Dance Writer Australia FEB 2018 Issue 1, Volume 1

MDM Dancewear exclusive!

DIVA DANCE AMBASSADORS AYNSLEY, PHOEBE, TARA AND SIENA EXCLUSIVE INTERVIEWS!

Q&A with NYC's Tap Legend Barbara Duffy Transit Dance's New Entrepreneurial Production Program!

Dance Writer Ambassador Chat!

ASPIRATIONAL ARTS GUIDE FOR BUDDING DANCERS

CONTENTS BEYOND DANCE FESTIVAL …………......3 DIVA DANCE AMBASSADORS……….......6 TARA BAJAN…………………..6 SIENA UREMOVIC……………8 AYNSLEY LJASKEVIC……….11 PHOEBE COLLINS…………...13 TRANSIT DANCE……………………….....15 REVIEW KELLY AYKERS………………...16 FEATURE MDM DANCEWEAR……….....17 NYC BARBARA DUFFY Q&A………….....20 AMBASSADOR CHAT………………….....21

EDITOR'S NOTE Welcome to Dance Writer’s very first online magazine edition!

We are rapidly becoming known as Australia’s freshest dance publication.

We have had a big month in January, launching a new group of Dance Writer ambassadors. Our foundational ambassadors have signed on to 2018 as well so the pool of people representing us is quite extensive!

We are excited to have our wonderful photography partner Diva Dance Photography on board once again. In December last year, Dance Writer had the honour of interviewing Diva Dance Photography ambassadors, many of whom are extremely talented and well known in the industry already.

These articles are in this magazine just for you!

Lastly, our thanks goes to a wonderful Dance Writer contributor based in New York City, Sandra Kluge. She is on the ground in the United States running around like a mad woman interviewing interesting people who just love to dance all the time.

That is me over and out! Happy reading dancers!

Jessica Poulter

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FEBRUARY

2018

ISSUE

01

FESTIVALS Phillip

Island

January

BEYOND TROPHIES AND TITLES

by Jessica Poulter

After driving down the South Gippy highway for an hour-and-a-half, I felt a breeze of happiness. It wasn’t because I was adjudicating or sponsoring the event, it wasn’t even the fact I was performing. I looked around and saw shades of blue everywhere—a blue tutu perched on the front of the stage, beyondblue signs everywhere I turned, and blue costumes being worn by young dancers eager to get on the stage. It was a moment of emotional and mental state of safety.

The casualness of it made it all the more enjoyable. Each section was divine to watch because choreography carried meaning and purpose. Girls and boys as young as seven performed solos and duos to such a high standard.

The particular highlight of the event for me was watching the VCE girls perform their composition solos.

The dancers created movements about the concept of time and how we can try to manipulate it. Another performed a solo about crazy unrequited love. As I briefly looked around the room, I saw only smiles and joy. It was clear that this festival was beyond just dance, it was about putting the joy back into the artform; the winning trophy being a secondary thought. Everyone sparkled like a winner, which was truly inspiring.

The event organiser Deb Campbell has a very emotional story behind the birth of Beyond Dance Festival. When she paused for a moment to let the tears roll down her face, I knew I was not the only one also fighting to hold back tears. She lost her brother to depression. The hardest part of it all is that this tragedy could have potentially been avoided with more funding and research. Organisations such as beyondblue work tirelessly to help three million Australians suffering from anxiety and depression on a daily basis. It is people like Deb who are determined to help people suffering from depression, starting with the dance industry. But these things do not happen overnight.

27

Raising money for beyondblue Beyond Dance Festival invites dancers from across Melbourne to participate in a friendly competition, helping raise money for the non-for-profit organisation beyondblue.

The dance community is so small, and when we hear a bad word about us being spread around, it catches on like a fire and can burn a person’s reputation. We along with Beyond Dance want to eradicate the negativity from dance—because we CAN achieve excellence through a positive method. We do not have to be treated in a way that diminishes us or changes us from who we truly are.

I am so thrilled that Beyond Dance raised more than $5,000 on the day. We need more events like this in our dance community, steering focus away from the trophy and toward the meaning of it all.

To advertise with Dance Writer, email editor@dancewriter.com.auÂ

FEBRUARY 2018, VOL 1, ISSUE 1

TARA BAJAN: The Worldly Diva Dance Ambassador

BY JESSICA POULTER

Diva Dance Photography ambassador Tara Bajan is one of the most well-travelled dancers at only 14-years-old, lucky enough to be an assistant to globally renowned dance coach Rebecca Davies.

The Starz Performing Arts student Tara Bajan has been offered countless dance opportunities in the early stages of her career. She’s been labelled a Diva Dance Photography ambassador, participating in couture photoshoots for founder Leah Hoffman.

“It is always special to have Tara in the studio, she comes in with new crazy moves she wants photographed!” Leah Hoffman said.

Tara attends classes around the clock in all styles of dance including acrobatics, contemporary, lyrical, jazz, ballet and more. Her favourite part of dancing is the artistry component.

“I love that dance allows me to express myself. You can empower others and yourself through the art of dance, which is so exciting,” said Tara.

“Leah is a really great photographer, we all have a lot of fun during the shoots!” Tara smiled.

Tara’s dancing talent has been recognised at various championships in Australia. She recently scored a place in the Top 10 for ‘The Dancer of the Year’ category at Showcase Dance Championships. At the same competition, she was titled 2018 Teen League of Champions winner. Early this year, she won Overall Teen Champion at Follow Your Dreams Competition.

FEBRUARY 2018, VOL 1, ISSUE 1

TARA BAJAN: The Worldly Diva Dance Ambassador CONTINUED

With possibly more frequent flyer points than a pop-star, Tara has been blessed with such extensive travel opportunities. Tara has been a devoted assistant for Radar Technique’s director Rebecca Davies, jetting off to countries like United States of America, England, Europe and Canada.

Tara will assist Rebecca Davies in Japan this month, as well as fly to Norway, Sweden, and England to assist at Radar workshops in April. The world-renowned coach is also a permanent teacher with Starz Performing Arts where Tara attends.

“Working alongside Rebecca has been amazing, she is such a lovely person and she really pushes us to reach our goals and be the best version of ourselves,” Tara told Dance Writer.

