2014 06 13 The Dallas Telegraph

International Publication of Texas. Bi-weekly

Friday, June 13, 2014

Âñå ôëàãè áûëè â ãîñòè ê íàì! ïðåäñòàâèòåëè 100 íàöèé îòïðàçäíîâàëè â Äàëëàñå Äåíü çàùèòû äåòåé

Åñëè âû èëè âàø áèçíåñ õîòèòå ïîçäðàâèòü âàøèõ êëèåíòîâ, ïàðòíåðîâ è äðóçåé ñ ïðàçäíèêîì, ãîäîâùèíîé, þáèëååì, ïîæàëóéñòà, ñâÿæèòåñü ñ íàìè ïî òåëåôîíó: (469) 2000-660.

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Friday, June 13, 2014

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Êàê ïîïàñòü íà îñòðîâ ìå÷òû? Ïîêðûòûé ïûøíîé ðàñòèòåëüíîñòüþ, ñàìûé ñòàðûé îñòðîâ Ãàâàéñêîé ãðÿäû — Êàóàè — ïðåäñòàâëÿåò ñîáîé ñâîåîáðàçíûé çåëåíûé õðàì ïîñðåäè Òèõîãî îêåàíà. Îñîáåííî âïå÷àòëÿþò íåâåðîÿòíî êðàñèâûå ðèôëåíûå ñêàëû íà ïîáåðåæüå Íà-Ïàëè è îãðîìíûé, ãëóáîêî èçðåçàííûé êàíüîí Óýéìåÿ. Ìåêêà äëÿ ëþáèòåëåé ïåøåãî òóðèçìà è êàÿêåðîâ, Êàóàè ÿâëÿåòñÿ ïîïóëÿðíûì îñòðîâîì ñðåäè ïî÷èòàòåëåé àêòèâíîãî ñïîñîáà îòäûõà, è ëþáèìöåì ìîëîäîæåíîâ ñ òåõ ïîð, êàê Ýëâèñ Ïðåñëè ñâÿçàë ñåáÿ óçàìè áðàêà â «Ãîëóáûõ Ãàâàéÿõ» — ñàìîì óñïåøíîì ôèëüìå ñ ó÷àñòèåì ïðîñëàâëåííîãî ìóçûêàíòà. Çàáóäüòå øèêàðíûå êóðîðòû, ïîêóïêè â ìîäíûõ áóòèêàõ èëè îæèâëåííóþ íî÷íóþ æèçíü. Ïðèåçæàéòå íà Êàóàè, ÷òîáû óâèäåòü åãî âåëèêîëåïíóþ «êàðòèííóþ ãàëåðåþ» — òó, êîòîðóþ âû íàéäåòå òîëüêî íà îòêðûòîì âîçäóõå. Öåíà òîãî, ÷òîáû ïîñìîòðåòü ýòè ðàáîòû? Ïàðà õîðîøåé îáóâè è íåìíîãî óñåðäèÿ.

ÊÀÊ ÌÈÐ ÓÇÍÀË Î ÊÀÓÀÈ Íà Êàóàè ïðîæèâàåò ñâûøå 58 òûñÿ÷ æèòåëåé (ïî ñîñòîÿíèþ íà 1 ÿíâàðÿ 2007 ãîäà). Ãåîãðàôè÷åñêîå ïîëîæåíèå êàê ñàìîãî çàïàäíîãî èç âñåõ îñòðîâîâ Ãàâàéñêîãî àðõèïåëàãà îáóñëîâèëî åãî èñòîðèþ. Ïåðâûå ïîñåëåíöû — æèòåëè Ìàðêèçñêèõ îñòðîâîâ — âïåðâûå âûñàäèëèñü íà Êàóàè ïðèìåðíî â 300 - 450 ãîäàõ íàøåé ýðû, äàëè íàçâàíèå îñòðîâàì Ãàâàéè, à çàòåì äâèíóëèñü äàëüøå íà âîñòîê, çàñåëÿÿ äðóãèå îñòðîâà. ×åðåç íåñêîëüêî ñîòåí ëåò õëûíóëà ñëåäóþùàÿ âîëíà ïåðåñåëåíöåâ èç Îñòðîâîâ Ñîîáùåñòâà, â òîì ÷èñëå ñ Òàèòè, Ôèäæè è äðóãèõ ïîëèíåçèéñêèõ îñòðîâîâ. Ôàêòû ñâèäåòåëüñòâóþò, ÷òî, âîïðåêè ðàñïðîñòðàíåííîìó ìíåíèþ, åâðîïåéöû îáíàðóæèëè Êàóàè çàäîëãî äî ïðèáûòèÿ ñþäà àíãëèéñêîãî ìîðåïëàâàòåëÿ Äæåéìñà Êóêà â 1778 ãîäó. Ïîëàãàþò, ÷òî âïåðâûå Ãàâàéè îòêðûë èñïàíñêèé ìîðåïëàâàòåëü Ãàýòàí, êîòîðûé ñáèëñÿ ñ êóðñà âî âðåìÿ ïóòåøåñòâèÿ â Ìåêñèêó â 1542 ãîäó è îòìåòèë Ãàâàéñêèå îñòðîâà íà êàðòå, íî, íå íàéäÿ ñîêðîâèù (çîëîòà èëè ñåðåáðà), íå ñ÷åë íóæíûì åùå ðàç çàïëûâàòü íà Ãàâàéè.

õîæå, ÷òî êîðîëü Êàóìóàëèè I íå æåëàë èñïûòàòü ñ÷àñòüå â òðåòèé ðàç è äîáðîâîëüíî ïðèçíàë ñâîþ âàññàëüíóþ çàâèñèìîñòü. Òàê îñòðîâ Êàóàè ñòàë ÷àñòüþ Ãàâàéñêîãî êîðîëåâñòâà.  ÿíâàðå 1815 ãîäà òîðãîâûé êîðàáëü Ðóññêî-àìåðèêàíñêîé êîìïàíèè «Áåðèíã» çàøåë â áóõòó Óýéìåà äëÿ ïîïîëíåíèÿ çàïàñîâ âîäû è ïðîäîâîëüñòâèÿ. Íà ñëåäóþùèé äåíü âî âðåìÿ øòîðìà ñóäíî ñåëî íà ìåëü è ïðàâèòåëü îñòðîâà Êàóàè íåîæèäàííî êîíôèñêîâàë ãðóç ñ êîðàáëÿ.  îòâåò íà ýòî íà îñòðîâ Êàóàè îòïðàâèëñÿ ðîññèéñêèé êîðàáëü âî ãëàâå ñ Ãåîðãîì Øåôôåðîì ñ öåëüþ îòîáðàòü òîâàðû, çàõâà÷åííûå Êàóìóàëèè I. Ïðîñòàÿ ìèññèÿ âî ãëàâå ñ íåîïûòíûì, íî àìáèöèîçíûì âðà÷îì, ïðåâðàòèëàñü â îãðîìíûå óáûòêè äëÿ Ðóññêîàìåðèêàíñêîé êîìïàíèè. Êàóìóàëèè I, êîòîðûé èñêàë ïîìîùè èçâíå äëÿ ïðîòèâîñòîÿíèÿ ãàâàéñêîìó êîðîëþ, ïðèãëàñèë Øåôôåðà íà ñâîé îñòðîâ è óìåëî ìàíèïóëèðîâàë èì, ïûòàÿñü âíóøèòü ìûñëü, ÷òî Ðóññêî-àìåðèêàíñêàÿ êîìïàíèÿ ìîæåò ëåãêî çàõâàòèòü è êîëîíèçèðîâàòü Ãàâàéè. Øåôôåð, «ïîòåðÿâ âñÿêóþ ñâÿçü ñ ðåàëüíîñòüþ, ïëàíèðîâàë ïîëíîìàñøòàáíóþ âîåííîìîðñêóþ îïåðàöèþ ïî çàõâàòó âñåõ Ãàâàéñêèõ îñòðîâîâ è èñêàë ïîääåðæêó ñâîåãî

ñòðèðóþò ïðîñòî ôàíòàñòè÷åñêèå ïåéçàæè. ÊÀÍÜÎÍ ÓÝÉÌÅß Ëåãåíäà ãëàñèò, ÷òî àìåðèêàíñêèé ïèñàòåëü Ìàðê Òâåí ïîñåòèë Êàíüîí Óýéìåÿ è íàçâàë åãî «Ãðàíä-Êàíüîíîì Òèõîãî îêåàíà». Äåéñòâèòåëüíî, â 1866 ãîäó Ìàðê Òâåí âïåðâûå ñîâåðøèë ïóòåøåñòâèå íà Ãàâàéè è îïèñàë ýòîò óäàëåííûé óãîëîê çåìëè. Íî îí íèêîãäà íå ïîñåùàë îñòðîâà Êàóàè è íå âèäåë óùåëüÿ. Ýòà âûìûøëåííàÿ èñòîðèÿ íå îñíîâûâàåòñÿ íà ôàêòàõ, à ÿâëÿåòñÿ, ñêîðåå âñåãî, ïëîäîì æåëàíèÿ ìåñòíûõ æèòåëåé âïèñàòü èçâåñòíîãî ïèñàòåëÿ â ñâîþ èñòîðèþ. Áåçóñëîâíî, Ãðàíä-Êàíüîí â øòàòå Àðèçîíà âåëè÷åñòâåí — îòñþäà è åãî íàçâàíèå, íî Êàíüîí Óýéìåÿ íà îñòðîâå Êàóàè âïîëíå ñðàâíèì ñ åãî êðàñîòîé, õîòÿ è óñòóïàåò â ðàçìåðàõ. Ïðèìåðíî 1097 ìåòðîâ ãëóáèíîé, 16 êèëîìåòðîâ äëèíîé è 1,5 êèëîìåòðà øèðèíîé — ýòî îäíî èç ñàìûõ æèâîïèñíûõ ìåñò íà Ãàâàéñêèõ îñòðîâàõ. Êàíüîí èìååò óíèêàëüíóþ ãåîëîãè÷åñêóþ èñòîðèþ: îí áûë ñôîðìèðîâàí íå òîëüêî â ðåçóëüòàòå óñòîé÷èâûõ ïðîöåññîâ ýðîçèè, íî è âñëåäñòâèè êàòàñòðîôè÷åñêîãî ðàçðóøåíèÿ âóëêàíà, êîòîðûé ñîçäàë îñòðîâ Êàóàè. Ïàðê Êàíüîí Óýéìåÿ îõâàòûâàåò ïëîùàäü â 755

Âèäû îñòðîâà — áîãàòûé ìàòåðèàë äëÿ ëþáîãî õóäîæíèêà Áðèòàíñêèé ìîðåïëàâàòåëü Äæåéìñ Êóê âîøåë â èñòîðèþ Ãàâàéåâ êàê ïåðâûé åâðîïååö, êîòîðûé ñîøåë íà áåðåã ñàìîãî çàïàäíîãî îñòðîâà Ãàâàéñêîãî àðõèïåëàãà â áóõòå Óýéìåÿ Áýé â 1778 ãîäó. Àíãëè÷àíå îáìåíèâàëè áåçäåëóøêè íà ïðîäîâîëüñòâèå è èçó÷àëè ìåñòíóþ êóëüòóðó æèòåëåé îñòðîâà. Êóê íàçâàë îñòðîâà Ãàâàéñêîãî àðõèïåëàãà «Ñýíäâè÷åâû îñòðîâà» â ÷åñòü ãðàôà Ñýíäâè÷à, êîòîðûé â òî âðåìÿ áûë ïåðâûì ëîðäîì Àäìèðàëòåéñòâà è îêàçûâàë âñåîáùóþ ïîääåðæêó ýêñïåäèöèè. Ñïóñòÿ ãîä Êóê áûë óáèò ãàâàéöàìè, êîãäà ïîïûòàëñÿ ïîõèòèòü èõ âîæäÿ äëÿ âîçâðàùåíèÿ óêðàäåííîé òóçåìöàìè ëîäêè. Âî âðåìåíà ïðàâëåíèÿ Êàìåõàìåõà I, Êàóàè è Íèèõàó ñòàëè ïîñëåäíèìè Ãàâàéñêèìè îñòðîâàìè, ïðèñîåäèíèâøèìèñÿ ê ãàâàéñêîé ìîíàðõèè. Èõ ïðàâèòåëü, Êàóìóàëèè I, îêàçûâàë ñîïðîòèâëåíèå Êàìåõàìåõó I â òå÷åíèå ìíîãèõ ëåò. Äâà âòîðæåíèÿ Êàìåõàìåõà I áûëè îòáèòû êîðîëåì Êàóàè ñíà÷àëà â 1796 ãîäó, à ïîòîì â 1803 ãîäó. Ýòèì óñïåõàì áëàãîïðèÿòñòâîâàëà ïëîõàÿ ïîãîäà, êîòîðàÿ ïîòîïèëà ìíîãî êàíîý íàïàäàâøåé ñòîðîíû âî âðåìÿ ïåðâîé ïîïûòêè âòîðæåíèÿ è âñïûøêà, âåðîÿòíî, õîëåðû âî âðåìÿ âòîðîé ïîïûòêè. Êàìåõàìåõà I ñîáðàë îãðîìíóþ àðìàäó êàíîý íà ïëÿæå Âàéêèêè â ðàìêàõ ïîäãîòîâêè ê ñâîåìó òðåòüåìó âòîðæåíèþ â 1810 ãîäó. Ïî-

«çàâîåâàíèÿ» â Ñàíêò-Ïåòåðáóðãå». Êàóìóàëèè I ïîçâîëèë Øåôôåðó âîçâåñòè íà òåððèòîðèè îñòðîâà 3 ôîðòà: Åëèçàâåòû, Àëåêñàíäðà è Áàðêëàÿ. Èõ ñòðîèòåëüñòâî áûëî ÷àñòüþ ïëàíà ïî ñîçäàíèþ íà Êàóàè êîëîíèè è ïðèñîåäèíåíèþ Ãàâàéåâ ê Ðîññèéñêîé èìïåðèè.  1817 ãîäó íà Êàóàè ïðè÷àëèëè ïÿòü êîðàáëåé ñ âîîðóæåííûìè àìåðèêàíöàìè è òóçåìöàìè, ðàçãðîìèëè âñå ðóññêèå ôîðòû, âûíóäèëè Øåôôåðà ïðèçíàòü ñâîå ïîðàæåíèå è îñòàâèòü Ãàâàéè. Ðóññêî-àìåðèêàíñêàÿ êîìïàíèÿ «Áåðèíã» ïîíåñëà 200 òûñÿ÷ ðóáëåé óáûòêîâ è ïîçæå ïîäàëà íà Øåôôåðà â ñóä, ïûòàÿñü ïîëó÷èòü êîìïåíñàöèþ ñâîåãî óùåðáà. ÎÑÒÐÎÂ-ÑÀÄ Êàóàè ÿâëÿåòñÿ ÷åòâåðòûì ïî âåëè÷èíå îñòðîâîì íà Ãàâàéÿõ; èç-çà ñâîåé áåçóïðå÷íîé êðàñîòû åãî ÷àñòî íàçûâàþò «îñòðîâ-ñàä», ÷òî âïîëíå ñîîòâåòñòâóåò îïèñàíèþ. Çåìëÿ íà îñòðîâå Êàóàè î÷åíü ïëîäîðîäíà äëÿ âûðàùèâàíèÿ ìíîãèõ ñîðòîâ ôðóêòîâûõ è ñåëüñêîõîçÿéñòâåííûõ êóëüòóð. Ñàìûé ñòàðûé è ñàìûé ñåâåðíûé â öåïè ãàâàéñêîãî àðõèïåëàãà îñòðîâ-ñàä âîïëîùàåò â ñåáå âñå òî, ÷òî òóðèñòû îæèäàþò óâèäåòü â Ïîëèíåçèè: çîëîòèñòûå ïëÿæè, óåäèíåííûå áóõòû, êðàñèâûå ñêàëû âäîëü ïîáåðåæüÿ, èçóìðóäíûå äîëèíû, ðåêè è âîäîïàäû. Íåêîòîðûå ÷àñòè îñòðîâà äåìîí-

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ãåêòàðîâ çåìëè è ÿâëÿåòñÿ îäíèì èç ñàìûõ ïîïóëÿðíûõ òóðèñòè÷åñêèõ ìåñò íà îñòðîâå. Äëÿ ëþáèòåëåé ïåøåãî òóðèçìà óùåëüå ìîæåò ñòàòü îñíîâíûì ìåñòîì îòäûõà íà ïðîòÿæåíèè öåëîé íåäåëè.  ïðîòèâíîì ñëó÷àå, âðåìåíè ìîæåò è íå õâàòèòü. Ïî òåððèòîðèè êàíüîíà, à òàêæå áëèçëåæàùåãî çàïîâåäíèêà Alakai Wilderness Preserve ïðîëîæåíî 72 êèëîìåòðà òðîï äëÿ ïåøåãî òóðèçìà. Íàèáîëåå ïîïóëÿðíûì èç êîòîðûõ ÿâëÿåòñÿ ìàðøðóò ê âîäîïàäó ÂàéÏîî (Waipo'o) äëèíîé 4,8 êèëîìåòðà â îáå ñòîðîíû. Îáû÷íî ïîõîä çàíèìàåò îêîëî 2-3 ÷àñîâ.

ïîáåðåæüå îñòðîâà Êàóàè, ïðàêòè÷åñêè âñå îíè îòâå÷àþò îäèíàêîâî: ñîáñòâåííûìè ãëàçàìè óâèäåòü ýòîò ôàíòàñòè÷åñêèé ïåéçàæ.  íàøè äíè ïîáåðåæüå Íà-Ïàëè ìîæíî óâèäåòü íà êàæäîé

êîãäà âîäîïàä ñèÿåò â ëó÷àõ ñîëíöà. Ïðè æåëàíèè ìîæíî ñïóñòèòüñÿ âíèç è èñêóïàòüñÿ â ïðîõëàäíîé, ãîðíîé âîäå.  äðåâíèå âðåìåíà ãàâàéñêèå âîèíû ñîâåðøàëè ïðûæêè ñ 25-ìåòðîâîé âåðøèíû âîäîïàäà, ÷òîáû äîêàçàòü ñâîþ õðàáðîñòü. Ñåé÷àñ òàêèå ïîäâèãè íå ïðèâåòñòâóþòñÿ, ïîñêîëüêó ëþáîé ïðûæîê ìîæåò îêàçàòüñÿ ôàòàëüíûì. ÑÏÀÓÒÈÍà ÕÎÐÍ (SPOUTING HORN) Âîëíû, íàêàòûâàÿñü íà âóëêàíè÷åñêèé øåëüô, ïîäíèìàþò ñòðóþ âîäû ââåðõ ÷åðåç îòâåðñòèå â ëàâå, â ðåçóëüòàòå

Ïîáåðåæüå Íà-Ïàëè — ïåéçàæ è ïëÿæè ïðîñòî ôàíòàñòè÷åñêèå! òóðèñòè÷åñêîé êàðòå Êàóàè. Ýòî îäíà èç ñàìûõ çðåëèùíûõ äîñòîïðèìå÷àòåëüíîñòåé íå òîëüêî ýòîãî îñòðîâà, íî è âñåõ Ãàâàéåâ, ýòî îäèí èç óíèêàëüíûõ óãîëêîâ íàøåé ïëàíåòû. Âóëêàíû, íàðÿäó ñ äðóãèìè ñèëàìè ïðèðîäû, ñôîðìèðîâàëè óíèêàëüíûå ðèôëåíûå ñêàëû è èçâèëèñòîå ïîáåðåæüå. Íó, à êèñëîðîä, âîäà è ðàñòåíèÿ ñ èõ êîðíÿìè è äðóãèìè ïðîäóêòàìè ðàñòèòåëüíîãî ïðîèñõîæäåíèÿ ïîäâåðãëè àòìîñôåðíîìó âîçäåéñòâèþ íåóñòîé÷èâóþ ëàâîâóþ ïîðîäó. Ïðîòî÷íûå âîäû óäàëèëè ìíîãî ïîðîäû ñ ïîâåðõíîñòè, îêåàíñêèå âîëíû ïðèáðàëè îñàäî÷íûå îòëîæåíèÿ ñ ïîáåðåæüÿ – â ðåçóëüòàòå îáðàçîâàëèñü êðóòûå, çûáêèå ñêëîíû Íà-Ïàëè â ñåâåðíîé ÷àñòè îñòðîâà Êàóàè ïðîòÿæåííîñòüþ â 28 êèëîìåòðîâ. Êëèìàò ñòàë åùå îäíèì äâèæóùèì ôàêòîðîì ôîðìèðîâàíèÿ âíåøíåãî âèäà Êàóàè. Ðàçíûå ÷àñòè îñòðîâà, ïî ñóùåñòâó, èìåþò ñâîþ îòëè÷èòåëüíóþ ïîãîäó (â çàâèñèìîñòè îò íàïðàâëåíèÿ ïàññàòíûõ âåòðîâ). Âîò ïî÷åìó êîëè÷åñòâî îñàäêîâ êîëåáëåòñÿ îò ïî÷òè 2500 ìèëëèìåòðîâ íà âîñòî÷íîì êîíöå Íà-Ïàëè äî ìåíåå ÷åì 500 ìèëëèìåòðîâ â çàïàäíîé ÷àñòè.

áîëüøèõ äîëèí, ïîêðûòûõ ãóñòûì òðîïè÷åñêèì ëåñîì. Åñëè âû íå ãîòîâû ïðîäåëàòü óòîìèòåëüíîå 18-êèëîìåòðîâîå ïóòåøåñòâèå ïåøêîì, ñóùåñòâóþò òîëüêî äâà ñïîñîáà óâèäåòü êðàñîòó ÍàÏàëè: íà âåðòîëåòå èëè íà ëîäêå. ×àñîâàÿ ýêñêóðñèÿ íà âåðòîëåòå äàñò âîçìîæíîñòü íàñëàäèòüñÿ îáçîðîì «Ïàðêà Þðñêîãî ïåðèîäà» — ïîáåðåæüå Íà-Ïàëè áûëî çàïå÷àòëåíî â ýòîì êóëüòîâîì ôèëüìå, à òàêæå â ôèëüìàõ «ÊèíãÊîíã», «Èíäèàíà Äæîíñ:  ïîèñêàõ óòðà÷åííîãî êîâ÷åãà» è ìíîãèõ äðóãèõ ôèëüìàõ Ãîëëèâóäà. Âñåãî îñòðîâ Êàóàè áûë ïîêàçàí â áîëåå ÷åì ñåìèäåñÿòè ãîëëèâóäñêèõ ôèëüìàõ è òåëåâèçèîííûõ øîó. ÂÎÄÎÏÀÄ ÂÀÉËÓÀ Âàéëóà ÿâëÿåòñÿ îäíèì èç ñàìûõ êðàñèâûõ è ëåãêî äîñòóïíûõ âîäîïàäîâ íà Ãàâàéÿõ. Âîäîïàä âïåðâûå ïîëó÷èë èçâåñòíîñòü âî âðåìÿ ïîêàçà âî âñòóïèòåëüíîé ÷àñòè ïîïóëÿðíîãî òåëåâèçèîííîãî øîó «Îñòðîâ ôàíòàçèé» íà àìåðèêàíñêîì òåëåâèçèîííîì êàíàëå ABC. Âàéëóà ìîæåò êàðäèíàëüíî èçìåíÿòü âíåøíèé âèä â çàâèñèìîñòè îò îñàäêîâ è òå÷åíèÿ ðåêè. Ëó÷øåå âðåìÿ äëÿ îñìîòðà ýòîãî çðåëèùíîãî ìåñòà — ðàííåå óòðî,

÷åãî äîñòèãàåòñÿ ýôôåêò ãåéçåðà, àíàëîãè÷íûé ãåéçåðó Ñòàðûé âåðíûé (Old Faithful geyser) â Íàöèîíàëüíîì ïàðêå Éåëëîóñòîí. Ýòî ïðèðîäíîå ÿâëåíèå âîçíèêàåò êàæäûé ðàç, êîãäà î÷åðåäíàÿ ìîðñêàÿ âîëíà óñòðåìëÿåòñÿ íà âóëêàíè÷åñêèé øåëüô è âûðûâàåòñÿ ÷åðåç ìàëåíüêîå îòâåðñòèå íà ïîâåðõíîñòè. Ñïàóòèíã Õîðí èíîãäà ïîäíèìàåò ñòðóþ âîäû íà âûñîòó 15 ìåòðîâ. Ýòîò ôåíîìåí îñîáåííî çàõâàòûâàþùå ñìîòðèòñÿ íà çàêàòå, êîãäà áðûçãè âîäû ïîäñâå÷èâàþòñÿ öâåòàìè ðàäóãè. Ðÿäîì ñî Ñïàóòèíã Õîðí ðàñïîëîæåíî åùå îäíî îòâåðñòèå, êîòîðîå âûïóñêàåò ïðåèìóùåñòâåííî âîçäóõ, èçäàâàÿ ïðè ýòîì ãðîìêèé çâóê, ïîõîæèé íà ñòîíû. Ãîëóáîå íåáî, ëàñêîâîå ñîëíöå, òåïëûé îêåàí è ðàäóøíûå îñòðîâèòÿíå, âñòðå÷àþùèå áóêåòàìè öâåòîâ, æäóò âàñ! Îáðàùàéòåñü â êîìïàíèþ «Ãàáðèåë Òðýâåë» ïî òåëåôîíó (916) 348-3400 è ïðîôåññèîíàëüíûå ñîòðóäíèêè áóäóò ðàäû íàéòè äëÿ âàñ òóð íà Ãàâàéè — ïî âàøåìó âêóñó è â ñîîòâåòñòâèè ñ âàøèì áþäæåòîì. www.DallasTelegraph.com/56220 Russian www.DallasTelegraph.com/en/56220 English

