

Œ

* ˘Œ Œ

Œ

∑ f

Vl.1

2 1> ° 4 ≈‰ &

≥ œ

III

Œ

‹ ‹ > mf

Œ

BBœO

IV

> Œ

& ‹ ‹ > mf B

Ö > ‰ ‹‹ Œ >

≥ #œ

‰ Œ

Œ

≥> 1

Œ

Ó

Ó

Ord.

≤3 œœ

> ∑

Vc.1

>œ œ ≈ Œ o f #œ Œ #>œ

PIZZ.

Œ

SP

Ö > ‰ ‹‹

mf

œ≤ œ œ œ œ œ

Œ

Œ

3

ppp

Œ

1

mf ARCO Overpressure

p

3

?

œ SP

Vla.

∑ ˙O

mf II

Vl.2

4 4

In Unisson with the electronic

‰ ‰ BO O Bœ œ #œ p

Ö

∑ f

Ö

Œ

Freeze in normal sitting position. Don't move!

Ord. 3

PIZZ.

?

œŒ

&

mf ppp

f

o ARCO Overpressure

? Œ

Ö

> ‰ ‹‹

> ∑

Vc.2

‰ œ œ

Œ œ

˙

œ

˙

mf mf Ord.

ARCO

? ∑ Db.

¢

‰ œ œ > mf

Œ


56 395

396

° Fl. &

Ob.

&

Cl.1

&

Cl.2

&

397

398

399

œ #œ œ œ #œ nœ #œ n œ #>œ œ #œ œ #œ œ œ #œ 2 fff f 3 œ #œ œ #œ œ #œ œ nœ #œ œ œ # œ œ # œ œ #œ 2 fff f> 3 œ œ #œ nœ #œ œ nœ #œ #>œ œ œ #œ œ #œ œ #œ 2 fff f 3

Œ

≈ Œ

∑ œ # œ œ # œ œ n œ # œ nœ #œ œ> # œ œ # œ œ œ # œ 2 fff f 3 ∑

as piano and short as possible!

? Œ

Ctf.

¢ œ ppp

5 4

2 4

4 4

°? ∑

Hn.

~~ ~~~~~ ~ ~ ~ ~ œ ~~~~

Air Sound (blow outside the mouthpiece)

& Œ

Tpt.1

Œ

Œ

œ ∑

œ

6 2 f pp

∑ Tpt.2

3 fff ~ ~~~~~ ~ ~ ~ ~ œ~~~~~ 2 fff 3

œ

& f

? ∑

Trb.

¢

/ Œ

Voice

≈ œj™ œj ‰

Œ

Œ

Œ œ

Ó

"do you read me?"

[%$#@#$]

œ "power off"

j œ ‰ [%$@]

j œ ‰

[noise]

j œ

Œ œ

"that's enough!"

Œ

œ

œ

[%]

[noise]

œ œ œ "I don't trust it"

very soft with two hard sticks

Vib.

Perc.1

° & Œ

Œ

Œ 6â 6 o pp o

6⠌

Ó

> Œ

Œ

Ó

Œ

Ó

Œ

Ó

œ pp

2 ff f

3 Whip

Ó ∑ Perc.2

Ó

Œ

/ f very soft

Perc.3

Œ ¢/

Œ

very soft

~~~~~~~~~ œŸ œ Œ o pp o

Ÿœ~~~ Œ o o

Ó

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ œ œ 2 ff f 3

5 4

big movement! Suddenly!

Motor

° Solo1

/

ff

> Œ

2 4 4 * ˘˘˘˘˘˘˘˘˘˘˘˘ 4 "on" tip on the box!

Freeze in normal sitting position. Don't move!

∑ ff

2 180°

big movement! Suddenly!

3 Freeze in normal sitting position. Don't move! 0°

Solo2

/

∑ ff randomly press the switch

big movement! Suddenly!

Switch

on

off

on

off on off on

off

on

off on off on

off

on

off on

Freeze in normal sitting position. Don't move!

Solo3

/

∑ ff randomly press the switch

big movement! Suddenly!

Switch

on

off

on

off on off on

off

on

off on off on

off

on

off on

Freeze in normal sitting position. Don't move!

Solo4

¢/

∑ ff

5 4 Vl.1

° &

2 4œ

œ

4 4

∑ 2

f

fff

3 ≤ œ

II

∑ Vl.2

1 accel.

& 2

f

fff

3 1 accel.

Ö II ARCO

B Œ

Œ

Vla.

‹‹ > pp

Œ

ϲ

Ö

Œ

Œ

2 f fff

3 1

≤ #œ

II ARCO

? ∑

accel.

Vc.1

2 f fff

3 n1 I accel.

#œ≤ ? ∑

Vc.2

2 f

3 ˙≤

fff 1

accel.

? ∑

Db.

¢ 2 f fff

3

≈ ‹‹ Œ > pp


57 400

Fl.

° &

Ob.

&

Cl.1

&

Cl.2

&

401

402

403

? ∑

404

405

œ#œ œ #>œ œ#œ œ#œ œ œ#œ 2 fff f 3 œ #œ œ #œ # œ œ œ # œ œ#œ œ 2 fff f> 3 œ œ #œ #œ œ œ #œ œ#œ œ#œ > 2 fff f 3

œ#œ œ#œ œ> # œ œ # œ œ œ # œ 2 fff f 3 ∑

406

407

Ctf.

¢

°? ∑

3 4≈

3 8 Œ

4 4

Œ

3 4

3 8

Hn.

6™

∑ Tpt.1

~~~~~ ~

~~~~~

pp

œ J

& 2

f

fff

∑ Tpt.2

~~~~~ ~~~~

~~

3 bœ

œ J

& 2

f

fff

3 ? ∑

Trb.