Tara’s name has become quite popular in many parts of the world that she now has a social media following of more than 35,000. Tara said it is important to remain humble when you have so many people following your journey, especially since she is an ambassador and a dance assistant at such a young age.

"You have to be humble; it is something I learned as a child and I don’t take for granted," Tara said.

FEBRUARY 2018, VOL 1, ISSUE 1

ACTOR AND DANCER SIENA UREMOVIC SAYS, “CONFIDENCE IS EVERYTHING”

BY JESSICA POULTER

Diva Dance Photography ambassador and star performer Siena Uremovic may only be 15 years young, but her talent and confidence are far beyond the scope of her age.

The TDC (The Dance Company) performer has many titles and credits to her name. Siena performed alongside Justice Crew when she was living in Perth and also guest starred on various shows almost every month until she relocated to Melbourne. From there, Siena went on to win countless dance championships across multiple elite sections, was crowned Miss Teen at KAR in 2016, and was recently named Hollywood Bound Senior Dancer of the Year 2018.

Siena does not only dance on stage, but she also acts in front of the camera. She has starred in Paper Planes, Little Lunch, and an American TV series Childhood’s End. Even though her success has leaped off her resume, she shares her ideology for keeping humble and focused. The values most close to her are having the confidence go all the way, remaining honest and keeping a positive mindset.

“You have got to believe in yourself first, and then you will get there,” Siena told Dance Writer.

“You must be honest with yourself,” she added.

FEBRUARY 2018, VOL 1, ISSUE 1

ACTOR AND DANCER SIENA UREMOVIC SAYS, “CONFIDENCE IS EVERYTHING” CONTINUED

More than 39,000 followers on Instagram follow Siena’s dancing journey. Her public account is a space where she can act as a role model for other dancers and represent the companies who endorse her. Siena believes social media can be a tool for learning dance moves.

“Keep trying things at home, look on social media and take it as an experience to learn with everyone else,” said Siena.

Major dance businesses including Inspire Dancewear, KAR, and Diva Dance Photography have snatched up Siena to be their ambassador. Leah Hoffman from Diva Dance offered Siena an ambassadorship among several others who have talent and maturity beyond what is expected at their age.

“I love the other ambassadors, we get along so well!” Siena laughed.

Siena’s photoshoots with Diva Dance Photography always have an acrobatic flair to them. Siena shows particularly strong upper and lower body strength, which is why all of her dancing friends call her THOR. “Having strength is just as important as being flexible,” said Siena.

She believes dance is not about identifying strengths and weaknesses, but rather about showcasing the great qualities while working hard for the other qualities to turn into strengths.

“Some things take a little longer to perfect, so I don’t say I have a weakness; it is all about being a well-rounded dancer,” Siena smiled.

Dance Writer Ambassadors Matt & Katie Professional Ballroom Couple

FEBRUARY 2018, VOL 1, ISSUE 1

CONTORTIONIST AYNSLEY LJASKEVIC AIMS HIGH, CIRQUE DU SOLEIL

BY JESSICA POULTER

Diva Dance Photography Ambassador Aynsley Ljaskevic has a dream of being part of the largest international touring circus company Cirque Du Soleil when she’s older.

At just 16 years old, Aynsley has many achievements under her belt. Her two-year ambassadorship so far with Diva Dance Photography has truly excelled her professional profile and confidence in front of a camera. Leah Hoffman, founder of Diva Dance and an ex-calisthenics girl has given Aynsley an opportunity of a lifetime; to be a role model for other Calisthenics girls through exquisite powder portraits.

With Aynsley performing tricks in the studio during a shoot, other budding Calisthenics and circus performers can aspire to her.

Aynsley has been doing Calisthenics since 2008 and has never stopped. Her passion along with Calisthenics is circus arts, which can be compared to Calisthenics items such as freearm where girls can express their strength and flexibility like gymnasts.

“Calisthenics is an addiction,” Aynsley said with a smile.

Originally at Kingston Calisthenics for many years, she moved to Chadstone where she developed both her physical and graceful technique for solos and coaching purposes. She competes on stage almost 20 times a year and has won many titles at State Championships in both solos and teamwork along the way.

“I do about 10 hours of Calisthenics a week. I’m in the hall all the time doing solos, teamwork, levels or just practicing.”

FEBRUARY 2018, VOL 1, ISSUE 1

CONTORTIONIST AYNSLEY LJASKEVIC AIMS HIGH, CIRQUE DU SOLEIL CONTINUED

Ansley was successful in her audition for State Team Victorian Calisthenics in 2017, competing in a team of approximately 20 other dancers. The Victorian team placed 3rd at Nationals, but her biggest highlight was being given the opportunity to perform a duo at Nationals alongside her teammate.

“In previous years, I have been very self-conscious, but now moving clubs and doing State Team, I’ve found more people who believe in me, which makes me want to do better!” said Aynsley.

Calisthenics runs in Aynsley’s family. Her great-grandmother did Calisthenics, followed by her grandmother and then her mother.

“Calisthenics has been in my family for generations! I hope to continue it one day.”

Aynsley has high hopes to study a Bachelor of Circus Arts at Swinburne University before she endeavours to audition for the international touring circus company Cirque Du Soleil as a contortionist.

"Flexibility is definitely my strength, it just comes naturally to me,” said Aynsley. “Being in Cirque Du Soleil would be the dream!” she smiled.

FEBRUARY 2018, VOL 1, ISSUE 1

AMBASSADOR PHOEBE COLLINS IS NOT AN ORDINARY TEENAGER

BY JESSICA POULTER

16-year-old dancer Phoebe Collins is well on the way to becoming Australia’s next big hot shot with extensive training programs and professional credits already under her belt.

The Diva Dance Photography Ambassador Phoebe Collins lives and breathes dance. The 16-year-old performer is homeschooled so she can fit her dancing curriculum. She has been studying from home since she was in Year 7. Now, she is entering Year 11.

“Being homeschooled is beneficial for what I do; to be able to fit in dance and manage school work…it is hard without a teacher, but you have to be super independent and you have to stick to your schedule,” Phoebe told Dance Writer.

For the last two years, Phoebe studied full-time dance at the Melbourne City Ballet. She learned classical dance including extensive pointe training and performed in shows including Cinderella and The Nutcracker. Prior to full-time learning, she completed the Youth Program at Melbourne City Ballet.

