The Danforth Annual Juried Exhibition


On view June 13–August 30, 2026

![]()


On view June 13–August 30, 2026

Preparation for the Danforth before its opening and there is consistency in the exhibition itself in the galleries this quiet contemplation, This exhibition to highlight throughout now. Once representing Danforth. Associate Curator Tim McDonald, Passannante, Assistant of the Danforth Art submissions to date, ninety artists across we are.
The Danforth Juried Exhibition. artists who submitted region’s rich cultural sponsored
Danforth Annual Juried Exhibition begins months and involves the entire Museum staff. Although in the routine of preparing for it each year, revels in the unexpected. The works on view this summer offer opportunities for wonder, contemplation, and hopefully, new discoveries.. exhibition is a yearly occasion for the Danforth highlight the work contemporary visual artists throughout New England are producing right Once again, we had a panel of three jurors, representing the region, the University, and the This year’s jurors are Lauren Graves, Curator at the Boston Athenaeum, McDonald, Professor of Art at FSU, and Rachel Assistant Director and Collections Manager Art Museum. With the largest number of date, the exhibition includes the work of across media. We hope you are as inspired as is privileged to be the home of the Annual Exhibition. As always, we are grateful to all the submitted their work and contribute to the cultural landscape.This exhibition is generously sponsored by Middlesex Savings Bank.

“It was a pleasure to serve as a juror for the Danforth’s Annual Juried exhibition this year. The breadth of submissions reflects the vitality of contemporary artistic practice in the region, showcasing a remarkable diversity of media, approaches, and perspectives. As visitors will see, many of the artists engage with ideas of landscape and place. These concerns appeared across a variety of media and methodologies—from direct observation and representation to abstraction. It was fascinating to see how artists approached similar subjects through such distinct visual languages, reflecting both personal experiences and broader conversations. The selected works offer a snapshot of the creative energy and richness of contemporary art being made today. Together, they reflect a community of artists who are thoughtful, inventive, and deeply engaged with their practices. I hope viewers will discover both compelling individual works and meaningful connections across the exhibition as a whole.”
Lauren Graves - Associate Curator, Boston Athenaeum
“It was a great honor to be asked to serve on the jury panel for the Danforth’s Annual Juried Exhibition. We received some 1,350 artworks from some 452 artists. There were so many stellar works making our charge to provide a snapshot of regional contemporary art quite a challenge. When selecting artwork for an exhibition like this my first priority is surprise. I’m looking for work that stops me in my tracks and makes me want to keep looking. I want to be astonished, left with a question, to have a visceral/physical response to what I’m encountering. Am I having an experience with the work or merely seeing it? For me, so many of the submitted artworks were such encounters! Congratulations to all the selected artists!”
Tim McDonald - Professor of Art, Framingham State University
“Once again, I was blown away by the number of people who applied this year, making the Danforth Juried Exhibition more and more competitive each year. The quality of the work submitted made the selection process incredibly difficult, but has resulted in an amazing grouping of contemporary artworks that reflect the world we are in today. With such diversity – from bold photography to hand-build sculptures, fabric wall installations to abstract paintings - there is something for everyone to enjoy, learn from, and gain new perspectives from. I want to thank everyone who applied as it was a pleasure to see all of your work, and to congratulate those who made it into the Danforth’s 2026 Juried Exhibition.” Rachel Passannante - Assistant Director & Collections Manager, Danforth Art Museum
Susan Alport
John Christian Anderson
Mark Barnette
Meris Barreto
Adina Bricklin
Christopher Brown
Maren Brown
Hilary Hanson Bruel
Helen Cantrell
Liza F. Carter
Elizabeth Cohen
Merill Comeau
Marc Cote
Hannah Cole Dahar
Todd Danforth
Paula DeSimone
Claudia Doherty
Mariah Doren
Lawrence Elbroch
Victoria Elbroch
Bob Evans
Shawn Farley
Michael Farro
Michelle Lander Feinberg
Gail Fischer
Carol FitzSimonds
Jamie Gibbons
Audrey Goldstein
Laura Gurton
John Guthrie
Lynda Hartwell
Wiley Holton
Carol Holtz
Jòvan Jenkins
Lynne Johnson
Robert Johnson, Jr.
Matthew Kamholtz
Sasha Knittel
Margaret Lampert
M. A. Lasek
Julie Levesque
Erica Licea-Kane
Ashley MacLure
Virginia Mahoney
Louise Marshall
Chuck Matzker
Coco McCabe
Joshua Meyer
Sally B. Moore
C E Morse
James Mullen
Kristin Petrillo
Jane Petschek
Amanda Pickler
Alison M. Plump
Susan V. Polansky
Carole Rabe
Margaret Rack
Astrid Reischwitz
Ruth Rieffanaugh
Mia Rosenblatt
Claudia Ruiz-Gustafson
Gail Samuelson
Mari Saxon
Ellen Schön
Ruth Scotch
Fay Senner
Stephen Sheffield
Susan Siefer
Rebecca Skinner
Shannon Slattery
Lee Smith
Rhonda Smith
Tracy Spadafora
Quincey Spagnoletti
Sharon Stanczak
Alan Strassman
Ann Strassman
Caron Tabb
Leigh Tarentino
Cathleen Threadgold
Rebecca McGee Tuck
Martha Volcker
Christopher Volpe
Dianna Vosburg
Anne Sargent Walker
Suzanne Theodora White
Liang Yuan
Mijung Yun
Mark Zieff
Mary Zouharis