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Âäîëü ïîáåðåæüÿ Íà-Ïàëè ïðîëîæåí óâëåêàòåëüíûé, íî óòîìèòåëüíûé 18-êèëîìåòðîâûé ìàðøðóò Êàëàëàó Òðåéë (Kalalau Trail) — åäèíñòâåííàÿ òðîïà, êîòîðàÿ îáåñïå÷èâàåò äîñòóï ÷åëîâåêó ê ýòîé ÷àñòè îñòðîâà. Ìíîãèå òóðèñòû ðàçáèâàþò ïîõîä íà äâà äíÿ, äåëàÿ ïðèâàë íà ïëÿæå Õàíàêàïèàè, à íà ñëåäóþùåå óòðî äîáèðàþòñÿ äî êîíå÷íîãî ïóíêòà. Ïðè òîì, ÷òî åæåãîäíî ïî÷òè ïîëìèëëèîíà òóðèñòîâ ïðèåçæàåò íà ïîáåðåæüå ÍàÏàëè, íåìíîãèå ðåøàþòñÿ ñîâåðøèòü ýòî óòîìèòåëüíîå ïóòåøåñòâèå âäîëü êðóòûõ îáðûâîâ ïî òåððèòîðèè ïÿòè

ÏÎÁÅÐÅÆÜÅ ÍÀ-ÏÀËÈ Ïîëàãàþò, ÷òî äðåâíèå ãàâàéöû â ïåðâóþ î÷åðåäü çàñåëèëè èçðåçàííîå, íî î÷åíü êðàñèâîå ïîáåðåæüå Íà-Ïàëè íà îñòðîâå Êàóàè. Ìðà÷íûå íà ïåðâûé âçãëÿä, ýòè ñêàëû îáåñïå÷èëè ïîñåëåíöåâ âñåì íåîáõîäèìûì äëÿ æèçíè: ïðåñíîé âîäîé èç ãîðíûõ ðó÷üåâ, áîãàòîé ðàñòèòåëüíîñòüþ è ïëîäîðîäíûìè çåìëÿìè â äîëèíàõ, íåîáõîäèìûìè ðûáíûìè ðåñóðñàìè îêåàíà. Ñåãîäíÿ ïîáåðåæüå âûãëÿäèò òàê, êàê è ìíîãî ñòîëåòèé íàçàä, êîãäà äðåâíèå ãàâàéöû æèëè â ýòèõ äîëèíàõ, ïèòàÿñü òîëüêî åäîé, êîòîðóþ îíè ìîãëè âûðàñòèòü è ðûáîé, êîòîðóþ ìîãëè ïîéìàòü. Åñëè ñïðîñèòü òóðèñòîâ, ÷òî èõ ïðèâåëî íà ñåâåðíîå

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Friday, June 13, 2014

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 Äàëëàñ ïðèåçæàë ñîâðåìåííûé Ôåðåíö Ëèñò Ôîíä The Cliburn â ìàå ïðèâîçèë â Äàëëàñ ëåãåíäàðíîãî Áàððè Äóãëàñà. Äóãëàñ èçâåñòåí òåì, ÷òî çàâîåâàë áðîíçîâóþ ìåäàëü Ìåæäóíàðîäíîãî êîíêóðñà ïèàíèñòîâ èìåíè Âàíà Êëèáåðíà 1985 ãîäà è ïîáåäèë â Ìåæäóíàðîäíîì êîíêóðñå ïèàíèñòîâ èìåíè Ï.È. ×àéêîâñêîãî 1986 ãîäà. Êñòàòè, íà êîíêóðñå ×àéêîâñêîãî îí ñòàë ïåðâûì èíîñòðàííûì ïèàíèñòîì-ïîáåäèòåëåì ñî âðåìåí Âàíà Êëèáåðíà, ñòàâøåãî ëó÷øèì â 1958 ãîäó.

Òåêñò è ôîòî Ñåðãåÿ Òàðàíåíêî Íåìíîãèå ïèàíèñòû èìåþò â ñâîåì àðñåíàëå íàãðàäû äâóõ ñàìûõ ïðåñòèæíåéøèõ ôîðòåïèàííûõ êîíêóðñîâ. Êîììåíòèðóÿ ñâîå ó÷àñòèå â äâóõ êîíêóðñàõ, Äóãëàñ ïðèçíàëñÿ: «Ýòî äâà î÷åíü ñåðüåçíûõ êîíêóðñà. Èõ ïðèíöèïèàëüíîå ðàçëè÷èå — â àòìîñôåðå. ß ó÷àñòâîâàë â êîíêóðñå èìåíè ×àéêîâñêîãî â 1986 ãîäó. Ýòî áûëî ñàìîå íà÷àëî ïåðåñòðîéêè, è Ãîðáà÷åâ òîëüêî îòêðûë ãðàíèöû ñòðàíû. Íî ýòîãî åùå íå îùóùàëîñü, áûëà íåêîòîðàÿ çàæàòîñòü â ëþäÿõ. Ïðè ýòîì â ÑØÀ, ãäå ÿ èãðàë íà êîíêóðñå â 85-ì, áûëî î÷åíü ñâîáîäíî. Îùóùåíèÿ è àíòóðàæ áûëè ïðÿìî ïðîòèâîïîëîæíûìè». Èðëàíäåö ïî íàöèîíàëüíîñòè, Áàððè Äóãëàñ âûðîñ è ïåðâûå óðîêè èãðû íà ôîðòåïèàíî ïîëó÷èë íà Èçóìðóäíîì îñòðîâå. Ïðàâäà, ïèàíèíî áûëî íå åäèí-

ñòâåííîé ñòðàñòüþ ìàëü÷èêà. Âåðíåå, êàêîå-òî âðåìÿ æåëàíèå ñòàòü âîäèòåëåì ãðóçîâèêà è, äîñòàâëÿÿ ãðóçû â ðàçëè÷íûå ñòðàíû, ïîñìîòðåòü ìèð, âûòåñíÿëî âñÿêóþ ìóçûêó. Íî, ïðàâäà, áëàãîäàðÿ òàëàíòëèâîìó ó÷èòåëþ Ôåëåñèòàñ Ëåâèíòåð (êîòîðàÿ, â ñâîþ î÷åðåäü, ó÷èëàñü ó Ýìèëÿ ôîí Çàóýðà, íåìåöêîãî ïèàíèñòà, â ïðîøëîì ó÷åíèêà ïðîñëàâëåííîãî Ôåðåíöà Ëèñòà), Äóãëàñ ïî-íàñòîÿùåìó âëþáèëñÿ â ôîðòåïèàíî è íà÷àë óñåðäíåå ïîñòèãàòü óðîêè èãðû íà ýòîì èíñòðóìåíòå. Åãî óñïåõè áûëè íàñòîëüêî î÷åâèäíûìè, ÷òî ó÷èòåëü ïðèçíàëàñü þíîìó ó÷åíèêó: «Áàððè, âû íàêîíåö-òî óëîâèëè äóõ èñïîëíåíèÿ ñàìîãî Ôåðåíöà Ëèñòà».  18 ëåò Áàððè ïîëó÷èë ñòèïåíäèþ äëÿ îáó÷åíèÿ â ëîíäîíñêîì Êîðîëåâñêîì ìóçûêàëüíîì êîëëåäæå (Royal College of Music), â êîòîðîì ñåãîäíÿ îí ïðåïîäàåò ôîðòåïèàíî.  Ïàðèæå ìóçûêàíò áðàë óðîêè ó ðóññêîãî ïèàíèñòà Åâãåíèÿ Ìàëèíèíà. Ôåíîìåíàëüíî áûñòðî òàëàíòëèâûé ìîëîäîé

÷åëîâåê ñäåëàë ìóçûêàëüíóþ êàðüåðó. Î åãî äîñòèæåíèÿõ ìîæíî ãîâîðèòü äîëãî, íî õîòåëîñü áû îñòàíîâèòüñÿ íà îäíîì èç ïîñëåäíèõ ïðîåêòîâ — çàïèñè äèñêà ñ ìóçûêàëüíûìè ïðîèçâåäåíèÿìè äëÿ ôîðòåïèàíî êîìïîçèòîðîâ Øóáåðòà è Áðàìñà (ïåðâûé äèñê ñ çàïèñüþ ìóçûêè Áðàìñà âûéäåò â ñâåò â 2016 ãîäó, çàïèñü ïðîèçâåäåíèé Øóáåðòà çàéìåò åùå 7 ëåò). Ïðîèçâåäåíèÿ èìåííî ýòèõ äâóõ êîìïîçèòîðîâ Äóãëàñ ïðåäñòàâèë íà ñâîåì êîíöåðòå â òåõàññêîì Ôîðò-Óýðòå. Ñåãîäíÿ ìíîãèå êðèòèêè íàçûâàþò Áàððè Äóãëàñà ñîâðåìåííûì Ôåðåíöåì Ëèñòîì — åãî òåõíèêà èñïîëíåíèÿ ïðàêòè÷åñêè áåçóïðå÷íà è êàæäûé åãî êîíöåðò — ýòî çàõâàòûâàþùåå øîó èç êëàññè÷åñêîé ìóçûêè. Ñ êàæäûì ãîäîì â ìèðå ïîÿâëÿåòñÿ âñå áîëüøå è áîëüøå ìîëîäûõ è òàëàíòëèâûõ ïèàíèñòîâ, íî Áàððè Äóãëàñà îò ìîëîäûõ òàëàíòîâ îòëè÷àåò îñîáûé ñòèëü èñïîëíåíèÿ è, êîíå÷íî æå, íàêîïëåííûé îïûò. Íåäàâíî Áàððè Äóãëàñ èãðàë â ðàçíûõ êèòàéñêèõ ðåãèî-

íàõ. Îí ïðèçíàåòñÿ: «ß ñëûøàë òàì ìíîãî 13-ëåòíèõ òàëàíòëèâûõ ïèàíèñòîâ,

Êøèøòîôà Ïåíäåðåöêîãî. Êàê íàñòîÿùèé èðëàíäåö, Äóãëàñ, êîíå÷íî æå, ìíîãî

îñòàåòñÿ ôîðòåïèàíî.  Òåõàñ Áàððè Äóãëàñ âåðíóëñÿ ñïóñòÿ 29 ëåò è âåðíóëñÿ ñ òðèóìôîì. È õîòÿ ñàìîãî Âàíà Êëèáåðíà óæå íåò â æèâûõ, íî ïî ñëîâàì Áàððè, äóõ åãî áëèçêîãî äðóãà áûë íà åãî êîíöåðòå â Bass Performance Hall. Òàêæå íà êîíöåðòå áûëî è íåìàëî íàøèõ ñîîòå÷åñòâåííèêîâ, êîòîðûå ïîìíÿò Áàððè Äóãëàñà åùå ñî âðåìåí êîíêóðñà èìåíè

Áàððè Äóãëàñ äàåò àâòîãðàô ãàçåòå The Dallas Telegraph êîòîðûå ïðàâèëüíî èãðàþò. Ïðåïîäàâàÿ âî âðåìÿ ñâîèõ ìàñòåð-êëàññîâ, ÿ ãîâîðþ ñòóäåíòàì, ÷òî òåõíèêà íàñòîÿùåãî ïèàíèñòà ñîñòîèò íå â òîì, ÷òîáû ïðàâèëüíî ñûãðàòü íîòû, íàñòîÿùèé ìóçûêàíò èãðàåò ìóçûêó, à íå íîòû... Íî ýòî ïðèäåò ñ îïûòîì». Íàðÿäó ñ Øóáåðòîì è Áðàìñîì, Áàððè Äóãëàñ ñ óäîâîëüñòâèåì èãðàåò ìóçûêó êîìïîçèòîðîâ-ñîâðåìåííèêîâ — àìåðèêàíöà Äæîíà Êîðèëüÿíî è ïîëÿêà

èñïîëíÿåò ìóçûêè èðëàíäñêèõ êîìïîçèòîðîâ — íå çðÿ îí ëþáèìåö Àíãëèéñêîé êîðîëåâû è ïðåçèäåíòà Èðëàíäèè, êîòîðûå ÿâëÿþòñÿ ïîêðîâèòåëÿìè åãî êàìåðíîãî îðêåñòðà «Èðëàíäñêàÿ êàìåðàòà». Êñòàòè, Áàððè ïîñòîÿííî âûñòóïàåò ñ êîíöåðòàìè, äèðèæèðóÿ ñâîåé «Èðëàíäñêîé êàìåðàòîé». Êðîìå ôîðòåïèàíî Áàððè Äóãëàñ òàêæå îñâîèë èãðó íà âèîëîí÷åëè è íà êëàðíåòå, íî ïåðâîé è ïîñëåäíåé ëþáîâüþ äëÿ íåãî âñå-òàêè

Ï.È. ×àéêîâñêîãî 1986 ãîäà. Íó, à Áàððè ñ óäîâîëüñòâèåì îñòàâèë àâòîãðàô íà ñâîåì ïîðòðåòå ñ àíîíñîì êîíöåðòà, îïóáëèêîâàííîì â ãàçåòå The Dallas Telegraph. Áàððè Äóãëàñ çíàåò è ëþáèò ðóññêîÿçû÷íîãî çðèòåëÿ — îí íåìàëî ãàñòðîëèðóåò ïî Ðîññèè è äàæå âîçâðàùàëñÿ íà ïðîñëàâëåííûé êîíêóðñ èìåíè ×àéêîâñêîãî â 2011 ãîäó â êà÷åñòâå ñóäüè. www.DallasTelegraph.com/56226 Russian www.DallasTelegraph.com/en/56226 English

ÎÁÐÀÇÎÂÀÍÈÅ

Ñ «Ñîëíûøêîì» è ëåòî áóäåò â ðàäîñòü!

6 èþíÿ âåñü ðîññèéñêèé ìèð ïðàçäíîâàë Ïóøêèíñêèé äåíü è äåíü ðóññêîãî ÿçûêà. Ñèìâîëè÷íî, ÷òî â ýòîò æå äåíü â äàëëàññêîì Sunshine International Learning Center — â äåòñêîì ñàäó, ãäå ðóññêèé ÿçûê îäèí èç âàæíûõ ïðåäìåòîâ — ïðîõîäèë âûïóñêíîé âå÷åð. Ìåæäó ïðî÷èì, óæå 12 ïî ñ÷åòó. Òåêñò The Dallas Telegraph. Êîëëàæ èç ôîòî Èðèíû Ëÿïìàí Òîðæåñòâåííàÿ öåðåìîíèÿ âûïóñêà âêëþ÷àëà â ñåáÿ ïåñåííî-òàíöåâàëüíîñòèõîòâîðíóþ ïðîãðàììó. Íó, à àïîôåîçîì ïðàçäíèêà

êðàñíî-ñèíèå àòëàñíûå ìàíòèè è ÷åðíûå øàïî÷êè-êîíôåäåðàòêè ñ êèñòî÷êàìè. Âñå ïîëó÷èëîñü òîðæåñòâåííî è òðîãàòåëüíî, è ðîäèòåëè íå ñäåðæèâàëè ñëåç. Òàêîãî ðåçóëüòàòà «áåç ñó÷êà è çàäîðèíêè» â âûñòóïëåíèÿõ äåòè

Âûïóñêíîé êëàññ 2014 ãîäà áûëî, êàê âñåãäà, âðó÷åíèå äèïëîìîâ þíûì âûïóñêíèêàì, îäåòûì â

ÏÓÍÊÒÛ ÐÀÑÏÐÎÑÒÐÀÍÅÍÈß THE DALLAS TELEGRAPH

äîñòèãëè áëàãîäàðÿ ñîòðóäíèêàì äåòñêîãî ñàäà, êîòîðûå íà÷àëè ïîäãîòîâ-

êó ê òîðæåñòâó, êàê ìèíèìóì çà ìåñÿö. Êàê è â ïðîøëîì ãîäó, 24 ðåáåíêà âûïóñòèëèñü èç «Ñîëíûøêà» â 2014, íî ýòî íå çíà÷èò, ÷òî îíè ñðàçó è íàâñåãäà ïîêèíóëè «ñâîé ëþáèìûé äåòñêèé ñàä». Ïî ñëîâàì âëàäåëèöû äåòñêîãî ñàäà «Ñîëíûøêî» Ìàðèíû Ëèïîâåöêîé: «Íàøè äåòêè óæå âåðíóëèñü ê íàì â ëåòíèé ëàãåðü. Êðîìå òîãî, îíè áóäóò âîçâðàùàòüñÿ ê íàì â êàíèêóëÿðíîå âðåìÿ, â ñóááîòíþþ øêîëó ðóññêîãî ÿçûêà». Ëåòíèé ëàãåðü «Ñîëíûøêà» èçâåñòåí ñâîåé íàñûùåííîé ðàçëè÷íûìè ðàçâëåêàòåëüíûìè ìåðîïðèÿòèÿìè ïðîãðàììîé íà ïðîòÿæåíèè âñåõ òðåõ ëåòíèõ ìåñÿöåâ. Äëÿ äåòåé äâóõ âîçðàñòíûõ ãðóïï — ñòàðøåé (äåòè îò 6-7 è äî 12 ëåò) è ìëàäøåé (äåòè îò 5 äî 6 ëåò) îðãàíèçàòîðû ïîñòîÿííî ïðîâîäÿò ôèëäòðèïû çà ïðåäåëû äåòñàäà — â áîóëèíã-êëóá, íà êàòîê è ò.ä. Íó, à îïûòíûå ïðåïîäàâàòåëè ïðîâîäÿò ðàçëè÷íûå ìàñòåð-êëàññû, âêëþ÷àÿ êóëèíàðíûé, â çäàíèè «Ñîëíûøêà». Âñå â ëàãåðå îò Sunshine International Learning Center óñòðîåíî òàê, ÷òîáû ó äåòåé áûëî ïîáîëüøå èãðîâîãî âðåìåíè, à ìèð îíè ïîçíàâàëè ïðè ïîìîùè âñå òîé æå èãðû.

Åùå â àïðåëå âñå ìåñòà â ëàãåðå áûëè âûêóïëåíû íà âåñü ïåðèîä ëåòíåãî îòäûõà, òàê ÷òî «Ñîëíûøêó» ïðèõîäèòñÿ ñ ñîæàëåíèåì îòêàçûâàòü òåì äåòêàì, ÷üè ðîäèòåëè òîëüêî ñåé÷àñ íà÷àëè îïðåäåëÿòüñÿ ñ ëåòíåé ïðîãðàììîé äëÿ ñâîèõ ÷àä. Ðîäèòåëè ñåãîäíÿøíèõ è â÷åðàøíèõ âûïóñêíèêîâ «Ñîëíûøêà» âûáèðàþò «ñîëíå÷íûé» äåòñêèé ëåòíèé ëàãåðü ïîòîìó, ÷òî àòìîñôåðà â íåì, ïî èõ ñëîâàì, òåïëåå, ÷åì â äðóãèõ ëàãåðÿõ. www.DallasTelegraph.com/56228 Russian www.DallasTelegraph.com/en/56228 English

ALLEN Russian School at Allen Montessori, 612 Pebblebrook Dr., Allen, TX 75002, Phone: (469) 667-0058.

Kids R Kids of East Allen, 611 E. Bethany Drive, Allen, TX 75002. Phone: (817) 991-0137.

ARLINGTON Taste of Europe, 1901 W. Pioneer Prkwy, Arlington, Texas 76013. Phone: (817) 275-5530.

Russian School in Arlington at Kids Lodge Academy, 2331 Webb Lynn Rd., Arlington, TX 76002.

Phone: (972) 489-7449.

CARROLLTON Russian Banya, 2515 E. Rosemeade Parkway # 401, Carrollton, TX 75007. Phone: (214) 483-5050.

DALLAS Midpark Towers Apartment, 8550 Midpark Rd., Dallas, TX 75240. Phone: (972) 231-7834.

St Seraphim Orthodox Church, 4112 Throckmorton St., Dallas, TX 75219. Phone: (214) 528-3741.

Capelli Salon, 19177 Preston Rd., Suite 155, Dallas, TX 75252. Pnone: (972) 250-4565.

Russian School of Dallas, 6039 Churchill Way, Dallas, TX 75230. Phone: (214) 354-7674.

DENTON Denton Ballet Academy, 637 Londonderry Ln., Denton, TX 76205. Phone: (940) 891-0830.

GARLAND Dallas Omni Care, 2222 Deer Meadow Dr., Garland, 75044. Phone: (972) 495-6000.

PLANO Sunshine International Learning Center, 5940 Alma Dr., Plano, TX 75023.

Phone: (469) 467-992.

Euro Deli Too, 6832, Coit Rd., # 300, Plano, TX 75023. Phone: (972) 312-0244.

Ïîäïèñêà íà ãàçåòó The Dallas Telegraph (Ïîæàëóéñòà, çàïîëíÿéòå íà àíãëèéñêîì ÿçûêå)

Ôàìèëèÿ Èìÿ Àäðåñ Òåëåôîí E-mail (äëÿ æåëàþùèõ ïîëó÷àòü íîâîñòè ðóññêîãî Äàëëàñà èëè The Dallas Telegraph iPad) Çàïîëíåííûé êóïîí âìåñòå ñ ÷åêîì, âûïèñàííûì íà ñóììó ïîäïèñêè, íà èìÿ ó÷ðåäèòåëÿ ãàçåòû Genesis Press âûøëèòå â àäðåñ ãàçåòû The Dallas Telegraph: P.O.Box 764973, Dallas, TX 75375

ÑÒÎÈÌÎÑÒÜ ÏÎÄÏÈÑÊÈ: ÍÀ 6 ÌÅÑßÖÅÂ (12 âûïóñêîâ)

$

25

ÍÀ 12 ÌÅÑßÖÅÂ (24 âûïóñêà)

$

48

Natalie Bakery & Pastry, 2001 Coit Rd., Suite 142, Plano, TX 75075.

Phone: (972) 964-4044.

The Villas of Mission Bend, 1201 Medical Av., Plano, TX 75075. Phone: (972) 867-2700.

Plano Community Homes West Campus, 3905-3925 American Dr., Plano, TX 75075.

Phone: (972) 867-1905.

Central Market, 320 Coit Rd. Plano, TX 75075. Phone: 469-241-8300.

Smiles By Morel, 5501 Independence Pkwy., Suite # 205, Plano, TX 75023.

Texas Rhythmic Academy, 2621 Summit Ave#300, Plano, TX 75074. Phone: (469) 583-2894.

RICHARDSON Family Discount Pharmacy, 970 N.Coit Rd., #2403, Richardson, TX 75080.

Phone: (972) 235-0444.

Euro Deli, 670 N. Coit # 2360, Richardson, TX 75080. Phone: (972) 234-8052.

A-Care Medical, 870 N. Coit Rd., #2660, Richardson, TX 75080. Òåë.: (972) 235-2459.

A-Care Chiropractic & Acupuncture Center, 870 N. Coit Rd., Ste. # 2651, Richardson, TX 75080. Òåë.: (972) 664-9089.

SOUTHLAKE Central Market, 1425 E Southlake Blvd., Southlake, TX 76092. Phone: (817) 310-5600.

THE COLONY St. Sophia Ukrainian Greek-Catholic Church, 5600 North Colony Boulevard, The Colony, TX 75056. Phone: (972) 370-4700

4À

ÐÓÑÑÊÀß ÀÌÅÐÈÊÀ

Friday, June 13, 2014

www.DallasTelegraph.com

Êðèçèñ â Óêðàèíå è ðîëü ðóññêîÿçû÷íûõ

ÑÌÈ â ðîññèéñêîé äèàñïîðå ÑØÀ Â ðóññêîãîâîðÿùåé îáùèíå â ÑØÀ ñóùåñòâóþò ïîëÿðíûå ìíåíèÿ î ñèòóàöèè â Óêðàèíå, à ýìîöèîíàëüíûå ðåàêöèè íà ïðîèñõîäÿùåå ïîðîé âûçûâàþò êîíôëèêòû ìåæäó áëèçêèìè äðóçüÿìè è äàæå ðîäñòâåííèêàìè. Îá ýòîì ðàññêàçàë íà ñîñòîÿâøåéñÿ â Ãàððèìàíîâñêîì èíñòèòóòå ïðè Êîëóìáèéñêîì óíèâåðñèòåòå â Íüþ-Éîðêå äèñêóññèè Èëüÿ Áàðàíèêàñ, àìåðèêàíñêèé êîððåñïîíäåíò ãàçåòû «Ìîñêîâñêîé êîìñîìîëåö» è ãëàâíûé ðåäàêòîð èçäàþùåãîñÿ «ÌÊ» â ÑØÀ åæåíåäåëüíèêà «Â Íîâîì ñâåòå».