“In The Nutcracker, I was the Arabian Princess, so that role involved contortion mixed with classical dance…right up my alley!” Phoebe smiled.

Yet, Classical dance is not what best describes Phoebe. She adores the styles of commercial and contemporary too.

“I wanted to branch out because I enjoy commercial dance too!”

Her foundational training started with Radar Technique by world-renowned coach Rebecca Davies. Rebecca saw something special in Phoebe, offering her to assist in workshops overseas. Phoebe was lucky enough to travel to South Africa in 2017, as well as the United Kingdom in 2015.

FEBRUARY 2018, VOL 1, ISSUE 1

AMBASSADOR PHOEBE COLLINS IS NOT AN ORDINARY TEENAGER

BY JESSICA POULTER

She was lucky enough to be accepted into Marko Panzic’s Dream Creation 2018 performance as part of The Dream Company. Phoebe surpassed more than 250 auditionees to make the cut in Panzic’s Sydney show.

“I couldn’t even deal that I got into Dream Creative!” Phoebe gasped.

Phoebe took part in Loredo Malcolm’s LOcREaDO Melbourne 2 program, where she discovered her contemporary flair from the Top 10 SYTYCD finalist.

“I love contemporary, it is one of my favourite styles and his style is so different to anyone else so it is great to do,” she said.

The reason why Phoebe is so successful is mostly that of her talent, flexibility and her mindset. She consistently appears in Melbourne’s Scimm Dance Company marketing collateral as an unofficial ambassador, posing in ultra-flexible positions.

“I am very flexible but the biggest challenge for me has been my strength. I have really had to work hard on my strength by doing 10 solid hours a week on training and conditioning, plus working with a physiotherapist to make sure I am on the right track,” Phoebe said.

Phoebe works hard to ensure her technique is up to scratch, but she believes it is more than just talent to be successful in the industry.

“Dance itself is something to overcome…you have to be extremely tough because the level of support from the industry only goes up to a certain extent. You have to block out all the negative vibes and always push yourself out of your comfort zone,” told Phoebe.

TRANSIT DANCE CREATING ENTREPRENEURS WITH NEW PRODUCTION INTERNSHIP

BY JESSICA POULTER Melbourne’s Transit Dance is now offering exclusive production internships to those savvy students looking to develop entrepreneurial skills in dance management, after trialling the program last year with great success.

Transit Dance is quickly becoming one of Australia’s leading dance institutions due to the world-renowned dance training by industry leaders paired with endless opportunities provided to its students.

Transit Dance co-founders Paul Malek and Chris Curran have been working tirelessly to create a dynamic disruption in the dance education sector.

The internship program last year offered extracurricular work to two students who the directors felt were up to the challenge. Lucy Wong, a second-year Performing Arts student gained exposure in the industry as someone more than a dancer.

“This internship has prepared me for the future by teaching me skills in communication and organisation along with helping me to think on my feet when working with industry professionals and the general public,” said Lucy.

“These lessons and relationships I have gained from this experience are things that I will highly value and I am so grateful for every part of this experience,” she added.

The new year-long internship program will be offered from 2018 to current students partaking in dance and performing arts streams.

The successful applicants will invest their time outside of class hours to help bring together some of the largest dance events in Working with the likes of Jayden Hicks and Yvette Lee on Melbourne, including UNDRGRND and Dance Architect.

UNDRGRND—one of the hottest dance events in Melbourne has sharpened their knowledge on the dance industry as Throughout the year, students learn the staples of production well as establishing strong connections with some of the management; how to organise and liaise with acts and crew, most influential dance entrepreneurs. scheduling, booking guests, implementing social media strategies and helping to execute marketing campaigns. Working alongside “Lucy and Caitlin have been integral in the production of associate producer Jayden Hicks as well as learning from the Transit Dance events this year. They have worked closely directors, the successful applicants will be guided by the with me on UNDRGRND Melbourne and Dance Architect in professional training and knowledge.

2017 and I have been amazed by their professionalism and capability,” said internship mentor Jayden Hicks.

Chris Curran claims this internship will give Transit Dance students an unbeatable edge into the Australian and international dance “People working at their level are very rare jewels and I am industries. so proud of all they have achieved this year.”

“I personally have learned most of what I know from on-the-job experience, and felt very strongly about giving interested students the same kind of real-world training to prepare them for the future,” said Chris.

“This is a wonderful program that truly is creating the next generation of dance entrepreneurs, and that is very exciting!” said renowned Australian choreographer Yvette Lee.

REVIEWS FROM DEC 2017

KELLY AYKERS KILLS TRIPLE BILL

BY JESSICA POULTER Kelly Aykers may be a young full-time dance establishment, but these dancers show just as much maturity, dedication, and talent as its competitors.

The National Theatre comes alive as the dancers stand to await the music’s call. Everyone wears different threads of black and gold, but what unites them are the white painted faces and gloves. This is not your ordinary commercial routine, starting out with piano music and mime. As the beat drops, dancers hit the commercial steps powerfully and the audience cheers along. Choreographer Etienne Khoo wells up with pride as he witnesses his routine from the audience.

It is clear the dancers are comfortable in the commercial style more so than contemporary or musical theatre. The various works from Phill Haddad, Jordan Charles Herbert, Donnie Dimase and Gerard Pigg are all breathtaking and unique. What makes these routines so easy to watch is the transition between each item; the cyc changes to a different bohemian city landscape while the dancers all slow walk to their next position—very grunge and cool tones.

Technical execution and stamina peak during choreographer Jack Egan’s tap item. The IDO Tap Team coach is truly making a name for himself in the industry, revitalising tap dance to young artists. The dancers are confident under Jack Egan’s direction as they perform new and intricate steps with a sense of ease.

The contemporary part of the triple bill is choreographed by the emerging Josephine Magliolo and explores the concept of relationships with all its good and bad. The choreography assisted

by Katie Place and Casey Parke is a neat blend of technical and emotional elements, embracing lots of partner work and isolations.

