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Just | New York City 520 West 28th st. PH37

Just | Upper Level | Grand Room - Dining Area | Site Photo

Just | Upper Level | Grand Room - Dining Area | Dining Chair Option

Africa Chair - Vintage Afra and Tobia Scarpa The Africa chair is a striking example of sculptural postmodern design, blending craftsmanship, symbolism, and architectural form into functional seating pieces. Crafted in richly grained wood with black leather upholstered seats, the chairs balance warmth and graphic precision with an unmistakably collectible aesthetic. Each chair is defined by its dramatic backrest, composed of two sculpted wooden panels divided by a central vertical line. The backs are decorated with elegant black inlaid curves that radiate outward in a fan-like motif, evoking tribal patterns, sunbursts, or topographic lines. This geometric detailing gives the chairs a strong visual identity while emphasizing symmetry and rhythm across the set. Rounded upper backs soften the otherwise structured geometry. The sculptural backrests flow seamlessly into the rear supports, creating an almost architectural presence. Thick leather cushions provide contrast through their smooth matte texture and understated comfort. The warm honey-toned wood highlights the natural figuring and grain, bringing depth and organic character to the design. Paired with the black detailing and upholstery, the chairs achieve a sophisticated balance between African-inspired decorative language and contemporary Italian craftsmanship.

Walnut, black leather 23”W x 20”D x 33”H, seat height: 18” CC $8,200 / each Qty: 10

Just | Upper Level | Grand Room - Living Area | Floor Lamp Option

Just | Upper Level | Grand Room - Dining Area | Site Photo

Exterior | Architecture There is a powerful urban dynamic between the streets of New York and the High Line, a layered civic realm that has developed over generations and in many iterations. 520 West 28th conveys this contextual relationship, applying new ideas and concepts to create the latest evolution of the site’s rich history. The split levels of the design define varied living spaces and echo the multiple layers of civic space on 28th Street and the High Line. These split levels are expressed within the interlocking chevrons of 520 West 28th’s hand-crafted steel façade which carries the spirit of Chelsea’s industrial past; its detailed workmanship continues the venerable tradition within New York’s historic architecture of enhancing the public realm. Designed and constructed with a practiced understanding of material qualities and manufacturing techniques, the façade conveys the attention to detail evident throughout 520 West 28th—brushed and tinted by hand to resonate with the adjacent structures of the High Line and its neighbourhood. Within an established community of over 350 art galleries that has seen the High Line’s transformation from abandoned freight rail line to public park, 520 West 28th embodies a commitment to uphold the distinctive character of its neighbourhood; creating a building with its own architectural presence, yet very much of its surroundings.

Just | Exterior | Architecture

Overview | Plan

Just | Overview | Plan

Upper Level | Plan

Just | Upper Level | Overview | Plan

Upper Level | Entry

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Upper Level | Kitchen

Just | Upper Level | Kitchen | Plan

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Just | Upper Level | Kitchen | Site Photo

Just | Upper Level | Kitchen | Counter Stool Option

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Vienna Counter Stool Tom Faulkner The Vienna design takes on a svelte, elongated format in this modern bar stool with arms and a footrest. It’s a stool designed to sit back and enjoy, rather than perch in tentatively. The piece draws upon the elegant, curvilinear qualities of the Art Nouveau, giving them a sleek, modern update with a dynamic silhouette. The legs are water cut from steel plate, imparting strength and allowing for laser-focused precision. Vienna has a beautifully elegant silhouette and looks great from all angles. This is an especially comfortable and stable bar stool, thanks to its carver armrests and foot bar.