ñÿ äåñÿòêè åæåíåäåëüíèêîâ, íî áîëüøèíñòâî èç íèõ ïåðåïå÷àòûâàþò ìàòåðèàëû èç ðàçëè÷íûõ ðîññèéñêèõ ïóáëèêàöèé, à îðèãèíàëüíûå ìàòåðèàëû, çà ð å ä ê è ì è ñ ê ë þ ÷ å í è åì, íåëüçÿ íàçâàòü «êà÷åñòâåííîé æóðíàëèñòèêîé». Ïðè

ýòîì, êàê ïîä÷åðêíóë Áàðàíèêàñ, ñïðîñ íà ïåðèîäèêó íà ðóññêîì ÿçûêå íå ðàñòåò, à êîëè÷åñòâî èçäàíèé ïðîäîëæàåò óâåëè÷èâàòüñÿ, ÷òî ñîçäàåò çàìêíóòûé êðóã: ðåêëàìà íà ýòîì ðûíêå ñòîèò íè÷òîæíî ìàëî, è ó èçäàíèé íåò ñðåäñòâ

Ìèõàèë Ãóòêèí, «Ãîëîñ Àìåðèêè» Äèñêóññèÿ î ðîëè ðóññêîÿçû÷íûõ ñðåäñòâ ìàññîâîé èíôîðìàöèè â æèçíè îáùèíû âûõîäöåâ èç áûâøåãî Ñîâåòñêîãî Ñîþçà â ÑØÀ áûëà çàïëàíèðîâàíà äàâíî è ïðèóðî÷åíà ê 35-ëåòèþ òðåòüåé âîëíû ýìèãðàöèè, îäíàêî ïðèîáðåëà îñîáóþ îñòðîòó è àêòóàëüíîñòü â ñâåòå ïîñëåäíèõ ñîáûòèé â Óêðàèíå. Áàðàíèêàñ àêöåíòèðîâàë âíèìàíèå íà ó÷àñòèâøåìñÿ èñïîëüçîâàíèè ïðîïàãàíäèñòñêèõ ïðèåìîâ ðîññèéñêèìè ÑÌÈ è çàÿâèë, ÷òî ðîññèéñêîå òåëåâèäåíèå «çîìáèðóåò» çðèòåëåé íå òîëüêî â ñàìîé Ðîññèè, íî è â ÑØÀ, ãäå ðîññèéñêèå òåëåêàíàëû äîñòóïíû â ðàçëè÷íûõ êàáåëüíûõ ñåòÿõ. Ñîñëàâøèñü íà ñâîé îïûò èíîñòðàííîãî êîððåñïîíäåíòà åùå â ñîâåòñêèõ ÑÌÈ, ãäå öåíçóðà ñóùåñòâîâàëà îôèöèàëüíî, Áàðàíèêàñ çàÿâèë, ÷òî «òàêîé ïðîïàãàíäû, êàê ñåé÷àñ, íèêîãäà íå áûëî». Ïðè ýòîì, êàê ñîîáùèëà, ññûëàÿñü íà èññëåäîâàíèå, ïðîâåäåííîå åâðåéñêîé îðãàíèçàöèåé UJA Federation of America åå ñîòðóäíèöà Äæåíèôåð Ðîçåíáåðã, îêîëî îäíîé òðåòè ðóññêîÿçû÷íûõ èììèãðàíòîâ â ÑØÀ íå ãîâîðÿò ïî-àíãëèéñêè, è, ñëåäîâàòåëüíî, ÷åðïàþò ëüâèíóþ

Àìåðèêàíñêèé êîððåñïîíäåíò ãàçåòû «Ìîñêîâñêîé êîìñîìîëåö» è ãëàâíûé ðåäàêòîð åæåíåäåëüíèêà «Â Íîâîì ñâåòå» Èëüÿ Áàðàíèêàñ ñ÷èòàåò, ÷òî ðîññèéñêîå òåëåâèäåíèå «çîìáèðóåò» çðèòåëåé íå òîëüêî â ñàìîé Ðîññèè, íî è â ÑØÀ äîëþ èíôîðìàöèè î ñîáûòèÿõ â ìèðå èç ðóññêîÿçû÷íûõ ÑÌÈ. ×ÒÎ ÒÀÊÎÅ ÐÓÑÑÊÎßÇÛ×ÍÛÅ ÑÌÈ Â ÀÌÅÐÈÊÅ? Ðóññêîÿçû÷íûå ÑÌÈ â ÑØÀ âñåãäà ñòàëêèâàëèñü

ñ ïðîáëåìàìè ôèíàíñèðîâàíèÿ. Äâà ãîäà íàçàä ïðåêðàòèëà ñâîå ñóùåñòâîâàíèå ñòàðåéøàÿ ðóññêàÿ ãàçåòà â Àìåðèêå «Íîâîå ðóññêîå ñëîâî», èãðàâøàÿ âàæíóþ ðîëü â æèçíè ïåðâîé è âòîðîé âîëí ýìèãðàöèè. Ñåãîäíÿ çäåñü èçäàþò-

íå òîëüêî íà ðàçâèòèå, íî è äëÿ òîãî, ÷òîáû ïëàòèòü íîðìàëüíûå ãîíîðàðû àâòîðàì.  ÑØÀ ðàáîòàþò íåñêîëüêî ðàäèîñòàíöèé, âåùàþùèõ íà ðóññêîì ÿçûêå, è òðè òåëåâèçèîííûõ êàíàëà, âûïóñêàþùèõ ñîáñòâåííûå íîâîñòíûå ïðîãðàììû. Íî åñëè ðàäèîñòàíöèè çàïîëíÿþò ýôèð ïî áîëüøåé ÷àñòè ñàìîñòîÿòåëüíî, ó òåëåêàíàëîâ òàêîé âîçìîæíîñòè íåò: ïðîèçâîäñòâî òåëåâèçèîííîãî êîíòåíòà ñòîèò áîëüøèõ äåíåã. Ïîýòîìó îðèãèíàëüíûå ïðîèçâåäåííûå ñâîèìè ñèëàìè ïðîãðàììû çàíèìàþò ëèøü ìàëóþ ÷àñòü ýôèðíîãî âðåìåíè, è çà÷àñòóþ óñòóïàþò åñëè íå ïî ñîäåðæàíèþ, òî ïî êà÷åñòâó îôîðìëåíèÿ, ïåðåäà÷àì ðîññèéñêèõ êàíàëîâ. Ïî ìíåíèþ ó÷àñòíèêîâ ôîðóìà â Êîëóìáèéñêîì óíèâåðñèòåòå, â ñèëó óïîìÿíóòûõ ïðè÷èí ðóññêîÿçû÷íûå ìåäèà â ÑØÀ, íå ÿâëÿþùèåñÿ ÷àñòüþ ïðîïàãàíäèñòêîé ìàøèíû è òåîðåòè÷åñêè èìåþùèå âîçìîæíîñòü îáúåêòèâíîãî îñâåùåíèÿ ñîáûòèé, ïîêà íå èìåþò äîñòàòî÷íîãî âëèÿíèÿ â ñâîåé äèàñïîðå. www.DallasTelegraph.com/56244 Russian www.DallasTelegraph.com/en/56244 English

Ñîîñíîâàòåëü Google Ñåðãåé Áðèí ïðèçíàë íåóäà÷íîé ñâîþ ðàáîòó íàä Google+ Lenta.ru Ñîîñíîâàòåëü êîìïàíèè Google Ñåðãåé Áðèí ïðèçíàëñÿ, ÷òî ðàáîòà íàä ïðîåêòîì ñîöèàëüíîé ñåòè Google+ áûëà äëÿ íåãî îøèáêîé. Îá ýòîì îí çàÿâèë íà êîíôåðåíöèè Code, êîòîðóþ ïðîâîäèò àâòîðèòåòíîå òåõíîëîãè÷åñêîå èçäàíèå Re/code. Ïî ñëîâàì Áðèíà, ðàáîòà íàä ñîöñåòüþ áûëà îøèáî÷íîé, ïîòîìó ÷òî ñàì îí — «íå î÷åíü ñîöèàëüíûé ÷åëîâåê» è «÷åëîâåê ñî ñòðàííîñòÿìè». Ñîîñíîâàòåëü Google ðàññêàçàë, ÷òî èñïîëüçîâàë Google+, ê ïðèìåðó, äëÿ ïîêàçà ôîòîãðàôèé ñâîèõ äåòåé ñåìüå. Îäíàêî ôîêóñ íà ýòîì ïðîåêòå ñ òî÷êè çðåíèÿ ëè÷íûõ ïðîôåññèîíàëüíûõ èíòåðåñîâ Áðèí ñ÷èòàåò íåóäà÷íûì. «Âîçìîæíî, ýòî áûëà ìîÿ îøèáêà — ðàáîòàòü ñ ÷åì-òî, íàïðÿìóþ ñâÿçàííûì ñ îáùåíèåì», — çàÿâèë îí. Áðèí âìåñòå ñ íûíåøíèì ãåíäèðåêòî-

ðîì êîìïàíèè Ëàððè Ïåéäæåì îñíîâàëè Google â 1998 ãîäó. Ñåé÷àñ îí çàíèìàåòñÿ èííîâàöèîííûìè ðàçðàáîòêàìè â ñåêðåòíîé ëàáîðàòîðèè Google X, ñðåäè ïðîåêòîâ êîòîðîé — «óìíûå» êîíòàêòíûå ëèíçû è î÷êè-êîìïüþòåð Google Glass. Íà êîíôåðåíöèè Ñode Áðèí àíîíñèðîâàë ïðîòîòèï àâòîìîáèëÿ-áåñïèëîòíèêà. Ñîöñåòü Google+ áûëà çàïóùåíà â èþíå 2011 ãîäà êàê êîíêóðåíò Facebook. Îíà íå ñìîãëà íàáðàòü ñòîëüêî æå ïîäïèñ÷èêîâ – åæåìåñÿ÷íàÿ àóäèòîðèÿ Google+ ñîñòàâëÿåò îêîëî 300 ìèëëèîíîâ ïîëüçîâàòåëåé ïî ñðàâíåíèþ ñ 1,28 ìèëëèàðäà ó Facebook. Êàê ñîîáùàëîñü ðàíåå, â àïðåëå ýòîãî ãîäà ïðîåêò ïîêèíóë åãî ãëàâíûé èäåîëîã, âèöåïðåçèäåíò Google Âèê Ãàíäîòðà. www.DallasTelegraph.com/56248 Russian www.DallasTelegraph.com/en/56248 English

 Íüþ-Éîðêå îòêðûëñÿ ìóçåé ðóññêîé èñòîðèè RUNYweb.com Âàæíîé âåõîé, ïîäòâåðæäàþùåé ðîññèéñêîå ïðèñóòñòâèå â èñòîðèè ÑØÀ, ñòàë îòêðûâøèéñÿ äëÿ øèðîêîé ïóáëèêè ìóçåé Ôîíäà ðóññêîé èñòîðèè â Äæîðäàíâèëëå (øòàò Íüþ-Éîðê), äåéñòâóþùèé íà òåððèòîðèè êðóïíåéøåãî è ñòàðåéøåãî Ñâÿòî-Òðîèöêîãî ìóæñêîãî ìîíàñòûðÿ ÐÏÖÇ â ÑØÀ. Åùå íåñêîëüêî äíåé òîìó ýòîò ìóçåé îòêðûâàë ñâîè äâåðè òîëüêî ïî ïðåäâàðèòåëüíîìó çàïðîñó ãðóïïîâûõ ýêñêóðñèé, òåïåðü

îí áóäåò ôóíêöèîíèðîâàòü íà ïîñòîÿííîé îñíîâå. Íà âåðíèñàæ íîâîé ýêñïîçèöèè, îõâàòûâàþùåé öåëûõ ÷åòûðå âåêà ðîññèéñêîé èñòîðèè, áûëè ïðèãëàøåíû ïðåäñòàâèòåëè ðîññèéñêîãî äâîðÿíñòâà, ïðîæèâàþùèå ñåé÷àñ â ÑØÀ, äèïëîìàòû, ìåöåíàòû è âîëîíòåðû, ñïîñîáñòâîâàâøèå îòêðûòèþ ìóçåÿ â íîâîì êà÷åñòâå. Âûñòàâêà íàçûâàåòñÿ The Russian Word and Image: Four Centuries of Book and Art. www.DallasTelegraph.com/56246 Russian www.DallasTelegraph.com/en/56246 English

5À

ÑÏÎÐÒ

Friday, June 13, 2014

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Âñå óåõàëè íà Ôóòáîë! èëè Êàðíàâàëüíûé êîëîðèò 20-ãî Ìóíäèàëÿ 12 èþíÿ â Ñàí-Ïàóëó, â ñàìîì êðóïíîì ãîðîäå Áðàçèëèè, ïðèíèìàþùåé ýòèì ëåòîì 20-é ×åìïèîíàò ìèðà ïî ôóòáîëó, ïðîøëà 25-ìèíóòíàÿ öåðåìîíèÿ îòêðûòèÿ ×åìïèîíàòà.  îñíîâó ïðàçäíèêà ëåãëè ìåñòíûå òàíöåâàëüíûå è ìóçûêàëüíûå òðàäèöèè ñòðàíû.  øîó áûëè çàäåéñòâîâàíû ïðèìåðíî 600 àðòèñòîâ — ãèìíàñòû, àêðîáàòû, òàíöîðû, êàïîýéðû, ïðûãóíû íà áàòóòàõ, àðòèñòû íà õîäóëÿõ è ìíîãèå äðóãèå. Òåêñò The Dallas Telegraph Ôîòî ìèðîâûõ ôîòîàãåíñòâ

Ñòèëèçîâàííûé ïîä ôóòáîëüíûé ìÿ÷ øàð, óñòàíîâëåííûé â ñàìîì ñåðäöå ïîëÿ, ñòàë öåíòðîì öåðåìîíèè. Ìóçûêàëüíûìè çâåçäàìè òîðæåñòâà ñòàëè ïîï-èñïîëíèòåëè èç ÑØÀ Äæåííèôåð Ëîïåñ è ðýïåð Ïèòáóëü, à òàêæå áðàçèëüÿíêà Êëàóäèà Ëåéòòå. Âòðîåì îíè ñïåëè êîìïîçèöèþ We Are The One, êîòîðàÿ ðàíåå áûëà ïðèçíàíà ãèìíîì âñåãî Ìóíäèàëÿ (îò èñïàíñêî-

òóðíèðà ñîñòàâëÿåò 576 ìèëëèîíîâ äîëëàðîâ. Ïðè ýòîì êîìàíäà-ïîáåäèòåëü ïîëó÷èò 35 ìèëëèîíîâ äîëëàðîâ, ñåðåáðÿíûé ïðèçåð — 25 ìèëëèîíîâ äîëëàðîâ,

ïîëå è ïîñòðîèëèñü â êðóã, à òðîå äåòåé çàïóñòèëè â íåáî òðåõ áåëûõ ãîëóáåé. Ñðàçó ïîñëå ýòîãî íà÷àëñÿ ôóòáîëüíûé ìàò÷ ìåæäó ñáîðíûìè Áðàçèëèè è Õîðâàòèè, êîòîðûé çàâåðøèëñÿ ïîáåäîé õîçÿåâ ôóòáîëüíîãî òóðíèðà ñî ñ÷åòîì 3:1. Ïåðâûì ãîëîì ×Ì-

Áîëåëüùèêè ïåðåä íà÷àëîì ìàò÷à îòêðûòèÿ ×åìïèîíàòà ìèðà ïî ôóòáîëó-2014 ìåæäó Áðàçèëèåé è Õîðâàòèåé íà ñòàäèîíå «Àðåíà Êîðèíòèàíñ» â Ñàí-Ïàóëó 12 èþíÿ 2014 ãîäà

Ôóòáîëüíûé ðîê-í-ðîëë Òåêñò Ñåðãåÿ Ïîïîâà

äëÿ ñáîðíîé Áîñíèè è Ãåðöåãîâèíû ïîäîáíûé ×åìïèîíàò ñòàë ïåðâûì, à ñáîðíàÿ Ðîññèè ïðèåõàëà íà ïåðâåíñòâî âïåðâûå ñ 2002 ãîäà. Ôóòáîëüíûå ìàò÷è ïðîõîäÿò íà 12 ñòàäèîíàõ, ïîñòðîåííûõ â 12 ðàçíûõ áðàçèëüñêèõ ãîðîäàõ. Ïðèçîâîé ôîíä ôóòáîëüíîãî

à êîìàíäà, çàíÿâøàÿ òðåòüå ìåñòî — 22 ìèëëèîíà äîëëàðîâ. Ìèëëèîíû áîëåëüùèêîâ ïðèåõàëè ïîáîëåòü çà ñâîè ñáîðíûå, ñðåäè íèõ è 20 òûñÿ÷ ðîññèÿí. www.DallasTelegraph.com/56204 Russian www.DallasTelegraph.com/en/56204 English

Ìîìåíòû öåðåìîíèè îòêðûòèÿ ×Ì-2014

ãî Copa Mundial de Futbol). Ïîñëåäíèì àêêîðäîì öåðåìîíèè îòêðûòèÿ ñòàë ñèìâîëè÷åñêèé æåñò, êîãäà ôóòáîëèñòû Áðàçèëèè è Õîðâàòèè âûøëè íà

2014 ñòàë àâòîãîë áðàçèëüöà Ìàðñåëî.

20-é ×åìïèîíàò ìèðà ïðîäëèòñÿ äî 13 èþëÿ.  ìèðîâîì ïðàçäíèêå ôóòáîëà ïðèíèìàþò ó÷àñòèå 32 êîìàíäû. Òàê,

Àìåðèêàíñêèé ðýïåð Pitbull, áðàçèëüñêàÿ ïîï-ïåâèöà Êëàóäèà Ëåéòè (ñïðàâà) è àìåðèêàíñêàÿ ïåâèöà Äæåííèôåð Ëîïåñ âûñòóïàþò íà öåðåìîíèè îòêðûòèÿ ×Ì-2014

Ñòðàíà, â êîòîðóþ òàê è íå ïîïàë Îñòàï Áåíäåð «Äîâîëüíî ïñèõîëîãè÷åñêèõ ýêñöåññîâ, äîâîëüíî ïåðåæèâàíèé è ñàìîêîïàíèÿ. Ïîðà íà÷èíàòü òðóäîâóþ áóðæóàçíóþ æèçíü.  Ðèîäå-Æàíåéðî!» (Îñòàï Áåíäåð) Ïî ìàòåðèàëàì îòêðûòûõ èñòî÷íèêîâ Áðàçèëèÿ — ñòðàíà-ìå÷òà. È ýòó ìå÷òó äåëàåò ðåàëüíîñòüþ 20-é ×åìïèîíàò ìèðà ïî ôóòáîëó. Ìíîãèå ñïîðòèâíûå òóðèñòû, ïðèåõàâøèå â Áðàçèëèþ, ñòîëêíóëèñü ñ ìåñòíûì êîëîðèòîì æèçíè. Íàïðèìåð, äëÿ àìåðèêàíöåâ âûãëÿäèò íåîáû÷íûì, ÷òî â Áðàçèëèè íèêòî íèêîãäà íå ïðèõîäèò âîâðåìÿ. Çäåñü ýòî ïðîñòî íå ïðèíÿòî. Íàïðèìåð, åñëè âû ïðèãëàñèëè ãîñòåé ê 17 ÷àñàì âå÷åðà, ìîæåòå îæèäàòü èõ íå ðàíüøå, ÷åì â 19, à òî è â 20 ÷àñîâ. Èíòåðåñíî, ÷òî â ñòðàíå êàðíàâàëîâ äàæå ëþáèìûå ñåðèàëû è íîâîñòíûå âûïóñêè íà÷èíàþòñÿ ñ îïîçäàíèåì â 15 ìèíóò. Áðàçèëüöû íàëè÷íûì äåíüãàì ïðåäïî÷èòàþò êðåäèòíûå êàðòû. Åñëè æå òóðèñòû âûáèðàþò «íàëè÷êó», ðåêîìåíäóåòñÿ áûòü îñîáåííî âíèìàòåëüíûìè — âûñîêà âåðîÿòíîñòü, ÷òî âû íå äîñ÷èòàåòåñü íåñêîëüêèõ öåíòàâîâ. Íà ïðîåçä äî ìåñòà ðàáîòû, ê ïðèìåðó, æèòåëè

Ñàí-Ïàóëó òðàòÿò ïî òðè÷åòûðå ÷àñà â äåíü. Íàõîæäåíèå â êèëîìåòðîâûõ ïðîáêàõ çäåñü — â ïîðÿäêå âåùåé. Âñå áðàçèëüöû ëþáÿò õîäèòü â òàê íàçûâàåìûõ øëåïêàõ «õàâàÿíàñ». Ïðè÷åì íàäåâàþò èõ äàæå â ðåñòîðàíû. Ñàìûå ïîïóëÿðíûå íàïèòêè â Áðàçèëèè — ýòî êîêà-êîëà è ãàçèðîâêà èç ÿãîä ãóàðàíû ïîä íàçâàíèåì Ãóàðàíà. Ñàìûìè ïîïóëÿðíûìè àëêîãîëüíûìè íàïèòêàìè ÿâëÿþòñÿ ïèâî è êàøàñó (âîäêà èç ñàõàðíîãî òðîñòíèêà). Êàê ïðàâèëî, áðàçèëüöû íå æàëóþòñÿ íà ñâîþ æèçíü è äàæå åñëè äåëà îáñòîÿò ñîâñåì íåâàæíî, íà âîïðîñ «Êàê äåëà?» â ñòðàíå ïðèíÿòî îòâå÷àòü, ÷òî «âñå îòëè÷íî». Íåêîòîðûå ñ÷èòàþò, ÷òî ïî óëèöàì Áðàçèëèè áåãàþò îáåçüÿíû. Ýòî òàêîé æå ìèô, êàê è òî, ÷òî ïî óëèöàì Ìîñêâû õîäÿò ìåäâåäè. Ïðàâäà, ãóëÿòü ïî áðàçèëüñêèì óëèöàì äîñòàòî÷íî íåáåçîïàñíî, îñîáåííî íî÷üþ.