The themes of love, loyalty, and kindness are all surfaced, but it is the theme of domestic violence that is most dynamic. A male-female duo dances violently over a table in a raunchy, modern pas de deux, unleashing their rage toward one another. It is refreshing to see this dance piece relate to the LGBTIQ community especially after the recent bill passed in Australia to make same-sex marriage legal.

We step into a time machine and get transported back through modern history, where we celebrate iconic women in the performing arts such as Barbra Streisand, Judy Garland, and Liza Minnelli. Revitalising such singers by performing their best songs is a dangerous idea for fulltime students to execute, yet they do very well. Singing from the students requires more training to beat the nerves but they have come so far since their mid-year showcase RAW. An absolute stand out of the night is a young female performer who sings ‘Memories’ of the musical Cats. Her tone of voice and power have the audience with dropped jaws as she sings only to a live piano accompaniment.

In under five years, Kelly Aykers has entered the Melbourne full-time dance scene by leaps and bounds. With all-star choreographers and a full stage of talented students, this school is one to watch out for.

FEATURES

MDM DANCEWEAR

STANDING UP FOR THE VALUES OF DANCE DANCE BASE SUPPORT FOOTWEAR

by J essica Poulter

MDM Dancewear: Perfect Fit For Technological Innovation The dance industry has been largely starved of major technological innovations. You need only look down at your average ballet slipper to realise you’ve probably been wearing the same design since you were a child and one that has changed little in terms of functionality for hundreds of years. Yet MDM Dancewear has now engineered what is arguably the perfect ballet shoe.

“While dance is a craft that is fun, creative and joyous, dance is also a serious pursuit and we want dancers to be equipped with the most functional, supportive and aesthetic shoe,” Mr Heathcote continued.

MDM Dancewear—the leaders of innovation and technological advancement in dance equipment—is standing up for the value of dance. As part of their business model, founders Tim Heathcote and Simone Goldsmith work to educate their customers on why dance is worth the investment.

MDM believes that the dancewear industry has not done enough to innovate compared to the more conventional sports such as trackand-field or football. Major sporting footwear companies have spent the last five decades working to revolutionise the technology in their footwear to improve performances across sports and reduce injury rates.

“Dance shapes you,” Mr Heathcote said. “You thought you were doing a demi-plié, but you were actually learning how to be persistent, resilient and tenacious.”

Many dance teachers claim that some parents don’t realise the potential consequences of buying their daughter or son cheap ballet shoes. Yet it’s now well-established that injuries are more likely to occur when wearing incorrect or ill-fitting footwear. As such MDM Dancewear has been born out of necessity; to supply the dance market what has been lacking.

“Our attitude towards dance has permeated through our products,” said Mr Heathcote.

Yet the dancewear industry has not taken such a daring technological leap, with most footwear designers remaining focused on the cosmetic appeal, rather than striving to discover and engineer footwear with the correct levels of guidance and support.

Continue over page

FEATURES

MDM DANCEWEAR

STANDING UP FOR THE VALUES OF DANCE DANCE BASE SUPPORT FOOTWEAR

“While the specific needs of sportspersons and dancers differ, I’d argue that dancers need a similar degree of intelligently designed equipment to ensure they’re able to achieve their best performances and reduce injury rates,” Ms Goldsmith said.

MDM does not believe dancers should have to accept a one-size-fitsall mentality. Because of this, MDM has engineered shoes specifically designed for performance that prioritise comfort and aesthetics, and others that are specifically designed for rehearsals where functionality, such as injury prevention and technique training are more important factors. MDM understands that the demands on dancers vary depending on their age, technical ability and whether they are in class, rehearsals, doing exams, or performing in competitions.

“Being a former dancer myself, and now a designer of footwear, it was an extremely natural process to want to develop a concept to better support a dancer inside a dance shoe,” said designer Mr Heathcote.

The advanced design of the shoe is unique to MDM. In every MDM shoe, you’ll find the internationally patented Dance Base Support that is engineered into the sole of the shoe. This sweeps to cup the heel and remains in constant contact with the arch, providing support to the intrinsic muscles. This Dance Base Support delays fatigue by assisting in muscular activation while also providing a subtle cue for improved alignment guidance of the whole foot. The latter helps reduce the likelihood of rolling inward or outward, which is one of the most common technical faults in dancers and can lead to stress injuries over time.

“Now it’s here, it almost seems so straightforward that it makes you wonder why it hadn’t been done sooner,” said Ms Goldsmith.

Founders Tim Heathcote and Simone Goldsmith have been blessed with exceptional dance careers and understand from experience what dancers need on their feet. Mr. Heathcote was classically trained before taking a position with Sydney Dance Company under the direction of choreographer Graeme Murphy AO. There Tim had a fruitful start to his career enjoying international success.

Yet due to a severe back injury, Tim was forced to retire early from dance.

His injury prompted him to think about dance from a fresh perspective, which motivated the question: how can a dancer’s most essential equipment— their shoes, better prepare them and keep them injury free?

Ms Goldsmith also enjoyed an impressive career, with The Australian Ballet. For 11 years Simone danced with the company performing as a Principal ballerina, working with some of the world’s best choreographers and directors. She was blessed to have had several ballets created on her, which is considered a spectacular honour in the classical realm. Now retired from dance, they are happily married to one another and to their company, MDM. Continue over page

FEATURES

MDM DANCEWEAR

STANDING UP FOR THE VALUES OF DANCE

DANCE BASE SUPPORT FOOTWEAR MDM Ambassador Juliet Doherty featured bottom right wearing MDM ballet shoe.

Tim and Simone started with little except their vast experience in dance and a burning passion to improve the craft, art, and industry they’ve dedicated their lives to. Like so many innovations the MDM story began with a foundational question: if you were making the ballet shoe today—knowing all we do about materials, physiology, technique training and injury prevention—what would that shoe look like? What could and should it do? These questions led to the ideas that sparked the emergence of MDM Dancewear.

Most of the MDM team have been professional dancers, which is a significant difference to their competitors.

“I think that experience is missing from some of the other major dancewear companies,” said Mr Heathcote.

Tim concluded; “I believe the success of MDM is a testament to what we were taught as dancers. Some parents don’t see the value of dance training, and so we want to really start showcasing the dancers in the corporate world that are doing exceptionally well.”