¢

/ Œ

Voice

j œ

Œ œ

Ó

œ

‰ ‰ œj œj

j œ

‰ œj Œ

‰ œj Œ

‰ œj Œ

‰ œj œj ‰

‰ œj ‰ ≈ œ ‰ œj œ

˙ [noise]

[$]

[noise]

[@]

[noise]

[noise]

[noise]

[beep] "pull up!"

"now you're looking"

"how do you read?"

"no!"

"ok, pick it up, pitch up, pitch up"

"pull!"

[%$@]

very soft

very soft

Vib.

Perc.1

° B.D. â & Œ ‰ 6 6 ‰ Œ o pp o

B.D.

ΠϪ f

Œ

6â 6 Œ o pp o

2 ff

3 Ó J ∑ Perc.2

Ó

f

Œ

Œ

mf

very soft

Perc.3

/

Œ ¢/

very soft

Ÿ~~~~~ ‰ œ œ ‰ Œ o pp o

3 4

3 8

big movement! Suddenly!

° Solo1

/

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~ œ œ œ ‰ Œ œŸ œ Œ J J 2 ff 3 o o pp o f 3 2

4 * ™ ˘˘˘˘˘˘˘ 4

3 4

SAW BOX raise the saw back on the table

big movement! Suddenly!

"on"

raise the box

1

1 œ3

Freeze in normal sitting position. Don't move!

3 8

ff

ff Detector raise the detector

2 big movement! Suddenly!

big movement! Suddenly!

180°

1

1

1

Freeze in normal sitting position. Don't move! 0° 0°

Solo2

/

∑ ff

ff BOX raise the box back on the table

big movement! Suddenly!

on

off

on

off on off on off

on

big movement! Suddenly!

off

™ Solo3

/

1

1 œ3

Freeze in normal sitting position. Don't move!

∑ ff

ff Detector raise the Detector

big movement! Suddenly!

on

off

on

off on off on off

on

big movement! Suddenly!

off

™ Solo4

¢/

1

Freeze in normal sitting position. Don't move!

back on the table

3 œ

œ

∑ ff

ff

3 4 Vl.1

° &

3 8

4 4>

œ

œ™ ∑

3 4

3 8

Ó

2 fff

f

3 ≤ œ™

II

∑ Vl.2

1

>

accel.

& 2

f

fff

3 1 Ö II

B

Œ

‹‹ ≈ ‰ > pp

Œ

Vla.

≤ œ™

accel.

>

∑ 2 fff

f

3 1

≤ #œ ™

II

? ∑

accel.

>

Vc.1

2 f fff

3 1 I accel.

Polystyrene Cello Polystyrene

ææ 6

? ∑

Œ

Œ

Vc.2

#œ≤ ™ ‰

>

‰ 6æ Œ

2 pp

3 œ≤ ™

pp

fff 1

f accel.

> ? ∑

Db.

¢ 2 f fff

3


58

Only Air

408

409

° Fl. &

410

œ#œ œ œ #œ nœ#œn œ #>œ œ#œ œ#œ œ œ#œ 2 fff mf 3

∑ Ob.

& #œ > mf ∑

Cl.1

& #>œ mf

412

U ∑

Œ

Ó

U ∑

U ∑

U ∑

U ∑

Ó

Ó œœ > œ œ œbœ œbœ œbœ œ œbœ œbœ oœ f3 2 œ œ bœ œbœ œ œbœ Œ ‰ œbœ œ

œ # œ œ n œ # œ nœ#œ 2 ff ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿæ 3 æ ∑ ˙æ œ œ™æ dirty and noisy

Ó

œ

œ#œ œ#œ œ œ#œ œ#œ >mf ?

414

œ

&

Ctf.

413

6 >6666 66 6Πffff

‰ ‰ ≈66

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n ˙ nœ œ™ n œ # œ œ œ # œ œ # œ œ # œ œ œ œ # œ œ#œ 2 ffff 3 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n œ™ nœ#œ ˙ œ œ n œ # œ œ # œ œ œ # œ œ # œ œ # œ œ 2 ffff 3

∑ Cl.2

411

¢ fff

3

mp

≈ œn œ n œ œ n œ n œo

2

3 °? 8

2 4

HORN Wide, "Crazy" Tremolo as a sirene!

Hn.