Ó âñåõ áðàçèëüöåâ â äîìå åñòü äîìðàáîòíèöà — äëÿ óáîðêè äîìà è ïðèãîòîâëåíèÿ åäû.  äîìàõ íåò íè îáîåâ, íè êîâðîâ, çàòî â êâàðòèðàõ ó âñåõ ïî äâå èëè äàæå òðè âàííû. Áðàçèëüöû âîîáùå íå ïîíèìàþò, êàê ðóññêèå ëþäè ìîãóò æèòü ñ îäíîé âàííîé. ×òî êàñàåòñÿ áðàçèëüñêîé åäû, òî îíà äîâîëüíî îäíîîáðàçíàÿ — ðèñ, æàðåíàÿ ôàñîëü, êàðòîøêà. Ïðè÷åì, ÷àñòî ïîäàþò âñå òðè ãàðíèðà âìåñòå. Æàðåíóþ ãîâÿäèíó è ñàëàò, êàê ïðàâèëî, åäÿò äâàæäû â äåíü. Ñëàäîñòè â Áðàçèëèè íà ïîðÿäîê ñëàùå, åñëè ñðàâíèâàòü èõ, ñêàæåì, ñ ðîññèéñêèìè èëè àìåðèêàíñêèìè ñëàäîñòÿìè. Íà óëèöàõ â Áðàçèëèè ìíîãî áîìæåé è ïîïðîøàåê. Äàæå åñëè òû ìîëîäîé è òðóäîñïîñîáíûé áðàçèëåö — ïîïðîøàéíè÷àòü íå ñ÷èòàåòñÿ ïîñòûäíûì. Áðàçèëüöû î÷åíü îáùèòåëüíûé íàðîä è ðàçãîâàðèâàþò äðóã ñ äðóãîì ïî ïîâîäó è áåç ïîâîäà.  òî æå âðåìÿ íåëüçÿ ïîäîéòè íà óëèöå ê íåçíàêîìîé äåâóøêå ñ ïðåäëîæåíèåì ïîçíàêîìèòüñÿ. Âñå èìïîðòíûå òîâàðû â Áðàçèëèè ñòîÿò â äâà, à òî è â òðè ðàçà äîðîæå. Âñåìó âèíîé 70-100-ïðîöåíòíûé

ãîñóäàðñòâåííûé íàëîã, êîòîðûì îáëàãàþòñÿ èìïîðòíûå òîâàðû. Ïîðÿäêà 15 ïðîöåíòîâ áðàçèëüöåâ íåãðàìîòíû, è åùå ïðèìåðíî 30 ïðîöåíòîâ ÿâëÿþòñÿ ôóíêöèîíàëüíî íåãðàìîòíûìè, òî åñòü íå â ñèëàõ íàéòè íóæíóþ èíôîðìàöèþ â ïðî÷èòàííîì. Ê ñàìûì ëþáèìûì çàíÿòèÿì áðàçèëüöåâ ìîæíî îòíåñòè ïðîñìîòð ôóòáîëà ñ îãðîìíûì êîëè÷åñòâîì ïèâà, ïîåäàíèå øóõàñêî (áðàçèëüñêèé øàøëûê) è, êîíå÷íî æå, ïëÿæ, ãäå òîæå íå îáõîäÿòñÿ áåç ïèâà èëè êîêîñîâîé âîäû. Êñòàòè, ñåðèàëû è ôóòáîë â Áðàçèëèè íèêîãäà íå ïîêàçûâàþò â îäíî è òî æå âðåìÿ, ïîñêîëüêó è òî, è äðóãîå î÷åíü âàæíî äëÿ áðàçèëüöåâ è ÿâëÿåòñÿ íåîòúåìëåìîé ÷àñòüþ èõ áûòà. Áðàçèëüöû — íàñòîÿùèå ïàòðèîòû è îáîæàþò ñâîþ ñòðàíó. Ïðàêòè÷åñêè ó êàæäîãî áðàçèëüöà â øêàôó ëåæèò ôóòáîëêà ñ íàöèîíàëüíûì ôëàãîì. Ïîæàëóé, èìåííî áðàçèëüöû ÿâëÿþòñÿ îäíîé èç ñàìûõ ñ÷àñòëèâûõ íàöèé â ìèðå, äàæå íåñìîòðÿ íà âñå ïðîáëåìû ñ áåäíîñòüþ. www.DallasTelegraph.com/56206 Russian www.DallasTelegraph.com/en/56206 English

ÄÐÅÂÍßß ÀÐÃÅÍÒÈÍÀ Ñáîðíàÿ Àðãåíòèíû ñòàëà ñàìîé âîçðàñòíîé êîìàíäîé íà ×åìïèîíàòå ìèðà. Ñðåäíèé âîçðàñò ôóòáîëèñòîâ, ïîïàâøèõ â çàÿâêó «àëüáèñåëåñòå» — 28 ëåò è 336 äíåé. Ëþáîïûòíî, ÷òî â ÷èñëå èãðîêîâ, îòïðàâèâøèõñÿ â ñîñòàâå àðãåíòèíñêîé äåëåãàöèè â Áðàçèëèþ, íå îêàçàëîñü íè îäíîãî èãðîêà, ðîäèâøåãîñÿ â 1990-õ. Áîëåå òîãî, àáñîëþòíî âñÿ çàÿâêà ïðåäñòàâëÿåò ïîêîëåíèå 1980-õ. Îïûò íå ÿâëÿåòñÿ ïðåãðàäîé äëÿ äîñòèæåíèÿ óñïåõà. Íàïðèìåð, â 2006 ãîäó òðèóìôàòîð Ìóíäèàëÿ â Ãåðìàíèè — ñáîðíàÿ Èòàëèè — òàêæå áûëà ñàìîé «ñòàðîé» êîìàíäîé íà òóðíèðå, íî ýòî íå ïîìåøàëî åé äîáðàòüñÿ äî ôèíàëà è ïîáåäèòü. Íó à ñàìîé ìîëîäîé ñáîðíîé â Áðàçèëèè ñòàíåò íàöèîíàëüíàÿ êîìàíäà Ãàíû: ñðåäíèé âîçðàñò çàÿâêè ýòîé àôðèêàíñêîé êîìàíäû ñîñòàâëÿåò 25 ëåò è 224 äíÿ. ×óòü ñòàðøå åùå îäèí ïðåäñòàâèòåëü ×åðíîãî êîíòèíåíòà — ñáîðíàÿ Íèãåðèè (25 ëåò è 297 äíåé). Ðîññèéñêàÿ êîìàíäà çàíèìàåò ïî ýòîìó ïîêàçàòåëþ 10 ìåñòî: ñðåäíèé âîçðàñò èãðîêîâ ñîñòàâèë 27 ëåò è 357 äíåé. Ýòî ãîâîðèò î òîì, ÷òî òðåíåð êîìàíäû Ôàáèî Êàïåëëî ñåðüåçíî îáíîâèë ñîñòàâ ïî ñðàâíåíèþ ñ Åâðî-2012, êîãäà èìåííî ðîññèÿíå ñòàëè ñàìûìè âîçðàñòíûìè ó÷àñòíèêàìè êîíòèíåíòàëüíîãî ïåðâåíñòâà. «ÏÅÍÑÈÎÍÅл ÌÎÍÄÐÀÃÎÍ Ñàìûì ïîæèëûì ôóòáîëèñòîì ÷åìïèîíàòà ìèðà ñòàë ëåãåíäàðíûé ãîëêèïåð ñáîðíîé Êîëóìáèè Ôàðèä Ìîíäðàãîí, êîòîðûé ïðèíèìàë ó÷àñòèå åùå â ìóíäèàëå 1994 ãîäà â ÑØÀ. 21 èþíÿ Ìîíäðàãîíó èñïîëíèòñÿ 43 ãîäà. «ÂÅ×ÍÀß» ÁÐÀÇÈËÈß Äëÿ õîçÿéêè òóðíèðà, ñáîðíîé Áðàçèëèè, ýòîò ÷åìïèîíàò ñòàíåò 20 â èñòîðèè. «Ïåíòàêàìïåîíû» ÿâëÿþòñÿ åäèíñòâåííîé êîìàíäîé, êîòîðàÿ ïðèíèìàëà ó÷àñòèå âî âñåõ ìèðîâûõ ïåðâåíñòâàõ. Åé æå ïðèíàäëåæèò è áîëüøèíñòâî îñíîâíûõ ðåêîðäîâ: êîëè÷åñòâî âûèãðàííûõ ÷åìïèîíàòîâ (ïÿòü), íàèáîëüøåå êîëè÷åñòâî ïîïàäàíèé â ôèíàë (ïî ñåìü íàðàâíå ñ Ãåðìàíèåé), ÷èñëî âûèãðàííûõ ìàò÷åé (67), ñàìàÿ äëèííàÿ ñåðèÿ áåç ïîðàæåíèé (13 èãð â 1958–1966) è ïîáåäíàÿ ñåðèÿ (11 ìàò÷åé â 2002– 2006). ÁÅÇ ÄÂÓÕ ÃÎËΠËÓ×ØÈÉ — ÊËÎÇÅ Áðàçèëüöàì ïðèíàäëåæèò è åùå îäíî äîñòèæåíèå: ëåãåíäàðíûé ôîðâàðä «ñåëåñàî» Ðîíàëäî ñ 15 ãîëàìè ÿâëÿåòñÿ ëó÷øèì áîìáàðäèðîì ÷åìïèîíàòîâ ìèðà. Îäíàêî îáîéòè Çóáàñòèêà óæå â áëèæàéøåå âðåìÿ ìîæåò íàïàäàþùèé ñáîðíîé Ãåðìàíèè Ìèðîñ-

ëàâ Êëîçå, íà ñ÷åòó êîòîðîãî 14 ìÿ÷åé. ÑÒÀÂÊÈ ÍÀ ÁÐÀÇÈËÈÞ ÑÄÅËÀÍÛ Âñå áóêìåêåðñêèå êîíòîðû åäèíîäóøíî ñõîäÿòñÿ âî ìíåíèè, ÷òî Áðàçèëèÿ âûèãðàåò ÷åìïèîíàò ìèðà. Íàïðèìåð, êîíòîðà William Hill äàåò íà ïîáåäó õîçÿåâ òóðíèðà êîýôôèöèåíò 4,00. Ïîìèìî Áðàçèëèè, ïî ìíåíèþ áóêìåêåðîâ, õîðîøèå øàíñû íà ïîáåäó åñòü ó ñáîðíûõ Àðãåíòèíû (5,50) è Ãåðìàíèè (6,50). À âîò äåéñòâóþùèå ÷åìïèîíû ìèðà è Åâðîïû èñïàíöû èìåþò áîëåå íèçêèé êîýôôèöèåíò — 7,00. Íàèìåíüøèå øàíñû áóêìåêåðû îòäàþò íàöèîíàëüíîé êîìàíäå ÊîñòàÐèêè (2501,00), ïîñêîëüêó êîñòàðèêàíöû ïîïàëè â ãðóïïó ê Óðóãâàþ, Àíãëèè è Èòàëèè. ÑÊÐÛÒÍÎÑÒÜ ÐÎÑÑÈßÍ È ÀÑÊÅÒÈÇÌ ÌÅÊÑÈÊÀÍÖÅ Ñàìîé îáùèòåëüíîé êîìàíäîé ïî ïðàâó ìîæåò ñ÷èòàòüñÿ îïÿòü-òàêè ñáîðíàÿ Áðàçèëèè. Àáñîëþòíî âñå ôóòáîëèñòû ïîñïåøèëè ïåðåä ñòàðòîì ÷åìïèîíàòà ìèðà çàâåñòè àêêàóíòû â ñîöèàëüíûõ ñåòÿõ, à ñòðàíè÷êè ìíîãèõ ôóòáîëèñòîâ ïåíòàêàìïåîíîâ óæå äàâíî ÿâëÿþòñÿ î÷åíü ïîïóëÿðíûìè. Ýêñòðàâàãàíòíûé çàùèòíèê áðàçèëüöåâ Äàâèä Ëóèñ èìååò îáûêíîâåíèå âûêëàäûâàòü â «Èíñòàãðàì» ÷óòü ëè íå êàæäûé ñâîé øàã, à ñåëôè îñòàëüíûõ ÷ëåíîâ êîìàíäû íåìåäëåííî ñòàíîâÿòñÿ ïîïóëÿðíû ïî âñåìó ìèðó. À âîò ðóëåâîé ñáîðíîé Ðîññèè Ôàáèî Êàïåëëî, èçâåñòíûé ñâîåé ñòðîãîñòüþ è æåñòêèìè äèñöèïëèíàðíûìè òðåáîâàíèÿìè, âî âðåìÿ ÷åìïèîíàòà ìèðà â ÷èñëå ïðî÷åãî çàïðåòèë èãðîêàì ïîëüçîâàòüñÿ ñîöèàëüíûìè ñåòÿìè. Âïðî÷åì, Êàïåëëî — ýòî ñóùèé ëèáåðàë ïî ñðàâíåíèþ ñ íàñòàâíèêîì ñáîðíîé Ìåêñèêè Ìèãåëåì Ýððåðîé, êîòîðûé çàïðåòèë ñâîèì ôóòáîëèñòàì óïîòðåáëÿòü àëêîãîëü (âðÿä ëè ýòî ìîæíî è ó Êàïåëëî), à òàêæå çàíèìàòüñÿ ñåêñîì. ×ÈÑÒÎÊÐÎÂÍÀß ÐÎÑÑÈß Ñáîðíàÿ Ðîññèè ñòàëà åäèíñòâåííîé êîìàíäîé, â êîòîðîé íå îêàçàëîñü íàòóðàëèçîâàííûõ ôóòáîëèñòîâ. Âïðî÷åì, Ôàáèî Êàïåëëî â îäíîì èç íåäàâíèõ çàÿâëåíèé ïîä÷åðêíóë, ÷òî òàêæå íàìåðåí îáðàòèòüñÿ ê ýòîé ïðàêòèêå, òåì áîëåå ÷òî àáñîëþòíî âñå ñáîðíûå óñèëèâàþòñÿ òàêèì îáðàçîì.  ðîññèéñêîì îáùåñòâå ïîëÿðíî îòíîñÿòñÿ ê ýòîé ïðîáëåìå, ÷òî ïðîÿâèëîñü è ïîñëå Îëèìïèàäû â Ñî÷è, êîãäà äëÿ íåêîòîðûõ áîëåëüùèêîâ ñ÷àñòüå îò ïîáåäû ðîññèéñêîé êîìàíäû áûëî îìðà÷åíî îñîçíàíèåì òîãî, ÷òî ïîëîâèíó ìåäàëåé äëÿ íåå çàâîåâàëè íàòóðàëèçîâàííûå ñïîðòñìåíû. www.DallasTelegraph.com/56208 Russian www.DallasTelegraph.com/en/56208 English

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Ñ Î Á Û Ò È Å.

ÈÑÒÎÐÈß

Friday, June 13, 2014

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D-Day. Íà òîì æå ìåñòå â ïîñëåäíèé ðàç...  Íîðìàíäèè îòìåòèëè 70-ëåòèå âûñàäêè ñîþçíèêîâ. Ïî çàÿâëåíèþ îðãàíèçàòîðîâ, 70 ãîäîâùèíà, âåðîÿòíî, ïîñëåäíÿÿ, ãäå ñìîãëè ïðèñóòñòâîâàòü ó÷àñòíèêè è î÷åâèäöû âûñàäêè ñîþçíèêîâ. Òîðæåñòâåííûå ìåðîïðèÿòèÿ ïîñåòèëè ëèäåðû äâóõ äåñÿòêîâ ñòðàí. Òåêñò Âèêòîðèÿ Èâàíîâà, «Ðèà-Íîâîñòè» Ôîòî Getty Images «Ñàìûé äëèííûé äåíü» — èìåííî òàê íàçûâàåòñÿ äîêóìåíòàëüíûé ðîìàí Êîðíåëèóñà Ðàéýíà, â êîòîðîì ïîä îäíîé îáëîæêîé îêàçàëèñü ñîáðàíû ñâèäåòåëüñòâà 383 ó÷àñòíèêîâ êðóïíåéøåé â èñòîðèè äåñàíòíîé îïåðàöèè — âûñàäêè ñîþçíûõ âîéñê â Íîðìàíäèè, êîòîðàÿ íà÷àëàñü 6 èþíÿ 1944 ãîäà è ñòàëà îòïðàâíîé òî÷êîé äëÿ îòêðûòèÿ «âòîðîãî ôðîíòà». Ñåé÷àñ óæå ñëîæíî ñêàçàòü, ñêîëüêî ÷åëîâåê èç ÷èñëà òåõ, êòî äåëèëñÿ âîñïîìèíàíèÿìè ñ Ðàéýíîì, äîæèëè äî 70 ãîäîâùèíû âûñàäêè, íî ñðåäè ãîñòåé ïûøíûõ òîðæåñòâ ïðèñóòñòâîâàëè îêîëî òûñÿ÷è âåòåðàíîâ — ïîðÿäêà ñòà ôðàíöóçîâ è ïðèìåðíî 800 ÷åëîâåê èç-çà ðóáåæà, ïîëîâèíó èç êîòîðûõ ñîñòàâëÿþò ïðåäñòàâèòåëè Âåëèêîáðèòàíèè, ÷åòâåðòü — ÑØÀ. Êàê îòìåòèëè îðãàíèçàòîðû òîðæåñòâ, 70 ãîäîâùèíà, âåðîÿòíî, ïîñëåäíÿÿ, íà êîòîðîé ñìîãëè ïðèñóòñòâîâàòü ó÷àñòíèêè è î÷åâèäöû âûñàäêè ñîþçíèêîâ. Ôðàíöóçñêèå âëàñòè ñäåëàëè âñå âîçìîæíîå, ÷òîáû îáåñïå÷èòü êîìôîðò è áåçîïàñíîñòü âåòåðàíîâ — êàæäûé àâòîáóñ ñ ïîæèëûìè ëþäüìè ñîïðîâîæäàëà ìàøèíà ìåäèêîâ, à âî âðåìÿ îæèäàíèÿ ìèðîâûõ ëèäåðîâ â ìåñòå ïðîâåäåíèÿ ãëàâíîé — ìåæäóíàðîäíîé — öåðåìîíèè íàä ãîëîâàìè ñàìûõ ñòàðøèõ ãîñòåé äîáðîâîëüöû äåðæàëè çîíòèêè îò ñîëíöà. Ïðàçäíîâàíèå 70 ãîäîâùèíû âûñàäêè ïðîõîäèëî ïîä æàðêèì ñîëíöåì, áóäòî áû ñïåöèàëüíî âûãëÿíóâøèì èç-çà òó÷ ê òîðæåñòâó.  1944 ãîäó â ýòîò äåíü ïîãîäà áûëà íàñòðîåíà êóäà ìåíåå áëàãîñêëîííî — ñèëüíûé øòîðì, îáðóøèâøèéñÿ íà ïîáåðåæüå, âûíóäèë ãå-

íåðàëà Ýéçåíõàóýðà, êîìàíäóþùåãî ýêñïåäèöèîííûìè ñèëàìè, ïåðåíåñòè âûñàäêó, èçíà÷àëüíî çàïëàíèðîâàííóþ íà 5 èþíÿ, íà îäèí äåíü. ÂÑÅ ÔËÀÃÈ Â ÃÎÑÒÈ Ê ÍÀÌ Ïðàçäíè÷íûé äåíü íà÷àëñÿ â 9 óòðà â Êàíå ñ öåðåìîíèè ó ïàìÿòíèêà Ïîãèáøèì â áîÿõ íà íîðìàíäñêîì ïîáåðåæüå. Ïðè ó÷àñòèè ïðåçèäåíòà Ôðàíöèè áûëà îòêðûòà ñòåëëà ñ íàäïèñüþ: «Îêîëî 20 òûñÿ÷ ìóæ÷èí, æåíùèí è äåòåé ïîòåðÿëè ñâîè æèçíè ëåòîì 1944 ãîäà â Íîðìàíäèè â õîäå áîåâ çà îñâîáîæäåíèå Ôðàíöèè è Åâðîïû». Ïîñëå Êàíà Ôðàíñóà Îëëàíä îòïðàâèëñÿ íà êëàäáèùå ãîðîäà Êîëüâèëü-ñþðÌåð, ãäå áûëà çàïëàíèðîâàíà ôðàíêî-àìåðèêàíñêàÿ ïðàçäíè÷íàÿ öåðåìîíèÿ ñ ó÷àñòèåì ëèäåðà ÑØÀ Áàðàêà Îáàìû. Ïîñëåäíèé òàêæå ïîáåñåäîâàë ñ âåòåðàíàìè, ñðàæàâøèìèñÿ ïðîòèâ âîéñê Òðåòüåãî Ðåéõà, à òàêæå ñ íåñêîëüêèìè âîåííîñëóæàùèìè àìåðèêàíñêîé àðìèè, íåñóùèõ ñëóæáó â íàñòîÿùåå âðåìÿ. Åùå îäíà öåðåìîíèÿ, ó÷àñòèå â êîòîðîé ïðèíÿëè ïðåìüåð-ìèíèñòðû Ôðàíöèè è Âåëèêîáðèòàíèè — Ìàíóýëü Âàëüñ è Äýâèä Êýìåðîí — ïðîøëà â ãîðîäå Áàéå, ãäå ðàñïîëàãàåòñÿ ñàìîå áîëüøîå áðèòàíñêîå êëàäáèùå âðåìåí Âòîðîé Ìèðîâîé âîéíû âî Ôðàíöèè. Èç 4648 ìîãèë, ðàñïîëîæåííûõ íà êëàäáèùå, 3935 õðàíÿò â ñåáå ïðàõ áðèòàíñêèõ âîåííîñëóæàùèõ.  îáåä â çàìêå Áåíóâèëü ñîñòîÿëñÿ òîðæåñòâåííûé ïðèåì, êîòîðûé äàâàë ãëàâà Ïÿòîé Ðåñïóáëèêè äëÿ ñâîèõ êîëëåã.  Áåíóâèëå ñîáðàëèñü: êîðîëåâà Âåëèêîáðèòàíèè Åëèçàâåòà Âòîðàÿ, êîðîëåâà Äàíèè Ìàðãðåòå Âòîðàÿ, êîðîëü Íîðâåãèè Õàðàëüä Ïÿòûé, âåëèêèé ãåðöîã Ëþêñåìáóð-

ãà Àíðè, ïðåçèäåíò Ñëîâàêèè Èâàí Ãàøïàðîâè÷, ïðåçèäåíò Ãðåöèè Êàðëîñ Ïàïóëüÿñ, êíÿçü Ìîíàêî Àëüáåðò Âòîðîé, ïðåçèäåíò

Íîðìàíäèþ è îòäàëè äàíü ïàìÿòè æèâûì. ×ÅÐÅÇ ÏÐÈÇÌÓ ÂÐÅÌÅÍÈ Ïîñëå îáåäà âûñîêîïîñòàâëåííûå ãîñòè è ïðîñòûå ìåñòíûå æèòåëè, ïîëó÷èâøèå ïðèãëàøåíèå, ñòàëè ñòåêàòüñÿ â ãîðîäîê Óèñòðåàì, ãäå äîëæíà áûëà ñîñòîÿòüñÿ

ðàñïîëîæèëñÿ ïðîñòîðíûé øàòåð, ïîä êóïîëîì êîòîðîãî ðàáîòàëè áîëåå òûñÿ÷è ïðèåõàâøèõ ñ ðàçíûõ êîíöîâ ñâåòà æóðíàëèñòîâ. Ëèäåðû ñòðàí ïðèáûâàëè ê ñöåíå ïî îäíîìó, â ïîðÿäêå, óñòàíîâëåííîì ïðîòîêîëîì. Êàæäîãî ãîñòÿ âñòðå÷àëè âîåííûå ìàðøè â èñïîëíåíèè âîåííîãî îðêåñòðà,

Òåàòðàëèçîâàííîå ïðåäñòàâëåíèå âî âðåìÿ ïðàçäíîâàíèÿ 70-ëåòèÿ âûñàäêè âîéñê ñîþçíèêîâ â Íîðìàíäèè. Íà ýêðàíå — âåòåðàíû, æèâûå ñâèäåòåëè òåõ ñîáûòèé Èòàëèè Äæîðäæî Íàïîëèòàíî, ïðåçèäåíò ÑØÀ Áàðàê Îáàìà, ïðåçèäåíò Ïîëüøè Áðîíèñëàâ Êîìîðîâñêèé è ãåíåðàë-ãóáåðíàòîð Íîâîé Çåëàíäèè Äæåððè Ìàòîïàðàå. Êîìïàíèþ èì çà ïðàçäíè÷íûì ñòîëîì ñîñòàâèëè âûñîêîïîñòàâëåííûå ãîñòè è èõ ñóïðóãè, â òîì ÷èñëå êàíöëåð ÔÐà Àíãåëà Ìåðêåëü, ïðåäñåäàòåëü Åâðîñîâåòà Õåðìàí âàí Ðîìïåé, ïðåìüåð-ìèíèñòð Âåëèêîáðèòàíèè Äýâèä Êýìåðîí è ïðåçèäåíò Óêðàèíû Ïåòð Ïîðîøåíêî. Âå÷åðîì ñîñòîÿëèñü åùå äâå öåðåìîíèè, ôðàíêîïîëüñêàÿ è ôðàíêî-êàíàäñêàÿ. Îíè ïðîøëè, ñîîòâåòñòâåííî, íà êëàäáèùå â ãîðîäå Óðâèëü è ó êàíàäñêîãî ìåìîðèàëà íà Ïëÿæå Äæóíî.  õîäå èõ ëèäåðû ñòðàí ïî÷òèëè ïàâøèõ â áîÿõ çà

ìåæäóíàðîäíàÿ òîðæåñòâåííàÿ öåðåìîíèÿ. Ïëÿæ «Ðèâà Áåëëà» â Óèñòðåàìå, ïîëó÷èâøèé â 1944 êîäîâîå íàçâàíèå Sword Beach, ÿâëÿëñÿ îäíèì èç ó÷àñòêîâ âûñàäêè ïî÷òè 29 òûñÿ÷ áðèòàíñêèõ âîåííîñëóæàùèõ, êîòîðûå ñòîëêíóëèñü ñ îáîðîíîé ïðîòèâíèêà è ê êîíöó «Äíÿ Ä» ïîòåðÿëè çäåñü 630 ÷åëîâåê óáèòûìè è ðàíåíûìè. Íà ïëÿæå, â íåñêîëüêèõ äåñÿòêàõ ìåòðîâ îò êðîìêè âîäû ðàñïîëîæèëàñü áîëüøàÿ ñöåíà, îêðóæåííàÿ òðèáóíàìè. Îáùàÿ âìåñòèìîñòü òðèáóí ñîñòàâèëà îêîëî ñåìè òûñÿ÷, ïðè÷åì òðè òûñÿ÷è ìåñò áûëè îòâåäåíû äëÿ âåòåðàíîâ è èõ ñîïðîâîæäàþùèõ — êàæäûé ïðèãëàøåííûé î÷åâèäåö èëè ó÷àñòíèê ñîáûòèé ìîã ïðèéòè âìåñòå ñ äâóìÿ ñïóòíèêàìè. Íåïîäàëåêó îò ñöåíû

à äî ìåñò íà òðèáóíàõ èõ ïðîâîæàëè ôðàíöóçñêèå øêîëüíèêè. Ïîñëåäíåé íà öåðåìîíèþ â Óèñòðåàì ïðèáûëà êîðîëåâà Âåëèêîáðèòàíèè Åëèçàâåòà Âòîðàÿ.  îòëè÷èå îò äðóãèõ àâòîìîáèëåé, «Ðåíî» êîðîëåâû ïðèåõàë ïðàêòè÷åñêè ê ñàìîìó âõîäó íà òðèáóíó, è âñêîðå ïîñëå òîãî, êàê êîðîëåâà çàíÿëà ñâîå ìåñòî â ïàðòåðå, ïðàçäíèê, ñ îïîçäàíèåì ïî÷òè íà ÷àñ, íà÷àëñÿ. Îí íà÷àëñÿ ñ ïðîäîëæèòåëüíîé ðå÷è ïðåçèäåíòà Îëëàíäà, êîòîðûé ïðèçâàë âñåõ ïî÷òèòü ïàìÿòü ñðàæàâøèõñÿ çà ñâîáîäó Ôðàíöèè è âñåãî ìèðà, òåõ, êòî ïîãèá â õîäå ñðàæåíèé â Íîðìàíäèè è òåõ, êòî ÿâëÿëñÿ ó÷àñòíèêîì ñîáûòèé ëåòà 1944 ãîäà è ñìîã ïðèåõàòü íà ïðàçäíèê 70 ëåò ñïóñòÿ.