Because doing dance is not necessarily about having a professional dance career. The values dancers learn in the studio can drive them in the corporate world. Values such as persistence, dedication, a love of hard work, team building and pride in oneself transcend the dance studio and are relevant in almost every endeavour.

“Dancers often make the best employees because of those early ingrained values,” said Mr Heathcote smiling.

NEW YORK CITY - Q & A

By Sandra Kluge

TAPPING INTO IMPROVISATION WITH BARBARA DUFFY Internationally renowned tap dance master Barbara Duffy from New York City has just published her book Tap Into Improv: A Guide to Tap Dance Improvisation, which the tap world has waited for with great anticipation.

Whenever someone tells me they are coming to New York City to study tap dance, I strongly urge them to go to Barbara Duffy’s improvisation classes at Steps on Broadway. Her approach, which builds on 27 years of experience as an improvisation teacher stresses the unique potential of each student, no matter what level they are, exploring the depths of musicality, expression, and the self through improvisation. She is highly regarded for her ability to break down students’ fears and emotional blocks from both beginner level up to professionals.

Dance Writer chats with tap sensation Barbara Duffy about how she taps into improvisation both professionally and personally.

Dance Writer: Why do you think so many people are afraid to improvise?

Barbara Duffy: I think people are afraid of the unknown. [They] are afraid to make a mistake, and there is also a preconceived notion that they should be able to improvise, just like that, and produce a great result. But in fact, improvisation must be practiced to get good!

DW: Is the book applicable to other dance styles, too?

BD: Yes, I think it could be. A lot of the book is quite technical about tap dance, but some of the conceptual ideas and creative exercises in the later part of the book could be applied to other dance forms, as well any form of improvisation.

DW: Why is it important for tap dancers to practice improvisation, and not just choreography?

BD: In rhythm tap, improvisation is part of the tradition of this style.

So, if you are a serious tap artist, this is something to explore. It does not mean you have to do it all the time, but it is something that is part of the art form and worth trying and working on. Also, it allows the dancer to be completely free in the moment, to create their own rhythms, and to be a musician with their feet.

Learning how to improvise, as well as being able to learn choreography are equally important when studying rhythm tap dance. I tell people who audition for Broadway shows that it is valuable to be able to improvise. If, during the audition, they make a mistake dancing the choreography, their improvisation skills will allow them to keep going without becoming flustered. It’s a good tool to have under your belt!

See full Q&A at www.dancewriter.com.au

DANCE WRITER AMBASSADOR CHAT In November Bundaberg Dance Academy had their annual dance concert.

This year I was excited to be in ten group dances and also to be asked to perform my lyrical solo – “Run”, choreographed by Peta-Maree Jacobsen.

My favourite dance was Jazz to the song “Dance Like Yo Daddy”. At the concert, I was also awarded the Senior Ballet award, but best of all I had all of my Grandparents there for the first time ever.

Over the summer holidays, I was fortunate to attend the In2Dance Workshop. Bundaberg is so lucky to have In2Dance right at here with the most amazing choreographers coming to share their time and talents. I was awarded the Senior Funk Jazz award from Camilla Jakimowicz. I then headed to Brisbane to the Strictly Dance Workshop for a week, which was more classical based and was also so much fun. I met some great new friends and particularly enjoyed doing a duo with Claudia Hastings.

Georgia Wall, QLD Dance Writer Ambassador.

ELITE AMBASSADORS In the month of January I was working quite intensively with a very talented bunch of dancers aged 12 - 17, together we are creating a full-length contemporary/lyrical piece called ‘Truth or Dare’.

I only started working with these girls in mid-December and they have honestly been a dream come true. I have never worked with such a dedicated group, all equally as hungry for dance and to learn as much as they can from me - which I cannot even comprehend myself sometimes! I have been creating a minimum of 3 minutes of choreography every single day for a bit over two weeks.

Matt and I turned professional together and had our first competition in July 2017 after five-plus years of competing together in amateur.

We both have had a shared dream of becoming the Australian Professional New Vogue Champions and we were thrilled to be dancing the 2017 Championship together, taking our first step towards our dream.

We competed against five other couples; three from Australia, (Sydney, Melbourne, and Queensland) and two couples from NZ. We put our very best into the performance and were thrilled with our result of 2nd in the Professional New Vogue for 2017.

We can’t wait to step out to compete again this year and aim for the top spot and we are working towards our first competition in the Professional Ballroom field later this year.

Matt Coulson and Katie van der Kraan, professional ballroom couple

I put a lot of pressure on myself to be the best that I can be. I found myself always thinking is this good enough for them? Will this do them justice? Will it allow them to shine as brightly as I believe they all do?

As the choreographer of the show, I feel that that is such an important job of mine, to showcase the dancers the best that I can and give them a performance opportunity that they will never forget. As it comes to the end of the month I look back at videos of the pieces I have created, sometimes feeling very unsure how that actually come out of my head even though I was so exhausted, and I feel proud. Proud that I kept pushing myself and I kept going. Proud that my passion for what I do helped me through. So proud that my cast of dancers bring so much life to every single thing I throw at them. Proud to be a working choreographer in this crazy world of dance!

Casey Chellew, AD of Indefinite Dance Company

FINDING BALANCE

CALISTHENICS LEARNING IS KEY GOALS

This time of year can be hectic, organising dance schedules, planning competitions and performances as well as getting ready for school.

When it comes to performing, I would always ask my parents to do everything—extension programs, musicals, competitions as well as fitting in schoolwork.

There is so much I want to do.

Each year my mum would sit down with me and help set some goals and tell me the importance of having a healthy balance. I simply cannot do all of it. I still need some time to relax and be me—a 13 year old.

This month has been extremely busy, learning solos, attending workshops and summer school. This year I am competing in my first ever graceful Calisthenics solo. The music I am doing is from Beauty and The Beast!

I’ve been working very hard also on my 6th Physical Calisthenics solo. This year my music is ‘Friend Like me’ from Aladdin. It is so much fun and I cannot wait to perform it on stage in March.

I'm Brooke and I am honoured to be chosen to be a Dance Writer Ambassador!

My first competition for 2018 was FYD Nationals held in Melbourne. I received first place for my Classical and Song & Dance! It was such a fun and friendly competition and has made me excited for the many dance competitions that 2018 will bring!