Susan Alport IT’S ABOUT TIME, 2023
Digital of mixed media installation on shelf Collection of Roslyn and Peter Sommer

John Christian Anderson Modern Landscape, 2025 Mixed Media Second Place


Mark Barnette
Little Landscape, Cape Elizabeth, ME, 2026
Archival pigment print

Meris Berreto
RIFT, 2023
Marble, anodized aluminum

Adina Bricklin Tree, 2026
Cyanotype print of graphite drawing on vellum

Chris Brown
See the Joy First, 2026
Acrylic and oil on canvas

Maren Brown
Sacred Bones: Trilogy, 2025
Egg tempera on panel

Hilary Hanson Bruel Sandbar, 2026
Encaustic with thread and pastel

Winter Sunrise I95, 2025
Oil on canvas



Elizabeth Cohen Orb, 2026
Porcelain
4. Witness 4, 2025
Textile collage

Marc Cote
Favored Counsel, 2026
Woodcut and monotype

Hanna Cole Dahar
Mother (Resigned, Don’t Close Your Eyes, Obscured), 2023
Oil on ammonite, silver, gold, thorns, and cake babies
Todd Danforth Harmony Hammond at 82 in Galisteo, New Mexico, February, 2026
Archival inkjet print


Honorable Mention
Paula DeSimone
Seadrift Diptych, Monotype, DeSimone, 2026
Monotype on mulberry paper


Claudia Doherty
Edge of evening, 2026
Acrylic on canvas
Mariah Doren + Johanna Paas
Dandelion: Seeds
Travel, 2023
Mixed media collage: ink jet, silkscreen and relief


Lawrence Elbroch
Painting The Sky, 2025
Archival pigment print (photography)

Victoria Elbroch
The Line of Sight, 2026
Ink on paper with antique paper collage

Honorable Mention
Bob Evans
January 30, 2026, 2026
Acrylic and acrylic collage on canvas

Shawn Farley
The Queen’s Mask, 2025
Painted foundry molds and found materiale



MetroWest
Artist Award
Michelle Lander
Feinberg
Before We Had
Names, 2026
Acrylic on canvas
Michael Farro Unseen, 2026
Wood veneer marquetry (natural wood)




Jamie Gibbons
Sightings, 2026
Oil paint on salvaged wood door
Audrey Goldstein
They Say #10, 2026
Scrap wood, wool felt, reed, thread


Laura Gurton
Unknown Species no. 386/Pink Sky, 2026
Oil on linen

John Guthrie Oracle, 2025
Ceramic, glaze
Linda Hartwell
Tax Time, 2025
Hand-painted and hand-printed papers, book pages


Wiley Holton
Budding, 2023
Acrylic and colored pencil on wood

Carol Holtz
one egg, 2026
Oil on canvas Honorable Mention
Jòvan Jenkins
Optimism, 2022
Photograph



Lynne Johnson
Below Surface Growth, 2025
Etching on fabric, paper structure, acrylic paint

Robert Johnson Jr.
Cobalt Blues for Miss P, 2024
Mixed media and encaustic

Matthew Kamholtz
Street Vendors, Nogales, Mexico (#2), 2018
Digital photograph, archival inkjet print

Sasha Knittel
Charles River, 2025
Photograph on archival paper. Edition of 5.

Margaret Lampert constellations, 2025
Photograph

M. A. Lasek
Light Blue No. 2, 2025
Photograph

Julie Levesque Offshoot V, 2024
Clear epoxy, metal, wood, paint

CELESTIAL FLOWER, 2025
Acrylic pigment, acrylic medium, natural wood
Ashley MacLure
SNUG: Wonder in
A.L.I.C.E Land, 2026
Ink, collage, acrylic on wood, crocheted toy gun


Virginia Mahoney
Will I Ever Find the Time?, 2025
Paper, (reclaimed old paintings), garden net, ink, acrylic,

Louise Marshall In Flux, 2024
Gouache on Fabriano Artistico paper

Coco McCabe
Garden Chairs, 2025
Pinhole photograph


Emerging Artist Award
Chuck Matzker cedar tree, 2026
Acrylic on canvas
Joshua Meyer
Terra rosa, 2023
Oil on board


Sally B. Moore
Entrance, 2025
Wire, fabric, papier mâché, hemp twine
C E Morse
Terison Twins, 2024
Editioned archival pigment print