Ôðàíöóçñêèé ãëàâà ãîñóäàðñòâà ïîæåëàë âåòåðàíàì âíîâü âñòðåòèòüñÿ íà ôðàíöóçñêîì ïîáåðåæüå ñïóñòÿ 30 ëåò — êîãäà áóäåò îòìå÷àòüñÿ 100-ëåòèå âûñàäêè äåñàíòà. Íåñìîòðÿ íà òî, ÷òî ñîâåòñêèå âîéñêà â õîäå ïðàçäíîâàíèé óïîìèíàëèñü íå òàê ÷àñòî, Îëëàíä ïîáëàãîäàðèë Êðàñíóþ Àðìèþ çà ìóæåñòâî è ðåøèòåëüíîñòü â áîðüáå ñ íåìåöêî-ôàøèñòñêèìè çàõâàò÷èêàìè. Çà âûñòóïëåíèåì Îëëàíäà ïîñëåäîâàëî òåàòðàëèçîâàííîå ïðåäñòàâëåíèå â ÷åòûðåõ ÷àñòÿõ, ñëóæèâøåå îäíîé èç ãëàâíûõ èíòðèã äíÿ. Ìàñøòàáíàÿ ïîñòàíîâêà, ó÷àñòèå â êîòîðîé ïðèíèìàëè îêîëî 650 àêòåðîâ, ñîñòîÿëà èç íåñêîëüêèõ ÷àñòåé, ñîïðîâîæäàâøèõñÿ ïîÿâëåíèåì ÿçûêîâ ïëàìåíè íåïîñðåäñòâåííî èç ïåñêà íà ïëÿæå è òðàíñëèðîâàâøèìèñÿ íà ýêðàíàõ êàäðàìè âèäåîõðîíèêè îá èñòîðèè îòêðûòèÿ «âòîðîãî ôðîíòà», î ïîäãîòîâêå è ïðîâåäåíèè äåñàíòà, î áîðüáå ïðîòèâ ôàøèñòñêîé Ãåðìàíèè è îá èñòîðèè Åâðîñîþçà. Íà êðóãëîé ñöåíå ïåðåä ýêðàíàìè â ýòî æå âðåìÿ àêòåðû äåìîíñòðèðîâàëè ñâîåîáðàçíûå òàíöû, ñèìâîëèçèðóþùèå òîò èëè èíîé îòðåçîê èñòîðèè. Ïàðàøþòèñòû, îáåùàííûå îðãàíèçàòîðàìè, òàê è íå ñïóñòèëèñü íà ïëÿæ Óèñòðåàìà, à äîëãîæäàííûé ïîêàç ïèëîòàæíîé ãðóïïû Patrouille de France îãðàíè÷èëñÿ äâóìÿ ïðîëåòàìè íàä òðèáóíàìè è âûïóñêîì äûìà â öâåòàõ ôðàíöóçñêîãî òðèêîëîðà. Ñóäÿ ïî ëèöàì âåòåðàíîâ è ïî ðàçãîâîðàì ïîñëå öåðåìîíèè, äåìîíñòðàöèÿ â ñîâðåìåííîì ñòèëå — ýòî íå òî, ÷åãî æäàëè ñîáðàâøèåñÿ. Îäíèì èç ñàìûõ çðåëèùíûõ ìîìåíòîâ ïðàçäíîâàíèÿ ñòàë äíåâíîé ñàëþò, çàâåðøèâøèé ïðàçäíèê — ïîáåðåæüå çàòÿíóë öâåòíîé äûì. www.DallasTelegraph.com/56215 Russian www.DallasTelegraph.com/en/56215 English

Îïåðàöèÿ «Íåïòóí»: èñòîðèÿ, îæèâøàÿ â ôîòîãðàôèÿõ Îïåðàöèÿ «Íåïòóí» (îäíà èç ôàç îïåðàöèè «Îâåðëîðä», çàêëþ÷àëàñü â ôîðñèðîâàíèè Ëà-Ìàíøà), áîëåå èçâåñòíàÿ êàê «Âûñàäêà ñîþçíèêîâ â Íîðìàíäèè», ñ÷èòàåòñÿ ñàìîé êðóïíîé äåñàíòíîé îïåðàöèåé â èñòîðèè (îñíîâíàÿ ìàññà äåñàíòà ñîñòîÿëà èç àíãëèéñêèõ, àìåðèêàíñêèõ è êàíàäñêèõ ñîëäàò). Òåêñò èç îòêðûòûõ èñòî÷íèêîâ. Ôîòî Ïèòåð Ìàêäýðìèä (Peter Macdiarmid) Îíà ñîñòîÿëà èç äâóõ ÷àñòåé: âûñàäêà âîçäóøíîãî äåñàíòà (24 òûñÿ÷è äåñàíòíèêîâ) â íî÷ü ïåðåä ìîðñêèì äåñàíòîì è âûñàäêà ìîðñêîãî äåñàíòà (156 òûñÿ÷ ÷åëîâåê ïðè ïîääåðæêå åùå 196 òûñÿ÷

ìîðÿêîâ) 6 èþíÿ 1944 ãîäà. Ñóõîïóòíûìè âîéñêàìè â òå÷åíèè îïåðàöèè êîìàíäîâàëè Ä. Ýéçåíõàóýð è Á. Ìîíãîìåðè. Öåëü îïåðàöèè — ñîçäàòü ïëàöäàðì äëÿ ïåðåáðîñêè îñíîâíîãî êîíòèíãåíòà àíãëî-àìåðèêàíñêèõ âîéñê â çàïàäíóþ Åâðîïó. Ôîòîãðàô Ïèòåð Ìàêäýðìèä ñäåëàë ñåðèþ ñíèìêîâ, ïîêàçûâàþùèõ, êàê

âûãëÿäÿò ñåãîäíÿ òå æå ìåñòà ñ àðõèâíûõ ôîòîãðàôèé Ôðàíöèè è Àíãëèè, ñíÿòûõ â èþíå 1944 ãîäà äî è ïîñëå âûñàäêè ñîþçíè÷åñêèõ âîéñê â «Äåíü Ä» (îí ñîâìåñòèë ñòàðûå ôîòîãðàôèè âûñàäêè äåñàíòà ñ ñîâðåìåííûìè). www.DallasTelegraph.com/56217 Russian www.DallasTelegraph.com/en/56217 English

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Âûñàäêà íà ïëÿæ Îìàõà

Æèòåëè Ñåíò-Ìåð-Ýãëèçà ïðèâåòñòâóþò êîëîííó ôðàíöóçñêèõ ñîëäàò

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Friday, June 13, 2014

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ÑÀËÎÍ ÊÐÀÑÎÒÛ ÎÒ ÀÍÍÛ ÔÅÐÌÀÍÎÂÎÉ

Òîíêèå âîëîñû: Ñ ïðèðîäîé ìîæíî ïîñïîðèòü Òîíêèå âîëîñû ìîãóò êàçàòüñÿ íàñòîÿùåé ïðîáëåìîé äëÿ íåêîòîðûõ ïðåäñòàâèòåëüíèö ïðåêðàñíîãî ïîëà — èõ íåâîçìîæíî ñäåëàòü òîëùå, îíè áûñòðî ñòàíîâÿòñÿ æèðíûìè. Åñëè òîíêèå âîëîñû äàíû âàì îò ïðèðîäû, òî íóæíî ñìèðèòüñÿ ñ ýòèì è íå ìó÷èòü ñåáÿ íàðàùåííûìè èëè èñêóññòâåííûìè ïðÿäÿìè èëè çàñòàâëÿòü ìóæà êàæäûé âå÷åð ëèöåçðåòü âàñ â îãðîìíûõ áèãóäè. Ïðîñòî ïîñòàðàéòåñü ñäåëàòü òàê, ÷òîáû âàøè âîëîñû âûãëÿäåëè ìàêñèìàëüíî õîðîøî ïðè ìèíèìàëüíûõ óñèëèÿõ ñ âàøåé ñòîðîíû. Òåêñò Àííû Ôåðìàíîâîé, êðåàòèâíîãî äèðåêòîðà Capelli Salon. Ôîòî èç àðõèâà ðåäàêöèè

ÏÐÀÂÈËÎ 1: ×ÀÙÅ ÌÎÉÒÅ ÃÎËÎÂÓ Òîíêèå âîëîñû â îäíî ìãíîâåíèå «îïàäàþò», êàê òîëüêî íà íèõ íà÷èíàþò íàêàïëèâàòüñÿ çàãðÿçíåíèÿ. Èìåííî ïîýòîìó òàêîìó òèïó ïîêàçàíî ÷àñòîå ìûòüå. Òîëüêî íå ïåðåñòàðàéòåñü: âîëîñàì ïîëåçåí çàùèòíûé ñåáóì, êîòîðûé âûäåëÿåò êîæà ãîëîâû. ÏÐÀÂÈËÎ 2: ÍÅ ÍÀÍÎÑÈÒÅ ÊÎÍÄÈÖÈÎÍÅÐ ÍÀ ÊÎÐÍÈ ÂÎËÎÑ Êàê ïðàâèëî, êîíäèöèîíåðû ïðèçâàíû óëó÷øàòü ñòðóêòóðó âîëîñ, ðàçãëàæèâàÿ èõ êóòèêóëû. Íî ìàñëà è ñèëèêîíû â ñîñòàâå çàñòàâëÿþò ïðè÷åñêó òåðÿòü îáúåì, ïîýòîìó íàíîñèòå ñðåäñòâî òîëüêî íà êîí÷èêè âîëîñ.

ÏÐÀÂÈËÎ 3: ÍÅ ÑÏÈÒÅ Ñ ÌÎÊÐÛÌÈ ÂÎËÎÑÀÌÈ Ìîêðûå âîëîñû ê óòðó ïîòåðÿþò ïûøíîñòü è ê òîìó æå ìîãóò çàïóòàòüñÿ. Ñîáèðàÿñü ñ óòðà íà ðàáîòó, âû ïîòðàòèòå ãîðàçäî áîëüøå âðåìåíè, ÷åì îáû÷íî, ïûòàÿñü èõ ðàñ÷åñàòü. Ñîâåò çàïëåòàòü êîñû, ÷òîáû ñ óòðà ïîëó÷èòü âîëíèñòûå ëîêîíû, òîæå ìîæåò ñûãðàòü çëóþ øóòêó ñ îáëàäàòåëüíèöàìè òîíêèõ âîëîñ. ÏÐÀÂÈËÎ 4: ÏÐÅÆÄÅ, ×ÅÌ ÂÛÉÒÈ ÍÀ ÓËÈÖÓ, ÏÎËÍÎÑÒÜÞ ÏÐÎÑÓØÈÒÅ ÂÎËÎÑÛ Åñëè âû âûéäåòå èç äîìà äàæå ñî ñëåãêà âëàæíûìè âîëîñàìè, âåëèêà âåðîÿòíîñòü, ÷òî âû íå òîëüêî äîáåðåòåñü äî ìåñòà íàçíà÷åíèÿ ñ ñîâåðøåííî áåçæèçíåííîé óêëàäêîé, íî è ïðîñòóäèòåñü, åñëè äåëî ïðîèñõîäèò â ïðîõëàäíîå âðåìÿ ãîäà. ÏÐÀÂÈËÎ 5: ÍÅ ÏÅÐÅÁÀÐÙÈÂÀÉÒÅ

ÏÐÀÂÈËÎ 10: ÎÒÊÀÆÈÒÅÑÜ ÎÒ ×ÅËÊÈ Åñòü äåâóøêè, êîòîðûì íåâåðîÿòíî ê ëèöó î÷àðîâàòåëüíûå ÷åëêè íà íåãóñòûõ âîëîñàõ, îäíàêî øàíñû îêàçàòüñÿ â èõ ÷èñëå ó áîëüøèíñòâà èç íàñ íåâåëèêè. Åñëè ó âàñ è òàê íåìíîãî âîëîñ, òî îáðåçàòü ÷àñòü èç íèõ, ÷òîáû ñäåëàòü ÷åëêó, — íå ñàìîå ïðàâèëüíîå ðåøåíèå.

ÑÎ ÑÐÅÄÑÒÂÀÌÈ ÑÒÀÉËÈÍÃÀ Âû ìîæåòå ýêñïåðèìåíòèðîâàòü ñî ñðåäñòâàìè äëÿ ñîçäàíèÿ âîëí è êóäðåé, òîëüêî åñëè ó âàñ èçíà÷àëüíî õîòÿ áû íåìíîãî âüþùèåñÿ âîëîñû. Äëÿ àáñîëþòíî ãëàäêèõ âîëîñ îò òàêèõ ïðîäóêòîâ, óâû, ìàëî òîëêà. ÏÐÀÂÈËÎ 6: ÑÓØÈÒÅ ÂÎËÎÑÛ ÔÅÍÎÌ, ÍÀÊËÎÍÈ ÃÎËÎÂÓ ÂÍÈÇ Ýòîò íåõèòðûé òðþê ïðèäàñò ïðè÷åñêå ïûøíîñòü.  ñî÷åòàíèè ñî ñðåäñòâîì äëÿ îáúåìà ëåãêîé òåêñòóðû — ýôôåêò áóäåò îòëè÷íûé. ÏÐÀÂÈËÎ 7: ÏÎÏÐÎÁÓÉÒÅ ÑÐÅÄÑÒÂÀ ÑÒÀÉËÈÍÃÀ Ñ ÌÎÐÑÊÎÉ ÂÎÄÎÉ Òàêèå åñòü êàê ó ïðîôåññèîíàëüíûõ áðåíäîâ, òàê è â ìàññ-ìàðêåòå. Ïîäîáíûé ñïðåé ìîæíî ïîïûòàòüñÿ ñäåëàòü è â äîìàøíèõ óñëîâèÿõ.

Òîíêèå âîëîñû — ýòî íå íàêàçàíèå Ñìåøàéòå â ïóñòîì ïóëüâåðèçàòîðå ñòàêàí âîäû, ÷àéíóþ ëîæêó ãåëÿ äëÿ óêëàäêè, ÷àéíóþ ëîæêó ìåëêîé ìîðñêîé ñîëè è ïîëîâèíó ÷àéíîé ëîæêè êîíäèöèîíåðà. Ãîòîâî! ÏÐÀÂÈËÎ 8: ÎÒÊÀÆÈÒÅÑÜ ÎÒ ÏËÀÑÒÈÊÎÂÛÕ ÐÀÑ×ÅÑÎÊ Îíè ýëåêòðèçóþò òîíêèå âîëîñû, è îò ýòîãî îíè áóäóò âûãëÿäåòü åùå õóæå. Ãîðàçäî ëó÷øå èñïîëüçîâàòü

äåðåâÿííûå ðàñ÷åñêè èëè ùåòêè èç íàòóðàëüíîé ùåòèíû. ÏÐÀÂÈËÎ 9: ÍÅ ÏÐÅÍÅÁÐÅÃÀÉÒÅ ËÀÊÎÌ ÄËß ÂÎËÎÑ Åñëè ó âàñ ñëèøêîì ïðÿìûå è ãëàäêèå âîëîñû, òî, âîçìîæíî, ýòî âàø åäèíñòâåííûé øàíñ ïðîäëèòü æèçíü ïðàçäíè÷íîé ïðè÷åñêå. Òàêæå ìîæíî ïîïðîñèòü âàøåãî ïàðèêìàõåðà ñäåëàòü íåñèëüíûé íà÷åñ.

ÏÐÀÂÈËÎ 11: ÍÅ ÑÐÀÆÀÉÒÅÑÜ ÑÎ ÑÂÎÅÉ ÏÐÈ×ÅÑÊÎÉ Âàøè âîëîñû ÷àñòî ê ñåðåäèíå äíÿ âûãëÿäÿò ãðÿçíûìè è áåçæèçíåííûìè, à äîáðàòüñÿ äî äóøà íåò íèêàêîé âîçìîæíîñòè? Îñâîéòå ïëåòåíèå ïðîñòûõ, íî ýôôåêòíî âûãëÿäÿùèõ êîñ è ïó÷êîâ. ÏÐÀÂÈËÎ 12: ÂÎÑÏÎËÜÇÓÉÒÅÑÜ ÑÓÕÈÌ ØÀÌÏÓÍÅÌ Äëÿ ìíîãèõ ýòè ñðåäñòâà — óæå äàâíî ïðåêðàñíîå ñïàñåíèå. Ñóõèå øàìïóíè íå òîëüêî âåëèêîëåïíî âïèòûâàþò ïðèêîðíåâîé æèð, íî è ïðèäàþò âîëîñàì îáúåì. www.DallasTelegraph.com/ 56210Russian www.DallasTelegraph.com/en/56210 English

ÏÑÈÕÎËÎÃÈß ÆÈÇÍÈ

«×åðíûå», «áåëûå», «ñòåðâåöû» è «ïîãëîùàòåëè» Íàâåðíÿêà, ìîé äîðîãîé ÷èòàòåëü, îòêðûâàÿ äëÿ ñåáÿ ìèð «÷åðíûõ» è «áåëûõ» ëþäåé, âû ïûòàëèñü ïîíÿòü, êòî âû íà ñàìîì äåëå è êàêèì òîïëèâîì ïèòàåòñÿ âàø âíóòðåííèé äâèãàòåëü. Íî ìàëî êòî èç íàñ ìîæåò áûòü àáñîëþòíî «÷åðíûì» èëè àáñîëþòíî «áåëûì» — òàêîâû çàêîíû áûòèÿ è ìîíàäà Èíü-ßíü íàïîìèíàåò íàì îá ýòîì.  «áåëîì» åñòü «÷åðíîå», à â «÷åðíîì» åñòü «áåëîå»! À, çíà÷èò, ìû ïî ñóòè «ïîëîñàòûå»... Âîçìîæíîñòü ïðèãëÿäåòüñÿ ê ñåáå è îïðåäåëèòü, â ÷åì òû «áåëûé», à â ÷åì «÷åðíûé», ïîìîæåò îáúÿñíèòü âàì ñîáñòâåííûå ïðåäïî÷òåíèÿ â ìàíåðå ïîâåäåíèÿ. È åñëè âû îùóùàåòå íåäîñòàòîê ñèë, ïîëîæèòåëüíûõ ýìîöèé, ýíåðãèè — íóæíî îáðàòèòüñÿ ê ïðèâû÷íîìó âíóòðåííåìó òîïëèâó, ÷òîáû íàïîëíèòüñÿ ýíåðãèåé âíîâü. Íó, è âîçìîæíîñòü ïîíÿòü, êàêàÿ ýíåðãèÿ äâèæåò è ïèòàåò äðóãèõ ëþäåé — òîæå îêàçûâàåòñÿ áëàãîòâîðíåå, ÷åì ñëåïîå îñóæäåíèå è íåïîíèìàíèå ÷óæèõ ïîñòóïêîâ. Òåêñò Àëåíû Ñòèâåíñ, ïñèõîëîãà. Ôîòî èç àðõèâà ðåäàêöèè Äóìàþ, ïîñëå ïðî÷òåíèÿ ïåðâîé ÷àñòè ñòàòüè óæå ìîæíî ÷åòêî äëÿ ñåáÿ îïðåäåëèòü,

è òîãî, è äðóãîãî ìèðà, ÷òîáû èìåòü âîçìîæíîñòü óïðàâëÿòü ñîáñòâåííûì ïîâåäåíèåì è áûòü áîëåå ãèáêèì è íåçàâèñèìûì îò ïðèîðèòåòíîé ýíåðãèè. Ýòî äàåò èì âîçìîæíîñòü áûòü áîëåå ýôôåêòèâíûìè è ÷åòêî íàïðàâëåííûìè íà ñîõðàíåíèå âíóòðåííåãî ïîòåíöèàëà

Çàìåòèâ, ÷òî ðåáåíîê áåæèò ïîä êîëåñà ìàøèíû, «áåëûé» çàìðåò è, êàê âêîïàííûé, áóäåò ñòîÿòü è ñìîòðåòü. «×åðíûé» áóäåò êðè÷àòü: «×åé ðåáåíîê? Ñðî÷íî çàáåðèòå!». À «ñåðûé» áðîñèòñÿ ïîä êîëåñà è ñïàñåò ðåáåíêà... Åñëè âàø ëó÷øèé äðóã âñòðåòèò êàêîãî-òî ÷åëîâåêà

«×åðíî»-«áåëàÿ» ñåìüÿ çà÷åì îäíîìó íåîáõîäèìû ïóáëè÷íûå òóñîâêè, ñóåòà, ãðàíäèîçíûå ïëàíû, áèçíåñ, ïðîâîêàöèè, ïîïóëÿðíîñòü è ò.ä., à äðóãîìó äîñòàòî÷íî èìåòü ïàðó äðóçåé è òèøèíó âîêðóã — ÷åì ìåíüøå äåðãàþò, òåì ëó÷øå... Õîòÿ ÷åëîâå÷åñêîå ïîâåäåíèå ìîæåò áûòü è «ïîëîñàòûì», íî ñàìûå ýâîëþöèîííûå èç íàñ — ýòî «ñåðûå» ëþäè, êîòîðûå ÷åòêî ïîíèìàþò ñâîè ïîëîæèòåëüíûå è îòðèöàòåëüíûå êà÷åñòâà. Îíè íàõîäÿòñÿ â îñîçíàííîì ñîñòîÿíèè è ñòàðàþòñÿ ïåðåîöåíèâàòü ñâîé âíóòðåííèé ìèð, çàìåíÿÿ «+» íà «-» è, íàîáîðîò, òàì, ãäå «÷åðíîå» èëè «áåëîå» êà÷åñòâî òîðìîçèò âíóòðåííåå ðàçâèòèå. «Ñåðûå» çíàþò, ÷òî «÷åðíûå» èëè «áåëûå» ýíåðãèè ïèòàþò ÷åëîâåêà äî òåõ ïîð, ïîêà îí æèâåò ïî èõ çàêîíàì. Ïîýòîìó, «ñåðûå» èçó÷àþò çàêîíû

æèçíåííûõ ñèë. Ïðèíöèï «ñåðûõ» — «è âàøèì, è íàøèì». Îíè ñòðåìÿòñÿ êàê ìîæíî áûñòðåå ðàçâèâàòüñÿ äóõîâíî è ñîâåðøåííî íå ïðèíöèïèàëüíû, ïðèíèìàÿ âñå óñëîâèÿ, êàê äàííîñòü. «Ñåðûé» íèêîãäà íå âîçüìåò íà ñåáÿ ìíîãî îòâåòñòâåííîñòè, ÷òîáû íèêòî íå ìîã ïðåäúÿâèòü åìó ïðåòåíçèè è ÷åòêî çíàåò ñâîè ãðàíèöû. «Ñåðûé» æèâåò áîëüøîé ëþáîâüþ ê äðóãèì è ïðîÿâëÿåò àëüòðóèçì, íè÷åãî íå òðåáóÿ è íå îæèäàÿ âçàìåí.  «ñåðîì» íåò íè ÷óâñòâà äîëãà, íè óñèëèé, íè âûìó÷åííîé æåðòâû, âñå äåëàåòñÿ îò äóøè èëè íå äåëàåòñÿ âîîáùå. Ñîâåðøàÿ ïîñòóïêè, îí óâåëè÷èâàåò êîëè÷åñòâî äîáðà è ëþáâè â ýòîì ìèðå è óêðåïëÿåò îùóùåíèÿ âíóòðåííåé ñâÿçè ìåæäó ñîáñòâåííîé äóøîé è Âñåâûøíèì.