This month, we had a two-day Calisthenics summer school. We learnt some of our team items for this upcoming comp season. On the second day, Lisa Ellis from ‘Dance So she suggested I pick a couple of Prescription’ ran a workshop at our classes and programs and give them club which was amazing. We learnt a 1oo percent. I agreed in pain. I’d really lot of new things and she gave us lots love to do as much as I can, but of tips on turns and jumps. financially it is not possible and I Last Saturday night I performed my would probably have less time for own choreographed solo for ‘Act Now family and my schoolwork, which I Speak Later’ raising money for also enjoy.

Cancer. It was a great experience and In my life all I wanna do is dance and I met lots of new people. perform but I realise that being 13year-old kid is also important! So for Lastly, I attended a Rebecca Davies now, I have to set my goals and make workshop. I learnt so much in just two my decisions about what I’m doing hours and cannot wait for the next this year so I have some balance. one.

Ash Siketa Emily Ryan

I also attended the Australian Ballet Summer School. The program went for five days and I really enjoyed learning four different styles – Classical, Contemporary, Spanish and Repertoire, which was inspiring. The Spanish was challenging but I enjoyed learning something different to my usual dance styles.

I assisted Jessica with the Act Now Speak Later workshop at Show Biz PAS. I enjoyed helping other dancers learn a jazz dance.

I competed at Beyond Dance at Phillip Island, performing my own choreography lyrical piece., raising money for beyondblue.

Brooke Humphreys

I used this January as an opportunity to rest and recharge my body, ready for all my dance commitments in the coming year ahead. This was much needed as the previous year was my busiest year yet. As my day to day training and rehearsal classes have wound down for the holiday period, I think it is important that I maintain my fitness. I do this by swimming in my pool or at the beach and bike riding. I also believe it is equally important to maintain my dance skills. This, I achieved by participating in the various workshops held throughout the month. I did a great tap workshop run by Jack Egan from “The Forge Tap Project”.

I am confident that my body and mind have rested enough, in order for me to fulfill my busy dance year, and the exciting time ahead as dance writer ambassador.

Lara Green

MINISTRY OF NOT ABOUT DANCE THE TROPHY

NIPA CAMP

Wow, what an amazing and fun time I had a Jason Coleman’s Ministry of dance Summer School. I was so lucky to be one of the winners through the silent auction at “The Dance Writer Gala” in support of beyondblue to attend this great opportunity.

This year I went to NIPA summer camp. It was so much fun. First when we got there we had to sign in then we went into the dining room and we found out our cabins. After lunch we started the first lesson which was Broadway Jazz. I loved it so much.

I learnt so much from the very talented choreographers and was so inspired by their incredible dancing and kind words to all of us dancers.

Some of the choreographers had been performing in Aladdin the musical and were super awesome. I looked up to each and every one of them and loved how fun all their classes were.

I did commercial jazz for the first time and I absolutely loved it, it was so much fun and I am going to add this style of dance to my classes.

I also got to make many new friends, from here in Melbourne to interstate.

Everyone was so lovely and supportive and we all had an amazing time together.

The Summer school ran over five days and each class was taken by a different teacher, it was just incredible. I didn’t want it to end as it truly was the best week.

I would definitely recommend these fantastic workshops to all my fellow dance friends and will be doing it all again next year.

Bella Jacobs

The first month of 2018 has been a busy and exiting time. Even though it was supposed to be my dance break I was still dancing, practicing and striving to be the best I can be.

January has been full of learning and many achievements. This month I participated in Follow Your Dreams Nationals dance competition. In my mind this is already an achievement in itself, making it to the Nationals. The competition was challenging with so many great dancers competing. I achieved some excellent results such as highest national point scorer for my age group and made top 3 champion dancer.

In some of my solos I didn’t place as well as I wanted, but I learned that sometimes it is not always about winning your solo section. As long as you give it your best shot, have fun and are happy with the way you danced, then that’s what really matters. I loved watching all the other dancers and made lots of new friends.

I have also been rehearsing for Melbourne City Youth Ballet’s production of Alice In Wonderland, where I spent many long hours. It was fun but lots of hard work. I can’t wait for the production in February.

Tiana Bilos

Over the next two days we did lots of dance, the styles we did were Contemporary, Tap, Song and Dance,Ballet Audition Class, Fusion, Acro, Wellbeing Workshop and Jazz technique. One of my favourites was the Wellbeing Workshop where we talked about things we wanted to know about. Almost all of us wrote about wanting to know how to stop bullying and we got some great advice.

On the second night we had the Talent Show and the Disco. My group came third in the Talent Show.

On the last day we had a show, and got to perform all the dances we had learnt. At the end they gave out a Junior, Senior and overall award I was so happy to be awarded the Junior award. Then after that we got to go in the pool. I can’t wait for next year.

Lani Hirst

BEING BRAVE SUMMER HIGHLIGHTS

MOVING DANCE STUDIOS

It has been an exciting month for me and I am honoured and super excited to become an Ambassador for the Dance Writer. I hope I can inspire other Dancers to believe in themselves, BE BRAVE, take risks & have the courage to ‘Follow Their Dreams’. I am eager to help raise money for Cancer Council Victoria & The National Breast Cancer Foundation and one for the kids, The Royal Children’s Hospital Good Friday Appeal.

I attended the International Ballet Workshop at the start of January and I am privileged to be selected to take part in a performance with Ken Ludden “Ne Roi” later in the year.

I am fortunate enough to be to part of the 2018 Dance Prescription Team with the fabulous Dr Lisa Ellis to help reach some dance goals.

Last but not least I CAN’T WAIT to start back in my regular dance classes with Miss Lisa at Dance Extreme Performing Arts Studio.

Over my break I missed being at dancing so much! I missed all the competitions, learning new pieces, and seeing my friends! But holidays were still exciting enough to get through them without being at the dance studio!

BRAVE the meaning for this month:

Lastly, I got selected in having the chance to be in a dance TVC! My agency (Showkidz management) rang and told us about it! I got to pick three dancing friends to come and do it with me! So we sent in our entry and fingers crossed we get a call back.

Maddison Bowly

Moving dance schools is hard.

Although I can’t wait to get back to dancing, when there are so many options for dance schools the decision can become quite strenuous.