Metal and upholstery finish TBD Customizable dimensions CC $ / each Qty: 2

Just | Upper Level | Kitchen | Counter Stool Option

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Carlo Counter Stool Bryan O’Sullivan The Carlo Counter Stool by Bryan O'Sullivan Studio is a bespoke seating option that brings high-end European design to luxury residential and hospitality projects. Originally tailored for Le 300 Bar at The Maybourne Riviera hotel, this sophisticated stool features an organic, hand-lathed timber base with fluid lines that beautifully mimic the waves of the Mediterranean Sea. The sculptural wooden frame is topped with a perfectly rounded, upholstered cushion that creates a floating aesthetic, balanced elegantly by an integrated, minimalist chromed steel foot rail wrapping the lower base. Handcrafted using a blend of solid timber and durable steel elements, the stool can be heavily customized to fit diverse color palettes and interior themes. The base is available in premium Oak or dark Walnut wood grains, while the seat cushion can be specified in rich leather or a textured linen fabric

Metal and upholstery finish TBD 13.4”W x 13.4”D x 25.8”H CC $ / each Qty: 2

Just | Upper Level | Kitchen | Counter Stool Option

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Monolith Counter Stool John Pomp Studio

Metal and upholstery finish TBD 11”Dia. x 25”H CC $ / each Qty: 2

Upper Level | Breakfast Area

Just | Upper Level | Breakfast Area | Plan

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Just | Upper Level | Breakfast Area | Site Photo

Upper Level | Grand Room

Just | Upper Level | Grand Room | Plan

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Just | Upper Level | Grand Room - Living Area | Plan

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Just | Upper Level | Grand Room - Living Area | Site Photo

Just | Upper Level | Grand Room - Living Area | Lounge Chair

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Touch Me Chair Chris Wolston Chris Wolston is an American artist and designer based in New York and Medellín, Colombia. His thoughtfully conceptualized and deliberately fabricated work — which ranges from furniture and lighting to installation and sculpture — rigorously blends traditional techniques and materials with a wry, contemporary realism, arriving at an entirely original postmodern aesthetic imbued with material fluency and environmental urgency. Wolston’s interest in non-Western art-making traditions originated at the Kokrobitey Institute in Accra, Ghana, where he studied before receiving his Bachelor of Fine Arts from the Rhode Island School of Design. He later earned a Fulbright grant to study pre-Columbian ceramics in Colombia. Invigorated by his exposure, Wolston opened a second studio in Medellín to continue his collaboration with local artisans and materials. His work can be found in the permanent collections of the Denver Art Museum, the National Gallery of Victoria, Australia, the Odunpazari Modern Museum, Turkey, the Museum of American Glass, The Museo de Antioquia, Medellín, Colombia, and the National Museum of Qatar. He has been profiled in T Magazine, Art in America, Architectural Digest, Galerie, Le Monde Magazine, Elle Decor Italia, Domino, Surface Magazine, and many others. He has collaborated with brands such as Dolce & Gabbana, Fendi, and Philip Lim.

Limited Edition of 25 + 2 AP Colombian mimbre (wicker), steel frame 47.6”W x 43”D x 32”H CC $

Just | Upper Level | Grand Room - Living Area | Daybed Option

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Touch Me Chair Jacques Adnet Chris Wolston is an American artist and designer based in New York and Medellín, Colombia. His thoughtfully conceptualized and deliberately fabricated work — which ranges from furniture and lighting to installation and sculpture — rigorously blends traditional techniques and materials with a wry, contemporary realism, arriving at an entirely original postmodern aesthetic imbued with material fluency and environmental urgency. Wolston’s interest in non-Western art-making traditions originated at the Kokrobitey Institute in Accra, Ghana, where he studied before receiving his Bachelor of Fine Arts from the Rhode Island School of Design. He later earned a Fulbright grant to study pre-Columbian ceramics in Colombia. Invigorated by his exposure, Wolston opened a second studio in Medellín to continue his collaboration with local artisans and materials. His work can be found in the permanent collections of the Denver Art Museum, the National Gallery of Victoria, Australia, the Odunpazari Modern Museum, Turkey, the Museum of American Glass, The Museo de Antioquia, Medellín, Colombia, and the National Museum of Qatar. He has been profiled in T Magazine, Art in America, Architectural Digest, Galerie, Le Monde Magazine, Elle Decor Italia, Domino, Surface Magazine, and many others. He has collaborated with brands such as Dolce & Gabbana, Fendi, and Philip Lim.