ïî èíòåðåñàì è áóäåò ÷àñòåíüêî ïðîâîäèòü âðåìÿ ñ íèì, òî åñëè âû «÷åðíûé» — âû ðàñöåíèòå ýòî êàê ïðåäàòåëüñòâî, áóäåòå îáèæàòüñÿ, óñòðàèâàòü ñêàíäàëû, ïûòàòüñÿ îòâîåâàòü ñâîåãî äðóãà íàçàä. Åñëè âû «áåëûé», òî îòíåñåòåñü ê ýòîìó ñîâåðøåííî ñïîêîéíî, âîçìîæíî, è íå îáðàòèòå íà ýòî âíèìàíèå. Åñëè âû «ñåðûé», òî îáÿçàòåëüíî íàéäåòå òî÷êè ñîïðèêîñíîâåíèÿ è ñ òåì «äðóãèì» ÷åëîâåêîì, ïðèíèìàÿ èíòåðåñû è ñâîåãî ëó÷øåãî, è íîâîãî äðóãà. À åùå, äðåâíåéøåå ó÷åíèå éîãè îïèñûâàåò, ÷òî ëþäè äåëÿòñÿ íå òîëüêî íà «÷åðíûõ» è «áåëûõ» ïî ñâîåé âíóòðåííåé ñóòè, íî è íà «ñòåðâåöîâ» è «ïîãëîùàòåëåé». «Ñòåðâåöû» ïðè îáùåíèè âûáðàñûâàþò ñâîè áóðíûå ýìîöèè è ñòðàñòè. Íî âçàìåí

ïðåäïî÷èòàþò ïîëó÷àòü îò ëþäåé áîëåå ñïîêîéíóþ è óðàâíîâåøåííóþ ýíåðãèþ. «Ñòåðâåöû» âûäåëÿþò «÷åðíóþ», à ïîãëîùàþò «áåëóþ» ýíåðãèþ — òàêèì îáðàçîì óñòðîåí èõ âçàèìîîáìåí ñ îêðóæàþùåé ñðåäîé. «Ïîãëîùàòåëè» ñòðîÿò ñâîå ïîâåäåíèå òàê, ÷òîáû îêðóæàþùèå ñàìè âûáðàñûâàëè íà íèõ ñâîþ áóðíóþ è ñòðàñòíóþ ýíåðãèþ. À â îáùåíèè îíè îòäàþò ñïîêîéíóþ, ýìîöèîíàëüíóþ ýíåðãèþ. «Ïîãëîùàòåëè» âûäåëÿþò «áåëóþ», çàáèðàþò «÷åðíóþ» ýíåðãèþ. Íàïðèìåð, â ïàðå, ãäå ìóæ — «ïîãëîùàòåëü», à æåíà «ñòåðâåö» — æåíà âñå âðåìÿ âçðûâàåòñÿ, îáèæàåòñÿ è ñêàíäàëèò ïî ïóñòÿêàì, à îí, êàê íàçëî, åùå áîëüøå íåðâèðóåò è ïðîâîöèðóåò åå. Îíà âûáðàñûâàåò ñâîþ ýíåðãèþ, à îí åå ïîãëîùàåò è ïîãëîùàåò, à îíà âûáðàñûâàåò è âûáðàñûâàåò è íèêàê íå ìîæåò ïîíÿòü, ïî÷åìó äî ìóæà íè÷åãî íå äîõîäèò è ñêîëüêî òûñÿ÷ ðàç ìîæíî ïðîñèòü èëè ãîâîðèòü îá îäíîì è òîì æå, âñå «êàê ãîðîõîì î ñòåíó»! Âîò òàêèì îáðàçîì ó íèõ ïðîèñõîäèò âçàèìîîáìåí, íî íà íåîñîçíàííîì óðîâíå. Åñëè áû îíà ìîãëà ïîíÿòü, ÷òî îí ñëóæèò åé âåðîé è ïðàâäîé, à îíà åìó. È ÷åì áîëüøå îíà áóäåò çëèòüñÿ, òåì áîëüøå îí áóäåò äîáðîñîâåñòíî ïîãëîùàòü, ñïàñàÿ æåíó îò åå ñîáñòâåííîãî ÿäà. Îíè ïðåêðàñ-

íî âçàèìîäîïîëíÿþò äðóã äðóãà. Òàê ÷òî, åñëè âû «ïîãëîùàòåëü», òî íóæíî ïîñòåïåííî íàó÷èòüñÿ íàáèðàòü ýíåðãèþ îò ïðèðîäû è ýíåðãåòè÷åñêèõ èëè äóõîâíûõ ïðàêòèê, óìåíüøàÿ áîëåçíåííóþ çàâèñèìîñòü îò âíèìàíèÿ ñî ñòîðîíû è ëþäñêèõ ýìîöèé. Åñëè âû — «ñòåðâåö», òî íóæíî îòðàáîòàòü âíóòðåííèå çàæèìû è êîìïëåêñû, èçìåíèòü âçãëÿä íà ìíîãèå âåùè, çàíèìàòüñÿ òâîð÷åñòâîì, äåëàòü áîëüøå áåñêîðûñòíûõ ïîñòóïêîâ. «Áåëûé» ñ «áåëûì» æèòü ìîãóò òèõî, ìèðíî è ãàðìîíè÷íî. Íî ó íèõ îáîèõ íå áóäåò ñòèìóëà ê ðàçâèòèþ. «Áåëûé» ñ «÷åðíûì» óæèâóòñÿ, åñëè öåííîñòüþ îáîèõ áóäåò ëþáîâü è îáùàÿ áîëüøàÿ öåëü. Íî «÷åðíûé» íèêîãäà íå áóäåò èìåòü âîçìîæíîñòü ïîäïèòàòüñÿ îò ïàðòíåðà, îí âñåãäà áóäåò èñêàòü åå â ðàçëè÷íûõ ôîðìàõ è ïðîÿâëåíèÿõ îò äðóãèõ ëþäåé, îá ýòîì íóæíî ïîìíèòü è ïðèíèìàòü! «Ïîãëîùàòåëü» ñ áåëûì äîëãî íå ñìîãóò áûòü âìåñòå. «Ïîãëîùàòåëü» äîëæåí ïîãëîùàòü áóðíûå ýìîöèè, à «áåëûé» äëÿ íåãî ñëèøêîì èíôàíòèëåí è ñîâåðøåííî íå ïîäïèòûâàåò ýìîöèîíàëüíî. Åñëè òîëüêî «ïîãëîùàòåëü» íå íàéäåò äîñòàòî÷íî ýêñòðèìà è ýìîöèîíàëüíîé ïîäïèòêè âíå äîìà. «Ñòåðâåö» ñ «áåëûì» ñìîãóò ëàäèòü, ïîñêîëüêó «ñòåð-

âåö» âåñüìà âèðòóîçåí è âñåãäà íàéäåò, êóäà çàáðîñèòü ñâîþ ýíåðãèþ (êàê êðþ÷îê ñ íàæèâêîé), ÷òîáû çàöåïèòü äðóãîãî è ïîëó÷èòü çàðÿä íàçàä. Ïîýòîìó äëÿ íåãî íå áóäåò ïðîáëåìîé, åñëè ñóïðóã íå âñåãäà çàãëàòûâàåò íàæèâêó. «×åðíûé» è «ïîãëîùàòåëü» óæèâóòñÿ, åñëè ÷åðíûé, äåéñòâèòåëüíî, ëþáèò «ïîãëîùàòåëÿ» è ãîòîâ äåëèòüñÿ ïîëó÷åííîé ýíåðãèåé. À «ïîãëîùàòåëü» áóäåò êîìïåíñèðîâàòü ëþáîé ïåðåáîð ýíåðãèé è ñòèìóëèðîâàòü ïàðòíåðà ê äåéñòâèþ. «×åðíûé» è «ñòåðâåö» âîîáùå ïðåêðàñíî ëàäÿò! «×åðíûé» è «÷åðíûé» — ïàðà, â êîòîðîé ïîñòîÿííî èäåò áîðüáà çà ëèäåðñòâî. Òàì öàðÿò âå÷íûå ïðåòåíçèè, ïîäîçðåíèÿ, îáèäû, ðåâíîñòü, ñêàíäàëû... Æèçíåííóþ ýíåðãèþ îíè îáà íàáèðàþò ñî ñòîðîíû, ÷òî íå äàåò èì îùóùåíèÿ ÷åãî-òî öåëîãî, åäèíîãî è îáùåãî. «Ñòåðâåö» ñî «ñòåðâåöîì» æèòü ìîãóò, — ó íèõ âñÿ æèçíü ïðîõîäèò î÷åíü áóðíî, êàê ó èòàëüÿíöåâ — òî âçðûâíûå ñêàíäàëû ñ áèòîé ïîñóäîé, òî áåçóìíàÿ è ñòðàñòíàÿ ëþáîâü. Îáà «ïîãëîùàòåëÿ» â ïàðå — âåñüìà íåóäà÷íûé âàðèàíò. À êòî âû ïî íàòóðå, ìîé äîðîãîé ÷èòàòåëü? www.DallasTelegraph.com/56212 Russian www.DallasTelegraph.com/en/56212 English

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POLITICS

Friday, June 13, 2014

www.DallasTelegraph.com

Russian Ambassador Sergey Kislyak: “What about Russian-American relations?”

Russian Ambassador Sergey I. Kislyak first served as a Soviet diplomat in a U.S. posting when the Cold War was in full force in 1981. He’s seen relations with this country go from bad to worse to better. And now they’re bad again.

During a recent visit to address the World Affairs Council of Dallas/Fort Worth, Points asked him to discuss Russia’s pivotal role in major world events.

By Tod Robberson, The Dallas Morning News.

Photo by The World Affairs Council of Charlotte.

- What’s your assessment of events in Ukraine?

– What I’m disappointed about is that, whenever we are discussing with the American press or the American public the Russian-American relations, people are always asking: What about Iran?

What about Syria? And, now, what about Ukraine? Sometimes I ask my interlocutors: What about Russian-American relations?

When it comes to Ukraine, it’s very, very bad situation in the country because of a chain of events that led armed overthrow of the [Russianbacked] government. The newly installed government wasn’t able to start a dialogue with all the regions. And that is the biggest problem. Sometimes it’s portrayed here, when it comes to RussianAmerican relations over the Ukraine, as a kind of RussianAmerican standoff, which it’s not as far as we are concerned. Some people portray it as a Russian-Ukrainian standoff, which it’s not. The problem in Ukraine is that there was an overthrow of the legitimate government. It was done in an unconstitutional way, and the government that came to power wasn’t even able to talk to its own people.

When [residents of the Crimean peninsula] said that we want more autonomy, they were told by the newly established acting government that they were separatists.

Some extreme rightists were threatening them. Some people had to organize themselves into a resistance. We also had armed forces there, and those armed forces were there under agreement with the Ukrainians for years and years. We had to think about protecting ourselves there because the situation was developing in a very, very chaotic way. The presence of Russian forces certainly made sure a lot of things happened in a very peaceful way because all these threats to attack these people were neutralized with not a single shot fired – just because we were there.

We had a number of forces significantly lower than what was allowed under the agreement. We sent a little bit more troops, but not much, just to reinforce our position, because we had the Ukrainian forces standing next, and we didn’t know what they would do.

There was a referendum.

I would say to you that we had never planned anything about Ukraine because we had never thought that kind of situation would happen. But the Crimeans themselves saw the country where they used to live almost stolen from them. They decided that they wanted to return back to Russia where they feel safe and at home. When they went to the ballot booths, they overwhelmingly voted to come back to Russia. As a consequence, the Russian president and the Russian population – all of them – embraced the idea of [Crimea] returning back. One of the polls I saw at the time suggested that about 83 percent of Russians supported the [return of] uprising in Crimea after the referendum.

Some people call it an illegal annexation. First of all, it’s not annexation, and you cannot deal with this issue like a piece of real estate. It’s not about loyalty, it’s about people. It’s about people who have the right of self-determination, and it’s enshrined in the U.N. charter. In terms of the legality of it, I also

have problems when I hear it was done illegally because the U.N. charter has several principals, on, self determination, second the inviolability of sovereign borders.

- What term would you use, if not annexation?

– I would say, well, in the daily life, people call it Crimea coming back to its motherland.

– I’m not sure that that kind of agreement spoke about anything of the kind.

And I’m not sure that the agreement was providing for solutions in a situation when the government was overthrown, where nobody knew what kind of stability was [in place], where we didn’t know whether our forces would be threatened.

like Ukraine that consists of a number of ethnic regions.

At the same time, it is decentralization that some call it, that satisfies the concerns of some people who want to be able to govern their own lives, who want to be able to give education to their children in languages and culture that has always been the language and culture of their ancestors.

- Russians condemned the United States for this kind of meddling in the affairs of other sovereign states, and possibly with

War. There were so many expectations. I wouldn’t try to qualify what were the American expectations. … We felt that the Americans would become natural friends with us. But we’ve learned the hard way that it’s not so simple because, from time to time, we’ve had significant disagreements that have exploded almost into crisis.

Sometimes people ask me, are we back in the Cold War? I say, I don’t think so. We are not going to fall into this trap, and there are simple reasons for that. There are no longer ideological divides between

Sergey Kislyak: “I’m not suggesting that we are angels.”

Rejoined the Russian Federation.

- Israel annexed the Golan Heights. The Kurds are seeking selfdetermination and the formation of their own state carved out of parts of Turkey, Iran, Syria and Iraq. Would you support that?

– I don’t know. It’s theoretical. I think it would be difficult to make automatic parallels. Each situation has its own character.

- There’s nothing theoretical about the annexation of the Golan Heights. Moscow has always opposed that.

– I’m talking about Crimea, and it’s a very particular situation with its own historical context, with a situation that is very unique, where the government of the country they were a part of was overthrown in an unconstitutional way. So that certainly brought a situation where the government in Kiev wasn’t totally legitimate.

- Would that not have been a situation for the Ukrainians to work out for themselves, instead of having a Russian military intervention and holding an election under military occupation?

– There was no occupation. Our forces had been present there [under a treaty].

- It was a naval basing agreement, not an agreement to have uniformed troops on the ground, without insignia assisting in the takeover.

– We didn’t assist in military actions. What we had was military forces that were legally there. It’s not only naval, there is an airport, a military airfield, marines. So there are all sorts of troops.

Certainly all of the deployments there were based around the navy base.

- And that agreement allowed for Russian troops to be deployed on the streets of Crimea?

So they repositioned themselves. They didn’t participate, as you call it, in military operations. What they were doing was just being there, protecting our people and protecting the local people against provocations from rightist forces. At the same time, there were selfdefense groups who organized themselves, who relied most probably on a number of veterans that still live in Crimea. There are also a number of veterans from the Russian fleet, from the Ukrainian fleet. We were one country.

- Then why not use the same rationale to justify the absorption of other conflicted areas like Donetsk?

– We didn’t prepare any rationales for the Crimea situation and Donetsk because we never thought about the situation.

- Russia had a large concentration of troops on the border before this broke out. How can you say you didn’t prepare for this?

– It depends on how you define very large. First of all, you should remember that we are in our own country. We operate in our own country.

We didn’t occupy any other country.

- And the videos of combat helicopters overflying Crimea?

– Helicopters, most probably they’re a part of the Russian fleet. We did have an airfield there, that were legally there. So don’t blow things out [of proportion].

The point is that we had never planned to take up part of the Ukraine. We never wanted to make incursions into eastern Ukraine. What we want to happen in eastern Ukraine is for the government and the new president, we want them to be in an inclusive dialogue with their own people and to find solutions where at least people feel comfortable to live in a country in whatever form.

We have always advanced a federal structure to be a group model for a country

justification. Are you now using previous U.S. actions to justify your own meddling?

– It depends on how you define meddling. We have given our view publicly and in context with the Ukrainians. If we are asked what we feel about it, we are certainly watching the situation with enormous concern because people get killed, especially now in these days when the so-called anti-terrorist operation [in eastern Ukraine] uses regular armed forces against their own people. It’s not only about dealing with checkpoints. They are shelling the cities to intimidate people.

- Much like the Russian-supported Assad gover nment is doing in Syria?

– I would hate to draw any parallels with any situation. We are dealing with the Ukrainian situation. For us, it is particularly painful to watch. Ukraine is not just another country in the world.

It’s not just a neighbor. We have always been part of the same [entity]. Before the Russian Empire, it was kind of an alliance of Slavic nations – Russians, Belorussians, Ukrainians. And this union was almost 400 years ago. We have lived in one space. Our cultures are almost the same. Christianity to Russia came from Kiev.

Our cultures are so intertwined, our traditions are almost the same. But more than that, there are so many families that live in both Russia and Ukraine, extended families. [The violence in Ukraine] is awful to watch.

It’s like part of your family being threatened.

- How, as a diplomat, do you sift out the Ukraine controversy from all of the other issues that the U.S. and Russia have to deal with?

– It’s been 23, 25 years since the end of the Cold War. I lived through the times at the peak of the Cold War and left when Gorbachev came. There was a sea change in our relations. That was a kind of stage before the Cold

Russia and the United States.

Russia, for whatever people criticize it for from time to time, is a democratic country. … It’s a market economy, still very young. Just try to imagine, it’s only 23 years that we’ve operated in this new setting. Because prior to that, the state owned everything on behalf of the people. In 23 years, we have developed a market economy. More than 60 percent of GNP is produced by business rather than the state. And it’s increasing.

At the same time, we are still haunted in our relations with the stereotypes of the past. I’m certainly tempted to say that we are less to be blamed than our American friends, but I won’t do that.

We honestly have been trying to build something productive and mutually important relations. … We decided to help you, for example, in Afghanistan to provide your troops the ability to transport, which is not unimportant for the Americans. And we haven’t discontinued it either. We have always seen a number of situations where, when Russia and the United States work together, we still have a chance to advance things. It’s not guaranteed, but when we work one against the other, there will be a big, big problem.

We certainly are not trying to impose our will on you or anyone else, but we want others to at least respect and listen to what we say, and sometimes we say things that prove to be right. … On trade, we thought that people working together, Russians and Americans, on projects that bring something positive is the best way to overcome the kind of division that comes through stereotypes. It has always been a significant confidence-building measure.

If you look at the ties we have, apart from the executive levels, the parliaments do not speak to each other. The Senate is no longer in discussions with its [Russian counterpart], and it’s also disappointing. It is definitely not because of our position. I remember even in the Cold War time, we had ties and exchanges visits by the Supreme Courts of the two

countries. But the problem is, as a result of it, all of the concerns and stereotypes and distorted views of each other – especially here, because Russian people know more about the U.S. than the average American knows about Russia.

- What kinds of stereotypes?

– For example, that no matter what Russia does, it is a threat to the United States. That Russia is working against the American interests. Or, for example, the willingness of the congress of the United States to make judgments about what is right, what is good in Russia. They pass their own laws to punish people there.

It’s something that doesn’t have any practical consequences except for poisoning the atmosphere in our relations. It certainly creates a significant reaction in Russia. That’s something I hope is going to be fixed in the future. How long it will take, I don’t know.

I came here in 2008, immediately after the war that the Georgians launched against Ossetia. … Most probably [the current status of relations] is one of the worst.

- You blame what’s happening in Ukraine on rightists there. You blame U.S. stereotypes for the problems between the two countries. You blame the Georgians for the war in Ossetia. In all this, do you see anything that Russia has done wrong?

– I’m not suggesting that we are angels. What I’m suggesting is that we are trying to build more productive relations with the United States, but we have views.

And sometimes these views are pretty strongly held. If you want to judge another country, in this case Russia, just by measuring how many disagreements we have, that would be a very distorted view of the potential we have in our relations. We have been trying seriously, but some of the situations were just thrown on us, and we had to take decisions.

- Please explain your decision to give asylum to Edward Snowden, the NSA contractor who leaked classified information.

– It’s another situation that wasn’t invented by Russia. It was thrown on Russia, because Mr. Snowden was traveling from China to someplace in Latin America [Ecuador]. At the moment when he arrived at the [Moscow] airport to make the transition to another airplane, his passport was revoked by the State Department. So not a single airline would put him on board. He got stuck, like in that famous movie, in Russia. We had nothing to do with this.

But what happened next was that the American government asked us to give him to the Untied States, but we do not have an extradition treaty. So there is no legal basis to do so. … This gentleman came to Russia, he hasn’t violated a single Russian law. So what should we do? Arrest a person who is absolutely innocent, as far as Russian legislation is concerned? And send him to another country just because we were told he would be traveling to Russia. The legal instruments weren’t there. As a result, there was another irritant, to put it mildly, in our relations. It’s not something of our invention, as for the question of who is to blame more.

EDITORIAL: Ambassador Sergey Kislyak’s email address is kislyak@russianembassy.org www.DallasTelegraph.com/56191 English www.DallasTelegraph.com/ru/56191 Russian

9À

ÊÓËÜÒÓÐÀ

Friday, June 13, 2014

www.DallasTelegraph.com

Êàëåíäàðü êóëüòóðíûõ ñîáûòèé Áîëüøîãî Äàëëàñà c 27 èþíÿ ïî 5 èþëÿ ÑÈÌÔÎÍÈ×ÅÑÊÈÉ ÎÐÊÅÑÒÐ ÔÎÐÒ-ÓÝÐÒÀ ÏÐÅÄÑÒÀÂËßÅÒ ÏÐÎÃÐÀÌÌÓ «ÌÓÇÛÊÀ «ROLLING STONES» (FORT WORTH SYMPHONY ORCHESTRA PRESENTS MUSIC OF THE ROLLING STONES) Èþíüñêîé ëåòíåé íî÷üþ â Áîòàíè÷åñêîì ñàäó ÔîðòÓýðòà áóäåò çâó÷àòü ìóçûêà ëåãåíäàðíîé ãðóïïû Rolling Stones. Ïåâåö ãðóïïû Áðîäè Äîëèíþê (Brody Dolyniuk) è Ñèìôîíè÷åñêèé îðêåñòð èç Ôîðò-Óýðòà ïîä óïðàâëåíèåì äèðèæåðà Áðåíòà Õýâåíñ à (Brent Havens) èñïîëíÿò òàêèå øëÿãåðû, êàê "Get Off of My Cloud", "Paint it Black","Jumpin' Jack Flash". Ñòîèìîñòü áèëåòà — îò 13 äî 36 äîëëàðîâ. Àäðåñ: Fort Worth Botanic Garden, 3220 Botanic Garden Blvd., Fort Worth, TX 76107. Òåë.: (817) 871-7686. ÌÓÇÅÉ ÏÐÈÐÎÄÛ È ÍÀÓÊÈ PEROT ÏÐÅÄÑÒÀÂËßÅÒ ËÀÁÎÐÀÒÎÐÈÞ «ÏÎÑÒÐÎÈÒÜ Â ÃÀÐÀÆÅ» (PEROT MUSEUM PRESENTS BUILD IT GARAGE) Ìóçåé ïðèðîäû è íàóêè Perot ïðåäñòàâëÿåò «Ïîñòðîèòü â ãàðàæå» — ëàáîðàòîðèþ, ãäå ïîñåòèòåëè ñìîãóò ñêîíñòðóèðîâàòü ðîáîòà, çàïóñòèòü ðàêåòó, ïîãîíÿòü íà óíèêàëüíûõ àâòîìîáèëÿõ è ñîçäàâàòü ìîäåëè ñ 3D-ïðèíòåðîì. Äàòû ðàáîòû ëàáîðàòîðèè — ñ 21 èþíÿ ïî 17 àâãóñòà. Ñòîèìîñòü áèëåòà — ïëþñ 4 äîëëàðà ê ñòîèìîñòè áèëåòà â ìóçåé. Àäðåñ: Perot Museum of Nature and Science, 2201 N. Field St., Dallas, TX 75202. Òåë.: (214) 428-5555. ÏÐÀÇÄÍÎÂÀÍÈÅ ÄÍß ÍÅÇÀÂÈÑÈÌÎÑÒÈ Â ÀËËÅÍÅ-2014 (ALLEN USA CELEBRATION 2014) Ãîðîä Àëëåí îòïðàçäíóåò 4 èþëÿ ïî÷òè çà íåäåëþ äî îôèöèàëüíûõ òîðæåñòâ 28 èþíÿ. Âçðîñëûå è äåòè ïðèãëàøàþòñÿ íà áîëüøîé êîíöåðò, äåòñêèå ïëîùàäêè è ñàëþò. Âõîä — ñâîáîäíûé. Àäðåñ: Celebration Park, 701 Angel Pkwy., Allen, TX 75002. ÑÈÌÔÎÍÈ×ÅÑÊÈÉ ÎÐÊÅÑÒÐ ÔÎÐÒ-ÓÝÐÒÀ ÏÐÅÄÑÒÀÂËßÅÒ ÏÐÎÃÐÀÌÌÓ «ÌÓÇÛÊÀ «EAGLES» (FORT WORTH SYMPHONY ORCHESTRA PRESENTS MUSIC OF THE EAGLES) Áåññìåðòíûå ìåëîäèè ãðóïïû Eagles â Áîòàíè÷åñêîì ñàäó Ôîðò-Óýðòà 28 èþíÿ â 8.15 ÷àñîâ âå÷åðà ïðåäñòàâèò ðîê-ãðóïïà,

Ñèìôîíè÷åñêèé îðêåñòð Ôîðò-Óýðòà è ïåâåö Òåððè Áðîê (Terry Brock). Íå ïðîïóñòèòå ýòîò óäèâèòåëüíûé êîíöåðò, íà êîòîðîì áóäóò çâó÷àòü ëåãåíäàðíûå ìåëîäèè «Hotel California», «Desperado», «Heartache Tonight», «New Kid in Town» è ìíîãèå äðóãèå. Ñòîèìîñòü áèëåòà — 21 äîëëàð. Àäðåñ: Àäðåñ: Fort Worth Botanic Garden, 3220 Botanic Garden Blvd., Fort Worth, TX 76107. Òåë.: (817) 871-7686.