In the ballet industry having a dance school that gives you opportunities and gives you the proper foundation training is important and it seems that I needed more intense training; sadly I had to move on from the dance school that I had been dancing at for the last eight years.

Overall it is important to have a dance school that is providing you with lots of opportunities and is supportive of your goals; therefore you feel comfortable in the environment you are in. So here are five things you can consider when choosing a new dance school.

1. Set hopes and goals for the future and see how this dance school will help you reach your goals 2. Know what style of dance you want to go into, this will help immensely 3. Make a timetable and see what dance schools fit into your schedule 4. Don’t be afraid to ask lot’s of questions. This will help get a better understanding of the school.

5. Lastly make sure to research lot’s of schools and take many trial classes.

Felicity Palma

B is BEGIN dancing 2018 R is RESPECT yourself & others A is ABSORB all the information you can from your teachers, family & friends V is VARIETY - try something different this year E is ENCOURAGE others Sharnika Chamberlain

The best part about my holiday was becoming a Dance Writer ambassador! That was definitely a highlight of my January! Christmas was great too! I got some new dance wear and things like stretch bands and yoga mats to improve my flexibility!

I attended in my dance school (CP DANCERS) summer school, which was really fun! Teachers came in over three days, like Brodie Lucas, Jacqui Rinaldi (who runs NIPA) Jordan Charles Herbert, and many more! We did contemporary, hip hop, tap, commercial jazz, and it was really interesting to see everyone’s different styles and the way they dance!

PRACTICE MAKES PERFECT

ACRO FUN

In January, I attended the Dance Prescription Flexibility workshop by Dr Lisa Ellis. The workshop was informative and insightful about all the concepts regarding improving flexibility. She focused on the muscle groups and the importance of stretching before dancing.

It is always nerve-racking going into a workshop not knowing anyone, but you just have to get in there and show them what you have got. In the long run, you may make some everlasting friendships.

At the end of the workshop, we sat down and wrote a technical goal for ourselves (to improve a certain trick or step) and ways to achieve that goal. The ways I thought of achieving my goal was to stretch in a way that follows safety of the body, and strengthening the body to survive the endurance of the movements.

Practice makes perfect. To make the dream a reality, you have to practice hard every day.

Hayley Ellis

For the school holidays l was in Murray Bridge, South Australia. My Nan found a brand new dance school which had just opened, called “The Power of Dance,” and they were running School Holiday Workshops. I was excited to go to attend the workshops, but also a little scared as I didn't know any of the dancers. My teacher was called Jenna and I was lucky enough to do 2 private lessons before the workshops. Jenna worked on my Acro techniques. I am so desperate to do an aerial so we spent lots of time doing exercises to help me do them.

BE THE BEST I CAN BE

Hi, my name is Jessica and I'm 12 years. As soon as 2018 started, I have been working hard becoming the best I can. A new year means that I get to start fresh with lots of new opportunities and that there are lots more fun memories to be made.

Although I haven’t been in my dance studio much these holidays I have been dancing non-stop, whether it’s down the aisles at the shopping centre or making up some choreography in the spare room— there hasn’t been a break for me.

I also participated in my dance schools holiday workshop. I got to try Acro teacher Tayla Blake organised a out some styles I am not use to like Summer School workshop at her new musical theatre and commercial jazz. dance school “The Rage Dance It was super fun stepping outside of Company”. The workshop went for my comfort zone and trying three hours and it was like nothing I something new. had ever done before. It was amazing. Another very big thing that happened I can't wait to start all my dance was being chosen as of the new lessons when the school term starts.

Dance Writer ambassadors, highlight Milla Watts of my month for sure. I am so ready for brand new opportunities and fun experiences.

Jess Wardle

I got the exciting news that I was chosen to be a Dance Writer Ambassador for 2018. This month I have been working on strengthening and conditioning my body for the busy year of dance ahead with daily exercises. I have been very pleased with the improvement I have made in terms of my flexibility these holidays, especially with my non-preferred side, with splits, leg mounts and more. I have also been attending holiday workshops at various dance institutes, such as The Space Dance and Arts Centre and Jason Coleman’s Ministry of Dance and MAPA Studios.

Whilst on the summer break I have also been rehearsing with the Jump Dance Challenge VDF Team, for our performance at Victorian Dance Festival next month. I also had my rehearsals for the year with Pantheon Dance Crew, in preparation for upcoming competitions. It has been amazing to learn from many fantastic choreographers over the holiday period, I have learned so much that I can now apply to my dancing throughout the year.

Tayla Williams

HARMONY

CHANGING

KEEPIN' IT UP

During January, I spent time with my family exploring our amazing country and recharging my energy in preparation for a big year of dance and school and learning about balance and harmony. It gave me time to reflect and think about how important it is to have.

This month I have learned that not only a change every now and then to my lifestyle can be good, but also the people who I associate myself with; as people themselves often change as well, sometimes a change in who I talk to and communicate with can be for the better.

Not having our iPads and phones to distract us on our holiday, my family and I played card games, read books, explored beaches, danced, walked through rain forests and talked about the creation of things. It was great to stop and observe the small sea creatures we would see in the rock pools, the sounds of the native birds, the beautiful colours of the sunsets.

Being a teenager can be quite difficult and daunting sometimes as you experience many physical changes in yourself, which often can affect your relationships between people. Occurrences like these allow you to associate with other people who may suit you better as everyone does change over time.

As we slipped into our holidays over the last two months it was good to put away the sequins and glitter for a while.

We used that time to have a welldeserved break after the 11 months of rigorous training throughout last year.

We also used the time off to reflect on our goals, hopes and dreams for the year ahead.

For me, one of the most important feelings to possess is happiness as it It’s so easy to get caught up in is what gets us through every day. rushing around that we forgot the small and important things. Learning Happiness may not always be balance and harmony I can focus on permanent without a little bit of being the best person I can be. I have change every now and then. I make learned I don’t need to do everything, my way through the year of 2018 I know that I may bump into situations I don’t need to be everywhere. that may need change in order for me to remain happy, so I know some My experiences are whole, I have things may change along the lines great variety, I am learning more and I need to not be afraid to try new everyday how balance brings things. harmony. I learned a lot these Stefi Hufer holidays.