Limited Edition of 25 + 2 AP Colombian mimbre (wicker), steel frame 87.4”W x 44”D x 26.7”H CC $

Just | Upper Level | Grand Room - Living Area | Floor Lamp Option

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Sienne Floor Lamp Élisabeth Garouste Chris Wolston is an American artist and designer based in New York and Medellín, Colombia. His thoughtfully conceptualized and deliberately fabricated work — which ranges from furniture and lighting to installation and sculpture — rigorously blends traditional techniques and materials with a wry, contemporary realism, arriving at an entirely original postmodern aesthetic imbued with material fluency and environmental urgency. Wolston’s interest in non-Western art-making traditions originated at the Kokrobitey Institute in Accra, Ghana, where he studied before receiving his Bachelor of Fine Arts from the Rhode Island School of Design. He later earned a Fulbright grant to study pre-Columbian ceramics in Colombia. Invigorated by his exposure, Wolston opened a second studio in Medellín to continue his collaboration with local artisans and materials. His work can be found in the permanent collections of the Denver Art Museum, the National Gallery of Victoria, Australia, the Odunpazari Modern Museum, Turkey, the Museum of American Glass, The Museo de Antioquia, Medellín, Colombia, and the National Museum of Qatar. He has been profiled in T Magazine, Art in America, Architectural Digest, Galerie, Le Monde Magazine, Elle Decor Italia, Domino, Surface Magazine, and many others. He has collaborated with brands such as Dolce & Gabbana, Fendi, and Philip Lim.

Limited Edition of 25 + 2 AP Colombian mimbre (wicker), steel frame 47.6”W x 43”D x 32”H CC $

Just | Upper Level | Grand Room - Dining Area | Plan

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Just | Upper Level | Grand Room - Dining Area | Site Photo

Just | Upper Level | Grand Room - Dining Area | Lighting Option

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Icaro, 2 Tier Fortuny In Greek mythology, Icarus attempts to fly from Crete using wings made from feather and wax. However, he flies too close to the sun, which melts the wax and foils his escape.

Made in Italy, 8 weeks Glass fibre, gold leaf 34” Dia. x 28.5”H Min. CC $6,865 / each Qty: 2

Upper Level | Library

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Upper Level | Powder

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Just | Upper Level | Powder | Site Photo

Upper Level | Media Room

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Just | Upper Level | Media Room | Wallpaper Option

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Cosmos Embroidered Wallcovering De Gournay A majestic constellation hand embroidered onto a blue velvet, the celestial spheres are rendered in brilliant metallic threads and beading. Inspired by astronomical depictions of old, from the star-covered ceiling of the interior of the pyramid of Teti at Saqqara, to the azure frescoes reserved for chapel and cathedrals (due to the costly blue pigment) dating from the 1300’s. Our design includes a large variety of star types, each hand embroidered with a different technique.

Blue velvet, hand embroidered Custom CC $

Lower Level | Plan

Just | Lower Level | Overview | Plan

Lower Level | Vestibule

Just | Lower Level | Vestibule | Plan

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Just | Lower Level | Vestibule | Site Photo

Just | Lower Level | Vestibule | Table

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Modern Sculptural Round Dining Table Wüd Glamorous and elegant, the Vega dining table artfully mixes metals and shapes. The aluminium encased in mirror table top features a bronze edge and is paired with a geometric bronze encased in epoxy resin base. Wüd is a New York-based design and fabrication studio led by Corey and Keren Springer. We make handcrafted furniture, surfaces, lighting, and objects to cherish and last lifetimes. Wüd is for those who value artistry above all else. The ones who understand the need for form and function. The ones who curate their environments to challenge the senses. We design for those who want to live better, smarter, stronger, and always with style. We believe in the power of artistry to transform the spaces where people live and gather. We care deeply about our relationships and who we work with. We design all of our pieces with passion and purpose, and custom build every order in our Brooklyn studio.