ÏÀÐÀÄ Â ÀÐËÈÍÃÒÎÍÅ ÏÎ ÑËÓ×ÀÞ ÄÍß ÍÅÇÀÂÈÑÈÌÎÑÒÈ-2014 (2014 ARLINGTON FOURTH OF JULY PARADE) Àññîöèàöèÿ «The Arlington 4th of July» 4 èþëÿ â 9 ÷àñîâ óòðà ïðåäñòàâèò åæåãîäíûé Ïàðàä ïî ñëó÷àþ Äíÿ Íåçàâèñèìîñòè. Ïàðàä áóäåò ïðîõîäèòü âîêðóã öåíòðà Àðëèíãòîíà.  ïðîãðàììå ïðèìåðíî 150 äèñïëååâ, âêëþ÷àÿ ìàðøåâûå îðêåñòðû, ýêçîòè÷åñêèå

4 ÈÞËß Â ÔÅÈÐ ÏÀÐÊÅ (2014 FAIR PARK FOURTH) Ãîðîä Äàëëàñ, äðóçüÿ Ôåéð Ïàðêà è Òåõàññêàÿ ÿðìàðêà ïðåäñòàâëÿþò îôèöèàëüíîå ïðàçäíîâàíèå 4 èþëÿ ãîðîäîì Äàëëàñ.  ïðîãðàììå: æèâàÿ ìóçûêà, âîäíûå àòòðàêöèîíû, èãðû, ïàòðèîòè÷åñêèå âûñòóïëåíèÿ è êðàñî÷íûé ôåéåðâåðê â êîíöå ïðàçäíè÷íîãî äíÿ. Âõîä — ñâîáîäíûé, ñòîèìîñòü ïàðêîâêè — 5 äîëëàðîâ. Àäðåñ: Fair Park,

âàíèÿ ïðîéäåò ÿðìàðêà «Âêóñ Ôðèñêî», êîòîðàÿ ïðåäñòàâèò ëó÷øèå â ãîðîäå ðåñòîðàíû íà êîëåñàõ. Íà ñòàäèîíå Toyota ïðîéäåò ôóòáîëüíûé ìàò÷ ìåæäó êîìàíäàìè FC Dallas è Philadelphia Union. Ïî îêîí÷àíèè èãðû — ïðèìåðíî â 10 ÷àñîâ âå÷åðà — 20-ìèíóòíûé ñàëþò. Âõîä — ñâîáîäíûé. Àäðåñ: Simpson Plaza at City Hall, 6101 Frisco Square Blvd., Frisco, TX 75034.

ÑÀËÞÒ ÏÎ ÑËÓ×ÀÞ ÄÍß ÑÈÌÔÎÍÈ×ÅÑÍÅÇÀÂÈÑÈÌÎÑÊÈÉ ÎÐÊÅÑÒÐ ÒÈ-2014  ÈÐÔÎÐÒ-ÓÝÐÒÀ ÂÈÍÃÅ (2014 ÏÐÅÄÑÒÀÂËßÅÒ IRVING ÏÐÎÃÐÀÌÌÓ INDEPENDENCE «ÑÒÀÐÎÌÎÄÍÛÉ DAY FIREWORKS ÑÅÌÅÉÍÛÉ SHOW) ÏÈÊÍÈÊ Ñ ÑÀÏðîãðàììà øîó ËÞÒÎÌ-2014» ïî ñëó÷àþ ïðàçäíî(FORT WORTH âàíèÿ Äíÿ ÍåçàâèSYMPHONY ñèìîñòè â Èðâèíãå ORCHESTRA âêëþ÷àåò íàëè÷èå PRESENTS 2014 ôàí-çîíû ñ íàäóâOLD-FASHIONED íûìè àòòðàêöèîíàFAMILY ìè, èãðû, êîíöåðò è FIREWORKS ìíîæåñòâî ðåñòîðàPICNIC) íîâ íà êîëåñàõ. Íå Îäíà èç ëþáèìûõ òðàäèöèé æèòåçàáóäüòå ïðèõâàëåé Ôîðò-Óýðòà è òèòü ñ ñîáîé îäåÿëî Ñèìôîíè÷åñêîãî îðèëè êðåñëî äëÿ ïèêêåñòðà ãîðîäà — íèêà, ÷òîáû êîìïðàçäíîâàòü Äåíü ôîðòíî íàáëþäàòü íåçàâèñèìîñòè â çà êðàñî÷íûì ôåéèñòèííî ïàòðèîòèåðâåðêîì. ÷åñêîì ñòèëå ñ ïðîÍà÷àëî ïðàçäíèíèêíîâåííûìè âîåíêà 4 èþëÿ — â 6 ÷àíûìè ìàðøàìè è Ïðîãðàììà ïðàçäíîâàíèÿ Äíÿ Íåçàâèñèìîñòè â Áîëüøîì Äàëëàñå ðàññ÷èòàíà ñîâ âå÷åðà. Âõîä — ñàìûì êðàñî÷íûì è íà âçðîñëûõ, è íà äåòåé ñâîáîäíûé. Àäðåñ: ïðàçäíè÷íûì, çàõLake Carolyn, 900 3809 Grand Ave., Dallas, TX âàòûâàþùèì ñàëþòîì. àâòîìîáèëè, âîåííûå â ÿðLake Carolyn Blvd., Irving, 75210. Òåë.: (214) 421-8737. Ïðîãðàììà «Ñòàðîìîäêèõ ìóíäèðàõ è äðóãèå óíèTX 75039. íûé ñåìåéíûé ïèêíèê ñ ñàêàëüíûå ïðåçåíòàöèè.

4 ÈÞËß Â ÔÎÐÒ-ÓÝÐÒÅ ëþòîì-2014» áóäåò ïðåäÂõîä — ñâîáîäíûé. ÀäÔÅÑÒÈÂÀËÜ Â ÌÀÊ(2014 FORT WORTH'S ñòàâëåíà çðèòåëÿì 3 è 4 ðåñ: The Levitt Pavilion for ÊÈÍÍÈ (2014 FOURTH) èþëÿ â 8.15 ÷àñîâ âå÷åðà. the Performing Arts, 100 W. MCKINNEY RED, WHITE 4 èþëÿ â 4 ÷àñà äíÿ ãîÑòîèìîñòü áèëåòà — 13-46 Abram St., Arlington, TX AND BOOM) ðîä Ôîðò-Óýðò ïðèãëàøàåò äîëëàðîâ. Àäðåñ: Fort Worth 76010. Òåë.: (817) 543-4308.

4-é ãîä â ãîðîäå ÌàêÊèííà ïðàçäíîâàíèå Äíÿ ÍåçàBotanic Garden, 3220 Botanic íè ïðîâîäèòñÿ ôåñòèâàëü âèñèìîñòè.  ïðîãðàììå — Garden Blvd., Fort Worth, ÑÒÀÐÎÌÎÄÍÎÅ 4 ÈÞËß «Red, White and Boom» ñ ñåìåéíàÿ ïðîãðàììà, ìóçûTX 76107. Òåë.: (817) 871ÏÐÅÄÑÒÀÂËßÅÒ DALLAS ïðîãðàììîé íà âåñü ïðàçäêà è ñàëþòû âäîëü ðåêè 7686.

HERITAGE VILLAGE íè÷íûé äåíü 4 èþëÿ. ÎðãàTrinity â ïàâèëüîíå Panther (DALLAS HERITAGE íèçàòîðû îáåùàþò çðèòåëÿì Island, áåñïëàòíîå êàòàíèå ÏÐÀÇÄÍÎÂÀÍÈÅ 4 VILLAGE PRESENTS OLD çðåëèùíûé ïàðàä è àâòîìîíà ïîíè, ìèíè-ãîëüô, íàäóâÈÞËß Â ÝÄÄÈÑÎÍÅ FASHIONED FOURTH áèëüíîå øîó â öåíòðå Ìàêíûå äîìèêè äëÿ äåòåé, âîä(2014 ADDISON KABOOM 2014) Êèííè ñ óòðà è ñåìåéíûå íûå ãîðêè è ìíîãîå äðóãîå.

TOWN) 4 èþëÿ, íà÷èíàÿ ñ 11 ìåðîïðèÿòèÿ, æèâóþ ìóçûÂõîä — ñâîáîäíûé. ÀäÍàñòóïëåíèå 4 èþëÿ îçóòðà, Dallas Heritage Village êó è ïàðàä â McKinney ðåñ: Panther Island Pavilion, íà÷àåò, ÷òî â Ýääèñîíå, ïðåäñòàâèò ïðîãðàììó «ÌàSoccer Complex at Craig 395 Purcey St., Fort Worth, êàê âñåãäà, îòêðîåòñÿ ëåíüêèé âåëèêèé êàðíàâàë Ranch — âå÷åðîì.

TX 76102. Òåë.: (817) 698Addison Kaboom Town — íà çåìëå».  ðåìåñëåííîé Âõîä — ñâîáîäíûé. Àä0700. îäèí èç ëó÷øèõ ïðàçäíè÷ìàñòåðñêîé ìåðîïðèÿòèÿ ðåñ: McKinney Soccer íûõ ñàëþòîâ íå òîëüêî â äåòè ñìîãóò óêðàñèòü è ñâîè Complex at Craig Ranch, ÔÅÑÒÈÂÀËÜ ÑÂÎÁÎÄÛ Ñåâåðíîì Òåõàñå, íî è â âàãîí÷èêè, è ñàìèõ ñåáÿ, 6375 Collin McKinney Pkwy., ÂÎ ÔÐÈÑÊÎ-2014 (2014 ÑØÀ. Êàæäûé ãîä ïîëäëÿ ó÷àñòèÿ â êàðíàâàëå.

McKinney, TX 75070.

FRISCO FREEDOM FEST) ìèëëèîíà àìåðèêàíöåâ Òàêæå íà ïðàçäíèêå ìîæíî Ôåñòèâàëü ñâîáîäû âî ñúåçæàþòñÿ â Ýääèñîí, áóäåò ñîîðóäèòü ðàçíîöâåòÑÊÓËÜÏÒÓÐÍÛÉ Ôðèñêî-2014 — ýòî ñåìåé÷òîáû ïîñìîòðåòü àâèàøîó íûå ìàêàðîííûå îæåðåëüÿ è ÖÅÍÒÐ NASHER ÏÐÅÄíîå ïàòðèîòè÷åñêîå ìåðîïè ñàìûé çðåëèùíûé ñàëþò ïàòðèîòè÷åñêèå áðàñëåòû ÑÒÀÂËßÅÒ ÏÐÎÃÐÀÌÌÓ ðèÿòèå, êîòîðîå ñîáåðåò ãîâ ñòðàíå è ïîñëóøàòü æèäðóæáû. Ñåìüè ñìîãóò ïîèãTARGET FIRST ñòåé íà öåíòðàëüíîé âóþ ìóçûêó. ðàòü â èñòîðè÷åñêèå èãðû.

SATURDAYS (NASHER ïëîùàäè Ôðèñêî è íà ñòàÝääèñîí æäåò ñâîèõ äðóÏðîãðàììà îáåùàåò áûòü SCULPTURE CENTER PRESENTS TARGET äèîíå Toyota. Íà ïëîùàäè çåé 3 èþëÿ ñ 5 ÷àñîâ âå÷åðàçíîîáðàçíîé è íàñûùåíFIRST SATURDAYS) ãîðîäà 4 èþëÿ áóäåò óñòàðà. Âõîä ñâîáîäíûé, íî òðåíîé. Êàæäóþ ïåðâóþ ñóááîíîâëåí ïàâèëüîí, ãäå ïðåäáóåòñÿ ïðåäúÿâèòü áèëåò. Ñòîèìîñòü áèëåòà — äî òó ìåñÿöà — âïëîòü äî äåñòàâÿò äåòñêóþ ïëîùàäêó Àäðåñ: Addison Circle Park, 10 äîëëàðîâ. Àäðåñ: Dallas êàáðÿ — ñêóëüïòóðíûé ñ ðàçíîîáðàçíûìè àòòðàê4970 Addison Circle Dr., Heritage Village, 1515 S. öåíòð Nasher ïðåäñòàâëÿöèîíàìè. Íà ðàäîñòü ãóðAddison, TX 75001.

Harwood St., Dallas, TX åò ïðîãðàììó Target First ìàíàì â ðàìêàõ ïðàçäíîwww.AddisonTexas.net.

75215.

Saturdays, êîòîðàÿ ïîìîæåò ðàñêðûòü äåòñêèå òàëàíòû â îáëàñòè èñêóññòâà è ðàñøèðèò ãðàíèöû îêðóæàþùåãî äåòåé ìèðà.  ïðîãðàììå — ðèñîâàíèå, ìîäåëèðîâàíèå îäåæäû èç áóìàãè, éîãà è ìíîãîå äðóãîå. Âõîä — ñâîáîäíûé. Íà÷àëî â 10 óòðà. Àäðåñ: Nasher Sculpture Center, 2001 Flora St., Dallas, TX 75201. Òåë.: (214) 242-5100.

METROPOLITAN WINDS ÏÐÅÄÑÒÀÂËßÅÒ ÏÐÎÃÐÀÌÌÓ «ÏÐÀÇÄÍÎÂÀÍÈÅ ÏÎ-ÀÌÅÐÈÊÀÍÑÊÈ» (METROPOLITAN WINDS PRESENTS AN AMERICAN CELEBRATION) Íåêîììåð÷åñêàÿ îðãàíèçàöèÿ ëþáèòåëåé ñèìôîíè÷åñêîé ìóçûêè Metropolitan Winds 5 èþëÿ â 2 ÷àñà äíÿ ïðåäñòàâëÿåò ïðîãðàììó «Ïðàçäíîâàíèå ïî-àìåðèêàíñêè». Ýòî òîðæåñòâî àìåðèêàíñêîé ìóçûêè, Âîîðóæåííûõ Ñèë è èñòîðèè ÑØÀ. Ñòîèìîñòü áèëåòà — 35 äîëëàðîâ. Àäðåñ: Dallas City Performance Hall, 2520 Flora St., Dallas, TX 75201. ÑÈÌÔÎÍÈ×ÅÑÊÈÉ ÎÐÊÅÑÒÐ ÔÎÐÒ-ÓÝÐÒÀ ÏÐÅÄÑÒÀÂËßÅÒ ÃÐÓÏÏÓ CLASSICAL MYSTERY TOUR (FORT WORTH SYMPHONY ORCHESTRA PRESENTS CLASSICAL MYSTERY TOUR) Ãðóïïà Classical Mystery Tour — îäíà èç ñàìûõ ëó÷øèõ â ìèðå òðèáüþò-ãðóïï The Beatles. 5 èþëÿ â 8.15 âå÷åðà â Ôîðò-Óýðòå ãðóïïà ñûãðàåò ñ Ñèìôîíè÷åñêèì îðêåñòðîì. Ýòîò êîíöåðò ñòàíåò ñàìûì ïîïóëÿðíûì êîíöåðòîì âî âñåé ëåòíåé ïðîãðàììå Ñèìôîíè÷åñêîãî îðêåñòðà Ôîðò-Óýðòà. Ñòîèìîñòü áèëåòà — îò 13 äî 46 äîëëàðîâ. Àäðåñ: Fort Worth Botanic Garden, 3220 Botanic Garden Blvd., Fort Worth, TX 76107. Òåë.: (817) 871-7686.

ÎÒ ÐÅÄÀÊÖÈÈ: ×òîáû ïîäïèñàòüñÿ íà ðàññûëêó êóëüòóðíûõ ñîáûòèé Ñåâåðíîãî Òåõàñà èëè âêëþ÷èòü âàøå ñîáûòèå â îáçîð, ïðèñûëàéòå çàÿâêè ïî àäðåñó: dallastelegraph.com@gmail.com www.DallasTelegraph.com/56222 Russian www.DallasTelegraph.com/en/56222 English

ÊÐÎÑÑÂÎÐÄ öàðèöå. 13. Áîáîâîå ðàñòåíèå.

15. Êîðîòêàÿ ðå÷ü çà ïðàçäíè÷íûì ñòîëîì. 16. Äåíåæíàÿ îïåðàöèÿ, çàêëþ÷àþùàÿñÿ â ïîëó÷åíèè èçâåñòíîé ñóììû â äîëã íà îïðåäåëåííûõ óñëîâèÿõ âîçâðàòà. 19. ×åëîâåê, çàíèìàþùèéñÿ èçó÷åíèåì îòäåëüíûõ ìåñòíîñòåé ñòðàíû ñ òî÷êè çðåíèÿ èõ ãåîãðàôè÷åñêèõ, êóëüòóðíî-èñòîðè÷åñêèõ, ýêîíîìè÷åñêèõ, ýòíîãðàôè÷åñêèõ îñîáåííîñòåé. 20. Êîëëåãèàëüíûé âûáîðíûé ðóêîâîäÿùèé îðãàí â ïîëèòè÷åñêèõ ïàðòèÿõ è îáùåñòâåííûõ îðãàíèçàöèÿõ. 21. Êàðáîíàò êàëèÿ. 24. Íåïîãîäà. 26. Àâòîð ëèòåðàòóðíûõ ïðîèçâåäåíèé â ïðîçå. 28.  ßïîíèè: æåíùèíà, ïðèãëàøàåìàÿ íà ðîëü ãîñòåïðèèìíîé õîçÿéêè íà ïðèåìû, áàíêåòû. 29. Ïðîçðà÷íàÿ îáîëî÷êà ãëàçà. 32. Êóñòàðíèê ñåìåéñòâà áðóñíè÷íûõ. 35. Âîçâðàùàåìàÿ ïîñëå ïîêóïêè ÷àñòü äåíåã. 38. Ñïåöèàëèñò â îäíîé èç îòðàñëåé ðàñòåíèåâîäñòâà. 40. Îâîùíîå ðàñòå-

íèå. 41. Ìåðà åìêîñòè. 42. Áóðíûé ãðÿçåêàìåííûé ïîòîê. 44. Ïëåòåíûé ïîëîâèê. 46. Îáðàçåö, òèï, ìîäåëü. 47. Ñîñòÿçàíèÿ â îáëàñòè êàêèõ-íèáóäü çíàíèé. 48. Íàó÷íîå, õóäîæåñòâåííîå ïðîèçâåäåíèå.

49. Â Äðåâíåé Ðóñè: âûñîêèé áîãàòûé äîì ñ ïîêàòîé êðûøåé.

50. Îòòåíîê íà ôîíå êàêîãî-íèáóäü öâåòà. ÏÎ ÂÅÐÒÈÊÀËÈ: 1. Øêîëüíàÿ êîìíàòà äëÿ çàíÿòèé. 2. Ñèñòåìàòèçèðîâàííîå ñîáðàíèå ïëàòåæíûõ äîêóìåíòîâ.

3. Æèâóùèå â äèàìåòðàëüíî ïðîòèâîïîëîæíûõ òî÷êàõ çåìíîãî øàðà. 4. Îñíîâíîå ñîäåðæàíèå ÷åãî-ëèáî. 5. Äîðîæíîå ñîîðóæåíèå. 6. Ñåò÷àòûé ñíàðÿä äëÿ ëîâëè ðûáû. 8. Ðàáîòíèê èçäàòåëüñòâà. 9. Òî, ÷òî ïîñòðîåíî, ðàñòÿíóëîñü â ëèíèþ. 14. Îëèìïèéñêèé âèä êîííîãî ñïîðòà.

15. Ìàòåð÷àòûé íàâåñ äëÿ çàùè-

òû îò ñîëíöà è äîæäÿ. 17. Ïðîõëàäèòåëüíûé ñëàäêèé íàïèòîê.

18. Îòðàæàòåëü ëó÷åé, òåëåñêîï.

21. Êðûëàòûé êîíü â ãðå÷åñêîé ìèôîëîãèè. 22. Íà ñåâåðå Åâðîïû, Àçèè è Ñåâåðíîé Àìåðèêè: äèêèé õâîéíûé ëåñ. 23. Êîëþùåå îðóæèå ñ ïðÿìûì äëèííûì êëèíêîì.

25. Âðåìÿ çàêëàäêè â ïî÷âó ñåìÿí.

27. Âèä ìÿñíîãî êóøàíüÿ. 30. Ñëåäñòâåííîå äåéñòâèå: ïðåäúÿâëåíèå ëèöà èëè ïðåäìåòà äëÿ èäåíòèôèêàöèè. 31. Êóìèð, ïðåäìåò âîñõèùåíèÿ, ïðåêëîíåíèÿ. 33. Áîëüøîé îòêðûòûé ïðèëàâîê. 34. Ãðàíåíûé è øëèôîâàííûé þâåëèðíûé àëìàç.

36. Âèä èñêóññòâåííîé êîæè èç òêàíè ñ íèòðîöåëëþëîçíûì ïîêðûòèåì. 37. Ëåêàðñòâåííîå ðàñòåíèå.

39. Îïðåäåëåíèå ñóùåñòâà áîëåçíè íà îñíîâàíèè èññëåäîâàíèÿ.

40. Ïîèñêè ýëèêñèðà äîëãîëåòèÿ.

43. Ðåçêîå óâåëè÷åíèå áûñòðîòû äâèæåíèÿ. 45. Áîëüøàÿ äâåðíàÿ çàäâèæêà.

ÎÒÂÅÒÛ ÍÀ ÊÐÎÑÑÂÎÐÄ Â ÍÎÌÅÐÅ ÎÒ 16 ÌÀß 2014 ÃÎÄÀ ÏÎ ÃÎÐÈÇÎÍÒÀËÈ: 1. Ãðóïïà ñîîáùíèêîâ, îáúåäèíèâøèõñÿ äëÿ äîñòèæåíèÿ ñâîèõ öåëåé. 7. Çëîé äóõ â àðàáñêîé ìèôîëîãèè. 10. Àïïàðàò äëÿ èñêóññòâåííîãî âûâåäåíèÿ ïòåíöîâ èç

ÿèö. 11. Ìåñòî îòïðàâëåíèÿ îáðÿäîâ â ïåðâîáûòíûõ ðåëèãèîçíûõ êóëüòàõ — ïåùåðà, ïîñòðîéêà.

12. ×åëîâåê, äîñòèãøèé âûñîêîãî ïîëîæåíèÿ â ãîñóäàðñòâå áëàãîäàðÿ ñëó÷àéíîé áëèçîñòè ê öàðþ èëè

ÏÎ ÃÎÐÈÇÎÍÒÀËÈ: 1. Ïûëåñîñ. 6. Ñàìîäóð.

10. Ïèàëà. 11. Èçäåëèå. 12. Ëóíîõîä. 13. Êàðòà. 14. Òâèñò.

15. Îòâåñ. 16. Ïðèçðàê. 20. Ñæàòèå. 23. Àëòàðü. 26. Äèíàìèò.

27. Ñòðåëà. 28. Îñàíêà. 29. Ãîíîðàð. 30. Ñàëüòî. 32. Ãóðìàí.

35. Ãðàíàòà. 39. Àñêåò. 41. Ôóðîð. 42. Ìåññà. 43. Óñòóïêà.

44. Ñâèíèíà. 45. Íàñîñ. 46. Àáðèêîñ. 47. Àíòðàøà. ÏÎ ÂÅÐÒÈÊÀËÈ: 1. Ïëèíòóñ. 2. Ëþäìèëà. 3. Ñàëàò. 4. Ñïåêòð. 5. Êàïðèç. 6. Ñà-

ëàêà. 7. Ìàíòî. 8. Äóõîâêà. 9. Ðàäîñòü. 16. Ïåäàãîã. 17. Èçíàíêà.

18. Ðåìàðêà. 19. Êàòîðãà.

21. Æàòâà. 22. Òðåëü. 24. Òåàòð.

25. Ðèêøà. 30. Ñòàðóõà. 31. Ëîêàòîð. 33. Ìàðêèçà. 34. Íèðâàíà. 36. Ðîìàíñ. 37. Íàñåñò.

38. Òðàññà. 40. Òóïèê. 41. Ôëèðò.