&

3 4 ˘˘˘˘˘4 Ÿ˘˘8 ˙ œ™ œ~~~~~~~~~ ~~

Π~~~~~~~~~ ~~~~~~~~~

Ó

U ∑

~~~~~~~~~ ~~~~~~~~~ Π~~~

Ó

U ∑

~~~~~~~~~ ~

Ó

U ∑

Ó

U ∑

œ

œ œ Œ

U ∑

.

"we're gonna come around and try it again..."

ffff

Ÿ˘˘˘˘˘˘˘˘ ˙ œ™ œ~~~~~~~~

Wide, "Crazy" Tremolo as a sirene!

∑ Tpt.1

& ffff

Ÿ˘˘˘˘™ ˘˘˘˘ ˙ œ œ ~~~~~~

Wide, "Crazy" Tremolo as a sirene!

∑ Tpt.2

&

~~~~~~~~~ Π~~~~

ffff Wide, "Crazy" Tremolo as a sirene!

Ÿ˘˘˘˘˘˘˘˘ œ™ œ~~~~~~ ~~~~~~~~~ ~~~~~~~ ffff

? ∑

& b˙

Trb.

¢

Π~~~~~~~

Œ

Œ

œ œ œ Voice

œ

/

∑ "pull"

œ

"pull" "excellent job, excellent job " Tip of the Milk-Frother on a resonant surface

Vib.

Milk-Frother "on"

Perc.1

* ˘˘˘˘˘˘˘˘˘˘˘˘˘

° &

. . . . ¿¿¿ ¿

. ¿

.

.

.

.

.

molto rall.

U ∑

U ∑

U ∑

¿ ∑

¿ Œ

¿ ¿ ¿ ¿ o f

mf Metal Block

>Æ ¿

Ó ∑ Perc.2

Œ

Œ

Ó

/ f ff

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ >œ ˙ ˙ œ™ œ œ mp 2 fff 3 ff 3 2

∑ Perc.3

¢/

3 2 4 œ3 ° 81™ /

3 8

back on the table

Solo1

Alarm

4 4>

‰ o

Œ

release the button (together with the "click" in the electronic) and slowly come back to normal sitting position "click"

1

Freeze HOLDING THE BUTTON and LOOKING DOWN TO THE SCORE. Don't move!

(big red button)

Œ

U Ó ∑

∑ release the button (together with the "click" in the electronic) and slowly come back to normal sitting position "click"

fff Switch back on the table

S. Knob + Button

1

> Freeze HOLDING THE BUTTON and LOOKING DOWN TO THE SCORE. Don't move! 180°

3 Ϫ Solo2

U Ó

/ release the button (together with the "click" in the electronic) and slowly come back to normal sitting position "click"

fff ff Motor Switch raise the motor

back on the table

Freeze HOLDING THE BUTTON and LOOKING DOWN TO THE SCORE. Don't move!

œ3 Solo3

1

>

1™ Œ

U Ó

/

∑ release the button (together with the "click" in the electronic) and slowly come back to normal sitting position "click"

fff Plop Plate raise the plate

1™

1

Emergency Button

back on the table

œ3 Solo4

¢/

> ÃW

1 Freeze HOLDING THE BUTTON and LOOKING DOWN TO THE SCORE. Don't move!

U Ó

∑ fff

Vl.1

3 ° 8 &

2 4œ

3 4 1˘˘ ˘˘ 8 ™ ˘˘ 41>

Very Wide, "Crazy" Vibrato

accel.

Œ

Ó

U ∑

Œ

Ó

U ∑

U ∑

U ∑

U ∑

U ∑

2 f fffff

3 Very Wide, "Crazy" Vibrato

≤ œ

II

∑ Vl.2

™ ˘˘ 1˘˘˘˘

1>

accel.

& 2

f

fffff

3 Very Wide, "Crazy" Vibrato

II

B

ϲ

III 1 ˘˘ ˘˘˘˘ 1 ™

accel.

Œ

Vla. #œ

3 2 > 1 1 ˘˘ ˘˘˘˘ ™ 2

o

mf

f

fffff

3

Very Wide, "Crazy" Vibrato

≤ #œ

II

?

accel.

Œ

Ó

Vc.1 ff

2 f fffff

3

Very Wide, "Crazy" Vibrato

I

#ϲ

1 ˘˘ ˘ ™˘˘˘ III1

accel.

j ? ∑ Vc.2 #œ

2 3 2 ™ III1 1˘˘ ˘˘˘˘ fffff

f

3 ˙≤

mf

‰ o

Very Wide, "Crazy" Vibrato

accel.

? ∑ Db. #œ

¢ mf

3

o

2 f

fffff

2 3


DANIEL MOREIRA

EMERGENCY PROCEDURES

FOR LARGE ENSEMBLE, FOUR SOLOISTS AND ELECTRONICS

Daniel Moreira © 2013 www.daniel-moreira.com

Profile for Daniel Moreira

Daniel Moreira - Emergency Procedures (for large ensemble, four soloists and electronics)  

Daniel Moreira - Emergency Procedures (for large ensemble, four soloists and electronics)  

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