Burnished bronze, mirror 54”Dia x 30”H Existing

Lower Level | Wet Bar

Just | Lower Level | Wet Bar | Site Photo

Lower Level | Primary Bedroom

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Just | Lower Level | Primary Bedroom | Site Photo

Lower Level | Primary Balcony

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Lower Level | Primary Bathroom

Just | Lower Level | Primary Bathroom - Hers | Plan

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Just | Lower Level | Primary Bathroom - Hers | Site Photo

Just | Lower Level | Primary Bathroom - His | Plan

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Just | Lower Level | Primary Bathroom - His | Site Photo

Lower Level | Bedroom 1

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Lower Level | Bedroom 2

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Just | Lower Level | Bedroom 2 Bath | Site Photo

Lower Level | Bedroom 3

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Just | Lower Level | Bedroom 3 Bath | Site Photo

Roof Terrace | Plan

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Roof Terrace | Sunroom

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Just | Roof Terrace | Sunroom | Site Photo

Roof Terrace | Wet Bar

Just | Upper Level | Wet Bar | Plan

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Upper Level | Exterior

Just | Upper Level | Exterior | Plan

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Just | Upper Level | Sunroom | Site Photo

Just | New York City

Potential Selections

Just | Level | Room | Art Option

Jean Prouvé doors

Just | Upper Level | Phillip K. Smith III | Artist Bio

Phillip K. Smith III (b. California, 1972) American artist Phillip K. Smith III uses light as a medium to create optically shifting sculptures and site-specific installations. His minimal but imposing interventions into vast outdoor landscapes and more discreetly scaled sculptures are nuanced perceptual encounters in response to the unique conditions of site and context. Expansile and living, Smith's boundary-dissolving sculptures alter the interplay of light, color, and surface in an expanded field, proposing shifts in experiential pace to modify the viewer's physical encounter. Trained as an artist and an architect at Rhode Island School of Design, Smith incorporates the site- specificity of architecture, with its reliance on scale and its capacity to physically impact the human interaction it supports to create immersive viewing experiences. Recent projects include The Cube (2024), an 18' high reflective toroid cube sited as the new icon of a Skidmore, Owings & Merrill designed project in La Jolla, CA; TRI-HEX-CIRC (2024), a 50' high all-white, torqued light and shadow work in North Scottsdale, AZ, and Four Corners Extruded (2024), a 42' high reflective and light-based work for Seattle Sound Transit Parallel Perpendicular (2021), a series of 5 freestanding reflective and color-based volumes for West Hollywood Park in Los Angeles, CA; Three Half Lozenges (2021), a permanent acquisition activating the three two-story high windows on the 1920s façade of the Newark Museum of Art in Newark, NJ; Open Sky (2018), commissioned by Scandinavian fashion house COS for Italy's Salone del Mobile, Milan; Detroit Skybridge (2018), a 100-foot-long LED installation commissioned as part of Detroit's Library Street Collective’s city-wide revitalization effort, and The Circle of Land and Sky (2017), part of the inaugural Desert X, the critically acclaimed Coachella Valley desert-wide, site-specific exhibition. Smith’s Joshua Tree, CA project, Lucid Stead (2013), continues to be celebrated as a significant example of light-based site-specific works. In 2022-2023, Smith had two concurrently running solo museum exhibitions: Three Parallels at Scottsdale Museum of Contemporary Art and Light + Change at Palm Springs Art Museum. He has also been the subject of solo exhibitions at the Toledo Museum of Art, Laguna Art Museum, and Sonoma Valley Museum of Art. His work is in the permanent collections of the Museum of Fine Arts Boston, Toledo Museum of Art, Palm Springs Art Museum, Denver Art Museum, and Newark Museum of Art, and has been featured in hundreds of print and online publications, including Architectural Digest, artnet, ARTnews, Forbes, The Guardian, Los Angeles Times, Wallpaper*, Yatzer, and Whitehot Magazine, among others.

Just | Upper Level | Phillip K. Smith III | Installation Image

Philip K. Smith III 0/90/120, 2025 Aluminum, glass, acrylic, LED lighting