Sophie Hufer

Even though we were not in “dance class,” we still kept “in touch” with dance! We both did a couple of master classes from different choreographers and it was great meeting new friends and working with new teachers.

We are a part of “Grease - The Arena Spectacular,” hence had rehearsal during the holidays. It has been an incredible experience rehearsing to be a part of such a big show.

We know how important it is for a dancer to keep fit, so Shania and I regularly went for runs and did a couple of circuit classes.

Now as we embark on another year of dance, we look forward to the excitement, commitment, creativity, building our confidence and strength through dance. And we know the year ahead may be long, but we believe it is all worth it. We also know that it is not only about the performance but it is about the growth and experience along the way. So we say Bring On 2018.

Olivia and Shania Nugara

BEING A GOOD SPORT For a calisthenics girl, Ballarat is usually the highlight of the competition season. Each October, clubs from all around Melbourne and sometimes interstate will come together to compete at Ballarat’s Her Majesty’s Theatre in the infamous Royal South Street Competition. It’s the last competition of the year, which is what makes it so special and memorable each time.

Obviously going on stage is the main reason we are there, but it’s also a fantastic time to get to know your teammates and just have a great day with some of your closest friends without having to worry about much else.

Not only is it wonderful to become closer with your own team, it’s also really nice to see how friendly the other clubs are towards each other.

Passing by in the halls or while they’re waiting for their turn on the stage—we all smile and wish them good luck.

Cailin Kohlman

NO RIGHT OR SILKS, HOOPS WRONG AND ACROBATICS To dance is to be out of yourself. To dance is to feel overjoyed, elated and emotional all at the same time. Who knew that someone's day can feel so much better by flowing through movement, energy and feeling.

I know dancing can be tough, but that is one of the reasons why people dance, so that they can improve and be more confident in dancing. There are people dreaming and hoping that one day this is what they will do for a living. What they love and are passionate about. And I’m one of those people. One of the things I love about dance is that there is no right and wrong, expression wise.

I am still new in the world of dancing, there’s so many years to come! I have only been dancing hard for four years. Before that it was just a hobby.

Stay passionate, stay strong and don’t let others bring you down. If you are committed and devoted towards dancing then the opportunities are endless.

Scarlett Brumby

This month was super exciting! On the first day of the year, I was accepted as an ambassador for Acro Dance. To my surprise, I also received a scholarship with them! Being asked to represent Dance Writer again felt great. I had a ball last year participating in photoshoots and of course at the charity gala proudly supporting beyondblue. This year will bring so many more opportunities and I excited to see what happens.

I participated in an Acro Dance workshop, learning skills in silks, hoops and acrobatic movements. It feels amazing to learn such new tricks and skills and it is only the beginning of this new journey. During the workshop, Dr Lisa Ellis came to teach us technique, learning how to perfect our jumps, kicks and turns. I learnt so much from her!

I really feel like 2018 will be the best year yet.

Astara Jackson

I am so grateful for every opportunity I got in January that has allowed me to start accomplishing my 2018 goals, my main goal for January was to allow myself to venture into new opportunities and focus on what makes me happy.

As a member of the Act Now Speak Later 2017 and 2018 team I had the pleasure in attending some events around Melbourne, I performed in their performance night with my solo, participated in the Rebecca Davies ‘Radar Technique’ workshop and also attended the team photo shoot. In the month of January, we raised more money than the previous year which will ALL be going towards cancer research!

I cannot wait to see how the rest of the year will unfold and I am so excited to meet everyone at Dance Writer!

Zoe Frew

DOING SOMETHING NEW The Dance Writer ambassadorship has been an amazing experience for me so far, watching and being a part of the opportunities we get offered.

The family we have created at Dance Writer is a community, and one that continues to inspire others and grow with positivity.

SUMMER SCHOOLS AND OVERSEAS ADVENTURES

Both Sankara and I participated in the new dance school summer school “Rage Dance Company”. We worked with Alyson King and Nick McGuire and of course director Tayla Blake, which was such a great experience.

I’ve learned some crazy cool moves Sankara also had the best time at at photoshoots, and I have become a MAPA summer school, meeting new better dancer just by surrounding friends and amazing teachers. She myself with incredible talent. I’ve and her friends took classes in all never been an ambassador for sorts of styles and was even called anything before, and I just feel so up twice to demonstrate the routines. happy and privileged to be involved.

I’m sure there will be many memories As for me, I was lucky enough to be made this year at the photoshoots, selected as an assistant to Dr Lisa charity gala and other performances. Ellis in the UK late last year. It was freezing cold, at times even snowing, My confidence has also grown too but we survived the long flight and since becoming an ambassador! I’ve went straight into workshops. I found extended myself from just it so liberating to demonstrate my contemporary to also hip hop—a kicks, turns and leaps to others who style completely new to me. 2018 will were aiming to achieve their certainly be an exciting year and I technique goals. cannot wait to see what it brings!

Steph Matters Me, along with three other assistants had to travel up to four hours by car between workshops! It was an experience I will never forget and I really hope I get the opportunity to assist again.

Ayshia-Mila and Sankara Stromei

WINS AND WORKSHOPS Hi, I’m Daisy Boo from Jason Coleman’s Ministry Of Dance.

I started the month with Nationals for Follow Your Dreams Competition at The Pullman Hotel. It was so much fun staying there as all my dancing friends from all over Australia and New Zealand were staying their too. I loved dancing, stretching, laughing and tumbling down the hallways with them and seeing all the amazing talent. I was very grateful to place in all my solos winning some National Titles, Highpoint Scorer in my age group and Winning a Champion of Champion Dance off with all the dancers I love and admire. The support in the dancing community is so great everyone cheers everyone.

I had the best time at the International Ballet Workshop (IBW). The Director Rain Francis gives young dancers the opportunity to work with International Choreographers and Artists. We had Ballet and Repotoire with the inspiring Ken Ludden (Director of The Margot Fonteyn Academy of Ballet New York) who was such an individual and I learnt so much from him. I was very lucky to be selected to be in the Melbourne Premier of his original ballet “Ne Roi” in July. Lots was also learnt from the stunning Crystal Wong in her pre pointe/pointe and conditioning classes. I loved learning her feet strengthening exciting the most.

Daisy Boo

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