10À

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NEWSru.com Ïëàíèðóåòñÿ, ÷òî ïåðâîå âûñòóïëåíèå â ðàìêàõ ýòîãî ïðîåêòà ñîñòîèòñÿ â êîíöå 2015 ãîäà. Êýìåðîí è Cirque du Soleil ðàíåå óæå ñîòðóäíè÷àëè.  2012 ãîäó Êýìåðîí âûñòóïàë ïðîäþñåðîì 3Dêèíîâåðñèè øîó Cirque du Soleil. «Ãîäàìè ÿ îòêðûâàë äëÿ ñåáÿ èñêëþ÷èòåëüíûå òàëàíò è âîîáðàæåíèå àðòèñòîâ è ñîçäàòåëåé Cirque du Soleil. Ó íàñ îáùàÿ öåëü: ïîêàçàòü àóäèòîðèè äðóãîé óðîâåíü âïå÷àòëåíèé îò ðàçâëå÷åíèÿ. Èìåí-

íî ýòîãî ÿ õî÷ó îò ïðîåêòà», — öèòèðóåò Êýìåðîíà The Guardian. Ôèíàíñèðîâàíèåì ïîñòàíîâêè çàéìóòñÿ ïðàâîîáëàäàòåëü «Àâàòàðà», êèíîñòóäèÿ Twentieth Century Fox è ïðîäàêøí-êîìïàíèÿ Lightstorm Entertainment. «Àâàòàð» 2009 ãîäà ñòàë ñàìûì êàññîâûì ôèëüìîì âñåõ âðåìåí. Îí ñîáðàë â îáùåé ñëîæíîñòè 2,7 ìèëëèàðäà äîëëàðîâ. Â íàñòîÿùåå âðåìÿ Êýìåðîí ãîòîâèòñÿ ê ñúåìêàì ïðîäîëæåíèÿ «Àâàòàðà». Âñåãî çàïëàíèðîâàíî òðè ñèê-

âåëà ôèëüìà. Ñúåìêè ïåðâîãî íà÷íóòñÿ â îêòÿáðå 2014 ãîäà, à íà ýêðàíû îí âûéäåò â 2016 ãîäó. Äåéñòâèå ïåðâîãî ôèëüìà ïðîèñõîäèò â 2154 ãîäó. Ïî ñþæåòó ÷åëîâå÷åñòâî, ïðàêòè÷åñêè èñ÷åðïàâ ðåñóðñû íà Çåìëå, íà÷èíàåò äîáûâàòü ïîëåçíûå èñêîïàåìûå íà äðóãèõ ïëàíåòàõ è êîñìè÷åñêèõ îáúåêòàõ. Íà Ïàíäîðå — êîëîíèçèðîâàííîì ëþäüìè ñïóòíèêå ãàçîâîé ïëàíåòû â çâåçäíîé ñèñòåìå Àëüôà Öåíòàâðà — íàõîäèòñÿ öåííûé ìèíåðàë àíîáòàíèóì. Äëÿ èññëåäîâàíèÿ Ïàíäîðû èñïîëüçó-

þòñÿ àâàòàðû — èñêóññòâåííî âûðàùåííûå ãèáðèäû òåë ëþäåé è êîðåííîãî íàðîäà ñïóòíèêà íà'âè (òðåõìåòðîâûõ ñèíåêîæèõ ãóìàíîèäîâ). Ãëàâíûé ãåðîé â âèäå àâàòàðà îòïðàâëÿåòñÿ íà Ïàíäîðó äëÿ èññëåäîâàíèÿ íðàâîâ ìåñòíûõ æèòåëåé, ÷òî â áóäóùåì äîëæíî ðàñøèðèòü âîçìîæíîñòè çåìëÿí ïî äîáû÷å àíîáòàíèóìà. Êàíàäñêàÿ êîìïàíèÿ Cirque du Soleil («Öèðê Ñîëíöà») îïðåäåëÿåò ñâîþ äåÿòåëüíîñòü êàê ñî÷åòàíèå öèðêîâîãî èñêóññòâà è óëè÷íûõ ïðåäñòàâëåíèé. Ïîä áðåíäîì Cirque du Soleil áûëî âûïóùåíî áîëåå 30 øîó. www.DallasTelegraph.com/56242 Russian www.DallasTelegraph.com/en/56242 English

Àíäæåëèíà Äæîëè óäîñòîåíà

ðûöàðñêîãî îðäåíà Êîðîëåâà Âåëèêîáðèòàíèè Åëèçàâåòà II óäîñòîèëà àìåðèêàíñêóþ àêòðèñó Àíäæåëèíó Äæîëè îðäåíà Ñâÿòîãî Ìèõàèëà è Ñâÿòîãî Ãåîðãèÿ. Âûñîêàÿ íàãðàäà, êîòîðóþ 39-ëåòíÿÿ êèíîçâåçäà ïîëó÷èëà çà ãóìàíèòàðíóþ äåÿòåëüíîñòü, äàëà áû åé ïðàâî íà ðûöàðñêîå çâàíèå. Îäíàêî, ïîñêîëüêó Äæîëè íå ÿâëÿåòñÿ ïîääàííîé åå âåëè÷åñòâà, åé ïðèäåòñÿ óäîâëåòâîðèòüñÿ çâàíèåì «ïî÷åòíîé äàìû».

NEWSru.co.il Áóäó÷è ñïåöèàëüíûì ïðåäñòàâèòåëåì ÎÎÍ ïî äåëàì áåæåíöåâ, Äæîëè â ïîñëåäíåå âðåìÿ óäåëÿåò ýòîé äåÿòåëüíîñòè çíà÷èòåëüíî áîëüøå âíèìàíèÿ, ÷åì

àêòåðñêîé êàðüåðå. Îíà ÷àñòî ïîñåùàåò çîíû êîíôëèêòà, ïîìîãàåò â ìîáèëèçàöèè ñðåäñòâ, âîçãëàâëÿåò ãóìàíèòàðíûé ôîíä, çàíèìàþùèéñÿ ïðåäîòâðàùåíèåì ñåêñóàëüíîãî íàñèëèÿ.

«Ýòî î÷åíü öåííàÿ íàãðàäà, âåäü ÿ õî÷ó ïîñâÿòèòü ýòîìó ñâîþ æèçíü. Äëÿ ìåíÿ áîëüøàÿ ÷åñòü ó÷àñòâîâàòü â äåÿòåëüíîñòè ôîíäà, ïîìîãàòü æåíùèíàì, ñòàâøèì æåðòâàìè èçíàñèëîâàíèé. ß çíàþ, ÷òî äëÿ ðåøåíèÿ ýòîé

çàäà÷è ïîòðåáóåòñÿ öåëàÿ æèçíü, è ãîòîâà, ÷òîáû ýòî áûëà ìîÿ æèçíü», — ñêàçàëà Äæîëè. Àêòðèñà íå ñòàëà ïåðâûì ïðåäñòàâèòåëåì ÑØÀ, óäîñòîåííûì ïî÷åòíîãî ðûöàðñòâà. Ñðåäè òåõ, êîìó ïðèñâàèâàëñÿ òèòóë — ïðåçèäåíò Ðîíàëüä Ðåéãàí, ðåæèññåð Ñòèâåí Ñïèëáåðã, îñíîâàòåëü êîìïàíèè Microsoft Áèëë Ãåéòñ. www.DallasTelegraph.com/56240 Russian www.DallasTelegraph.com/en/56240 English

11À

ÔÎÒÎÐÅÏÎÐÒÀÆ

Friday, June 13, 2014

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Ñ «Êðóòî» òû ïîïàë íà ëîäêó! Íà ñàìîì äåëå ñëîâî «Êðóòî», âûíåñåííîå â çàãîëîâîê ýòîãî ìàòåðèàëà — ýòî íàçâàíèå íîâîé âîäêè Kruto îò óêðàèíñêîãî ïðîèçâîäèòåëÿ. Ñîâëàäåëüöû êîìïàíèè, ïðîèçâîäÿùåé ýòó âîäêó — Åâãåíèé Ãðýéôåð è Ðîìàí Òàëèñ — ïðèåõàëè â Àìåðèêó èç Ëèòâû â 1996 ãîäó è èç Óçáåêèñòàíà â 1978 ãîäó ñîîòâåòñòâåííî. Ó îáîèõ êîðíè çàòåðÿëèñü ãäå-òî â Óêðàèíå. Ðóññêîÿçû÷íûå òåõàñöû âëîæèëè ñâûøå 5 ìèëëèîíîâ äîëëàðîâ â ïîêóïêó ñïèðòçàâîäà â Ëóãàíñêå è â 2012 ãîäó íà÷àëè ïðîèçâîäèòü Kruto Original è Kruto Flawless. Ñåãîäíÿ âîäêà øèðîêî ïðåäñòàâëåíà â Òåõàñå, åå ìîæíî íàéòè â àññîðòèìåíòå ìíîãèõ áàðîâ, ðåñòîðàíîâ è òàêèõ âèííî-âîäî÷íûõ ìàãàçèíîâ, êàê Goody Goody Liquors è Sigel’s Beverages. Òåêñò è ôîòî Ñåðãåÿ è Ëþäìèëû Òàðàí

Åñëè ïîñìîòðåòü ñòðàíè÷êó ïðîäóêòà â Facebook,

íåñêîëüêèõ ÷àñîâ ïëàâàë ïî Ëüþèñâèëëüñêîìó îçåðó. Ïîçàáîòèëèñü îíè è î ïðîõëàäèòåëüíûõ íàïèòêàõ, î ñíýêå è ôðóêòàõ

äà äîñòàëàñü Îëåãó, â ïðîøëîì ïðîôåññèîíàëüíîìó ãèìíàñòó — óñåâøèñü íà øïàãàò, îí ñìîã ëåãêî ïðåîäîëåòü ïðåïÿòñòâèå.

òîíå, èñêðåííå ñîæàëåëè. Îäíàêî è òå, è äðóãèå òðåáîâàëè ïîâòîðåíèÿ âå÷åðèíêè. Îðãàíèçàòîðû ïîîáåùàëè óñòðîèòü íî-

Ñîâëàäåëåö ìàðêè Kruto Åâãåíèé Ãðýéôåð è Ìàøà Êëèìåíêî

âûé ïðàçäíèê äëÿ ðóññêîÿçû÷íîé ìîëîäåæè â êîíöå ëåòà...

Chase Me — ñëîãàí âîäêè Kruto.  öåíòðå — îðãàíèçàòîðû Russian Boat Party Àííà Ôåðìàíîâà è Êîíñòàíòèí ×åðíèêîâ

òî ëåãêî ìîæíî íàéòè çàïèñü î òîì, ÷òî êîìïàíèÿ Russian Spirits Inc., çàðåãèñòðèðîâàííàÿ â Ïëýéíî, è ïðåäñòàâëÿþùàÿ âîäêó íà òåõàññêîì ðûíêå, àêòèâíî âîâëå÷åíà âî ìíîãèå ñîöèàëüíûå, áëàãîòâîðèòåëüíûå è ìîëîäåæíûå ñîáûòèÿ ìíîãîíàöèîíàëüíîãî Äàëëàñà.  êîíöå ìàÿ, â Äåíü Ïàìÿòè, Kruto ïîääåðæàëà Russian Boat Party — ìåðîïðèÿòèå ðóññêîÿçû÷íîé ìîëîäåæè Ñåâåðíîãî Òåõàñà. Îðãàíèçàòîðîì ìåðîïðèÿòèÿ ñòàë Êîíñòàíòèí ×åðíèêîâ, à åãî êîìïàíèÿ Legacy Valet Parking Services âûñòóïèëà åùå îäíèì èç ñïîíñîðîâ ñîáûòèÿ. Ó Êîíñòàíòèíà çà ïëå÷àìè íåñêîëüêî óñïåøíûõ ìîëîäåæíûõ âå÷åðèíîê — White Night, òðàäèöèîííûé êîñòþìèðîâàííûé ïðàçäíèê íà Äåíü âñåõ Ñâÿòûõ, «Çèìíèå íî÷è», âå÷åðèíêà íà Ìåæäóíàðîäíûé æåíñêèé äåíü 8 ìàðòà. Êîíñòàíòèí — ÷åëîâåê ìîëîäîé è ýíåðãè÷íûé. Îí óìååò ïðîôåññèîíàëüíî îðãàíèçîâûâàòü äîñóã ñâîèõ ñâåðñòíèêîâ.  ýòîò ðàç åìó ïîìîãàëà åãî âåðíàÿ ñïóòíèöà ïî æèçíè

äëÿ ãîñòåé. Ìóçûêàëüíîé ÷àñòüþ çàâåäîâàë äàâíèé ïàðòíåð Êîíñòàíòèíà ×åðíèêîâà, Àðñåí Îãàíåñÿí (DJ Àðãî). Ñ êîìïàíèåé Argo Entertainment óæå áûëî ïðîâåäåíî íåìàëî ñîâìåñòíûõ ìåðîïðèÿòèé. Ïóáëèêà ëþáèò ïîäáîð ìóçûêè îò äèäæåÿ Àðãî — ðóññêî- è àíãëîÿçû÷íûå òàíöåâàëüíûå ìåëîäèè. Òàíöïîë íà ïîíòîíå áëàãîäàðÿ Àðñåíó íè÷åì íå óñòóïàë òàíöïëîùàäêàì â ñàìûõ ïðåñòèæíûõ íî÷íûõ êëóáàõ Äàëëàñà. Ìîëîäåæü âåñåëèëàñü îò äóøè. Ñòàðøåå ïîêîëåíèå, êîìó çà 30, îòäûõàëè â áåñåäàõ — âñå ñîáðàâøèåñÿ äðóã äðóãà çíàëè è ìíîãèå äàâíî íå âèäåëèñü. Íà âðåìÿ íåäîëãîé îñòàíîâêè ïîíòîíà æåëàþùèå ñìîãëè èñêóïàòüñÿ, ïîñëå ÷åãî âå÷åðèíêà ïðîäîëæèëàñü. Ñàìîé âåñåëîé è øóìíîé ÷àñòüþ Russian Boat Party ñòàë êîíêóðñ-èãðà îò Capelli Salon, ïî óñëîâèÿì êîòîðîãî íóæíî áûëî ïðîëåçòü ïîä ïàëêîé, êîòîðàÿ îïóñêàëàñü âñå íèæå è íèæå. Íàñòîÿùàÿ áîðüáà ðàçâåðíóëàñü ìåæäó

Ìîëîäåæü âûáèðàåò The Dallas Telegraph

Ïëàâàíèå ïî îçåðó òîëüêî ðàçäðàçíèëî, â ïðÿìîì è ïåðåíîñíîì ñìûñëàõ, àïïåòèò ó ìîëîäåæè — âå÷åðèíêà ïðîäîëæèëàñü óæå íà áåðåãó, â áëèæàéøåì ðåñòîðàí÷èêå. Ïîçæå ãîñòè Russian Boat Party,

Îëåã Øòåðåá ãîòîâèòñÿ ê ñâîåìó çíàìåíèòîìó ãèìíàñòè÷åñêîìó øïàãàòó

è åäèíîìûøëåííèê — êðåàòèâíûé äèðåêòîð è ñòèëèñò ñàëîíà Capelli Àííà Ôåðìàíîâà. Îðãàíèçàòîðû ïðèãëàñèëè âñåõ ãîñòåé íà ïîíòîí, êîòîðûé â òå÷åíèå

Îëåãîì Øòåðåá è Ðàôàýëåì Áàáàäæàíîâûì — êàæäûé èç ó÷àñòíèêîâ õîòåë ïîëó÷èòü çàâåòíóþ 100-äîëëàðîâóþ ïîäàðî÷íóþ êàðòó îò ïðåñòèæíîãî äàëëàññêîãî ñàëîíà. Ïîáå-

êîììåíòèðóÿ ìåðîïðèÿòèå, íå ñòåñíÿëèñü â îöåíêàõ: «Ýòî áûë ïðîñòî âçðûâ!», «Ñàìàÿ ëó÷øàÿ âå÷åðèíêà!» À òå, êòî íå ñìîã ñ ìóçûêîé è âåòåðêîì ïðîêàòèòüñÿ íà ïîí-

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12À

ÔÎÒÎÐÅÏÎÐÒÀÆ

Friday, June 13, 2014

www.DallasTelegraph.com

Âñå ôëàãè áûëè â ãîñòè ê íàì! ïðåäñòàâèòåëè 100 íàöèé îòïðàçäíîâàëè â Äàëëàñå Äåíü çàùèòû äåòåé  êàæäîé íàöèè ñóùåñòâóåò ñâîé òàê íàçûâàåìûé Ìåæäóíàðîäíûé Äåíü çàùèòû äåòåé: â Åâðîïå, ÷àñòüþ êîòîðîé ÿâëÿåòñÿ è Ðîññèÿ, è Áåëàðóñü, è Óêðàèíà, îí ïðàçäíóåòñÿ 1 èþíÿ. 1 àïðåëÿ îòìå÷àþò Äåòñêèé äåíü â Ìåêñèêå, 5 ìàÿ — â ßïîíèè, 20 íîÿáðÿ — â ÑØÀ. Ìíîãîíàöèîíàëüíûé DFW International Community Alliance â ýòîì ãîäó ðåøèë îòïðàçäíîâàòü Äåíü äåòåé (International Children's Day and May Day Parade) 25 ìàÿ â ñàìîì öåíòðå Äàëëàñà, â õîëëå Winspear Opera House/AT&T Performing Arts Center. Àëüÿíñ òàêæå óñòðîèë â ýòîò äåíü åùå è ìàéñêèé Ïàðàä ôëàãîâ.

Òåêñò è ôîòî Ñåðãåé Òàðàí Ó ïðàçäíèêà áûëî ìíîãî ëèö — êîðåéñêèå, òóðåöêèå,

ðîäíûå ïðîìûñëû, íî è âîâëåêàÿ èõ â èçãîòîâëåíèå ïðîñòûõ è òðàäèöèîííûõ äëÿ òîé èëè èíîé êóëüòóðû ïîäåëîê. Íàïðèìåð, çà óêðàèíñêèì ñòîëîì ãîñòè ó÷èëèñü âûøèâàòü êðåñòèêîì, ïðåäñòàâèòåëü ðóññêîÿçû÷íîé äèàñïîðû Àëåíà Ñòèâåíñ ðàñïèñûâàëà äåòñêèå ëèöà, â òîì ÷èñëå, è â öâåòàõ

íà Ïàðàä íàöèé âî âðåìÿ Îëèìïèàä — äåëåãàöèè ðàçíûõ ñòðàí â íàöèîíàëüíûõ êîñòþìàõ è êàæäàÿ ñ ôëàãîì ñâîåé ñòðàíû ïðîøëè ïî äàëëàññêèì óëèöàì. Ïî ñëîâàì Àííå Ìàðè Óýéñ-Àðìàø, ìàéñêèå ïàðàäû

øèõ ñîâåòñêèõ ðåñïóáëèê ñòàëè ÷àñòüþ ïàðàäà!» — âîñòîðæåííî âîñêëèöàåò ðóêîâîäèòåëü DFW International Community Alliance. «Åñëè âû íå ìîæåòå ïóòåøåñòâîâàòü ïî ìèðó ïî ýêîíîìè÷åñêèì ïðè÷èíàì èëè

íèö, ïðàçäíèê ïîëó÷èëñÿ íå òîëüêî êðàñî÷íûì, íî è ìóçûêàëüíûì. Íà ñöåíå íå ñìîëêàëè àôðèêàíñêèå ìåëîäèè îò äåòñêîãî êîëëåêòèâà Zimma-Rimba, èñïîëíÿþùåãî òðàäèöèîííóþ ìóçûêó Çèìáàáâå — Marimba. Âñå þíûå ó÷àñòíèêè òîðæåñòâ, îäåòûå â íàöèîíàëüíûå

Åñëè áû The Dallas Telegraph âûïóñêàëàñü íà êèòàéñêîì, òî èìåííî òàê âûãëÿäåëî áû íàçâàíèå ãàçåòû ñèðèéêà ïî íàöèîíàëüíîñòè, ÿâëÿåòñÿ áîëüøèì áëàãîñëîâåíèåì äëÿ Àëüÿíñà. Ýòî

â Åâðîïå òàêæå ñèìâîëèçèðóþò Äåíü òðóäà, ãäå ÷åñòâóþò ðàáî÷èõ ëþäåé. «È, êñòàòè,

èç-çà çàíÿòîñòè ïî ðàáîòå, âû âñåãäà ìîæåòå ó÷àñòâîâàòü â ìåðîïðèÿòèÿõ Àëüÿíñà, —

Ðóêîâîäèòåëü DFW International Community Alliance Àííå Ìàðè Óýéñ-Àðìàø — ãëàâíûé âäîõíîâèòåëü äåòñêîãî ôåñòèâàëÿ ÷åøñêèå, áîñíèéñêèå, ýôèîïñêèå, ïåðñèäñêèå è, êîíå÷íî æå ðóññêèå, àðìÿíñêèå

ðîññèéñêîãî ôëàãà, ïðåäñòàâèòåëè ßïîíèè ïðåäëàãàëè äåòÿì è âçðîñëûì ïîïðîáîâàòü

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Ñåìüÿ Ïøè÷åíêî íà ôåñòèâàëü ïðèåõàëà ïî÷òè â ïîëíîì ñîñòàâå áëàãîäàðÿ åå íåèññÿêàåìîé ýíåðãèè îðãàíèçàöèÿ åæåãîäíî ïðîâîäèò ìíîæåñòâî ìåðîïðèÿòèé, ïðîäâèãàåò â Ñåâåðíîì Òåõàñå êóëüòóðó

ñåãîäíÿ íàøè ãëàâíûå ñïîíñîðû — ïðåäñòàâèòåëè The United Food & Commercial Workers International Union (UFCW) — áóäóò èäòè âî

ïðîäîëæèëà ðàññêàç Àííå Ìàðè. — 44 ïðîöåíòà æèòåëåé Äàëëàñà ðîäèëèñü â ðàçëè÷íûõ ñòðàíàõ, çà ïðåäåëàìè ÑØÀ. È âîò ýòî

Äðóæáà íàðîäîâ è óêðàèíñêèå. Ðóññêîÿçû÷íóþ îáùèíó Ñåâåðíîãî Òåõàñà íà ïðàçäíèêå ïðåäñòàâëÿëè

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International Community Alliance Àííå Ìàðè Óýéñ-Àðìàø (Anne Marie Weiss-Armuch),

Äèñïëåé Ðóññêîé øêîëû Russian4Children DFW: (ñëåâà íàïðàâî) Ëèäèÿ Äàëèäà, Àííà Âëàäèìèðîâà, Îêñàíà Á¸ðð

Ïàñòîð Àðìÿíñêîé Ïðàâîñëàâíîé öåðêâè Ñâÿòîãî Ñàðêèñà îòåö Ãåâîíä Àäæàìèàí ñ ñóïðóãîé Ðóññêàÿ øêîëà â Àëëåíå «Russian4Children-DFW» (äèðåêòîð Àííà Âëàäèìèðîâà) è ñîâñåì åùå ìîëîäàÿ îáùåñòâåííàÿ îðãàíèçàöèÿ EurAsian Association of DFW (ðóêîâîäèòåëü Íàäåæäà Òà÷). Àðìÿíñêàÿ äèàñïîðà äåëåãèðîâàëà ïàñòîðà Àðìÿíñêîé Ïðàâîñëàâíîé öåðêâè Ñâÿòîãî Ñàðêèñà îòöà Ãåâîíäà Àäæàìèàíà, à îò óêðàèíñêîé îáùèíû áûëà çàìå÷åíà îðãàíèçàöèåé Ukrainian American Society of Texas (ðóêîâîäèòåëü Õðûñòÿ Ãåðåìåç). Êàæäàÿ èç íàöèé ñòðåìèëàñü äîñòîéíî ïðåäñòàâèòü ñâîþ êóëüòóðó è ñâîè ðåìåñëà, ïðåäëàãàÿ äåòÿì è âçðîñëûì íå òîëüêî ëèöåçðåòü íà íàöèîíàëüíûå êîñòþìû è íà-

ó÷àñòâóþùèå â ïðàçäíèêå, ïðåäëàãàëè íàïèñàíèå èìåí íà ñâîèõ ÿçûêàõ. The Dallas Telegraph îñîáåííî âïå÷àòëèëà êèòàéñêàÿ êàëëèãðàôèÿ â èñïîëíåíèè Äæîøóà Õî (Joshua Hough). Òàëàíòëèâûé ìàñòåð íàïèñàë íà êèòàéñêîì ÿçûêå íàçâàíèå ãàçåòû. Ïðè÷åì, îí äâàæäû åãî ïåðåïèñûâàë, ÷òîáû â èòîãå êèòàéñêàÿ âåðñèÿ The Dallas Telegraph ïîëó÷èëàñü ñîâåðøåííîé — â êèòàéñêèõ èåðîãëèôàõ êàæäûé èçãèá äîëæåí áûòü ïðàâèëüíî îòðàæåí íà áóìàãå. Ìàñòåð, ïî åãî ñëîâàì, î÷åíü çàáîòèòñÿ î ñâîåé ðåïóòàöèè êàëëèãðàôà, êîòîðîìó ýòî èñêóññòâî ïåðåøëî îò ïðåäêîâ. Áëàãîäàðÿ íàöèîíàëüíîìó êîëîðèòó íàöèé-ó÷àñò-

è òðàäèöèè ìíîãèõ íàðîäíîñòåé.  ýòîò ðàç áëàãîäàðÿ óñèëèÿì Àííå Ìàðè â ñàìîì ñåðäöå Äàëëàñà ñîáðàëîñü ïðèìåðíî 8 òûñÿ÷ ÷åëîâåê, ïðåäñòàâèòåëåé 100 íàöèé. Âïåðâûå â ãîðîäå ïðîøåë Ïàðàä íàöèé, òàê ïîõîæèé

ãëàâå ïàðàäà», — ñêàçàëà ãîñïîæà Óýéñ-Àðìàø. Ïàðàä ðàñòÿíóëñÿ äëèíîé êîëîííîé. Ñðåäè åãî ó÷àñòíèêîâ áûëè ïðåäñòàâèòåëè Óêðàèíû, Àðìåíèè, Ðîññèè, Òóðêìåíèñòàíà è Óçáåêèñòàíà. «Ìû ãîðäèìñÿ, ÷òî ïðåäñòàâèòåëè áûâ-

Ìóçûêàëüíîå îôîðìëåíèå ïðàçäíèêà îò êîëëåêòèâà Zimma-Rimba

ðàçíîîáðàçèå ÿçûêîâ è íàöèé ìû è ïðàçäíóåì ñåãîäíÿ â íàøåì ãîðîäå». www.DallasTelegraph.com/56230 Russian www.DallasTelegraph.com/en/56230 English