Studio Wall #1, 2025
Oil on canvas

Timespans, 2025




Alison Plump
Left Behind, 2026
Mixed media on sewn paper
Susan V. Polansky
The Genius of Zachary, 2023
Mixed media

Two Blue Chairs, 2026
Oil on canvas

Margaret Rack
After Katrina, 2024
Wood construction, watercolor on clay panel

Astrid Reischwitz
Cherry Soup with Dumplings, 2025
Archival pigment print
Ruth Rieffnaugh
Through Town, 2025
Oil on board


Mia Rosenblatt Rooftop Abstraction #1, 2025
Digital photograph printed on canvas
Claudia RuizGustafson
We are one big family, 2023 Collage

Gail Samuelson
Home, 2020/2026
Photogravure on Hahnemühle
copperplate white


Mari Saxon
Self-contained (from the Untold Fairytale project), 2024
Photography, limited
fine art print

Ellen Schön Crinkle Vase, 2025
3D printed stoneware with hand built base

Ruth Scotch Staying Afloat, 2025 Oil on canvas

Fay Senner
Echoes of the Emerald Grove, 2025
Digital image on dye sublimation tiles

Stephen Sheffield
Hold On Tight, 2025
Giclée print

Susan Siefer
Prayer Shawl with Shadow, 2025
Textiles
Rebecca Skinner
Timeworn, 2025
Photograph

Shannon Slattery
After the Rain, 2023
Acrylic on birch panel




Rhonda Smith
Sulphur The Element, 2019
Clay, wire, netting, twine, and mixed media
Tracy Spadafora
Self-Portrait
Reflection, 2025
Pastel on paper



First Place
Quincey Spagnoletti
Then & Now, 2025 Archival inkjet print

Sharon Stanczak Ai-Da Blue, 2024 Oil on aluminum

Alan Strassman
Homeward Bound, 2026
Photograph, archival inkjet print
Ann Strassman
Waiting #7, 2025
Acrylic on cardboard


Caron Tabb
A Mothers Cry, 2026
Abaca paper, artist’s hair, ink, fabric

Leigh Tarentino
Glassflower, 2026
Oil on linen

Cathleen Threadgold
Where am I ?, 2025
Mixed media: glass, wood, old family photo
Rebecca McGee
Tuck Nesting, 2025
Sea worn bricks, reed, thread, paint


Martha Volcker
March Reflections, 2025
Archival pigment print

Christopher Volpe Night Follow Close (with Millions of Suns and Sleep and Restoring Darkness), 2024
Tar and gold leaf on wood, antique mirror frame

Dianna Vosburg
Immanence, 2025
Oil, glitter, dust, and ash on board
Anne Sargent Walker
Everything All at Once, 2024
Oil, acrylic, collage on stretched canvas


Suzanne Theodora White
The Brook in Winter, 2024
Archival pigment print

Liang Yuan
Blood Stained Cherry
Blossoms, 2026
Textile and crochet sculpturet

Mijung Yun Water I, 2025
Pen and ink on paper
Mark Zieff
Hanging Around, 2025
Colored pencil on Canson paper


Mary Zouharis
Journey Home, 2025
Acrylic on canvas
This exhibition was generously sponsored by our friends at Middlesex Savings Bank.


The Danforth Art Museum was founded with the intent to connect with and represent our surrounding community, highlighting the art and artists of the Greater Boston area, and serving as an accessible space to engage with both historical and contemporary art. The Danforth Art Museum and School at Framingham State University is an innovative cultural resource serving the region by enriching our community with opportunities for transformational artistic experiences. We exhibit, collect, and teach through dynamic and responsive programming. With a welcoming environment in our galleries and studios, the Danforth inspires and engages through art.
Members always receive free admission to the Museum, advance notice of exhibitions and events, members-only discounts on events and art school classes, and membership in various Art Museum Reciprocal Programs depending on the level of membership. For more information, visit our website by clicking here or email lsher@framingham.edu.
Laura Gayton, Danforth Marketing
Communications & Design Manager
Cover: Claudia Doherty, Edge of evening, 2026
Page 1: Shawn Farley, The Queen’s Mask, 2025
Page 3: Maren Brown, Trilogy, 2025
Page 57: Jamie Gibbons, Sightings, 2026
Page 59: Robert Johnson Jr., Colbalt Blues for Miss P, 2024




This exhibition would not have been possible without the tireless work and dedication of the Danforth staff. Considerable gratitude goes to our Curatorial team RJ De Oliveira and Rachel Passannante, who flawlessly handled all of the logistics of the exhibition from start to finish. Thanks to Laura Gayton, who created all the exhibition graphics and marketing material, including this catalog; and to Katherine TakoGirard, who coordinated with the artists to give us a summer’s worth of programming. Thanks to Patrick Brown and Marty McKenzie for expert installation, and the rest of the Danforth team whose contributions make us the regional gem we all love.
- Jessica Roscio, Director and Curator, Danforth Art Museum
